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One minute to on air, everyone! | 0:00:04 | 0:00:06 | |
-Are you all right? -All right. | 0:00:07 | 0:00:09 | |
Right, everything's ready for today's show except our new logo. | 0:00:09 | 0:00:13 | |
We haven't got one yet. It's time for a rebrand. | 0:00:13 | 0:00:16 | |
Oh. Well, I thought our new logo should be | 0:00:16 | 0:00:18 | |
a visual representation of how I feel about Hacker Time. | 0:00:18 | 0:00:21 | |
Oh, that sounds lovely, Lorraine. What have you got planned? | 0:00:21 | 0:00:25 | |
A sad face?! | 0:00:25 | 0:00:26 | |
Lolly, why do you keep working here if you don't even like it? | 0:00:26 | 0:00:29 | |
-Well, short commute, innit? -Suppose it is, really. | 0:00:29 | 0:00:33 | |
Later, loser! | 0:00:34 | 0:00:36 | |
Oh, here's mine, Mr Derek. | 0:00:37 | 0:00:39 | |
No, Herman, no. | 0:00:39 | 0:00:40 | |
HERMAN SIGHS | 0:00:40 | 0:00:43 | |
-You all right, cocker? -Oh, Hacker, it's brilliant! | 0:00:43 | 0:00:47 | |
It's colourful, it's abstract, | 0:00:47 | 0:00:49 | |
it really sums up what Hacker Time is all about. | 0:00:49 | 0:00:52 | |
-Well done! -Eh? No, that's just my snot, cocker. | 0:00:52 | 0:00:56 | |
I sneezed on this bit of card because I couldn't find any tissue. | 0:00:56 | 0:00:59 | |
Oh, well, at least it could go viral! | 0:00:59 | 0:01:02 | |
-Run the titles. -HACKER SNEEZES | 0:01:02 | 0:01:05 | |
HACKER LAUGHS | 0:01:05 | 0:01:07 | |
# You gotta watch this | 0:01:09 | 0:01:11 | |
# You gotta watch this | 0:01:13 | 0:01:14 | |
# You gotta watch this | 0:01:16 | 0:01:19 | |
# My, my, my, my programme hits you So hard | 0:01:19 | 0:01:23 | |
# Makes me say Oh, my word! | 0:01:23 | 0:01:25 | |
# Thank you for watching me It's telly | 0:01:25 | 0:01:27 | |
# But not what you normally see | 0:01:27 | 0:01:28 | |
# It feels good There's out-takes, too | 0:01:28 | 0:01:30 | |
# Comedy, guests and clips It's true | 0:01:30 | 0:01:31 | |
# So sit back, don't move too much This is a show... | 0:01:31 | 0:01:34 | |
# Ha! ..you can't touch | 0:01:34 | 0:01:36 | |
# Stop! Hacker time! # | 0:01:36 | 0:01:38 | |
Thank you. | 0:01:38 | 0:01:40 | |
OK, stand by, everyone, we are on air in five, four... | 0:01:40 | 0:01:44 | |
-Well, is the celebrity guest here? -..three, two... | 0:01:44 | 0:01:47 | |
-He's just coming now. -Woohoo! | 0:01:47 | 0:01:49 | |
Hi, my good sir, it's me, Ricky Martin, AKA Art Ninja, | 0:01:50 | 0:01:53 | |
here to record some new episodes of Art Ninja. | 0:01:53 | 0:01:56 | |
Certainly, sir, but don't you, um, need the toilet first? | 0:01:56 | 0:02:00 | |
-Uh, no, I'm fine, but thank you. -Yeah, go on, nip in. | 0:02:00 | 0:02:03 | |
You might as well have a little go. | 0:02:03 | 0:02:05 | |
-Have a go, yeah, make a bit of room. -I don't need to go to the toilet. | 0:02:05 | 0:02:08 | |
Get in the toilet. | 0:02:08 | 0:02:09 | |
Ready, Hacker! | 0:02:09 | 0:02:11 | |
Good. Nice of him to drop in. | 0:02:11 | 0:02:13 | |
-TOILET FLUSHES -Ha-ha, drop in. | 0:02:13 | 0:02:16 | |
Oh, no, no, no! | 0:02:16 | 0:02:18 | |
RICKY YELLS | 0:02:18 | 0:02:21 | |
HACKER WHISTLES | 0:02:21 | 0:02:23 | |
How long is this pipe? | 0:02:25 | 0:02:26 | |
Ladies and gentlemen, it is CBBC's Art Ninja, Ricky Martin! | 0:02:28 | 0:02:33 | |
-You all right, cocker? Welcome to Hacker Time. -Oh, Hacker. | 0:02:37 | 0:02:41 | |
Sorry, man, I'm not doing this. | 0:02:41 | 0:02:42 | |
Oh, come on, Ricky, | 0:02:42 | 0:02:44 | |
we need you to stay and use your art skills to improve our new logo. | 0:02:44 | 0:02:48 | |
-Well, art skills I can do. -Belting! Cheers, cocker. | 0:02:48 | 0:02:52 | |
What do you think of that? | 0:02:57 | 0:02:59 | |
It's perfect! It's new, exciting and refreshing. | 0:02:59 | 0:03:02 | |
Hey, time to find out if you'll be of any more value to me. | 0:03:02 | 0:03:05 | |
Derek, tell me more about this man's sad little life. | 0:03:05 | 0:03:10 | |
Coming up, me little owl. | 0:03:10 | 0:03:11 | |
-What are you doing? -That's the wrong button. | 0:03:14 | 0:03:17 | |
Oh! | 0:03:17 | 0:03:18 | |
That's better. | 0:03:18 | 0:03:19 | |
Hi-yah! This is Ricky Martin, also known as the Art Ninja. | 0:03:19 | 0:03:24 | |
Ricky's got one hand much bigger than the other. | 0:03:24 | 0:03:26 | |
And he's always forgetting to wash it after he's been painting. | 0:03:26 | 0:03:29 | |
What a mucky fellow! | 0:03:29 | 0:03:31 | |
Ricky is also a dab hand at knitting and is currently making himself | 0:03:31 | 0:03:35 | |
some gloves out of his own snot. | 0:03:35 | 0:03:37 | |
Ricky loves gardening, but he can't afford any secateurs, | 0:03:37 | 0:03:40 | |
so he uses his hands instead. | 0:03:40 | 0:03:42 | |
And that's everything you don't need to know about Ricky Martin. | 0:03:42 | 0:03:45 | |
Hey, looks like you really live la vida loca, don't you, cocker? | 0:03:45 | 0:03:49 | |
Now, Ricky, since you're a talented artist and painter, | 0:03:49 | 0:03:53 | |
could you, um... | 0:03:53 | 0:03:56 | |
paint me skirting boards for me, please? | 0:03:56 | 0:03:57 | |
It's just a basic white gloss job. | 0:03:57 | 0:03:59 | |
I just can't be bothered doing it meself. | 0:03:59 | 0:04:01 | |
I've got a bad track record when it comes to decorating | 0:04:01 | 0:04:03 | |
people's flats, made a right mess of Sarah's once. | 0:04:03 | 0:04:05 | |
I know, she told me. Still do it, cocker, I'll make you a brew. | 0:04:05 | 0:04:09 | |
Larry, paint us a picture of the rest of the programme, will you? | 0:04:09 | 0:04:12 | |
Certainly, Hacker. Today's show is a work of art. | 0:04:12 | 0:04:15 | |
Coming up... | 0:04:15 | 0:04:16 | |
It'll be friendly. | 0:04:16 | 0:04:18 | |
Off you pop, get out, nip out. | 0:04:18 | 0:04:21 | |
-Fragrant. -HE BREAKS WIND | 0:04:21 | 0:04:24 | |
And potentially fatal. | 0:04:24 | 0:04:26 | |
SHE YELLS, CRASH | 0:04:26 | 0:04:28 | |
Oh, my spine! | 0:04:28 | 0:04:30 | |
Don't go away. | 0:04:30 | 0:04:31 | |
Ricky Martin, are you ready for your big interview? | 0:04:33 | 0:04:37 | |
-I've never been more ready. -Question one. You make things, don't you? | 0:04:37 | 0:04:41 | |
-I do. -Can you make me something? | 0:04:41 | 0:04:43 | |
What do you want me to make you? | 0:04:43 | 0:04:45 | |
A meat paste sandwich, cocker, there's the ingredients. | 0:04:45 | 0:04:47 | |
Crack on! | 0:04:47 | 0:04:48 | |
No, I'm just pulling your key chain, chain, cocker. | 0:04:50 | 0:04:52 | |
But seriously, you are good at making something out of nothing, | 0:04:52 | 0:04:55 | |
aren't you? | 0:04:55 | 0:04:56 | |
-Well, I do try, yeah. -Do you want a job on Hacker Time, then? | 0:04:56 | 0:04:59 | |
-HE LAUGHS -Now, Ricky Martin, | 0:04:59 | 0:05:02 | |
you come up with all sorts of things that people can make at home | 0:05:02 | 0:05:05 | |
using everyday items they just find lying around the house, don't you? | 0:05:05 | 0:05:09 | |
-Yes. -Well, I love joining in. | 0:05:09 | 0:05:11 | |
I do it all the time. Look at this. | 0:05:11 | 0:05:15 | |
I'm going to make... | 0:05:15 | 0:05:17 | |
the Art Ninja rug. | 0:05:17 | 0:05:19 | |
OK, I've got a nice big bit of card here. | 0:05:19 | 0:05:21 | |
Well, I don't know who's this is, but this will do, nice big card. | 0:05:21 | 0:05:24 | |
I can cut that up, who cares. | 0:05:24 | 0:05:26 | |
I've got some black wool here. | 0:05:26 | 0:05:28 | |
Oh, there's some there. | 0:05:28 | 0:05:29 | |
I'm sure nobody will miss that. | 0:05:29 | 0:05:31 | |
Now, you can get the material from anywhere you like. | 0:05:32 | 0:05:35 | |
You can even use old T-shirts and clothes. | 0:05:35 | 0:05:38 | |
Oh, look, an old shirt. A human man's shirt, that'll do. | 0:05:38 | 0:05:43 | |
Now I'm going to cut some slits up these lines about 1cm deep. | 0:05:43 | 0:05:46 | |
Let's do it. Agh! | 0:05:46 | 0:05:47 | |
There you go. I think that looks absolutely incredible. | 0:05:49 | 0:05:52 | |
That is great, that. You can't tell the difference. | 0:05:52 | 0:05:56 | |
Hacker, it's my anniversary today, | 0:05:56 | 0:05:58 | |
have you seen my shirt, | 0:05:58 | 0:06:00 | |
anniversary card, | 0:06:00 | 0:06:01 | |
a ball of expensive cashmere wool | 0:06:01 | 0:06:03 | |
I bought Mrs Breadbin as a present? | 0:06:03 | 0:06:05 | |
Um... | 0:06:05 | 0:06:07 | |
No, I haven't. No, Wilf, no. | 0:06:07 | 0:06:09 | |
No. | 0:06:09 | 0:06:10 | |
No, I haven't. | 0:06:10 | 0:06:11 | |
-HE LAUGHS -Good, that. | 0:06:11 | 0:06:14 | |
Right, on Art Ninja, I found it's so nice that you invite your | 0:06:14 | 0:06:18 | |
real-life friends to come on the show and do art with you. | 0:06:18 | 0:06:21 | |
It's so lovely, that. | 0:06:21 | 0:06:23 | |
Yeah, Mr Hacker, I wondered if you wanted to make | 0:06:23 | 0:06:25 | |
a papier-mache fruit bowl with me. | 0:06:25 | 0:06:28 | |
Get out! Get out of my sight, you pink beast! | 0:06:28 | 0:06:32 | |
You're no real friend of mine. Go on, go, go away! | 0:06:32 | 0:06:35 | |
-Off you pop, get out, nip out, get out. -Hacker! | 0:06:35 | 0:06:39 | |
You can't be rude to him, he's one of your best mates. | 0:06:39 | 0:06:41 | |
Hey, Ricky. I just wondered if you fancied making... | 0:06:41 | 0:06:44 | |
ANGRILY: Why are you talking to me? Why are you here? | 0:06:44 | 0:06:47 | |
I'm busy, go away now. | 0:06:47 | 0:06:48 | |
Don't look at me, go away. Go away. Keep going. Keep walking! | 0:06:48 | 0:06:52 | |
I can still smell you. | 0:06:52 | 0:06:53 | |
Now, Ricky, do you want to see my watercolour? | 0:06:53 | 0:06:56 | |
-I'd love to see some of your art. -Look, eh? | 0:06:56 | 0:06:58 | |
Ha-ha. My doctor says I need to keep more hydrated. | 0:06:58 | 0:07:02 | |
Do you understand? | 0:07:02 | 0:07:03 | |
Oh, that's quite... I can smell it. | 0:07:03 | 0:07:05 | |
It smells a bit wee-ty. | 0:07:05 | 0:07:06 | |
Yeah. | 0:07:06 | 0:07:08 | |
Ricardo, do you know that they say that the Mona Lisa's eyes are | 0:07:09 | 0:07:12 | |
-supposed to follow you around the room? -I do, yeah. I did hear that. | 0:07:12 | 0:07:15 | |
Well, I went to the Louvre last week and they haven't stopped | 0:07:15 | 0:07:19 | |
following me since. | 0:07:19 | 0:07:20 | |
Oh, la, la! Oh, we can see you, monsieur! | 0:07:20 | 0:07:23 | |
We can see you! | 0:07:23 | 0:07:25 | |
Right. I've got an art challenge for you, Ricky. | 0:07:25 | 0:07:28 | |
Here is a friend of mine and confidant to the show, | 0:07:28 | 0:07:31 | |
Harry Tondu. He's a lovely plump little fellow. | 0:07:31 | 0:07:35 | |
Now, I want you to make a full and accurate replica of Harry | 0:07:35 | 0:07:38 | |
utilising said materials in front of you there. | 0:07:38 | 0:07:42 | |
-Simple enough. -So, come on, | 0:07:42 | 0:07:43 | |
-crack on with the challenge. -SIREN WAILS | 0:07:43 | 0:07:46 | |
Come on. Be better. Do it more like him. Make it more accurate. | 0:07:46 | 0:07:50 | |
You've even got pom-poms for his side fluffs. | 0:07:50 | 0:07:52 | |
You're rubbish, you can't even make a basic Tondu replica out | 0:07:52 | 0:07:56 | |
of three basic items. You make me wretch. | 0:07:56 | 0:07:58 | |
SIREN WAILS | 0:07:58 | 0:08:01 | |
Well done, cocker, lovely work. | 0:08:01 | 0:08:03 | |
Not much of an Art Ninja, though, are you? | 0:08:03 | 0:08:05 | |
Larry, cut to summat else. | 0:08:05 | 0:08:08 | |
Now on Hacker Time, | 0:08:08 | 0:08:09 | |
let's check in once more into the worst hotel in Rearend-on-Sea | 0:08:09 | 0:08:14 | |
in another edition of The Accommodation Place. | 0:08:14 | 0:08:17 | |
Enjoy a stay by the calming sea. | 0:08:20 | 0:08:23 | |
Experience a warm welcome. | 0:08:23 | 0:08:26 | |
Madame. | 0:08:26 | 0:08:27 | |
Oh, get out of the way! | 0:08:27 | 0:08:30 | |
And indulge in gourmet foods. | 0:08:30 | 0:08:33 | |
This isn't just any accommodation place, | 0:08:33 | 0:08:36 | |
this is THE Accommodation Place. | 0:08:36 | 0:08:39 | |
It's just another day at the | 0:08:45 | 0:08:47 | |
Best Opulent Tip-top Ostentatious Metropolitan hotel - | 0:08:47 | 0:08:50 | |
ha-ha - B.O.T.T.O.M. | 0:08:50 | 0:08:52 | |
Business is booming. | 0:08:53 | 0:08:55 | |
-BOOMING VOICE: -I'd like to book a room, please! | 0:08:55 | 0:08:59 | |
Of course, Mr Business. | 0:08:59 | 0:09:01 | |
Ah, Susan. This is Nigel, our new intern. | 0:09:04 | 0:09:07 | |
He'll be shadowing all of the hotel employees today. | 0:09:07 | 0:09:09 | |
He wants to learn exactly how we do things round here. | 0:09:09 | 0:09:12 | |
I want you to treat him like a member of the family. | 0:09:12 | 0:09:14 | |
Very well. | 0:09:14 | 0:09:16 | |
Can I have some sweets, please, Mummy? | 0:09:16 | 0:09:19 | |
I'm not your mother. | 0:09:19 | 0:09:21 | |
Oh, forget it! I hate you! | 0:09:21 | 0:09:23 | |
I never asked to be born! | 0:09:23 | 0:09:25 | |
SUSAN CRIES LOUDLY | 0:09:25 | 0:09:28 | |
Hotel porter Herman has been told to show Nigel the ropes. | 0:09:31 | 0:09:35 | |
-Here they are, look. -Oh, very nice. -Lovely. | 0:09:35 | 0:09:39 | |
Right then, time to clean this room. | 0:09:39 | 0:09:42 | |
Is that a toilet brush? | 0:09:45 | 0:09:47 | |
What? Oh, yeah, 'tis. | 0:09:47 | 0:09:49 | |
I even use the water from the toilet to save the environment. | 0:09:50 | 0:09:54 | |
Well, what do you use to clean the toilet? | 0:09:54 | 0:09:56 | |
-Ah, well... -HERMAN CHUCKLES | 0:09:56 | 0:09:59 | |
The guests conveniently leave me these small brushes for the job. | 0:10:02 | 0:10:06 | |
Ugh! | 0:10:06 | 0:10:07 | |
Oh. | 0:10:07 | 0:10:08 | |
Now, Nigel, it's really important to trump on all the keys. | 0:10:10 | 0:10:16 | |
-HE BREAKS WIND -Your key, madame. | 0:10:16 | 0:10:20 | |
-HE BREAKS WIND -Your key, sir. | 0:10:20 | 0:10:22 | |
-HE BREAKS WIND -Your key, madame. | 0:10:23 | 0:10:27 | |
-So, why do you do this? -I don't know, it just passes the time. | 0:10:28 | 0:10:34 | |
I've got to look after that little upstart Nigel. | 0:10:34 | 0:10:37 | |
I reckon he's after my job. | 0:10:37 | 0:10:39 | |
So, I'm going to give him a tough time. | 0:10:39 | 0:10:42 | |
Nigel, go and press that big red button. | 0:10:44 | 0:10:47 | |
But it says not to press it. | 0:10:47 | 0:10:49 | |
-SHE SIGHS -Just do it! -All right. | 0:10:49 | 0:10:53 | |
SHE HUMS, MACHINE BEEPS | 0:10:54 | 0:10:57 | |
SHE YELLS, CRASH | 0:10:58 | 0:11:00 | |
Oh, my spine! | 0:11:00 | 0:11:02 | |
Whoa, whoa, whoa, what's going on here? | 0:11:02 | 0:11:05 | |
Nigel, he pressed the big red button. | 0:11:05 | 0:11:07 | |
But she told me to do it. | 0:11:07 | 0:11:10 | |
If she told you to run into a wall, would you do that? | 0:11:10 | 0:11:12 | |
Oh, Nigel, run into that wall. | 0:11:12 | 0:11:15 | |
CRASH | 0:11:15 | 0:11:17 | |
SHE LAUGHS Nigel. | 0:11:17 | 0:11:19 | |
If this behaviour continues, business could go under. | 0:11:19 | 0:11:23 | |
HE HUMS | 0:11:23 | 0:11:25 | |
Are you all right, Mr Business? | 0:11:25 | 0:11:28 | |
Oh. | 0:11:28 | 0:11:29 | |
I'm not sure that Nigel is ready for working in this industry. | 0:11:29 | 0:11:33 | |
I think I'm going to have to teach him a lesson. | 0:11:33 | 0:11:36 | |
Je voudrais un croissant. | 0:11:36 | 0:11:41 | |
Bien. | 0:11:42 | 0:11:43 | |
Right, well, that's the end of the French lesson. Now... | 0:11:44 | 0:11:49 | |
Go and get me a decaf skinny latte. | 0:11:49 | 0:11:52 | |
-No. -What do you mean no? | 0:11:52 | 0:11:54 | |
You are the lowest of the low. | 0:11:54 | 0:11:56 | |
If you want to get on in this industry, you got to do what I say. | 0:11:56 | 0:12:00 | |
Oh, no, I don't! | 0:12:01 | 0:12:03 | |
Because I'm not an intern. | 0:12:03 | 0:12:06 | |
I am the boss of this hotel chain. | 0:12:06 | 0:12:10 | |
-Look! -HE GASPS | 0:12:10 | 0:12:12 | |
-What? -Yes. | 0:12:12 | 0:12:15 | |
I've been filming for an undercover new show called | 0:12:15 | 0:12:18 | |
I'm The Boss, You Idiots. | 0:12:18 | 0:12:21 | |
Oh, well, that explains the film crew that have been | 0:12:21 | 0:12:24 | |
following you around all day. | 0:12:24 | 0:12:27 | |
Oh. Well, we've got news for you, Nigel. | 0:12:27 | 0:12:30 | |
-Because we are actually your bosses. -Yeah! | 0:12:30 | 0:12:34 | |
And we've been filming our own show called | 0:12:34 | 0:12:36 | |
No, We're The Boss, You Idiot. | 0:12:36 | 0:12:39 | |
-NIGEL'S VOICE TREMBLES -Now get out of here, you mug! | 0:12:41 | 0:12:44 | |
Oh... | 0:12:44 | 0:12:46 | |
And you, Nig. Scram, off you pop. | 0:12:48 | 0:12:51 | |
Hazah! Business is saved! | 0:12:51 | 0:12:54 | |
-HE FLATLINES -Oh! | 0:12:54 | 0:12:56 | |
-Oh, I'm alive! -BEEPS NORMALISE | 0:12:56 | 0:12:59 | |
Uh, can someone have a word with that bird? Every time! | 0:13:00 | 0:13:05 | |
I remember once being undercover. | 0:13:05 | 0:13:07 | |
-Oh, really, father? -Yes. | 0:13:07 | 0:13:10 | |
Someone hadn't changed their bedsheets in months and I grew | 0:13:10 | 0:13:13 | |
-betwixt the mattress topper. -HE LAUGHS | 0:13:13 | 0:13:16 | |
You're watching Hacker Time, | 0:13:16 | 0:13:17 | |
brought to you in association with strawberry jam. | 0:13:17 | 0:13:20 | |
If you like strawberries and you like jam, | 0:13:20 | 0:13:22 | |
then you might just like strawberry jam. | 0:13:22 | 0:13:24 | |
Contains no real strawberries. | 0:13:24 | 0:13:26 | |
Or jam! | 0:13:26 | 0:13:28 | |
-Mr Derek. -HE SQUEALS | 0:13:28 | 0:13:30 | |
Take what you want. Take anything! Take my owl collection. | 0:13:30 | 0:13:34 | |
Oh, no, Mr Derek. Look. | 0:13:34 | 0:13:37 | |
-It's me, it's Herman. -Well, what are you dressed like that for? | 0:13:37 | 0:13:42 | |
I have rebranded myself as a presenting ninja. | 0:13:42 | 0:13:46 | |
Yeah. | 0:13:46 | 0:13:48 | |
I can chop through difficult situations, | 0:13:48 | 0:13:50 | |
ask lots of quickfire questions and sneak up on people. | 0:13:50 | 0:13:55 | |
In a good way. | 0:13:55 | 0:13:56 | |
Herman, you know what? This is your greatest idea yet. | 0:13:56 | 0:14:00 | |
Thank you, Mr Derek. Thank you. | 0:14:00 | 0:14:03 | |
Yes, with that ninja outfit, I don't have to look at your repulsive face. | 0:14:03 | 0:14:09 | |
Now take out the bins. Woohoo! | 0:14:09 | 0:14:11 | |
When it rains, look for the rainbow, Herman. | 0:14:13 | 0:14:16 | |
-Look for the rainbow. -HE SNIFFLES | 0:14:16 | 0:14:19 | |
Coming back to studio in three, two, one... | 0:14:19 | 0:14:24 | |
And cue! | 0:14:24 | 0:14:25 | |
Richard, what makes something art? | 0:14:25 | 0:14:28 | |
Well, art can be absolutely anything, | 0:14:28 | 0:14:30 | |
whatever you see to be beautiful or interesting, anything at all. | 0:14:30 | 0:14:33 | |
-Is this art? -No. | 0:14:33 | 0:14:35 | |
-Is this art? -No. | 0:14:35 | 0:14:38 | |
-Is this art? -No. | 0:14:38 | 0:14:40 | |
Thought not. It's just so hard to know what art is. | 0:14:40 | 0:14:44 | |
In fact, it makes me want to sing. Hit it. | 0:14:44 | 0:14:47 | |
# Is this art? | 0:14:54 | 0:14:55 | |
# Is this art? It's hard to know where to start? | 0:14:55 | 0:14:59 | |
# Is this top hat for an ant as brilliant as a Rembrandt? | 0:14:59 | 0:15:04 | |
# Is this mouse with a banjo finer than Michelangelo? | 0:15:04 | 0:15:09 | |
# Is this photo of a photo as abstract as a Picasso? | 0:15:09 | 0:15:14 | |
# Is this mouldy piece of cheese as inspiring as a Matisse? | 0:15:14 | 0:15:19 | |
# Is this rock tied in a bow as grand as a van Gogh? | 0:15:19 | 0:15:24 | |
# Is this pea in a bowl as accomplished as a Warhol? | 0:15:24 | 0:15:30 | |
# Is this pineapple in a cardi as surreal as a Dali? | 0:15:30 | 0:15:35 | |
# Is this scared-looking flee as great as a da Vinci? | 0:15:35 | 0:15:40 | |
# Is this art? | 0:15:40 | 0:15:41 | |
# Is this art? It's hard to know where to start. # | 0:15:41 | 0:15:45 | |
Is this song art? | 0:15:45 | 0:15:48 | |
-Yay! What do you think of that, cocker? -It definitely was not art. | 0:15:49 | 0:15:52 | |
SCHOOL BELL RINGS | 0:15:52 | 0:15:54 | |
Oh, that's lunch. Are you hungry, Ricky? | 0:15:54 | 0:15:56 | |
I'm starved, yeah, I'm really hungry. | 0:15:56 | 0:15:58 | |
Well, you like making things, don't you? So make your own lunch. | 0:15:58 | 0:16:01 | |
Bye-bye. # La, la, la, la, la. # | 0:16:01 | 0:16:03 | |
Oh, I hope it's rissoles. | 0:16:04 | 0:16:06 | |
I'm really quite hungry. Is that banana still around here? | 0:16:08 | 0:16:12 | |
Hello? | 0:16:12 | 0:16:13 | |
Wilf, you're not listening to me properly these days. | 0:16:19 | 0:16:22 | |
Oh, yeah, yeah, a week Tuesday. | 0:16:22 | 0:16:24 | |
Wilf, this is exactly what I'm talking about. | 0:16:24 | 0:16:27 | |
Will you please just listen to me?! | 0:16:27 | 0:16:30 | |
I said a week Tuesday! | 0:16:30 | 0:16:32 | |
-I think I'll have the dressed crab, please. -Sure thing. | 0:16:33 | 0:16:37 | |
Look, it's a crab in a dress, innit? | 0:16:37 | 0:16:40 | |
Wilf, that's not what the customer meant. | 0:16:40 | 0:16:42 | |
That's OK, I'll just have the Caesar salad. | 0:16:42 | 0:16:44 | |
-Et tu, Brute. -Wilf! | 0:16:46 | 0:16:48 | |
I tell you what, I'll have the chicken tikka, | 0:16:48 | 0:16:51 | |
pilau rice and naan bread, please. | 0:16:51 | 0:16:54 | |
Of course, here you go. | 0:16:54 | 0:16:55 | |
A chicken ticker. A chicken clock, innit? | 0:16:55 | 0:16:58 | |
Pillow rice. | 0:16:59 | 0:17:01 | |
And a nan bread. | 0:17:01 | 0:17:03 | |
"Crabs wore much longer dresses back in my day." | 0:17:03 | 0:17:05 | |
HE SIGHS I've had enough of this. Goodbye! | 0:17:05 | 0:17:09 | |
-Wilf! -What? | 0:17:10 | 0:17:12 | |
You don't listen, do you? You've ruined today's menu. | 0:17:12 | 0:17:16 | |
Mrs Breadbin, I'm...I'm sorry. | 0:17:16 | 0:17:21 | |
Oh, it's OK, Wilf. I know you mean well. | 0:17:21 | 0:17:25 | |
Oh, we've had our fair share of ups and downs, | 0:17:25 | 0:17:29 | |
but we've stuck together. | 0:17:29 | 0:17:32 | |
So, Wilfred, | 0:17:32 | 0:17:34 | |
I forgive you. | 0:17:34 | 0:17:36 | |
You what, love? I wasn't listening to a word of that. | 0:17:36 | 0:17:38 | |
Wilf! | 0:17:38 | 0:17:40 | |
I'll fire up the van! | 0:17:40 | 0:17:42 | |
SCHOOL BELL RINGS | 0:17:42 | 0:17:44 | |
And now we present something that is worthy of the Tate Modern, | 0:17:44 | 0:17:48 | |
it's Hacker and Ricky in... | 0:17:48 | 0:17:50 | |
All right, cockers, it's day of the Art Ninja parody. | 0:17:56 | 0:18:01 | |
-First up, let's hear from my ninja apprentices. -Yeah. | 0:18:01 | 0:18:04 | |
Hi, Ricky and Hacker, | 0:18:04 | 0:18:06 | |
can you show me how to make a rocket ship with a washing up bottle? | 0:18:06 | 0:18:09 | |
Easy! | 0:18:09 | 0:18:11 | |
You'll need... | 0:18:11 | 0:18:12 | |
A degree in aeronautical engineering and some heavy investment and | 0:18:14 | 0:18:18 | |
most likely the use of NASA's facilities. | 0:18:18 | 0:18:21 | |
Thanks, Hacker! | 0:18:21 | 0:18:22 | |
-Let's hear from the next apprentice. -Let's, yes. | 0:18:22 | 0:18:25 | |
Hi, Ricky and Hacker. | 0:18:25 | 0:18:27 | |
Can you make a Doctor Who TARDIS out of a cereal box, | 0:18:27 | 0:18:30 | |
glue and blue paint? | 0:18:30 | 0:18:32 | |
I'll take this one, Ricky. Sure. | 0:18:32 | 0:18:34 | |
Take all those materials, | 0:18:34 | 0:18:35 | |
sell them online and use the money to buy a Doctor Who TARDIS. | 0:18:35 | 0:18:39 | |
Unbelievable. | 0:18:39 | 0:18:41 | |
Thanks, guys! | 0:18:41 | 0:18:43 | |
It's all right, cocker. | 0:18:43 | 0:18:44 | |
Right, now I'm going to show the viewers how to make art that | 0:18:47 | 0:18:49 | |
reverberates through time and echoes through the ages. | 0:18:49 | 0:18:52 | |
Me too! | 0:18:52 | 0:18:53 | |
HE BREAKS WIND | 0:18:53 | 0:18:56 | |
I said art! | 0:18:56 | 0:18:58 | |
Oh, I thought you said trump. It sounds quite similar to art. | 0:18:58 | 0:19:01 | |
Right. | 0:19:01 | 0:19:02 | |
Well, I'm going to show the viewers how to make a fantastic collage. | 0:19:02 | 0:19:06 | |
Hang on, I made one earlier. | 0:19:06 | 0:19:08 | |
I'll give you a hand there. Hacker, that is not a collage. | 0:19:10 | 0:19:15 | |
I know, it's a university, | 0:19:15 | 0:19:16 | |
but I thought any educational building would do. | 0:19:16 | 0:19:19 | |
Here's a quick art tip - how to draw an awesome horse. | 0:19:22 | 0:19:25 | |
Oh, go on, I'll watch you do it. | 0:19:25 | 0:19:26 | |
-You need a nice long nose like that. -Long nose. -They've got these cheeks, | 0:19:26 | 0:19:29 | |
haven't they, round the bottom? | 0:19:29 | 0:19:31 | |
-They've got the cheeks of a horse. -Yeah, cheeks of a horse. | 0:19:31 | 0:19:34 | |
-There we go. -Lovely work. -A quick art tip - how to draw a horse. | 0:19:34 | 0:19:38 | |
What a lovely horse. | 0:19:38 | 0:19:39 | |
So, Hacker, what have you got for us? | 0:19:39 | 0:19:41 | |
Well, I've just wrote myself a little reminder. | 0:19:41 | 0:19:43 | |
Yeah, he's rubbish at horses, Ricky Martin. | 0:19:49 | 0:19:51 | |
-He can't even draw a horse. -HE LAUGHS | 0:19:51 | 0:19:54 | |
Oh, it's you, innit? | 0:19:54 | 0:19:55 | |
-Right, now I'm going to show everyone how to paint Wilf. -Yeah! | 0:19:59 | 0:20:02 | |
So, Hacker, here's a tip - | 0:20:02 | 0:20:04 | |
-just paint exactly what's in front of you. -Right. | 0:20:04 | 0:20:07 | |
Nice big nose there. | 0:20:08 | 0:20:10 | |
Head. | 0:20:10 | 0:20:12 | |
-Lovely jumper. -Oh, thank you. | 0:20:13 | 0:20:15 | |
A shirt. | 0:20:15 | 0:20:16 | |
And there we are. Right, here's mine. | 0:20:16 | 0:20:19 | |
-Have a look, eh? -Wow! | 0:20:19 | 0:20:22 | |
-That's good, innit? -Pretty good, yeah. | 0:20:22 | 0:20:24 | |
-Let's see yours then. -All right. | 0:20:24 | 0:20:25 | |
-Good, innit? Eh? -What's that supposed to be? | 0:20:27 | 0:20:30 | |
You told me to paint exactly what I saw in front of me. | 0:20:30 | 0:20:33 | |
And now for the big art finale, I'm going to do an amazing sketch. | 0:20:37 | 0:20:41 | |
Ninja skills. Top that, Hacker. | 0:20:43 | 0:20:46 | |
-I have. -What do you mean? | 0:20:46 | 0:20:48 | |
Well, this whole segment of the show has been an amazing sketch. | 0:20:48 | 0:20:52 | |
It's not really been amazing. | 0:20:52 | 0:20:54 | |
Yeah, you've got a point. | 0:20:54 | 0:20:55 | |
Come on, let's work on making your sticky note horse less rubbish. | 0:20:55 | 0:20:59 | |
# Dee-dee-dee-dee-dee, HORSE! # | 0:20:59 | 0:21:02 | |
-An artist once painted me, you know? -Oh, yes? | 0:21:02 | 0:21:05 | |
Yes, he painted me green, and I haven't ever washed since. | 0:21:05 | 0:21:09 | |
I'm actually a natural blonde. | 0:21:09 | 0:21:10 | |
What? | 0:21:10 | 0:21:12 | |
Blonde as you like. | 0:21:12 | 0:21:14 | |
Now on Hacker Time, looks like someone needs a tuber. | 0:21:14 | 0:21:18 | |
A tube of toothpaste, in today's Lost And Found. And Lost Again. | 0:21:18 | 0:21:23 | |
HACKER GROANS | 0:21:28 | 0:21:30 | |
Leia, what's wrong? | 0:21:34 | 0:21:36 | |
Are you having another panic attack about the concept of raccoons? | 0:21:36 | 0:21:39 | |
No, I'm practising my best Ellie Goulding voice. | 0:21:39 | 0:21:43 | |
I want to wow the planet with some haunting, throaty singing. | 0:21:43 | 0:21:47 | |
# Ah, ah, ah... # | 0:21:47 | 0:21:49 | |
You're going to want to do something | 0:21:50 | 0:21:52 | |
about that potent breath first, Leia. | 0:21:52 | 0:21:54 | |
# Here's my ballad of hopeless introspection | 0:21:57 | 0:22:00 | |
# Sung like I'm suffering from a throat infection | 0:22:00 | 0:22:03 | |
# With my vocals so husky and hoarse | 0:22:03 | 0:22:06 | |
# I'll sing all of the Christmas adverts for the well-known stores | 0:22:06 | 0:22:09 | |
# When you start and your throaty voice sesh | 0:22:09 | 0:22:11 | |
# You better make sure that your mouth's nice and fresh | 0:22:11 | 0:22:15 | |
# You're breathing so hard that you should take a hint | 0:22:15 | 0:22:18 | |
# Roses have died Leia, please have a mint | 0:22:18 | 0:22:21 | |
# Ah, ah, ah | 0:22:21 | 0:22:23 | |
# Someone tell her what to do | 0:22:23 | 0:22:26 | |
# Ah, ah, ah | 0:22:26 | 0:22:29 | |
# About that rancid CO2 | 0:22:29 | 0:22:32 | |
-ALL: -# Oooh, potent breath | 0:22:32 | 0:22:36 | |
# I've got a case of acute halitosis | 0:22:36 | 0:22:39 | |
# Oh, potent breath | 0:22:39 | 0:22:42 | |
# Funky odours eroding our noses | 0:22:42 | 0:22:45 | |
# Oh, potent breath | 0:22:45 | 0:22:48 | |
# It's getting worse every time you exhale | 0:22:48 | 0:22:51 | |
# Oh, potent breath | 0:22:51 | 0:22:54 | |
# I've caused destruction on an international scale. # | 0:22:54 | 0:22:58 | |
Oh, no, Leia, | 0:23:00 | 0:23:01 | |
your potent breath has caused the end of the world. | 0:23:01 | 0:23:04 | |
What am I like? | 0:23:04 | 0:23:07 | |
Oh, well, at least that gives me plenty of hopeless introspection | 0:23:07 | 0:23:11 | |
to sing hauntingly about. | 0:23:11 | 0:23:12 | |
Bye! | 0:23:12 | 0:23:14 | |
HE GAGS | 0:23:14 | 0:23:17 | |
Yo, Derek McGee, you're Lost And Found rip-off was | 0:23:17 | 0:23:20 | |
completely wrong, Leia looks nothing like that. | 0:23:20 | 0:23:24 | |
-Actually, she's much hairier. -Woohoo! | 0:23:24 | 0:23:26 | |
And now we come to the climax of the show, | 0:23:26 | 0:23:30 | |
the quiz that we like to call... | 0:23:30 | 0:23:32 | |
# Beam My Guest! | 0:23:32 | 0:23:36 | |
# Beam My Guest | 0:23:36 | 0:23:39 | |
# Beam My Guest | 0:23:39 | 0:23:43 | |
# Beam! # | 0:23:43 | 0:23:44 | |
-Yes! Ricky Martin, how much do you want to go home? -Five. | 0:23:44 | 0:23:48 | |
Well, now's your chance. | 0:23:48 | 0:23:50 | |
You are standing in my budget-breaking, state-of-the-art | 0:23:50 | 0:23:52 | |
teleporter and I'm going to ask you a series of questions. | 0:23:52 | 0:23:55 | |
Get enough answers right and you'll be beamed back home. | 0:23:55 | 0:23:58 | |
Fail miserably and you'll go somewhere horrific. | 0:23:58 | 0:24:01 | |
-Hey, wait, wait, horrific? -Horrific, yeah. | 0:24:01 | 0:24:04 | |
Your time will end when you hear this sound. | 0:24:04 | 0:24:07 | |
It's difficult looking at Picasso in the eye. | 0:24:07 | 0:24:10 | |
-Are you ready? -Yes. -In that case, start the clock. | 0:24:10 | 0:24:13 | |
Question one. What phrase means doing something boring? | 0:24:13 | 0:24:17 | |
Watching what? | 0:24:17 | 0:24:18 | |
-Paint dry. -No, it's watching an episode of Hacker Time. | 0:24:18 | 0:24:22 | |
Ha-ha, that's this show. | 0:24:22 | 0:24:24 | |
Question two. Why did the painting go to jail? | 0:24:24 | 0:24:27 | |
-It was framed. -No. For major fraud. | 0:24:27 | 0:24:30 | |
You'll never get me, coppers! Ha-ha! | 0:24:30 | 0:24:33 | |
Well, by jingo, it's time for the music round. | 0:24:33 | 0:24:36 | |
Please welcome my closest confidant, chum, and all-round good guy, | 0:24:36 | 0:24:40 | |
Accordian George! | 0:24:40 | 0:24:43 | |
# It's Accordion George | 0:24:43 | 0:24:45 | |
# It's Accordion George, eh! | 0:24:45 | 0:24:47 | |
# It's Accordion George | 0:24:47 | 0:24:50 | |
# Acky G, hey, hey, hey! | 0:24:50 | 0:24:52 | |
# It's Accordion... # | 0:24:52 | 0:24:54 | |
Yes, Ricky Martin, here is a treat for you. | 0:24:54 | 0:24:56 | |
Acky G will play a well-known tune on his lovely, well-tuned acc, | 0:24:56 | 0:25:00 | |
and you have to guess what it is. | 0:25:00 | 0:25:02 | |
Take it away, AG. | 0:25:02 | 0:25:05 | |
HE PLAYS TUNE | 0:25:05 | 0:25:07 | |
Now, good luck with this, Ricky, cos I thought I was atrocious. | 0:25:26 | 0:25:29 | |
What do you think AG was playing on his lovely plump acc? | 0:25:29 | 0:25:33 | |
Ariana Grande, is it? | 0:25:33 | 0:25:34 | |
No, it wasn't, it was Zara Larsson with Lush Life. | 0:25:34 | 0:25:38 | |
Let's hear how it should have been played. | 0:25:38 | 0:25:40 | |
MUSIC: Lush Life by Zara Larsson | 0:25:40 | 0:25:43 | |
I can't believe I didn't get that. | 0:25:43 | 0:25:45 | |
Well, it was nothing like that, George, what were you playing at? | 0:25:50 | 0:25:53 | |
I thought you had learned it. Did you not get the e-mail? | 0:25:53 | 0:25:56 | |
Get away. Get rid of Acky G. | 0:25:56 | 0:25:58 | |
Let's have a big clap. Give us a wave, Acc. | 0:25:58 | 0:26:00 | |
Off you pop. | 0:26:00 | 0:26:02 | |
Why do we keep booking him? | 0:26:03 | 0:26:05 | |
-Rick, what do you get if you mix red and yellow? -Orange. | 0:26:05 | 0:26:08 | |
No, thanks, I've just had one. | 0:26:08 | 0:26:10 | |
What do you get if you mix red and yellow? | 0:26:10 | 0:26:13 | |
-Orange. -No, rellow. | 0:26:13 | 0:26:16 | |
It's difficult looking at Picasso in the eye. | 0:26:16 | 0:26:18 | |
Time's up. How did he score, Lolly? | 0:26:18 | 0:26:21 | |
MUSIC PLAYS SOFTLY | 0:26:21 | 0:26:23 | |
Well, that's our highest score yet. That means you're going home, Ricky. | 0:26:24 | 0:26:28 | |
-Yes! -Time to beam my guest. | 0:26:28 | 0:26:30 | |
Oh, Herman, make sure you pull the right lever. | 0:26:30 | 0:26:34 | |
Ha-ha-ha. | 0:26:34 | 0:26:35 | |
-I will, Mr Hacker, I will. -HE LAUGHS | 0:26:35 | 0:26:40 | |
That's not the right lever! What have you done? | 0:26:40 | 0:26:42 | |
I don't want to go there! I don't want to go there! Aaah! | 0:26:42 | 0:26:45 | |
I don't know where he's gone, but I'm sure he'll be fine. | 0:26:46 | 0:26:49 | |
Ah! | 0:26:50 | 0:26:52 | |
That's almost it for today. | 0:26:53 | 0:26:55 | |
I'm off to alphabetise my collection of tin fruits, but first, | 0:26:55 | 0:26:59 | |
there's the small matter of my awful end song. | 0:26:59 | 0:27:01 | |
Sing along if you want to. | 0:27:01 | 0:27:03 | |
# That is it for now, the end of the show | 0:27:08 | 0:27:10 | |
# I need the lav-lav so I'm going to go | 0:27:10 | 0:27:12 | |
# I'll see you next time on this show of mine | 0:27:12 | 0:27:15 | |
# Put it in your diary - it's called Hacker Time | 0:27:15 | 0:27:18 | |
# It's been amazing, there's been joy, fun and laughter | 0:27:18 | 0:27:20 | |
# This could be the year we win our first BAFTA | 0:27:20 | 0:27:22 | |
# Join again next time cos we've got much more | 0:27:22 | 0:27:24 | |
# There'll be tons of other funny stuff - it will be top drawer | 0:27:24 | 0:27:27 | |
# Ricky Martin popped along | 0:27:27 | 0:27:29 | |
# He did an amazing sketch | 0:27:29 | 0:27:32 | |
# We talked about Art Ninja | 0:27:32 | 0:27:34 | |
# Then I mistook art for trumping | 0:27:34 | 0:27:35 | |
# And the resulting odour made him wretch | 0:27:35 | 0:27:37 | |
# That is it for now, the end of the show | 0:27:37 | 0:27:39 | |
# I need the lav-lav so I'm going to go | 0:27:39 | 0:27:41 | |
# I'll see you next time on this show of mine | 0:27:41 | 0:27:44 | |
# Put it in your diary - it's called Hacker Time | 0:27:44 | 0:27:46 | |
# Put it in your diary - it's called Hacker Time | 0:27:46 | 0:27:49 | |
# That is the end of today's Hacker Time! # | 0:27:49 | 0:27:52 | |
Was that art? | 0:27:52 | 0:27:54 |