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One minute to on-air. One minute. | 0:00:04 | 0:00:06 | |
Look at the state of this place. | 0:00:08 | 0:00:10 | |
Right, everyone, it's time to have a massive clear-out. | 0:00:10 | 0:00:14 | |
Oh, you're telling me. I shouldn't have had | 0:00:14 | 0:00:16 | |
that lentil curry for breakfast. STOMACH RUMBLES | 0:00:16 | 0:00:19 | |
Ooh. Oh! HE BREAKS WIND | 0:00:19 | 0:00:22 | |
No! | 0:00:22 | 0:00:23 | |
I mean it's time to have a spring clean. | 0:00:23 | 0:00:26 | |
Right ahead of you, yeah. | 0:00:26 | 0:00:27 | |
I'm just cleaning this drum suspension spring. | 0:00:27 | 0:00:29 | |
It fell out of the washing machine while I was repairing it. | 0:00:29 | 0:00:32 | |
Why does nobody understand me? I just want us to make more space. | 0:00:32 | 0:00:37 | |
Oh, it's not a problem for me. | 0:00:37 | 0:00:39 | |
Oh! STOMACH RUMBLES, HE BREAKS WIND | 0:00:39 | 0:00:42 | |
Lolly, you're my only hope! | 0:00:42 | 0:00:44 | |
How can we get rid of all this useless rubbish | 0:00:44 | 0:00:47 | |
that's hindering our lives? | 0:00:47 | 0:00:49 | |
Well, it's simple. We'll throw away our scripts. | 0:00:49 | 0:00:52 | |
They're full of useless rubbish. | 0:00:52 | 0:00:53 | |
Perfect! | 0:00:53 | 0:00:55 | |
Woohoo! | 0:00:55 | 0:00:56 | |
Run the titles! | 0:00:56 | 0:00:58 | |
HACKER BREAKS WIND Oh, I just can't stop! | 0:00:58 | 0:01:01 | |
# You gotta watch this | 0:01:05 | 0:01:06 | |
# You gotta watch this | 0:01:08 | 0:01:10 | |
# You gotta watch this | 0:01:12 | 0:01:13 | |
# My, my, my, my programme hits you So hard | 0:01:14 | 0:01:18 | |
# Makes me say Oh, my word! | 0:01:18 | 0:01:20 | |
# Thank you for watching me It's telly | 0:01:20 | 0:01:22 | |
# But not what you normally see | 0:01:22 | 0:01:24 | |
# It feels good And there's out-takes, too | 0:01:24 | 0:01:26 | |
# Comedy, guests and clips It's true | 0:01:26 | 0:01:27 | |
# So sit back, don't move too much This is a show | 0:01:27 | 0:01:30 | |
# Ha! You can't touch | 0:01:30 | 0:01:31 | |
# Stop! Hacker Time! # | 0:01:31 | 0:01:34 | |
Thank you. | 0:01:34 | 0:01:35 | |
OK, standby, everyone. We're on air in five, four, three... | 0:01:35 | 0:01:40 | |
-Well, is the celebrity guest here? -..two, one. | 0:01:40 | 0:01:42 | |
-He's coming now! -HE CHUCKLES | 0:01:42 | 0:01:45 | |
Hello. It's Paul Martin. | 0:01:45 | 0:01:46 | |
I present "Flog It!" and I'm here to film and episode. | 0:01:46 | 0:01:48 | |
Certainly, Mrs Martin, if that is your real name. | 0:01:48 | 0:01:51 | |
-But don't you need the toilet first? -No, I've already been, thanks. | 0:01:51 | 0:01:54 | |
-I'd just like to crack on. -You can crack on in there, mate. | 0:01:54 | 0:01:56 | |
There's an ancient artefact in the bowl. | 0:01:56 | 0:01:58 | |
Why don't you have a little look at it? But don't touch it. | 0:01:58 | 0:02:00 | |
Hacker, ready! | 0:02:02 | 0:02:04 | |
Good. Nice of him to drop in. | 0:02:04 | 0:02:06 | |
Ha-ha! Drop in. | 0:02:06 | 0:02:08 | |
HE SCREAMS | 0:02:09 | 0:02:12 | |
Ahh! | 0:02:12 | 0:02:14 | |
HE WHISTLES | 0:02:14 | 0:02:16 | |
Ladies and gentlemen, from "Flog It!", | 0:02:20 | 0:02:23 | |
it's antiques expert Paul Martin! | 0:02:23 | 0:02:26 | |
Ahh! | 0:02:26 | 0:02:28 | |
Welcome to Hacker Time! | 0:02:31 | 0:02:33 | |
I'm not doing this. | 0:02:33 | 0:02:35 | |
But, Paul, I've got loads of antiques for you to value. | 0:02:35 | 0:02:38 | |
Still not doing it. | 0:02:38 | 0:02:39 | |
But you love antiques and they need valuing! | 0:02:39 | 0:02:41 | |
Well, what are they? | 0:02:41 | 0:02:43 | |
The jokes in today's script, they're all ancient. | 0:02:43 | 0:02:45 | |
Including that one about all the jokes in the script being ancient. | 0:02:45 | 0:02:49 | |
Hey, talking of ancient jokes, here's Derek with the Fact File. | 0:02:49 | 0:02:53 | |
Hoo-hoo! | 0:02:53 | 0:02:55 | |
What's this? It's the wrong button. Hang on. | 0:02:55 | 0:02:59 | |
-What have you put that on for, Derek? -Who's that?! | 0:02:59 | 0:03:02 | |
'Sarah, I don't speak monkey.' | 0:03:02 | 0:03:03 | |
Come on. Press the right button. | 0:03:03 | 0:03:06 | |
Oh, this is right. | 0:03:06 | 0:03:07 | |
Paul Martin is a fine man who tells people | 0:03:07 | 0:03:09 | |
what their old-fashioned objects are worth and how big they are not. | 0:03:09 | 0:03:13 | |
He spends his days clasping his hands behind a desk | 0:03:13 | 0:03:15 | |
whilst wearing a blue blazer and clasping his hands upon | 0:03:15 | 0:03:18 | |
the wings of a plane whilst wearing a blue blazer. | 0:03:18 | 0:03:21 | |
He's presented "Flog It!" since antique times. | 0:03:21 | 0:03:23 | |
In those days, he clasped a dog and wore a brown blazer. | 0:03:23 | 0:03:27 | |
Outside work, Paul is very musical, | 0:03:27 | 0:03:30 | |
having learnt to play the U-bend from his own toilet. | 0:03:30 | 0:03:32 | |
And that's nothing you need to know about Paul Martin. | 0:03:32 | 0:03:36 | |
So, now you've seen the quality of our content, | 0:03:37 | 0:03:40 | |
are you willing to stay? | 0:03:40 | 0:03:41 | |
Absolutely not. | 0:03:41 | 0:03:43 | |
Well, maybe we can come to a little arrangement. | 0:03:43 | 0:03:45 | |
I'll give you 100! | 0:03:45 | 0:03:47 | |
-200. -500! | 0:03:47 | 0:03:49 | |
-1,000! -10 billion! | 0:03:49 | 0:03:52 | |
Done. That's a deal. | 0:03:52 | 0:03:53 | |
I can't believe you're giving me £10 billion to do this. | 0:03:53 | 0:03:57 | |
I'm not, cocker. | 0:03:57 | 0:03:58 | |
I'm giving you 10 billion jokes from today's script. | 0:03:58 | 0:04:01 | |
Shame they're so bad, they're worthless. | 0:04:01 | 0:04:03 | |
Hey, talking of worthless. Larry, what else is coming up? | 0:04:03 | 0:04:07 | |
This is a rare, limited-edition, collectable episode of Hacker Time, | 0:04:07 | 0:04:12 | |
because it might actually be funny. | 0:04:12 | 0:04:15 | |
But let's not get ahead of ourselves, hey. | 0:04:15 | 0:04:17 | |
Coming up, Paul tells us where he sleeps... | 0:04:17 | 0:04:21 | |
In a box. | 0:04:21 | 0:04:23 | |
..this happens... | 0:04:23 | 0:04:25 | |
-No! -..and Hacker says no a lot. -No! | 0:04:25 | 0:04:29 | |
No! | 0:04:29 | 0:04:31 | |
Don't go away. | 0:04:31 | 0:04:33 | |
-Now, cocker, are you ready for your big interview? -Yes. | 0:04:33 | 0:04:37 | |
Here we go. | 0:04:37 | 0:04:38 | |
Paul Martin, why have you got two first names? | 0:04:38 | 0:04:41 | |
-Are there two of you? -I wish there was. I'd get double the money. | 0:04:41 | 0:04:44 | |
Be quiet, Paul. I was directing that question at Martin. | 0:04:44 | 0:04:47 | |
I could be him as well. | 0:04:47 | 0:04:49 | |
Ooh, two for one, hey? | 0:04:49 | 0:04:51 | |
Now, you've seen many antiques over the years, | 0:04:51 | 0:04:53 | |
but what's the oldest thing you've ever laid your eyes on? | 0:04:53 | 0:04:56 | |
Something from the late 17th century, let's say, | 0:04:56 | 0:04:59 | |
on the show, yeah. | 0:04:59 | 0:05:00 | |
Hey, do you know the oldest thing I've ever laid my eyes on? | 0:05:00 | 0:05:04 | |
Go on, surprise me. | 0:05:04 | 0:05:05 | |
You! BOTH LAUGH | 0:05:05 | 0:05:08 | |
Paul Martin! | 0:05:08 | 0:05:09 | |
I'm only joking. It's not really you. | 0:05:09 | 0:05:12 | |
It's actually that outfit you're wearing. | 0:05:12 | 0:05:14 | |
Now, you've presented "Flog It!" for many years, haven't you? | 0:05:14 | 0:05:17 | |
-1,000 shows. -1,000 shows. -Yeah. | 0:05:17 | 0:05:19 | |
1,000 long, long shows. | 0:05:19 | 0:05:22 | |
Hey, do you remember that time that I was the auctioneer on "Flog It!"? | 0:05:23 | 0:05:27 | |
-You never were. -Yeah, I was! | 0:05:27 | 0:05:29 | |
Gaze your good eyes upon this antique-flavoured goodness. | 0:05:29 | 0:05:32 | |
You never were! | 0:05:32 | 0:05:33 | |
'Right now, we're hoping' | 0:05:33 | 0:05:35 | |
to turn 15p into maybe £150, who knows, £200. | 0:05:35 | 0:05:40 | |
Our final lot today is this mystery item. | 0:05:40 | 0:05:43 | |
I'll start the bidding at 15p. | 0:05:43 | 0:05:47 | |
It's with this chap at 15p. Blah-drala-la! | 0:05:47 | 0:05:49 | |
Do I hear 30 quid? Blah-drala-la! | 0:05:49 | 0:05:51 | |
60 quid... Blah-drala-la! 90 quid... | 0:05:51 | 0:05:53 | |
Blah-drala-la! That's not even legal tender, sir. 150 quid. | 0:05:53 | 0:05:56 | |
Am I hearing right? | 0:05:56 | 0:05:58 | |
Blah-drala-la! 300 quid over there. Blah-drala-la! 350! | 0:05:58 | 0:06:00 | |
370 quid. Oh, done at 370 quid. | 0:06:00 | 0:06:03 | |
Going, going, gone! | 0:06:03 | 0:06:05 | |
-£370. -Yes! | 0:06:05 | 0:06:07 | |
SHE GASPS | 0:06:07 | 0:06:09 | |
That's incredible, isn't it? | 0:06:09 | 0:06:10 | |
You've bought yourself... | 0:06:10 | 0:06:11 | |
FANFARE PLAYS | 0:06:11 | 0:06:13 | |
..15p. | 0:06:13 | 0:06:15 | |
Paul did tell you, cockers. | 0:06:15 | 0:06:16 | |
-Hey! -That is brilliant. You are good on the rostrum. | 0:06:17 | 0:06:21 | |
Now, Paul and Martin, what makes something an antique? | 0:06:21 | 0:06:25 | |
Well, something that's generally 100 years old. | 0:06:25 | 0:06:27 | |
Ooh! I own something over 100 years old. | 0:06:27 | 0:06:30 | |
-But, unfortunately, it's worthless. Have you met Wilf? -No. | 0:06:30 | 0:06:34 | |
How dare you?! I'm 99 and a half. | 0:06:34 | 0:06:37 | |
There you go. He's not 100. | 0:06:37 | 0:06:39 | |
But I am worthless. | 0:06:39 | 0:06:40 | |
Bye. | 0:06:40 | 0:06:42 | |
Well, they say the older you get, the more valuable you are. | 0:06:42 | 0:06:45 | |
Yeah, it's not always true. | 0:06:45 | 0:06:47 | |
Now, Paul or Martin, I've heard that you're an expert | 0:06:47 | 0:06:50 | |
on Victorian toilets. | 0:06:50 | 0:06:51 | |
What's in them that you find so interesting? | 0:06:51 | 0:06:53 | |
Who told you that? | 0:06:53 | 0:06:55 | |
The researchers. | 0:06:55 | 0:06:57 | |
I know nothing about Victorian loos. I'm a furniture man. | 0:06:57 | 0:07:01 | |
Although you can get a lovely mahogany loo seat. | 0:07:01 | 0:07:03 | |
-I'm currently bidding on a Victorian toilet. -Are you? | 0:07:03 | 0:07:07 | |
Going, going... | 0:07:07 | 0:07:09 | |
HE BREAKS WIND Gone! | 0:07:09 | 0:07:11 | |
Hey! That lentil curry is still playing havoc with me. | 0:07:11 | 0:07:14 | |
Oh, brilliant! | 0:07:14 | 0:07:15 | |
-Paul! No, actually, this question goes to Martin. -Martin? | 0:07:15 | 0:07:18 | |
-Martin... -Yeah, I thought so. | 0:07:18 | 0:07:20 | |
..how can you tell if an antique's genuine? | 0:07:20 | 0:07:22 | |
Well, basically, if it's silver, it's hallmarked, | 0:07:22 | 0:07:24 | |
if it's a bit of pottery, | 0:07:24 | 0:07:25 | |
it normally has a maker's impression mark. | 0:07:25 | 0:07:27 | |
So, turn it over and check the bottom. | 0:07:27 | 0:07:29 | |
Ooh! Well, I must be genuine because I've got a mark on my bottom. | 0:07:29 | 0:07:34 | |
I should have wiped after using that Victorian lav-lav. | 0:07:34 | 0:07:37 | |
Paul and Martin, here's a question for you both. | 0:07:39 | 0:07:42 | |
Why are things worth more when they're in a box? | 0:07:42 | 0:07:45 | |
-When they're in a box? -Yeah. | 0:07:45 | 0:07:47 | |
Well, because it generally means they've been well looked after | 0:07:47 | 0:07:50 | |
and they're in tiptop, mint condition. | 0:07:50 | 0:07:52 | |
Well, I've put all my priceless antiques, including Wilf, in a box. | 0:07:52 | 0:07:56 | |
I'll just leave it down here and watch it rise in value. | 0:07:56 | 0:07:58 | |
-LOUD CRASH -Oh, my wonky hip! | 0:07:58 | 0:08:01 | |
Be quiet, Wilfred! | 0:08:01 | 0:08:02 | |
-Paul... -Yes? -Thank you for being a great interviewee. | 0:08:02 | 0:08:06 | |
-And you too, Martin. -Both of us! | 0:08:06 | 0:08:08 | |
But, I'm afraid we have to leave it there because I have to go. | 0:08:08 | 0:08:11 | |
Where do you have to go now? | 0:08:11 | 0:08:13 | |
Nowhere! I just have to go. | 0:08:13 | 0:08:15 | |
Going, going... HE BREAKS WIND | 0:08:15 | 0:08:17 | |
..gone again! WATER SPLASHING | 0:08:17 | 0:08:19 | |
You need to see a doctor or a vet. | 0:08:19 | 0:08:21 | |
Larry, cut to something else quickly! | 0:08:21 | 0:08:24 | |
Will someone help me up, please? | 0:08:25 | 0:08:28 | |
Stop putting me off. | 0:08:28 | 0:08:30 | |
HE BREAKS WIND | 0:08:30 | 0:08:32 | |
Now, on Hacker Time, | 0:08:32 | 0:08:34 | |
Employee Of The Month is up for grabs | 0:08:34 | 0:08:36 | |
in The Accommodation Place. | 0:08:36 | 0:08:37 | |
'Enjoy a stay by the calming sea. | 0:08:39 | 0:08:43 | |
'Experience a warm welcome.' | 0:08:43 | 0:08:45 | |
-Madame. -Get out of the way! | 0:08:45 | 0:08:48 | |
'And indulge in gourmet food. | 0:08:50 | 0:08:52 | |
'This isn't just any accommodation place, | 0:08:53 | 0:08:56 | |
'this is THE Accommodation Place. | 0:08:56 | 0:08:59 | |
'It's Friday and there's a staff meeting being held | 0:09:04 | 0:09:07 | |
at the Best Opulent TipTop Ostentatious Metropolitan Hotel... | 0:09:07 | 0:09:11 | |
-SHE CHUCKLES -..BOTTOM. | 0:09:11 | 0:09:13 | |
Service is of the upmost importance to this hotel | 0:09:13 | 0:09:17 | |
and I believe that standards are slipping. | 0:09:17 | 0:09:19 | |
And here is your key, Mr and Mrs Standard. | 0:09:19 | 0:09:23 | |
Oh, shall we? | 0:09:23 | 0:09:25 | |
-LOUD CRASH -Oh, this floor is slippy! | 0:09:26 | 0:09:30 | |
I couldn't care less! | 0:09:30 | 0:09:31 | |
Things have to change. | 0:09:33 | 0:09:35 | |
I'm going to come up with a new way to motivate you because the | 0:09:35 | 0:09:37 | |
"current" reward scheme isn't working. | 0:09:37 | 0:09:39 | |
That's because you're not rewarding us with currants. | 0:09:39 | 0:09:42 | |
You're rewarding us with sultanas. | 0:09:42 | 0:09:45 | |
I'm going to introduce an Employee Of The Month scheme. | 0:09:45 | 0:09:47 | |
Well, that sounds better than the scheme we have now. | 0:09:47 | 0:09:51 | |
The chairs have never been so motivated. | 0:09:51 | 0:09:53 | |
Oh, I love to work! | 0:09:53 | 0:09:56 | |
Have a sultana, you creep. | 0:09:56 | 0:09:57 | |
The Employee Of The Month will be voted for by the hotel guests | 0:09:57 | 0:10:02 | |
and the winner will receive a, um... | 0:10:02 | 0:10:04 | |
-..free holiday. -THEY GASP | 0:10:05 | 0:10:08 | |
Good luck. | 0:10:08 | 0:10:09 | |
'Herman, the porter, is offering guests breakfast in bed | 0:10:09 | 0:10:13 | |
'to try and win votes for Employee Of The Month.' | 0:10:13 | 0:10:15 | |
-Breakfast in bed! -SHE SCREAMS | 0:10:15 | 0:10:18 | |
Oh, that would be lovely. | 0:10:18 | 0:10:20 | |
One moment. | 0:10:20 | 0:10:21 | |
So, here's your bacon, here's your sausages, | 0:10:21 | 0:10:26 | |
here's your beans, cereals and here's your milk. | 0:10:26 | 0:10:30 | |
Oh, and a kipper. | 0:10:30 | 0:10:32 | |
-What on earth do you think you're doing?! -Huh? | 0:10:32 | 0:10:36 | |
I always have a glass of orange juice with my breakfast! | 0:10:36 | 0:10:39 | |
Oh, well, yes, of course. One moment. | 0:10:39 | 0:10:42 | |
-Oh, thank you. -It's a pleasure. | 0:10:44 | 0:10:47 | |
I'm being very subtle about trying to win the guests' votes | 0:10:49 | 0:10:54 | |
for Employee Of The Month. | 0:10:54 | 0:10:56 | |
I want your vote! | 0:10:56 | 0:10:57 | |
And if I get it, I will increase the size of the orange juice glass | 0:10:57 | 0:11:01 | |
at breakfast, from this...to this. | 0:11:01 | 0:11:04 | |
That's almost a whole mouthful! | 0:11:06 | 0:11:08 | |
'Events manager, Lolly, is offering new spa treatments to improve | 0:11:10 | 0:11:14 | |
'her chances of winning Employee Of The Month.' | 0:11:14 | 0:11:17 | |
Ah! | 0:11:17 | 0:11:19 | |
I'm just going to put some cucumber on you to make you cool and relaxed. | 0:11:19 | 0:11:24 | |
Very relaxing, yeah. | 0:11:28 | 0:11:31 | |
And now, I'm going to further relax you | 0:11:31 | 0:11:34 | |
by playing you the soothing sounds of whales. | 0:11:34 | 0:11:38 | |
TRAFFIC BLARES OVER RADIO | 0:11:42 | 0:11:44 | |
That's Cardiff city centre. | 0:11:44 | 0:11:45 | |
KLAXON BLARES | 0:11:45 | 0:11:47 | |
To win Employee Of The Month, | 0:11:47 | 0:11:48 | |
I need to remember the golden rule - | 0:11:48 | 0:11:50 | |
the customer is always right. | 0:11:50 | 0:11:52 | |
Waiter! | 0:11:52 | 0:11:54 | |
What, what, what? | 0:11:54 | 0:11:55 | |
This meat, it tastes of chicken. | 0:11:55 | 0:11:59 | |
It is chicken, Madam. That's what you ordered. | 0:11:59 | 0:12:02 | |
Don't contradict me! Take it back! | 0:12:02 | 0:12:06 | |
Waiter! | 0:12:06 | 0:12:08 | |
This spaghetti is long and thin. | 0:12:08 | 0:12:11 | |
That's what spaghetti is. | 0:12:11 | 0:12:13 | |
Not where I come from. Spaghetti means meat and potato pie. Go on. | 0:12:13 | 0:12:18 | |
Take it back. | 0:12:18 | 0:12:20 | |
Oh, this sandwich is too bready. | 0:12:20 | 0:12:22 | |
This paella is too authentic. | 0:12:23 | 0:12:27 | |
Oh! | 0:12:28 | 0:12:29 | |
-Waiter! -What?! | 0:12:29 | 0:12:30 | |
I just wanted to say I had a really lovely meal. | 0:12:30 | 0:12:34 | |
Lovely meal?! Right, that's it! No more Mr Nice Guy. | 0:12:34 | 0:12:39 | |
I don't care what any of you ungrateful hoo-hoos think. | 0:12:39 | 0:12:42 | |
Go and find somewhere else to eat! | 0:12:42 | 0:12:44 | |
Hoo-hoo! | 0:12:44 | 0:12:46 | |
And if I'm elected as Employee Of The Month, | 0:12:47 | 0:12:50 | |
I pledge to abolish the bedroom tax. | 0:12:50 | 0:12:53 | |
Arggh! | 0:12:55 | 0:12:56 | |
Who left this tack in my bed? | 0:12:56 | 0:12:59 | |
-ALL: -Susan! Susan! Susan! | 0:12:59 | 0:13:01 | |
Susan, the guests love you. You've won Employee Of The Month. | 0:13:01 | 0:13:05 | |
Yes! And I was just spouting a load of hollow promises I can't keep. | 0:13:05 | 0:13:09 | |
So, where's my free holiday to? | 0:13:09 | 0:13:12 | |
Well, to here, of course, | 0:13:12 | 0:13:14 | |
to the Best Opulent TipTop Ostentatious Metropolitan Hotel. | 0:13:14 | 0:13:18 | |
You're kidding me! I'm not staying here! The service is rubbish. | 0:13:18 | 0:13:21 | |
You're telling me! I'm still on the floor. | 0:13:21 | 0:13:25 | |
Shut your cakehole, Mrs Standard, | 0:13:25 | 0:13:27 | |
from earlier in the episode. | 0:13:27 | 0:13:29 | |
Well, then, the award will have to go to the second-best | 0:13:29 | 0:13:31 | |
Employee Of The Month... | 0:13:31 | 0:13:33 | |
this chair. | 0:13:33 | 0:13:34 | |
Oh, I'm so happy! I need to sit down. | 0:13:34 | 0:13:40 | |
But I can't... | 0:13:40 | 0:13:41 | |
-SOBS: -I can't sit down. | 0:13:41 | 0:13:43 | |
Oh, have a sultana, you wuss. | 0:13:43 | 0:13:45 | |
Go on, there you are. | 0:13:45 | 0:13:46 | |
I can't eat. | 0:13:46 | 0:13:48 | |
'I think we've all learned a valuable lesson today. Have we?' | 0:13:48 | 0:13:53 | |
I was Employee Of The Month once, Father. | 0:13:53 | 0:13:56 | |
Wasn't that because you made all the other employees ill? | 0:13:56 | 0:13:59 | |
Well, yes. | 0:13:59 | 0:14:01 | |
Yes, it was! | 0:14:01 | 0:14:02 | |
THEY LAUGH HYSTERICALLY | 0:14:02 | 0:14:06 | |
-ON TV: -'And now a word from our sponsor, | 0:14:06 | 0:14:08 | |
'if you like pictures of celebrities' | 0:14:08 | 0:14:09 | |
doing nothing, then take a good, | 0:14:09 | 0:14:11 | |
long look at Celebrities Doing Nothing magazine. | 0:14:11 | 0:14:15 | |
And then take a good, long look at yourself. | 0:14:15 | 0:14:17 | |
Mr, Derek. | 0:14:18 | 0:14:20 | |
Every day at this point in the show. Yes, Herman? | 0:14:20 | 0:14:24 | |
Please, oh, please, can I be a presenter? I just want it all - | 0:14:24 | 0:14:29 | |
the cameras, the bright lights, the big screen. | 0:14:29 | 0:14:33 | |
-You know what, Herman? -Yeah? | 0:14:33 | 0:14:35 | |
I often think of you in the same sentence as cameras, | 0:14:35 | 0:14:38 | |
bright lights and the big screen. | 0:14:38 | 0:14:40 | |
You mean I'm finally destined for stardom? | 0:14:40 | 0:14:44 | |
No, I just think of you in the same sentence | 0:14:44 | 0:14:46 | |
and here is that sentence... | 0:14:46 | 0:14:49 | |
Herman, take those cameras, bright lights and big screen to the skip. | 0:14:49 | 0:14:53 | |
They're broken and have no place in my TV studio, just like you. | 0:14:53 | 0:14:58 | |
Goodbye! Hoo-hoo! | 0:14:58 | 0:15:00 | |
Oh, well, it's a start. | 0:15:00 | 0:15:02 | |
Coming back to studio in three, two, one... | 0:15:04 | 0:15:08 | |
And cue! | 0:15:08 | 0:15:10 | |
Now, both Paul and Martin, have you ever been serenaded on national TV? | 0:15:10 | 0:15:15 | |
-Never. -Well, now is your lucky day, cockers, | 0:15:15 | 0:15:18 | |
cos I'm going to sing a lovely song | 0:15:18 | 0:15:19 | |
and it's all about a certain man. | 0:15:19 | 0:15:21 | |
Hit it! | 0:15:21 | 0:15:22 | |
# When I'm bored to tears | 0:15:31 | 0:15:35 | |
# And wallowing in my worst fears | 0:15:35 | 0:15:39 | |
# I plug my telly Scart in | 0:15:39 | 0:15:43 | |
# Then switch the channel to Paul Martin | 0:15:43 | 0:15:47 | |
# He is the tea-time viewing slot hunk | 0:15:47 | 0:15:54 | |
# Tells hopeful folk | 0:15:54 | 0:15:58 | |
# Their possessions are junk | 0:15:58 | 0:16:01 | |
# He sifts through auction lots | 0:16:03 | 0:16:07 | |
# Like tasteless floral pots | 0:16:07 | 0:16:11 | |
# He checks chairs for dry rot | 0:16:11 | 0:16:15 | |
# He walks, talks, then exits shot | 0:16:15 | 0:16:19 | |
# He looks sharp as a razor | 0:16:19 | 0:16:24 | |
# In his natty blazer | 0:16:24 | 0:16:27 | |
# His shirts crisply-pressed | 0:16:27 | 0:16:31 | |
# Paul Martin is the best | 0:16:31 | 0:16:35 | |
# Yes! | 0:16:35 | 0:16:38 | |
# Oh, Paul Martin! | 0:16:38 | 0:16:42 | |
# You're Paul Martin! | 0:16:42 | 0:16:46 | |
# It's Paul Martin | 0:16:46 | 0:16:50 | |
# That's Paul Martin | 0:16:50 | 0:16:53 | |
# Oh-oh-oh-oh. # | 0:16:53 | 0:16:55 | |
Yeah! | 0:16:55 | 0:16:57 | |
What do you think of that, cocker? | 0:16:59 | 0:17:01 | |
That was brilliant. You really bigged me up. | 0:17:01 | 0:17:04 | |
It wasn't about you, it was about a totally different Paul Martin | 0:17:04 | 0:17:07 | |
who just happens to be an antiques expert. | 0:17:07 | 0:17:09 | |
Don't flatter yourself, Paul! | 0:17:09 | 0:17:11 | |
PAUL CHUCKLES, BELL RINGS | 0:17:11 | 0:17:13 | |
That's lunch. You wouldn't like it, Paul. It's tasteful. See you! | 0:17:13 | 0:17:17 | |
Come on. | 0:17:19 | 0:17:20 | |
HERMAN LAUGHS | 0:17:22 | 0:17:23 | |
What, 15 years on "Flog It!" for this? | 0:17:25 | 0:17:28 | |
They big me up and then they put me right down. | 0:17:28 | 0:17:31 | |
Wilfred, business is terrible. We're just not trendy enough. | 0:17:37 | 0:17:42 | |
To be fair, I am 99 and a half. | 0:17:42 | 0:17:45 | |
I think we need to relaunch as a trendy coffee shop | 0:17:45 | 0:17:49 | |
to attract more customers. | 0:17:49 | 0:17:51 | |
Ooh, here comes one now. | 0:17:51 | 0:17:53 | |
Hi there. Do you serve freshly ground coffee? | 0:17:53 | 0:17:56 | |
Yes. I freshly dropped all of our coffee on the ground, look. | 0:17:56 | 0:18:00 | |
Well, I think I will just have a small mocha. | 0:18:00 | 0:18:02 | |
Coming up. | 0:18:02 | 0:18:04 | |
Your shoes are silly! | 0:18:04 | 0:18:05 | |
Your shoes are silly! | 0:18:05 | 0:18:08 | |
Anything else? | 0:18:08 | 0:18:09 | |
Yes. A skinny cappuccino, please. | 0:18:09 | 0:18:13 | |
Here you go. This is the skinniest one we have. | 0:18:13 | 0:18:16 | |
Yeah. But it is made from full-fat cardboard. | 0:18:16 | 0:18:20 | |
Look, forget it. I'll just have a tea. | 0:18:20 | 0:18:22 | |
I mean a green tea! | 0:18:24 | 0:18:26 | |
This is ridiculous! | 0:18:29 | 0:18:31 | |
Your drinks are overpriced, | 0:18:31 | 0:18:33 | |
your atmosphere is rubbish and your Wi-Fi's terrible. | 0:18:33 | 0:18:36 | |
Oh, come on. She's not that bad when you get used to her. | 0:18:36 | 0:18:40 | |
Wilf! | 0:18:40 | 0:18:41 | |
I'll tell you what, I'll just have a simple, black coffee. | 0:18:41 | 0:18:46 | |
Certainly. | 0:18:46 | 0:18:47 | |
SPLUTTERING AND HISSING | 0:18:50 | 0:18:55 | |
HE BREAKS WIND | 0:18:55 | 0:18:58 | |
There, all done. Now, to make you that coffee. | 0:18:58 | 0:19:02 | |
-Urgh... -Wilf! | 0:19:02 | 0:19:05 | |
Oh, fire up the van. | 0:19:05 | 0:19:07 | |
-Huh! -HE BREAKS WIND | 0:19:08 | 0:19:10 | |
BELL RINGS | 0:19:10 | 0:19:11 | |
And now, Hacker Time presents Paul and Hacker in Dog It! | 0:19:13 | 0:19:18 | |
Well, I'm delighted to say this is going to be priceless. | 0:19:24 | 0:19:28 | |
Hurray! | 0:19:28 | 0:19:29 | |
No, the reaction on your face, that is, when I tell you, | 0:19:29 | 0:19:32 | |
your grandmother's teapot isn't worth a penny. | 0:19:32 | 0:19:35 | |
-Huh?! Oh! -CRASH | 0:19:35 | 0:19:37 | |
Now, has anybody else got a possession that needs valuing? | 0:19:37 | 0:19:40 | |
-I've got an antique ring. -Ooh, where is it? -Right here. | 0:19:40 | 0:19:44 | |
OLD RING TONE PLAYS | 0:19:44 | 0:19:46 | |
This ring tone is so 1998. | 0:19:46 | 0:19:48 | |
Hacker, have you got anything that's in mint condition? | 0:19:48 | 0:19:51 | |
Course I have, yeah. This mint! | 0:19:51 | 0:19:53 | |
It's a pity it's not in better condition though. | 0:19:53 | 0:19:55 | |
I've been sucking on it for three weeks. | 0:19:55 | 0:19:57 | |
What I need to see is something that could really fly at auction. | 0:19:57 | 0:20:01 | |
Well, how about this? | 0:20:01 | 0:20:03 | |
How much did that cost? | 0:20:03 | 0:20:05 | |
Well, it was going cheap at half the price. | 0:20:05 | 0:20:07 | |
At half the price! At half the price! | 0:20:07 | 0:20:09 | |
-At half the price! -See. | 0:20:09 | 0:20:11 | |
I have seen things like this before really fly | 0:20:11 | 0:20:13 | |
and then, all of a sudden, they drop. | 0:20:13 | 0:20:17 | |
-At half the price. -You were right. | 0:20:17 | 0:20:19 | |
Oh, he must have been at my lentil curry. | 0:20:19 | 0:20:22 | |
Now, what else have you brought in? | 0:20:22 | 0:20:24 | |
-Well, I've got a very elaborate table. -Great. | 0:20:24 | 0:20:27 | |
A very elaborate timetable of the Wigan bus routes. Look, | 0:20:27 | 0:20:30 | |
it includes the 6:10 Hawkley Hall Circular. Hey? | 0:20:30 | 0:20:34 | |
Enough of your nonsense, Hacker. | 0:20:34 | 0:20:36 | |
-It's time for me to get on the rostrum. -Ooh. | 0:20:36 | 0:20:39 | |
Great. That's got the steak tenderised. | 0:20:43 | 0:20:46 | |
Time to start the proceedings. | 0:20:46 | 0:20:48 | |
10, 12, 15, 18, 25, 30. | 0:20:48 | 0:20:52 | |
Bingo! Hurray! | 0:20:52 | 0:20:55 | |
Great, that's bingo done. Now, for the auction. | 0:20:55 | 0:20:57 | |
What am I bid for this first lot? | 0:20:57 | 0:20:59 | |
4.10! No, 4.20. | 0:20:59 | 0:21:01 | |
5.15! 6.45! | 0:21:01 | 0:21:03 | |
7.50! | 0:21:03 | 0:21:05 | |
-Hacker, you haven't even heard what I'm selling yet. -I know. | 0:21:05 | 0:21:09 | |
I was still looking at the times on this Wigan bus timetable. | 0:21:09 | 0:21:11 | |
I'm definitely getting the 7.50 back home. | 0:21:11 | 0:21:14 | |
And now, for a final item of the day, | 0:21:14 | 0:21:16 | |
who is going to start me off with a bid of £10,000? | 0:21:16 | 0:21:19 | |
FLY BUZZES | 0:21:19 | 0:21:21 | |
I don't know. A fly at auction. | 0:21:21 | 0:21:23 | |
I'll just swat it away with this bidding paddle. | 0:21:23 | 0:21:26 | |
That's £10,000 bid by Hacker T Dog. | 0:21:26 | 0:21:30 | |
No! | 0:21:30 | 0:21:31 | |
-20,000! -No! | 0:21:31 | 0:21:33 | |
-30,000! -No! | 0:21:33 | 0:21:35 | |
-40,000! -No! | 0:21:35 | 0:21:37 | |
£50,000! | 0:21:37 | 0:21:39 | |
Oh! I'm ruined! Unless someone else bids in the next two seconds. | 0:21:39 | 0:21:44 | |
£50,001! | 0:21:44 | 0:21:47 | |
Fair warning, I'm selling to the man | 0:21:47 | 0:21:49 | |
with the flat face and the wispy hair. | 0:21:49 | 0:21:51 | |
Going once, going twice... | 0:21:51 | 0:21:53 | |
Hurray! | 0:21:53 | 0:21:55 | |
And that's a late bid from our furry friend Hacker T Dog. | 0:21:55 | 0:21:59 | |
Sold for £600 billion! | 0:21:59 | 0:22:02 | |
What have I just bought? | 0:22:03 | 0:22:05 | |
This Hacker Time script full of worthless, antique jokes, of course. | 0:22:05 | 0:22:09 | |
-Oh, could this day get any worse? -Yep, I'm afraid it could. | 0:22:09 | 0:22:14 | |
By my watch, you've just missed the 7.50 bus home. | 0:22:14 | 0:22:19 | |
Budgies! | 0:22:19 | 0:22:20 | |
What's the worst thing you've ever bought, Father? | 0:22:21 | 0:22:24 | |
This television, because I have to watch rubbish like this! | 0:22:24 | 0:22:28 | |
HE CHUCKLES | 0:22:28 | 0:22:30 | |
HE SNORES | 0:22:30 | 0:22:31 | |
'Now on Hacker Time, | 0:22:31 | 0:22:32 | |
'it's time to join Luke and Leia' | 0:22:32 | 0:22:34 | |
for more Lost And Found...And Lost Again. | 0:22:34 | 0:22:39 | |
# Lost and found | 0:22:39 | 0:22:42 | |
# Then lost again. # | 0:22:42 | 0:22:43 | |
HACKER SHOUTS | 0:22:43 | 0:22:49 | |
-You're making a terrible racket! -I know. | 0:22:49 | 0:22:52 | |
It's badminton later. | 0:22:52 | 0:22:53 | |
This is a recording studio. You should be making music. | 0:22:53 | 0:22:57 | |
If only I could. | 0:22:57 | 0:22:59 | |
# Tried to learn some instruments but it's a total no-go | 0:22:59 | 0:23:03 | |
# I can teach you how to play a great piano solo | 0:23:03 | 0:23:06 | |
# Once I'm done with teaching you you'll play the harp and oboe | 0:23:06 | 0:23:10 | |
# What about this saxophone? Is it contract or pay-as-you-go? | 0:23:10 | 0:23:14 | |
# Why can't I play the Irish flute? | 0:23:14 | 0:23:15 | |
# Because that is a piece of fruit | 0:23:15 | 0:23:17 | |
# What about this xylophone? | 0:23:17 | 0:23:19 | |
# That's just a pile of bones | 0:23:19 | 0:23:21 | |
# Time to start with something simple | 0:23:21 | 0:23:23 | |
# Make a noise on this here cymbal | 0:23:23 | 0:23:24 | |
# Or play the big bass drum | 0:23:24 | 0:23:26 | |
# But I am devoid of thumb | 0:23:26 | 0:23:28 | |
# I can't get a decent tune out of this antique French bassoon | 0:23:28 | 0:23:31 | |
-# You're blowing into a baboon -Oh, yeah! | 0:23:31 | 0:23:35 | |
# I've formed my own string quartet | 0:23:35 | 0:23:37 | |
# You've brought the wrong castanet | 0:23:37 | 0:23:39 | |
# But it helps me catch this eel | 0:23:39 | 0:23:40 | |
# He's teaching me to play the glockenspiel | 0:23:40 | 0:23:43 | |
# I have had enough of you Gonna emigrate to China | 0:23:43 | 0:23:46 | |
# You don't know the difference between your major and your minor | 0:23:46 | 0:23:50 | |
# Who cares about triangles the cor anglais or trumpet? | 0:23:50 | 0:23:53 | |
# Think I'll have a milky brew and eat this lovely crumpet. # | 0:23:53 | 0:23:57 | |
Er... That's not a crumpet. That's a harpsichord, Leia. | 0:23:57 | 0:24:01 | |
Ahh-ahh-ahh! | 0:24:01 | 0:24:03 | |
And now, we come to the climax of the show, | 0:24:07 | 0:24:11 | |
the quiz that we like to call... | 0:24:11 | 0:24:13 | |
# Beam my guest | 0:24:13 | 0:24:16 | |
# Beam my guest | 0:24:16 | 0:24:20 | |
-ALL: -# Beam my guest | 0:24:20 | 0:24:23 | |
-# Beam! # -Guest, my guest, beam! | 0:24:23 | 0:24:27 | |
Paul, and indeed, Martin, how much do you both want to go home? | 0:24:27 | 0:24:31 | |
I really want to go. In fact, we both want to go home. | 0:24:31 | 0:24:34 | |
-We've had enough. -Well, now's your chance. | 0:24:34 | 0:24:36 | |
You are standing in my genuine 17th-century teleporter. | 0:24:36 | 0:24:40 | |
I'm going to ask you a series of questions. | 0:24:40 | 0:24:42 | |
-Get enough answers right and you'll be beamed back home. -Let's do it! | 0:24:42 | 0:24:45 | |
Fail miserably, however, and you'll go somewhere much worse. | 0:24:45 | 0:24:48 | |
-How does that sound? -Not good. | 0:24:48 | 0:24:50 | |
The time will end when you hear this sound... | 0:24:50 | 0:24:52 | |
At half the price. At half the price. | 0:24:52 | 0:24:55 | |
-Are you ready? -Yes. | 0:24:55 | 0:24:57 | |
In that case, start the clock! | 0:24:57 | 0:25:00 | |
Who is the Victorian era named after? | 0:25:00 | 0:25:02 | |
Queen Victoria. | 0:25:02 | 0:25:03 | |
No, it's King Era of Luxembourg, or something. | 0:25:03 | 0:25:06 | |
Cheap antiques are said to be going for a what? | 0:25:06 | 0:25:08 | |
-A song? -If you insist. | 0:25:08 | 0:25:10 | |
SINGS: I've got a lovely bunch of coconuts... | 0:25:10 | 0:25:13 | |
Asking the next question is Trevor Tordjman, | 0:25:13 | 0:25:16 | |
star of The Next Step and Lost And Found Music Studios. | 0:25:16 | 0:25:19 | |
I play James, who's a drummer. | 0:25:19 | 0:25:21 | |
So, that means my favourite food is chicken...? | 0:25:21 | 0:25:24 | |
Drumsticks. | 0:25:24 | 0:25:25 | |
Let's see if you're right. | 0:25:25 | 0:25:27 | |
You're incorrect. Completely wrong, in fact. It's just chicken. | 0:25:27 | 0:25:30 | |
Straight up. Actually, I already gave you the answer. | 0:25:30 | 0:25:33 | |
Next question, how many years have you been hosting "Flog It!"? | 0:25:33 | 0:25:36 | |
15. | 0:25:36 | 0:25:38 | |
No. The answer is too many years. | 0:25:38 | 0:25:41 | |
Now, Paul, Herman's holding two objects that together | 0:25:41 | 0:25:45 | |
represent a famous job, but what is it? | 0:25:45 | 0:25:48 | |
Auctioneering. | 0:25:48 | 0:25:49 | |
No. It's hammer listener. | 0:25:49 | 0:25:51 | |
It's someone who listens to the personal problems of hammers | 0:25:51 | 0:25:54 | |
and gives them advice. | 0:25:54 | 0:25:55 | |
What is an antique? | 0:25:55 | 0:25:57 | |
Something that's around 100 years old. | 0:25:57 | 0:25:59 | |
No. This is an "ant-eek". | 0:25:59 | 0:26:01 | |
-Eek! -Hey, do you understand? | 0:26:01 | 0:26:04 | |
It was an ant saying "eek". | 0:26:04 | 0:26:06 | |
At half the price. At half the price. | 0:26:06 | 0:26:09 | |
Time's up. Lolly, what's his total? | 0:26:09 | 0:26:11 | |
Oh, I don't know. I was too busy giving this hammer some advice. | 0:26:11 | 0:26:16 | |
Yeah, you see, you should have more confidence in yourself. Yeah. | 0:26:16 | 0:26:20 | |
That was weird. | 0:26:20 | 0:26:21 | |
Which means, you'll soon be going, going, gone back home. | 0:26:21 | 0:26:25 | |
What do you think about that, cocker? | 0:26:25 | 0:26:27 | |
Brilliant! Get me out of here. | 0:26:27 | 0:26:29 | |
Will do. It's time to beam my guest! | 0:26:29 | 0:26:32 | |
Oh, Herman, make sure you don't accidentally send him elsewhere. | 0:26:32 | 0:26:35 | |
Don't worry, Mr Hacker. | 0:26:35 | 0:26:37 | |
HE LAUGHS | 0:26:37 | 0:26:39 | |
No! Don't send me there! | 0:26:40 | 0:26:42 | |
I'm sure Paul and Martin are just fine. | 0:26:45 | 0:26:47 | |
That's almost it for today. | 0:26:53 | 0:26:55 | |
I'm off to cook a pork loin in a marinade of parsley and torment. | 0:26:55 | 0:26:59 | |
But first, I shall sing my abhorrent end song. | 0:26:59 | 0:27:02 | |
Join in if you know the words. | 0:27:02 | 0:27:03 | |
# That is it for now The end of the show | 0:27:09 | 0:27:11 | |
# I need the lav-lav so I'm going to go | 0:27:11 | 0:27:13 | |
# I'll see you next time on this show of mine | 0:27:13 | 0:27:16 | |
# Put it in your diary - it's called Hacker Time | 0:27:16 | 0:27:18 | |
# It's been amazing there's been joy, fun and laugher | 0:27:18 | 0:27:21 | |
# This could be the year we win our first BAFTA | 0:27:21 | 0:27:23 | |
# Join again next time cos we've got much more | 0:27:23 | 0:27:25 | |
# There'll be tons of other funny stuff - it will be top drawer | 0:27:25 | 0:27:28 | |
# Paul Martin, the antique man | 0:27:28 | 0:27:30 | |
# Helped me choose a load of things to flog | 0:27:30 | 0:27:32 | |
# I told him lots of ancient jokes | 0:27:32 | 0:27:34 | |
# But after eating a lentil curry I ended up on an old Victorian bog | 0:27:34 | 0:27:37 | |
# That is it for now The end of the show | 0:27:37 | 0:27:40 | |
# I need the lav-lav so I'm going to go | 0:27:40 | 0:27:42 | |
# I'll see you next time on this show of mine | 0:27:42 | 0:27:44 | |
# Put it in your diary - it's called Hacker Time | 0:27:44 | 0:27:47 | |
# Put it in your diary - it's called Hacker Time | 0:27:47 | 0:27:49 | |
# That is the end of today's Hacker Time! # | 0:27:49 | 0:27:52 | |
I do have more confidence! | 0:27:54 | 0:27:56 | |
I'm confident this is the worst show I've ever seen! | 0:27:56 | 0:27:59 |