Browse content similar to Strike. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Hetty. -We will make you suffer, do you understand? | 0:00:02 | 0:00:04 | |
-Yes, matron. -Do you understand?! | 0:00:04 | 0:00:06 | |
As for you, 25629. | 0:00:06 | 0:00:09 | |
Matron... | 0:00:09 | 0:00:11 | |
-I caught him... -You snitched on him. | 0:00:11 | 0:00:13 | |
I think the paint might be making the foundlings sick. | 0:00:13 | 0:00:16 | |
-If they can walk, they can work. -Hetty, go home. | 0:00:16 | 0:00:18 | |
If Gideon stays, I stay. He's my foundling brother. | 0:00:18 | 0:00:22 | |
Every year, Matron held a charity lunch and concert for the governors. | 0:00:54 | 0:00:58 | |
And that only ever meant one thing for senior foundlings - | 0:00:58 | 0:01:02 | |
Hymns. Long boring hymns. THEY SING | 0:01:02 | 0:01:08 | |
This morning, matron looked particularly cross. | 0:01:10 | 0:01:14 | |
Probably as our music teacher, Nurse Winterson, | 0:01:14 | 0:01:17 | |
mysteriously hadn't arrived. | 0:01:17 | 0:01:19 | |
# We are but little children poor | 0:01:24 | 0:01:28 | |
# And born in very low estate | 0:01:28 | 0:01:32 | |
# What can we do for Jesus' sake? # | 0:01:32 | 0:01:36 | |
This year some fancy composer had written a new hymn especially. | 0:01:38 | 0:01:42 | |
That meant for the first time, boys AND girls rehearsed together. | 0:01:44 | 0:01:48 | |
Well, together-ish. | 0:01:50 | 0:01:53 | |
# Love and grace that he made you for Jesus' sake. # | 0:01:54 | 0:02:01 | |
Beautiful. Thank you. Such impressive work for only a week. | 0:02:03 | 0:02:09 | |
It was beautiful music, Mr Melrose. | 0:02:09 | 0:02:11 | |
Oh, it's just a little ditty really. | 0:02:11 | 0:02:13 | |
Mr La-di-da was Matron's guest of honour. | 0:02:13 | 0:02:16 | |
He ran a choir school in the back of beyond, | 0:02:16 | 0:02:19 | |
probably so no-one could complain about the noise. | 0:02:19 | 0:02:21 | |
I think the first verse would work better as a solo. | 0:02:21 | 0:02:24 | |
Don't you agree? | 0:02:24 | 0:02:26 | |
Ah, yes, that can be arranged when our... | 0:02:27 | 0:02:30 | |
Ah. | 0:02:30 | 0:02:32 | |
My apologies, Matron, Mr Melrose. | 0:02:33 | 0:02:36 | |
-I'm sure a lie-in is well deserved. -GIRLS GIGGLE | 0:02:36 | 0:02:39 | |
Mr Melrose thinks the first verse should be a solo, | 0:02:43 | 0:02:46 | |
so if you could chose your singer and make sure they're up to it. | 0:02:46 | 0:02:49 | |
Right. | 0:02:49 | 0:02:50 | |
-Mr Melrose, shall we? -Oh, my hat! | 0:02:50 | 0:02:53 | |
Back to it, then. | 0:02:59 | 0:03:01 | |
Why do we ever only sing hymns? | 0:03:01 | 0:03:04 | |
Technically, Hetty, this isn't a hymn, it is a chorale. | 0:03:04 | 0:03:07 | |
Is all music this boring? | 0:03:07 | 0:03:09 | |
You don't really mean that, do you? | 0:03:09 | 0:03:12 | |
You could audition for the solo? | 0:03:12 | 0:03:14 | |
I'm all right, thanks. | 0:03:14 | 0:03:15 | |
Are you going to audition? | 0:03:16 | 0:03:18 | |
Obviously! | 0:03:18 | 0:03:19 | |
Donated by Handel, wasn't it? | 0:03:23 | 0:03:25 | |
The heart of our hospital. A symbol of its musical traditions. | 0:03:27 | 0:03:32 | |
So sad the hospital can't afford its upkeep. | 0:03:32 | 0:03:35 | |
We really are in danger of losing it forever. | 0:03:35 | 0:03:37 | |
Sad to see it fall into disrepair. | 0:03:39 | 0:03:41 | |
Well, it would be crude of me | 0:03:43 | 0:03:45 | |
to leave without offering some token of thanks, after all your hard work. | 0:03:45 | 0:03:51 | |
Oh... | 0:03:51 | 0:03:53 | |
How about £100? | 0:03:53 | 0:03:55 | |
That should cover Handel's ruddy monstrosity, don't you think? | 0:03:56 | 0:04:01 | |
Back to your wings. | 0:04:07 | 0:04:08 | |
Monica, walk! Do not run. | 0:04:15 | 0:04:18 | |
PIANO PLAYING | 0:04:26 | 0:04:28 | |
-OFF KEY: -# We are but little children poor | 0:04:30 | 0:04:33 | |
# And born in very low estate | 0:04:33 | 0:04:37 | |
Eesh... | 0:04:37 | 0:04:38 | |
She sounds like a French horn. | 0:04:38 | 0:04:40 | |
# ..for Jesus' sake, who is so high and good and great? | 0:04:40 | 0:04:47 | |
Very good, Sheila, thank you. Gideon? | 0:04:48 | 0:04:51 | |
Can Gideon sing? | 0:04:53 | 0:04:54 | |
He could when we were little. But I haven't heard him since. | 0:04:54 | 0:04:57 | |
Barely opens his mouth in Music. | 0:04:57 | 0:04:59 | |
PIANO INTRO TO HYMN | 0:05:02 | 0:05:04 | |
Everything OK? | 0:05:09 | 0:05:10 | |
-Yeah... I just... I'm... -GIRLS CHUCKLE | 0:05:10 | 0:05:14 | |
Girls. Shh. | 0:05:16 | 0:05:17 | |
INTRO TO HYMN AGAIN | 0:05:20 | 0:05:22 | |
# We are but little children poor | 0:05:25 | 0:05:29 | |
# And born in very low estate | 0:05:29 | 0:05:34 | |
# What can we do for Jesus' sake | 0:05:34 | 0:05:39 | |
# Who is so high and good and great? | 0:05:39 | 0:05:44 | |
Right. So... How would you like the solo, Gideon? | 0:05:46 | 0:05:49 | |
Sorry, girls, maybe next time. | 0:05:53 | 0:05:56 | |
Well, you kept that secret. | 0:05:59 | 0:06:01 | |
Mr Melrose's choir school takes a dozen students every year. | 0:06:01 | 0:06:05 | |
If you sing for Mr Melrose | 0:06:05 | 0:06:07 | |
before the lunch just like you sang for me now... | 0:06:07 | 0:06:11 | |
you never know. | 0:06:11 | 0:06:12 | |
What? He only started singing five minutes ago, now you want him | 0:06:12 | 0:06:16 | |
to join a Choir School? | 0:06:16 | 0:06:17 | |
-Better than getting chucked in the army. -Well done, mate. | 0:06:17 | 0:06:20 | |
-Will Gideon have to leave? -Of course not. | 0:06:26 | 0:06:28 | |
But he's good. You heard him | 0:06:28 | 0:06:29 | |
and Mr Melrose will too. What then? | 0:06:29 | 0:06:33 | |
Talent doesn't do much hidden away, Hetty. My father taught me that. | 0:06:33 | 0:06:36 | |
-Does he sing? -He used to, in music halls. | 0:06:36 | 0:06:39 | |
And now? | 0:06:39 | 0:06:41 | |
He's a war veteran. I look after him. That's why I'm here. | 0:06:41 | 0:06:44 | |
If I didn't work, we'd end up on the street. | 0:06:44 | 0:06:47 | |
What's music hall? | 0:06:47 | 0:06:49 | |
Stage shows. Songs, comedy, dances. | 0:06:49 | 0:06:52 | |
Can you teach us? | 0:06:52 | 0:06:54 | |
JAUNTY PIANO | 0:06:56 | 0:06:58 | |
# Where did you get that hat? Where did you get that tile? | 0:06:58 | 0:07:02 | |
# Isn't it a nobby one and just the proper style? | 0:07:02 | 0:07:06 | |
Is something the matter? | 0:07:09 | 0:07:10 | |
It's Nurse Winterson. | 0:07:10 | 0:07:11 | |
-Yes. Late. -I know. | 0:07:11 | 0:07:13 | |
She's been out all night. Gallivanting at the music hall. | 0:07:13 | 0:07:17 | |
Only got back first thing this morning. | 0:07:18 | 0:07:22 | |
She dropped this on the way in. | 0:07:22 | 0:07:23 | |
# Where did you get that hat? Where did you get that tile? | 0:07:25 | 0:07:30 | |
# Isn't it a nobby one and just the proper style | 0:07:30 | 0:07:33 | |
# I should like to have one just the same as that | 0:07:33 | 0:07:37 | |
# Wherever I go, they shout, "Hello, where did you..." | 0:07:37 | 0:07:41 | |
PIANO STOPS | 0:07:41 | 0:07:43 | |
Matron. | 0:07:48 | 0:07:49 | |
A word, Nurse? | 0:07:49 | 0:07:51 | |
Go to your dorms. | 0:07:55 | 0:07:57 | |
It is just a song, Matron. | 0:08:02 | 0:08:04 | |
What devilry you enjoy in your spare time is your own concern. | 0:08:13 | 0:08:17 | |
But influencing the children? | 0:08:18 | 0:08:20 | |
That is unforgivable. | 0:08:21 | 0:08:23 | |
Matron, I'm sorry. The ticket was a gift from a friend. | 0:08:23 | 0:08:27 | |
I never meant... | 0:08:27 | 0:08:28 | |
You are relieved of your duties. | 0:08:30 | 0:08:32 | |
-What? -You will clear your belongings and leave within the hour. | 0:08:32 | 0:08:36 | |
Please, you can't really... I don't really... | 0:08:36 | 0:08:41 | |
My father... | 0:08:42 | 0:08:44 | |
Pack your things and go. | 0:08:44 | 0:08:45 | |
'We were used to Matron taking every nice thing we had... | 0:08:57 | 0:09:00 | |
'..but Nurse Winterson was the last straw.' | 0:09:01 | 0:09:04 | |
If Winterson did something wrong, then she deserved to be punished. | 0:09:11 | 0:09:15 | |
She only went to a music hall! | 0:09:15 | 0:09:16 | |
Matron had it in for her. | 0:09:16 | 0:09:18 | |
She still broke the rules. | 0:09:18 | 0:09:19 | |
Her dad's sick. | 0:09:19 | 0:09:21 | |
She works so she can look after him. | 0:09:21 | 0:09:23 | |
She probably only wanted one night off. | 0:09:23 | 0:09:26 | |
We've got to get her back, somehow. | 0:09:27 | 0:09:30 | |
Whatever we do, it's still up to Matron. | 0:09:30 | 0:09:32 | |
If she doesn't like Winterson, then... | 0:09:32 | 0:09:34 | |
We could protest...? | 0:09:34 | 0:09:35 | |
Or strike. | 0:09:36 | 0:09:38 | |
I read this story in one of Nurse Macclesfield's journals. | 0:09:40 | 0:09:44 | |
These girls at a matchstick factory were getting sick | 0:09:44 | 0:09:47 | |
because of the poisonous stuff they were putting into the matches. | 0:09:47 | 0:09:50 | |
They were getting paid barely anything for it too, so, | 0:09:50 | 0:09:53 | |
one day, they refused to work until the boss agreed to change things. | 0:09:53 | 0:09:57 | |
Obviously, the boss said no. | 0:09:57 | 0:09:59 | |
But when the girls stopped working, the factory didn't make any money, | 0:10:00 | 0:10:05 | |
so eventually the boss had to give in. | 0:10:05 | 0:10:07 | |
Matron's desperate for us to impress Melrose. | 0:10:09 | 0:10:12 | |
So if we refuse to sing until she gets Winterson back, | 0:10:12 | 0:10:16 | |
she'd have to give in! | 0:10:16 | 0:10:18 | |
Matron would just punish us. | 0:10:18 | 0:10:21 | |
She can't punish everyone. If we're together, we're protected. | 0:10:21 | 0:10:25 | |
We'll outnumber her, like, 30 to one. | 0:10:25 | 0:10:27 | |
So how do we get the other 22 onside? | 0:10:27 | 0:10:29 | |
'I thought it was going to be easy.' | 0:10:32 | 0:10:34 | |
Urgh! Nobody wants to strike! | 0:10:34 | 0:10:36 | |
We can't strike on our own! | 0:10:37 | 0:10:39 | |
I know! I just don't know how to get people to sign up. | 0:10:39 | 0:10:41 | |
Just make them. | 0:10:41 | 0:10:43 | |
Make who do what? | 0:10:45 | 0:10:47 | |
Don't be dumb. | 0:10:47 | 0:10:48 | |
If I was going to rat, I'd have done it already. | 0:10:48 | 0:10:52 | |
Look, everyone's scared of Matron. You can't nag them into striking. | 0:10:52 | 0:10:56 | |
You have to make it worth their while. | 0:10:56 | 0:10:58 | |
You mean bribe them? | 0:10:58 | 0:11:00 | |
I mean negotiate. And YOU don't have to do anything. | 0:11:00 | 0:11:03 | |
I can do it. | 0:11:03 | 0:11:04 | |
Why? What's in it for you? | 0:11:05 | 0:11:08 | |
I want the solo at the concert. | 0:11:08 | 0:11:10 | |
But Winterson gave it to Gideon. | 0:11:10 | 0:11:12 | |
Matron won't care. | 0:11:12 | 0:11:13 | |
It'd only be if the strike works, and Gideon will be so happy | 0:11:13 | 0:11:16 | |
to have Winterson back he won't care less about the solo. | 0:11:16 | 0:11:19 | |
All right. | 0:11:30 | 0:11:32 | |
See you at rehearsals. | 0:11:38 | 0:11:39 | |
'Mathias was having more success getting the boys to sign up.' | 0:11:43 | 0:11:46 | |
What's your price? | 0:11:46 | 0:11:47 | |
One week of washing up. | 0:11:47 | 0:11:49 | |
'He'd worked out that everyone has their price.' | 0:11:49 | 0:11:51 | |
-Anyone else? What else? -Three days' extra food. | 0:11:51 | 0:11:54 | |
-Yeah. -Four days of laundry duties. | 0:11:54 | 0:11:56 | |
-Deal. -Deal. -Deal. | 0:11:56 | 0:11:59 | |
PIANO PLAYING | 0:12:00 | 0:12:02 | |
THEY SING HYMN 'With no music teacher any more, we had to endure | 0:12:03 | 0:12:06 | |
'Nurse Macclesfield at the piano.' | 0:12:06 | 0:12:08 | |
OFF-KEY SINGING | 0:12:08 | 0:12:10 | |
I think Macclesfield's trying to summon rain. | 0:12:14 | 0:12:16 | |
What is it? | 0:12:21 | 0:12:22 | |
I've left it upstairs. | 0:12:22 | 0:12:24 | |
What? | 0:12:24 | 0:12:26 | |
The paper, with all our names. | 0:12:26 | 0:12:28 | |
Matron. | 0:12:30 | 0:12:31 | |
PIANO STOPS | 0:12:32 | 0:12:34 | |
Who made this? | 0:12:38 | 0:12:39 | |
Mr Cranbourne, take everyone on this list to my office. | 0:12:43 | 0:12:46 | |
They will all be caned. | 0:12:46 | 0:12:47 | |
No! | 0:12:49 | 0:12:51 | |
It was my idea, Matron. | 0:12:54 | 0:12:55 | |
I wanted Nurse Winterson back. I talked the boys into it. | 0:12:56 | 0:13:01 | |
Get out. | 0:13:07 | 0:13:08 | |
Get the boys, Mr Cranbourne. | 0:13:11 | 0:13:13 | |
It wasn't Hetty, Matron. It was me. | 0:13:13 | 0:13:16 | |
It was my idea. | 0:13:16 | 0:13:17 | |
And mine. | 0:13:18 | 0:13:20 | |
-No, Miss, it was us... -It was me. | 0:13:20 | 0:13:24 | |
-It was me. -No, it was me. | 0:13:24 | 0:13:26 | |
No, Matron, it was me. | 0:13:26 | 0:13:27 | |
It was us. | 0:13:29 | 0:13:30 | |
-No, we did it. -We did it. | 0:13:30 | 0:13:32 | |
It was me. | 0:13:32 | 0:13:33 | |
Sit down! | 0:13:33 | 0:13:35 | |
It was all of us. | 0:13:37 | 0:13:39 | |
Give Nurse Winterson her job back. | 0:13:47 | 0:13:50 | |
Who do you think you are? | 0:13:50 | 0:13:52 | |
What is this? Get up! | 0:14:05 | 0:14:08 | |
This is a strike. | 0:14:10 | 0:14:11 | |
Do what you like, force us to go to your stupid concert tomorrow | 0:14:13 | 0:14:16 | |
if that's what you want, but we won't sing a single note | 0:14:16 | 0:14:18 | |
unless you get Nurse Winterson back. | 0:14:18 | 0:14:20 | |
You can't make us. | 0:14:20 | 0:14:22 | |
We'll see if I can't. | 0:14:24 | 0:14:26 | |
Now what? | 0:14:31 | 0:14:33 | |
Now hold tight. | 0:14:35 | 0:14:37 | |
We have to get them dispersed before the lunch. | 0:14:37 | 0:14:41 | |
"Dispersed"? They're children, Nurse Macclesfield, not Dock Workers. | 0:14:41 | 0:14:46 | |
They're organised, is what they are! | 0:14:46 | 0:14:48 | |
And that Feather girl, well, she is their bloomin' master at arms. | 0:14:48 | 0:14:52 | |
Maybe we ought to... reinstate Winterson? | 0:14:53 | 0:14:56 | |
I mean, we can't cancel the lunch. It's tomorrow! | 0:14:59 | 0:15:02 | |
This is MY hospital! | 0:15:04 | 0:15:07 | |
I will not be corralled. I will not reverse decisions for children! | 0:15:09 | 0:15:15 | |
However it is done, we break up their riot | 0:15:20 | 0:15:25 | |
and we break Feather! | 0:15:25 | 0:15:27 | |
Children. Children. You must all be very hungry. | 0:15:53 | 0:15:58 | |
And there is plenty more in the dining hall. | 0:15:58 | 0:16:00 | |
Come. Come and eat, and you have my word you will not be punished. | 0:16:00 | 0:16:04 | |
But, be in no doubt, when this strike breaks - and break, it will - | 0:16:04 | 0:16:09 | |
those who do not surrender will be punished, severely and permanently. | 0:16:10 | 0:16:16 | |
We're not going anywhere. | 0:16:19 | 0:16:21 | |
And you speak for everyone, do you? | 0:16:21 | 0:16:23 | |
I just wanted extra dinner. That's what you promised us. | 0:16:23 | 0:16:27 | |
I'm not starving for you lot. | 0:16:27 | 0:16:29 | |
Come on, it's just a few hours. | 0:16:29 | 0:16:30 | |
We're done for, anyway! | 0:16:30 | 0:16:32 | |
What's the point? | 0:16:33 | 0:16:34 | |
Good boy. | 0:16:37 | 0:16:39 | |
Well done. | 0:16:42 | 0:16:43 | |
Matron's bluffing. She's doing this because she's desperate. | 0:16:45 | 0:16:49 | |
We are winning. | 0:16:49 | 0:16:51 | |
We can't back down now. | 0:16:51 | 0:16:53 | |
Very well. | 0:16:57 | 0:16:58 | |
That didn't feel like winning. | 0:17:07 | 0:17:09 | |
Why did you have to go and promise people stuff? | 0:17:09 | 0:17:13 | |
Matron will just trump us every time. | 0:17:13 | 0:17:15 | |
Wasn't just us, though, was it? | 0:17:15 | 0:17:16 | |
What do you mean? | 0:17:18 | 0:17:20 | |
Hetty said if I got everyone to join her strike, | 0:17:20 | 0:17:22 | |
she'd make sure I got the solo and not Gideon. | 0:17:22 | 0:17:25 | |
She's been making deals, just like the rest of us. | 0:17:26 | 0:17:29 | |
Why would you do that? | 0:17:29 | 0:17:31 | |
We needed everyone, Gideon. | 0:17:31 | 0:17:33 | |
We? You mean YOU needed everyone. | 0:17:33 | 0:17:36 | |
There'll be other solos. | 0:17:36 | 0:17:37 | |
Not like this one. And you knew that. | 0:17:37 | 0:17:39 | |
It's not about you, all right? This is about getting Winterson back! | 0:17:39 | 0:17:42 | |
No, it's completely about you. | 0:17:42 | 0:17:45 | |
Do your stupid singing. | 0:17:45 | 0:17:47 | |
Let Melrose take you to his choir school. I don't care! | 0:17:47 | 0:17:52 | |
Gideon! Gideon, wait! | 0:17:53 | 0:17:55 | |
Winterson gave up everything to look after other people. | 0:18:00 | 0:18:04 | |
All we care about is ourselves. | 0:18:04 | 0:18:06 | |
Who sat with you when you were scared of the dark? | 0:18:06 | 0:18:10 | |
And who didn't rat you out to Matron when you wet the bed? | 0:18:10 | 0:18:14 | |
Winterson was so kind to us. | 0:18:14 | 0:18:16 | |
We should be striking for her and not ourselves. | 0:18:18 | 0:18:21 | |
'I felt angry, but I was angry at myself, too.' | 0:18:22 | 0:18:25 | |
'I felt awful about Gideon. | 0:18:26 | 0:18:28 | |
'But I knew we remaining strikers had to stand firm.' | 0:18:28 | 0:18:31 | |
'The day of the concert had arrived and the fancy guests were gathering. | 0:18:33 | 0:18:38 | |
'But matron still didn't have enough singers | 0:18:38 | 0:18:40 | |
'for her showpiece performance.' | 0:18:40 | 0:18:42 | |
Oh, hello. | 0:18:42 | 0:18:43 | |
Matron. | 0:18:45 | 0:18:46 | |
Matron, I am so excited to hear the children. | 0:18:46 | 0:18:49 | |
As excited as they are to sing for you, Mr Melrose. | 0:18:49 | 0:18:52 | |
I should hope so too, with my generous donation in the balance. | 0:18:52 | 0:18:56 | |
I'd like to see them before they go on. | 0:18:58 | 0:19:00 | |
Help calm the nerves a bit. | 0:19:00 | 0:19:02 | |
-I think they are rehearsing, Mr Melrose. -Ah. | 0:19:02 | 0:19:05 | |
Why don't I go and check? | 0:19:05 | 0:19:06 | |
Of course. | 0:19:06 | 0:19:07 | |
FOOTSTEPS REVERBERATE | 0:19:27 | 0:19:30 | |
FOOTSTEPS GET LOUDER | 0:19:30 | 0:19:32 | |
Here we go. | 0:19:37 | 0:19:39 | |
Well, how are we? | 0:19:46 | 0:19:47 | |
Your guests are here. | 0:19:49 | 0:19:51 | |
I know. | 0:19:51 | 0:19:52 | |
A shame, too. Little Gideon seemed so excited about singing. | 0:19:52 | 0:19:58 | |
He's very gifted. I heard him practising. | 0:19:59 | 0:20:02 | |
But without everyone present, | 0:20:02 | 0:20:04 | |
I'm afraid I shall simply have to cancel the concert. | 0:20:04 | 0:20:08 | |
No, you won't. You need us to sing for Melrose. | 0:20:08 | 0:20:12 | |
You're bluffing. | 0:20:12 | 0:20:13 | |
You're right. | 0:20:15 | 0:20:16 | |
I didn't want to have to say this, but you leave me little choice. | 0:20:18 | 0:20:22 | |
If you do not give up and come to the chapel in five minutes, | 0:20:23 | 0:20:28 | |
I will send Gideon to the tench for a month. | 0:20:28 | 0:20:31 | |
Do you want to know if I'm still bluffing? | 0:20:34 | 0:20:37 | |
You can't. You said you wouldn't punish them if they surrendered. | 0:20:37 | 0:20:41 | |
It's all up to you, Hetty. It is your decision. Five minutes - | 0:20:41 | 0:20:45 | |
or Gideon goes to the tench. | 0:20:45 | 0:20:47 | |
Maybe... | 0:20:52 | 0:20:54 | |
Maybe we should just go. | 0:20:54 | 0:20:55 | |
-No. I'm not giving up my solo just because Gideon got selfish. -Yeah! | 0:20:55 | 0:21:00 | |
We can't just let Matron chuck Gideon in the tench! | 0:21:00 | 0:21:02 | |
Who cares about Gideon? | 0:21:02 | 0:21:03 | |
I do, he's my friend! | 0:21:03 | 0:21:05 | |
ALL ARGUE | 0:21:05 | 0:21:06 | |
'It was a nightmare. | 0:21:06 | 0:21:08 | |
'If I stayed, Gideon got the tench. | 0:21:08 | 0:21:10 | |
'If I left, Winterson would never come back. | 0:21:10 | 0:21:13 | |
'Gideon's fate was on me.' | 0:21:13 | 0:21:15 | |
Hetty! Hetty, where're you going? | 0:21:18 | 0:21:20 | |
I'm not letting Gideon get punished because of me. | 0:21:20 | 0:21:23 | |
You can stay here if you want. But I'm going. | 0:21:24 | 0:21:27 | |
What happened? | 0:21:49 | 0:21:50 | |
Matron was going to chuck you in the tench if Hetty didn't give up. | 0:21:50 | 0:21:53 | |
Stand at the front. You will be soloist. | 0:21:56 | 0:21:59 | |
Do not think this spares you punishment. | 0:21:59 | 0:22:02 | |
Do not think it spares any of you. This is my hospital. | 0:22:02 | 0:22:06 | |
You do not have a say. | 0:22:06 | 0:22:08 | |
Ladies and gentlemen. | 0:22:18 | 0:22:20 | |
Welcome to the Foundling Hospital and our glorious chapel, | 0:22:20 | 0:22:24 | |
where, years ago, George Friedrich Handel debuted his masterpiece, | 0:22:24 | 0:22:30 | |
the first Foundling Anthem. | 0:22:30 | 0:22:32 | |
Tonight, as part of our evensong, we too shall debut a very special work. | 0:22:33 | 0:22:39 | |
A brand-new Foundling Anthem, | 0:22:40 | 0:22:42 | |
written especially for this event by our esteemed guest, | 0:22:42 | 0:22:46 | |
Mr Jacob Melrose. | 0:22:46 | 0:22:48 | |
APPLAUSE | 0:22:48 | 0:22:51 | |
Mr Melrose has also kindly offered a substantial donation... | 0:22:53 | 0:22:57 | |
..towards the upkeep of the hospital's organ, | 0:22:58 | 0:23:01 | |
bequeathed to the hospital by Handel himself. | 0:23:01 | 0:23:03 | |
So thank you once again, Mr Melrose, | 0:23:04 | 0:23:06 | |
and thank you all for coming. | 0:23:06 | 0:23:08 | |
Ladies and gentlemen, our foundlings. | 0:23:13 | 0:23:15 | |
What are you doing? | 0:23:20 | 0:23:22 | |
# Where did you get that hat? Where did you get that tile? | 0:23:27 | 0:23:31 | |
# Isn't it a nobby one Oh, just the proper style | 0:23:31 | 0:23:34 | |
# I should like to have one just the same as that | 0:23:34 | 0:23:38 | |
# Wherever I go, they shout, "Hello, where did you get that hat?" | 0:23:38 | 0:23:43 | |
Bravo! | 0:23:50 | 0:23:52 | |
Wonderful, wonderful. Now, after that, er... | 0:23:58 | 0:24:02 | |
popular opening, let us move on to the piece de resistance. | 0:24:02 | 0:24:08 | |
-That was really good, mate. -That was incredible. | 0:24:17 | 0:24:19 | |
Gideon, that was amazing. | 0:24:21 | 0:24:23 | |
I'm sorry. I shouldn't have said what I did. | 0:24:24 | 0:24:27 | |
It's all right, you just wanted to help Winterson. | 0:24:30 | 0:24:33 | |
Marvellous. Just brilliant. | 0:24:34 | 0:24:36 | |
You wrote a wonderful piece, Mr... | 0:24:36 | 0:24:38 | |
No, the Vaudeville, the music hall! How on earth did you learn that? | 0:24:38 | 0:24:41 | |
Nurse Winterson, our teacher, taught us. | 0:24:41 | 0:24:43 | |
Nurse Winterson. Of course! | 0:24:43 | 0:24:45 | |
Where is she? I really must thank her. | 0:24:45 | 0:24:47 | |
She got the sack. | 0:24:47 | 0:24:49 | |
Is this true? | 0:24:49 | 0:24:50 | |
She was a bad influence. | 0:24:50 | 0:24:52 | |
She is a musician, isn't she? | 0:24:52 | 0:24:55 | |
But this is a hospital. | 0:24:55 | 0:24:56 | |
And musical education is part | 0:24:56 | 0:24:58 | |
of what makes this hospital special, Matron. | 0:24:58 | 0:25:00 | |
I wouldn't have my donation fund it, otherwise. | 0:25:00 | 0:25:05 | |
Get the girl back, eh? | 0:25:07 | 0:25:09 | |
Of course, Mr Melrose. | 0:25:09 | 0:25:13 | |
-Now, then, what's your name? -Gideon, sir. | 0:25:13 | 0:25:15 | |
Well, Gideon, you're a little young for a school like mine, | 0:25:15 | 0:25:18 | |
and a little raw. | 0:25:18 | 0:25:20 | |
But what say myself | 0:25:20 | 0:25:21 | |
and your Winterson give you some private tuition? | 0:25:21 | 0:25:24 | |
A couple of times a month, see where we are next year, hey? | 0:25:24 | 0:25:27 | |
FOOTSTEPS | 0:25:29 | 0:25:31 | |
Shh. Matron's coming. | 0:25:31 | 0:25:33 | |
FOOTSTEPS APPROACH | 0:25:36 | 0:25:37 | |
Nurse Winterson! | 0:25:40 | 0:25:42 | |
What a welcome! | 0:25:42 | 0:25:44 | |
All right. All right, back into bed. Come on. | 0:25:46 | 0:25:49 | |
Lights out, girls. | 0:25:53 | 0:25:55 | |
We'll see each other in the morning. | 0:25:58 | 0:26:00 | |
I hear I've got you to thank, Hetty. | 0:26:05 | 0:26:07 | |
No. Thank Gideon. | 0:26:07 | 0:26:09 | |
You know, Matron doesn't just forgive and forget. | 0:26:12 | 0:26:15 | |
You all need to be very careful now. | 0:26:15 | 0:26:18 | |
Go to sleep. | 0:26:27 | 0:26:28 | |
'We'd done it. Winterson was back at the hospital. | 0:26:42 | 0:26:46 | |
'But she was right about Matron. | 0:26:48 | 0:26:50 | |
'She always held a grudge and never forgave or forgot. | 0:26:50 | 0:26:54 | |
'We would all have to look out for each other. | 0:26:56 | 0:26:59 | |
'I had a feeling things were going to get tricky.' | 0:26:59 | 0:27:03 | |
This is Sergeant Cragg. | 0:27:08 | 0:27:11 | |
He's here to select a new drummer boy for his regiment. | 0:27:11 | 0:27:14 | |
-Don't like soap and water? -Get off me! | 0:27:14 | 0:27:16 | |
-SCREAMS -Stop! | 0:27:16 | 0:27:18 | |
You'll be skivvies. | 0:27:18 | 0:27:19 | |
-Let go. -You let go. | 0:27:19 | 0:27:21 | |
Raising of the flag contest. Winner gets to join the army. | 0:27:23 | 0:27:25 | |
Get off him! | 0:27:25 | 0:27:27 | |
Don't you ever touch him again! | 0:27:27 | 0:27:29 | |
Ooh, I'm so scared(!) | 0:27:29 | 0:27:30 | |
Move out of the way. | 0:27:30 | 0:27:32 | |
I'm not afraid of you, or anyone! | 0:27:32 | 0:27:34 | |
I'm a general. | 0:27:36 | 0:27:37 | |
Subtitles by Ericsson | 0:27:42 | 0:27:45 |