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-America - a new opportunity. -A whole year's wage just for the passage? | 0:00:02 | 0:00:04 | |
Sounds like an ideal candidate for a new children's maid. | 0:00:04 | 0:00:07 | |
I understand Elizabeth is due to leave the hospital soon. | 0:00:07 | 0:00:09 | |
What? No, you can't! | 0:00:09 | 0:00:10 | |
I'm going to go to America. | 0:00:10 | 0:00:12 | |
You have to be brave to be rewarded. | 0:00:12 | 0:00:14 | |
If Harriet's in America, then that's where I'm going to be. | 0:00:14 | 0:00:17 | |
And how do you plan to do that? Stow away? | 0:00:17 | 0:00:19 | |
What a pretty pin. | 0:00:20 | 0:00:22 | |
Love token from the constable, by any chance? | 0:00:22 | 0:00:25 | |
She could lose her job because of him! | 0:00:25 | 0:00:27 | |
'It seems that every day when I wake up, | 0:00:39 | 0:00:41 | |
'I start thinking about the future - | 0:00:41 | 0:00:44 | |
'my future - and the big wide world. | 0:00:44 | 0:00:47 | |
'About getting out of here, the adventures I'll have... | 0:00:48 | 0:00:52 | |
'but then I think about the grown-ups.' | 0:00:52 | 0:00:54 | |
Feather, when was the last time you cleaned them boots? | 0:00:54 | 0:00:57 | |
Erm, I can't remember. | 0:00:57 | 0:00:59 | |
Exactly. Get them polished before class. | 0:00:59 | 0:01:02 | |
I want to see my face in them. | 0:01:02 | 0:01:05 | |
'Why would anyone want to see that face? | 0:01:05 | 0:01:07 | |
'I mean, what happened to it? | 0:01:07 | 0:01:10 | |
'She must have been a girl once.' | 0:01:10 | 0:01:13 | |
Quick, march! | 0:01:13 | 0:01:14 | |
Left, left, left, right, left. | 0:01:14 | 0:01:18 | |
Left, left, left, right, left, | 0:01:18 | 0:01:21 | |
and halt! | 0:01:21 | 0:01:23 | |
'So when does it happen that nothing's funny any more?' | 0:01:25 | 0:01:28 | |
For goodness' sake, what do you think you're doing? | 0:01:28 | 0:01:30 | |
-Boys, get up! -'Not even that.' | 0:01:30 | 0:01:32 | |
Come along! | 0:01:32 | 0:01:33 | |
Girls, hurry up. | 0:01:33 | 0:01:36 | |
-'It seems even the best of us can turn into something horrid.' -Now! | 0:01:36 | 0:01:40 | |
'Is that what growing up means? Forgetting the fun? | 0:01:40 | 0:01:43 | |
'And then I think, "When's that going to happen to me?"' | 0:01:43 | 0:01:46 | |
Oh, come on, they're regrouping! | 0:02:19 | 0:02:21 | |
-Who are? -The enemy on the ridge. | 0:02:21 | 0:02:22 | |
Oh! Oh, sorry! Sorry. | 0:02:22 | 0:02:25 | |
I'll tell you now, I'll have no weaklings in my regiment. | 0:02:25 | 0:02:28 | |
Now, move it! | 0:02:28 | 0:02:29 | |
-Ugh! -LAUGHTER | 0:02:33 | 0:02:35 | |
-Have you got it? -Got what? | 0:02:35 | 0:02:37 | |
The weight, Gideon, the weight! | 0:02:37 | 0:02:39 | |
-Ow! -Gideon, if this was a battle, you'd be dead or injured by now! | 0:02:40 | 0:02:44 | |
If this was a battle, he'd be hiding in his tent. | 0:02:44 | 0:02:46 | |
Yeah, all right, boys. All right. Gideon, let's try again. | 0:02:46 | 0:02:50 | |
Losing the battle, Mr Cranbourne? | 0:02:50 | 0:02:52 | |
Not to worry, it's the war that counts, | 0:02:52 | 0:02:54 | |
and I'm delighted to announce that reinforcements are at hand. | 0:02:54 | 0:02:57 | |
Most timely. Be my guest. | 0:02:57 | 0:02:59 | |
Boys, fall in. | 0:02:59 | 0:03:01 | |
We can but hope. | 0:03:01 | 0:03:03 | |
We have a lot of people coming here tomorrow to watch your...display. | 0:03:03 | 0:03:08 | |
I do not expect them to be disappointed. | 0:03:08 | 0:03:11 | |
I said, fall in! | 0:03:11 | 0:03:14 | |
Sheila, we can't part like this. | 0:03:22 | 0:03:24 | |
Oh, why not? Are you planning to visit me? | 0:03:24 | 0:03:27 | |
Of course, because we're friends. | 0:03:27 | 0:03:29 | |
I think when I'm matron I won't be entertaining nursery maids. | 0:03:29 | 0:03:32 | |
Elizabeth, you may be leaving tomorrow, | 0:03:32 | 0:03:34 | |
but while you're here, you work. | 0:03:34 | 0:03:36 | |
-Tomorrow? -Elizabeth! | 0:03:36 | 0:03:38 | |
We have to do something about her - she'll turn into Macclesfield. | 0:03:43 | 0:03:46 | |
Well, she's heartbroken. | 0:03:46 | 0:03:48 | |
"Oh, Constable Clarke!" | 0:03:48 | 0:03:50 | |
Well, he can't exactly saunter in here | 0:03:50 | 0:03:52 | |
with a bunch of flowers, can he? | 0:03:52 | 0:03:53 | |
I don't know. We could get him in somehow. | 0:03:53 | 0:03:56 | |
If something went missing, like, say, Nurse Macclesfield's hat... | 0:03:56 | 0:04:00 | |
I'd like to know who stole her smile. | 0:04:00 | 0:04:02 | |
This should help with the roof, at least a little. | 0:04:04 | 0:04:07 | |
A drop in the ocean, I suppose. | 0:04:07 | 0:04:09 | |
A drop in the bucket. | 0:04:09 | 0:04:10 | |
-KNOCK AT DOOR -Come in. | 0:04:10 | 0:04:13 | |
And a couple of society rags. | 0:04:13 | 0:04:15 | |
A lot of nonsense, but it's good to know who's who. | 0:04:15 | 0:04:17 | |
Oh, and who is likely to die and leave us a little something. | 0:04:17 | 0:04:21 | |
Exactly. Oh, there's a couple of old duffers coming tomorrow | 0:04:21 | 0:04:23 | |
you can use your inestimable charms on. | 0:04:23 | 0:04:26 | |
Oh, I could never compete with you, Colonel. | 0:04:26 | 0:04:28 | |
Teamwork, I believe, Matron. | 0:04:28 | 0:04:30 | |
-That's the ticket. -Absolutely. | 0:04:30 | 0:04:32 | |
Something new to jolly up the walls? | 0:04:32 | 0:04:34 | |
Oh, it's just a minor donation - | 0:04:34 | 0:04:36 | |
a rather drab little thing, actually. | 0:04:36 | 0:04:38 | |
Frankly, I was uncertain where to hang it. | 0:04:38 | 0:04:41 | |
Well, in pride of place, I would say. | 0:04:41 | 0:04:42 | |
This is quite a collectable item. | 0:04:42 | 0:04:44 | |
I would wager amongst the most valuable of all | 0:04:44 | 0:04:47 | |
our decorative items. | 0:04:47 | 0:04:48 | |
Really? I would never have thought... | 0:04:48 | 0:04:50 | |
Well, it is signed and dated. | 0:04:50 | 0:04:52 | |
It'll look perfect in the governor's room. | 0:04:52 | 0:04:54 | |
Colonel, no, I shall have one of the staff... | 0:04:54 | 0:04:56 | |
No, no, no, no. I have fought for my country, Matron, | 0:04:56 | 0:04:59 | |
I can at least hang this minor masterpiece. | 0:04:59 | 0:05:02 | |
DOOR CLOSES | 0:05:05 | 0:05:06 | |
Come on! Faster! Move it! | 0:05:06 | 0:05:10 | |
We've got a lifetime of this to look forward to, getting shouted at. | 0:05:10 | 0:05:12 | |
Yeah, well, when we're not getting shot at. | 0:05:12 | 0:05:15 | |
Speak for yourselves. | 0:05:15 | 0:05:16 | |
I'll be in America making my fortune. | 0:05:16 | 0:05:19 | |
Gideon, I'll look out for you. | 0:05:19 | 0:05:21 | |
-We all will. -Oh, right, the Army's your family now. Thanks(!) | 0:05:21 | 0:05:24 | |
What else have we got? | 0:05:24 | 0:05:26 | |
I think we needed bolts. | 0:05:26 | 0:05:28 | |
-Where are the bolts? -Gideon? | 0:05:28 | 0:05:31 | |
You stupid idiot, you were supposed to bring them! | 0:05:33 | 0:05:35 | |
He forgot, that's all. | 0:05:35 | 0:05:36 | |
-Well, when we're at war and he forgets, I'll have him shot. -Boys! | 0:05:36 | 0:05:40 | |
We can't fight them if we're fighting us. | 0:05:40 | 0:05:42 | |
You, what's your name? | 0:05:42 | 0:05:44 | |
It's Walter, sir. | 0:05:44 | 0:05:45 | |
Sergeant. I'm not a sir, all right? | 0:05:45 | 0:05:48 | |
You, get the bolts. | 0:05:48 | 0:05:49 | |
Move it! | 0:05:49 | 0:05:51 | |
THUD | 0:05:51 | 0:05:53 | |
Sergeant? What do we do now? | 0:05:53 | 0:05:55 | |
We're going to lunch, and that's what we'll do now. | 0:05:56 | 0:05:59 | |
Come along, quickly. Wash your hands. | 0:05:59 | 0:06:01 | |
-Sergeant? -You see that? | 0:06:03 | 0:06:05 | |
Shaking like a frightened puppy. | 0:06:05 | 0:06:07 | |
Bet that's why they sent him home. | 0:06:08 | 0:06:10 | |
You do realise we're feeding this to people? | 0:06:20 | 0:06:23 | |
Come on, girls, hurry up. | 0:06:23 | 0:06:24 | |
It's for Mathias, to meet me tonight. | 0:06:28 | 0:06:31 | |
We can do better than that. | 0:06:31 | 0:06:32 | |
It doesn't have to be poetry. | 0:06:32 | 0:06:33 | |
Yes, it does. | 0:06:33 | 0:06:35 | |
There you are. | 0:06:35 | 0:06:36 | |
These trays need taking up, and no nibbling. | 0:06:36 | 0:06:39 | |
-WHISPERING: -Ned! | 0:06:39 | 0:06:40 | |
Hetty, please, come on. | 0:06:42 | 0:06:45 | |
Can you take this to Mathias? | 0:06:45 | 0:06:46 | |
-Yeah, of course. -Tonight. Tell him to hurry. | 0:06:46 | 0:06:48 | |
It says that in the letter. | 0:06:48 | 0:06:49 | |
Well, tell him anyway. | 0:06:49 | 0:06:52 | |
Hetty, Harriet, the table will not set itself. | 0:06:52 | 0:06:55 | |
She's getting worse. | 0:06:55 | 0:06:56 | |
-We need to save her. -Mm-hmm. | 0:06:56 | 0:06:58 | |
-Now. -What? You mean...? | 0:07:00 | 0:07:02 | |
Hetty! | 0:07:02 | 0:07:03 | |
DOOR CLOSES | 0:07:27 | 0:07:30 | |
We can't just steal a hospital painting. | 0:07:35 | 0:07:37 | |
We're not stealing it. We're hiding it. | 0:07:37 | 0:07:39 | |
Hetty... | 0:07:39 | 0:07:41 | |
They'll think it's stolen, and call the constable, | 0:07:41 | 0:07:44 | |
and all we have to do is get him and Nurse Winterson together. | 0:07:44 | 0:07:46 | |
-How? -I don't know. Somehow. | 0:07:46 | 0:07:48 | |
And where do we hide that? | 0:07:50 | 0:07:53 | |
I'm sure we'll think of somewhere. | 0:07:53 | 0:07:54 | |
And how do we get it back here if everyone's looking for it? | 0:07:54 | 0:07:57 | |
You haven't thought this through, have you, Hetty? | 0:07:59 | 0:08:02 | |
No. | 0:08:02 | 0:08:03 | |
White lilies and some roses. | 0:08:09 | 0:08:11 | |
The chapel must look its best for our visitors. | 0:08:11 | 0:08:13 | |
Very well, Matron. | 0:08:13 | 0:08:14 | |
I shall be out this afternoon, so Cranbourne will be in charge | 0:08:14 | 0:08:17 | |
in case of emergency. | 0:08:17 | 0:08:18 | |
Lord help us. | 0:08:18 | 0:08:19 | |
From Harriet. | 0:08:52 | 0:08:53 | |
Good. Now I want you to dismantle it, | 0:08:55 | 0:08:57 | |
and remember, work as a team. | 0:08:57 | 0:08:59 | |
You, boy, with me. | 0:08:59 | 0:09:01 | |
I've seen you. You stood up for your friends. | 0:09:02 | 0:09:05 | |
That's brave. | 0:09:05 | 0:09:06 | |
It's good, but you've got to learn to pick your battles. | 0:09:06 | 0:09:09 | |
Don't just square up to the bully. | 0:09:09 | 0:09:11 | |
They'll come unstuck in their own sweet time - they always do. | 0:09:11 | 0:09:15 | |
What were they saying about me? | 0:09:15 | 0:09:18 | |
Well? | 0:09:18 | 0:09:20 | |
You want to join the army? I'm the senior rank. | 0:09:20 | 0:09:23 | |
If I ask you a question, you answer it. | 0:09:23 | 0:09:25 | |
They say you're not a real soldier - | 0:09:27 | 0:09:29 | |
you just teach because you got frightened and ran home. | 0:09:29 | 0:09:32 | |
What do you think? | 0:09:32 | 0:09:34 | |
Shrapnel. | 0:09:39 | 0:09:41 | |
Nearly lost my head. | 0:09:41 | 0:09:43 | |
They patched me up and sent me back, but I couldn't fight any more. | 0:09:43 | 0:09:47 | |
The sound of a shot, and I shake like a leaf. | 0:09:47 | 0:09:51 | |
The colonel brought me back, but I didn't run. | 0:09:51 | 0:09:55 | |
It's not all drums and pipers, lad. | 0:09:55 | 0:09:58 | |
If you want to survive out there, you need to keep this down. | 0:09:58 | 0:10:03 | |
Understood? | 0:10:03 | 0:10:04 | |
Yes, sir. I mean, Sergeant. Sorry. | 0:10:04 | 0:10:07 | |
All right. Off you go. | 0:10:07 | 0:10:09 | |
Hey, lad. | 0:10:12 | 0:10:14 | |
Walter! | 0:10:14 | 0:10:15 | |
Son! | 0:10:22 | 0:10:24 | |
We have had a theft - a valuable painting stolen. | 0:10:28 | 0:10:32 | |
I shall organise a search. | 0:10:32 | 0:10:33 | |
We don't need a search! | 0:10:33 | 0:10:35 | |
What would a child do with a painting? | 0:10:35 | 0:10:37 | |
Sell it at auction? Hang it above their bed? | 0:10:37 | 0:10:40 | |
What are you doing idling about? | 0:10:40 | 0:10:43 | |
Sorry, Matron. | 0:10:43 | 0:10:44 | |
Perhaps we could send for the constable? | 0:10:45 | 0:10:47 | |
Obviously. Do it now. | 0:10:47 | 0:10:48 | |
-Yes, Matron. -And I thought you were decorating the chapel? | 0:10:48 | 0:10:51 | |
Yes, Matron. | 0:10:51 | 0:10:52 | |
It wasn't easy to find you. | 0:10:56 | 0:10:58 | |
After your mother died, they wouldn't speak to me. | 0:10:58 | 0:11:01 | |
They didn't even tell me about you. | 0:11:01 | 0:11:04 | |
How did she die? | 0:11:04 | 0:11:05 | |
I'm sorry, in childbirth. | 0:11:06 | 0:11:09 | |
Me? | 0:11:09 | 0:11:11 | |
-Yes, but it wasn't... -You're not my father. I've never had a father. | 0:11:11 | 0:11:13 | |
You've got a whole family. | 0:11:13 | 0:11:15 | |
This is my family. I don't know you. | 0:11:15 | 0:11:17 | |
Sir, why's Constable Clarke here? Has something happened? | 0:11:58 | 0:12:01 | |
Apparently a painting's been stolen from the governor's office. | 0:12:01 | 0:12:05 | |
I bet I can solve it before he can. | 0:12:06 | 0:12:08 | |
Ow! Sir, my thumb! | 0:12:10 | 0:12:12 | |
Go and get it seen to, quickly. | 0:12:12 | 0:12:14 | |
Policing's not all about wrestling ruffians. | 0:12:19 | 0:12:22 | |
It's about this, too. It's all about the clues, the details... | 0:12:22 | 0:12:26 | |
Especially with people. | 0:12:26 | 0:12:27 | |
If you can read the body, you can see the soul. | 0:12:27 | 0:12:29 | |
Really? That is quite an art! | 0:12:29 | 0:12:32 | |
It's just method, Nurse Macclesfield. | 0:12:32 | 0:12:35 | |
Twitch of an eye, and the hands - | 0:12:35 | 0:12:38 | |
the hands give it all away. | 0:12:38 | 0:12:40 | |
Ah, and who do we have here? Hetty Feather, I believe? | 0:12:40 | 0:12:43 | |
Why aren't you doing chores? | 0:12:43 | 0:12:45 | |
Well, I just wanted to tell the constable that I heard | 0:12:45 | 0:12:47 | |
some strange noises coming from the chapel last night. | 0:12:47 | 0:12:50 | |
I thought perhaps some wild animals or pirates, | 0:12:50 | 0:12:53 | |
or a band of brigands hanging out? | 0:12:53 | 0:12:55 | |
-Brigands aren't normally drawn to chapels. -No. | 0:12:55 | 0:12:57 | |
Not unless they're stealing something. | 0:12:57 | 0:12:59 | |
I'll take a look. | 0:12:59 | 0:13:01 | |
Will you be safe? | 0:13:01 | 0:13:02 | |
I'll call if I need help. | 0:13:02 | 0:13:03 | |
I've been called in to solve a crime. | 0:13:11 | 0:13:14 | |
Someone said there were brigands in here. | 0:13:14 | 0:13:16 | |
I think you'll find the flowers are innocent enough. | 0:13:16 | 0:13:19 | |
So, I won't keep you from your duties. | 0:13:19 | 0:13:22 | |
I shall not trouble you again, | 0:13:25 | 0:13:27 | |
and I'm sorry for my foolishness. | 0:13:27 | 0:13:29 | |
I'd always thought myself adept at reading the ways of people, | 0:13:31 | 0:13:34 | |
and their hearts. | 0:13:34 | 0:13:36 | |
I was wrong. | 0:13:36 | 0:13:37 | |
The fool was me, | 0:13:40 | 0:13:42 | |
and you were not wrong. | 0:13:42 | 0:13:44 | |
Oi! Where are you going? | 0:14:26 | 0:14:29 | |
Come on, lad, speak to me. | 0:14:33 | 0:14:35 | |
I know who stole the painting. | 0:14:35 | 0:14:36 | |
It's not a crime to hold hands. | 0:14:41 | 0:14:43 | |
I should know. | 0:14:43 | 0:14:44 | |
But it's enough to lose me my job. | 0:14:44 | 0:14:47 | |
Then I shall look after you. | 0:14:47 | 0:14:49 | |
-On your pay? -You could work. | 0:14:49 | 0:14:51 | |
Without a reference, disgraced, as you would be? | 0:14:51 | 0:14:54 | |
We shall both end up in the workhouse. | 0:14:54 | 0:14:57 | |
You must go. | 0:14:57 | 0:14:58 | |
But you will see me again, yes? | 0:15:01 | 0:15:03 | |
I will. | 0:15:10 | 0:15:11 | |
SHE GASPS | 0:15:24 | 0:15:26 | |
Till then. | 0:15:31 | 0:15:32 | |
You've got to talk to him. | 0:15:45 | 0:15:47 | |
Walter! | 0:15:47 | 0:15:49 | |
Good work, lad. | 0:15:49 | 0:15:51 | |
You'll be a credit to your regiment. | 0:15:51 | 0:15:53 | |
Not me. I'll be in America. | 0:15:53 | 0:15:56 | |
-You've got a patron? -No, but I'll earn the money. | 0:15:56 | 0:15:59 | |
Then you have a trade, a skill? | 0:15:59 | 0:16:02 | |
I'll learn something. | 0:16:02 | 0:16:04 | |
And who's going to pay for your apprenticeship? | 0:16:04 | 0:16:07 | |
It's the army for you, lad. | 0:16:07 | 0:16:09 | |
Sir, Sergeant... | 0:16:16 | 0:16:18 | |
Pa. | 0:16:20 | 0:16:22 | |
KNOCK AT DOOR | 0:16:27 | 0:16:30 | |
-Matron? -What? | 0:16:30 | 0:16:31 | |
What is it? | 0:16:35 | 0:16:37 | |
We have the culprit. | 0:16:37 | 0:16:38 | |
Your grandfather on your mother's side, he's a brigadier. | 0:16:40 | 0:16:42 | |
And on yours? | 0:16:42 | 0:16:44 | |
Nothing to brag about, | 0:16:44 | 0:16:45 | |
except an honest man who gave his son the best chance he could. | 0:16:45 | 0:16:49 | |
I was a groom in the stables, and your mother... | 0:16:49 | 0:16:52 | |
Well, we fell in love. | 0:16:52 | 0:16:55 | |
When the brigadier found out, he didn't give me a lot of choice. | 0:16:55 | 0:16:59 | |
So you just left her, to join the army? | 0:16:59 | 0:17:01 | |
To protect her, | 0:17:01 | 0:17:03 | |
until I heard that she died, | 0:17:03 | 0:17:05 | |
and I had nothing left. | 0:17:05 | 0:17:07 | |
Then I heard about you, and I came looking. | 0:17:07 | 0:17:10 | |
So, what now? What am I supposed to do? | 0:17:11 | 0:17:13 | |
You have a father now, and I have a son. | 0:17:16 | 0:17:19 | |
I lost you once. I don't want to lose you again. | 0:17:19 | 0:17:22 | |
Where is it? | 0:17:24 | 0:17:26 | |
-I beg your pardon? -You know what I'm talking about. | 0:17:26 | 0:17:28 | |
-The painting. -You're under arrest, sir. Turn around. | 0:17:28 | 0:17:31 | |
What for? | 0:17:31 | 0:17:32 | |
Your footprints and your dirty, greasy fingers | 0:17:32 | 0:17:35 | |
were all over the room. | 0:17:35 | 0:17:37 | |
Matron, I consider myself a reasonably good judge of character. | 0:17:37 | 0:17:40 | |
If I need your judgment, Mr Cranbourne, I shall ask for it. | 0:17:40 | 0:17:43 | |
Come. | 0:17:43 | 0:17:45 | |
Come along, boys. In we go. | 0:17:47 | 0:17:49 | |
-HE SIGHS -Just what I thought. | 0:17:50 | 0:17:52 | |
Never trust a coward. | 0:17:53 | 0:17:55 | |
Walter. | 0:17:58 | 0:17:59 | |
Sheila, you would have done the same. They're good people. | 0:18:10 | 0:18:12 | |
It's still service, | 0:18:12 | 0:18:14 | |
and in a few years, when you're curtsying to your good people, | 0:18:14 | 0:18:18 | |
I'll be a nurse, or even a matron. | 0:18:18 | 0:18:20 | |
Really? Is that what you think? | 0:18:20 | 0:18:23 | |
They don't pick foundlings for nurses, never mind matron. | 0:18:23 | 0:18:25 | |
Matron, I was wondering how I could go about training to be a nurse, | 0:18:30 | 0:18:35 | |
-or perhaps even... -You, a nurse? | 0:18:35 | 0:18:38 | |
That's ridiculous. | 0:18:38 | 0:18:40 | |
Unless you want a lifetime of disappointment, | 0:18:40 | 0:18:43 | |
I suggest you keep your ambitions realistic. | 0:18:43 | 0:18:46 | |
But what if I helped with something? | 0:18:46 | 0:18:47 | |
-MATRON SIGHS -Like the stolen painting. | 0:18:47 | 0:18:50 | |
Well, that's done with. What do you know about it? | 0:18:50 | 0:18:52 | |
It's just... | 0:18:52 | 0:18:54 | |
It doesn't matter. | 0:18:58 | 0:19:00 | |
Sorry. | 0:19:00 | 0:19:01 | |
We can't just let an innocent man go to jail. | 0:19:11 | 0:19:14 | |
If we tell Matron, she'll have us in detention for the rest of our lives. | 0:19:14 | 0:19:18 | |
You go and see Mathias - I'll put the painting back. | 0:19:18 | 0:19:22 | |
Good luck. | 0:19:22 | 0:19:23 | |
I'll cover for you. | 0:19:32 | 0:19:34 | |
Harriet? | 0:19:34 | 0:19:36 | |
The tower? | 0:19:36 | 0:19:37 | |
I'm not going. | 0:19:39 | 0:19:40 | |
At least you've got a father, and you know who he is. | 0:19:44 | 0:19:47 | |
A thief. | 0:19:47 | 0:19:48 | |
Do you believe that? | 0:19:48 | 0:19:49 | |
I don't know. | 0:19:50 | 0:19:52 | |
What have I got? I'm...nobody. | 0:19:52 | 0:19:56 | |
Just there to take the first line of fire. | 0:19:56 | 0:19:58 | |
I'll fall in the mud, | 0:19:58 | 0:19:59 | |
and then there'll be no-one who'll give me another thought. | 0:19:59 | 0:20:02 | |
Mathias? | 0:20:06 | 0:20:07 | |
I never want to speak to him again. | 0:20:34 | 0:20:37 | |
There must be a reason. | 0:20:37 | 0:20:40 | |
What does it matter anyway? | 0:20:40 | 0:20:42 | |
Matron will have us in jail. | 0:20:42 | 0:20:44 | |
Or hanged as thieves. | 0:20:44 | 0:20:46 | |
Are you talking about the painting? | 0:20:46 | 0:20:48 | |
Don't worry, it's been sorted. | 0:20:48 | 0:20:51 | |
Sorted? What do you mean? | 0:20:51 | 0:20:53 | |
I mean sorted. | 0:20:53 | 0:20:55 | |
Dragged off like a common thief! | 0:20:59 | 0:21:01 | |
The Sergeant is among the most decent and upright men | 0:21:01 | 0:21:03 | |
-I've ever met! -A thief nonetheless. | 0:21:03 | 0:21:05 | |
You got the measure of him. Well, a thief, would you say? | 0:21:05 | 0:21:08 | |
He has the bearing of an honourable man. | 0:21:08 | 0:21:10 | |
However, the evidence... | 0:21:10 | 0:21:11 | |
His footprints all over this room, | 0:21:11 | 0:21:13 | |
his handprints on the door, the painting gone... | 0:21:13 | 0:21:15 | |
What painting, exactly? | 0:21:15 | 0:21:16 | |
Well, that drab little thing, Colonel. The one on the... | 0:21:16 | 0:21:19 | |
..mantelpiece. | 0:21:22 | 0:21:23 | |
Quick, march. Left! | 0:21:25 | 0:21:26 | |
I must confess, Sergeant, I doubted you, but only for a moment. | 0:21:34 | 0:21:38 | |
A moment, sir, is all it takes to hang a man, Mr Cranbourne. | 0:21:38 | 0:21:41 | |
I suppose you've learned that what's obvious isn't always true. | 0:21:41 | 0:21:44 | |
See? You must listen and learn, Mr Cranbourne. | 0:21:44 | 0:21:48 | |
-Charlie? -Thank you. | 0:21:48 | 0:21:49 | |
I've heard that in America, all folk are equal. | 0:21:56 | 0:22:00 | |
How do they manage without lords and leaders to grovel over? | 0:22:00 | 0:22:03 | |
But it's so far away. | 0:22:03 | 0:22:05 | |
Being far away from here is its principal virtue. | 0:22:05 | 0:22:08 | |
Matron, I have studied my wealth, little as it is, | 0:22:08 | 0:22:12 | |
but there are a few things inherited - | 0:22:12 | 0:22:15 | |
ornaments I could sell. | 0:22:15 | 0:22:17 | |
If your plans for leaving were to advance, | 0:22:17 | 0:22:19 | |
and there was space for one more... | 0:22:19 | 0:22:21 | |
Its other virtue, Mabel, is, I believe, space. | 0:22:21 | 0:22:25 | |
-I must thank you. -For what? | 0:22:32 | 0:22:35 | |
Saving me from Matron. | 0:22:35 | 0:22:37 | |
I didn't do it for you. | 0:22:37 | 0:22:39 | |
I did it to her. | 0:22:39 | 0:22:40 | |
I'm not surprised she hasn't got any friends left. | 0:22:44 | 0:22:47 | |
Well, she's only got herself to blame. | 0:22:47 | 0:22:49 | |
Have you seen Mathias? | 0:22:54 | 0:22:56 | |
I think he's getting something from the yard. | 0:22:56 | 0:22:59 | |
Where were you last night? | 0:23:04 | 0:23:07 | |
Mathias? | 0:23:07 | 0:23:08 | |
What's the point? | 0:23:10 | 0:23:12 | |
You're going away, aren't you? | 0:23:12 | 0:23:14 | |
And then what, you'll wait for me? | 0:23:14 | 0:23:16 | |
-Forever. -Yeah, it will be. | 0:23:16 | 0:23:18 | |
I'm an army boy now. | 0:23:21 | 0:23:22 | |
So, you live your life, meet someone, | 0:23:24 | 0:23:27 | |
and raise a family. | 0:23:27 | 0:23:29 | |
Don't give up on me, Mathias Grigg. | 0:23:29 | 0:23:32 | |
We'll find a way, somehow, | 0:23:32 | 0:23:34 | |
but we have to believe it. | 0:23:34 | 0:23:37 | |
Until then. | 0:23:46 | 0:23:48 | |
Elizabeth! | 0:24:07 | 0:24:08 | |
Now I have no-one. | 0:24:12 | 0:24:14 | |
Silly, you've always got me. | 0:24:14 | 0:24:19 | |
You'll forget about me. | 0:24:19 | 0:24:21 | |
How could I? | 0:24:21 | 0:24:22 | |
Sheila, you find a way out, and then find me. | 0:24:23 | 0:24:27 | |
Promise? | 0:24:27 | 0:24:28 | |
Don't worry, lad. | 0:25:07 | 0:25:08 | |
You were wrong, but that doesn't mean to say you weren't smart. | 0:25:08 | 0:25:12 | |
The army needs the likes of you. | 0:25:12 | 0:25:14 | |
I can't even lift a wheel. | 0:25:14 | 0:25:15 | |
But you can use your head, and that's what a commander needs. | 0:25:15 | 0:25:19 | |
I reckon I'll be saluting you one day. | 0:25:19 | 0:25:21 | |
I was brave. | 0:25:28 | 0:25:30 | |
Always first over the hill, | 0:25:30 | 0:25:31 | |
because I didn't think I had anything to live for. | 0:25:31 | 0:25:34 | |
I have now - a family, if you'll count me as such. | 0:25:34 | 0:25:37 | |
Proudly. | 0:25:37 | 0:25:39 | |
I'll be brave, but I'll be back, | 0:25:39 | 0:25:41 | |
because now I'm not just a nobody any more. | 0:25:41 | 0:25:44 | |
Boys, Sergeant Palmer has taught you well. | 0:25:49 | 0:25:52 | |
Let's do him proud. | 0:25:52 | 0:25:54 | |
To your posts. | 0:25:54 | 0:25:55 | |
Still, the look on Matron's face... | 0:26:17 | 0:26:21 | |
Come on, boys! Up and over! | 0:26:38 | 0:26:41 | |
Come on, come on! Up and over now! Up and over! | 0:26:41 | 0:26:45 | |
-CHEERING AND APPLAUSE -Oh, well done! | 0:26:45 | 0:26:48 | |
'It seems we can get cranky even before we grow up, | 0:26:48 | 0:26:51 | |
'so how do we remember the fun? | 0:26:51 | 0:26:55 | |
'I don't know, but if I ever turn into Matron, or Macclesfield, | 0:26:55 | 0:27:00 | |
'or any of those old grumps, tickle me. | 0:27:00 | 0:27:04 | |
'Play a prank on me, anything, | 0:27:04 | 0:27:06 | |
'and keep doing it till I laugh again.' | 0:27:06 | 0:27:08 | |
Mr Cranbourne is suggesting we take one of you on as a servant. | 0:27:12 | 0:27:15 | |
Hetty Feather, sir. A pleasure to make your acquaintance. | 0:27:15 | 0:27:17 | |
-I love you. -Oh. | 0:27:19 | 0:27:21 | |
I will give you this book, but on one condition - | 0:27:21 | 0:27:24 | |
you will get me on the next available ship to New York. | 0:27:24 | 0:27:26 | |
YELLING AND GROANING | 0:27:26 | 0:27:29 | |
Do you think Gideon's in trouble? | 0:27:29 | 0:27:31 | |
-He'll be all right. I think he's quite handsome. -Sheila! | 0:27:31 | 0:27:34 | |
I'm not sure that any of you belong in the Queen's own artillery! | 0:27:34 | 0:27:36 | |
You do know it's not just Mathias I'm going to miss. | 0:27:36 | 0:27:39 | |
I don't even want to think about it. | 0:27:39 | 0:27:41 |