Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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# Terrible Tudors, Gorgeous Georgians Slimy Stuarts, Vile Victorians | 0:00:02 | 0:00:04 | |
# Woeful Wars, ferocious fights, Dingy castles, daring knights | 0:00:04 | 0:00:07 | |
# Horrors that defy description, Cut-throat Celts, Awful Egyptians, | 0:00:07 | 0:00:09 | |
# Vicious Vikings, cruel crimes Punishments from ancient times | 0:00:09 | 0:00:12 | |
# Romans - rotten, rank and ruthless | 0:00:12 | 0:00:13 | |
# Cavemen - savage, fierce and toothless | 0:00:13 | 0:00:15 | |
# Groovy Greeks, brainy sages Mean and Measly Middle Ages | 0:00:15 | 0:00:18 | |
# Gory stories, we do that | 0:00:18 | 0:00:20 | |
# And your host - a talking rat | 0:00:20 | 0:00:23 | |
# The past is no longer a mystery | 0:00:23 | 0:00:26 | |
# Welcome to... | 0:00:26 | 0:00:27 | |
GREGORIAN CHANTING: # Horrible Histories. # | 0:00:27 | 0:00:31 | |
'We Saxons believed our Gods were really tough, just like superheroes.' | 0:00:36 | 0:00:42 | |
Uhhh... | 0:00:44 | 0:00:46 | |
Ahhh! | 0:00:46 | 0:00:47 | |
-DRAMATIC VOICEOVER: -'In an age of darkness...' | 0:00:47 | 0:00:50 | |
Uhhh. Ha-ha-ha! | 0:00:50 | 0:00:52 | |
'..a time of Saxon gods...' | 0:00:52 | 0:00:54 | |
Give me one good reason | 0:00:54 | 0:00:55 | |
why I shouldn't take you prisoner right now? | 0:00:55 | 0:00:58 | |
Uhh. Good reason. | 0:00:58 | 0:01:00 | |
'..only one could unite them to save the day.' | 0:01:00 | 0:01:03 | |
I am Woden, chief of all the gods. | 0:01:03 | 0:01:06 | |
Oh, OK. | 0:01:06 | 0:01:07 | |
I'm putting a team together. | 0:01:07 | 0:01:09 | |
You'll only mess it up. | 0:01:09 | 0:01:10 | |
Probably. | 0:01:10 | 0:01:11 | |
You need someone to save the day. | 0:01:11 | 0:01:13 | |
Definitely. | 0:01:13 | 0:01:15 | |
I'm putting a team together | 0:01:15 | 0:01:16 | |
and I'd hate to do it without my pretty wife. | 0:01:16 | 0:01:19 | |
Let's go. | 0:01:19 | 0:01:20 | |
'Starring... | 0:01:20 | 0:01:22 | |
'Apart, they were worshipped - together, they became Legend.' | 0:01:27 | 0:01:31 | |
So, what's this superhero team called, Woden? | 0:01:31 | 0:01:35 | |
We are... | 0:01:35 | 0:01:37 | |
Sorry, what? We're going to be "Days of the Week?" | 0:01:38 | 0:01:41 | |
Yeah, you know like, Tiw's Day, Woden's Day, Thunor's Day, | 0:01:41 | 0:01:44 | |
-Frige's day. -And what are we meant to do exactly? | 0:01:44 | 0:01:47 | |
Nothing really, just look butch for the posters. | 0:01:47 | 0:01:50 | |
And Saturn's Day. | 0:01:55 | 0:01:57 | |
Sorry! Do you mind? You're a Roman god, | 0:01:57 | 0:01:59 | |
this is Saxon God Week, only for Saxons. | 0:01:59 | 0:02:02 | |
Yeah, well what about Moon Day and Sun Day? | 0:02:02 | 0:02:04 | |
Yeah we're a four-day-week team. | 0:02:04 | 0:02:07 | |
'Witness the incredible story of how the greatest gods of the Saxon age | 0:02:07 | 0:02:11 | |
'came together to become almost one week.' | 0:02:11 | 0:02:14 | |
"Some of..." | 0:02:15 | 0:02:16 | |
It's true. | 0:02:21 | 0:02:23 | |
Some Saxon gods had a day of the week named after them. | 0:02:23 | 0:02:26 | |
But that's nothing! | 0:02:26 | 0:02:27 | |
In China, we have a whole year named after us, yeah. | 0:02:27 | 0:02:32 | |
The year of the rat. Ha-ha-ha! | 0:02:32 | 0:02:34 | |
The Saxons had lots of unusual gods, | 0:02:34 | 0:02:36 | |
in fact, they believed in all sorts of weird stuff. | 0:02:36 | 0:02:40 | |
Morning, Graham. | 0:02:43 | 0:02:45 | |
Oh, hello, Keith, how's tricks? | 0:02:45 | 0:02:46 | |
Oh, fantastic. Bumper crop this year. | 0:02:46 | 0:02:49 | |
Going to be my best harvest ever, I reckon. Yours? | 0:02:49 | 0:02:53 | |
Well, it's a little bit sparse if I'm honest, not a patch on yours. | 0:02:53 | 0:02:57 | |
Well, you know what they say, the grass is always greener | 0:02:57 | 0:02:59 | |
on the other side of the fence, unless you're me, cos that's not! | 0:02:59 | 0:03:03 | |
I just don't understand it, you know - | 0:03:03 | 0:03:05 | |
-I've ploughed it, I've watered it, nothing! -You tried charming it? | 0:03:05 | 0:03:09 | |
What, you mean like paying it a compliment? | 0:03:09 | 0:03:11 | |
Taking it out for a drink? | 0:03:11 | 0:03:13 | |
No, no. Actually charming it - | 0:03:13 | 0:03:14 | |
performing a land ceremonies charm, yeah? | 0:03:14 | 0:03:17 | |
A blessing to make the ground fertile. Turned my farm around. | 0:03:17 | 0:03:21 | |
-Really? -Oh, yeah, it's dead simple. | 0:03:21 | 0:03:23 | |
All you do is, dig a hole in every corner of your field. | 0:03:23 | 0:03:26 | |
Well, that does sound very simple. | 0:03:26 | 0:03:28 | |
Then you take a sample of every grass, herb and leaf that's growing | 0:03:28 | 0:03:31 | |
within the field, and mix it with milk from every cow in your herd. | 0:03:31 | 0:03:35 | |
Right, and that's supposed to make the... | 0:03:35 | 0:03:36 | |
Then add honey from every bee in your hive, | 0:03:36 | 0:03:39 | |
mix that with holy water and pour the mixture into the holes | 0:03:39 | 0:03:42 | |
whilst singing an incantation, and then the Lord's Prayer. | 0:03:42 | 0:03:45 | |
Our Father who art in heaven... | 0:03:45 | 0:03:47 | |
And then take the dug up clumps of earth to the church | 0:03:47 | 0:03:50 | |
and get the priest to sing Mass to each one of them. | 0:03:50 | 0:03:52 | |
And then take four crucifixes, | 0:03:52 | 0:03:54 | |
write Matthew, Mark, Luke and John on 'em, | 0:03:54 | 0:03:56 | |
place them in the holes, shout, "Grow!", nine times. | 0:03:56 | 0:04:00 | |
Grow! Grow! Grow! Grow... | 0:04:00 | 0:04:03 | |
Say the Lord's Prayer again. | 0:04:03 | 0:04:05 | |
Who art in heaven... | 0:04:05 | 0:04:06 | |
Turn east, bow, say another prayer. | 0:04:06 | 0:04:08 | |
Hallowed be thy name... | 0:04:08 | 0:04:09 | |
Turn around three times, lie on the ground, do a chant... | 0:04:09 | 0:04:12 | |
stand up... | 0:04:12 | 0:04:13 | |
bless the plough, bless the seeds, dig a furrow, bake a cake, | 0:04:13 | 0:04:17 | |
bless the cake, bury the cake and then bingo, your field's fertile. | 0:04:17 | 0:04:21 | |
Now you do that next time before you sow your seeds. | 0:04:21 | 0:04:24 | |
Seeds! Of course! Oh! | 0:04:25 | 0:04:28 | |
No wonder my crops weren't growing, I forgot to sow my seeds. | 0:04:28 | 0:04:32 | |
-What a muppet! -You're such a numb brain. | 0:04:32 | 0:04:34 | |
All right. Right, I'm going to finish this cake, then get sowing. | 0:04:34 | 0:04:38 | |
Don't suppose you got a spare slice, have you? | 0:04:38 | 0:04:41 | |
Can't remember where I buried mine. | 0:04:41 | 0:04:43 | |
The Great Plague of London in 1665 killed about 100,000 people. | 0:04:48 | 0:04:53 | |
The grimy, unsanitary conditions people lived in | 0:04:53 | 0:04:56 | |
meant the plague spread very quickly. | 0:04:56 | 0:04:58 | |
To avoid catching the disease, many rich Londoners fled the city. | 0:04:58 | 0:05:02 | |
'It's 1665 and Historical Grimefighters, | 0:05:02 | 0:05:06 | |
'Lou and Dave, have been called to a property in Oxford.' | 0:05:06 | 0:05:09 | |
Apparently there's a bit of a smell coming from this property, | 0:05:09 | 0:05:12 | |
so Dave and I thought we'd try and track the problem down. | 0:05:12 | 0:05:16 | |
Whoa! Ho-ho! | 0:05:17 | 0:05:18 | |
Don't tell me - students? | 0:05:18 | 0:05:20 | |
No, Stuarts. Charles II. Hi. | 0:05:20 | 0:05:24 | |
Er, normally I live down in London, | 0:05:24 | 0:05:26 | |
but there's this dreadful plague business going on there. | 0:05:26 | 0:05:29 | |
Ruining my parties, so I moved the royal court up here to Oxford. | 0:05:29 | 0:05:33 | |
Come on in. Loving the outfits, by the way. | 0:05:33 | 0:05:35 | |
Oh, thanks very much. | 0:05:35 | 0:05:37 | |
Oh, don't bring that in, mate. | 0:05:37 | 0:05:40 | |
Leave it out there. | 0:05:40 | 0:05:41 | |
LAUGHTER AND CHATTER | 0:05:43 | 0:05:46 | |
Oh, would you look at this, Dave? | 0:05:46 | 0:05:49 | |
Absolutely disgusting. | 0:05:49 | 0:05:51 | |
They're dropping food all over the place. | 0:05:51 | 0:05:54 | |
Talk about the stinking rich, this lot haven't had a bath in weeks. | 0:05:54 | 0:05:58 | |
Well, baths are actually very bad for you, so... | 0:05:58 | 0:06:01 | |
-Says who? -Says my doctor. | 0:06:01 | 0:06:04 | |
Hello, I'm the senior physician to the King | 0:06:04 | 0:06:07 | |
and I can confirm it's a well-known scientific fact. | 0:06:07 | 0:06:10 | |
Bathing relaxes the muscles and, er...it makes you dizzy | 0:06:10 | 0:06:14 | |
and THAT is how you catch the plague. | 0:06:14 | 0:06:16 | |
-No, it isn't, that's nonsense. -Well, I'm not taking any risks, | 0:06:16 | 0:06:19 | |
that's why I've stopped having baths. I've... | 0:06:19 | 0:06:21 | |
-HE COUGHS -..taken up smoking. | 0:06:21 | 0:06:24 | |
And I'm wearing a dead toad around my neck. | 0:06:24 | 0:06:26 | |
Disgusting. | 0:06:26 | 0:06:27 | |
Round here, Dave. Look at this! That's human. | 0:06:29 | 0:06:32 | |
Right, seriously, who's been dumping in the chimney place? | 0:06:32 | 0:06:35 | |
Well, it certainly wasn't me, I use that corner. | 0:06:35 | 0:06:38 | |
Urgh, that's rank, at least I use the coal house. | 0:06:38 | 0:06:41 | |
-The coal house?! -Well, it beats queuing up for the study, | 0:06:41 | 0:06:44 | |
-that's where everyone else goes. -Right, that's it, everybody out. | 0:06:44 | 0:06:47 | |
Oh, come on, don't be such a party pooper. | 0:06:47 | 0:06:49 | |
It's you who's the party pooper, mate, leaving your little presents | 0:06:49 | 0:06:53 | |
all over the place. I mean, honestly, don't you know anything? | 0:06:53 | 0:06:56 | |
Being this unhygienic will only help spread the plague. | 0:06:56 | 0:06:59 | |
It doesn't matter anyway. | 0:06:59 | 0:07:00 | |
-What do you mean, it doesn't matter? -We're moving back to London soon. | 0:07:00 | 0:07:04 | |
Come on everyone, party back at the Palace, yo! | 0:07:04 | 0:07:08 | |
Oh, not you, Dave. Oh, right, er... you're just going to walk out | 0:07:08 | 0:07:11 | |
and leave all your little piles of poo for everyone else to clean up, | 0:07:11 | 0:07:14 | |
-are you? -Yeah. -You're an animal, mate. | 0:07:14 | 0:07:17 | |
A party animal. Ha-ha-ha! | 0:07:17 | 0:07:18 | |
Come on, then, Dave, you best stop your nattering. | 0:07:21 | 0:07:23 | |
Get your pooper scooper out and get going. | 0:07:23 | 0:07:26 | |
Dirty rotten Stuarts. | 0:07:26 | 0:07:28 | |
'The Greek world faces a new threat. | 0:07:37 | 0:07:39 | |
'Your mission is to save the ancient Greek colony of Syracuse | 0:07:39 | 0:07:43 | |
'from the up-and-coming power in the region known as...' | 0:07:43 | 0:07:47 | |
Remember the name - we're going to be big. | 0:07:47 | 0:07:50 | |
-AUTOMATED VOICE: -'Select defender. Old man selected.' | 0:07:50 | 0:07:53 | |
Good choice, I'm not just any old man, I'm Archimedes. | 0:07:53 | 0:07:58 | |
Greek mathematician and inventor. | 0:07:58 | 0:08:01 | |
"Brains not brawn", I always say. | 0:08:01 | 0:08:03 | |
HE SNORTS WITH LAUGHTER | 0:08:03 | 0:08:04 | |
Let's see what you've got, old man. Ha-ha! | 0:08:04 | 0:08:07 | |
'Select weapon. | 0:08:07 | 0:08:09 | |
'Giant mirror selected.' | 0:08:09 | 0:08:10 | |
A mirror? What are you going to do with that? | 0:08:10 | 0:08:13 | |
Scare me with my own reflection? | 0:08:13 | 0:08:15 | |
It's my new invention. The Burning Mirrors of Archimedes. | 0:08:17 | 0:08:21 | |
They reflect the rays of the hot Mediterranean sun | 0:08:21 | 0:08:24 | |
and focus them onto the sails of the Roman ships. | 0:08:24 | 0:08:27 | |
Oh, right. That's what you're going to do with it. | 0:08:27 | 0:08:29 | |
Brains one, brawn nil. | 0:08:29 | 0:08:31 | |
HE SNORTS | 0:08:31 | 0:08:33 | |
Let's see what else you've got, old man. | 0:08:34 | 0:08:37 | |
A giant crane! How bad can that be? Ha-ha-ha-ha! | 0:08:40 | 0:08:44 | |
I've come up with a sort of huge crane device | 0:08:44 | 0:08:47 | |
-to deal with enemy ships. -Argh! | 0:08:47 | 0:08:51 | |
I don't like to make a big deal about inventing it, | 0:08:51 | 0:08:54 | |
so I've just called it, The Claw of Archimedes! | 0:08:54 | 0:08:56 | |
HE SNORTS | 0:08:56 | 0:08:58 | |
'City defended.' | 0:08:59 | 0:09:01 | |
Yeah? Well, we'll be back again. | 0:09:01 | 0:09:03 | |
Whatever. | 0:09:03 | 0:09:04 | |
Have I told you about a device for moving water | 0:09:06 | 0:09:08 | |
up into irrigation ditches? | 0:09:08 | 0:09:11 | |
It's called The Archimedes Screw. | 0:09:11 | 0:09:13 | |
'No, really - game over!' | 0:09:13 | 0:09:15 | |
I'll give you three guesses who invented it? | 0:09:15 | 0:09:18 | |
HE SNORTS | 0:09:18 | 0:09:20 | |
(It was me!) | 0:09:20 | 0:09:21 | |
'The Romans did eventually manage to get into Syracuse, | 0:09:21 | 0:09:25 | |
'and Archimedes was killed whilst working on a maths problem. | 0:09:25 | 0:09:28 | |
'Roman plus sword equals death. | 0:09:28 | 0:09:31 | |
'And here's the story of another famous Greek | 0:09:31 | 0:09:34 | |
'who came to a sticky end.' | 0:09:34 | 0:09:36 | |
People of Delphi, I am Aesop. | 0:09:39 | 0:09:42 | |
-Who? -I'm Aesop, famous fables writer. | 0:09:42 | 0:09:44 | |
No, never heard of you. | 0:09:44 | 0:09:46 | |
You've not heard the story of the hare and tortoise? | 0:09:46 | 0:09:48 | |
The race where the tortoise ends up beating the hare? | 0:09:48 | 0:09:50 | |
It's a moral tale about how speed is not always best? | 0:09:50 | 0:09:53 | |
Not interested. | 0:09:53 | 0:09:55 | |
All right, anyway - I, Aesop, famous fables writer, | 0:09:55 | 0:09:57 | |
have been tasked by King Croesus with distributing money to you, | 0:09:57 | 0:10:00 | |
the people of Delphi. Oh, interested now, ain't ya? | 0:10:00 | 0:10:03 | |
All right, OK, no need to rush. | 0:10:03 | 0:10:05 | |
Remember the story of the hare and the tortoise. | 0:10:05 | 0:10:07 | |
-That's snatching and you've had some. -No, I haven't. | 0:10:07 | 0:10:09 | |
Liar! You obviously don't know my story about the boy who cried wolf. | 0:10:09 | 0:10:13 | |
-Never heard of it. -Well, it's a moral tale about | 0:10:13 | 0:10:15 | |
how liars get their just desserts. Now, come on, form an orderly queue. | 0:10:15 | 0:10:18 | |
-No, you've definitely had some. -No, I'm my identical twin brother. | 0:10:18 | 0:10:22 | |
-Really? -Yeah, yeah, I'm a big fan of all your work, Ee-fop, | 0:10:22 | 0:10:26 | |
loved that one about the boy and the tortoise with the fish | 0:10:26 | 0:10:31 | |
and I want to say grasshopper? | 0:10:31 | 0:10:32 | |
Nice try. You obviously haven't heard my story | 0:10:32 | 0:10:35 | |
about the fox and the crow - a moral tale about not trusting flatterers. | 0:10:35 | 0:10:39 | |
-Oh! -Now, honestly, behave, you lot! | 0:10:39 | 0:10:41 | |
You've obviously not heard my story of the goose with a golden egg - | 0:10:41 | 0:10:44 | |
a moral tale about greed. | 0:10:44 | 0:10:46 | |
That's it, no more money, you don't deserve it, you're all too greedy. | 0:10:46 | 0:10:50 | |
Have you ever heard the story about the fable writer and the cliff? | 0:10:50 | 0:10:53 | |
No, doesn't sound like one of mine. | 0:10:53 | 0:10:54 | |
Mine usually feature creatures of some sort. | 0:10:54 | 0:10:57 | |
It's a story about a highly annoying fable writer | 0:10:57 | 0:10:59 | |
who gets thrown off a cliff by an angry mob. | 0:10:59 | 0:11:02 | |
It's a moral tale about not annoying an angry mob. | 0:11:02 | 0:11:04 | |
No, oi! Don't...! | 0:11:06 | 0:11:08 | |
Don't you remember my story about the goose with the golden egg? | 0:11:08 | 0:11:11 | |
According to Greek historian, Herodotus, the people of Delphi | 0:11:11 | 0:11:15 | |
threw Aesop off a cliff - but soon afterwards a plague hit Delphi. | 0:11:15 | 0:11:21 | |
So, the moral of this tale actually turned out to be, | 0:11:21 | 0:11:24 | |
"Don't throw a fable writer off a cliff." Ha-ha! | 0:11:24 | 0:11:27 | |
'In Victorian times, we had some odd ideas | 0:11:31 | 0:11:33 | |
'about how to look your best. Good day!' | 0:11:33 | 0:11:35 | |
Oh, my gosh, Alexandra! | 0:11:40 | 0:11:44 | |
-You look really nice. -Shut up. | 0:11:44 | 0:11:46 | |
No, you do, you look really pale and pasty, is it natural? | 0:11:46 | 0:11:50 | |
Lillian, you're bang out of order. | 0:11:50 | 0:11:52 | |
-Admit it, you must use fake-no-tan? -Well, to be totally honest with you, | 0:11:52 | 0:11:56 | |
from time-to-time, I do top up my whiteness with some zinc oxide. | 0:11:56 | 0:12:00 | |
-Shut up. -And I'll let you into another secret. | 0:12:00 | 0:12:02 | |
-These veins on my forehead... -Yeah? -Painted on with a brush. | 0:12:02 | 0:12:06 | |
-Shut up. -I know babe, amazing, isn't it? They make my skin even paler. | 0:12:06 | 0:12:10 | |
-Almost see-through. -Yeah, babe. | 0:12:10 | 0:12:12 | |
Oh, don't look now - Gertie's on her way. | 0:12:12 | 0:12:15 | |
That is well awkward. You know she's been courting that Lord Pelborough. | 0:12:15 | 0:12:18 | |
I know, babe, it's bang out of order. She knows I'm after him, he gets me. | 0:12:18 | 0:12:21 | |
They even went on a walk at the weekend without a chaperone. | 0:12:21 | 0:12:24 | |
-Shut up. -I'm told she was showing an ankle. -Oh, shut up. | 0:12:24 | 0:12:26 | |
Oh, watch out. Here she comes. | 0:12:26 | 0:12:29 | |
Hello, babe, you all right? | 0:12:29 | 0:12:31 | |
BOTH: Ohhhh! Oh, my gosh! | 0:12:31 | 0:12:34 | |
-Gertie, what happened to your face? -You look well orange. -100%. | 0:12:34 | 0:12:38 | |
It's so embarrassing. I went for a walk in the sun | 0:12:38 | 0:12:41 | |
and forgot my parasol. Now just look at me. | 0:12:41 | 0:12:43 | |
Suntan. So vulgar. | 0:12:43 | 0:12:45 | |
You look well common, babe. | 0:12:45 | 0:12:47 | |
-Like you've been working outdoors or something. -I know. Sobs! | 0:12:47 | 0:12:50 | |
You better shut yourself in a dark room until that tan goes away. | 0:12:50 | 0:12:53 | |
Oh! | 0:12:53 | 0:12:55 | |
Oh, my gosh, so funny. | 0:12:55 | 0:12:58 | |
-So funny. -Right, let's have a drink to celebrate. | 0:12:58 | 0:13:01 | |
Cheers. | 0:13:01 | 0:13:03 | |
Oh! Urgh, that tastes like vinegar! | 0:13:03 | 0:13:07 | |
Oh, that's because it is vinegar. It makes your skin even paler. | 0:13:07 | 0:13:11 | |
So random. | 0:13:12 | 0:13:15 | |
It's true - posh Victorians used to frown on anyone with a suntan. | 0:13:15 | 0:13:20 | |
It was a sign of being a poor person who had to work outdoors. | 0:13:20 | 0:13:24 | |
Hm. I've got a great sunblock. It's called fur. | 0:13:24 | 0:13:29 | |
Yes, in Victorian times people liked to be properly covered, | 0:13:29 | 0:13:33 | |
even when on the beach. | 0:13:33 | 0:13:35 | |
'It's 9am and the gentleman of the Victorian Beach Patrol | 0:13:37 | 0:13:41 | |
'are ready for action. And they won't have to wait long | 0:13:41 | 0:13:43 | |
'as Victorian bathing costumes are extremely cumbersome | 0:13:43 | 0:13:46 | |
'and difficult to swim in. Uh-oh, what's this? | 0:13:46 | 0:13:48 | |
'Someone's in trouble. | 0:13:48 | 0:13:50 | |
'A cry for help and the men of the Victorian Beach Patrol | 0:13:50 | 0:13:52 | |
'spring into action. | 0:13:52 | 0:13:53 | |
'A quick change into their streamlined rescue clothes | 0:13:53 | 0:13:56 | |
'is the first stage of the rescue. The amazing Victorian Beach Patrol | 0:13:56 | 0:13:59 | |
'can get changed in a matter of minutes... | 0:13:59 | 0:14:01 | |
'25 minutes, that is! | 0:14:01 | 0:14:03 | |
'Now, appropriately dressed in their woolly Victorian swimwear, | 0:14:03 | 0:14:06 | |
'the Victorian Beach Patrol are ready to roll. | 0:14:06 | 0:14:08 | |
'Roll their bathing box into the water, of course. | 0:14:08 | 0:14:11 | |
'It wouldn't be seemly just to walk into the sea. | 0:14:11 | 0:14:13 | |
'What's this? It looks like the struggling swimmer | 0:14:13 | 0:14:16 | |
'has managed to make it to the shore! | 0:14:16 | 0:14:17 | |
'And the good news is he looks healthy and full of life. | 0:14:17 | 0:14:20 | |
'It looks like another success | 0:14:20 | 0:14:22 | |
'for the men of the Victorian Beach Patrol.' | 0:14:22 | 0:14:24 | |
'The 1960s were groovy, baby, | 0:14:29 | 0:14:32 | |
'and one of the grooviest things to happen was in 1969, | 0:14:32 | 0:14:36 | |
'when man landed on the Moon. | 0:14:36 | 0:14:37 | |
'It was far out - really far out!' | 0:14:37 | 0:14:40 | |
Hi. I'm Neil Armstrong | 0:14:44 | 0:14:46 | |
and I am here to tell you the secret behind my remarkable weight loss. | 0:14:46 | 0:14:49 | |
It's being on the Moon! | 0:14:49 | 0:14:51 | |
I went from being the weight of a normal man, | 0:14:51 | 0:14:53 | |
to weighing virtually nothing. | 0:14:53 | 0:14:55 | |
And now you can, too. All you need to do | 0:14:55 | 0:14:57 | |
is follow my unique Apollo 11 Weight-Loss Programme. | 0:14:57 | 0:15:00 | |
Here's me before landing on the Moon and here's me after. | 0:15:00 | 0:15:03 | |
An amazing 83% lighter. Here's how it works. | 0:15:03 | 0:15:06 | |
The gravity on the Moon is much less than gravity on the Earth. | 0:15:06 | 0:15:09 | |
Which means that when you walk on the Moon, you feel far, far lighter! | 0:15:09 | 0:15:13 | |
You'll be able to bound around like an overexcited kangaroo. Whoo! | 0:15:13 | 0:15:18 | |
Here's what you'll need - a rocket just like mine. The Saturn Five. | 0:15:18 | 0:15:22 | |
It needs to be taller than a 36-storey building | 0:15:22 | 0:15:24 | |
and weigh about the same as 400 elephants. | 0:15:24 | 0:15:27 | |
When you first arrive on the surface of the Moon, | 0:15:27 | 0:15:29 | |
make sure you're the first person out of the lunar module. | 0:15:29 | 0:15:31 | |
If you're the first man on the Moon, everyone will remember your name. | 0:15:31 | 0:15:35 | |
Take this guy - he came out second and his name is.... | 0:15:35 | 0:15:38 | |
-I... It's gone. -Buzz. Buzz Aldrin. | 0:15:39 | 0:15:42 | |
-His name is Baz Alldrains. -Buzz Aldrin. | 0:15:42 | 0:15:46 | |
You see what I mean? | 0:15:46 | 0:15:48 | |
You also need something cool to say when you first walk on the Moon. | 0:15:48 | 0:15:51 | |
I'd recommend something like this... | 0:15:51 | 0:15:53 | |
'That's one small step for man, one giant leap for mankind.' | 0:15:53 | 0:15:58 | |
Shouldn't that be, "That's one small step for A man, | 0:15:58 | 0:16:01 | |
"one giant leap for mankind"? | 0:16:01 | 0:16:03 | |
Well, when you're the first man to walk on the Moon, | 0:16:03 | 0:16:05 | |
maybe you could try that! | 0:16:05 | 0:16:07 | |
-Oh, sorry, my mistake. -I -was the first man on the Moon, Baz! | 0:16:07 | 0:16:10 | |
-Buzz! -And don't forget to plant your American flag. | 0:16:10 | 0:16:14 | |
That'll really annoy the Ruskies! | 0:16:14 | 0:16:15 | |
-Try my Apollo 11 Weight-Loss Programme. -It's mine, too. | 0:16:15 | 0:16:19 | |
-It's not rocket science. -Technically it is. -Who asked you, Baz? | 0:16:19 | 0:16:23 | |
Buzz! Buzz! Buzz! | 0:16:23 | 0:16:26 | |
-Have you got a wasp in there with you? -What? | 0:16:26 | 0:16:29 | |
He hates it when I say that! | 0:16:29 | 0:16:30 | |
In the 1950s, landing on the Moon had seemed impossible. | 0:16:46 | 0:16:50 | |
But then so had the struggle for black Americans | 0:16:50 | 0:16:52 | |
to be treated equally. | 0:16:52 | 0:16:53 | |
It took a very brave woman to do something about that. | 0:16:53 | 0:16:56 | |
# I'm Rosa Parks, my story marks | 0:17:06 | 0:17:08 | |
# The first step towards Civil Rights | 0:17:08 | 0:17:11 | |
# Racial inequality, American policy Till I kicked off a fight | 0:17:11 | 0:17:15 | |
# What act of mine Led havoc to ensue? | 0:17:15 | 0:17:18 | |
# How come I caused such fuss? | 0:17:18 | 0:17:21 | |
# What shocking behaviour did I do? | 0:17:21 | 0:17:24 | |
# We-e-e-e-ll... | 0:17:24 | 0:17:27 | |
-# I sat on a bus -You sat on a bus? | 0:17:27 | 0:17:30 | |
-# I sat on a bus -You sat on a bus? | 0:17:30 | 0:17:33 | |
-# You want to know why? -Go ahead, tell us | 0:17:33 | 0:17:35 | |
-# I sat on that bus -You sat on the bus | 0:17:35 | 0:17:38 | |
# In the '50s all buses divided | 0:17:38 | 0:17:40 | |
-# Whites in front, blacks behind -You serious? | 0:17:40 | 0:17:44 | |
# If the bus filled up we had to give up | 0:17:44 | 0:17:46 | |
-# Our seats or we'd be fined. -That's Ludi-crous | 0:17:46 | 0:17:49 | |
# I made a stand in my hometown Montgomery, Alabama | 0:17:49 | 0:17:53 | |
-# That's danger-ous -Refused to stand for a white man | 0:17:53 | 0:17:56 | |
-# So they put me in the slammer -Discourte-ouss! | 0:17:56 | 0:17:59 | |
# December 5, 1955 My trial notorious | 0:17:59 | 0:18:03 | |
# Black people stood side-by-side | 0:18:03 | 0:18:06 | |
# And no-o-o-o-one | 0:18:06 | 0:18:10 | |
-# Got on the bus -We stayed off the bus | 0:18:10 | 0:18:13 | |
-# They stayed off the bus -We stayed off the bus | 0:18:13 | 0:18:15 | |
-# I meant busin-ess -She inspired us | 0:18:15 | 0:18:18 | |
-# So they stayed off the bus -We stayed off the bus | 0:18:18 | 0:18:21 | |
# We organised a boycott of public transportation | 0:18:21 | 0:18:26 | |
# To win R-E-S-P-E-C-T and force new legislation | 0:18:26 | 0:18:31 | |
# Dreamed of the day the USA | 0:18:31 | 0:18:33 | |
# Had no implementation Of S-E-G-R-E-G-A-T-I-O-N | 0:18:33 | 0:18:39 | |
# Spells segregation | 0:18:39 | 0:18:41 | |
# From that day on we walked or cabbed | 0:18:41 | 0:18:44 | |
# Led by Martin Luther King | 0:18:44 | 0:18:46 | |
# Attacked by mobs our houses bombed | 0:18:46 | 0:18:49 | |
# Though peace was our thing | 0:18:49 | 0:18:52 | |
# Our plight it made the national news | 0:18:52 | 0:18:54 | |
-# Which was mighty strange -Mysteri-ouss | 0:18:54 | 0:18:57 | |
# When word reached the President He had to make a change | 0:18:57 | 0:19:00 | |
-# Deliri-ous -One year on we'd finally won | 0:19:00 | 0:19:04 | |
# A victory momen-tous | 0:19:04 | 0:19:06 | |
# The fight for national Civil Rights was begun-u-u-n | 0:19:06 | 0:19:12 | |
-# Cos I sat on a bus -She sat on a bus | 0:19:12 | 0:19:15 | |
-# I sat on a bus -She sat on a bus | 0:19:15 | 0:19:18 | |
-# I sat on a bus -For all of us | 0:19:18 | 0:19:20 | |
-# I sat on a bus -She sat on a bus | 0:19:20 | 0:19:24 | |
-# I sat, I sat... -# Our story owes a | 0:19:24 | 0:19:26 | |
# Huge debt to Rosa | 0:19:26 | 0:19:28 | |
# I sat, I sat, I sat on that bus | 0:19:28 | 0:19:31 | |
# We all agree She made history | 0:19:31 | 0:19:33 | |
# On the bus | 0:19:33 | 0:19:36 | |
# She sat on the bus | 0:19:36 | 0:19:39 | |
# For all of us | 0:19:39 | 0:19:41 | |
-# I sat on that bus -She sat on the bus | 0:19:41 | 0:19:43 | |
-# I sat on that bus -She sat on the bus | 0:19:43 | 0:19:46 | |
# She sat on the bus... # | 0:19:46 | 0:19:48 | |
Just come back safe, my darling, that's all I ask. | 0:19:56 | 0:19:59 | |
Alas, that is a promise I cannot make, my sweet Rose. | 0:19:59 | 0:20:03 | |
But I swear I shall fight bravely for you. | 0:20:03 | 0:20:05 | |
Oh, darling, you say the sweetest things. | 0:20:05 | 0:20:09 | |
Rose, as a sign of my devotion to you, | 0:20:11 | 0:20:14 | |
I shall not open this eye that you have kissed until the battle is won. | 0:20:14 | 0:20:18 | |
Oh! That's the most romantic thing I've ever heard. | 0:20:18 | 0:20:21 | |
Right, well, you understand this places me | 0:20:24 | 0:20:26 | |
in quite a tricky situation. | 0:20:26 | 0:20:27 | |
-TRUMPETS SOUND -To battle! | 0:20:27 | 0:20:30 | |
Ow! Oh. | 0:20:33 | 0:20:35 | |
-Oh, um, my love? -No, it's fine. | 0:20:35 | 0:20:39 | |
Next time, how about just a nice peck on the cheek, huh? | 0:20:39 | 0:20:43 | |
Take care, sweetheart. | 0:20:43 | 0:20:45 | |
Oh! | 0:20:45 | 0:20:46 | |
-THUD! -It's all right, I'm OK. | 0:20:46 | 0:20:49 | |
'There really was a Knight who went to battle with one eye closed | 0:20:49 | 0:20:51 | |
'after it had been kissed by a lady. | 0:20:51 | 0:20:53 | |
'Going off to fight often meant leaving England, | 0:20:53 | 0:20:56 | |
'and one man who was more than happy to do that was Richard I.' | 0:20:56 | 0:21:00 | |
'And you join us here for the climax | 0:21:00 | 0:21:02 | |
'of today's historic coronation ceremony which sees | 0:21:02 | 0:21:06 | |
'Richard Plantagenet crowned King Richard I of England.' | 0:21:06 | 0:21:09 | |
I hereby appoint you King Richard I, Ruler of the English. | 0:21:09 | 0:21:15 | |
Bonne. Merci beaucoups. Merci, le Bishop. | 0:21:17 | 0:21:20 | |
I go home to France now, I leave this dump. | 0:21:20 | 0:21:22 | |
Dump, your Majesty? Well, we've just had the roof done. | 0:21:22 | 0:21:25 | |
Oh, no, no, no, no, no, no, not the Abbey, the country. | 0:21:25 | 0:21:28 | |
I cannot stand England, it's so cold and it's always raining. | 0:21:28 | 0:21:32 | |
And don't get me started on London. | 0:21:32 | 0:21:34 | |
Honestly, I would sell it if I could find a buyer. | 0:21:34 | 0:21:37 | |
Who wants to buy London? Although, I should warn you it's in England. | 0:21:37 | 0:21:42 | |
Eurgh. | 0:21:42 | 0:21:43 | |
But, Sire, you're the KING of England. | 0:21:43 | 0:21:46 | |
Oui, oui. And I love my loyal English subjects. | 0:21:46 | 0:21:50 | |
Every last taxpaying one of them. Come on, cough up. | 0:21:50 | 0:21:55 | |
But the place itself, well, let's just say it's no South of France. | 0:21:55 | 0:22:00 | |
You mean you only wanted England for the taxes? | 0:22:00 | 0:22:03 | |
And the wonderful food(!) | 0:22:03 | 0:22:06 | |
HE LAUGHS | 0:22:06 | 0:22:08 | |
I'm joking, of course. | 0:22:08 | 0:22:10 | |
I'm in it for the money. You, too, Bishop, let's see it. | 0:22:10 | 0:22:13 | |
Fighting these Crusades isn't cheap, you know. | 0:22:13 | 0:22:16 | |
Which reminds me, I should be off to the Holy Land soon. | 0:22:16 | 0:22:20 | |
Who put a button in the collection plate?! That's cheating! | 0:22:20 | 0:22:25 | |
This is for a good cause, you know. | 0:22:25 | 0:22:26 | |
But if you're off crusading, who will tend to our affairs? | 0:22:26 | 0:22:29 | |
Don't worry, I will leave a suitable deputy in my place. | 0:22:29 | 0:22:33 | |
-Mother! -Oui? | 0:22:33 | 0:22:35 | |
I need you to look after England for a tiny little bit | 0:22:35 | 0:22:38 | |
-while I got off crusading. -Without me? | 0:22:38 | 0:22:40 | |
But what will my baby boy do without his maman? | 0:22:40 | 0:22:43 | |
I think I'll manage somehow. | 0:22:43 | 0:22:45 | |
-Oh, and I've knitted a scarf for you. -It's in the Middle East. | 0:22:45 | 0:22:49 | |
-Oh, and I have some nice warm milk. -Maman, I'm 31. | 0:22:49 | 0:22:53 | |
You stop, stop, stop, stop, stop. | 0:22:53 | 0:22:55 | |
You have some dirt on your face. | 0:22:55 | 0:22:57 | |
SHE SPITS | 0:22:57 | 0:22:58 | |
-No, no! Maman! -Here you go! | 0:22:58 | 0:23:01 | |
Ooh! You're so embarrassing. | 0:23:01 | 0:23:04 | |
King Richard I is perhaps better known as Richard the Lionheart, | 0:23:04 | 0:23:08 | |
so called because he was a great warrior and military leader, | 0:23:08 | 0:23:12 | |
and not because he actually had the heart of a lion. | 0:23:12 | 0:23:16 | |
Though that would have been cool, though, wouldn't it? Eh? Eh? Eh? Eh? | 0:23:16 | 0:23:19 | |
Hi, I'm Johnny Toughnut | 0:23:24 | 0:23:26 | |
and I'm here to teach you how to survive in a hostile environment. | 0:23:26 | 0:23:30 | |
This week we've come to Georgian England, | 0:23:32 | 0:23:34 | |
where, in the towns and cities, trouble lurks round every corner. | 0:23:34 | 0:23:37 | |
Let's go. | 0:23:37 | 0:23:39 | |
I'm with posh Georgian, Lord Posh. | 0:23:39 | 0:23:41 | |
Tell me - how posh are you? | 0:23:41 | 0:23:42 | |
I'm so posh, I'm make King George look common. | 0:23:42 | 0:23:45 | |
Oh, that is quite posh. | 0:23:45 | 0:23:47 | |
Right, we're under fire, take cover! Move, move! | 0:23:47 | 0:23:52 | |
Argh, someone's just thrown a dead cat at you. | 0:23:52 | 0:23:54 | |
Who's throwing dead cats at me? I shall have you flogged! | 0:23:54 | 0:23:57 | |
Agh! Right, we need to stay calm and take control of the situation. | 0:23:57 | 0:24:00 | |
-Oh! -Oh! -They threw a dead dog at me! | 0:24:00 | 0:24:03 | |
Right we need to get you indoors. Move, move! | 0:24:03 | 0:24:07 | |
In all my years of military training - | 0:24:07 | 0:24:09 | |
well, the two months I done before I got chucked out - | 0:24:09 | 0:24:12 | |
I've never seen anything like it. | 0:24:12 | 0:24:13 | |
Georgian aristocrats only need to go outside | 0:24:13 | 0:24:16 | |
to have unpleasant stuff chucked at them by poor people. | 0:24:16 | 0:24:19 | |
Mm, for some reason poor people don't like us. | 0:24:19 | 0:24:21 | |
Can't think why, the filthy scum. | 0:24:21 | 0:24:23 | |
GLASS SMASHES Oh! | 0:24:23 | 0:24:26 | |
First rule of living in a hostile environment, avoid detection. | 0:24:26 | 0:24:29 | |
Right, I'm must going to check for poor people. | 0:24:29 | 0:24:32 | |
The coast is clear, time to move. | 0:24:32 | 0:24:34 | |
We cross the road in three, two, one. | 0:24:34 | 0:24:37 | |
Go, go, go, go. | 0:24:37 | 0:24:38 | |
Some nasty urchin's just nailed my jacket to this barrel. | 0:24:40 | 0:24:43 | |
Oh! I shall have you flogged! You see if I don't! | 0:24:43 | 0:24:46 | |
This is proving to be a tough challenge. | 0:24:49 | 0:24:51 | |
There's only one thing for it. | 0:24:51 | 0:24:53 | |
To get around town safely, | 0:24:53 | 0:24:54 | |
Lord Posh is going to need to get into a securer vehicle. | 0:24:54 | 0:24:58 | |
And here it is. | 0:24:58 | 0:24:59 | |
Curtains so they can't see you inside, it's perfect. | 0:24:59 | 0:25:02 | |
You'll be safer in here, Posh. | 0:25:02 | 0:25:03 | |
I can't possibly travel around in that. | 0:25:03 | 0:25:06 | |
My wig's far too big for it. | 0:25:06 | 0:25:08 | |
Well, why don't you just take it off? | 0:25:08 | 0:25:09 | |
What and look ridiculous? No, thanks. | 0:25:09 | 0:25:11 | |
-What the...?! -Oh, not me! I'm not posh! | 0:25:11 | 0:25:15 | |
Next week, I'll be in the Viking era where I'll be showing women | 0:25:15 | 0:25:18 | |
how to stop a fight between feuding Vikings | 0:25:18 | 0:25:20 | |
by chucking clothes on them. | 0:25:20 | 0:25:22 | |
Right, take it away, boys. Let's go, go, go, go. | 0:25:22 | 0:25:26 | |
Mind that horse. | 0:25:26 | 0:25:27 | |
Poor people really did throw dead dogs and dead cats at rich people. | 0:25:27 | 0:25:32 | |
"Oh, it's raining cats and dogs! | 0:25:32 | 0:25:36 | |
"Oh, literally!" | 0:25:36 | 0:25:37 | |
HE CHUCKLES | 0:25:37 | 0:25:39 | |
Although there were far more serious criminals at work in Georgian times. | 0:25:39 | 0:25:44 | |
A fine mess we've got here and no mistake, Dr Motson. | 0:25:48 | 0:25:52 | |
Fear not, Your Grace, my friend is the greatest detective in London. | 0:25:52 | 0:25:55 | |
His powers of reason and deduction are second to none. | 0:25:55 | 0:25:58 | |
True enough, Dr Motson, and he has been worth every penny | 0:25:58 | 0:26:01 | |
we and the government have paid him, | 0:26:01 | 0:26:03 | |
but I fear this crime maybe beyond even the skills of Jonathan Wilde. | 0:26:03 | 0:26:07 | |
Greetings, gentlemen, shall we go to lunch? | 0:26:07 | 0:26:10 | |
For goodness' sake, Wilde, there's a crime to be solved. | 0:26:10 | 0:26:13 | |
-Is the usual £40 fee available? -Of course, Wilde. | 0:26:13 | 0:26:16 | |
In which case, he's cowering in that very cupboard. | 0:26:16 | 0:26:19 | |
But, Wilde, how could you have known? | 0:26:19 | 0:26:21 | |
No-one was seen leaving the building so the thief had to still be inside. | 0:26:21 | 0:26:24 | |
The thief emptied all the drawers, yet the cupboard remained closed. | 0:26:24 | 0:26:28 | |
Brilliant, you made a mistake when you crossed swords | 0:26:28 | 0:26:31 | |
with Jonathan Wilde, Thief Taker General. | 0:26:31 | 0:26:33 | |
Well, I made an even bigger one when I let him tell me where to hide! | 0:26:33 | 0:26:36 | |
It was him what planned the whole robbery. | 0:26:36 | 0:26:38 | |
Then why on earth would he tell us where you were hiding? | 0:26:38 | 0:26:41 | |
-I believe you owe me £40, Your Grace. -Of course, Wilde. | 0:26:41 | 0:26:44 | |
Can't you see he's ripping you off? | 0:26:44 | 0:26:46 | |
He's running criminals in London, | 0:26:46 | 0:26:47 | |
turning them in and collecting the reward. | 0:26:47 | 0:26:49 | |
Us thieves are all too scared to say anything | 0:26:49 | 0:26:52 | |
because he'll have us arrested and then collect another reward. | 0:26:52 | 0:26:55 | |
Do you take me for an idiot? Take him away. | 0:26:55 | 0:26:58 | |
Goodbye, Sid. | 0:26:58 | 0:27:00 | |
Or whatever your name is. | 0:27:00 | 0:27:01 | |
Since you became Thief Taker General, | 0:27:01 | 0:27:03 | |
we've caught more criminals than ever before. | 0:27:03 | 0:27:06 | |
True enough, but I think we can do better. | 0:27:06 | 0:27:08 | |
We need a higher fee for catching them. | 0:27:08 | 0:27:10 | |
Say £140 instead of just £40? | 0:27:10 | 0:27:13 | |
-Done. -In fact, using my powers of deduction, | 0:27:13 | 0:27:15 | |
I believe I can catch a few more. | 0:27:15 | 0:27:17 | |
Pat's under the desk, Mickey's hiding behind the bookshelf | 0:27:17 | 0:27:20 | |
and Dave is robbing someone in the street. | 0:27:20 | 0:27:23 | |
Or he will be in a minute. I'm guessing about the names. | 0:27:23 | 0:27:26 | |
GIRL SCREAMS Yes, brilliant, Wilde. | 0:27:26 | 0:27:28 | |
It's almost as if you knew where they were hiding all along. | 0:27:28 | 0:27:30 | |
Three more finder's fees, Your Grace, at the higher rate. | 0:27:30 | 0:27:33 | |
Come, Motson, the game is afoot. | 0:27:35 | 0:27:37 | |
-Someone's about to attempt to steal the Crown Jewels. -Who, Wilde? | 0:27:37 | 0:27:41 | |
I don't know, I haven't hired him yet. | 0:27:41 | 0:27:43 | |
The money is waiting, Wilde. | 0:27:43 | 0:27:45 | |
Oh! Oh, goodness - my wallet's gone. | 0:27:45 | 0:27:48 | |
I assume there's a finder's fee? | 0:27:48 | 0:27:50 | |
Ohh...Wilde! | 0:27:50 | 0:27:53 | |
# Tall tales, atrocious acts We gave you all the fearsome facts | 0:27:53 | 0:27:56 | |
# The ugly truth... # | 0:27:56 | 0:27:58 | |
Can't get enough of Horrible Histories? Go to the | 0:27:58 | 0:28:01 | |
CBBC Website and click on the link. See you there! | 0:28:01 | 0:28:05 | |
Subtitles by Red Bee Media Ltd | 0:28:05 | 0:28:08 |