Browse content similar to Ridiculous Romantics. Check below for episodes and series from the same categories and more!
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# Slimy Stuarts, vile Victorians | 0:00:02 | 0:00:03 | |
# Woeful wars, ferocious fights Dingy castles, daring knights | 0:00:03 | 0:00:06 | |
# Horrors that defy description Cut-throat Celts, awful Egyptians | 0:00:06 | 0:00:09 | |
# Vicious Vikings, cruel crimes Punishment from ancient times | 0:00:09 | 0:00:12 | |
# Romans, rotten, rank and ruthless | 0:00:12 | 0:00:13 | |
# Cavemen, savage, fierce and toothless | 0:00:13 | 0:00:15 | |
# Groovy Greeks, brainy sages Mean and measly Middle Ages | 0:00:15 | 0:00:18 | |
# Gory stories, we do that | 0:00:18 | 0:00:20 | |
# And your host, a talking rat | 0:00:20 | 0:00:23 | |
# The past is no longer a mystery | 0:00:23 | 0:00:26 | |
# Welcome to Horrible Histories. # | 0:00:26 | 0:00:31 | |
Horrible Histories presents... | 0:00:31 | 0:00:33 | |
Ah, romance. Finding a perfect partner can be tricky. | 0:00:36 | 0:00:40 | |
If at first you don't succeed, try, try again. | 0:00:40 | 0:00:43 | |
That is certainly what Henry VIII did. | 0:00:43 | 0:00:45 | |
He had a grand total of six wives. | 0:00:45 | 0:00:48 | |
Yes, six. | 0:00:48 | 0:00:49 | |
Everyone is looking for that | 0:00:53 | 0:00:55 | |
special one in their life | 0:00:55 | 0:00:56 | |
and for a king they must be royally special. | 0:00:56 | 0:00:59 | |
Welcome to Historical First Dates. | 0:00:59 | 0:01:02 | |
Henry VIII of England has arrived | 0:01:02 | 0:01:04 | |
for his first date. | 0:01:04 | 0:01:05 | |
Yeah, I'm pretty nervous. | 0:01:05 | 0:01:07 | |
But...they tell me she's fit. | 0:01:07 | 0:01:10 | |
Catherine is a princess of a powerful country | 0:01:10 | 0:01:13 | |
and a devout Catholic. | 0:01:13 | 0:01:15 | |
I just pray she's good at real tennis. | 0:01:16 | 0:01:19 | |
-I'm Henry. -Catherine. | 0:01:19 | 0:01:21 | |
BOTH: Oh, no. | 0:01:21 | 0:01:22 | |
She's also Henry's dead brother's widow. | 0:01:22 | 0:01:26 | |
Seriously, does no-one check if the dates were married to your brother? | 0:01:26 | 0:01:30 | |
Surely that's page one? | 0:01:30 | 0:01:32 | |
Along with, does she play real tennis? | 0:01:32 | 0:01:34 | |
This is a bit of a nonstarter, isn't it? | 0:01:34 | 0:01:37 | |
I mean, the Tudor Church doesn't even recognise in-laws as a thing, | 0:01:37 | 0:01:39 | |
so you're actually my sister. | 0:01:39 | 0:01:42 | |
This is not ancient Egypt, so... | 0:01:42 | 0:01:44 | |
It is a total disaster. | 0:01:44 | 0:01:46 | |
I am the daughter of the most powerful king in all of Europe | 0:01:46 | 0:01:49 | |
and there is not that many people my Spanish father | 0:01:49 | 0:01:52 | |
would be happy with me marrying. | 0:01:52 | 0:01:55 | |
Your brother was perfect... | 0:01:55 | 0:01:57 | |
-till he died. -Yeah, although you guys | 0:01:57 | 0:02:00 | |
weren't married that long, were you? | 0:02:00 | 0:02:02 | |
-Si. This is true. -I could ask the Pope | 0:02:02 | 0:02:04 | |
to say that you weren't married long enough for it to count, | 0:02:04 | 0:02:07 | |
kind of like a four-second rule, | 0:02:07 | 0:02:08 | |
when you drop a biscuit on the floor or a piece of salami. | 0:02:08 | 0:02:10 | |
-Yes. -I mean, he's bound to agree. | 0:02:10 | 0:02:14 | |
-How hard can this be? -OK. | 0:02:14 | 0:02:16 | |
Then, brother, we shall be married. | 0:02:16 | 0:02:18 | |
-Maybe drop the whole brother thing though, yeah? -Will do. | 0:02:18 | 0:02:22 | |
So it went pretty well? | 0:02:22 | 0:02:23 | |
Si, si, I shall be marrying the heir to the throne of England... | 0:02:23 | 0:02:28 | |
again. I mean, for the first time. | 0:02:28 | 0:02:31 | |
The other first time did not count. | 0:02:31 | 0:02:34 | |
Good time, sis. I mean, wife, not sis. | 0:02:34 | 0:02:37 | |
Unfortunately, the marriage wasn't to last. | 0:02:39 | 0:02:42 | |
Henry divorced Catherine of Aragon 24 years later | 0:02:42 | 0:02:45 | |
and he was single again. | 0:02:45 | 0:02:47 | |
Lucky fella. | 0:02:47 | 0:02:49 | |
What do you mean by that? | 0:02:49 | 0:02:51 | |
Ratalie, I didn't know you were there. | 0:02:51 | 0:02:53 | |
You smell lovely. | 0:02:53 | 0:02:55 | |
Is that Raw Sewage by Lady Gag? | 0:02:55 | 0:02:58 | |
Don't you try and flatter me, Rattus. | 0:02:58 | 0:03:01 | |
If you think being single is wonderful, why don't you try it? | 0:03:01 | 0:03:05 | |
We are through. | 0:03:05 | 0:03:07 | |
Ratalie, I don't want to be single. | 0:03:09 | 0:03:12 | |
I'll have to wash my armpits and brush my whiskers | 0:03:12 | 0:03:15 | |
and put in some actual effort. I've forgotten how, frankly. | 0:03:15 | 0:03:18 | |
Wait, I know. | 0:03:18 | 0:03:20 | |
Who are the most fashionable people in the world? | 0:03:20 | 0:03:23 | |
The Italians. | 0:03:24 | 0:03:26 | |
Maybe I could learn a thing or two from them. | 0:03:26 | 0:03:28 | |
Bruv, you look fresh, yeah? | 0:03:30 | 0:03:32 | |
Thanks, fam. So jealous of your curves, though, man. | 0:03:32 | 0:03:34 | |
-They are lit. -What? These little things? | 0:03:34 | 0:03:37 | |
Yeah, bruv. What's your secret? | 0:03:37 | 0:03:39 | |
Weights? Cardio? | 0:03:39 | 0:03:40 | |
-Tights. -Tights, bro? | 0:03:40 | 0:03:42 | |
Tights are tight. Check this. | 0:03:42 | 0:03:44 | |
Get some spare tights, you get me? | 0:03:44 | 0:03:46 | |
Yeah, yeah, yeah. Tights, | 0:03:46 | 0:03:47 | |
like the must-have for every Italian Renaissance guy because they make | 0:03:47 | 0:03:50 | |
you look like leggy and whatnot. | 0:03:50 | 0:03:52 | |
Yeah, but these tights, fam, | 0:03:52 | 0:03:54 | |
you stuff them down your shirt. | 0:03:54 | 0:03:56 | |
-I call it a "buff stuff". -Buff stuff. | 0:03:56 | 0:03:58 | |
Oh, man, that is perfection! | 0:04:00 | 0:04:03 | |
You got swag. Man, this is on point. | 0:04:03 | 0:04:06 | |
Whoa. | 0:04:06 | 0:04:07 | |
Talking of point... | 0:04:07 | 0:04:09 | |
Check it. | 0:04:09 | 0:04:10 | |
-Props, man. -Man, those shoes are on fleek, yeah? | 0:04:10 | 0:04:13 | |
I'm going to have to up my game. | 0:04:13 | 0:04:14 | |
Man going to see you come into the room 30 seconds | 0:04:14 | 0:04:17 | |
before you get in it, innit? | 0:04:17 | 0:04:18 | |
They're the latest thing in Milan, man. | 0:04:18 | 0:04:20 | |
Yeah, but, man, can you dance in those? | 0:04:20 | 0:04:22 | |
BOTH: Whoa! | 0:04:24 | 0:04:26 | |
Can I dance? Does that answer your question? | 0:04:26 | 0:04:29 | |
Man is going to slay. | 0:04:29 | 0:04:31 | |
Guys, guys, check this. | 0:04:31 | 0:04:32 | |
Oh, yeah, bruv, you've got a little bit of bum showing there, man. | 0:04:33 | 0:04:36 | |
Only a little bit? How about now? | 0:04:36 | 0:04:38 | |
Nice, yes, that's the one, man. | 0:04:40 | 0:04:41 | |
Keep that, yeah. | 0:04:41 | 0:04:43 | |
OK, squad, we good to go? | 0:04:43 | 0:04:44 | |
Yeah, yeah. Wait, wait, wait. | 0:04:44 | 0:04:45 | |
First, selfie. | 0:04:45 | 0:04:47 | |
Obviously. | 0:04:47 | 0:04:48 | |
Selfie stick. | 0:04:50 | 0:04:51 | |
Squeeze in together. | 0:04:53 | 0:04:54 | |
-Nice. -Hashtag Renaissance boys! | 0:04:55 | 0:04:58 | |
# Ah... # | 0:05:00 | 0:05:02 | |
Hello. I'm Saint Valentine, | 0:05:02 | 0:05:05 | |
a very holy man, who is remembered for trying to help people find love. | 0:05:05 | 0:05:12 | |
It eventually got me into a great deal of trouble and I was executed | 0:05:12 | 0:05:15 | |
for doing it. A great sacrifice. | 0:05:15 | 0:05:19 | |
But how do you remember me? | 0:05:19 | 0:05:21 | |
By sending each other stupid cards. | 0:05:21 | 0:05:24 | |
"Roses are red, violets are blue! | 0:05:24 | 0:05:27 | |
"Here is a Valentine's card, | 0:05:27 | 0:05:29 | |
"which has actually nothing to do with Saint Valentine." | 0:05:29 | 0:05:33 | |
And 1861 was the first time... | 0:05:33 | 0:05:35 | |
Well, actually, do you know what people sent each other for the first | 0:05:35 | 0:05:39 | |
time in 1861? | 0:05:39 | 0:05:40 | |
Was it...A, fluffy teddy bears holding a heart? | 0:05:40 | 0:05:46 | |
B, boxes of chocolates, or C, heart-shaped cupcakes? | 0:05:46 | 0:05:51 | |
The answer is... | 0:05:51 | 0:05:53 | |
B, boxes of chocolates. | 0:05:53 | 0:05:55 | |
Mr Cadbury was trying to find another use | 0:05:55 | 0:05:58 | |
for his drinking chocolate, | 0:05:58 | 0:05:59 | |
so he made little chocolate treats and put them in a box | 0:05:59 | 0:06:02 | |
with hearts all over it. And people actually ate these silly, | 0:06:02 | 0:06:07 | |
you know, delicious... | 0:06:07 | 0:06:09 | |
Very delicious... | 0:06:11 | 0:06:13 | |
These are very good, have you tried these? | 0:06:13 | 0:06:15 | |
These are glorious. I think I might take the box. | 0:06:15 | 0:06:18 | |
No... | 0:06:18 | 0:06:20 | |
Right, internet dating. | 0:06:21 | 0:06:23 | |
Apparently, I need to look smart and make a short video | 0:06:23 | 0:06:26 | |
to show myself off. Here goes. | 0:06:26 | 0:06:28 | |
Hi, my name is Rattus. | 0:06:30 | 0:06:31 | |
I'm 44 centimetres tall and have all my own teeth. | 0:06:31 | 0:06:35 | |
Classy. | 0:06:35 | 0:06:36 | |
I'm looking for a lady who likes eating out... | 0:06:36 | 0:06:38 | |
of bins...and whose name is Ratalie. | 0:06:38 | 0:06:42 | |
Ratalie. | 0:06:42 | 0:06:44 | |
Oh, Ratalie, why did you leave me?! | 0:06:44 | 0:06:46 | |
HE SOBS | 0:06:46 | 0:06:49 | |
You know, the internet is a funny place to find a date, | 0:06:49 | 0:06:52 | |
but there have been much stranger ways in history. | 0:06:52 | 0:06:55 | |
Tall, skinny potage mit herby sprinkles. | 0:06:58 | 0:07:01 | |
-Thanks, Gertrude. -Welcome. | 0:07:01 | 0:07:03 | |
-You like her, don't you? -What? | 0:07:05 | 0:07:07 | |
Gertrude, no. | 0:07:07 | 0:07:08 | |
Yeah, I do, I do. Quite a lot. | 0:07:08 | 0:07:10 | |
Yeah. Well, you know what you have to do, don't you? | 0:07:10 | 0:07:12 | |
Yeah, I know, I know. Go over there, talk to her, | 0:07:12 | 0:07:14 | |
give her a bit of the old charm, boom. | 0:07:14 | 0:07:17 | |
What? No. This is medieval Bavaria, mate. | 0:07:17 | 0:07:20 | |
You don't just talk to her. | 0:07:20 | 0:07:21 | |
Don't worry. It's easy. | 0:07:23 | 0:07:25 | |
All you need to do is conjure up a demon. | 0:07:25 | 0:07:27 | |
-A demon? -Yeah. Conjure up a demon, demon bewitches girl, | 0:07:30 | 0:07:33 | |
girl falls in love with boy and job's a good 'un. | 0:07:33 | 0:07:35 | |
I think I'll go over there | 0:07:35 | 0:07:36 | |
and see if she fancies a picnic. | 0:07:36 | 0:07:38 | |
That is so lame. | 0:07:40 | 0:07:42 | |
Do you even know how to summon a demon? | 0:07:42 | 0:07:45 | |
Of course I know how to summon a demon. | 0:07:45 | 0:07:47 | |
I've done it on numerous occasions, but just to check... | 0:07:47 | 0:07:51 | |
How would you do that, please? | 0:07:51 | 0:07:53 | |
All you need is a dove. | 0:07:53 | 0:07:54 | |
DOVE COOS! | 0:07:54 | 0:07:55 | |
-A dove? -DOVE COOS! | 0:07:55 | 0:07:57 | |
-Right. -Then you need to drain the dove's blood. | 0:07:57 | 0:08:00 | |
SQUELCH! | 0:08:00 | 0:08:01 | |
Then use it to draw picture of the woman on a female dog skin. | 0:08:01 | 0:08:04 | |
SQUELCH! | 0:08:04 | 0:08:06 | |
Great. OK. So, dove's blood, dog's skin, lady picture. | 0:08:06 | 0:08:09 | |
-Got it. -Then you need to write the name of the demon | 0:08:09 | 0:08:13 | |
on the dog skin drawing | 0:08:13 | 0:08:14 | |
and burn some myrrh and saffron to fumigate it, | 0:08:14 | 0:08:16 | |
and hang it around your neck. | 0:08:16 | 0:08:18 | |
So, from the beginning, it's dove's blood, dog skin, lady picture, | 0:08:18 | 0:08:21 | |
demon's name, hideous necklace. | 0:08:21 | 0:08:23 | |
Yes. | 0:08:23 | 0:08:25 | |
Then you need to go to a secret place, | 0:08:25 | 0:08:27 | |
draw a circle in the dirt with a sword and stand in the middle. | 0:08:27 | 0:08:30 | |
-And that's it? -Yes. How would you do it? | 0:08:31 | 0:08:34 | |
Pretty much the same, yeah. | 0:08:34 | 0:08:36 | |
What are you waiting for, chap? Go get her! | 0:08:36 | 0:08:38 | |
MAN CHANTS | 0:08:38 | 0:08:41 | |
Just my luck. Now Fabian's chatting her up. | 0:08:41 | 0:08:43 | |
This is really... | 0:08:43 | 0:08:44 | |
Told you, dude, it's the demon dog skin. | 0:08:44 | 0:08:47 | |
Do you have a girlfriend, then? | 0:08:47 | 0:08:49 | |
-No. -No. | 0:08:49 | 0:08:51 | |
Did not think so. | 0:08:51 | 0:08:53 | |
For some, the lightning strikes first time. | 0:08:57 | 0:08:59 | |
But, for others, love can be harder to find. | 0:08:59 | 0:09:02 | |
King Henry is back looking for the one... | 0:09:02 | 0:09:05 | |
..or another the one. | 0:09:06 | 0:09:08 | |
How's it going? I'm Henry. | 0:09:09 | 0:09:11 | |
Wow! | 0:09:11 | 0:09:12 | |
Fit. | 0:09:16 | 0:09:18 | |
So...game on. Let's get working on this male heir, shall we? | 0:09:18 | 0:09:22 | |
-You free tomorrow? -Yes. | 0:09:22 | 0:09:23 | |
-Let's get married. -Yeah. | 0:09:24 | 0:09:26 | |
I probably should have mentioned this... | 0:09:26 | 0:09:28 | |
I am actually married already. | 0:09:28 | 0:09:30 | |
Then divorce her. | 0:09:32 | 0:09:33 | |
That's a good idea. Problem is, | 0:09:33 | 0:09:36 | |
I'm a massive Catholic and we don't really do divorce. | 0:09:36 | 0:09:39 | |
Plus, she hasn't really done anything wrong | 0:09:39 | 0:09:43 | |
for the 17 years we've been together. It's tricky. | 0:09:43 | 0:09:45 | |
It's a little bit tricky. It's tricky. | 0:09:45 | 0:09:47 | |
-Goodbye. -Wait! I have an idea. | 0:09:47 | 0:09:49 | |
It looks like you managed to sort out the divorce issue. | 0:09:53 | 0:09:56 | |
Yes, yes. It was actually very simple. | 0:09:56 | 0:09:59 | |
All I had to do was dismantle the entire Catholic church | 0:09:59 | 0:10:01 | |
throughout England and Wales, set up a brand-new church | 0:10:01 | 0:10:04 | |
with myself as the head, and grant myself a divorce. | 0:10:04 | 0:10:07 | |
Simples. It was actually quite a lot of work. | 0:10:07 | 0:10:11 | |
I'm really happy. | 0:10:11 | 0:10:12 | |
I could really lose my head over with one. | 0:10:12 | 0:10:14 | |
Good times. | 0:10:14 | 0:10:16 | |
Henry made Anne Boleyn his second wife, | 0:10:16 | 0:10:19 | |
but just three years later he had her head chopped off. | 0:10:19 | 0:10:22 | |
Still, at least they loved each other at the start. | 0:10:22 | 0:10:25 | |
Some royals get married | 0:10:25 | 0:10:26 | |
just to make their country richer and more powerful. | 0:10:26 | 0:10:30 | |
Royal marriages can be dead complicated. | 0:10:30 | 0:10:32 | |
You join us for the royal wedding of the British Prince of Wales, | 0:10:34 | 0:10:37 | |
Frederick, to the German Princess Augusta. | 0:10:37 | 0:10:40 | |
What a thrill it is to be here... | 0:10:40 | 0:10:43 | |
at such short notice. | 0:10:43 | 0:10:44 | |
King George II and Queen Caroline of Britain here. | 0:10:44 | 0:10:47 | |
Frederick warmly greeting his royal parents. | 0:10:47 | 0:10:51 | |
And here she is, the radiant young bride, Princess Augusta herself. | 0:10:51 | 0:10:55 | |
Clinging to her mother's skirts as | 0:10:55 | 0:10:57 | |
she is tenderly dragged down the aisle. | 0:10:57 | 0:10:59 | |
How utterly charming. | 0:10:59 | 0:11:01 | |
And of course what a whirlwind courtship it has been. | 0:11:01 | 0:11:03 | |
It was only last month that Prince Frederick | 0:11:03 | 0:11:05 | |
agreed to marry this woman, whom he had never met, | 0:11:05 | 0:11:08 | |
so that his lovely parents would | 0:11:08 | 0:11:09 | |
give him lots of their delightful money. | 0:11:09 | 0:11:12 | |
Now comes that magical moment when the bride and | 0:11:12 | 0:11:14 | |
groom are finally face-to-face. | 0:11:14 | 0:11:16 | |
I'm expecting fireworks. | 0:11:16 | 0:11:18 | |
SHE VOMITS | 0:11:18 | 0:11:20 | |
What a wonderful outpouring of emotion from such a young princess. | 0:11:20 | 0:11:25 | |
I think Queen Caroline may have been hit by a bit of the splashback. | 0:11:25 | 0:11:29 | |
What a thoughtful and fitting tribute | 0:11:29 | 0:11:31 | |
to the bride's new mother-in-law. | 0:11:31 | 0:11:33 | |
I now pronounce you husband and wife. | 0:11:33 | 0:11:37 | |
Augusta, of course, not understanding a word | 0:11:38 | 0:11:41 | |
the Archbishop says | 0:11:41 | 0:11:42 | |
as she only speaks German. | 0:11:42 | 0:11:44 | |
Queen Caroline translating there, | 0:11:47 | 0:11:48 | |
obviously as keen as the rest of us | 0:11:48 | 0:11:50 | |
for this fragrant young woman | 0:11:50 | 0:11:51 | |
to join the Royal Family... | 0:11:51 | 0:11:52 | |
..and inject a bit of cash at the same time. | 0:11:54 | 0:11:56 | |
Very good, very good. We're all married now, aren't we? | 0:11:58 | 0:12:00 | |
Well done, me. Come on. | 0:12:00 | 0:12:02 | |
Oh, you absolutely stink of vomit. | 0:12:02 | 0:12:05 | |
Prince Frederick there really is head over heels for his new bride. | 0:12:05 | 0:12:08 | |
Quite literally. | 0:12:10 | 0:12:12 | |
Oh, simply marvellous. | 0:12:12 | 0:12:14 | |
I'm welling up. | 0:12:14 | 0:12:15 | |
Love works in mysterious ways. | 0:12:15 | 0:12:18 | |
But even married couples can't always be together, | 0:12:18 | 0:12:21 | |
and in times of war, many have found themselves separated | 0:12:21 | 0:12:24 | |
from their loved ones. | 0:12:24 | 0:12:26 | |
But not for these ancient Greeks. | 0:12:26 | 0:12:28 | |
They took them with them. | 0:12:28 | 0:12:30 | |
Men of the Sacred band of Thebes, we are famous across the world! | 0:12:30 | 0:12:36 | |
Armies quake at our name | 0:12:36 | 0:12:38 | |
because they know that, for every man we face, | 0:12:38 | 0:12:42 | |
-they face two! -Hoo-ha! | 0:12:42 | 0:12:44 | |
We are the only regiment in the world made up of couples! | 0:12:44 | 0:12:49 | |
Hoo-ha! | 0:12:49 | 0:12:51 | |
Excuse me. Sorry, sorry, everyone. | 0:12:51 | 0:12:53 | |
-We're late. Carry on. -We weren't late. | 0:12:53 | 0:12:55 | |
He was. Typical. A bit of forward planning wouldn't go amiss. | 0:12:55 | 0:12:58 | |
Can we not do this now, please? | 0:12:58 | 0:13:00 | |
-HE MOUTHS: -I'm sorry. | 0:13:00 | 0:13:03 | |
We fight in pairs because we know that, no matter what, | 0:13:03 | 0:13:08 | |
when our lives are in danger, our partners will be there for us! | 0:13:08 | 0:13:13 | |
That would be a nice change, wouldn't it? | 0:13:13 | 0:13:15 | |
Men, on my signal, | 0:13:15 | 0:13:18 | |
-march! -Hoo-ha! | 0:13:18 | 0:13:20 | |
-Hang on. -What?! | 0:13:20 | 0:13:22 | |
One second. Sorry, Malcolm. | 0:13:22 | 0:13:23 | |
I really think we should talk about this now. | 0:13:23 | 0:13:25 | |
I would hate for you to have this playing on your mind when you're | 0:13:25 | 0:13:28 | |
supposed to be protecting me from a Spartan attack. | 0:13:28 | 0:13:30 | |
Well, what if I don't want to talk now? | 0:13:30 | 0:13:32 | |
What do you mean? You can't do that. | 0:13:32 | 0:13:34 | |
Guys, can we please speed it up? | 0:13:34 | 0:13:36 | |
I mean, we do have a battle to go to. | 0:13:36 | 0:13:39 | |
I don't want to lose just because | 0:13:39 | 0:13:41 | |
of some petty argument about someone being late. | 0:13:41 | 0:13:44 | |
So being late isn't important? | 0:13:44 | 0:13:45 | |
Two hours my mum kept that meal warm for you. | 0:13:45 | 0:13:48 | |
I didn't... I didn't mean that. | 0:13:48 | 0:13:49 | |
Please don't undermine me in front of my men, it's embarrassing. | 0:13:49 | 0:13:52 | |
Excuse me. | 0:13:53 | 0:13:55 | |
I mean, our men. Our men. | 0:13:56 | 0:13:57 | |
Typical, this is so typical of you. | 0:13:57 | 0:13:59 | |
-How was it typical of me? -It's always the same. | 0:13:59 | 0:14:01 | |
I don't think we should do this in front of the men. | 0:14:01 | 0:14:03 | |
Well, I don't think we should be doing it but we are. | 0:14:03 | 0:14:05 | |
-OK. -All right, all right. | 0:14:05 | 0:14:07 | |
If we all argue, we will miss the battle. | 0:14:07 | 0:14:09 | |
Not like you to miss something. | 0:14:09 | 0:14:11 | |
Oh, here we go again. | 0:14:11 | 0:14:12 | |
-Yes, here we go again, actually. -Unbelievable. | 0:14:12 | 0:14:14 | |
THEY TALK OVER EACH OTHER | 0:14:14 | 0:14:16 | |
You wait a minute. | 0:14:19 | 0:14:21 | |
See? This is why we Spartans don't allow couples in our army. | 0:14:21 | 0:14:24 | |
Hey, don't push him, please. | 0:14:24 | 0:14:26 | |
Shove-y Sheila. | 0:14:26 | 0:14:27 | |
-Shall we attack? -I'm not getting in the middle of that. | 0:14:28 | 0:14:31 | |
Together at last, | 0:14:33 | 0:14:34 | |
the most romantic love letters of all-time set to music, | 0:14:34 | 0:14:38 | |
featuring their original words... | 0:14:38 | 0:14:41 | |
Including the ancient Egyptian classic... | 0:14:41 | 0:14:44 | |
# Ooh, aah | 0:14:44 | 0:14:46 | |
# My heart is carefree | 0:14:46 | 0:14:48 | |
# Like a redfish in its fish pond | 0:14:48 | 0:14:50 | |
# Your voice rejuvenates me like fat | 0:14:50 | 0:14:53 | |
# Mixed with honey | 0:14:53 | 0:14:55 | |
# Your love has joined to me like incense to the nose | 0:14:55 | 0:14:59 | |
# I'm exhilarated without beer | 0:14:59 | 0:15:02 | |
# He's exhilarated without beer | 0:15:02 | 0:15:05 | |
# Without beer! | 0:15:05 | 0:15:07 | |
# Yeah, yeah, without beer! # | 0:15:08 | 0:15:11 | |
And the soaring love letters of | 0:15:12 | 0:15:14 | |
Russian Czar Nicholas II and Czarina Alexandra. | 0:15:14 | 0:15:17 | |
# You are my very life, sweetheart | 0:15:17 | 0:15:20 | |
# Off you go again alone | 0:15:20 | 0:15:22 | |
# No more kisses and tender caresses for so long | 0:15:22 | 0:15:27 | |
# I love you, I long for you terribly | 0:15:27 | 0:15:28 | |
# I kiss you tenderly and love you infinitely | 0:15:28 | 0:15:31 | |
# Farewell till our next meeting, my darling Alexey | 0:15:31 | 0:15:33 | |
# Yours eternally, your old hubby, Nicky. # | 0:15:33 | 0:15:35 | |
Peace out. | 0:15:35 | 0:15:37 | |
And from the Emperor of France and his notorious lover | 0:15:37 | 0:15:40 | |
comes the country ballad that took Europe by storm. Well, most of it. | 0:15:40 | 0:15:44 | |
# Josephine, Josephine, Josephine, Josephine | 0:15:44 | 0:15:48 | |
# Not a word from you, what on earth have I done? | 0:15:50 | 0:15:54 | |
# To think only of you, to love only Josephine | 0:15:54 | 0:15:57 | |
# To live only for my wife | 0:15:57 | 0:15:59 | |
# Does this deserve such harsh treatment from her? | 0:15:59 | 0:16:01 | |
# You alone who rules my heart knows only too well | 0:16:02 | 0:16:05 | |
# The power you hold over me | 0:16:05 | 0:16:08 | |
# Write to me, think of me and love me | 0:16:08 | 0:16:10 | |
# Josephine! # | 0:16:10 | 0:16:11 | |
Yours ever for life, Bonaparte. | 0:16:13 | 0:16:15 | |
It's drippy, it's soppy | 0:16:20 | 0:16:22 | |
and you need a copy. | 0:16:22 | 0:16:24 | |
Order it now. | 0:16:24 | 0:16:25 | |
Some are lucky in love. | 0:16:29 | 0:16:31 | |
They meet the woman of their dream | 0:16:31 | 0:16:33 | |
and then spend the rest of their life with them. | 0:16:33 | 0:16:35 | |
Others just chopped their heads off. | 0:16:35 | 0:16:38 | |
King Henry is back looking for the next, | 0:16:38 | 0:16:40 | |
next special one in his life. | 0:16:40 | 0:16:43 | |
The specially special special one. | 0:16:43 | 0:16:46 | |
Hi, hi, hi. | 0:16:46 | 0:16:47 | |
How's it going? | 0:16:49 | 0:16:51 | |
-Henry. -Jane Seymour. | 0:16:51 | 0:16:53 | |
Look, I'm... I'm sorry if I don't seem in a great mood. | 0:16:53 | 0:16:55 | |
I'm just getting over a pretty tough break-up. | 0:16:55 | 0:16:58 | |
I'm sorry to hear that. You must be heartbroken. | 0:16:58 | 0:17:00 | |
Yes. Well, to be fair, it's harder on her. | 0:17:00 | 0:17:03 | |
I mean, she is in bits. | 0:17:03 | 0:17:05 | |
GUILLOTINE SLICES | 0:17:05 | 0:17:07 | |
Look, do you want to get married? I need a male heir pretty sharpish. | 0:17:07 | 0:17:10 | |
Yes? Great. Cheque. | 0:17:12 | 0:17:14 | |
Henry, you look really happy. | 0:17:14 | 0:17:17 | |
Well, I am. Really happy. | 0:17:17 | 0:17:18 | |
She's the best one yet. She's a winner. | 0:17:20 | 0:17:22 | |
A keeper. Not a divorcey. | 0:17:22 | 0:17:25 | |
Not a, you know, choppy. | 0:17:25 | 0:17:27 | |
She's a keeper AND she's brilliant at real tennis. | 0:17:27 | 0:17:30 | |
-Fantastic drop shot. -Good times... | 0:17:30 | 0:17:33 | |
-I hope. -Yes. | 0:17:33 | 0:17:35 | |
BELL TOLLS | 0:17:35 | 0:17:37 | |
She died. | 0:17:37 | 0:17:38 | |
Yeah. Pretty upset about that, actually. | 0:17:38 | 0:17:40 | |
King Henry is back. | 0:17:42 | 0:17:44 | |
Blah, blah, blah. Yadda, yadda. Special one in his life. | 0:17:44 | 0:17:46 | |
Blah, blah, you know. | 0:17:46 | 0:17:48 | |
Hey. How's it going? | 0:17:48 | 0:17:50 | |
I'm... | 0:17:50 | 0:17:52 | |
not...Henry VIII. | 0:17:52 | 0:17:54 | |
Wrong restaurant. | 0:17:54 | 0:17:56 | |
Taxi! | 0:17:57 | 0:17:58 | |
Henry, tell us what happened. | 0:17:59 | 0:18:02 | |
So we kind of had to get married in the end. | 0:18:02 | 0:18:04 | |
Politics. But we got divorced straight after and I gave her | 0:18:04 | 0:18:08 | |
a bunch of properties, so she can live off the rent and it's all | 0:18:08 | 0:18:11 | |
pretty much cool, basically. Yeah. | 0:18:11 | 0:18:14 | |
I'm straight back in to the next one, | 0:18:14 | 0:18:16 | |
which could be the one. | 0:18:16 | 0:18:18 | |
Or the...third. | 0:18:19 | 0:18:20 | |
Or fourth. Which one is it? | 0:18:21 | 0:18:24 | |
The fifth. | 0:18:24 | 0:18:25 | |
King Henry just kept rushing into marriage after marriage. | 0:18:28 | 0:18:32 | |
You wouldn't catch me doing that. | 0:18:32 | 0:18:33 | |
My name is Rattus and I'll marry anyone | 0:18:35 | 0:18:37 | |
who will go on a date with me. | 0:18:37 | 0:18:39 | |
They don't even have to come to the wedding. | 0:18:39 | 0:18:42 | |
Well, it wouldn't be the first time. | 0:18:42 | 0:18:44 | |
Take a look at this couple. | 0:18:44 | 0:18:45 | |
We are gathered here today to witness the marriage of | 0:18:46 | 0:18:50 | |
King Alfonso III, King of Aragon, and Princess Eleanor. | 0:18:50 | 0:18:54 | |
Oi! That is not Eleanor. | 0:18:55 | 0:18:57 | |
-Is it? -Eleanor cannot be here today, | 0:18:58 | 0:19:00 | |
it is a long way to travel from England, | 0:19:00 | 0:19:02 | |
but John De Vesci is here as her proxy. | 0:19:02 | 0:19:06 | |
Delighted to meet you. | 0:19:06 | 0:19:07 | |
No need to do the voice. | 0:19:07 | 0:19:09 | |
I'm definitely not marrying this man in a dress. | 0:19:09 | 0:19:12 | |
No, no. I told him the dress was not necessary but he insisted. | 0:19:12 | 0:19:15 | |
Well, you can't blame me for wanting to look nice. | 0:19:15 | 0:19:18 | |
It's supposed to be the happiest day of my life. | 0:19:18 | 0:19:20 | |
No, because you are not Princess Eleanor. | 0:19:20 | 0:19:22 | |
It is not the happiest day of your life, | 0:19:22 | 0:19:24 | |
it is the happiest day of her life. | 0:19:24 | 0:19:25 | |
It's definitely not going to be the happiest day of my life if I have to | 0:19:25 | 0:19:29 | |
-marry him. -He is not your wife. | 0:19:29 | 0:19:31 | |
-Yet. -John! | 0:19:31 | 0:19:33 | |
Stop it. Ready? | 0:19:33 | 0:19:36 | |
Do you, King Alfonso, | 0:19:36 | 0:19:38 | |
take this woman to be your lawfully wedded wife? | 0:19:38 | 0:19:43 | |
-Sorry, who am I again? -King Alfonso the III. | 0:19:44 | 0:19:46 | |
OK, but I don't know if I can do his voice. | 0:19:46 | 0:19:49 | |
You can absolutely do his voice | 0:19:49 | 0:19:51 | |
because you are King Alfonso III. | 0:19:51 | 0:19:53 | |
Oh! Si, claro! Got it. | 0:19:53 | 0:19:56 | |
Good point. OK, let's do this. | 0:19:56 | 0:19:58 | |
Do you, Princess Eleanor, | 0:19:58 | 0:20:00 | |
take this man to be your lawfully wedded husband? | 0:20:00 | 0:20:03 | |
-I do! -No, you don't! | 0:20:03 | 0:20:05 | |
You are King Alfonso III. | 0:20:05 | 0:20:07 | |
I'm not asking you! | 0:20:07 | 0:20:08 | |
I do. I promised I wouldn't cry, but... | 0:20:08 | 0:20:12 | |
By the power vested in me, you are now man and wife. | 0:20:12 | 0:20:16 | |
You may now kiss the bride. | 0:20:16 | 0:20:18 | |
No! What are you doing?! That is the best man! | 0:20:18 | 0:20:22 | |
How could you? | 0:20:22 | 0:20:24 | |
OK, you're married, I'm out of here. Peace out. | 0:20:24 | 0:20:26 | |
BELLS RING | 0:20:26 | 0:20:27 | |
Please! Don't be like this! | 0:20:27 | 0:20:30 | |
Come back, darling! | 0:20:30 | 0:20:31 | |
I'm Shah Jahan, a Mughal emperor of India. | 0:20:33 | 0:20:37 | |
I'm just showing my builders how big I want my Taj Mahal to be. | 0:20:37 | 0:20:41 | |
No, no, bigger! | 0:20:41 | 0:20:42 | |
I want snow on the top! | 0:20:42 | 0:20:44 | |
When it's finished, my Taj Mahal will be spectacular, | 0:20:46 | 0:20:50 | |
but can you tell me why I'm building it? | 0:20:50 | 0:20:54 | |
Is it A, to say thank you to my | 0:20:54 | 0:20:57 | |
favourite wife for making me a delicious pudding, | 0:20:57 | 0:21:01 | |
B, to apologise to my favourite wife for leaving the toilet seat up, or | 0:21:01 | 0:21:05 | |
C, a tribute to my favourite wife as she has sadly passed away? | 0:21:05 | 0:21:08 | |
The answer is C, a tribute to my favourite wife | 0:21:09 | 0:21:12 | |
after she sadly passed away. | 0:21:12 | 0:21:14 | |
I started building it in 1632 as a romantic gesture | 0:21:15 | 0:21:19 | |
to honour the memory of my late wife. | 0:21:19 | 0:21:21 | |
It's such a shame when your favourite wife dies. | 0:21:21 | 0:21:25 | |
Yes, I've got others but she was the best. | 0:21:25 | 0:21:28 | |
No, no, bigger. You know that thing you've just built? | 0:21:28 | 0:21:31 | |
That but bigger. | 0:21:31 | 0:21:34 | |
You just can't get the staff these days. | 0:21:34 | 0:21:36 | |
So Shah Jahan dedicated his Taj Mahal to his lost love. | 0:21:40 | 0:21:44 | |
But even when you have found love, it can still be difficult. | 0:21:44 | 0:21:48 | |
In France, Marie Antoinette and Louis XVI celebrated their wedding | 0:21:48 | 0:21:52 | |
with a lavish ceremony and thousands of well-wishers. | 0:21:52 | 0:21:55 | |
Then, as the day drew to a close, | 0:21:55 | 0:21:57 | |
they looked forward to spending some quality time | 0:21:57 | 0:22:00 | |
alone together, or did they? | 0:22:00 | 0:22:02 | |
So here we are alone, my wife, | 0:22:03 | 0:22:06 | |
on our wedding night. | 0:22:06 | 0:22:08 | |
Just you and me. | 0:22:08 | 0:22:10 | |
-Oh! -Oh! -Oh! > | 0:22:10 | 0:22:12 | |
So sweet! > | 0:22:12 | 0:22:14 | |
Just you and me and the courtiers, who follow our every move. | 0:22:14 | 0:22:18 | |
Oh, don't mind us, Marie Antoinette. We are not here. | 0:22:18 | 0:22:21 | |
Yeah, but you kind of are, though. | 0:22:21 | 0:22:24 | |
This is the Royal Court. | 0:22:24 | 0:22:26 | |
There is no privacy here. | 0:22:26 | 0:22:27 | |
We watch everything - royal deaths, royal weddings, even royal births. | 0:22:27 | 0:22:31 | |
Oh, I love a good birth. | 0:22:31 | 0:22:33 | |
Oh, me too. | 0:22:33 | 0:22:34 | |
So cute. | 0:22:34 | 0:22:35 | |
So gross. | 0:22:35 | 0:22:37 | |
But don't worry, you can rely on us | 0:22:37 | 0:22:39 | |
to tell everyone else all about it tomorrow. | 0:22:39 | 0:22:42 | |
Er, what do we do now? | 0:22:42 | 0:22:44 | |
I think perhaps a kiss is traditional. | 0:22:44 | 0:22:49 | |
-A kiss, that is the thing with the... -Oui. | 0:22:49 | 0:22:53 | |
I think it goes something like... | 0:22:53 | 0:22:54 | |
ALL: Oh, no, no, no, no, no! | 0:22:57 | 0:23:01 | |
That is not how you kiss, your Highness. | 0:23:01 | 0:23:03 | |
You put your mouth together like this. | 0:23:03 | 0:23:05 | |
Yeah, like an angry trout. | 0:23:06 | 0:23:07 | |
No, no, no. It should be more like a salmon. | 0:23:07 | 0:23:11 | |
-A cross salmon. -Who wants to kiss a salmon? | 0:23:11 | 0:23:13 | |
A mackerel, your Highness. | 0:23:13 | 0:23:15 | |
-Like a mackerel. -A cod. Cod. | 0:23:15 | 0:23:19 | |
No. | 0:23:19 | 0:23:20 | |
No, no, no. This kissing business is too difficult. | 0:23:20 | 0:23:23 | |
I want to play with my clocks. | 0:23:23 | 0:23:24 | |
You don't have to kiss a clock. | 0:23:24 | 0:23:26 | |
In fact, it is discouraged. | 0:23:26 | 0:23:27 | |
Right. OK. | 0:23:28 | 0:23:30 | |
I've had enough of this. Everyone out of the bedroom, please. | 0:23:30 | 0:23:33 | |
Come on. Out! Allez! | 0:23:33 | 0:23:35 | |
I cannot think why. | 0:23:35 | 0:23:37 | |
Party pooper. | 0:23:37 | 0:23:39 | |
Everyone. Yes. | 0:23:39 | 0:23:41 | |
I can see you. Off you pop. | 0:23:45 | 0:23:47 | |
Not you. | 0:23:48 | 0:23:50 | |
Oh, second thoughts, night-night. | 0:23:51 | 0:23:55 | |
He is back. Number five. I give up. | 0:24:01 | 0:24:03 | |
HE SPEAKS FRENCH | 0:24:03 | 0:24:05 | |
Easy, easy, easy, easy. | 0:24:05 | 0:24:08 | |
OK. I've been divorced, executed one wife and another died. | 0:24:11 | 0:24:16 | |
But I'm the King, so you have to marry me. | 0:24:16 | 0:24:19 | |
OK. I'm Katherine Howard. | 0:24:19 | 0:24:21 | |
Yeah, yeah, yeah, whatever. | 0:24:21 | 0:24:24 | |
Who's this guy? | 0:24:24 | 0:24:25 | |
I'm Thomas Culpeper. | 0:24:25 | 0:24:26 | |
-I'm her boyf... -..frumple. Boyfrumple. | 0:24:26 | 0:24:28 | |
-It's a new word for servant, or assistant. -Ow! | 0:24:28 | 0:24:31 | |
Henry, I can't help noticing that Catherine isn't with you. | 0:24:34 | 0:24:38 | |
No. Turns out there was something going on with that young man. | 0:24:38 | 0:24:42 | |
Amazing. I was told he was a boyfrumple. | 0:24:42 | 0:24:45 | |
Who knew? | 0:24:45 | 0:24:47 | |
Anyway, had to have her executed, naturally. | 0:24:47 | 0:24:50 | |
It was a shame but it does mean I'm back on the market. | 0:24:50 | 0:24:54 | |
To be honest, I'm getting on a bit. | 0:24:55 | 0:24:57 | |
What I really need is a nurse. | 0:24:57 | 0:24:59 | |
-What's your name? -Catherine Parr. | 0:25:01 | 0:25:04 | |
Do you want to get married, Catherine? | 0:25:04 | 0:25:06 | |
You'll be pretty much the same as now, | 0:25:06 | 0:25:08 | |
except you'll be wearing diamonds | 0:25:08 | 0:25:09 | |
and when you help me into the room next time everyone will address you | 0:25:09 | 0:25:12 | |
as "Your Majesty". | 0:25:12 | 0:25:14 | |
Erm, yeah, OK, cool. | 0:25:14 | 0:25:16 | |
Great. Good times. | 0:25:16 | 0:25:18 | |
-You still have to wipe bot-bot though. -Hmm. | 0:25:18 | 0:25:21 | |
Oh, sorry. | 0:25:23 | 0:25:25 | |
Catherine Parr was the last of Henry's six wives | 0:25:26 | 0:25:30 | |
and they were still married when he died, | 0:25:30 | 0:25:32 | |
so he kind of has a happy ending and so do me and Ratalie. | 0:25:32 | 0:25:36 | |
We are back together and I'm going to ask her to marry me. | 0:25:36 | 0:25:41 | |
Oh, Ratalie. | 0:25:41 | 0:25:43 | |
Please accept this ring of 100% pure cheese and make me | 0:25:43 | 0:25:48 | |
the happiest rat in the world. | 0:25:48 | 0:25:51 | |
Oh, Rattus, of course. | 0:25:51 | 0:25:53 | |
Hang on, where's the ring? | 0:25:53 | 0:25:56 | |
Oh, I ate that. I was hoping you'd be happy with the box. | 0:25:56 | 0:25:59 | |
SHE SCREAMS | 0:25:59 | 0:26:01 | |
Oh, well. Looks like I'm single again. I guess it's not all bad. | 0:26:03 | 0:26:06 | |
This famous 18th-century Italian certainly seemed to enjoy himself. | 0:26:08 | 0:26:11 | |
Take it away, Casanova. | 0:26:11 | 0:26:13 | |
# Hey, come on over | 0:26:22 | 0:26:23 | |
# I'll tell you the story of Casanova | 0:26:23 | 0:26:25 | |
# I'm the hobo who... | 0:26:25 | 0:26:29 | |
# Me, a musician, spy, diplomat, dandy, physician | 0:26:29 | 0:26:32 | |
# Gambler, soldier, broker, self-taught | 0:26:32 | 0:26:34 | |
# Catholic priest, astronaut | 0:26:34 | 0:26:37 | |
# OK, that last was a lie | 0:26:37 | 0:26:38 | |
# But none of this what I am | 0:26:38 | 0:26:40 | |
# Remembered by | 0:26:40 | 0:26:42 | |
# I can't work out | 0:26:42 | 0:26:44 | |
# Oo-ooh, just look at those eyes | 0:26:44 | 0:26:45 | |
# Such well-dressed eyes | 0:26:45 | 0:26:47 | |
# I, of all the guys I, I drive them wild | 0:26:48 | 0:26:51 | |
# Helped cure a senator having a fit | 0:26:51 | 0:26:54 | |
# In noble circles I became a hit | 0:26:54 | 0:26:58 | |
# Allowed me to adopt this lifestyle to wit | 0:26:59 | 0:27:02 | |
# To wit, to wit | 0:27:02 | 0:27:05 | |
# He's well lush and we know it | 0:27:05 | 0:27:07 | |
# He's tasty and he show it | 0:27:09 | 0:27:11 | |
# Claim to write for Mozart | 0:27:13 | 0:27:15 | |
# But mostly care about breaking girls' hearts | 0:27:15 | 0:27:17 | |
# Bought jewels, gave up prayers | 0:27:17 | 0:27:19 | |
# My mind too busy on other affairs | 0:27:19 | 0:27:20 | |
# Invented the lottery, France a big fan | 0:27:20 | 0:27:24 | |
# But falling in love is still my big plan | 0:27:24 | 0:27:28 | |
# Till one lady said | 0:27:28 | 0:27:30 | |
# You dirty old man | 0:27:30 | 0:27:31 | |
# Old man, old man | 0:27:31 | 0:27:34 | |
# I was past it and I knew it | 0:27:34 | 0:27:36 | |
# No love life and I blew it | 0:27:38 | 0:27:40 | |
# Lost confidence in love and fighting | 0:27:43 | 0:27:45 | |
# Dedicate my life to writing | 0:27:45 | 0:27:46 | |
# Wave goodbye to Casanova | 0:27:46 | 0:27:48 | |
# My life as a great lover over | 0:27:48 | 0:27:50 | |
# He wrote this book, Story Of My Life | 0:27:50 | 0:27:52 | |
# Every love affair and cheating wife | 0:27:52 | 0:27:54 | |
# 130 all said and done | 0:27:54 | 0:27:56 | |
# You wriggled your way out of every one | 0:27:56 | 0:27:58 | |
# Wriggle, wriggle, wriggle, wriggle, wriggle | 0:27:58 | 0:27:59 | |
# Wriggle, wriggle, wriggle, wriggle, wriggle | 0:27:59 | 0:28:01 | |
# Wriggle, wriggle, wriggle, wriggle, wriggle, wriggle, wriggle, wriggle | 0:28:01 | 0:28:04 | |
# I was well lush and I knew it | 0:28:04 | 0:28:07 | |
# But that life I outgrew it | 0:28:07 | 0:28:08 | |
# A new life thought I'd try it now | 0:28:08 | 0:28:10 | |
# Librarian, so quiet. # | 0:28:10 | 0:28:12 | |
Shhhhh! | 0:28:12 | 0:28:13 | |
Hello, again. Oh, no, that's an English accent. Sorry. | 0:28:16 | 0:28:19 | |
Forgot I was French. | 0:28:19 | 0:28:21 | |
Alfonso! How could you? | 0:28:21 | 0:28:25 | |
Ay...caramba! | 0:28:25 | 0:28:27 | |
# The past is no longer a mystery | 0:28:27 | 0:28:29 | |
# Hope you enjoyed Horrible Histories. # | 0:28:29 | 0:28:34 |