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# Katie Morag | 0:00:07 | 0:00:09 | |
# Far away across the ocean | 0:00:09 | 0:00:13 | |
# Katie Morag | 0:00:13 | 0:00:15 | |
# Over the sea to Struay | 0:00:15 | 0:00:17 | |
# Katie Morag | 0:00:17 | 0:00:19 | |
# Far away across the ocean | 0:00:19 | 0:00:22 | |
# Katie Morag | 0:00:22 | 0:00:23 | |
# Over the sea to Struay. # | 0:00:23 | 0:00:26 | |
My name is Katie Morag McColl and I live on the island of Struay. | 0:00:32 | 0:00:37 | |
I suppose it's quite wee but it's ginormous to me and everyone | 0:00:37 | 0:00:41 | |
looks out for me when I'm out and about having my adventures. | 0:00:41 | 0:00:46 | |
This is where I live with my family. | 0:00:46 | 0:00:49 | |
My mum and dad run the shop and post office. | 0:00:49 | 0:00:52 | |
This is the bedroom I share with my brother Liam. | 0:00:52 | 0:00:55 | |
My mum says it's an absolute midden. | 0:00:55 | 0:00:58 | |
This is the croft where Grannie Island lives | 0:00:58 | 0:01:01 | |
with her animals and hens. | 0:01:01 | 0:01:04 | |
This is the Redburn Bridge where I play Pooh Sticks. | 0:01:04 | 0:01:07 | |
And I think it's the best place | 0:01:09 | 0:01:11 | |
in the whole entire world | 0:01:11 | 0:01:13 | |
and I wouldn't want | 0:01:13 | 0:01:14 | |
to live anywhere else. | 0:01:14 | 0:01:16 | |
'One of my favourite things in the world is painting pictures. | 0:01:22 | 0:01:26 | |
'Mum says it's cos I'm creative and that's a good thing. | 0:01:26 | 0:01:30 | |
'Though she wishes I wasn't so creative | 0:01:30 | 0:01:33 | |
'when it comes to making a mess. | 0:01:33 | 0:01:36 | |
'Mum says I might be a real painter like the Lady Artist one day. | 0:01:36 | 0:01:41 | |
'I like doing big, enormous pictures | 0:01:43 | 0:01:47 | |
'and sometimes I just can't help making a mess. | 0:01:47 | 0:01:50 | |
'Then Mum tells me I'm just a burachy wee girl. | 0:01:52 | 0:01:56 | |
'Burachy is one of my mum's favourite words. | 0:01:56 | 0:02:00 | |
'It means very messy indeed.' | 0:02:00 | 0:02:04 | |
That's our house, shop and post office. | 0:02:04 | 0:02:07 | |
There's the new pier. | 0:02:07 | 0:02:09 | |
There's Grannie Island | 0:02:09 | 0:02:12 | |
and there's you and me. | 0:02:12 | 0:02:15 | |
Let's see yours, Liam. | 0:02:15 | 0:02:17 | |
Very good. Well, very good at mixing colours. | 0:02:20 | 0:02:24 | |
No, Mrs Baxter, the bananas aren't in that box. | 0:02:29 | 0:02:32 | |
They're over there. I'll get them. | 0:02:32 | 0:02:34 | |
Hurry up, then, or there'll be none left and you know how much | 0:02:34 | 0:02:38 | |
I love a banana or two, especially in a banana cake. | 0:02:38 | 0:02:41 | |
-I do, I do. -Do you know...? | 0:02:41 | 0:02:44 | |
Sorry, Mrs Baxter, but the visitors ordered that box of bananas. | 0:02:44 | 0:02:48 | |
There you are. Oh! | 0:02:50 | 0:02:53 | |
And here's your mail. | 0:02:55 | 0:02:57 | |
And sorry, the paint's all gone. | 0:02:57 | 0:02:59 | |
Neilly Beag was whitewashing the Lady Artist's house. | 0:02:59 | 0:03:03 | |
Bye. Enjoy your holidays. | 0:03:03 | 0:03:07 | |
A whole box of bananas. How many are they planning to eat? | 0:03:07 | 0:03:12 | |
It'll be one of those fancy mainland diets, no doubt. | 0:03:12 | 0:03:16 | |
As if they couldn't have brought their own bananas | 0:03:16 | 0:03:19 | |
from one of those super shops on the mainland. | 0:03:19 | 0:03:22 | |
Oh, I'll be glad when summer's over. | 0:03:23 | 0:03:26 | |
Mum! Mum! Come and see our painting. | 0:03:37 | 0:03:40 | |
And please can we have some really big paper to do another one? | 0:03:40 | 0:03:44 | |
Oh, Katie Morag, you know it's boat delivery day. | 0:03:44 | 0:03:47 | |
We'll have a look at your pictures after the shop has closed. | 0:03:47 | 0:03:51 | |
Why don't you run along to the Lady Artist's? | 0:03:51 | 0:03:53 | |
-She'll have loads of big paper. -No, she won't. | 0:03:53 | 0:03:57 | |
-She does tiny wee paintings. -Katie Morag, please! | 0:03:57 | 0:04:01 | |
What have I said about answering back? | 0:04:01 | 0:04:04 | |
Now, off you go, like a good girl. | 0:04:04 | 0:04:08 | |
Neilly Beag is along at the Lady Artist's painting the walls. | 0:04:08 | 0:04:11 | |
-He'd appreciate some help, I'm sure, Katie Morag. -Boring! | 0:04:11 | 0:04:15 | |
Come on, Liam, we might as well go along to the Lady Artist's. | 0:04:17 | 0:04:21 | |
Tell them to call us when you get there. | 0:04:21 | 0:04:23 | |
'It was very annoying being an artist and having nothing to paint on... | 0:04:23 | 0:04:28 | |
'..but the Lady Artist might know where to get big pieces of paper...' | 0:04:29 | 0:04:33 | |
Aye aye, Katie Morag. | 0:04:33 | 0:04:34 | |
'..and if she didn't, Grannie Island definitely would. | 0:04:34 | 0:04:38 | |
'She knows everything about everything.' | 0:04:38 | 0:04:41 | |
Hello, Katie Morag. Hello, Liam. Have you come to help? | 0:04:49 | 0:04:54 | |
Now make sure you don't walk under the ladder. | 0:04:54 | 0:04:58 | |
-Why not? -It's bad luck. | 0:04:58 | 0:05:02 | |
Is the Lady Artist here? I need some really big paper. | 0:05:02 | 0:05:06 | |
I was wondering if she knew where I could get some. | 0:05:06 | 0:05:09 | |
Did you not pass herself and Sasha on the way to the shop? | 0:05:09 | 0:05:13 | |
She ran out of biscuits and tea for the tea break. | 0:05:13 | 0:05:16 | |
Here, maybe you could set the table for her before she comes back, eh? | 0:05:16 | 0:05:21 | |
No, thanks. | 0:05:21 | 0:05:22 | |
The paper's really very important. Maybe Grannie Island will have some. | 0:05:22 | 0:05:27 | |
All right, then. Good luck. | 0:05:29 | 0:05:33 | |
'Being an artist is hard work. | 0:05:33 | 0:05:35 | |
'Even before you start painting, you have to have the right materials. | 0:05:35 | 0:05:40 | |
'Mum sometimes makes me use the back of an old cereal packet. | 0:05:40 | 0:05:44 | |
'I bet the Lady Artist never has to do that.' | 0:05:44 | 0:05:47 | |
Grannie Island! THUD! | 0:05:47 | 0:05:49 | |
Ouch! Come in. | 0:05:49 | 0:05:51 | |
-I really need your help. -Well, of course, Katie Morag, what is it? | 0:05:51 | 0:05:56 | |
I'm going to be an artist when I grow up and I really need to practise. | 0:05:56 | 0:06:00 | |
-I really need some big paper as well... -Oh! -..and nobody has one. | 0:06:00 | 0:06:04 | |
-You need a piece of paper? -A really big one. | 0:06:04 | 0:06:08 | |
Well, the only bits of paper I have are empty sheep feed sacks. | 0:06:08 | 0:06:13 | |
-If they can be any use, I could iron them flat for you. -Sheep feed sacks? | 0:06:13 | 0:06:18 | |
No, thanks, Grannie Island. An artist needs real paper, you know. | 0:06:18 | 0:06:22 | |
Oh, well, I wouldn't know anything about that, | 0:06:22 | 0:06:26 | |
but I do know that the first ever artists were just men and women who | 0:06:26 | 0:06:31 | |
lived in caves a long time ago and painted pictures on the cave walls. | 0:06:31 | 0:06:36 | |
Nobody paints on walls nowadays, do they? | 0:06:36 | 0:06:40 | |
Well, yes, they do a bit, | 0:06:40 | 0:06:42 | |
like the inside of your Uncle Matthew's house. | 0:06:42 | 0:06:46 | |
Paintings on walls are called murals. | 0:06:46 | 0:06:49 | |
Maybe you could be a mural painter one day, Katie Morag. | 0:06:49 | 0:06:53 | |
Anyway, I've got to get going. | 0:06:53 | 0:06:56 | |
I promised Neilly Beag I'd help him paint the Lady Artist's house. | 0:06:56 | 0:07:00 | |
Now, you two help yourselves to the porridgies. | 0:07:00 | 0:07:03 | |
Only two each, mind, and then follow me up afterwards. | 0:07:03 | 0:07:07 | |
Thank you very much, Grannie Island. | 0:07:07 | 0:07:09 | |
That Lady Artist, she never has any biscuits in her tin | 0:07:09 | 0:07:13 | |
and she's always running out of tea, but I'll see Neilly Beag right. | 0:07:13 | 0:07:18 | |
Now, catch me up when you're finished. I'll be watching for you. | 0:07:19 | 0:07:25 | |
Hi, Katie. | 0:07:28 | 0:07:29 | |
Hello. | 0:07:29 | 0:07:31 | |
'At least Liam has found something to paint on. | 0:08:11 | 0:08:14 | |
'It looked like one of the cave paintings | 0:08:14 | 0:08:17 | |
'Grannie Island was talking about.' | 0:08:17 | 0:08:19 | |
And I'm so glad you came over with the tea break, Grannie Island. | 0:08:44 | 0:08:48 | |
Would you believe it, the shop ran out of biscuits and tea? | 0:08:48 | 0:08:52 | |
Aye, well, you have to be at the shop | 0:08:52 | 0:08:54 | |
at the crack of dawn on boat day. | 0:08:54 | 0:08:56 | |
You'd be best making your own biscuits. | 0:08:56 | 0:08:59 | |
Katie Morag wanted to see you, Lady Artist, | 0:08:59 | 0:09:02 | |
something to do with paper, said it needed to be big. | 0:09:02 | 0:09:06 | |
-She seemed to really keen. -Aye, she came to see me too. | 0:09:06 | 0:09:11 | |
I told her she could have paper | 0:09:11 | 0:09:12 | |
from the sheep feed sacks for her painting. | 0:09:12 | 0:09:15 | |
Knowing Katie Morag, she will want the whitest of white paper | 0:09:15 | 0:09:20 | |
and no creases on. Oh, I do love teaching art at the school. | 0:09:20 | 0:09:24 | |
The children have such imagination. | 0:09:24 | 0:09:28 | |
Och, well, I'd better get back to work. | 0:09:30 | 0:09:34 | |
One more final coat on the gable end and that will be it. | 0:09:34 | 0:09:38 | |
I'm afraid Sasha and I will have to abandon you. | 0:09:38 | 0:09:41 | |
We're taking Gertie the goat for a walk. | 0:09:41 | 0:09:43 | |
Oh, my beautiful white wall! | 0:09:52 | 0:09:56 | |
Just what do the two of you think you're doing? | 0:09:56 | 0:09:59 | |
We're being artists like cave painters. | 0:09:59 | 0:10:02 | |
Quick, Neilly Beag, get the hose before the Lady Artist sees this. | 0:10:02 | 0:10:07 | |
This is appalling behaviour, Katie Morag, | 0:10:07 | 0:10:11 | |
you're old enough to know better. | 0:10:11 | 0:10:13 | |
Oh, deary, deary me, the Lady Artist is going to be so upset. | 0:10:13 | 0:10:18 | |
Now, I'll get some scrubbing brushes | 0:10:18 | 0:10:21 | |
and then the two of you can get scrubbing, OK? | 0:10:21 | 0:10:24 | |
-Scrub it. -Scrub away there. | 0:10:37 | 0:10:38 | |
Here comes the Lady Artist. | 0:10:41 | 0:10:43 | |
-I don't know what to say. -Oh, don't you fret. | 0:10:51 | 0:10:55 | |
We've just got one more coat of whitewash to put on the wall | 0:10:55 | 0:10:58 | |
-and then it will be as good as new. -No, wait. | 0:10:58 | 0:11:02 | |
This could be the beginning of something very special. | 0:11:02 | 0:11:05 | |
I've always wanted to make a large painting, a mural, | 0:11:05 | 0:11:09 | |
but I've never had the courage. Will you all help me? | 0:11:09 | 0:11:14 | |
I'll get my paintbrushes. Oh, this is tremendously exciting. | 0:11:14 | 0:11:19 | |
That's beautiful! Oh, Liam, is that End Island? | 0:11:25 | 0:11:29 | |
Keep painting. | 0:11:40 | 0:11:42 | |
I'm not really an artist, I'm not much good at it. | 0:11:54 | 0:11:56 | |
Carry on, Neilly Beag. | 0:12:00 | 0:12:01 | |
Isn't that just wonderful? | 0:12:04 | 0:12:07 | |
'We were lucky not to get into big trouble for painting on the wall. | 0:12:40 | 0:12:45 | |
'Most folk would have been really cross, | 0:12:45 | 0:12:47 | |
'but the Lady Artist seemed pleased. | 0:12:47 | 0:12:50 | |
'She said people would come from all over to see her beautiful mural, | 0:12:50 | 0:12:55 | |
'which would be absolutely fabbydoo. | 0:12:55 | 0:12:58 | |
'But even though painting the wall was fun, | 0:13:02 | 0:13:04 | |
'if I do become a real artist, | 0:13:04 | 0:13:07 | |
'I think I'll just use pieces of paper - | 0:13:07 | 0:13:09 | |
'that way visitors can take their paintings home with them | 0:13:09 | 0:13:13 | |
'and put them up in their very own houses and who knows? | 0:13:13 | 0:13:17 | |
'One day, there may be pictures of Struay all over the world.' | 0:13:17 | 0:13:22 | |
WHISPERS: Good night, Grannie Island. | 0:13:24 | 0:13:27 |