Browse content similar to Anything Is Possible. Check below for episodes and series from the same categories and more!
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CHANTING IN LATIN | 0:00:10 | 0:00:13 | |
Scusi! | 0:01:24 | 0:01:25 | |
CLOCK BELL CHIMES | 0:01:30 | 0:01:31 | |
Up, up, you lazy loafers! | 0:01:31 | 0:01:33 | |
-Sun's scorching your eyeballs out! -Coming, Maestro. | 0:01:33 | 0:01:37 | |
-Yes, Maestro. -Straightaway, Maestro. | 0:01:38 | 0:01:41 | |
Where's my coffee? Cosimo! | 0:01:41 | 0:01:43 | |
Get me coffee! | 0:01:45 | 0:01:47 | |
RAUCOUS MUSIC | 0:01:47 | 0:01:49 | |
Note the reflective quality of the fish's scales. | 0:01:58 | 0:02:02 | |
See how the use of a touch of gold in Raphael's hair reveals him | 0:02:02 | 0:02:07 | |
to be the angel. | 0:02:07 | 0:02:08 | |
Piu bellissime, Maestro. | 0:02:08 | 0:02:10 | |
See the freedom of movement in the poses, | 0:02:12 | 0:02:15 | |
the limbs implying movement. | 0:02:15 | 0:02:17 | |
This is called... | 0:02:17 | 0:02:19 | |
-Contrapposto, Maestro. -Si, contrapposto. | 0:02:19 | 0:02:21 | |
And your dog, Leonardo. | 0:02:33 | 0:02:36 | |
-Not too bad at all. -Thank you, Maestro. | 0:02:36 | 0:02:39 | |
See, boys, how the hair starts with darker shades | 0:02:39 | 0:02:41 | |
and builds up with lighter ones. | 0:02:41 | 0:02:43 | |
You see what can be achieved | 0:02:43 | 0:02:46 | |
when you focus. As a reward, the day is yours. | 0:02:46 | 0:02:48 | |
-Squander it as you will. -Grazie, Maestro. -Not so fast. | 0:02:48 | 0:02:51 | |
You've got the whole day to work on your latest contraption. First, | 0:02:51 | 0:02:56 | |
we will have breakfast, like civilized people. | 0:02:56 | 0:02:59 | |
Stop fidgeting, Lorenzo. | 0:03:08 | 0:03:10 | |
Can I be excused? | 0:03:11 | 0:03:13 | |
Before the baked turtle dove? I should think not. | 0:03:13 | 0:03:16 | |
We're not peasants. | 0:03:16 | 0:03:18 | |
You will eat a proper six-course breakfast. | 0:03:18 | 0:03:21 | |
And use the right fork. | 0:03:21 | 0:03:23 | |
Va via! | 0:03:32 | 0:03:33 | |
All right, all right! | 0:03:35 | 0:03:37 | |
Keep your hair on, I'm going. | 0:03:37 | 0:03:39 | |
Come on, up! Guiseppi, up, now! Come on. | 0:04:04 | 0:04:07 | |
You too. Come on, Marco. | 0:04:07 | 0:04:09 | |
No way! | 0:04:09 | 0:04:11 | |
Time to work, boys. | 0:04:11 | 0:04:13 | |
THEY GROAN | 0:04:13 | 0:04:14 | |
Go and get me some breakfast. | 0:04:17 | 0:04:19 | |
Peaches. | 0:04:21 | 0:04:22 | |
I'm in the mood for some big, juicy peaches. | 0:04:22 | 0:04:26 | |
Two of them. Make sure they're ripe. | 0:04:26 | 0:04:28 | |
Go on, hop to it! | 0:04:30 | 0:04:31 | |
-May I go out now? -Certainly not. | 0:04:39 | 0:04:41 | |
Have you forgotten your harpsichord lesson? | 0:04:41 | 0:04:44 | |
Where are you so keen to get to? | 0:04:44 | 0:04:46 | |
What mischief are you plotting? | 0:04:46 | 0:04:49 | |
No mischief, Papa. | 0:04:49 | 0:04:51 | |
I promised to teach my friend Alfonso's little sister Luisa | 0:04:51 | 0:04:54 | |
-courtly dancing. -Really? | 0:04:54 | 0:04:56 | |
How very chivalrous of you. | 0:04:56 | 0:04:59 | |
Oh! | 0:04:59 | 0:05:01 | |
FOOTSTEPS SPEED UP | 0:05:11 | 0:05:13 | |
EERIE MUSIC | 0:05:14 | 0:05:16 | |
Oy! | 0:05:49 | 0:05:51 | |
Come back this minute! | 0:05:51 | 0:05:52 | |
Oh, no, not you again! | 0:05:55 | 0:05:58 | |
Oy! | 0:06:08 | 0:06:09 | |
Nicked? | 0:06:12 | 0:06:13 | |
And what did he look like, this pilferer, | 0:06:14 | 0:06:17 | |
this peaches thief? | 0:06:17 | 0:06:19 | |
Oh! | 0:06:28 | 0:06:29 | |
The perfect finishing touch! You wait till you see it, Mac. | 0:06:29 | 0:06:33 | |
-The velocerotor, it's fantastic! -The velocerotor? | 0:06:33 | 0:06:36 | |
-What would you call it? -Something better! -You wait, it's gonna fly! | 0:06:36 | 0:06:39 | |
It's efficient, strong but lightweight - elm - | 0:06:39 | 0:06:42 | |
and triangular shaped to distribute the weight... | 0:06:42 | 0:06:45 | |
Er, scusi? | 0:06:46 | 0:06:47 | |
-Charming! -Oldest trick in the book. Check your pockets, mate. | 0:06:48 | 0:06:52 | |
There's nothing missing. You're so suspicious. | 0:06:53 | 0:06:56 | |
Oy, you - where'd you get that peach? | 0:06:56 | 0:06:59 | |
What are you, the peach police? | 0:06:59 | 0:07:01 | |
I had mine stolen by someone with a hat like yours. | 0:07:01 | 0:07:04 | |
Get off! I didn't steal your peach. | 0:07:04 | 0:07:07 | |
If you're so desperate, have that one! | 0:07:07 | 0:07:09 | |
-That boy's got a terrible temper. -If you will accuse people of theft. | 0:07:09 | 0:07:14 | |
Lorenzo! | 0:07:16 | 0:07:17 | |
The morning I've had! I thought I'd never get away. | 0:07:17 | 0:07:21 | |
So, where is it, then, this thingamujiggy-whatsit thing? | 0:07:21 | 0:07:25 | |
-Is it ready yet? -We're about to find out. | 0:07:25 | 0:07:28 | |
He must keep it in the workshop. | 0:07:36 | 0:07:39 | |
We need another way. | 0:07:39 | 0:07:41 | |
Whoa! | 0:08:09 | 0:08:10 | |
Here we go. | 0:08:11 | 0:08:13 | |
HE SHRIEKS, THEN LAUGHS | 0:08:13 | 0:08:17 | |
SHRIEKING AND LAUGHTER | 0:08:22 | 0:08:25 | |
Aargh! | 0:08:27 | 0:08:29 | |
-What do you think you're doing? -Scusi! | 0:08:29 | 0:08:33 | |
-What in the name of the saints is that? -A velocerotor. | 0:08:33 | 0:08:36 | |
A what? | 0:08:36 | 0:08:38 | |
Hey, I know you two. | 0:08:41 | 0:08:42 | |
First you call me a thief, now you try and kill me! | 0:08:44 | 0:08:47 | |
She lives! | 0:08:48 | 0:08:49 | |
Speaks, breathes! | 0:08:49 | 0:08:52 | |
Fantastico! | 0:08:52 | 0:08:54 | |
You have really caught her spirit. | 0:08:54 | 0:08:56 | |
Bit down in the mouth. Girlfriend? | 0:08:56 | 0:08:59 | |
My sister, and she's perfectly cheerful, thank you. | 0:08:59 | 0:09:02 | |
-Use your hat. Won't get knocked over. -Do you really think it's good? | 0:09:03 | 0:09:07 | |
It's more than good. | 0:09:07 | 0:09:09 | |
-He's an artist's apprentice. -That's what I want to do. | 0:09:09 | 0:09:12 | |
That's why I came to Florence. | 0:09:12 | 0:09:14 | |
-But you need a letter of recommendation. -And an inventor. | 0:09:14 | 0:09:18 | |
I've never seen anything like it. | 0:09:18 | 0:09:21 | |
How does it work? | 0:09:21 | 0:09:23 | |
It's to do with how the mass is distributed on the front wheel, | 0:09:23 | 0:09:27 | |
and how the forces act on it as it spins. | 0:09:27 | 0:09:31 | |
When you were whizzing towards me, I thought it was a monster. | 0:09:31 | 0:09:35 | |
It's beautiful. | 0:09:35 | 0:09:37 | |
-Bellissima. -You've got a fan. | 0:09:38 | 0:09:40 | |
I'm not a fan. I just think it's quite clever. | 0:09:40 | 0:09:44 | |
Come on, have a go. | 0:09:44 | 0:09:45 | |
-Really? -No, it's my turn next! -Oh, come on, then. | 0:09:45 | 0:09:48 | |
Come on, Lorenzo. Ooh! | 0:09:48 | 0:09:49 | |
-Ciao. -Ciao... | 0:09:49 | 0:09:52 | |
Lorenzo, you run like a girl! | 0:09:53 | 0:09:55 | |
< MUFFLED CRIES | 0:10:01 | 0:10:03 | |
Where are you taking me? | 0:10:17 | 0:10:20 | |
CHANTING IN LATIN | 0:10:24 | 0:10:28 | |
What do you want? | 0:10:36 | 0:10:39 | |
I haven't done anything. | 0:10:39 | 0:10:40 | |
-I'm nobody. -I wouldn't say that. | 0:10:41 | 0:10:44 | |
I'm told you have real talent. | 0:10:44 | 0:10:46 | |
What? | 0:10:46 | 0:10:48 | |
How would you like a place as an artist's apprentice? | 0:10:48 | 0:10:51 | |
I'd love it, but it's not possible. | 0:10:51 | 0:10:55 | |
This is Florence. Anything is possible. | 0:10:55 | 0:10:58 | |
I've tried the workshops. | 0:10:58 | 0:11:01 | |
They won't even look at my work without a letter of recommendation. | 0:11:02 | 0:11:06 | |
From the Academy of Art in Rome. | 0:11:09 | 0:11:11 | |
Take it to Verrocchio's workshop. It should gain you entry. | 0:11:13 | 0:11:17 | |
Graz... | 0:11:20 | 0:11:22 | |
Not so fast. | 0:11:22 | 0:11:24 | |
There is an apprentice at Verrocchio's workshop, | 0:11:24 | 0:11:27 | |
a certain Leonardo da Vinci. | 0:11:27 | 0:11:30 | |
We want his notebook. | 0:11:30 | 0:11:32 | |
I'm not a thief. | 0:11:32 | 0:11:33 | |
You will deliver it to the church in the Piazza di Rivoli | 0:11:33 | 0:11:36 | |
before dusk. | 0:11:36 | 0:11:38 | |
HAMMERING | 0:11:49 | 0:11:51 | |
INDISTINCT CHATTER | 0:12:11 | 0:12:13 | |
HAMMERING CONTINUES | 0:12:14 | 0:12:17 | |
MUSIC: Talk Show Host by Radiohead | 0:12:22 | 0:12:25 | |
# I want to | 0:12:34 | 0:12:36 | |
# I want to be someone else | 0:12:40 | 0:12:43 | |
# Or I'll explode | 0:12:43 | 0:12:47 | |
# Floating upon the surface for the birds | 0:12:51 | 0:12:57 | |
# The birds | 0:13:01 | 0:13:03 | |
# The birds | 0:13:06 | 0:13:08 | |
# You want me... # | 0:13:17 | 0:13:19 | |
-Who are you, boy? What do you want? -I'm, er... | 0:13:19 | 0:13:22 | |
Tomaso. | 0:13:22 | 0:13:24 | |
Impressive. The Academy of Arts is where I trained. | 0:13:25 | 0:13:29 | |
But it's another hungry mouth to feed, and... | 0:13:29 | 0:13:32 | |
I have seen his work, Maestro. | 0:13:32 | 0:13:34 | |
It's fantastico. | 0:13:36 | 0:13:38 | |
The proof of the pudding's in the eating. Va bene. | 0:13:39 | 0:13:42 | |
You have the time it takes Cosimo to prepare me a tea | 0:13:42 | 0:13:45 | |
to impress me. Cosimo! | 0:13:45 | 0:13:47 | |
Draw, you know. | 0:14:01 | 0:14:03 | |
-What took you so long? Chamomile tea, boy, pronto. -Maestro. | 0:14:16 | 0:14:21 | |
Maestro. | 0:14:45 | 0:14:46 | |
Not bad. Technique raw, but it's expressive. | 0:14:51 | 0:14:55 | |
You captured your subject's essence. Your sweetheart? | 0:14:55 | 0:14:59 | |
-My sister. -Yes, I see the family resemblance. | 0:14:59 | 0:15:02 | |
Alora, Tomaso Gerardini, | 0:15:03 | 0:15:05 | |
you will join my workshop on trial. | 0:15:05 | 0:15:07 | |
You will carry out any tasks I assign you. | 0:15:07 | 0:15:10 | |
In return, you will be fed and housed. Clear? | 0:15:10 | 0:15:13 | |
-Yes. -Yes, Maestro! | 0:15:13 | 0:15:15 | |
-Yes, Maestro. -I will now take my siesta. | 0:15:15 | 0:15:18 | |
You'll start tomorrow. Leonardo will show you the ropes. | 0:15:18 | 0:15:22 | |
-Leonardo? -Da Vinci. Come on. Vieni. | 0:15:22 | 0:15:26 | |
We make the soft brushes from weasels' tails, | 0:15:26 | 0:15:30 | |
the hard ones from pigs' bristles. | 0:15:30 | 0:15:32 | |
-When you say "we"? -The apprentices. | 0:15:32 | 0:15:34 | |
Glue, made from rabbits' skin. | 0:15:34 | 0:15:36 | |
One of the boring jobs. | 0:15:36 | 0:15:39 | |
Mixing pigments for paint, much more like it, but... | 0:15:39 | 0:15:43 | |
..messy and very, very expensive, | 0:15:43 | 0:15:45 | |
so he can hit the roof if you get it wrong. | 0:15:45 | 0:15:47 | |
This beauty here is lapis lazuli. | 0:15:47 | 0:15:51 | |
Costs a fortune, but the blue it creates is... | 0:15:51 | 0:15:54 | |
..fantastico. | 0:15:54 | 0:15:55 | |
These... | 0:15:56 | 0:15:58 | |
Mashed-up bugs. | 0:15:59 | 0:16:01 | |
Oh, amazing purple. | 0:16:01 | 0:16:04 | |
We learn... | 0:16:04 | 0:16:06 | |
..drafting, carpentry, chemistry, metalworking, plaster-casting... | 0:16:06 | 0:16:11 | |
Hey! | 0:16:12 | 0:16:13 | |
Relax! It's me that should be worried. You are very good. | 0:16:17 | 0:16:21 | |
Cosi, show Tom where he can sleep. | 0:16:21 | 0:16:24 | |
See you later? | 0:16:24 | 0:16:25 | |
Vieni. Come on. | 0:16:33 | 0:16:35 | |
-Are you an apprentice? -No, a servant. | 0:16:38 | 0:16:42 | |
I can't draw. | 0:16:42 | 0:16:43 | |
I'll make you a bed next to Leonardo's. | 0:16:52 | 0:16:54 | |
'We want his notebook.' | 0:16:59 | 0:17:01 | |
Oh! I suppose supper isn't for hours? | 0:17:03 | 0:17:05 | |
-There. Would you like me to make you some spaghetti? -Grazie. | 0:17:05 | 0:17:10 | |
That's really kind. | 0:17:11 | 0:17:13 | |
We know nothing about him, except he pinches peaches. | 0:17:59 | 0:18:03 | |
We know nothing about you, except you're from Milan. | 0:18:03 | 0:18:06 | |
You told me Rome. | 0:18:06 | 0:18:07 | |
It's good to create an aura of mystery, leave people wanting more. | 0:18:07 | 0:18:12 | |
Ciao. | 0:18:25 | 0:18:26 | |
Do you always creep up on people like that? | 0:18:27 | 0:18:30 | |
What can I do? One of my many talents. | 0:18:30 | 0:18:32 | |
I'm Machiavelli, Mac for short. | 0:18:32 | 0:18:35 | |
-Congrats. -What for? -Getting a letter of recommendation so quickly. | 0:18:35 | 0:18:41 | |
-It came from Rome just after you left. -Rome, eh? | 0:18:41 | 0:18:45 | |
-Not got much of an accent. -We moved there. -Where from? | 0:18:45 | 0:18:48 | |
Mind your own business! | 0:18:48 | 0:18:50 | |
-You're a runaway, aren't you? -No. | 0:18:52 | 0:18:54 | |
Certainly not. How dare you! | 0:18:54 | 0:18:57 | |
My parents sent me to stay with my aunt. | 0:18:57 | 0:19:00 | |
-Where does she live, then? -Via de Pandolfini. -Very nice. | 0:19:00 | 0:19:04 | |
-She must be rich. -She is. | 0:19:04 | 0:19:06 | |
Get her to buy you some decent threads, then. | 0:19:06 | 0:19:09 | |
You're very rude. I don't have time to stand here and be insulted. | 0:19:09 | 0:19:14 | |
I'm going to pick up my things from my aunt. | 0:19:14 | 0:19:17 | |
Big fat liar, thy name is Tomaso. | 0:19:20 | 0:19:24 | |
-Vieni! Presto! -Where are we going? -What's going on? | 0:19:30 | 0:19:33 | |
He's off to his aunt's on the Via de Pandolfini. | 0:19:33 | 0:19:36 | |
-So? -It's in the other direction. -Exactly. | 0:19:36 | 0:19:38 | |
He's a bigger liar than me. Let's see what he's up to. | 0:19:38 | 0:19:41 | |
-Oh, mystery! -Eccitante! | 0:19:41 | 0:19:44 | |
CHURCH BELL RINGS | 0:19:45 | 0:19:47 | |
-He's waiting for someone. -What's that in his hand? | 0:19:54 | 0:19:56 | |
-It's my notebook! -I told you, he's a thief! | 0:19:57 | 0:20:01 | |
Maybe he has an explanation. | 0:20:01 | 0:20:03 | |
Tomaso, what are you doing with my notebook? | 0:20:10 | 0:20:13 | |
Oh, is it yours? | 0:20:14 | 0:20:15 | |
I must have taken it by mistake. | 0:20:15 | 0:20:19 | |
I was just borrowing it. I was going to give it back. | 0:20:19 | 0:20:22 | |
Ah! | 0:20:36 | 0:20:37 | |
DRAMATIC MUSIC | 0:20:40 | 0:20:42 | |
Scusi! | 0:20:47 | 0:20:48 | |
Scusi! | 0:20:57 | 0:20:59 | |
Aargh! | 0:21:04 | 0:21:05 | |
Oy! | 0:21:09 | 0:21:10 | |
Aargh! | 0:21:15 | 0:21:17 | |
DOG BARKS | 0:21:17 | 0:21:18 | |
Aargh! | 0:21:22 | 0:21:23 | |
HORSE CANTERS AWAY | 0:21:24 | 0:21:27 | |
HE COUGHS | 0:21:34 | 0:21:36 | |
-You all right? -I'm fine. -The notebook? -Gone. | 0:21:38 | 0:21:41 | |
You're in big trouble, boy. I'll report you to my father, | 0:21:44 | 0:21:47 | |
His Excellency Piero De' Medici. | 0:21:47 | 0:21:49 | |
He knows the magistrate personally. | 0:21:49 | 0:21:50 | |
You'll be thrown into prison for the thief you are. | 0:21:50 | 0:21:54 | |
Do it, then. What does it matter? | 0:21:54 | 0:21:56 | |
-I didn't have a choice. -Yeah, right! -What do you mean? | 0:21:56 | 0:22:00 | |
The man on the horse abducted me. | 0:22:00 | 0:22:03 | |
-What? -Don't listen to him. -He took me into the catacombs, | 0:22:03 | 0:22:08 | |
to this sort of chamber with weird men chanting, | 0:22:08 | 0:22:12 | |
like some kind of secret society. | 0:22:12 | 0:22:14 | |
-And the letter? -A fake. They gave it to me. | 0:22:14 | 0:22:18 | |
Look, believe what you like. It's the truth. | 0:22:19 | 0:22:23 | |
I didn't want to do it. | 0:22:23 | 0:22:26 | |
-Could be true. -I can't believe it! -Wait. This place | 0:22:26 | 0:22:30 | |
-they took you, could you find it again? -Don't mess with them. | 0:22:30 | 0:22:34 | |
They've got my notebook. All my work, designs, calcul... | 0:22:34 | 0:22:38 | |
I can't lose it. I can't. | 0:22:39 | 0:22:42 | |
SHRIEKING | 0:23:02 | 0:23:03 | |
What was that? | 0:23:03 | 0:23:05 | |
I'm sorry. | 0:23:09 | 0:23:10 | |
-I'm really sorry. -Bit late for that. | 0:23:10 | 0:23:13 | |
Well, which way? | 0:23:15 | 0:23:17 | |
-I don't know. -Or don't want to tell us. | 0:23:18 | 0:23:22 | |
-I don't know! -You're already a liar and a thief. | 0:23:22 | 0:23:25 | |
-Why should we believe you? -Precisely. -It's not my fault. | 0:23:25 | 0:23:28 | |
-I just want to be an artist. -So you lie and cheat your way in? | 0:23:28 | 0:23:32 | |
-It's not that simple. -It is. It's all about talent. | 0:23:32 | 0:23:35 | |
-And integrity. -Yeah, right, if you're a boy. | 0:23:35 | 0:23:37 | |
Sorry? | 0:23:37 | 0:23:39 | |
Of course! How did I miss it? I should be ashamed of myself. | 0:23:42 | 0:23:46 | |
-What? -The portrait he did wasn't his sister. -It was a self-portrait. | 0:23:46 | 0:23:50 | |
-What? -A self-portrait? How ridiculous. | 0:23:50 | 0:23:54 | |
Of course it was my sister. | 0:23:54 | 0:23:56 | |
-A girl can't paint for a living. That's fair how? -It's not. | 0:24:11 | 0:24:15 | |
My mum and dad say it's an impossible dream. | 0:24:15 | 0:24:18 | |
A fantasy. They even arranged a marriage to make me see sense. | 0:24:18 | 0:24:22 | |
-Who to? -I didn't stick around to find out. | 0:24:22 | 0:24:25 | |
Are you going to report me? | 0:24:27 | 0:24:29 | |
Come here. | 0:24:29 | 0:24:31 | |
We can't trust her. Once a thief, always a thief. | 0:24:33 | 0:24:36 | |
-That's harsh. -Verrocchio could be closed down. -He's right. | 0:24:36 | 0:24:39 | |
-And it's ridiculous, a girl artist! -Why, if she has talent? | 0:24:39 | 0:24:45 | |
It just is. She should put her talent to more suitable use. | 0:24:45 | 0:24:48 | |
-Embroidery. -Rigid conformity! -Very funny. -What do you think, Mac? | 0:24:48 | 0:24:52 | |
-Things will be more interesting with her in the picture. -Yeah. | 0:24:52 | 0:24:56 | |
-Lorenzo? -All right, but I think you're both mad. | 0:24:56 | 0:24:59 | |
What's your name - your real name? | 0:25:02 | 0:25:04 | |
-Lisa. -Lisa. | 0:25:05 | 0:25:07 | |
You're in. | 0:25:11 | 0:25:13 | |
We'll keep your secret. | 0:25:13 | 0:25:14 | |
Oh, grazie, grazie! | 0:25:15 | 0:25:18 | |
You're officially now one of the boys. | 0:25:19 | 0:25:21 | |
Right, now can I have a go on the velocerotor? | 0:25:22 | 0:25:25 | |
-Can't you think of a better name? -That's what I told him. | 0:25:28 | 0:25:31 | |
-Bi-cycle. -Bicycle, that's not bad. | 0:25:31 | 0:25:36 | |
-Bicycle. -Hey, Lorenzo! | 0:25:38 | 0:25:40 | |
-Watch out where you're going with my bi... -Aargh! | 0:25:40 | 0:25:44 | |
THEY LAUGH | 0:25:44 | 0:25:45 | |
Is he all right? | 0:25:45 | 0:25:46 | |
Shut up! | 0:25:47 | 0:25:48 | |
KNOCK ON DOOR | 0:25:57 | 0:25:58 | |
Entry. | 0:25:58 | 0:25:59 | |
What is it, Lorenzo? | 0:26:01 | 0:26:03 | |
This may sound strange, Papa. | 0:26:04 | 0:26:07 | |
Intriguing. You have my full attention. | 0:26:07 | 0:26:10 | |
I don't suppose you've heard of any secret, sinister societies | 0:26:11 | 0:26:17 | |
down in the catacombs? | 0:26:17 | 0:26:19 | |
Men in hoods, chanting, | 0:26:19 | 0:26:20 | |
that kind of thing? | 0:26:20 | 0:26:23 | |
What makes you ask? | 0:26:23 | 0:26:24 | |
Just some rumour I heard. | 0:26:24 | 0:26:26 | |
Some backward peasant disseminating superstitious nonsense. | 0:26:26 | 0:26:31 | |
-It's hardly likely, is it? -No. | 0:26:31 | 0:26:34 | |
No. But, then again, this is Florence. | 0:26:34 | 0:26:38 | |
Anything is possible. | 0:26:38 | 0:26:40 | |
CLICK | 0:27:21 | 0:27:23 | |
HINGES CREAK | 0:27:23 | 0:27:25 | |
Subtitles by Red Bee Media Ltd | 0:27:55 | 0:27:56 | |
E-mail subtitling@bbc.co.uk | 0:27:56 | 0:27:58 |