Browse content similar to Something Wicked. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-We admired your work in Masseto. -I'm flattered. | 0:01:18 | 0:01:22 | |
But Florence is a big city. Will your style work here? | 0:01:22 | 0:01:27 | |
Fear works anywhere. | 0:01:27 | 0:01:29 | |
Very good. | 0:01:29 | 0:01:32 | |
Ten thousand florins. That's a lot of money. | 0:01:34 | 0:01:38 | |
One thousand for you, | 0:01:38 | 0:01:39 | |
nine thousand to buy weapons. The nastier the better. | 0:01:39 | 0:01:43 | |
What do you want them for? | 0:01:47 | 0:01:48 | |
I could tell you, but then I really would have to kill you. | 0:01:48 | 0:01:51 | |
How am I supposed to paint her if she never looks up? | 0:02:03 | 0:02:06 | |
Great picture for the groom, the faceless bride. | 0:02:06 | 0:02:10 | |
She's such a misery guts. I feel sorry for him. | 0:02:10 | 0:02:13 | |
As I said, I have a church mural to complete out of town, | 0:02:14 | 0:02:18 | |
but my apprentices will do a fine job. | 0:02:18 | 0:02:20 | |
-And they're cheap. -The rest of you, | 0:02:20 | 0:02:23 | |
hurry up and get your things. You're working with me. | 0:02:23 | 0:02:25 | |
Fine job? She hasn't got a face. | 0:02:25 | 0:02:28 | |
-Mi scusi, Signore. We need to get the Signorina to look up. -Do we? | 0:02:28 | 0:02:33 | |
Signore, please! It's our fault, we weren't clear in our instruction. | 0:02:38 | 0:02:44 | |
The payment, Signore. Half now and half upon completion. | 0:02:46 | 0:02:50 | |
Would you step this way? | 0:02:50 | 0:02:52 | |
-You can't seriously be marrying that man? -Tomaso. | 0:02:54 | 0:02:57 | |
-Leave it. -This is the 1460s. You can marry who you like. | 0:02:57 | 0:03:01 | |
Leave me alone and finish your painting. | 0:03:01 | 0:03:03 | |
Attenzione, imbecille. | 0:03:14 | 0:03:17 | |
Mac? You all right? | 0:03:46 | 0:03:48 | |
Do you know him? | 0:03:48 | 0:03:51 | |
Never seen him before in my life. | 0:03:52 | 0:03:54 | |
-Look, you go in. I'll be back in a while. -OK. | 0:03:55 | 0:03:59 | |
She can't marry him! He's old and hideous and hateful. | 0:04:06 | 0:04:10 | |
A big fat toad. | 0:04:10 | 0:04:13 | |
-A big fat bullying toad. -But it's who her father's chosen. | 0:04:13 | 0:04:16 | |
Oh, right, so that's OK, is it? We just have to marry any old thing, | 0:04:16 | 0:04:22 | |
however gross they are. What we want doesn't matter. | 0:04:22 | 0:04:24 | |
You have to accept the wishes of your parents. What?! | 0:04:24 | 0:04:28 | |
Oh, because of her arranged marriage thingy. | 0:04:28 | 0:04:32 | |
She's right. No-one should have to marry him. He's evil. | 0:04:32 | 0:04:35 | |
His name is Lucio Zangari. | 0:04:36 | 0:04:38 | |
New in town, but famous in a village called Masseto. | 0:04:38 | 0:04:41 | |
He lends money and when people can't repay him, | 0:04:41 | 0:04:43 | |
does terrible things to them and their homes. | 0:04:43 | 0:04:46 | |
If people borrow money, they should pay it back. | 0:04:46 | 0:04:48 | |
He beats them, takes everything they own, torches their houses. | 0:04:48 | 0:04:53 | |
Is that how things work at your daddy's bank, Lorenzo? | 0:04:53 | 0:04:56 | |
I don't want to work for him. I don't want to paint that girl. | 0:04:56 | 0:05:00 | |
Petronella Conti. Her father owed him money, | 0:05:00 | 0:05:03 | |
so Lucio made him an offer - your daughter or prison. | 0:05:03 | 0:05:06 | |
-Her dad sold her to Lucio?! -No. | 0:05:06 | 0:05:09 | |
The father chose prison, but Petronella insisted on the marriage. | 0:05:09 | 0:05:13 | |
-To save her father. -Mm-hm. -So we have to save her. | 0:05:13 | 0:05:18 | |
-How? -We have to get the money, pay Lucio back. Then she'll be free. | 0:05:18 | 0:05:22 | |
-Look, we shouldn't interfere. -Leo? What if it was me? | 0:05:22 | 0:05:27 | |
-Tom's right. We can't ignore this. We have to stop him. -I agree. | 0:05:30 | 0:05:33 | |
But you lot have to stay out of it. He's dangerous. I'll deal with him. | 0:05:33 | 0:05:38 | |
-On your own? -You seem to know a lot about him. | 0:05:38 | 0:05:41 | |
Are you sure you don't know him? | 0:05:41 | 0:05:42 | |
-I told you, no. -Then what's in it for you? | 0:05:42 | 0:05:45 | |
Oh, you know me, damsel in distress and all that. | 0:05:45 | 0:05:48 | |
-I live to serve others. -You're not doing it alone, Mac, no way. | 0:05:48 | 0:05:51 | |
We're in this together, right? | 0:05:52 | 0:05:54 | |
Lorenzo? | 0:05:56 | 0:05:57 | |
-Course. -We're going to free Petronella. | 0:05:57 | 0:06:01 | |
-And we're going to make him give back all the money he's taken. Si? -Si. | 0:06:01 | 0:06:04 | |
-Have you got a plan? -No. | 0:06:04 | 0:06:07 | |
But we can invent one. | 0:06:07 | 0:06:09 | |
-That's the one. -Mm-hm. | 0:06:25 | 0:06:28 | |
THEY CLEAR THEIR THROATS | 0:06:30 | 0:06:32 | |
Look, a perfect gold bar. | 0:06:42 | 0:06:45 | |
Good, isn't it? Shall I help with the painting now? | 0:06:45 | 0:06:49 | |
You're doing such a fantastic job, why not stick with the gold bars? | 0:06:49 | 0:06:53 | |
Wow. Can't believe you can do this from memory. | 0:06:59 | 0:07:02 | |
Make the eyes a slightly steelier blue, a bit more cobalt. | 0:07:06 | 0:07:09 | |
So...sorry, just explain it again. We're going to trick Lucio | 0:07:09 | 0:07:13 | |
out of his money, by making him think we can turn lead into gold. | 0:07:13 | 0:07:17 | |
Erm...forgot what it's called. | 0:07:17 | 0:07:19 | |
-Alchemy? -Alchemy. | 0:07:19 | 0:07:20 | |
Hang on, what's with all the forged paintings? | 0:07:20 | 0:07:23 | |
We need to soften him up, reel him in, | 0:07:23 | 0:07:25 | |
make him feel he's missed out on a get-rich-quick scheme. | 0:07:25 | 0:07:28 | |
Then when the next one comes, he'll grab it. | 0:07:28 | 0:07:31 | |
But we can't let him get close - he'd tell the difference. | 0:07:31 | 0:07:34 | |
So we need a real gold bar for the alchemy part. | 0:07:34 | 0:07:37 | |
-Good luck with that! -LORENZO SNIGGERS | 0:07:37 | 0:07:39 | |
You know what to do? Make it look like you don't want him to see them. | 0:07:45 | 0:07:49 | |
Yeah, we know. We're not stupid. | 0:07:49 | 0:07:50 | |
Presto! They're coming. | 0:07:50 | 0:07:52 | |
-So I'll see you outside the gallery. Phase two. -All right. | 0:07:54 | 0:07:57 | |
Smile, you're getting married. | 0:07:57 | 0:07:59 | |
Should be on your knees with gratitude, girl. | 0:07:59 | 0:08:02 | |
I'm rescuing you from your loser of a father. | 0:08:02 | 0:08:04 | |
Two pictures the same! | 0:08:07 | 0:08:10 | |
Yeah. Practice pieces. | 0:08:10 | 0:08:14 | |
Copying the work of great masters in order to improve. | 0:08:14 | 0:08:17 | |
Signorina's portrait will be finished tomorrow. | 0:08:17 | 0:08:20 | |
Well, it better be! The wedding's at noon and I want it there. | 0:08:20 | 0:08:25 | |
Very classy to have a portrait of your bride. | 0:08:25 | 0:08:28 | |
I want the whole of Florence to see what sort of man I am. | 0:08:28 | 0:08:32 | |
That'll give them something to look forward to. | 0:08:34 | 0:08:36 | |
Just get it finished. | 0:08:36 | 0:08:40 | |
Smile! | 0:08:40 | 0:08:42 | |
Excuse me, I-I was wondering if you could help us? | 0:08:57 | 0:09:01 | |
I'm Lorenzo de' Medici. Oh, don't worry about all that, my good man. | 0:09:03 | 0:09:08 | |
-My friend is an artist... -Buon giorno. | 0:09:08 | 0:09:10 | |
..who my family have commissioned | 0:09:10 | 0:09:12 | |
to do a series of paintings on ancient kings of Rome. | 0:09:12 | 0:09:15 | |
It would be a real help if we had a real-life model. | 0:09:15 | 0:09:17 | |
-You, Signore, have a very noble and indeed a very... -King-like! -..face. | 0:09:17 | 0:09:24 | |
Would you mind posing whilst my friend draws a few little sketches? | 0:09:25 | 0:09:29 | |
Well, er, make it quick. | 0:09:29 | 0:09:31 | |
You would make a great Tarquinius Priscus. | 0:09:33 | 0:09:36 | |
He was the fifth king, you know. | 0:09:37 | 0:09:39 | |
No, don't move! Don't move. | 0:10:01 | 0:10:03 | |
I've so nearly captured that magnificent nose. Very impressive. | 0:10:03 | 0:10:09 | |
In a bit more profile... | 0:10:13 | 0:10:14 | |
Eccellente. Finito. | 0:10:22 | 0:10:24 | |
Thank you very much. You've been ever so helpful. | 0:10:24 | 0:10:26 | |
Give the man one of the portraits to show him our gratitude. | 0:10:26 | 0:10:30 | |
You never know, might be worth a fortune one day! | 0:10:30 | 0:10:32 | |
That was incredible! | 0:10:43 | 0:10:45 | |
We stole a painting! When are we putting it back? | 0:10:45 | 0:10:48 | |
Soon, really soon, Lorenzo. | 0:10:48 | 0:10:50 | |
Lucio wants the picture at the wedding. | 0:10:54 | 0:10:56 | |
-If I paint really slowly, I might delay it. -I wish you could stop it. | 0:10:56 | 0:11:01 | |
-Maybe we can. -You know, I wasn't always such a misery guts. | 0:11:04 | 0:11:07 | |
-No-one said you were. -I used to make Papa laugh all the time. | 0:11:07 | 0:11:11 | |
-Once I hid his boots in... -DOOR OPENS | 0:11:11 | 0:11:13 | |
The whole of Florence is talking about a stolen painting - | 0:11:13 | 0:11:16 | |
a masterpiece, the one you did copies of. | 0:11:16 | 0:11:18 | |
No, you must be mistaken, that was a different painting. | 0:11:18 | 0:11:23 | |
Don't lie to me, boy. I want a copy... | 0:11:23 | 0:11:26 | |
to sell as the original. | 0:11:26 | 0:11:28 | |
You're too late. That's what my boss does. I gave him the copies. | 0:11:32 | 0:11:36 | |
-Old Viddochio? -Verrocchio. -Whatever. | 0:11:36 | 0:11:39 | |
-No, my real boss. Niccolo Depornado. -I want to meet him | 0:11:39 | 0:11:44 | |
and you're going to take me. | 0:11:44 | 0:11:46 | |
-No. No way. He would kill me. -And I'll kill you if you don't. | 0:11:46 | 0:11:49 | |
Be careful of the brocade on the doublet. It snags very easily. | 0:12:05 | 0:12:08 | |
-Your mama's away in the country with the servants, yes? -Yes. | 0:12:08 | 0:12:12 | |
So it's just your dad to keep out of the way. | 0:12:12 | 0:12:14 | |
Any chance you can get him to show you round the bank? | 0:12:14 | 0:12:17 | |
Oh, good idea. Papa wants me to take an interest in the family business. | 0:12:17 | 0:12:21 | |
Good. While you're there you can pinch me a gold bar. | 0:12:21 | 0:12:24 | |
Living with that pig, day in, day out. | 0:12:27 | 0:12:31 | |
I couldn't do it. I know I couldn't do it. | 0:12:31 | 0:12:33 | |
-Well, I love my father. -So do I. That's not what I'm saying. | 0:12:33 | 0:12:38 | |
I deserve a life, don't I? My own life. | 0:12:38 | 0:12:41 | |
I mean, girls...like you...deserve to live your own lives, | 0:12:43 | 0:12:46 | |
make your own choices. | 0:12:46 | 0:12:49 | |
HE CLEARS HIS THROAT | 0:12:58 | 0:13:00 | |
-Master Zangari, Signore. -Incantato. But I don't remember inviting you. | 0:13:00 | 0:13:08 | |
-I know what your game is. -I can't think what you mean. | 0:13:08 | 0:13:12 | |
Don't give me that lah-di-dah act, just because you got all this. | 0:13:12 | 0:13:16 | |
You're a crook. | 0:13:16 | 0:13:17 | |
You're selling forgeries of the stolen painting to art collectors. | 0:13:17 | 0:13:21 | |
-Very fine people. -Who think it's real. | 0:13:21 | 0:13:23 | |
I want in. | 0:13:24 | 0:13:26 | |
You want my silence, you give me a copy. | 0:13:28 | 0:13:32 | |
I'm a respected and enormously wealthy member of Florence's elite. | 0:13:33 | 0:13:38 | |
And you are? | 0:13:38 | 0:13:40 | |
Well, who are you exactly? | 0:13:40 | 0:13:42 | |
I've got money. I've got connections. | 0:13:43 | 0:13:46 | |
The point is, is anyone likely to believe such a story? | 0:13:46 | 0:13:51 | |
The point is, are you willing to take that risk? | 0:13:51 | 0:13:56 | |
Well, that's the last one... | 0:13:59 | 0:14:02 | |
and it's sold, | 0:14:02 | 0:14:04 | |
which leaves us with a bit of a stand-off. | 0:14:04 | 0:14:06 | |
All right. | 0:14:09 | 0:14:10 | |
I'll take a gold bar. | 0:14:12 | 0:14:14 | |
I'm delighted you're taking an interest in the bank, Lorenzo. | 0:14:23 | 0:14:26 | |
Erm, it's about time I learned. In a few years I may well be running it. | 0:14:26 | 0:14:31 | |
Indeed. Well, maybe you should know a little about its illustrious history. | 0:14:31 | 0:14:35 | |
In 1397, our ancestor, Giovanni di Bicci de' Medici, | 0:14:35 | 0:14:39 | |
moved the headquarters of his bank to Florence. | 0:14:39 | 0:14:42 | |
Give him a gold bar. | 0:14:43 | 0:14:45 | |
It's not like we'll miss one. | 0:14:48 | 0:14:50 | |
Are you forging gold as well as the paintings? | 0:14:50 | 0:14:53 | |
-The gold isn't forged. -What then? | 0:14:53 | 0:14:57 | |
Maybe I just have the Midas touch. | 0:14:57 | 0:14:59 | |
We now have branches in all the major cities | 0:15:02 | 0:15:05 | |
and we operate a general ledger system. | 0:15:05 | 0:15:08 | |
There's a master book, if you will, in which we, erm...in which we... | 0:15:08 | 0:15:14 | |
In which we...erm... Would you excuse me for a moment, Lorenzo? | 0:15:14 | 0:15:17 | |
-What are you doing? -Em...holding a gold bar. | 0:15:31 | 0:15:38 | |
Feeling the weight. Letting it inspire me. | 0:15:38 | 0:15:43 | |
It's worth 5,000 florins. Does that make it seem heavier? | 0:15:43 | 0:15:47 | |
Erm...no, it weighs as much as it always did. | 0:15:49 | 0:15:54 | |
Spoken like a Medici! | 0:15:54 | 0:15:55 | |
-Thank you, Papa. -Take it, keep it under your pillow. | 0:15:55 | 0:15:58 | |
Learn the weight, the smell, the texture. | 0:15:58 | 0:16:01 | |
Real gold smells. Did you know that? | 0:16:01 | 0:16:05 | |
-Come on. Andiamo. -Where are we going? -Home. | 0:16:07 | 0:16:12 | |
Already? But I was so enjoying the story... | 0:16:12 | 0:16:14 | |
You need lots of money to make this kind of gold. | 0:16:15 | 0:16:18 | |
It's way out of your league. | 0:16:18 | 0:16:20 | |
I told you, I have plenty of money. | 0:16:20 | 0:16:23 | |
10,000 florins. See? | 0:16:23 | 0:16:26 | |
-I'm impressed. -So you should be. | 0:16:26 | 0:16:30 | |
You leave me no choice. | 0:16:30 | 0:16:32 | |
There's a scientist. | 0:16:32 | 0:16:34 | |
She takes molten lead | 0:16:34 | 0:16:35 | |
and passes it over a stone called lapis philosophorum. | 0:16:35 | 0:16:39 | |
-Turns lead into gold. -Alchemy? | 0:16:39 | 0:16:41 | |
Exactly. | 0:16:41 | 0:16:42 | |
I thought it was impossible. | 0:16:42 | 0:16:45 | |
The stone is expensive and rare, | 0:16:55 | 0:16:58 | |
but each stone can make 30, even 40 gold bars. | 0:16:58 | 0:17:03 | |
Our buyer for the painting, he's here. | 0:17:03 | 0:17:06 | |
You need to buy one of the stones | 0:17:08 | 0:17:09 | |
-for the alchemist to do her magic. -I told you, no problem. | 0:17:09 | 0:17:12 | |
Master, the BUYER is at the gates. | 0:17:12 | 0:17:15 | |
My boy will show you to the alchemist this evening. Now, | 0:17:15 | 0:17:19 | |
if you don't mind? | 0:17:19 | 0:17:20 | |
-We're home! -Lorenzo, why are you shouting? -Just excited to be back. | 0:17:28 | 0:17:32 | |
No need to shout about it. | 0:17:32 | 0:17:34 | |
-Shut those doors, Lorenzo. -Yes, Father. | 0:17:42 | 0:17:44 | |
-GOLD BAR CLANGS TO THE FLOOR -Ow! | 0:17:56 | 0:17:59 | |
For pity's sake, boy. I tell you to learn its value | 0:17:59 | 0:18:01 | |
and the first thing you do is drop it! | 0:18:01 | 0:18:03 | |
-My toe, Father, my poor toe! -Let's see. -Oh... | 0:18:03 | 0:18:08 | |
-Oooh, ow! -Oh, don't be such a baby. | 0:18:21 | 0:18:22 | |
It's not broken. You'll live. | 0:18:22 | 0:18:27 | |
The plate sits deep in the barrel. | 0:18:34 | 0:18:38 | |
-And you put the clay mould full of lead here, OK? -Mm-hm. | 0:18:40 | 0:18:44 | |
And then the plate will spin | 0:18:44 | 0:18:46 | |
and the clay mould with the gold in it will be on top. | 0:18:46 | 0:18:49 | |
We really are turning lead into gold. | 0:18:49 | 0:18:52 | |
Right, I'll do the jokes. | 0:18:52 | 0:18:53 | |
Whatever happens, we can't lose this gold bar. | 0:18:53 | 0:18:59 | |
What gold bar? | 0:19:01 | 0:19:02 | |
Ah-ha-ha-ha! | 0:19:05 | 0:19:07 | |
-Grazie, Grazie. -Very good. | 0:19:07 | 0:19:09 | |
THEY LAUGH | 0:19:09 | 0:19:11 | |
An exact quantity of lead is heated into liquid. | 0:19:15 | 0:19:21 | |
LIQUID BUBBLES AND HISSES | 0:19:59 | 0:20:01 | |
It's... It's pure gold! | 0:20:33 | 0:20:36 | |
HE LAUGHS | 0:20:36 | 0:20:38 | |
-Here, make some more. -I can't. | 0:20:40 | 0:20:45 | |
This lapis philosophorum is small | 0:20:45 | 0:20:52 | |
-and its properties are worn away now. -So how do I get a stone? | 0:20:52 | 0:20:58 | |
If you have ten thousand florins, my supplier can deliver tomorrow. | 0:21:04 | 0:21:08 | |
All right. But you just make sure it's a big stone. | 0:21:08 | 0:21:13 | |
-I thought we could use this for the lapis. -No, it has to be this one. | 0:21:19 | 0:21:23 | |
Oh, OK, but I don't know why. Mine's much shinier... | 0:21:23 | 0:21:26 | |
-Just do as I say, Lorenzo! -All right, keep your hair on! | 0:21:26 | 0:21:29 | |
-But can we at least take the stolen painting back now? -No, not yet. | 0:21:29 | 0:21:33 | |
It might come in useful. | 0:21:33 | 0:21:36 | |
Market place, just before noon. | 0:21:51 | 0:21:53 | |
Man in the bright red jacket. | 0:21:53 | 0:21:58 | |
You look miserable. Why? | 0:22:14 | 0:22:16 | |
You're going up in the world. You're marrying me. | 0:22:16 | 0:22:20 | |
Ah, the happy couple. | 0:22:23 | 0:22:25 | |
I believe a final payment is due. | 0:22:27 | 0:22:30 | |
That's me robbed. | 0:22:49 | 0:22:51 | |
You, be at the church by noon. | 0:22:52 | 0:22:55 | |
Wait! You forgot the painting! | 0:22:55 | 0:22:57 | |
She can bring it. I've got business. | 0:22:57 | 0:22:59 | |
-But it has to be you! -Why? | 0:22:59 | 0:23:01 | |
Well, because... | 0:23:01 | 0:23:03 | |
It's heavy and... | 0:23:05 | 0:23:06 | |
erm... | 0:23:06 | 0:23:07 | |
And if Lucio Zangari were to be seen by the priest, | 0:23:07 | 0:23:13 | |
or the grand people of Florence, | 0:23:13 | 0:23:15 | |
making his bride carry her own portrait to her own wedding, | 0:23:15 | 0:23:19 | |
what would they think? | 0:23:19 | 0:23:20 | |
Don't you ever question me again! | 0:23:23 | 0:23:26 | |
-You look vile. -Well, thanks very... -DOOR OPENS | 0:23:38 | 0:23:42 | |
Is this him? | 0:23:51 | 0:23:52 | |
He has the stone, yes. | 0:23:52 | 0:23:55 | |
-He's a bit young. -It's a young science. | 0:23:55 | 0:23:58 | |
If my age prevents you completing the transaction, so be it. | 0:23:58 | 0:24:02 | |
-No, no, no. I want that stone. -And I want ten thousand florins. | 0:24:02 | 0:24:08 | |
HE CHUCKLES | 0:24:24 | 0:24:27 | |
I'll be back tonight. | 0:24:28 | 0:24:31 | |
-I think we just did it. -Ten thousand florins. | 0:24:40 | 0:24:43 | |
I can explain! This is not the painting I commissioned! | 0:25:01 | 0:25:05 | |
I commissioned a painting of my wife! | 0:25:05 | 0:25:07 | |
It's done. He's been arrested. | 0:26:04 | 0:26:07 | |
For theft. | 0:26:07 | 0:26:08 | |
Oh, I get it! That's why we hung on to the stolen painting. | 0:26:08 | 0:26:12 | |
Ding, ding! Give that man a bar of gold! | 0:26:12 | 0:26:14 | |
-What will happen to him? -Tried, imprisoned, banished. Who cares? | 0:26:14 | 0:26:19 | |
He's not got enough money to buy his way out. | 0:26:19 | 0:26:21 | |
-And speaking of money... -Of course, there you go. | 0:26:21 | 0:26:26 | |
-It's all yours. -I can't thank you enough. | 0:26:27 | 0:26:31 | |
-That money will rebuild lives, homes... -Sure will! | 0:26:31 | 0:26:35 | |
Eight thousand florins goes a long way. | 0:26:35 | 0:26:37 | |
Actually, Petronella... it's TEN thousand. | 0:26:37 | 0:26:41 | |
MAC CLEARS HIS THROAT | 0:26:44 | 0:26:47 | |
So it is. | 0:26:48 | 0:26:50 | |
Eight, ten, sounds the same when you say it quickly. | 0:26:50 | 0:26:54 | |
THEY LAUGH | 0:26:54 | 0:26:56 | |
I don't know what to say. I think you might have saved my life. | 0:26:56 | 0:27:00 | |
It's worth saving. | 0:27:00 | 0:27:02 | |
I wish I was more like you. I've never met anyone as good, as brave. | 0:27:02 | 0:27:07 | |
I'm not brave. Not really. | 0:27:07 | 0:27:10 | |
We all do extraordinary things for what we love. Especially you. | 0:27:10 | 0:27:15 | |
Sacrificing who you are for your love of painting. | 0:27:15 | 0:27:19 | |
-How did you know? -Don't worry. | 0:27:19 | 0:27:22 | |
Papa! | 0:27:30 | 0:27:31 | |
# The door slammed loud and rose up a cloud of dust on us | 0:27:49 | 0:27:56 | |
# Footsteps follow, down through the hollow sound, torn up... # | 0:27:56 | 0:28:02 | |
Subtitles by Red Bee Media Ltd | 0:28:02 | 0:28:05 | |
E-mail [email protected] | 0:28:05 | 0:28:08 |