Browse content similar to Can I Believe My Eyes?. Check below for episodes and series from the same categories and more!
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-Hello! -Ssh! Don't make any sudden loud noises. | 0:00:09 | 0:00:13 | |
This could all come tumbling down like a house of cards. | 0:00:13 | 0:00:16 | |
-It IS a house of cards. -Oh, yeah. Well, exactly like a house of cards. | 0:00:16 | 0:00:21 | |
The glue hasn't set yet. | 0:00:21 | 0:00:22 | |
(OK.) | 0:00:22 | 0:00:24 | |
Oh, wow, that's amazing! | 0:00:27 | 0:00:30 | |
Ssh! ..What?! | 0:00:30 | 0:00:32 | |
I've found a breakfast brioche with my face on it. | 0:00:32 | 0:00:37 | |
I suppose it does look a bit like you, yes. | 0:00:37 | 0:00:39 | |
This must be some sort of sign. | 0:00:39 | 0:00:41 | |
Perhaps I'm destined to...to... | 0:00:41 | 0:00:45 | |
EAT this slice of breakfast brioche. | 0:00:45 | 0:00:49 | |
It's a miracle! | 0:00:49 | 0:00:51 | |
It's not a miracle. It's just a quirk of the baking process. | 0:00:51 | 0:00:55 | |
It's not actually your face. It just looks like it. | 0:00:55 | 0:00:58 | |
It is! It's me, look! | 0:00:58 | 0:00:59 | |
It's an exact representation of all my facial features... | 0:00:59 | 0:01:03 | |
-of BOTH my facial features. -It is not. | 0:01:03 | 0:01:07 | |
You thought you saw the face of Wayne Rooney in a corned-beef sandwich. | 0:01:07 | 0:01:12 | |
That was very life-like. | 0:01:12 | 0:01:14 | |
-It was just a piece of corned beef. -Like I say, it was very life-like. | 0:01:14 | 0:01:18 | |
Well, you can't always believe your eyes, Little Howard. | 0:01:18 | 0:01:21 | |
Don't make any sudden loud movements | 0:01:21 | 0:01:23 | |
and don't let off that blooming klaxon... | 0:01:23 | 0:01:26 | |
KLAXON BLARES | 0:01:26 | 0:01:27 | |
Ah, Little Howard has come up with another of my BI-I-IG questions! | 0:01:27 | 0:01:33 | |
-Can I believe my eyes? -I do wish you wouldn't do that. | 0:01:33 | 0:01:37 | |
KLAXON BLARES | 0:01:39 | 0:01:41 | |
'Coming next on Radio 4, The Archers. | 0:01:45 | 0:01:48 | |
'This week in 3D...' | 0:01:48 | 0:01:50 | |
KLAXON BLARES | 0:01:50 | 0:01:53 | |
# I love monkeys, I love monkeys | 0:01:54 | 0:01:57 | |
# All those happy, little, chirpy, little monkeys | 0:01:57 | 0:02:01 | |
# With their tails and their bananas | 0:02:01 | 0:02:04 | |
# I think that if we all were monkeys, we'd have happier mananas | 0:02:04 | 0:02:07 | |
# Give me monkeys, lots of monkeys | 0:02:07 | 0:02:10 | |
# For you know that it's the monkeys I adore | 0:02:10 | 0:02:13 | |
# If my love said that she did not love those monkeys | 0:02:13 | 0:02:17 | |
# I wouldn't love her any more. # | 0:02:17 | 0:02:20 | |
The interesting thing is, we can only afford one dancing monkey, | 0:02:22 | 0:02:26 | |
but thanks to the magic of telly, | 0:02:26 | 0:02:28 | |
you can see loads of them doing several different monkey dances. | 0:02:28 | 0:02:32 | |
But there is only one monkey in real life. | 0:02:32 | 0:02:36 | |
-I'm not one monkey! -Yes, you are. | 0:02:36 | 0:02:38 | |
It's such a convincing illusion, you think you're separate monkeys. | 0:02:38 | 0:02:42 | |
-It's a load of rubbish. -Shut up, you're all one monkey! | 0:02:42 | 0:02:46 | |
Why can't you just tinkle on a little bell? | 0:02:51 | 0:02:54 | |
It would go rusty. | 0:02:54 | 0:02:56 | |
I can answer your big question pretty quickly, Little Howard. | 0:02:56 | 0:02:59 | |
You can't always believe your eyes. | 0:02:59 | 0:03:01 | |
For example, that is not your face on that breakfast brioche, | 0:03:01 | 0:03:04 | |
and also...look! | 0:03:04 | 0:03:06 | |
DRUM ROLL | 0:03:06 | 0:03:08 | |
Wow! You pulled a pound out of my ear! | 0:03:08 | 0:03:11 | |
I can believe my eyes! | 0:03:11 | 0:03:13 | |
-Just a little trick my funny Uncle Roy showed me. -That is amazing. | 0:03:13 | 0:03:17 | |
-How did you do it? -Oh, I couldn't possibly tell you that. | 0:03:17 | 0:03:21 | |
That's strictly against the code of the League of the Funny Uncles. | 0:03:21 | 0:03:25 | |
My Uncle Roy told me about them. | 0:03:25 | 0:03:26 | |
They're the keepers of the secrets of uncle magic. | 0:03:26 | 0:03:29 | |
What's uncle magic? | 0:03:29 | 0:03:31 | |
Well, uncle magic is the magic tricks that people's uncles play on them. | 0:03:31 | 0:03:35 | |
Some people call it rubbish magic but I think that's unfair. | 0:03:35 | 0:03:38 | |
I'm thinking of working some uncle magic into our theatre show. | 0:03:38 | 0:03:42 | |
-Here we go. ..Ow! -What are you doing?! | 0:03:42 | 0:03:44 | |
Stop! | 0:03:44 | 0:03:46 | |
-Give me that back. My head is obviously full of money. -It isn't. | 0:03:47 | 0:03:52 | |
I didn't pull a coin out of your ear. It's a trick. | 0:03:52 | 0:03:54 | |
You're saying that cos you want the treasure for yourself. | 0:03:54 | 0:03:58 | |
I'll tell you how I did it, then. | 0:03:58 | 0:04:00 | |
You said you couldn't break the code of the League of Funny Uncles. | 0:04:00 | 0:04:04 | |
Uncle Roy made that up. What's the worst that can happen? ..There we go. | 0:04:04 | 0:04:09 | |
Right. So, there's a reserve of pound coins in the elbow of the false arm, | 0:04:13 | 0:04:19 | |
and when I want to eject a coin, I simply press the index finger | 0:04:19 | 0:04:23 | |
and a jet of compressed air fires the coin up the forearm | 0:04:23 | 0:04:27 | |
at approximately 64mph. It comes out of a slot in the wrist | 0:04:27 | 0:04:30 | |
and into the fingers of the hand, thus. | 0:04:30 | 0:04:34 | |
I'm sure there's a much simpler way of doing it than that. | 0:04:34 | 0:04:37 | |
It didn't come out of your ear. It just looked like it did. | 0:04:37 | 0:04:40 | |
-So I can't believe my eyes OR my ears? -Not always, no. | 0:04:40 | 0:04:46 | |
DOORBELL RINGS Who can that be? | 0:04:46 | 0:04:49 | |
-Uncle Roy! -Hello, young Big Howard. -BUZZING | 0:04:55 | 0:04:58 | |
-Argh! ..Hand buzzer! Brilliant! -Thank goodness you're safe. | 0:04:58 | 0:05:02 | |
Why wouldn't I be safe? | 0:05:02 | 0:05:04 | |
And why are you in our bin? | 0:05:04 | 0:05:06 | |
I'm in your bin because you're in...grave danger. | 0:05:06 | 0:05:08 | |
And this belongs in the recycling. Come on, get inside! | 0:05:08 | 0:05:12 | |
Stop that! | 0:05:20 | 0:05:21 | |
-Who's this? -This is my Uncle Roy. | 0:05:21 | 0:05:25 | |
-Argh! -He was my favourite uncle when I was a kid. | 0:05:25 | 0:05:28 | |
I told you about him. Always full of jokes and tricks. | 0:05:28 | 0:05:31 | |
PHWRRRRRT! See? | 0:05:31 | 0:05:33 | |
HE LAUGHS Hilarious! | 0:05:33 | 0:05:34 | |
He's the one that taught me the coin-out-the-ear trick. | 0:05:34 | 0:05:37 | |
I'm sure there's an easier way of doing it than that. | 0:05:37 | 0:05:40 | |
You haven't told him how it's done, have you? | 0:05:40 | 0:05:44 | |
Er...well... | 0:05:44 | 0:05:46 | |
Shuddering turnips! | 0:05:46 | 0:05:48 | |
No wonder he's after you. | 0:05:48 | 0:05:50 | |
Who's after us? | 0:05:50 | 0:05:52 | |
The Uncle With No Name. | 0:05:53 | 0:05:57 | |
Who? | 0:05:57 | 0:06:00 | |
He's a renegade magician from the League of Funny Uncles. | 0:06:00 | 0:06:04 | |
I thought you said they were made up! | 0:06:04 | 0:06:06 | |
Oh, no, they're very real. | 0:06:06 | 0:06:09 | |
And they take it very seriously | 0:06:09 | 0:06:11 | |
when someone gives away the secrets of uncle magic. | 0:06:11 | 0:06:15 | |
The Uncle With No Name takes it ridiculously seriously... | 0:06:15 | 0:06:19 | |
VERY ridiculously seriously indeed. | 0:06:19 | 0:06:24 | |
What does he do? | 0:06:24 | 0:06:26 | |
I can't tell you that. Are you trying to get us all killed? | 0:06:26 | 0:06:30 | |
If he hears of anyone explaining the secrets of uncle magic, | 0:06:30 | 0:06:34 | |
he rains down a terrible vengeance. | 0:06:34 | 0:06:38 | |
Are they the ants that built Stonehenge? | 0:06:38 | 0:06:41 | |
No, boy, the ants that built Stonehenge are henge ants. | 0:06:41 | 0:06:45 | |
Right! Vengeance means revenge and, for the record, | 0:06:45 | 0:06:49 | |
-Stonehenge was not built by ants. -Wasn't it? | 0:06:49 | 0:06:54 | |
No, it was probably built by Druids. | 0:06:54 | 0:06:56 | |
-Oh! -How do you know it wasn't built | 0:06:56 | 0:06:58 | |
by millions of ants dressed like Druids? | 0:06:58 | 0:07:01 | |
You are quickly becoming my SECOND favourite uncle after Uncle Pete, | 0:07:01 | 0:07:05 | |
and he ran over my dog. PHWRRRRT! | 0:07:05 | 0:07:08 | |
Third favourite. | 0:07:08 | 0:07:10 | |
-HOWARD CHUCKLES -We haven't got time for this. | 0:07:10 | 0:07:14 | |
The Uncle With No Name is after you. | 0:07:14 | 0:07:16 | |
-What are we going to do?! -For a start, don't panic, | 0:07:16 | 0:07:20 | |
cos if you panic, he'll catch you and do something beastly to you. | 0:07:20 | 0:07:26 | |
-Nya-a-a-ah! Nya-a-a-ah! -I said, "DON'T panic." | 0:07:26 | 0:07:30 | |
I'm actually not panicking. I'm becoming hysterical. Nya-a-a-ah! | 0:07:30 | 0:07:34 | |
As long as you don't panic. | 0:07:34 | 0:07:37 | |
I'd better be going, otherwise I'll be in grave, grave danger... | 0:07:37 | 0:07:42 | |
not as grave danger as you, of course, | 0:07:42 | 0:07:44 | |
but I don't think that's possible. You really are in BIG trouble. | 0:07:44 | 0:07:48 | |
Ta-ra. | 0:07:48 | 0:07:49 | |
No buzzer, I promise. | 0:07:49 | 0:07:52 | |
Ah-ha-ha! Gets you every time. | 0:07:52 | 0:07:55 | |
Ha-dee-ha-dee-ha(!) | 0:07:55 | 0:07:58 | |
What are we going to do?! | 0:07:58 | 0:08:00 | |
Nothing. Uncle Roy's always been a bit of a wind-up merchant. | 0:08:00 | 0:08:04 | |
He's trying to spook us out a bit. | 0:08:04 | 0:08:06 | |
When I was a kid, he painted all the windows of my bedroom yellow | 0:08:06 | 0:08:09 | |
and told me there was a custard flood. | 0:08:09 | 0:08:12 | |
I tried to dig my way through the wall with a dessert spoon. | 0:08:12 | 0:08:15 | |
-OK, so the Uncle With No Name does not exist? -Of course not. | 0:08:15 | 0:08:19 | |
So that's definitely not him standing at the window? | 0:08:19 | 0:08:23 | |
Aggh! | 0:08:24 | 0:08:26 | |
-Who's that smearing up my windows? Clear off, you! -Argh! | 0:08:26 | 0:08:29 | |
That's the Uncle With No Name! | 0:08:29 | 0:08:31 | |
I wonder what he puts on his Christmas cards. | 0:08:31 | 0:08:34 | |
We're in dangerous gravy, Mother. | 0:08:34 | 0:08:37 | |
Grave danger. | 0:08:37 | 0:08:39 | |
I hope you've got clean pants on. | 0:08:39 | 0:08:40 | |
Well...I did. | 0:08:40 | 0:08:43 | |
What's that he's got up his sleeve? | 0:08:43 | 0:08:46 | |
Nothing to worry about. Just a bunch of flowers. | 0:08:47 | 0:08:50 | |
He must know about my hay fever. | 0:08:52 | 0:08:53 | |
Argh! | 0:08:53 | 0:08:55 | |
What are we going to do?! | 0:08:55 | 0:08:57 | |
-Camouflage. -Camouflage? | 0:08:57 | 0:09:00 | |
Mother's actually had a good idea. | 0:09:00 | 0:09:03 | |
-What's camouflage? -Camouflage is when animals and plants adapt | 0:09:03 | 0:09:07 | |
to fit in with their background. | 0:09:07 | 0:09:09 | |
We're not in! ..Can we make this quick, please, Mother? | 0:09:11 | 0:09:14 | |
What's this a picture of? | 0:09:14 | 0:09:16 | |
Wow, that's amazing! It's an octopus but it changed colour. | 0:09:16 | 0:09:21 | |
Yes. Imagine being his mother. If you asked him to tidy his room, | 0:09:21 | 0:09:25 | |
he'd pretend to be the washing machine, | 0:09:25 | 0:09:27 | |
and if he didn't wipe his feet when he came into the house... | 0:09:27 | 0:09:30 | |
-Speaking of which, have YOU wiped your feet? -No! | 0:09:30 | 0:09:34 | |
THEY SCREAM | 0:09:34 | 0:09:37 | |
HE CACKLES | 0:09:37 | 0:09:40 | |
HOWARD CONTINUES TO SCREAM | 0:09:41 | 0:09:43 | |
-What are we gonna do? -We need to camouflage ourselves! | 0:09:51 | 0:09:56 | |
Right, we need to find a forest full of tall blond men and cartoon boys. | 0:09:56 | 0:09:59 | |
Oh, look over there! | 0:09:59 | 0:10:01 | |
-Has he gone yet? -Yeah. | 0:10:10 | 0:10:12 | |
Camouflage is brilliant! | 0:10:12 | 0:10:14 | |
I wonder if the breakfast brioche is camouflaging itself as me... | 0:10:14 | 0:10:19 | |
-For the last time, that is not a picture of your face. -Oh! | 0:10:19 | 0:10:22 | |
I don't remember seeing this before. | 0:10:22 | 0:10:25 | |
That's a stroke of luck. | 0:10:33 | 0:10:34 | |
-Let's have a look. -Yeah. Come on. | 0:10:34 | 0:10:37 | |
Let's find some more camouflage... or not find it. | 0:10:37 | 0:10:40 | |
What's "Escher" mean, Big Howard, | 0:10:58 | 0:11:01 | |
and what are those funny pictures meant to be? | 0:11:01 | 0:11:04 | |
I think you mean Esher. It's a town in Surrey, Little Howard, | 0:11:04 | 0:11:07 | |
and these are probably pictures of its railway station. | 0:11:07 | 0:11:11 | |
-WHISTLE BLOWS -I think you'll find | 0:11:11 | 0:11:13 | |
that these are pictures by the Dutch graphic artist MC Escher. | 0:11:13 | 0:11:17 | |
That's Escher spelt with a C, | 0:11:17 | 0:11:19 | |
whereas this is a picture of Esher railway station. | 0:11:19 | 0:11:23 | |
That's Esher spelt without a C. | 0:11:23 | 0:11:26 | |
MC Escher specialised in pictures of impossible realities | 0:11:26 | 0:11:30 | |
that deceive the eye and defy the laws of physics, | 0:11:30 | 0:11:33 | |
whereas Esher railway station does not defy the laws of physics. | 0:11:33 | 0:11:36 | |
-If it did, the people would spill their coffee. -Is it your museum? | 0:11:36 | 0:11:40 | |
No, I'm Mr Allardyce. I am the train guard at Esher railway station. | 0:11:40 | 0:11:45 | |
Blimey! For a train guard, you know a lot about optical illusions. | 0:11:45 | 0:11:49 | |
I've just been reading the captions on the pictures. | 0:11:49 | 0:11:52 | |
You must just excuse me. I've a quick phone call to make. | 0:11:52 | 0:11:56 | |
The train... | 0:11:56 | 0:11:58 | |
-LOUD SPEAKER: -'now approaching platform 2 | 0:11:58 | 0:12:01 | |
'is the 3.48 service to Woking, calling at Hersham...' | 0:12:01 | 0:12:06 | |
Castrovalva and West Byfleet. | 0:12:06 | 0:12:08 | |
But first, a man called Big Howard has an apology for you. | 0:12:08 | 0:12:12 | |
Do I? Ooh, um... | 0:12:13 | 0:12:15 | |
Um...h-hello. | 0:12:17 | 0:12:19 | |
I'm sorry I said... | 0:12:19 | 0:12:20 | |
LOUD SPEAKER '..you defied the laws of physics, | 0:12:20 | 0:12:25 | |
'Esher railway station. I confused you with the artwork of MC Escher. | 0:12:25 | 0:12:29 | |
'Very sorry. Bye-bye.' | 0:12:29 | 0:12:30 | |
-Bye-bye. -All right. -Bye-bye. -OK, that'll do. | 0:12:30 | 0:12:33 | |
-We'll say no more about it. -Thanks for your help, Mr Allardyce. | 0:12:33 | 0:12:36 | |
Don't mention it. I was just... Ooh! Oh, is that the time? | 0:12:36 | 0:12:39 | |
Sorry, I must dash. These trains won't cancel themselves, you know. | 0:12:39 | 0:12:43 | |
Bye-bye. | 0:12:43 | 0:12:45 | |
Look! It's a dragon! | 0:12:56 | 0:12:59 | |
It's just a cardboard cut-out whose eyes...follow you...around the room. | 0:12:59 | 0:13:04 | |
It's alive! Split up, we'll try and confuse it! | 0:13:04 | 0:13:08 | |
Good idea. I'll run away and you look tasty. | 0:13:08 | 0:13:12 | |
Its eyes are following me! | 0:13:12 | 0:13:14 | |
They can't be cos they're following me as well! | 0:13:18 | 0:13:20 | |
THEY SCREAM | 0:13:20 | 0:13:23 | |
Aggh! | 0:13:33 | 0:13:34 | |
Will Little Howard escape the sinister Uncle With No Name? | 0:13:38 | 0:13:44 | |
Is that Little Howard's face in a brioche? | 0:13:44 | 0:13:46 | |
And who won the FA Cup Final in 1998? | 0:13:46 | 0:13:49 | |
Find out the answer to all but one of these questions | 0:13:49 | 0:13:53 | |
after this company tries to sell you something. | 0:13:53 | 0:13:56 | |
Fed up with the sight of your breakfast cereal? | 0:14:00 | 0:14:02 | |
Well, why not try a breakfast cereal that you can't see? | 0:14:02 | 0:14:06 | |
New Camouflage Crunchies are the breakfast cereal | 0:14:06 | 0:14:09 | |
fortified with vitamins, iron and cloaking mechanism. | 0:14:09 | 0:14:13 | |
They're completely invisible, no matter what bowl you put them in. | 0:14:13 | 0:14:17 | |
And they can aid weight loss | 0:14:17 | 0:14:19 | |
if eaten as part of a camouflage-controlled diet. | 0:14:19 | 0:14:22 | |
Honestly, we're not trying to sell you an empty box. | 0:14:22 | 0:14:26 | |
Argh! | 0:14:29 | 0:14:31 | |
Big Howard, he-e-elp! | 0:14:34 | 0:14:37 | |
A-a-a-argh! | 0:14:37 | 0:14:38 | |
BELL TOLLS | 0:15:00 | 0:15:03 | |
You haven't seen a great big sinister man | 0:15:21 | 0:15:24 | |
-with a black cloak? -Yeah. The bloke who runs this place looks like that. | 0:15:24 | 0:15:28 | |
-Thought it was odd. Never caught his name. -The Uncle With No Name! | 0:15:28 | 0:15:32 | |
-That explains it. -He's chasing my friend. | 0:15:32 | 0:15:34 | |
I need to find some way of distracting him. | 0:15:34 | 0:15:37 | |
If only I worked for a 3D holographics company | 0:15:37 | 0:15:40 | |
-that made images appear from nowhere. -That would be brilliant. | 0:15:40 | 0:15:43 | |
You don't, do you? Ohh! | 0:15:43 | 0:15:46 | |
-Luckily, I'm being sarcastic. Come with me. -Ooh! | 0:15:46 | 0:15:49 | |
No! Argh! | 0:15:49 | 0:15:52 | |
Get away from me, you fiend! | 0:15:53 | 0:15:55 | |
Oi! You leave him alone or I'll give you a punch up the bracket! | 0:15:55 | 0:15:59 | |
You and whose army? | 0:15:59 | 0:16:01 | |
Him and this army. Let's get him. | 0:16:02 | 0:16:05 | |
Oh, no! There are two Big Howards. | 0:16:08 | 0:16:10 | |
Hang on, I've seen this film. | 0:16:10 | 0:16:12 | |
One of them must be an evil twin. | 0:16:12 | 0:16:14 | |
I need a simple test to work out which one is which. | 0:16:14 | 0:16:18 | |
Ow! What are you playing at? HOLOGRAM BIG HOWARD LAUGHS | 0:16:18 | 0:16:21 | |
-It's for your own good, Big Howard. One of you is an evil twin. -Ow! | 0:16:21 | 0:16:26 | |
No, we're not. Look, it's a hologram. | 0:16:26 | 0:16:30 | |
It's an illusion created by a company called Musion. | 0:16:30 | 0:16:34 | |
Oh! | 0:16:34 | 0:16:36 | |
Ow! | 0:16:36 | 0:16:37 | |
Will you stop doing that?! | 0:16:37 | 0:16:40 | |
Sorry, I just got into a rhythm. | 0:16:40 | 0:16:42 | |
Ow! LAUGHING | 0:16:42 | 0:16:45 | |
And you can shut up as well! | 0:16:45 | 0:16:47 | |
What are you doing? I'm a hologram that you just recorded, you idiot. | 0:16:48 | 0:16:53 | |
Sorry, clean went out of my head. I'm sorry. Duh brain. | 0:16:53 | 0:16:56 | |
This whole place is a trap. It's set up by the Uncle With No Name. | 0:16:56 | 0:17:00 | |
We've got to get out of here! | 0:17:00 | 0:17:01 | |
Thank you very much, hologram Big Howard. Nice working with you. | 0:17:01 | 0:17:05 | |
Pleasure. See you later. | 0:17:05 | 0:17:07 | |
Well, it seems I CAN'T believe my eyes. | 0:17:08 | 0:17:11 | |
I couldn't tell what was real | 0:17:11 | 0:17:12 | |
or whether to hit my best friend in the face with a folding chair. | 0:17:12 | 0:17:16 | |
Yeah, best avoided, as a general rule. | 0:17:16 | 0:17:19 | |
I can't trust my eyes at all. They're useless! | 0:17:19 | 0:17:23 | |
So I'm not going to look at the world any more. | 0:17:23 | 0:17:26 | |
I am going to be a hermit crab for the rest of my life. | 0:17:26 | 0:17:30 | |
Hermit. You don't have to be a hermit crab. | 0:17:30 | 0:17:33 | |
I want to be a hermit crab. | 0:17:33 | 0:17:36 | |
Fine. | 0:17:36 | 0:17:38 | |
Goodbye, world of lies. | 0:17:38 | 0:17:40 | |
I reject you forever. | 0:17:40 | 0:17:43 | |
-What time's tea? -About six. | 0:17:46 | 0:17:48 | |
-Yummy! -HE SNORES | 0:17:48 | 0:17:51 | |
-Hello, Little Howard. -Hello? Um...who are you? | 0:17:54 | 0:17:59 | |
I'm just a dream, Little Howard. | 0:17:59 | 0:18:01 | |
I look like David Penn, the winner of the British Magical Championships, | 0:18:01 | 0:18:05 | |
but that's just a coincidence. | 0:18:05 | 0:18:07 | |
I'm a magician. I can do things that absolutely defy logic. | 0:18:07 | 0:18:11 | |
They're impossible. | 0:18:11 | 0:18:13 | |
Are you here to reassure me that I CAN believe my eyes | 0:18:13 | 0:18:17 | |
and that the world isn't full of lies and deceit? | 0:18:17 | 0:18:19 | |
Nothing is as it seems, in dreams OR in magic. | 0:18:19 | 0:18:22 | |
In fact, I can show you right now how magic works | 0:18:22 | 0:18:26 | |
by using these three coins. | 0:18:26 | 0:18:29 | |
I'm not going to hide the coins in my hand. | 0:18:29 | 0:18:31 | |
I'm going to keep them at my fingertips. | 0:18:31 | 0:18:34 | |
Now, if you watch, that's the first one to jump across. | 0:18:34 | 0:18:38 | |
That was misdirection. You were watching here, | 0:18:38 | 0:18:41 | |
you should've been watching there. That's misdirection. | 0:18:41 | 0:18:44 | |
The next one, that's sleight of hand. | 0:18:44 | 0:18:46 | |
You see, it jumped across. | 0:18:46 | 0:18:48 | |
Sleight of hand's very good because you can use it any time. | 0:18:48 | 0:18:51 | |
You see, it jumps back. | 0:18:51 | 0:18:52 | |
And the last one, that's that special little bit of something | 0:18:52 | 0:18:56 | |
you can't put your finger on and that's the way magic works. | 0:18:56 | 0:19:00 | |
How did you do that?! | 0:19:00 | 0:19:02 | |
I did it very, very well, thank you. | 0:19:02 | 0:19:04 | |
This isn't exactly reassuring me that I CAN believe my eyes. | 0:19:04 | 0:19:10 | |
Sometimes it's good NOT to be reassured. | 0:19:10 | 0:19:12 | |
Just sit back and enjoy the magic and enjoy the illusions, | 0:19:12 | 0:19:16 | |
like this classic illusion - sawing the lady in half. | 0:19:16 | 0:19:19 | |
There's the lady inside and we're going to lock her in place. | 0:19:19 | 0:19:23 | |
There's her head at that side, locked in, and these are her feet. | 0:19:23 | 0:19:29 | |
Wait a minute. I know how you do this. Those aren't her real feet. | 0:19:29 | 0:19:33 | |
No, they are real. She can wiggle her toes. ..Wiggle your toes. | 0:19:33 | 0:19:36 | |
Yeah, actually I can smell them from here. | 0:19:36 | 0:19:40 | |
This bit ensures a clean cut with this piece of equipment right here. | 0:19:40 | 0:19:44 | |
-SAW WHIRRS -It's lucky this is a dream | 0:19:44 | 0:19:47 | |
and not a TV show, or we'd have to tell people not try this at home. | 0:19:47 | 0:19:51 | |
-SAW WHIRRS -Oh, no, don't saw her in half! | 0:19:51 | 0:19:53 | |
Oh, poor woman! Oh, that's appalling! | 0:19:53 | 0:19:56 | |
Oh! Oh, mercy! | 0:19:56 | 0:19:58 | |
And, as you can see, the saw is completely undamaged. | 0:20:01 | 0:20:05 | |
But what about the lady inside the box? | 0:20:05 | 0:20:07 | |
You sawed her in half, you monster! | 0:20:07 | 0:20:09 | |
If you want to press charges, madam, I'll be a witness. | 0:20:09 | 0:20:13 | |
Let's have a look inside, | 0:20:13 | 0:20:15 | |
and you will see that we have sawn the lady in half. | 0:20:15 | 0:20:19 | |
-Wow! -You can see straight through. | 0:20:19 | 0:20:22 | |
There's her head, and these are her feet. ..Wiggle your toes. | 0:20:22 | 0:20:27 | |
We've got to put her back together very, very quickly indeed, | 0:20:27 | 0:20:30 | |
so we're going to lock up the box and then do the click, | 0:20:30 | 0:20:33 | |
because it's the click that does the trick. | 0:20:33 | 0:20:35 | |
And hopefully now...there is the lady back in one piece. | 0:20:35 | 0:20:39 | |
We'll release the head, we'll open up the legs, | 0:20:39 | 0:20:42 | |
and she should be able to step out, and she's all back together! | 0:20:42 | 0:20:47 | |
CHEERING | 0:20:47 | 0:20:49 | |
All right, love, no need to milk it. | 0:20:49 | 0:20:52 | |
Here, you couldn't show me how to do one those, could you? | 0:20:53 | 0:20:57 | |
Sure. If you get yourself a banknote, | 0:20:58 | 0:21:00 | |
as long as it's got a picture of Her Majesty The Queen on the front. | 0:21:00 | 0:21:04 | |
If you fold it at the side of the Queen's mouth right there, | 0:21:04 | 0:21:09 | |
and put another fold at the side of the Queen's mouth on the other side, | 0:21:09 | 0:21:15 | |
and then right in the middle, make a fold that goes downwards | 0:21:15 | 0:21:20 | |
so you've got kind of like a little V. | 0:21:20 | 0:21:22 | |
If you hold it up, The Queen looks normal. | 0:21:22 | 0:21:25 | |
If I bend it back towards me, you can see that she smiles. | 0:21:25 | 0:21:30 | |
And if I bend her forward, she frowns. | 0:21:30 | 0:21:32 | |
-Brilliant! -Perhaps you could try that on the Uncle With No Name. | 0:21:32 | 0:21:37 | |
I'll do something a bit more spectacular than that. | 0:21:37 | 0:21:40 | |
-Oh, so you're a professional magician now, are you? -No, but I am a cartoon. | 0:21:40 | 0:21:44 | |
Oh, right. So it takes me years of practice but you're a cartoon, | 0:21:44 | 0:21:48 | |
so you can do it straightaway. Great. | 0:21:48 | 0:21:50 | |
-Argh, help, Little Howard, he's got me! -A nose! | 0:21:54 | 0:21:57 | |
At last I get a nose! | 0:21:57 | 0:22:00 | |
Oi, cloth-face, look over here! | 0:22:00 | 0:22:02 | |
Blimey! | 0:22:07 | 0:22:09 | |
That's the best trick I've ever seen in my life! | 0:22:09 | 0:22:12 | |
Piff, paff, poof! | 0:22:12 | 0:22:14 | |
-BOTH: Mr Allardyce! -It's you! | 0:22:18 | 0:22:22 | |
Well, actually it's not. | 0:22:22 | 0:22:24 | |
Oh, that is disgusting! | 0:22:24 | 0:22:28 | |
BOTH: Uncle Roy! | 0:22:30 | 0:22:33 | |
-So it was a wind-up all along. -You know me. I like a laugh, I do. | 0:22:33 | 0:22:38 | |
No wonder Auntie Jill got in that cabinet and never came out. | 0:22:38 | 0:22:42 | |
Oh, no, that was another magic trick, Big Howard! | 0:22:43 | 0:22:47 | |
No idea where she went, mind you. | 0:22:47 | 0:22:49 | |
Well, why did you do it, Uncle Roy? | 0:22:49 | 0:22:51 | |
Your computer email said you've been saying my magic tricks are rubbish, | 0:22:51 | 0:22:55 | |
so I thought I'd teach you a lesson. | 0:22:55 | 0:22:58 | |
-Mother! -All those things we saw - were they all you? | 0:22:58 | 0:23:01 | |
Yup. | 0:23:01 | 0:23:03 | |
Wow, that's amazing! | 0:23:03 | 0:23:05 | |
Those tricks were almost as good as David Penn's magic. | 0:23:05 | 0:23:08 | |
-TOGETHER: Who's David Penn? -Ah, he's a magician who lives in my head. | 0:23:08 | 0:23:12 | |
Right. I think you may have hit yourself | 0:23:12 | 0:23:14 | |
a bit too hard over the head with a cricket bat earlier. | 0:23:14 | 0:23:18 | |
He told me that you CAN'T believe your eyes, | 0:23:18 | 0:23:20 | |
but that sometimes that's fun, | 0:23:20 | 0:23:22 | |
like the miracle of my face in the breakfast brioche. | 0:23:22 | 0:23:25 | |
Haven't you heard of a pareidolia? | 0:23:25 | 0:23:29 | |
The human tendency to see faces in everyday objects, | 0:23:30 | 0:23:34 | |
like the man in the moon or faces in flames or flowery wallpaper. | 0:23:34 | 0:23:39 | |
-See? What did I tell you? -Mind you, that doesn't explain this. | 0:23:39 | 0:23:44 | |
What?! I...ee...! | 0:23:44 | 0:23:46 | |
You've got one too? | 0:23:48 | 0:23:49 | |
-How? -This is a limited-edition brioche | 0:23:49 | 0:23:52 | |
made by the Breakfast Brioche Company. They sell well, | 0:23:52 | 0:23:55 | |
-even overtaken the sales of hot cakes! -I was right! | 0:23:55 | 0:24:00 | |
I have a little trick for you, Uncle Roy. | 0:24:00 | 0:24:03 | |
Hold a finger, any finger. | 0:24:03 | 0:24:06 | |
-THWRRT! -Oops, too late. | 0:24:06 | 0:24:08 | |
Wait a minute. Who gave that Breakfast Brioche Company | 0:24:10 | 0:24:14 | |
permission to use your face? That's illegal. | 0:24:14 | 0:24:17 | |
-Poor eagle. -No, illegal means... -Hello there! | 0:24:17 | 0:24:19 | |
You missed a call from your agent, Roger the pigeon. | 0:24:19 | 0:24:22 | |
-Here it is. -'Hiya, Howie babies, just letting you know | 0:24:22 | 0:24:27 | |
'I flogged Little Howard's face to a breakfast brioche company | 0:24:27 | 0:24:30 | |
'for shed-loads of pigeon feed. I didn't let you know before because... | 0:24:30 | 0:24:34 | |
'well, I'm quite unprofessional | 0:24:34 | 0:24:36 | |
'and I've spent the money on ladders and bells for my cage. Ta-ta.' | 0:24:36 | 0:24:40 | |
That explains it, then. | 0:24:40 | 0:24:42 | |
Shall we get him arrested again? | 0:24:42 | 0:24:44 | |
I know. Let's wait until after the song. | 0:24:44 | 0:24:46 | |
Believing your eyes is not always wise | 0:24:48 | 0:24:51 | |
It sometimes defies belief | 0:24:51 | 0:24:54 | |
So next time your eyes tries telling you lies | 0:24:56 | 0:25:01 | |
Be brutal, be frank and be brief. | 0:25:01 | 0:25:06 | |
UPBEAT MUSIC PLAYS | 0:25:09 | 0:25:11 | |
# Your eyes can play tricks on you You can't always believe them | 0:25:11 | 0:25:15 | |
# If they pop out, you have to retrieve them | 0:25:15 | 0:25:17 | |
# If they fall in dog poo, you have to leave them | 0:25:17 | 0:25:20 | |
# Your eyes can play tricks on you Things are not always what they seem | 0:25:20 | 0:25:24 | |
# Like a rainbow is just a wet sunbeam | 0:25:24 | 0:25:26 | |
# And the thing about the dog poo was actually a bad dream | 0:25:26 | 0:25:28 | |
# Your eyes can play tricks on you It's all about perspective | 0:25:38 | 0:25:42 | |
# Or your mind being selective | 0:25:42 | 0:25:44 | |
# Or your eyes are wonky so your glasses are correct | 0:25:44 | 0:25:47 | |
# Your eyes can play tricks on you You've got to keep them in focus | 0:25:47 | 0:25:51 | |
-# Please focus on this crocus -That's not a crocus | 0:25:51 | 0:25:54 | |
# It's a camouflaged locust | 0:25:54 | 0:25:56 | |
# Your eyes can play tricks on you Is it real or just a drawing? | 0:26:06 | 0:26:09 | |
-# Which one should we be ignoring? -If everything was real | 0:26:09 | 0:26:12 | |
# Then life would be boring | 0:26:12 | 0:26:14 | |
MUSIC INTENSIFIES | 0:26:14 | 0:26:16 | |
# But sometimes your eyes They try to deceive | 0:26:16 | 0:26:21 | |
# You just have to ignore them And simply believe | 0:26:21 | 0:26:27 | |
# I believe I'm a man | 0:26:27 | 0:26:30 | |
# I believe I'm a boy | 0:26:30 | 0:26:32 | |
-# And this is an illegal use of my image! -And that I'm Uncle Roy! | 0:26:32 | 0:26:38 | |
# Cos sometimes belief It is all that we've got | 0:26:38 | 0:26:43 | |
# You must believe in yourself Believe it or not | 0:26:43 | 0:26:50 | |
# Believe it or not | 0:26:50 | 0:26:53 | |
# Ah-a-a-a-a-a-ah a-a-a-a-ah! # | 0:26:53 | 0:27:00 | |
Ladies and gentlemen, prepare to be amazed, prepare to be amused, | 0:27:03 | 0:27:08 | |
prepare to send your eyes back to the eye shop | 0:27:08 | 0:27:11 | |
because you don't believe them any more. | 0:27:11 | 0:27:13 | |
Please give a big round of applause for the amazing | 0:27:13 | 0:27:16 | |
and completely real magic of Big Howard! | 0:27:16 | 0:27:21 | |
CHEERING | 0:27:21 | 0:27:23 | |
I, Big Howard, can make coins appear from... | 0:27:23 | 0:27:26 | |
..thin air. | 0:27:28 | 0:27:30 | |
Only one of my arms was fake! | 0:27:41 | 0:27:45 | |
THEY SCREAM | 0:27:45 | 0:27:47 | |
Subtitles by Red Bee Media Ltd | 0:27:47 | 0:27:49 |