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Is that art? | 0:00:08 | 0:00:10 | |
Yes, that's a watercolour by Manet. | 0:00:10 | 0:00:13 | |
But that's not the colour of water, water's see-through. | 0:00:13 | 0:00:16 | |
His parents didn't have much imagination. | 0:00:16 | 0:00:18 | |
What are the rest of his family called? | 0:00:18 | 0:00:20 | |
Man A, Man B, Sister C, Dog F? | 0:00:20 | 0:00:24 | |
Edouard Manet was a pivotal artist in the transition | 0:00:24 | 0:00:27 | |
from Realism to Impressionism. | 0:00:27 | 0:00:30 | |
Give me Spongebob any day. | 0:00:30 | 0:00:32 | |
Cartoons are not art! | 0:00:32 | 0:00:35 | |
-You what?! -Shush! Neither of us want | 0:00:35 | 0:00:39 | |
to be night watchmen at an art gallery, but we need these...jobs. | 0:00:39 | 0:00:43 | |
Goodnight, George. | 0:00:43 | 0:00:45 | |
Is this art? | 0:00:52 | 0:00:54 | |
Of course it is! | 0:00:54 | 0:00:56 | |
This is la piece de... resister! | 0:00:56 | 0:01:00 | |
It's the brand-new exhibition of the controversial and mysterious | 0:01:00 | 0:01:04 | |
modern artist, Pithy Nomdeploom! | 0:01:04 | 0:01:07 | |
-Who's he? -Shush. -Good question! | 0:01:07 | 0:01:09 | |
-I mean, good question. -Nobody knows. The true identity | 0:01:09 | 0:01:12 | |
of Pithy Nomdeploom remains a closely guarded secret, | 0:01:12 | 0:01:15 | |
-but it will finally be revealed in this gallery tomorrow morning. -Wow! | 0:01:15 | 0:01:21 | |
Someone I've never heard of and don't care about | 0:01:21 | 0:01:23 | |
with a false name I've never heard of and don't care about, | 0:01:23 | 0:01:26 | |
telling everyone a real name I've never heard of and don't care about! | 0:01:26 | 0:01:30 | |
I can hardly wait(!) | 0:01:30 | 0:01:31 | |
Now, because of this announcement tomorrow morning, | 0:01:31 | 0:01:35 | |
security tonight is extra important. | 0:01:35 | 0:01:37 | |
You two will be guarding the whole gallery overnight. | 0:01:37 | 0:01:41 | |
But we also have this staggeringly hi-tech CCTV system, | 0:01:41 | 0:01:46 | |
so if you so much as pick your nose and wipe it | 0:01:46 | 0:01:48 | |
on an abstract, I'll know about it. | 0:01:48 | 0:01:52 | |
-Is this art?! -It's all art! | 0:01:54 | 0:01:58 | |
You know, I'm surprised Little Howard wants a night watchman's job, | 0:01:58 | 0:02:02 | |
what with being a big TV star. | 0:02:02 | 0:02:05 | |
Well, I'm a big TV star, too. | 0:02:05 | 0:02:07 | |
-No, you're not. -Is that art? | 0:02:07 | 0:02:11 | |
Yes! | 0:02:11 | 0:02:13 | |
Oh, no, that's the bin, actually. | 0:02:13 | 0:02:16 | |
Anyway, Little Howard is even famous enough | 0:02:16 | 0:02:19 | |
to have been honoured by the great Pithy Nomdeploom himself! | 0:02:19 | 0:02:23 | |
-Am I?! -Is he?! | 0:02:23 | 0:02:25 | |
Oh, yes, we expect Little Howard's Face Recurring to sell for | 0:02:25 | 0:02:30 | |
half a million pounds. | 0:02:30 | 0:02:32 | |
Now, I'm off to see a Manet about a Degas. | 0:02:34 | 0:02:39 | |
Don't worry, sir. They're in safe hands! | 0:02:40 | 0:02:43 | |
I mean, we've only got to look after them overnight. | 0:02:43 | 0:02:46 | |
There's no way on earth they could get damaged in that time. | 0:02:47 | 0:02:51 | |
AIRHORN BLOWS | 0:02:51 | 0:02:54 | |
I, Little Howard, | 0:02:54 | 0:02:55 | |
have come up with another of my big questions! Am I art? | 0:02:55 | 0:03:00 | |
Oi! That was my face! | 0:03:03 | 0:03:06 | |
Yes...and it was worth half a million pounds! | 0:03:06 | 0:03:12 | |
Aaaah! Aaaah! | 0:03:12 | 0:03:16 | |
# I love monkeys, I love monkeys | 0:03:18 | 0:03:21 | |
# All those happy little, chirpy little monkeys | 0:03:21 | 0:03:25 | |
# With their tails and their bananas | 0:03:25 | 0:03:28 | |
# I think that if we all were monkeys, we'd have happier mananas | 0:03:28 | 0:03:31 | |
# Give me monkeys, lots of monkeys | 0:03:31 | 0:03:34 | |
# For you know that it's the monkeys I adore | 0:03:34 | 0:03:37 | |
# If my love said that she did not love those monkeys | 0:03:37 | 0:03:41 | |
# I wouldn't love her any more. # | 0:03:41 | 0:03:43 | |
Thank you very much! | 0:03:43 | 0:03:45 | |
Little Howard, why the monkey statues? | 0:03:45 | 0:03:49 | |
I thought statues would be cheaper than paying | 0:03:49 | 0:03:51 | |
real monkeys to dance every week. | 0:03:51 | 0:03:53 | |
Ah, good thinking! | 0:03:53 | 0:03:55 | |
Except it turns out it isn't. They were really expensive, Big Howard. | 0:03:55 | 0:03:59 | |
I had to sell all the support struts from underneath the stage. | 0:03:59 | 0:04:03 | |
You what? | 0:04:03 | 0:04:05 | |
Aaaah! | 0:04:05 | 0:04:06 | |
Now, don't get me wrong, what you've done here is very interesting, | 0:04:06 | 0:04:12 | |
but I'm not quite getting it. | 0:04:12 | 0:04:14 | |
I didn't do this on purpose! | 0:04:14 | 0:04:17 | |
These are worth half a million pounds each! | 0:04:17 | 0:04:19 | |
So two of them, that's... that's, er... | 0:04:19 | 0:04:23 | |
A million pounds? | 0:04:23 | 0:04:27 | |
How much?! We've got to fix them! | 0:04:27 | 0:04:31 | |
Don't just sit there! Do something! | 0:04:36 | 0:04:40 | |
It's OK, I'm sure you'll do a grand job. | 0:04:40 | 0:04:42 | |
Second thoughts, I'll start trying to paint another one. | 0:04:44 | 0:04:47 | |
It was just a picture of my face a load of times, how hard can it be? | 0:04:47 | 0:04:52 | |
Aaaah! | 0:05:00 | 0:05:01 | |
I think you might be able to tell they were fakes, but only | 0:05:21 | 0:05:25 | |
if you were an expert. | 0:05:25 | 0:05:27 | |
We're doomed! | 0:05:27 | 0:05:28 | |
How are we going to pay for this? | 0:05:28 | 0:05:30 | |
You've got a million pounds, haven't you? | 0:05:30 | 0:05:32 | |
Of course not, I'm skint! Why do you think I had to get this... | 0:05:32 | 0:05:36 | |
Job? | 0:05:36 | 0:05:38 | |
Never say that word! If anyone sees this, we're in big trouble. | 0:05:40 | 0:05:44 | |
What have you done?! | 0:05:44 | 0:05:46 | |
Whatever it is, it's a vast improvement. | 0:05:48 | 0:05:52 | |
I thought they were awful! | 0:05:52 | 0:05:54 | |
See? This prominent art critic thinks they're rubbish, too. | 0:05:54 | 0:05:58 | |
I'm not an art critic, love, I'm Beryl, the cleaning lady. | 0:05:58 | 0:06:01 | |
-Oh. -But I know what I like, | 0:06:01 | 0:06:04 | |
and I think Pithy Nomdeploom's a load of rubbish. | 0:06:04 | 0:06:08 | |
You've got to admit he's got a very good taste in subject matter. | 0:06:08 | 0:06:12 | |
Maybe, but that one of your face is a ripped-off Warhol. | 0:06:12 | 0:06:17 | |
There is no need for that! | 0:06:17 | 0:06:19 | |
No, Andy Warhol. | 0:06:19 | 0:06:22 | |
He was an important figure in the Pop Art movement. | 0:06:22 | 0:06:24 | |
He suggested that ordinary things | 0:06:24 | 0:06:27 | |
like photos of celebrities and cans of soup | 0:06:27 | 0:06:29 | |
can be subjects for art. And that splattery one, | 0:06:29 | 0:06:33 | |
that wasn't his idea, that's Jackson Pollock's! | 0:06:33 | 0:06:37 | |
I thought it looked a bit fishy. | 0:06:37 | 0:06:39 | |
No, Jackson Pollock was an abstract artist who dripped and | 0:06:39 | 0:06:43 | |
flung paint at the canvas. | 0:06:43 | 0:06:45 | |
But he did it with passion and energy. | 0:06:45 | 0:06:48 | |
That looks like a decorator's radio. | 0:06:48 | 0:06:50 | |
But if these are as rubbish as they look, why are they so expensive? | 0:06:50 | 0:06:56 | |
Well, it's trendy, and some people have more money than sense. | 0:06:56 | 0:07:00 | |
Modern art can be great, though. I could show you | 0:07:00 | 0:07:03 | |
something you might like, I've finished the lavs. | 0:07:03 | 0:07:06 | |
Thanks, but I better stay here | 0:07:06 | 0:07:09 | |
and help Big Howard fix the sculpture he broke. | 0:07:09 | 0:07:12 | |
Actually, second thoughts, I'll come with you. | 0:07:16 | 0:07:19 | |
No, actually, could you... | 0:07:19 | 0:07:21 | |
Help! | 0:07:23 | 0:07:25 | |
What's going on there? | 0:07:25 | 0:07:27 | |
Oh, this is Bowl Of Fruit, Violin And Bottle by Picasso. | 0:07:27 | 0:07:32 | |
I assume his dog ripped it up and Picasso | 0:07:32 | 0:07:35 | |
just wasn't very good at jigsaws. | 0:07:35 | 0:07:37 | |
No, it's a Cubist collage. | 0:07:37 | 0:07:41 | |
It's about seeing things from different perspectives at once | 0:07:41 | 0:07:44 | |
and painting them as geometric shapes and cubes. | 0:07:44 | 0:07:48 | |
Picasso was trying to express the idea of the things | 0:07:48 | 0:07:51 | |
rather than the things themselves. | 0:07:51 | 0:07:53 | |
No-one need ever know. | 0:07:55 | 0:07:58 | |
Oh, no! It's all on CCTV! | 0:08:01 | 0:08:04 | |
No! | 0:08:04 | 0:08:06 | |
Was Picasso's first name Al? | 0:08:07 | 0:08:11 | |
-Al Picasso? No, it was Pablo, why? -He's gone and signed it Al, look. | 0:08:11 | 0:08:16 | |
Oh, that's a bit of a newspaper | 0:08:16 | 0:08:19 | |
next to a bit of a bottle just above a bit of the violin, | 0:08:19 | 0:08:23 | |
-and there's the grapes up there. -I hope he didn't get | 0:08:23 | 0:08:26 | |
fruit mixed up with violins in real life, | 0:08:26 | 0:08:29 | |
especially when he was making smoothies. | 0:08:29 | 0:08:31 | |
I've got to find the CCTV room... | 0:08:36 | 0:08:38 | |
So...why are you taking me to a car park? | 0:08:46 | 0:08:50 | |
To see the art. | 0:08:50 | 0:08:53 | |
Oh, I like that graffiti, but where is the art? | 0:09:00 | 0:09:04 | |
But this is art, dearie. It's by the street artist Banksy. | 0:09:04 | 0:09:09 | |
He became famous by painting funny and clever stencils on walls | 0:09:09 | 0:09:13 | |
all over the world. | 0:09:13 | 0:09:15 | |
His stuff sells for hundreds of thousands of pounds. | 0:09:15 | 0:09:19 | |
So graffiti can be art, but am I art? | 0:09:19 | 0:09:23 | |
I think so. I mean, if someone thinks you're nice to look at, | 0:09:23 | 0:09:29 | |
or if you make them think or laugh, | 0:09:29 | 0:09:31 | |
then yes, Little Howard, you are art. | 0:09:31 | 0:09:35 | |
Right! | 0:09:35 | 0:09:37 | |
I need to get the DVD out | 0:09:51 | 0:09:54 | |
so no-one knows who broke the paintings and sculpture! | 0:09:54 | 0:09:58 | |
Eject... | 0:10:01 | 0:10:04 | |
Oh! Wait up, Little Howard! | 0:10:06 | 0:10:09 | |
I'll get the DVD later, the controls are too complicated. | 0:10:09 | 0:10:12 | |
-Where's Beryl? -She's gone to contemplate Abstract Expressionism | 0:10:30 | 0:10:35 | |
and de-scale the urinals. | 0:10:35 | 0:10:37 | |
All right for some. We've got fix to these works of art! | 0:10:37 | 0:10:40 | |
No, we don't, Beryl's given me an even better idea. | 0:10:40 | 0:10:44 | |
How is de-scaling the urinals going to help? | 0:10:44 | 0:10:46 | |
Apparently, it's very relaxing, but it's not that. | 0:10:46 | 0:10:50 | |
We've got to get back to the Pithy Nomdeploom room! But...where is it? | 0:10:50 | 0:10:55 | |
It is definitely...that way. | 0:10:55 | 0:10:59 | |
I'm sure it was down here. | 0:11:31 | 0:11:33 | |
Oh, my goodness! | 0:11:33 | 0:11:36 | |
Think of the children! | 0:11:42 | 0:11:43 | |
All these corridors look the same to me. | 0:11:48 | 0:11:51 | |
Someone had drawn a load of naked ladies all over those pictures! | 0:11:51 | 0:11:55 | |
-What?! -But don't worry, I fixed it, | 0:11:55 | 0:11:58 | |
using pointillist and pointiless techniques | 0:11:58 | 0:12:01 | |
-in the medium of felt tips. -Oh, thank goodness! | 0:12:01 | 0:12:03 | |
The last thing we need is any more damage done to these paintings. | 0:12:03 | 0:12:07 | |
Oh! I recognise this bit, that's a Picasserole. | 0:12:09 | 0:12:12 | |
The Pithy Nomdeploom room is down here. | 0:12:12 | 0:12:15 | |
Someone wasn't very good at jigsaws. | 0:12:15 | 0:12:17 | |
Oh, my mistake. This must be a different Pithy Nomdeploom room. | 0:12:21 | 0:12:26 | |
Someone's nicked all the really expensive paintings from this one. | 0:12:26 | 0:12:29 | |
Someone's nicked all the really expensive paintings! | 0:12:32 | 0:12:35 | |
Where is it?! | 0:12:38 | 0:12:40 | |
Where's all the art gone?! | 0:12:40 | 0:12:43 | |
Now, think, Big Howard, where was it when you had it last? | 0:12:43 | 0:12:48 | |
It was on the wall! | 0:12:48 | 0:12:50 | |
I haven't lost it, it's been stolen! | 0:12:50 | 0:12:52 | |
Are you sure? | 0:12:52 | 0:12:54 | |
You are a bit clumsy. | 0:12:54 | 0:12:58 | |
We were supposed to be guarding it! | 0:12:58 | 0:13:00 | |
We'll have to pay for every single one. | 0:13:00 | 0:13:02 | |
They were half a million pounds each, and there were ten of them, | 0:13:02 | 0:13:06 | |
so that's half a million times ten... | 0:13:06 | 0:13:10 | |
It's quite a lot. | 0:13:11 | 0:13:13 | |
£4.51! | 0:13:15 | 0:13:19 | |
So you'll be round in a bit, then? Thank you! | 0:13:19 | 0:13:22 | |
£4.20. | 0:13:22 | 0:13:25 | |
It adds up to £5 million, Big Howard. | 0:13:25 | 0:13:28 | |
But don't worry, I've got a plan! | 0:13:33 | 0:13:36 | |
If Fishy Lobsterprune, if that is his real name, | 0:13:36 | 0:13:40 | |
can get half a million pounds for a picture with my face on it, | 0:13:40 | 0:13:44 | |
then my face is art! | 0:13:44 | 0:13:46 | |
So if we make loads of different pictures of my face in different | 0:13:46 | 0:13:49 | |
arty styles, we'll easily pay for the damage and still be rich! | 0:13:49 | 0:13:54 | |
So your plan is to get a load of professional artists... | 0:13:54 | 0:13:59 | |
Well, I was thinking of some kids | 0:13:59 | 0:14:01 | |
and a couple of people we know from down the park. | 0:14:01 | 0:14:04 | |
So your plan is to get some kids | 0:14:04 | 0:14:07 | |
and a couple of people we know from down the park | 0:14:07 | 0:14:11 | |
to draw loads of pictures of your face | 0:14:11 | 0:14:14 | |
and sell them for millions of pounds, before tomorrow morning. | 0:14:14 | 0:14:19 | |
Got any better ideas? | 0:14:19 | 0:14:21 | |
Put some clothes back on! | 0:14:40 | 0:14:42 | |
I mean, what's that even supposed to be?! It looks like Richard Hammond! | 0:14:45 | 0:14:49 | |
OK! Has everyone finished? | 0:14:55 | 0:14:57 | |
Right, great stuff, everyone. | 0:15:03 | 0:15:05 | |
Give them all here and I'll put them | 0:15:05 | 0:15:08 | |
on the well known online auction site Eebygumtree and I'll make millions! | 0:15:08 | 0:15:13 | |
No-one said anything about selling the pictures. | 0:15:13 | 0:15:16 | |
Well, as they are all of my face, they must belong to me, | 0:15:16 | 0:15:20 | |
-so I can do what like with them, right? -No. | 0:15:20 | 0:15:24 | |
They might be of you, but I made it, | 0:15:24 | 0:15:26 | |
it's mine and I don't want to sell. | 0:15:26 | 0:15:28 | |
My mummy wants this on her fridge at home. | 0:15:28 | 0:15:31 | |
He's trying to rip us off! | 0:15:31 | 0:15:32 | |
No, guys, guys, come on, pop that back. | 0:15:32 | 0:15:37 | |
There's no need for that. You'll do your back in. | 0:15:37 | 0:15:40 | |
Come on, please, just pop... | 0:15:40 | 0:15:42 | |
Hey! Come back with my faces! | 0:15:45 | 0:15:48 | |
It's 9pm! The big opening's at nine o'clock tomorrow morning, | 0:15:48 | 0:15:53 | |
so that's in, erm... | 0:15:53 | 0:15:55 | |
11...er...12! | 0:16:00 | 0:16:03 | |
12, 12, in 12 hours' time! | 0:16:03 | 0:16:05 | |
It's 10pm now! It's in 11 hours' time! | 0:16:05 | 0:16:09 | |
We haven't a moment to lose, we have to act fast and... | 0:16:09 | 0:16:13 | |
Hang on, 10pm? | 0:16:13 | 0:16:15 | |
Oh, dear, it's way past his bedtime, he must have been ever so ti... | 0:16:18 | 0:16:22 | |
Ladies and gentlemen of the press, and special guests | 0:16:26 | 0:16:29 | |
from the world of art, thank you for staying out of shot... | 0:16:29 | 0:16:32 | |
Aaaah! It's 9am! They're outside! | 0:16:34 | 0:16:37 | |
Quick! | 0:16:37 | 0:16:39 | |
And so it is with my great pleasure that I open the brand-new exhibition | 0:16:41 | 0:16:45 | |
of Pithy Nomdeploom! | 0:16:45 | 0:16:48 | |
No! The art's all gone! | 0:16:48 | 0:16:51 | |
Security, seal the room! | 0:16:51 | 0:16:53 | |
Where are those night watchmen? | 0:16:53 | 0:16:56 | |
Ah... Ah... | 0:16:56 | 0:16:58 | |
Atchooo! | 0:16:58 | 0:17:00 | |
You two! I knew I shouldn't have given the job | 0:17:00 | 0:17:04 | |
to a cartoon character and an idiot! | 0:17:04 | 0:17:06 | |
-I can explain! -Can you? -Erm... | 0:17:07 | 0:17:11 | |
Actually, no, I can't. | 0:17:13 | 0:17:15 | |
It was my fault. | 0:17:15 | 0:17:16 | |
I just wanted to know... | 0:17:16 | 0:17:18 | |
# Am I art? Am I culture? | 0:17:18 | 0:17:22 | |
# Could you hang me in a gallery? | 0:17:22 | 0:17:25 | |
# I am built like a sculpture | 0:17:25 | 0:17:27 | |
# Not a painting, ironically | 0:17:27 | 0:17:30 | |
# Was that art we destroyed? | 0:17:30 | 0:17:34 | |
# I'm having trouble telling why you're annoyed | 0:17:34 | 0:17:37 | |
# It was pants, now it's gone | 0:17:37 | 0:17:39 | |
# Can't we call it misadventure and just try to carry on? # | 0:17:39 | 0:17:43 | |
Please? | 0:17:43 | 0:17:45 | |
No! You two are up the Haywain without a carthouse! | 0:17:45 | 0:17:48 | |
I think what they've done is good. | 0:17:48 | 0:17:50 | |
George, you're a security guard, stick to tutting at schoolchildren | 0:17:50 | 0:17:53 | |
eating yoghurt by the Picassos. | 0:17:53 | 0:17:55 | |
They call me George in my day job, but my secret identity is... | 0:17:55 | 0:18:01 | |
ALL: Pithy Nomdeploom?! | 0:18:03 | 0:18:05 | |
Flippy Poppadom? | 0:18:05 | 0:18:07 | |
That's my pen-name. Don't wear it out. | 0:18:07 | 0:18:11 | |
But you're the day security guard, you interviewed us for this job! | 0:18:11 | 0:18:15 | |
Yes, and I removed everything in this room when you weren't looking. | 0:18:15 | 0:18:18 | |
I, Pithy Nomdeploom, have engineered the situation | 0:18:30 | 0:18:36 | |
to create this | 0:18:36 | 0:18:38 | |
unique work of art! | 0:18:38 | 0:18:40 | |
-What work of art? -I wanted my exhibition to be about | 0:18:40 | 0:18:44 | |
how much people value art. | 0:18:44 | 0:18:45 | |
All this chaos was created when you thought you'd damaged and then lost | 0:18:45 | 0:18:51 | |
-my original exhibition. -What? | 0:18:51 | 0:18:54 | |
Because you valued the art so highly, | 0:18:54 | 0:18:56 | |
you were worried and scared that you'd ruined everything. | 0:18:56 | 0:18:59 | |
That worry, that fear, turned into this! | 0:18:59 | 0:19:04 | |
You were actually helping me create a whole new work of art. | 0:19:04 | 0:19:07 | |
I don't believe it, we created art! Ha-ha! | 0:19:07 | 0:19:11 | |
# Is this art we've created? | 0:19:16 | 0:19:18 | |
# It is pretty as a picture of me | 0:19:18 | 0:19:21 | |
# But is it worth being feted | 0:19:21 | 0:19:24 | |
# And put where lots of wealthy wallies can see? # | 0:19:24 | 0:19:27 | |
Yes, it is! It's genius! | 0:19:27 | 0:19:30 | |
# We're a success, we are feted | 0:19:30 | 0:19:33 | |
# We are la-di-da-da artists, you see | 0:19:33 | 0:19:37 | |
# For the mess that we painted | 0:19:37 | 0:19:40 | |
# Is now hanging in a gallery | 0:19:40 | 0:19:42 | |
# We are rich, we are famous | 0:19:46 | 0:19:48 | |
# We are celebrated artists, yippee! | 0:19:48 | 0:19:52 | |
# We're a stitch in the canvas | 0:19:52 | 0:19:55 | |
# Of an even greater gallery... # | 0:19:55 | 0:19:58 | |
I think you mean I'M rich. It was all my idea, | 0:19:58 | 0:20:01 | |
so the art actually belongs to me. | 0:20:01 | 0:20:05 | |
What? | 0:20:05 | 0:20:06 | |
He's a great big numpty | 0:20:06 | 0:20:09 | |
who wasn't much cop as a security guard, let alone an artist, | 0:20:09 | 0:20:13 | |
but I'm afraid he's right, lads. | 0:20:13 | 0:20:16 | |
It's his art. | 0:20:16 | 0:20:18 | |
You just made a dreadful mess, it was I who gave it meaning! | 0:20:18 | 0:20:22 | |
You weren't artists, you were just my paintbrushes. | 0:20:22 | 0:20:26 | |
# Yes, it's art, yes, it's painted | 0:20:29 | 0:20:33 | |
# Yes, it's hanging in a gallery | 0:20:33 | 0:20:36 | |
# But as Pithy has narrated | 0:20:36 | 0:20:39 | |
# Not a penny of the profit's for me | 0:20:39 | 0:20:41 | |
# Can you spare a quid for a cup of tea? # | 0:20:41 | 0:20:47 | |
I'll get you a brew, boys. | 0:20:49 | 0:20:52 | |
Not till I've had a few choice words with Mr Biffy Nondisclosure. | 0:20:52 | 0:20:57 | |
Leave him, Little Howard. | 0:20:57 | 0:20:59 | |
He might be worth millions, but he's not worth it. | 0:20:59 | 0:21:02 | |
And I happen to know he tinkles on the seat. | 0:21:02 | 0:21:06 | |
Right, you... | 0:21:06 | 0:21:08 | |
You could argue with me, or you could go away now, | 0:21:08 | 0:21:11 | |
and I won't tell Mr Art Gallery that it was you | 0:21:11 | 0:21:14 | |
who scrawled a load of pants on the botties of the Botticellis. | 0:21:14 | 0:21:18 | |
-The what? -The nudes, dear boy, the nudes. -Oh, dear. | 0:21:18 | 0:21:23 | |
You did what?! | 0:21:23 | 0:21:25 | |
Shut up and leave. | 0:21:25 | 0:21:27 | |
I wish you'd drawn pants on some of the nudey sculptures, too. | 0:21:38 | 0:21:41 | |
Dusting those bits don't 'alf make me blush! | 0:21:41 | 0:21:44 | |
Nooo! Aaaah! | 0:21:44 | 0:21:49 | |
My beautiful nudes! | 0:21:49 | 0:21:51 | |
-No! -Peg it! | 0:21:53 | 0:21:56 | |
My beautiful nudes... | 0:21:59 | 0:22:02 |