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FAST MUSIC PLAYS | 0:00:02 | 0:00:03 | |
CHUCKLING | 0:00:03 | 0:00:04 | |
# Whoa-whoa-oh-oh | 0:00:06 | 0:00:07 | |
# Whoa-whoa-oh-oh | 0:00:07 | 0:00:09 | |
# Whoa-oh-oh-oh | 0:00:09 | 0:00:11 | |
SCREAMING | 0:00:11 | 0:00:14 | |
# Whoa-oh-oh-oh | 0:00:14 | 0:00:18 | |
# Tell me, who are you? | 0:00:18 | 0:00:20 | |
# Time to be brave | 0:00:21 | 0:00:24 | |
# Give me the truth | 0:00:24 | 0:00:26 | |
# The truth will save | 0:00:28 | 0:00:31 | |
# I know that it's hard | 0:00:31 | 0:00:32 | |
# But look me in the eye | 0:00:34 | 0:00:37 | |
# You see yourself | 0:00:37 | 0:00:39 | |
# You know you got to try... # | 0:00:39 | 0:00:42 | |
'Right now the band and I' | 0:00:42 | 0:00:44 | |
are performing in front of other musicians at the studio. | 0:00:44 | 0:00:46 | |
'Lost & Found is where everyone wants to be. | 0:00:46 | 0:00:48 | |
'It's an amazing place where young musicians come to be great.' | 0:00:48 | 0:00:51 | |
-# We are the lost -The lost | 0:00:51 | 0:00:53 | |
-# And the found -The found | 0:00:53 | 0:00:54 | |
# Don't know where we stand, but it's solid ground | 0:00:54 | 0:00:57 | |
# It's your shot | 0:00:57 | 0:00:59 | |
# To see what you got | 0:00:59 | 0:01:00 | |
# Only a true light shines as bright as you... # | 0:01:00 | 0:01:03 | |
'The guys in the band are like brothers to me.' | 0:01:03 | 0:01:06 | |
I feel like we just gel, and that's the most important thing. | 0:01:06 | 0:01:10 | |
# You cannot hide your beautiful life | 0:01:10 | 0:01:13 | |
# The truth you're fighting on... # | 0:01:13 | 0:01:15 | |
'I'm actually a dancer and I met these guys | 0:01:15 | 0:01:17 | |
'because they practice in the same building as The Next Step.' | 0:01:17 | 0:01:20 | |
Now, they needed a drummer, so now I'm in a band. | 0:01:20 | 0:01:23 | |
# Your story's out | 0:01:23 | 0:01:26 | |
# Your voice is finally heard... # | 0:01:26 | 0:01:28 | |
'The studio is my haven, it's my escape.' | 0:01:28 | 0:01:31 | |
There's nothing else I'd rather be doing than making music | 0:01:31 | 0:01:34 | |
with my best friends. | 0:01:34 | 0:01:36 | |
-# This could be the start of -This could be the start | 0:01:36 | 0:01:39 | |
-# This could be the start of -This could be the start | 0:01:39 | 0:01:42 | |
-# We are the lost -The lost | 0:01:42 | 0:01:45 | |
-# And the found -The found | 0:01:45 | 0:01:47 | |
# Don't know where we stand but it's solid ground | 0:01:47 | 0:01:49 | |
# It's your shot | 0:01:49 | 0:01:51 | |
# To see what you got | 0:01:51 | 0:01:52 | |
# Only a true light shines as bright as you... # | 0:01:52 | 0:01:54 | |
'I opened up Lost & Found about seven years ago.' | 0:01:54 | 0:01:57 | |
It's a performance venue, it's a recording studio | 0:01:57 | 0:01:59 | |
'and I also started an elite music programme for young musicians.' | 0:01:59 | 0:02:02 | |
-He is so good. -Yeah. | 0:02:08 | 0:02:11 | |
-They are awesome. -I know, that's what I just said. | 0:02:11 | 0:02:14 | |
I've been here for two years. | 0:02:14 | 0:02:16 | |
I absolutely love it, | 0:02:16 | 0:02:18 | |
'and I especially like watching people perform, in particular Luke.' | 0:02:18 | 0:02:22 | |
He's got a lot going for him. | 0:02:22 | 0:02:25 | |
'Leia and I are best friends. | 0:02:25 | 0:02:26 | |
'I think I might have a better voice' | 0:02:26 | 0:02:29 | |
but Leia is hands down the best songwriter in the studio. | 0:02:29 | 0:02:32 | |
'My parents are really strict. I mean, I can't even wear lipstick.' | 0:02:38 | 0:02:41 | |
I have to be home before anyone else does, | 0:02:41 | 0:02:44 | |
'and it makes it really hard to make friends. | 0:02:44 | 0:02:46 | |
'Even though this is my second year here' | 0:02:46 | 0:02:49 | |
I still don't feel like I fit in. | 0:02:49 | 0:02:50 | |
-# This could be the start of -This could be the start of | 0:02:50 | 0:02:53 | |
-# We are the lost -The lost | 0:02:53 | 0:02:55 | |
-# And the found -The found | 0:02:55 | 0:02:57 | |
# Don't know where we stand but it's solid ground | 0:02:57 | 0:03:00 | |
# It's your shot... # | 0:03:00 | 0:03:01 | |
'The studio is so awesome and we just love coming' | 0:03:01 | 0:03:04 | |
and watching the talent that's here. | 0:03:04 | 0:03:07 | |
# Whoa-whoa-oh-oh | 0:03:07 | 0:03:10 | |
# Whoa-oh-oh-oh... # | 0:03:10 | 0:03:13 | |
'We are the lost and we are the found. | 0:03:13 | 0:03:16 | |
'And this is where we want to be.' | 0:03:16 | 0:03:19 | |
CHEERING | 0:03:20 | 0:03:23 | |
-# We are the lost -The lost | 0:03:25 | 0:03:26 | |
-# And the found -The found | 0:03:26 | 0:03:28 | |
# Don't know where we stand, but it's solid ground | 0:03:28 | 0:03:31 | |
-# It's your shot -Take it | 0:03:31 | 0:03:32 | |
# To see what you've got | 0:03:32 | 0:03:34 | |
# Only a true light shines as bright as you | 0:03:34 | 0:03:37 | |
# Whoa, whoa, whoa. # | 0:03:37 | 0:03:43 | |
'Every year Mr T sends some of the musicians on tour. After the tour,' | 0:03:56 | 0:04:01 | |
lots of musicians from Lost & Found | 0:04:01 | 0:04:03 | |
get big music careers, | 0:04:03 | 0:04:04 | |
and I hope that happens to me one day. | 0:04:04 | 0:04:06 | |
'There's a goodbye party tonight to send off the musicians, | 0:04:06 | 0:04:09 | |
'and it's going to be crazy.' | 0:04:09 | 0:04:11 | |
If you go on tour, that means your time at Lost & Found is over. | 0:04:11 | 0:04:14 | |
But you're living the dream as a real musician. | 0:04:14 | 0:04:17 | |
-John. -Theo. | 0:04:17 | 0:04:19 | |
-Hey, man. -What's going on? -Not too much. | 0:04:19 | 0:04:21 | |
-My cousin just rescued an aardvark. -Seriously? -Yeah. | 0:04:21 | 0:04:24 | |
You know what? That's funny cos me and Luke tried to rescue a raccoon. | 0:04:24 | 0:04:27 | |
-It wasn't very happy with us. -No. | 0:04:27 | 0:04:29 | |
Raccoons are dangerous. | 0:04:29 | 0:04:31 | |
I want to go on tour so bad. | 0:04:31 | 0:04:33 | |
But I'm glad it's not this year | 0:04:33 | 0:04:34 | |
because the band's just starting to take off | 0:04:34 | 0:04:37 | |
and I want to see where this goes. | 0:04:37 | 0:04:38 | |
-Whoa! -Hey. | 0:04:38 | 0:04:41 | |
Do you even have a licence to drive this thing? | 0:04:41 | 0:04:43 | |
-You be careful now. -Don't need a licence to be awesome. | 0:04:43 | 0:04:46 | |
-Hey, guys. -Leia. | 0:04:48 | 0:04:50 | |
So, Mr T, I'm wondering, can I perform at tonight's party? | 0:04:50 | 0:04:53 | |
Well, what do you have in mind? | 0:04:53 | 0:04:54 | |
Well, Luke and I were actually going to write | 0:04:54 | 0:04:57 | |
-and perform an original song. -Oh. | 0:04:57 | 0:04:59 | |
OK, well, as long as it's original and new | 0:04:59 | 0:05:01 | |
because we want to make this send-off special for these guys. | 0:05:01 | 0:05:04 | |
Of course, yeah. | 0:05:04 | 0:05:05 | |
It's going to be like nothing you've ever heard before. | 0:05:05 | 0:05:07 | |
-Nothing? -Nothing. -OK, sounds good. -Thank you. | 0:05:07 | 0:05:09 | |
'I've been trying to get Luke to do a duet with me for months.' | 0:05:09 | 0:05:12 | |
This would give me an opportunity to show off my talent | 0:05:12 | 0:05:15 | |
and also spend some time with him. | 0:05:15 | 0:05:17 | |
-Hey, Luke. -Oh, hey, Leia. What's going on? | 0:05:17 | 0:05:21 | |
So, I was wondering, do you want to perform a duet tonight? | 0:05:21 | 0:05:25 | |
I just booked the green room for the entire afternoon | 0:05:25 | 0:05:28 | |
-so we can work on it. -I'm... | 0:05:28 | 0:05:30 | |
I mean, I have band practice later. | 0:05:30 | 0:05:32 | |
That's OK. I can write the song. | 0:05:32 | 0:05:34 | |
All you have to do is show up early to the performance | 0:05:34 | 0:05:36 | |
and you can learn your parts. | 0:05:36 | 0:05:38 | |
-Cool. -Cool. OK, I'll see you then. -See you later. -Bye. | 0:05:38 | 0:05:43 | |
What are you doing in here, Eva? | 0:05:43 | 0:05:46 | |
Oh, hanging out. Having a great time. | 0:05:46 | 0:05:50 | |
'I think that Parker's made me her project.' | 0:05:50 | 0:05:52 | |
Ever since last year she's always pushed me to get out there more. | 0:05:52 | 0:05:55 | |
I've seen this happen a lot | 0:05:55 | 0:05:57 | |
and the only way through this is to figure out what's right for her. | 0:05:57 | 0:06:00 | |
Make friends, make music, make mistakes. | 0:06:00 | 0:06:02 | |
I don't now. I mean... I just don't think I'm cool enough. | 0:06:02 | 0:06:05 | |
'My parents won't even let me have a phone' | 0:06:05 | 0:06:07 | |
and when I'm at home I can only use the computer for school work, | 0:06:07 | 0:06:10 | |
so it's really hard to connect with anyone else. | 0:06:10 | 0:06:12 | |
-What are you waiting for, a sign from God? -That would be nice. | 0:06:12 | 0:06:15 | |
Listen to this. Ivan just told me that his energy | 0:06:15 | 0:06:17 | |
doesn't vibe with this guitar any more, | 0:06:17 | 0:06:19 | |
-so he can't take it on tour with him. -Ivan, man. | 0:06:19 | 0:06:21 | |
-Do you want it? -What? -It's yours. -What? -Crazy musicians. | 0:06:21 | 0:06:25 | |
Is that a big enough sign for you? | 0:06:25 | 0:06:27 | |
'I think Parker could be right. | 0:06:27 | 0:06:28 | |
'This guitar could be a sign from above' | 0:06:28 | 0:06:32 | |
but I don't know what that means. | 0:06:32 | 0:06:35 | |
# Dancing in the light of your love | 0:06:35 | 0:06:37 | |
# Shot like an arrow to that place in your heart. # | 0:06:37 | 0:06:42 | |
-One skinny vanilla latte, no foam, for my man. -What? | 0:06:44 | 0:06:48 | |
'I've been asked to host a party for the musicians | 0:06:48 | 0:06:51 | |
'that are leaving on the tour.' | 0:06:51 | 0:06:52 | |
I just want everybody to feel great about tonight. | 0:06:52 | 0:06:54 | |
So, I'm starting off my hosting duties | 0:06:54 | 0:06:56 | |
a little early with some pre-show snacks and some glorious raps. | 0:06:56 | 0:07:00 | |
What did I do to deserve this? | 0:07:00 | 0:07:01 | |
# I say, Luke, you're a dreamer | 0:07:01 | 0:07:03 | |
# You a dreamer Yeah, you are | 0:07:03 | 0:07:05 | |
# Yeah, you are | 0:07:05 | 0:07:06 | |
# You're the band's frontman and a loyal friend to Jude | 0:07:06 | 0:07:08 | |
# You a star You a star | 0:07:08 | 0:07:11 | |
# You got that fashion sense that take off in a zoom | 0:07:11 | 0:07:13 | |
# You got that bright smile that light up the room | 0:07:13 | 0:07:16 | |
# Homie. # | 0:07:16 | 0:07:17 | |
'Everybody is so busy' | 0:07:17 | 0:07:18 | |
preparing for tonight, so I'm here to settle everybody down. | 0:07:18 | 0:07:21 | |
What a beautiful man. | 0:07:21 | 0:07:23 | |
This better be soya. | 0:07:25 | 0:07:26 | |
Hey, Leia. | 0:07:28 | 0:07:30 | |
What's going on, Rachel? | 0:07:33 | 0:07:35 | |
So, I heard you're singing at the party. | 0:07:35 | 0:07:37 | |
How's the song going? | 0:07:37 | 0:07:39 | |
Well, for once in my life... | 0:07:39 | 0:07:41 | |
-I've got nothing. -You? -Mm-hm. | 0:07:41 | 0:07:44 | |
'In the two years that I've known Leia, she's never had' | 0:07:44 | 0:07:47 | |
writer's block, so it's weird. | 0:07:47 | 0:07:50 | |
I cannot believe that the first time I have writer's block | 0:07:50 | 0:07:54 | |
I'm suppose to be writing a song for my crush. Seriously. | 0:07:54 | 0:07:57 | |
Why don't you just pick a song you've already written? | 0:07:57 | 0:08:00 | |
You have like a million and two of them. | 0:08:00 | 0:08:02 | |
That's actually a really good idea. | 0:08:02 | 0:08:04 | |
-Do you want to help me choose? -Sure. | 0:08:04 | 0:08:06 | |
I have so many. OK. | 0:08:06 | 0:08:08 | |
This will be great. | 0:08:08 | 0:08:10 | |
# I wait patiently | 0:08:10 | 0:08:13 | |
# I'd love to have my heart | 0:08:13 | 0:08:16 | |
# Broken by you | 0:08:16 | 0:08:19 | |
# I'd love to have my world torn in two | 0:08:19 | 0:08:23 | |
# Baby, I'll give you the chance to make me feel blue | 0:08:25 | 0:08:30 | |
# I'd love to have my heart | 0:08:30 | 0:08:33 | |
# Broken by you | 0:08:33 | 0:08:35 | |
# I'd love... # | 0:08:35 | 0:08:36 | |
'I'm here to pick up John. | 0:08:36 | 0:08:38 | |
'We're going to the studio to jam out for a little bit. | 0:08:38 | 0:08:40 | |
'After John's mom passed away he kind of shut down, | 0:08:40 | 0:08:44 | |
'but I'm finally starting to see the old John peek out again.' | 0:08:44 | 0:08:47 | |
-Didn't mean to scare you, man. -Yeah. | 0:08:49 | 0:08:52 | |
-I think that might be about Michelle. -It might be. | 0:08:52 | 0:08:55 | |
-You should sing it for her, man. -I can't. | 0:08:55 | 0:08:57 | |
'I don't know if I would ever sing it for Michelle cos it's' | 0:08:57 | 0:09:00 | |
all the things that I want to say to Michelle, but I can never say. | 0:09:00 | 0:09:05 | |
-Hey. -Hey. -You forget something? | 0:09:05 | 0:09:07 | |
-I'll get it on my way out. -I told you to take it out last night. | 0:09:07 | 0:09:10 | |
I'll put it out this morning. It's not going to make... | 0:09:10 | 0:09:12 | |
Morning, Thomas. How's it going? | 0:09:12 | 0:09:15 | |
It's a great day outside. Very sunshiny. | 0:09:15 | 0:09:17 | |
You look great today, by the way. | 0:09:17 | 0:09:20 | |
-Thank you. -I like the way your hair looks. -Mm-hm. | 0:09:20 | 0:09:23 | |
John and John's father Thomas are constantly bickering. | 0:09:23 | 0:09:25 | |
'There's a lot of tension between the two' | 0:09:25 | 0:09:28 | |
and whenever I see it build I short-circuit it right away. | 0:09:28 | 0:09:31 | |
He looks great, but he is scary. | 0:09:31 | 0:09:33 | |
Now I don't know how you live with that. | 0:09:33 | 0:09:35 | |
'When John says the song's not ready' | 0:09:35 | 0:09:36 | |
I don't believe it for one second. I know the song is ready. | 0:09:36 | 0:09:39 | |
I can hear it. It sounds great. He's the one that's not ready. | 0:09:39 | 0:09:42 | |
Hey. Ah, so I need you to tell me | 0:09:51 | 0:09:52 | |
what you're going to be doing for the goodbye party tonight. | 0:09:52 | 0:09:55 | |
Well, actually, we were thinking of this song. | 0:09:55 | 0:09:58 | |
-The Butterfly song? -Yeah. | 0:09:59 | 0:10:01 | |
Well, I asked for a new song. Why didn't you do that? | 0:10:01 | 0:10:04 | |
-Um... -Thank you. | 0:10:04 | 0:10:06 | |
-See ya. -But I thought it was... -You won't be singing. | 0:10:06 | 0:10:09 | |
'I told Leia she can't perform because' | 0:10:09 | 0:10:11 | |
she's coasting. I don't like that. | 0:10:11 | 0:10:13 | |
I feel like I blew it because I lost the chance to perform | 0:10:13 | 0:10:16 | |
in front of everyone and perform with Luke. | 0:10:16 | 0:10:19 | |
I'm sorry. | 0:10:19 | 0:10:21 | |
-Hi. -Hey. Ah... | 0:10:25 | 0:10:27 | |
If you're looking for an original, John came up with a really good one. | 0:10:27 | 0:10:30 | |
-Brand-new. -OK. All right, send him my way. -Cool. | 0:10:30 | 0:10:33 | |
'I do feel bad for Leia, | 0:10:33 | 0:10:35 | |
'but I see a really great opportunity to help out John.' | 0:10:35 | 0:10:38 | |
Michelle will be at the party and she'll hear John's song | 0:10:38 | 0:10:40 | |
when he sings it. | 0:10:40 | 0:10:42 | |
BOTH: # I'll always have you | 0:10:45 | 0:10:49 | |
# You'll always have me | 0:10:49 | 0:10:53 | |
# Lay low, go with the flow | 0:10:53 | 0:10:56 | |
# I realise all the ways that the days roll by | 0:10:56 | 0:11:00 | |
# Down the winding road... # | 0:11:00 | 0:11:04 | |
'It's my second year here at Lost & Found,' | 0:11:04 | 0:11:06 | |
but I still say thank you every time I walk through the door. | 0:11:06 | 0:11:09 | |
It's impossible not to be in awe of all the talent here. | 0:11:09 | 0:11:13 | |
# Oh, oh, oh | 0:11:13 | 0:11:16 | |
# Go on, go on, go on, take it easy | 0:11:16 | 0:11:19 | |
# Buh-buh-baby, believe me. # | 0:11:19 | 0:11:22 | |
That was hot. I like that. | 0:11:25 | 0:11:28 | |
I brought you guys some snacks...and something else. | 0:11:28 | 0:11:31 | |
-RAPPING: -# Hannah, you're the most joyful person in the Lost & Found | 0:11:31 | 0:11:34 | |
# I swear it's a joy to have you around | 0:11:34 | 0:11:36 | |
# You keep me smiling whenever this boy is down | 0:11:36 | 0:11:39 | |
# You're so vibrant, enthusiastic, class clown | 0:11:39 | 0:11:41 | |
# This ain't a diss, though | 0:11:41 | 0:11:43 | |
# You got a killer voice, I want one That's a wish, though | 0:11:43 | 0:11:45 | |
# You played a mean ukulele from the get-go | 0:11:45 | 0:11:48 | |
# And this was a great meeting | 0:11:48 | 0:11:49 | |
# You as sweet as the very pie you're about to be eating. # | 0:11:49 | 0:11:52 | |
Yeah! | 0:11:52 | 0:11:54 | |
-Theo, I got you. Hold on, hold up. -Wait. | 0:11:54 | 0:11:56 | |
King of charisma, quick with a rhyme and a snack. | 0:11:58 | 0:12:03 | |
Who is he? | 0:12:03 | 0:12:05 | |
He is Jude. | 0:12:05 | 0:12:07 | |
Um...if that was supposed to be a rap, | 0:12:07 | 0:12:10 | |
it didn't rhyme at all. Like, at all. | 0:12:10 | 0:12:13 | |
It's a haiku. | 0:12:13 | 0:12:14 | |
It doesn't need to rhyme, it just needs to blast your soul. | 0:12:14 | 0:12:17 | |
JUDE CHUCKLES | 0:12:17 | 0:12:18 | |
Give me some love, bro. I feel you. | 0:12:18 | 0:12:22 | |
'He walks over and gives me a haiku.' | 0:12:22 | 0:12:24 | |
17 syllables of pure glory. | 0:12:24 | 0:12:26 | |
Telling me you don't love this place? | 0:12:26 | 0:12:29 | |
Hey, listen, I don't think I can do the song at the party tonight. | 0:12:29 | 0:12:33 | |
-Why? -It's just a bad idea. | 0:12:33 | 0:12:36 | |
I don't know, I think it's a really great opportunity. | 0:12:37 | 0:12:40 | |
Trust me, I have a really bad feeling about this. | 0:12:40 | 0:12:42 | |
Is it because Michelle is going to be there? | 0:12:42 | 0:12:44 | |
Of course it's cos Michelle is going to be there. | 0:12:44 | 0:12:46 | |
What if she thinks the song is about her? I'm done if that happens. | 0:12:46 | 0:12:50 | |
What if she feels the same way? | 0:12:50 | 0:12:52 | |
She's not going to feel the same way. | 0:12:52 | 0:12:54 | |
Well, if you don't want to do it, why don't I sing it? | 0:12:56 | 0:12:59 | |
Yeah, sure, I guess. | 0:13:02 | 0:13:04 | |
-I don't see why not. -Cool. | 0:13:04 | 0:13:07 | |
'I think I have a plan and by the end of the plan,' | 0:13:07 | 0:13:10 | |
John and Michelle will be together. | 0:13:10 | 0:13:12 | |
-Eat your fries. -They're cold. -So? | 0:13:12 | 0:13:16 | |
I'll eat them. What's wrong with you? | 0:13:17 | 0:13:20 | |
I feel awful about what I had to tell Luke. | 0:13:23 | 0:13:26 | |
Just because I couldn't figure out how to write an original song, | 0:13:26 | 0:13:29 | |
-he doesn't get to perform at the party. -I'm sure he's fine. | 0:13:29 | 0:13:33 | |
I wouldn't worry about it. You know, he's a songwriter too. | 0:13:33 | 0:13:36 | |
-I'm sure there's been a tonne of... -Hold that thought. | 0:13:36 | 0:13:39 | |
Can I get my usual, please? | 0:13:39 | 0:13:41 | |
-Hey. -Hey, Leia. -How's it going? -It goes and it keeps on going. -Nice. | 0:13:41 | 0:13:46 | |
I was just wondering if you knew where Luke was - | 0:13:46 | 0:13:48 | |
-I wanted to apologise. -Oh, no, no stress, no stress. | 0:13:48 | 0:13:52 | |
-He doesn't care at all. -See? | 0:13:52 | 0:13:55 | |
Well, why not? | 0:13:55 | 0:13:57 | |
I don't know, he's doing a solo, I think. | 0:13:57 | 0:14:00 | |
How did he come up with an original song so quickly? | 0:14:00 | 0:14:03 | |
I don't know much, I just know it's a love song. | 0:14:03 | 0:14:06 | |
-A love song. -Yep. | 0:14:07 | 0:14:10 | |
Oh. | 0:14:10 | 0:14:12 | |
Duly noted. | 0:14:12 | 0:14:13 | |
Luke wrote a love song for the party? | 0:14:13 | 0:14:16 | |
Did you hear what Theo just said? | 0:14:16 | 0:14:18 | |
-It means nothing. -Everything means something. -OK. | 0:14:18 | 0:14:24 | |
'I mean, I get it, he's really cute and he's an amazing musician,' | 0:14:24 | 0:14:27 | |
but she's got her heads in the clouds | 0:14:27 | 0:14:30 | |
and it's going to lead to a big storm. | 0:14:30 | 0:14:33 | |
# Cos I have never loved like this before... # | 0:14:33 | 0:14:41 | |
'Now that I have this guitar, | 0:14:44 | 0:14:46 | |
'I'm not really sure what to do with it' | 0:14:46 | 0:14:48 | |
or even how to hold it. | 0:14:48 | 0:14:49 | |
Hey, what's up? | 0:14:50 | 0:14:53 | |
-Nothing much. -Wow, this is all shiny. -Yeah. | 0:14:53 | 0:14:57 | |
'So I see Eva just sitting in there' | 0:14:57 | 0:14:59 | |
just thinking way too hard. I'm like, "I need to go cheer her up." | 0:14:59 | 0:15:02 | |
OK. | 0:15:02 | 0:15:04 | |
-HE RAPS: -# Your guitar is matching your lipstick | 0:15:04 | 0:15:06 | |
# It's matching your lipstick | 0:15:06 | 0:15:08 | |
# I should pull out my phone and take a quick pic | 0:15:08 | 0:15:10 | |
# And take a quick pic Selfie? | 0:15:10 | 0:15:12 | |
# You're a wallflower Money shower | 0:15:12 | 0:15:14 | |
# Slowly I see you gaining power... # | 0:15:14 | 0:15:16 | |
-SINGING: -# Everything will change for you | 0:15:16 | 0:15:19 | |
# Or else they wouldn't call your boy Master Jude. # | 0:15:19 | 0:15:22 | |
THEY CHUCKLE | 0:15:22 | 0:15:24 | |
-Thank you so much, Jude. -Anything for you. | 0:15:24 | 0:15:27 | |
-Thanks. -Enjoy your night. -Yeah. Yeah, you too. -Thank you, thank you. | 0:15:27 | 0:15:30 | |
'Jude does his rap and it kind of makes me feel' | 0:15:30 | 0:15:32 | |
like maybe people at Lost & Found do actually understand me. | 0:15:32 | 0:15:36 | |
Thank you for the time that you guys have spent here with us. | 0:15:43 | 0:15:46 | |
Please be safe and please do not forget us. | 0:15:46 | 0:15:49 | |
Saying goodbye today is going to be very bittersweet. | 0:15:49 | 0:15:52 | |
CHEERING | 0:15:52 | 0:15:53 | |
Jude's speech is not really a speech, it was kind of short. | 0:15:53 | 0:15:56 | |
It's cool, it's nice of him. | 0:15:56 | 0:15:58 | |
And I would like to welcome my boy Luke to the stage, please. | 0:15:59 | 0:16:02 | |
CHEERING | 0:16:02 | 0:16:04 | |
'I'm about to put my plan into action | 0:16:04 | 0:16:06 | |
'and I'm going to sing John's song to Michelle.' | 0:16:06 | 0:16:09 | |
What John doesn't know is that I'm going to bring him onstage | 0:16:09 | 0:16:12 | |
halfway through the song so he can sing the song himself to Michelle. | 0:16:12 | 0:16:15 | |
Whoo! | 0:16:15 | 0:16:17 | |
All right. | 0:16:17 | 0:16:18 | |
There is a special lady here today and this song is about her. | 0:16:18 | 0:16:23 | |
I hope she likes it a lot. Here we go. | 0:16:23 | 0:16:27 | |
'All this nonsense of John and Michelle not being able | 0:16:27 | 0:16:30 | |
'to look at each other will end.' | 0:16:30 | 0:16:31 | |
Let the fireworks begin. It's time to make my move. | 0:16:31 | 0:16:34 | |
# Cold sweat surrounds me | 0:16:51 | 0:16:54 | |
# Every time you walk by | 0:16:54 | 0:16:57 | |
# I get a shiver | 0:16:57 | 0:17:00 | |
# I can't look into your eyes | 0:17:00 | 0:17:04 | |
# With all your friends around you | 0:17:04 | 0:17:06 | |
# You probably don't see me... # | 0:17:06 | 0:17:09 | |
'I'm really nervous about Michelle hearing this song' | 0:17:09 | 0:17:12 | |
even though she probably won't know it's about her. | 0:17:12 | 0:17:15 | |
# Cos I'd love to have my heart broken by you | 0:17:15 | 0:17:20 | |
# And I'd love to have my world torn in two | 0:17:21 | 0:17:27 | |
# Baby, I'll give you the chance to make me feel blue... # | 0:17:28 | 0:17:32 | |
'As Luke is singing, he keeps glancing over at me. | 0:17:32 | 0:17:36 | |
'It's kind of making me feel like he maybe wrote the song about me,' | 0:17:36 | 0:17:39 | |
but I really hope he didn't, because I don't feel the same way about him. | 0:17:39 | 0:17:43 | |
# So what can I do, darling? | 0:17:43 | 0:17:46 | |
# What can I say...? # | 0:17:46 | 0:17:49 | |
I'm pretty sure this song is about me. | 0:17:49 | 0:17:51 | |
I'm just going to wait for a sign. | 0:17:51 | 0:17:53 | |
-You know, I don't really think... -Sh! | 0:17:53 | 0:17:56 | |
# Maybe I should take a chance | 0:17:56 | 0:17:58 | |
# And go talk to you | 0:17:58 | 0:18:01 | |
# It's better than looking down | 0:18:01 | 0:18:05 | |
# At these worn-out shoes... | 0:18:05 | 0:18:07 | |
-BOTH: -# I'd love to have my heart broken by you | 0:18:07 | 0:18:13 | |
# I'd love to have my world torn in two... # | 0:18:13 | 0:18:19 | |
'This is exactly where my plan went south.' | 0:18:19 | 0:18:22 | |
You can never plan for Leia. Ever. | 0:18:22 | 0:18:25 | |
# Cos I'd love to have my heart broken by you... # | 0:18:25 | 0:18:29 | |
I have no idea what she's thinking, but she just saved me. | 0:18:29 | 0:18:33 | |
'I mean, I don't know who Luke was motioning at' | 0:18:33 | 0:18:36 | |
but I don't think it was her. | 0:18:36 | 0:18:38 | |
'This is a really special moment.' | 0:18:38 | 0:18:40 | |
I hope someone is recording it on their phone | 0:18:40 | 0:18:42 | |
so I can look back on it fondly. | 0:18:42 | 0:18:44 | |
-BOTH: -# Cos I'd love to have my heart broken by you | 0:18:44 | 0:18:49 | |
# I'd love to have my world torn in two | 0:18:50 | 0:18:57 | |
# Baby, I'll give you the chance to make me feel blue | 0:18:57 | 0:19:02 | |
# I'd love to have my heart broken by you. # | 0:19:02 | 0:19:08 | |
CHEERING AND APPLAUSE | 0:19:10 | 0:19:13 | |
-Yeah. -I'd just like to thank Luke | 0:19:13 | 0:19:16 | |
-for writing that beautiful song about me. -Uh... | 0:19:16 | 0:19:18 | |
I-I...I didn't write that song. | 0:19:18 | 0:19:22 | |
John wrote it. | 0:19:22 | 0:19:23 | |
Why would John write a song about me? | 0:19:25 | 0:19:28 | |
Em... | 0:19:30 | 0:19:32 | |
It's not about you, it's about someone else. | 0:19:32 | 0:19:34 | |
Uh, OK! | 0:19:38 | 0:19:40 | |
Uh, we wish you luck on your way. Have a good night, everyone. | 0:19:40 | 0:19:44 | |
Enjoy the punch. Whoo! | 0:19:44 | 0:19:45 | |
APPLAUSE | 0:19:45 | 0:19:47 | |
Give it up for John. | 0:19:52 | 0:19:54 | |
CHEERING | 0:19:54 | 0:19:55 | |
The girl that he wrote that song for is one lucky... | 0:20:00 | 0:20:05 | |
Goodnight. | 0:20:07 | 0:20:08 | |
APPLAUSE | 0:20:11 | 0:20:13 | |
'I can't believe Luke didn't write that song. It...' | 0:20:13 | 0:20:16 | |
It looked like he was singing it right to me. | 0:20:16 | 0:20:20 | |
I'm just... | 0:20:20 | 0:20:22 | |
I'm really confused. | 0:20:22 | 0:20:23 | |
What's wrong? | 0:20:33 | 0:20:34 | |
-I'm not here, don't say anything. -Of course. | 0:20:34 | 0:20:37 | |
-Hey. -Hey. | 0:20:39 | 0:20:40 | |
-Do you know where John is? -He just left. | 0:20:40 | 0:20:43 | |
Oh. | 0:20:43 | 0:20:44 | |
OK, well, you guys did amazing. I love that song so much. | 0:20:44 | 0:20:47 | |
Oh, thanks. | 0:20:47 | 0:20:48 | |
If you could let John know that I think he did a really good job, | 0:20:48 | 0:20:50 | |
-I'd appreciate that. -Yeah, I'll tell him. | 0:20:50 | 0:20:52 | |
Do you know who the song is about? | 0:20:52 | 0:20:56 | |
I think that's a question for John. It's his song. He wrote it. | 0:20:56 | 0:21:00 | |
OK. | 0:21:00 | 0:21:01 | |
-Bye. -I'll see you later. | 0:21:01 | 0:21:02 | |
She's gone. | 0:21:04 | 0:21:06 | |
Why don't you just talk to her and connect with her? | 0:21:09 | 0:21:12 | |
Terrible idea. | 0:21:12 | 0:21:13 | |
No, you're being a wimp, that's what you're being. | 0:21:13 | 0:21:15 | |
-I'm not a wimp all the time. -A good 80% of the time. | 0:21:15 | 0:21:18 | |
I'd say 60. | 0:21:18 | 0:21:20 | |
LUKE CHUCKLES | 0:21:20 | 0:21:22 | |
Hey, thanks for not telling Michelle the song was about her. | 0:21:22 | 0:21:26 | |
Yeah, no problem. | 0:21:26 | 0:21:27 | |
Hey, John. I thought I heard your voice. | 0:21:27 | 0:21:30 | |
Um... | 0:21:30 | 0:21:32 | |
# Whoa-whoa-oh-oh | 0:21:38 | 0:21:39 | |
# Whoa-whoa-oh-oh | 0:21:39 | 0:21:41 | |
# Whoa-oh-oh-oh | 0:21:41 | 0:21:43 | |
# We are the Lost | 0:21:43 | 0:21:45 | |
# And Found | 0:21:45 | 0:21:46 | |
# Don't know where we stand but it's solid ground | 0:21:46 | 0:21:49 | |
# It's your shot to see what you've got | 0:21:49 | 0:21:52 | |
# Only a true light shines as bright as you | 0:21:52 | 0:21:56 | |
# Whoa-whoa-oh-oh | 0:21:56 | 0:21:57 | |
# Whoa-whoa-oh-oh | 0:21:57 | 0:21:59 | |
# Whoa-oh-oh-oh | 0:21:59 | 0:22:02 | |
# Whoa-whoa-oh-oh | 0:22:02 | 0:22:04 | |
# Whoa-whoa-oh-oh | 0:22:04 | 0:22:05 | |
# Whoa-oh-oh-oh. # | 0:22:05 | 0:22:08 |