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Previously on Lost & Found... | 0:00:02 | 0:00:03 | |
Lost & Found is a performance venue, it's a recording studio | 0:00:03 | 0:00:06 | |
and I also started an elite music programme for young musicians. | 0:00:06 | 0:00:09 | |
-Do you think that might be about Michelle? -It might be. | 0:00:09 | 0:00:11 | |
-You should sing it for her, man. -I can't. -Why don't I sing it? | 0:00:11 | 0:00:14 | |
I'd just like to thank Luke | 0:00:14 | 0:00:15 | |
-for writing that beautiful song about me. -John wrote it. | 0:00:15 | 0:00:19 | |
Thanks for not telling Michelle the song was about her. | 0:00:19 | 0:00:21 | |
Yeah, no problem. | 0:00:21 | 0:00:23 | |
-Hey, John. -I thought I heard your voice. | 0:00:23 | 0:00:26 | |
Erm... | 0:00:26 | 0:00:28 | |
# Thinking about the day when we first met | 0:00:40 | 0:00:47 | |
# The way you made me feel and how you left | 0:00:47 | 0:00:52 | |
# What I wouldn't give just to be more | 0:00:52 | 0:00:59 | |
# To be someone that you hold and you adore | 0:00:59 | 0:01:06 | |
# Look in my eyes | 0:01:06 | 0:01:09 | |
# See what you mean to me | 0:01:09 | 0:01:12 | |
# Feel the beat of my heart | 0:01:12 | 0:01:15 | |
# I need to believe that I could walk through fire and burn in love | 0:01:15 | 0:01:21 | |
# But you still wouldn't feel the heat | 0:01:21 | 0:01:24 | |
# Feel the heat It burns in me | 0:01:24 | 0:01:27 | |
# But you see through me | 0:01:27 | 0:01:29 | |
# I could walk through fire and burn in love | 0:01:29 | 0:01:34 | |
# But you see through me | 0:01:34 | 0:01:36 | |
# I could walk through fire and burn in love | 0:01:36 | 0:01:41 | |
# You always know exactly what to say | 0:01:41 | 0:01:46 | |
# To pull me in before you walk away | 0:01:46 | 0:01:53 | |
# But I don't want to go through this again | 0:01:53 | 0:01:59 | |
# To act like I'm OK just being friends | 0:01:59 | 0:02:06 | |
# Look in my eyes | 0:02:06 | 0:02:09 | |
# See what you mean to me... # | 0:02:09 | 0:02:11 | |
Leia seems really into this performance. It seems like | 0:02:11 | 0:02:14 | |
it's something that's really personal to her, and it shows. | 0:02:14 | 0:02:17 | |
# ..I could walk through fire and burn in love | 0:02:17 | 0:02:22 | |
# But you still wouldn't feel the heat | 0:02:22 | 0:02:25 | |
# Feel the heat It burns in me...# | 0:02:25 | 0:02:28 | |
I wrote You See Through Me about Luke. | 0:02:28 | 0:02:30 | |
I think it's one of the best songs I've ever written. | 0:02:30 | 0:02:33 | |
So I'm submitting it for auditions. | 0:02:33 | 0:02:36 | |
# ..I could walk through fire and burn in love. # | 0:02:36 | 0:02:41 | |
APPLAUSE | 0:02:41 | 0:02:42 | |
The best songwriters at Lost & Found write songs and submit them to Mr T. | 0:02:42 | 0:02:46 | |
And Mr T chooses two of them for auditions. | 0:02:46 | 0:02:49 | |
Auditions are starting soon | 0:02:49 | 0:02:51 | |
and Mr T is just about to announce which songs have been chosen. | 0:02:51 | 0:02:54 | |
-That was so good. -Thank you! -Mr T is definitely going to pick your song. | 0:02:54 | 0:02:57 | |
Oh, I know that. | 0:02:57 | 0:02:58 | |
Being best friends with Leia is really intimidating, because I know | 0:02:58 | 0:03:02 | |
she's the best songwriter here. | 0:03:02 | 0:03:03 | |
I have been trying my hand at writing some songs, | 0:03:03 | 0:03:06 | |
but I know it's going to take a while before I reach her level. | 0:03:06 | 0:03:09 | |
All right, nice job, Leia. | 0:03:09 | 0:03:11 | |
OK, so, I've made my decision. | 0:03:11 | 0:03:13 | |
First song, Original, John. | 0:03:13 | 0:03:15 | |
Congratulations, once again. | 0:03:15 | 0:03:17 | |
APPLAUSE | 0:03:17 | 0:03:19 | |
And the second song I've chosen is Now Is Our Time, by Rachel. | 0:03:19 | 0:03:24 | |
APPLAUSE | 0:03:24 | 0:03:25 | |
Good job. | 0:03:25 | 0:03:28 | |
I am so excited that my song got picked for auditions. | 0:03:28 | 0:03:30 | |
I must be getting good. | 0:03:30 | 0:03:32 | |
THEY CHEER | 0:03:32 | 0:03:34 | |
Thanks for everyone's submissions. | 0:03:34 | 0:03:36 | |
I'm not trying to be egotistical, | 0:03:36 | 0:03:38 | |
but I thought my song was way better than the ones that were chosen. | 0:03:38 | 0:03:41 | |
Am I slipping? | 0:03:41 | 0:03:43 | |
-# We are the lost -The lost | 0:03:43 | 0:03:44 | |
-# And the found -The found | 0:03:44 | 0:03:46 | |
# Don't know where we stand but solid ground | 0:03:46 | 0:03:48 | |
-# It's your shot -Take it | 0:03:48 | 0:03:50 | |
-# See you what you've got -Don't break it | 0:03:50 | 0:03:52 | |
# Only true light shines as bright as you | 0:03:52 | 0:03:55 | |
# Whoa oh-oh Whoa oh-oh | 0:03:55 | 0:03:58 | |
# Whoa.# | 0:03:58 | 0:04:03 | |
# Maybe I'll give you the chance to make me feel good... # | 0:04:07 | 0:04:12 | |
I'm getting really annoyed with taking the bus. | 0:04:12 | 0:04:15 | |
What? I don't know, I kind of like it. It's my me time. | 0:04:15 | 0:04:19 | |
-All the time is your me time. -Well, I do love myself. | 0:04:19 | 0:04:23 | |
# John loves himself and his me time. # | 0:04:23 | 0:04:26 | |
I don't know if that's song-ready, but OK. | 0:04:26 | 0:04:28 | |
LUKE LAUGHS | 0:04:28 | 0:04:29 | |
Yesterday, Luke played a love song that I wrote for Michelle. | 0:04:29 | 0:04:32 | |
She knew I wrote it, but she didn't know it was about her. | 0:04:32 | 0:04:35 | |
When Michelle came to talk to me after the show, | 0:04:35 | 0:04:37 | |
I had no idea what to do. | 0:04:37 | 0:04:38 | |
-So, let me get this straight... -Mm-hm. -You told Michelle | 0:04:38 | 0:04:41 | |
that I wrote the song for Theo. | 0:04:41 | 0:04:43 | |
Yeah. | 0:04:43 | 0:04:45 | |
She's supposed to believe that | 0:04:45 | 0:04:46 | |
I wanted to have my heart broken by Theo? | 0:04:46 | 0:04:49 | |
-Yeah! It's like a bro-mance thing. -That's crazy! | 0:04:49 | 0:04:53 | |
-Exactly. It'll confuse her. -I'M confused. | 0:04:53 | 0:04:57 | |
Exactly. | 0:04:58 | 0:05:00 | |
Come on, lover boy. | 0:05:01 | 0:05:03 | |
Tonight is the band's first open mike performance. | 0:05:03 | 0:05:06 | |
We're pretty new to the whole experience of performing | 0:05:06 | 0:05:08 | |
in front of people, but we have to learn somewhere. | 0:05:08 | 0:05:11 | |
Do you think we could borrow a bass amp? | 0:05:11 | 0:05:14 | |
OK, there is one amp. You have to be careful with it. | 0:05:14 | 0:05:18 | |
-McCartney plugged into that amp. -What! -No way! | 0:05:18 | 0:05:20 | |
-Yes. -Seriously? -You're lying. -I'm not. | 0:05:20 | 0:05:22 | |
-So, I'm going to play McCartney's amp? -Yes. | 0:05:22 | 0:05:25 | |
-He's so happy about it. -Rock it. Have a good one. -No pressure. | 0:05:27 | 0:05:31 | |
I can't wait to play this open mike, and the band is going on the road. | 0:05:31 | 0:05:35 | |
I mean, I knew that Now Is Our Time was really good when I wrote it, | 0:05:35 | 0:05:39 | |
but I didn't know that it was audition good. | 0:05:39 | 0:05:42 | |
You know, like, Mr T picked my song over so many other people's. | 0:05:42 | 0:05:45 | |
I think it's because of the chorus. Like, the... | 0:05:45 | 0:05:48 | |
# Ah-ah-always on time... | 0:05:48 | 0:05:49 | |
-It's so catchy, right? -Ba-ba-ba. | 0:05:49 | 0:05:52 | |
-What? -Why don't I get us some juices? -OK, sure. | 0:05:52 | 0:05:56 | |
-OK, cool. -Actually, could you get me a muffin, too? -Yeah, of course. | 0:05:56 | 0:06:01 | |
Thank you. | 0:06:01 | 0:06:03 | |
Two juices and a muffin, please. | 0:06:04 | 0:06:07 | |
Thank you. | 0:06:07 | 0:06:08 | |
-Hey, John. -Hey! -Congratulations on your song being picked. -Thanks. | 0:06:10 | 0:06:14 | |
By the way, Rachel is driving me insane. | 0:06:14 | 0:06:17 | |
She won't stop talking about how great her song is. | 0:06:17 | 0:06:20 | |
Just let her have this one. I mean, she's happy. | 0:06:20 | 0:06:23 | |
I'm happy for her, but...to be honest, who's song was better? | 0:06:23 | 0:06:27 | |
Your song was better than both of ours. | 0:06:27 | 0:06:29 | |
-Well, then, why didn't Mr T pick it? -It's a formula. | 0:06:29 | 0:06:33 | |
I've gotten a song into the auditions two years in a row. | 0:06:33 | 0:06:36 | |
And it's because Mr T | 0:06:36 | 0:06:37 | |
is using a very specific formula for audition songs. | 0:06:37 | 0:06:41 | |
You need a song that has no personality, | 0:06:41 | 0:06:43 | |
that someone else can take and make their own. | 0:06:43 | 0:06:45 | |
So Rachel's song has no personality and mine's better? | 0:06:45 | 0:06:49 | |
-Yeah. -Thank you so much, you've made my day! I owe you one. | 0:06:49 | 0:06:54 | |
OK. OK! | 0:06:54 | 0:06:56 | |
John's formula totally makes sense. I'm not slipping. | 0:06:56 | 0:06:59 | |
-# Now is our time -Now is our time. # | 0:07:00 | 0:07:06 | |
-Oh, you forgot my muffin. -Oh, for sure, I did. I'm so sorry. | 0:07:06 | 0:07:09 | |
It's your day, anything for you. | 0:07:09 | 0:07:12 | |
# Now is our time | 0:07:12 | 0:07:15 | |
# Now is our time, our time. # | 0:07:15 | 0:07:18 | |
# Yeah, OK, growing up I realised | 0:07:22 | 0:07:25 | |
# The bigger picture is the real prize | 0:07:25 | 0:07:27 | |
# So I never close my big old eyes | 0:07:27 | 0:07:29 | |
# And when I do I never compromise | 0:07:29 | 0:07:31 | |
# For anybody telling me that you can't do it | 0:07:31 | 0:07:33 | |
# I swear to the heavens and I put it on the sky | 0:07:33 | 0:07:35 | |
# I'll prove it I swear to God I'll do it | 0:07:35 | 0:07:38 | |
# My dreams are going straight to reality | 0:07:38 | 0:07:40 | |
# And another thing that brings insanity with that... # | 0:07:40 | 0:07:44 | |
What are you doing? | 0:07:44 | 0:07:47 | |
I'm trying to shoot a music video and it's not going too smoothly. | 0:07:47 | 0:07:51 | |
-I think all you need is just an extra pair of hands. -Yeah? | 0:07:51 | 0:07:54 | |
-Can you lend me a hand? -Yeah. -Beautiful, thank you. | 0:07:54 | 0:07:58 | |
Jude is always helping people out around here, | 0:07:58 | 0:08:00 | |
so I feel like I should help him, too. | 0:08:00 | 0:08:02 | |
But also I'm trying to put myself out there more. | 0:08:02 | 0:08:04 | |
I think this year is time for new beginnings. | 0:08:04 | 0:08:07 | |
Why would we go to a gig that's going to take us | 0:08:10 | 0:08:12 | |
longer to travel there than we're actually playing? | 0:08:12 | 0:08:15 | |
Oh, the bus is coming. We should probably get ourselves situated. | 0:08:15 | 0:08:18 | |
An open mike is basically a chance for everyone to get together | 0:08:18 | 0:08:21 | |
and play their material in a safe environment. | 0:08:21 | 0:08:24 | |
You play your newest tunes and see what everybody thinks. | 0:08:24 | 0:08:28 | |
Without, you know, actually getting paid. Cos it's not a real gig. | 0:08:28 | 0:08:31 | |
-Guys, we forgot the amp. -What! -Wow. Wow, man. | 0:08:43 | 0:08:48 | |
-We're going back for it, right? -We can't! -We don't have time for that. | 0:08:48 | 0:08:52 | |
We either go to this open mike or we go back and get that amp. | 0:08:52 | 0:08:55 | |
And either way, Mr T is going to bite our heads off. | 0:08:55 | 0:08:57 | |
-He's going to rip us. -Great. | 0:08:57 | 0:08:59 | |
I think I speak for everyone when I say, uh-oh. | 0:08:59 | 0:09:03 | |
Hey, I'm really sorry that your song didn't get chosen. | 0:09:16 | 0:09:19 | |
-Oh, that's no problem. -I think your song was really good. | 0:09:19 | 0:09:22 | |
It was really good. And that's why it wasn't chosen for auditions. | 0:09:22 | 0:09:26 | |
-What? -Mr T chose the more basic, ordinary songs. | 0:09:26 | 0:09:29 | |
Like Rachel's, per se. So, that way, the auditioners could use them | 0:09:29 | 0:09:32 | |
-and then make them their own. -Hi, Rachel. | 0:09:32 | 0:09:35 | |
Rachel! | 0:09:41 | 0:09:44 | |
# Yeah, OK, growing up I realised | 0:09:44 | 0:09:47 | |
# The bigger picture is the real prize... # | 0:09:47 | 0:09:50 | |
So, what do you think? | 0:09:50 | 0:09:52 | |
-You want the truth? -Yeah. -It's lousy. | 0:09:52 | 0:09:55 | |
Yes! You're a genius. | 0:09:55 | 0:09:58 | |
You need to figure out some way to make a new video. | 0:09:58 | 0:10:00 | |
-Well, what's the song about? -It's all about being a grown-up. | 0:10:00 | 0:10:03 | |
See, to me, being a grown-up is buying the freshest pair of kicks. | 0:10:03 | 0:10:06 | |
Or even flying to New York to catch a concert or something. | 0:10:06 | 0:10:09 | |
Yes, it's so weird, cos growing up to me is just completely different. | 0:10:09 | 0:10:12 | |
-Mm-hm? -It's like ordering a take-out and riding the streetcar alone, | 0:10:12 | 0:10:16 | |
knowing what it's like to kiss someone. | 0:10:16 | 0:10:19 | |
Yeah, I don't know why I never added that one to my list. I feel you. | 0:10:22 | 0:10:26 | |
You know, maybe growing up is just a variety of different ideas. | 0:10:26 | 0:10:30 | |
Lots of different perspectives. | 0:10:30 | 0:10:32 | |
-That's it. -What? -Perspectives! | 0:10:32 | 0:10:35 | |
That's going to be the theme of the video. | 0:10:35 | 0:10:38 | |
-OK, I'm down for it. -I'm so excited. | 0:10:38 | 0:10:40 | |
Playing around with perspectives is such a cool video idea | 0:10:40 | 0:10:43 | |
and I really hope that Jude and I can pull this off. | 0:10:43 | 0:10:46 | |
It really hurts knowing that my song | 0:10:46 | 0:10:49 | |
wasn't everything I thought it would be. | 0:10:49 | 0:10:52 | |
I mean, I've always come in second place to Leia, | 0:10:52 | 0:10:55 | |
but I have the feeling she may be right. | 0:10:55 | 0:10:58 | |
Hey, listen, I didn't mean to say that your song wasn't good. | 0:11:02 | 0:11:07 | |
-It is good. -Really? | 0:11:07 | 0:11:10 | |
Yeah. | 0:11:10 | 0:11:12 | |
Because, apparently, you and John and Mr T think it's average. | 0:11:12 | 0:11:18 | |
Why can't I write a song good enough to get rejected? | 0:11:19 | 0:11:22 | |
Do you think that's easy? It's not. | 0:11:22 | 0:11:25 | |
Then what am I doing wrong? | 0:11:25 | 0:11:27 | |
Rachel needs to be feeling, instead of thinking. | 0:11:27 | 0:11:30 | |
Great songwriters take their experiences | 0:11:30 | 0:11:32 | |
and make them into great songs. | 0:11:32 | 0:11:34 | |
But Rachel doesn't know how to be vulnerable | 0:11:34 | 0:11:36 | |
-and show her emotions like that yet. -That's it. | 0:11:36 | 0:11:39 | |
I'm cashing in my chip. You're going to teach me. | 0:11:41 | 0:11:43 | |
Whenever me or Leia need a favour, | 0:11:43 | 0:11:46 | |
with no argument from each other, we cash in our chip. | 0:11:46 | 0:11:49 | |
There is no guarantees and you have to do everything I say. | 0:11:49 | 0:11:53 | |
Cos it's going to get messy. | 0:11:53 | 0:11:57 | |
Deal. | 0:11:57 | 0:11:58 | |
This is the amp I lent the band last night. | 0:12:16 | 0:12:19 | |
It's sitting on the street and I have no idea why. | 0:12:19 | 0:12:23 | |
-Hey, my man. -How does it go? -It goes well, how about you? | 0:12:28 | 0:12:31 | |
-It goes. It keeps on going. -Oh, look, it's dumb and dumber. | 0:12:31 | 0:12:35 | |
Look who's awake. | 0:12:35 | 0:12:38 | |
We barely made it to the open mike, | 0:12:38 | 0:12:40 | |
we barely had time for half a song and we didn't have a bass amp. | 0:12:40 | 0:12:43 | |
It was a complete disaster. | 0:12:43 | 0:12:45 | |
-Where are we meeting James? -At the dealership. But we're bussing. | 0:12:45 | 0:12:48 | |
-As usual. -Why am I not surprised? -Let's go. Let's do it. | 0:12:48 | 0:12:51 | |
Let's buy a van! | 0:12:51 | 0:12:53 | |
Right, there's four steps to success - a band, a van, touring, | 0:12:53 | 0:12:57 | |
world domination. | 0:12:57 | 0:13:00 | |
All right, going into the junction. | 0:13:00 | 0:13:03 | |
-Can I take this blindfold off yet? -No. | 0:13:03 | 0:13:06 | |
I wanted to experience the world in a new and different way. | 0:13:06 | 0:13:10 | |
-Ow! -Good. | 0:13:10 | 0:13:12 | |
You feel that pain, you channel that pain. | 0:13:12 | 0:13:15 | |
Keep going. You're doing great. | 0:13:15 | 0:13:18 | |
What are you doing? | 0:13:18 | 0:13:20 | |
-Choke, choke, choke. No, no. -Who is this? | 0:13:20 | 0:13:23 | |
-It's Jude. -It's Jude. | 0:13:23 | 0:13:25 | |
You two are some nincompoops, man. | 0:13:25 | 0:13:27 | |
OK, sit down, come on. This is not working for you. | 0:13:27 | 0:13:31 | |
All I'm trying to do is trying to | 0:13:31 | 0:13:32 | |
get Rachel to start feeling things, instead of thinking things. | 0:13:32 | 0:13:36 | |
The next experiment I want you to do | 0:13:36 | 0:13:38 | |
-is eat this ice cream as fast as you can. -Why? | 0:13:38 | 0:13:42 | |
Because I want you to write brain freeze lyrics. | 0:13:42 | 0:13:46 | |
My goal right now? | 0:13:46 | 0:13:48 | |
-Sensory overload. -Keep going. | 0:13:48 | 0:13:51 | |
Yeah, do you feel anything yet? Yeah? Good. | 0:13:51 | 0:13:54 | |
Now, I want you to stand up | 0:13:54 | 0:13:56 | |
and sing a song about sunshine to the whole junction. | 0:13:56 | 0:14:01 | |
OK. | 0:14:01 | 0:14:03 | |
# Sunshine shines so bright in the sky. # | 0:14:03 | 0:14:11 | |
-Is that bad? -Yes. Sit. | 0:14:11 | 0:14:14 | |
I don't really know why Leia's making me | 0:14:14 | 0:14:16 | |
sing with ice cream in my mouth. | 0:14:16 | 0:14:18 | |
What does this have to do with writing a song? | 0:14:18 | 0:14:21 | |
All right, I didn't want to have to do this, | 0:14:21 | 0:14:24 | |
-but we're going to the fries. -What am I supposed to do? | 0:14:24 | 0:14:27 | |
I want you to take two and stick them right up your nose. | 0:14:27 | 0:14:30 | |
-What? -Just do it. | 0:14:32 | 0:14:35 | |
-Yeah. -What is this supposed to do? | 0:14:35 | 0:14:38 | |
Actually, that's just for me. | 0:14:38 | 0:14:40 | |
You're supposed to be helping me write a song. | 0:14:42 | 0:14:45 | |
-No, that's what I'm doing! -You're just making fun of me. | 0:14:45 | 0:14:48 | |
I cashed in my chip! | 0:14:48 | 0:14:50 | |
I just... Rachel! | 0:14:50 | 0:14:53 | |
'I didn't know how much this meant to Rachel.' | 0:14:53 | 0:14:56 | |
I need to find a way to make things right. | 0:14:56 | 0:14:58 | |
What kind of disgusting car dealership is this? | 0:15:03 | 0:15:06 | |
It's one in our price range. | 0:15:06 | 0:15:08 | |
We need to show Mr T that we're tour-ready. | 0:15:08 | 0:15:10 | |
So this van is the first step to living as real musicians | 0:15:10 | 0:15:13 | |
and launching our careers. | 0:15:13 | 0:15:14 | |
I mean, look at it, it's not too bad. | 0:15:14 | 0:15:17 | |
It's got some rust. I think the mirrors are still functional. | 0:15:17 | 0:15:19 | |
-That's not a bad thing. -This is a lousy van | 0:15:19 | 0:15:22 | |
from an obedient school for dogs | 0:15:22 | 0:15:24 | |
that went out of business. | 0:15:24 | 0:15:27 | |
Perfect. | 0:15:27 | 0:15:28 | |
There is no chance, man. It still smells like wet dog in there. | 0:15:28 | 0:15:33 | |
-What?! -Luke is crazy. | 0:15:33 | 0:15:34 | |
There is no way that buying this van is going to help get on the tour. | 0:15:34 | 0:15:37 | |
Air it out or drive through a carwash | 0:15:37 | 0:15:39 | |
with the windows down or something. | 0:15:39 | 0:15:41 | |
Fellas, how are you doing? Oh, man. | 0:15:41 | 0:15:43 | |
I see you found a diamond in the rough. | 0:15:43 | 0:15:45 | |
This is the gem on the lot. | 0:15:45 | 0:15:47 | |
I'm going to be sorry to see this baby go. | 0:15:47 | 0:15:49 | |
Look, a full-sized van, not a blind spot anywhere. | 0:15:49 | 0:15:53 | |
-Wow. -She is nice. -Isn't she? | 0:15:53 | 0:15:56 | |
There's no lying in me. I'm going to get the keys. | 0:15:56 | 0:15:58 | |
You stay right here, fellas. You won't be disappointed. | 0:15:58 | 0:16:01 | |
Let's just take a vote, OK? Who's in? | 0:16:01 | 0:16:04 | |
-Yeah. -Are you serious, man? | 0:16:04 | 0:16:06 | |
-There is something about her. -Stop this. | 0:16:06 | 0:16:09 | |
-John? -John, think straight. -Please. | 0:16:10 | 0:16:13 | |
It's not like I'm going to do | 0:16:13 | 0:16:14 | |
anything useful with my money anyway. | 0:16:14 | 0:16:16 | |
Yes! OK, majority rules, majority rules. | 0:16:16 | 0:16:19 | |
We like to make fun of Luke for all of his crazy ideas, | 0:16:19 | 0:16:22 | |
but the guy does have a vision. | 0:16:22 | 0:16:24 | |
# I'm where I want to be | 0:16:37 | 0:16:41 | |
# The van is where I want to be | 0:16:41 | 0:16:44 | |
# The van is where I want to be and I never want to leave | 0:16:44 | 0:16:47 | |
# Never want to leave I never want to leave | 0:16:47 | 0:16:49 | |
# I'm never going to leave | 0:16:49 | 0:16:50 | |
# The van is where I want to be... # | 0:16:50 | 0:16:52 | |
Theo! | 0:16:52 | 0:16:54 | |
# Never ever, ever, ever going to leave...# | 0:16:54 | 0:16:57 | |
Once Theo starts singing, he can't stop. | 0:16:57 | 0:17:00 | |
And it's kind of an issue. | 0:17:00 | 0:17:02 | |
# Ooh, the van is where I want to be | 0:17:02 | 0:17:04 | |
# The van is where I want to be... # | 0:17:04 | 0:17:07 | |
If this is the way the tour is going to be, | 0:17:07 | 0:17:10 | |
I'm not sure that I'm going to be able to go. | 0:17:10 | 0:17:12 | |
Ever. | 0:17:12 | 0:17:14 | |
I found the chip and mysterious note from Leia telling me | 0:17:17 | 0:17:20 | |
to meet her in the green room. | 0:17:20 | 0:17:22 | |
I'm still really mad at her, but I can't say no to the chip. | 0:17:22 | 0:17:25 | |
Have a seat. | 0:17:25 | 0:17:26 | |
I have something very important to tell you. | 0:17:26 | 0:17:29 | |
When I was seven years old, I was walking to the forest... | 0:17:35 | 0:17:42 | |
and then I felt something squishy beneath my feet. | 0:17:42 | 0:17:48 | |
I looked down and there were thousands of worms | 0:17:48 | 0:17:52 | |
wrapping themselves around my legs. | 0:17:52 | 0:17:58 | |
They pulled me deep into a groundhog hole. | 0:17:58 | 0:18:02 | |
And then I screamed as loud as I have ever screamed | 0:18:02 | 0:18:07 | |
and the worms retreated. | 0:18:07 | 0:18:10 | |
-That happened when you were seven? -No, it's a ghost story. | 0:18:11 | 0:18:17 | |
Your turn. | 0:18:17 | 0:18:20 | |
One dark and stormy night, I was home alone. | 0:18:27 | 0:18:34 | |
Yes, you were. | 0:18:34 | 0:18:37 | |
And... | 0:18:37 | 0:18:38 | |
Why are you doing this? | 0:18:42 | 0:18:46 | |
I'm trying to get you to feel things. | 0:18:46 | 0:18:49 | |
So that you can write music. | 0:18:49 | 0:18:51 | |
It's not going to work. | 0:18:51 | 0:18:53 | |
I don't care, I'm going to get you there. | 0:18:53 | 0:18:57 | |
You're my best friend. | 0:18:57 | 0:19:00 | |
And I'm going to keep trying, because I love you. | 0:19:00 | 0:19:06 | |
Come here. | 0:19:06 | 0:19:08 | |
So, if you could write a lyric right now, what would it be? | 0:19:12 | 0:19:17 | |
You make me feel something so real | 0:19:19 | 0:19:24 | |
I can't let go. | 0:19:24 | 0:19:28 | |
So I'm going to take control. | 0:19:28 | 0:19:34 | |
That's perfect! | 0:19:34 | 0:19:36 | |
Thank you so much. | 0:19:37 | 0:19:40 | |
Right, everybody, cameras up. | 0:19:46 | 0:19:49 | |
OK. | 0:19:49 | 0:19:51 | |
And action! | 0:19:53 | 0:19:56 | |
# Hey, child, this is hot | 0:19:58 | 0:20:01 | |
# Let's get on side and show them what we got | 0:20:01 | 0:20:03 | |
# Like a one-two step that never stops | 0:20:03 | 0:20:05 | |
# Yeah, we can rock the rhythm of the heartbeat | 0:20:05 | 0:20:08 | |
# Hey, world, check it out | 0:20:08 | 0:20:10 | |
# Don't let them tell you what it's all about | 0:20:10 | 0:20:12 | |
# Cos it's your dreams all your life and all your style | 0:20:12 | 0:20:15 | |
# That shines in the light | 0:20:15 | 0:20:17 | |
-# It's like -Hey, now, I'm not tired | 0:20:17 | 0:20:19 | |
# So, I'm not going to slow down | 0:20:19 | 0:20:21 | |
# I'm too free and I'm too young to hold it | 0:20:21 | 0:20:25 | |
# Close these wild, wild eyes | 0:20:25 | 0:20:31 | |
# Ooh, tonight's the night we set it on fire | 0:20:31 | 0:20:37 | |
# Oh, ah, catch it on the camera | 0:20:37 | 0:20:40 | |
# Ooh, tonight's the night we take it up higher | 0:20:40 | 0:20:45 | |
# So we won't come down... # | 0:20:45 | 0:20:49 | |
We finally rounded up enough people to make this video happen. | 0:20:49 | 0:20:52 | |
I'm super excited. | 0:20:52 | 0:20:54 | |
Different perspectives need different cameras | 0:20:54 | 0:20:57 | |
and we've got a lot of perspectives. | 0:20:57 | 0:21:00 | |
# OK, growing up I realised | 0:21:00 | 0:21:01 | |
# The bigger picture is the real prize | 0:21:01 | 0:21:04 | |
# So I never close my big old eyes And what I do is never compromise | 0:21:04 | 0:21:07 | |
# For anybody telling me you can't do it | 0:21:07 | 0:21:09 | |
# I swear to the heavens Put it on the sky | 0:21:09 | 0:21:10 | |
# I'm proving that this young cash does fly | 0:21:10 | 0:21:12 | |
# I never lose and plus I'm a different you | 0:21:12 | 0:21:14 | |
# That's why I've got my dreams I'm cruising straight to reality | 0:21:14 | 0:21:17 | |
# A lot of zoning out and thinking brings insanity | 0:21:17 | 0:21:19 | |
# But that ain't on my path Not the path for me | 0:21:19 | 0:21:21 | |
# I see a different route for me | 0:21:21 | 0:21:22 | |
# And at the end I ain't lonely | 0:21:22 | 0:21:24 | |
# Yeah, but I noticed that my dream's coming round | 0:21:24 | 0:21:27 | |
# Hey, let's go | 0:21:27 | 0:21:28 | |
# It's goes above my head and what I do is pull it down | 0:21:28 | 0:21:31 | |
# Cos I like a lot of fast cars and girls like a lot of fast talk | 0:21:31 | 0:21:36 | |
# And what I do I mix both of them | 0:21:36 | 0:21:38 | |
# And what I get Ah, you wouldn't even know | 0:21:38 | 0:21:40 | |
# Ooh, tonight's the night we set it on fire | 0:21:40 | 0:21:46 | |
# Oh, ah, catch it on the camera | 0:21:46 | 0:21:48 | |
# Ooh, tonight's the night we take it up higher | 0:21:48 | 0:21:54 | |
# No, we won't come down...# | 0:21:54 | 0:21:58 | |
# ..No, we won't come down | 0:22:03 | 0:22:08 | |
# No, we won't come down. # | 0:22:08 | 0:22:13 | |
# Whoa-oh-oh-oh-oh Whoa-oh-oh-oh-oh | 0:22:16 | 0:22:19 | |
# Whoa-oh-oh-oh | 0:22:19 | 0:22:21 | |
# We are the lost and found | 0:22:21 | 0:22:24 | |
# Don't know where we stand but solid ground | 0:22:24 | 0:22:27 | |
# It's your shot Let's see what you got | 0:22:27 | 0:22:30 | |
# Only a true light shines as bright as you | 0:22:30 | 0:22:34 | |
# Whoa-oh-oh-oh-oh Whoa-oh-oh-oh-oh | 0:22:34 | 0:22:37 | |
# Whoa-oh-oh-oh | 0:22:37 | 0:22:39 | |
# Whoa-oh-oh-oh-oh Whoa-oh-oh-oh-oh | 0:22:39 | 0:22:43 | |
# Whoa-oh-oh-oh. # | 0:22:43 | 0:22:45 |