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Previously on Lost & Found... | 0:00:02 | 0:00:04 | |
'Lost & Found is where everyone wants to be. | 0:00:04 | 0:00:07 | |
'It's an amazing place, where young musicians come to be great. | 0:00:07 | 0:00:09 | |
'I'm actually a dancer, and I met these guys | 0:00:09 | 0:00:12 | |
'because they practise in the same building as The Next Step.' | 0:00:12 | 0:00:14 | |
The guys in the band are like brothers to me. | 0:00:14 | 0:00:17 | |
'The studio is my haven. It's my escape. | 0:00:17 | 0:00:19 | |
'There's nothing else I'd rather be doing' | 0:00:19 | 0:00:21 | |
than making music with my best friends. | 0:00:21 | 0:00:23 | |
CHEERING AND APPLAUSE | 0:00:23 | 0:00:26 | |
# Tonight's the night We set it on fire | 0:00:28 | 0:00:32 | |
# No, we won't come down. # | 0:00:32 | 0:00:34 | |
'My name's Clara, and I've been dancing at The Next Step | 0:00:36 | 0:00:39 | |
'with my sister Giselle since I was little.' | 0:00:39 | 0:00:41 | |
But lately, I've been getting a lot more interested in music. | 0:00:41 | 0:00:44 | |
'I'm wandering around Lost & Found, | 0:00:44 | 0:00:46 | |
'and it makes me so happy. | 0:00:46 | 0:00:48 | |
'I really think I could fall in love with this place.' | 0:00:48 | 0:00:51 | |
Being at Lost & Found would just be the best thing ever. | 0:00:51 | 0:00:54 | |
'But that's just a dream. It's never going to happen.' | 0:00:54 | 0:00:57 | |
AMP FEEDBACK | 0:00:57 | 0:00:59 | |
'I think being here - right here, right now - | 0:01:01 | 0:01:03 | |
'is the closest I'm ever going to get.' | 0:01:03 | 0:01:06 | |
# Sgt Pepper spinnin' All night long | 0:01:06 | 0:01:10 | |
# I found some Coltrane So I finally put it on | 0:01:10 | 0:01:14 | |
# Back In Black is playing So loud that I can't hear... # | 0:01:14 | 0:01:17 | |
'I can't help it, but when I start to sing,' | 0:01:17 | 0:01:19 | |
I completely lose myself in the music. | 0:01:19 | 0:01:22 | |
# I close my eyes | 0:01:22 | 0:01:23 | |
# I hear the sound | 0:01:23 | 0:01:25 | |
# I lose my mind | 0:01:25 | 0:01:27 | |
# Can't turn it down | 0:01:27 | 0:01:29 | |
# And that's all I'll ever need... # | 0:01:29 | 0:01:32 | |
'I start dancing around and singing, and I just love it.' | 0:01:32 | 0:01:35 | |
# Play the record Play the record | 0:01:35 | 0:01:38 | |
# Play the record for me | 0:01:38 | 0:01:39 | |
# I hear the music playing That's where I want to be... # | 0:01:39 | 0:01:43 | |
'I really love singing, but I'm not really a musician.' | 0:01:43 | 0:01:46 | |
I don't think I could ever make it into Lost & Found, | 0:01:46 | 0:01:48 | |
because the musicians here are way more talented than me. | 0:01:48 | 0:01:52 | |
# When I'm alone with you | 0:01:52 | 0:01:56 | |
# This is all I wanna do | 0:01:56 | 0:01:59 | |
# This music is all we need | 0:01:59 | 0:02:04 | |
# All we need | 0:02:04 | 0:02:06 | |
# Play the record for me... # | 0:02:06 | 0:02:08 | |
'I come into Lost & Found early to get some work done...' | 0:02:08 | 0:02:11 | |
and I hear this girl singing. | 0:02:11 | 0:02:13 | |
# Play the record, play the record Play the record for me... # | 0:02:13 | 0:02:16 | |
Wow. What a voice. | 0:02:16 | 0:02:18 | |
# So I can freak out to the beat. # | 0:02:18 | 0:02:20 | |
I'm sorry. I shouldn't be here. | 0:02:28 | 0:02:30 | |
Are you auditioning for the studio? | 0:02:30 | 0:02:33 | |
No. No, I wouldn't... No. | 0:02:33 | 0:02:35 | |
Well, if you change your mind, auditions start tomorrow. | 0:02:35 | 0:02:39 | |
You still have time to prepare, so e-mail me. | 0:02:39 | 0:02:42 | |
Let me know, and I'll put you on the list. | 0:02:42 | 0:02:44 | |
-Uh, thank... Thank you. -Think about it. | 0:02:44 | 0:02:47 | |
'I can't believe it. | 0:02:48 | 0:02:50 | |
'I have just been asked to audition for Lost & Found.' | 0:02:50 | 0:02:53 | |
# We are the lost and the found | 0:02:54 | 0:02:58 | |
# Don't know where we stand But it's solid ground | 0:02:58 | 0:03:01 | |
# It's your shot Let's see what you got | 0:03:01 | 0:03:04 | |
# Only your true light shines As bright as you | 0:03:04 | 0:03:07 | |
# Whoa, oh, oh, oh, oh Whoa, oh, oh, oh, oh | 0:03:07 | 0:03:10 | |
# Whoa, oh, oh, oh. # | 0:03:10 | 0:03:13 | |
BAND PRACTISES | 0:03:28 | 0:03:30 | |
So I'm in the control booth, and I see Theo, James, Luke, and John. | 0:03:31 | 0:03:35 | |
They're the top dogs around here. And they know it. | 0:03:35 | 0:03:38 | |
Yo, Jude, come on the microphone. | 0:03:38 | 0:03:40 | |
-Hey, what's up? -The band's in here right now, man. | 0:03:41 | 0:03:44 | |
Yeah, I can see you guys. | 0:03:44 | 0:03:46 | |
I'm not actually in the music programme here at Lost & Found, | 0:03:47 | 0:03:50 | |
but I might as well be. | 0:03:50 | 0:03:51 | |
I spend so much time with the band. | 0:03:51 | 0:03:54 | |
Watch your attitude. | 0:03:54 | 0:03:56 | |
All right, sorry. | 0:03:56 | 0:03:58 | |
Mom, I'm in the studio, I'll call you later. Yes. OK, bye. | 0:03:58 | 0:04:02 | |
-Hey, Jude. -Hey, what's up? -Please, set up the place for recording. | 0:04:02 | 0:04:05 | |
I'm actually getting the two audition songs for Eva right now, so... | 0:04:05 | 0:04:08 | |
That's OK, she can do it. Please, set it up. | 0:04:08 | 0:04:10 | |
For this? | 0:04:10 | 0:04:11 | |
For this. | 0:04:11 | 0:04:13 | |
-OK. Wow. Thanks, Mr T. -No problem. | 0:04:13 | 0:04:16 | |
-Hey, James. -Yo. | 0:04:17 | 0:04:19 | |
Guess who's recording now, buddy? So you'd better watch your attitude. | 0:04:19 | 0:04:23 | |
So I shoot James back some attitude - like, you know, I have to. | 0:04:23 | 0:04:26 | |
I got to let him know that I'm in the game, too. | 0:04:26 | 0:04:29 | |
All right, we've got to get to work. | 0:04:29 | 0:04:30 | |
We're trying to get a demo together, so we can build some buzz. | 0:04:30 | 0:04:33 | |
Before we do that, can you let me know your roles for the auditions? | 0:04:33 | 0:04:36 | |
-I'm hosting. -I'm going to help him with his hosting material, | 0:04:36 | 0:04:39 | |
because right now, it's terrible. | 0:04:39 | 0:04:41 | |
..Says the one who will never perform on stage. | 0:04:41 | 0:04:44 | |
OK, don't make me come over there. | 0:04:44 | 0:04:45 | |
I'm going to go to Busker Alley and calm people's nerves. | 0:04:45 | 0:04:48 | |
Do you even go here? | 0:04:48 | 0:04:50 | |
No. | 0:04:50 | 0:04:52 | |
The thing about these chuckleheads though, is, they need the help of me, | 0:04:52 | 0:04:55 | |
the music producer, to help them get a unified, cohesive sound. | 0:04:55 | 0:04:58 | |
All right. Let's get to work. | 0:04:58 | 0:05:00 | |
-Hello, ladies. -Hey. | 0:05:06 | 0:05:08 | |
So, we have a few last-minute things to complete before tomorrow. | 0:05:08 | 0:05:11 | |
'This year, Leia and I are in charge of facilitating | 0:05:11 | 0:05:13 | |
'the Lost & Found auditions.' | 0:05:13 | 0:05:14 | |
I'm really excited because I love lists, | 0:05:14 | 0:05:17 | |
I love crossing things off lists, | 0:05:17 | 0:05:19 | |
and I love filing those lists! | 0:05:19 | 0:05:22 | |
We have 50-odd auditioners coming in on day one and 43 on day two, | 0:05:22 | 0:05:26 | |
so I need your help with organising... | 0:05:26 | 0:05:28 | |
..To set up the green room and Java Junction as waiting areas? | 0:05:28 | 0:05:31 | |
-You got it. -I'm on it. | 0:05:31 | 0:05:33 | |
So, these are confirmed by Jude and Hannah. | 0:05:33 | 0:05:35 | |
I just need you guys to let them know they got an audition. | 0:05:35 | 0:05:38 | |
-All right. -Sounds good. -Thank you. | 0:05:38 | 0:05:40 | |
I'm super excited to meet the new auditioners. | 0:05:40 | 0:05:43 | |
Who knows who's going to walk in the door? | 0:05:43 | 0:05:45 | |
Isaac. | 0:05:45 | 0:05:47 | |
Hmm. Sounds pretty serious. I bet he has a really big voice. | 0:05:47 | 0:05:52 | |
No, I think he has a soft voice. | 0:05:52 | 0:05:54 | |
Well, only one way to find out. | 0:05:54 | 0:05:56 | |
-And...send. -See you soon, Isaac. | 0:05:56 | 0:05:58 | |
# I don't want to see What I can't be | 0:06:00 | 0:06:02 | |
# When I'm staring in the mirror I'm gonna think... # | 0:06:02 | 0:06:05 | |
Isaac! Break's over. We got customers. | 0:06:05 | 0:06:08 | |
I love singing, cos it's the only time | 0:06:08 | 0:06:10 | |
that I can really express myself and be who I want to be. | 0:06:10 | 0:06:13 | |
When you're done, water the petunias. | 0:06:13 | 0:06:15 | |
'If I get into Lost & Found...' TEXT ALERT | 0:06:16 | 0:06:18 | |
it would change my life forever. | 0:06:18 | 0:06:20 | |
ISAAC GIGGLES | 0:06:23 | 0:06:25 | |
Looks like my life might be changing forever. | 0:06:29 | 0:06:31 | |
Let's water the petunias, y'all. | 0:06:31 | 0:06:33 | |
# Tell me who you are It's time to be great now... # | 0:06:33 | 0:06:36 | |
Mom, look. | 0:06:36 | 0:06:37 | |
# Give me the truth # The truth will save you | 0:06:37 | 0:06:40 | |
APPLAUSE | 0:06:40 | 0:06:41 | |
# You know yourself So look me in the eye | 0:06:41 | 0:06:45 | |
# You see yourself | 0:06:45 | 0:06:47 | |
# You know you gotta try. # | 0:06:47 | 0:06:50 | |
OK, cue it up for 23. | 0:06:50 | 0:06:52 | |
OK. Take 23. | 0:06:52 | 0:06:54 | |
The rhythm section is the backbone of any song, so James and Theo | 0:07:06 | 0:07:09 | |
have to lay down the right groove for the song to gel. | 0:07:09 | 0:07:12 | |
Hey, you know what I just realised? | 0:07:13 | 0:07:16 | |
Tomorrow, we'll have been here for two years. | 0:07:16 | 0:07:19 | |
-That's crazy. -Yeah. | 0:07:19 | 0:07:21 | |
Do you remember the time when you slept over at my house | 0:07:21 | 0:07:24 | |
and we were playing video games, and all of a sudden, | 0:07:24 | 0:07:26 | |
you just froze and you stopped. | 0:07:26 | 0:07:28 | |
And I was, like, "Dude, come on! What are you doing?" And we lost. | 0:07:28 | 0:07:30 | |
And I asked what was wrong and you were, like, | 0:07:30 | 0:07:33 | |
"It's time to start the band!" | 0:07:33 | 0:07:35 | |
'It feels really strange and nostalgic, | 0:07:35 | 0:07:37 | |
'discussing the decision to form the band.' | 0:07:37 | 0:07:41 | |
It's not something we've talked about for a very long time. | 0:07:41 | 0:07:44 | |
You know what my biggest fear was? | 0:07:44 | 0:07:46 | |
-Losing that game twice. -No, but you're very close. | 0:07:46 | 0:07:49 | |
My biggest fear was one of us not making it in here. | 0:07:49 | 0:07:53 | |
I think about it, | 0:07:53 | 0:07:54 | |
and I have no idea what would have happened to us if that happened. | 0:07:54 | 0:07:57 | |
We would have figured it out. | 0:07:57 | 0:07:59 | |
You're stuck with me. | 0:08:00 | 0:08:02 | |
-All right, guys. -THEY STOP PLAYING | 0:08:04 | 0:08:06 | |
That wasn't bad, but we need to do another pass, all right? | 0:08:06 | 0:08:09 | |
So, James, I need you to keep that tempo consistent. All right? | 0:08:09 | 0:08:12 | |
OK, here we go. Take 24. | 0:08:12 | 0:08:14 | |
'I'm trying my best to take Mr T's direction...' | 0:08:14 | 0:08:16 | |
but I don't know, I'm struggling with it. | 0:08:16 | 0:08:19 | |
'When you're actually in the recording studio, | 0:08:19 | 0:08:21 | |
'there's a lot of pressure. There's no buffer. You can't hide. | 0:08:21 | 0:08:24 | |
'He's hearing exactly what I'm doing.' | 0:08:24 | 0:08:25 | |
So if I'm the slightest bit off, he's going to know right away. | 0:08:25 | 0:08:29 | |
-OK, kill it. -THEY STOP PLAYING | 0:08:30 | 0:08:33 | |
James... You know what? Let's just take a break. Take five. | 0:08:33 | 0:08:35 | |
-I'm good, man. -I'm sure you are. Let's just take a break, all right? | 0:08:35 | 0:08:39 | |
It'll be a good rest for everybody. Let's go. | 0:08:39 | 0:08:41 | |
'This is discouraging. It's harder than I thought.' | 0:08:42 | 0:08:46 | |
I don't know why I'm struggling with it so much, but it's frustrating me. | 0:08:46 | 0:08:50 | |
-Hey. You sound great, man. -Thanks, bro. I'm going to get some water. | 0:08:52 | 0:08:56 | |
Stupid stick! | 0:09:13 | 0:09:14 | |
'To get this right, I'm just going to work my hardest at this...' | 0:09:14 | 0:09:17 | |
and I will get this. I just have to work for it. | 0:09:17 | 0:09:20 | |
Hey. Sounding good, man. | 0:09:21 | 0:09:24 | |
Thanks, man. | 0:09:24 | 0:09:25 | |
What you doing all...out here by yourself for? | 0:09:25 | 0:09:28 | |
I'm just practising, man. | 0:09:28 | 0:09:31 | |
-Practice makes perfect. -Yeah. | 0:09:31 | 0:09:33 | |
Whenever I can't get a dance move or something, | 0:09:34 | 0:09:37 | |
I just lock myself in a dance studio and I just practise till I get it. | 0:09:37 | 0:09:40 | |
Mm. Well, you can't do a duet without your partner. | 0:09:40 | 0:09:42 | |
We are the rhythm section, so let's do this. | 0:09:42 | 0:09:45 | |
'Sometimes, knowing that you're not alone, makes things better.' | 0:09:45 | 0:09:50 | |
And I just let James know that he's not alone. | 0:09:50 | 0:09:53 | |
# Da, dum, dum, bloo-loo-loo Da, dum, dum, da, dum, dum. # | 0:09:53 | 0:09:57 | |
-TEXT ALERT -Ooh. Auditioner texts. | 0:10:05 | 0:10:08 | |
Who are they from? | 0:10:08 | 0:10:10 | |
We've got confirmation from Amy, Trisha, Maggie, and Julia. | 0:10:10 | 0:10:15 | |
Perfect. | 0:10:15 | 0:10:16 | |
People come from all over to audition here. | 0:10:16 | 0:10:18 | |
Rumour has it that Maggie's actually flying in, | 0:10:18 | 0:10:20 | |
and I think that's awesome. | 0:10:20 | 0:10:22 | |
-Hey. I'm Maggie. -APPLAUSE | 0:10:22 | 0:10:24 | |
Thanks so much for being here. | 0:10:24 | 0:10:26 | |
Actually, I have some pretty big news. | 0:10:26 | 0:10:29 | |
If all goes well tomorrow, I won't be seeing you guys for a while. | 0:10:29 | 0:10:33 | |
No, I'm not going to military camp. | 0:10:33 | 0:10:35 | |
I have an audition for this really awesome music studio. | 0:10:35 | 0:10:38 | |
-APPLAUSE -'I live in a pretty small town, | 0:10:38 | 0:10:41 | |
'and there's nothing like Lost & Found here.' | 0:10:41 | 0:10:43 | |
I can't imagine what it would be like to go there. | 0:10:43 | 0:10:46 | |
Here's to getting out of this town. | 0:10:46 | 0:10:48 | |
# I've had my eyes on you for some time | 0:10:50 | 0:10:54 | |
# I met you at the coffee shop... # | 0:10:54 | 0:10:56 | |
'In my town, they only have one of everything. | 0:10:56 | 0:10:59 | |
'One grocery store, one laundromat, one bank.' | 0:10:59 | 0:11:03 | |
But I'm hoping after tomorrow, they'll have one less musician. | 0:11:03 | 0:11:06 | |
# I can't get enough of your dandelion love | 0:11:06 | 0:11:10 | |
# Oh, I can see a sail boat in the sky | 0:11:10 | 0:11:14 | |
# So take me out to sea All the things that we could be | 0:11:14 | 0:11:18 | |
# Oh, we could let the day fly by | 0:11:18 | 0:11:21 | |
# You wrote a song for me and sang it | 0:11:22 | 0:11:26 | |
# Now in my head it's always playin' | 0:11:26 | 0:11:30 | |
# And now we're dancing hand-in-hand together... # | 0:11:30 | 0:11:34 | |
'Not a lot of my friends are into music.' | 0:11:34 | 0:11:37 | |
I can't wait to be in a place where all my friends will be. | 0:11:37 | 0:11:40 | |
# Ba ba ba ba Ba ba ba ba | 0:11:40 | 0:11:43 | |
# Ba ba ba ba... # | 0:11:43 | 0:11:45 | |
# Heya, don't you know | 0:11:48 | 0:11:50 | |
# We're always gonna stay And we're never gonna go | 0:11:50 | 0:11:53 | |
# Heya, don't you know | 0:11:53 | 0:11:55 | |
# We're always gonna stay and we're never, never, never gonna go. # | 0:11:55 | 0:12:00 | |
-It's... It's the lyrics. -'Mr T was right.' | 0:12:00 | 0:12:03 | |
If the song is going to represent us as a band, | 0:12:03 | 0:12:05 | |
the lyrics have to be better. | 0:12:05 | 0:12:06 | |
-Just take some time... Hang on. -PHONE BUZZES | 0:12:06 | 0:12:08 | |
Take some time and work on them and just let me know | 0:12:08 | 0:12:10 | |
when you've got something awesome, all right? One sec. Hello? | 0:12:10 | 0:12:14 | |
Yeah, I bet John's going to come up with the lyrics. | 0:12:14 | 0:12:16 | |
-John? -Trust me. -More "nevers"? | 0:12:16 | 0:12:18 | |
Honestly, man, I'm not sure, man. It's two against one. | 0:12:18 | 0:12:21 | |
Like, how could he beat them to it? | 0:12:21 | 0:12:23 | |
50 bucks on John. | 0:12:23 | 0:12:25 | |
See? Mr T knows. | 0:12:25 | 0:12:26 | |
I'll bet you five bucks that these two come up with it first. | 0:12:28 | 0:12:31 | |
'Luke and Theo are going to come up with the lyrics first, | 0:12:31 | 0:12:33 | |
'cos there's two of them.' | 0:12:33 | 0:12:35 | |
Usually, when you put heads together, you come to things quicker. | 0:12:35 | 0:12:37 | |
Trust me. Give John some time, and he'll wow you. | 0:12:37 | 0:12:40 | |
All right. All right. Five bucks. | 0:12:40 | 0:12:43 | |
-JOHN: -'I'm honestly not sure how I come up with my lyrics. | 0:12:45 | 0:12:48 | |
'It's a very weird process, | 0:12:48 | 0:12:50 | |
'and they usually just come to me spontaneously.' | 0:12:50 | 0:12:52 | |
I don't know how to explain it. | 0:12:52 | 0:12:54 | |
-Yeah. -Hey guys, guys? | 0:12:54 | 0:12:56 | |
I think I might have something. Just listen to this. | 0:12:56 | 0:12:59 | |
# Heya, don't you know | 0:13:02 | 0:13:05 | |
# Some day you're gonna hear us on the radio | 0:13:05 | 0:13:08 | |
# Heya, don't you know | 0:13:08 | 0:13:11 | |
# Happens so fast these days I gotta take it slow. # | 0:13:11 | 0:13:15 | |
Yeah, it's a lot better than what we have now, so... | 0:13:18 | 0:13:20 | |
Yeah, I was thinking that. | 0:13:20 | 0:13:22 | |
What did I tell you, man? Let me hear that money dance now. | 0:13:22 | 0:13:25 | |
-Wow! -JAMES LAUGHS | 0:13:25 | 0:13:27 | |
-All right, man. -Pay up. -That's that, bro. | 0:13:27 | 0:13:30 | |
Ah, thank you, thank you, thank you. | 0:13:30 | 0:13:32 | |
-Hey! -Hey. Aren't you so excited for auditions? | 0:13:34 | 0:13:37 | |
Yes! Can you believe how many people we're going to have in here? | 0:13:37 | 0:13:40 | |
I know! They're going to be stacked outside in the parking lot. | 0:13:40 | 0:13:43 | |
-And like, on the patio. -Yeah! Oh, my gosh! | 0:13:43 | 0:13:45 | |
Do you remember when we auditioned? Oh, man. | 0:13:45 | 0:13:48 | |
How could I forget? | 0:13:48 | 0:13:49 | |
What was your first impression of me? | 0:13:49 | 0:13:51 | |
Well, I mean, it hasn't changed much. | 0:13:51 | 0:13:54 | |
-I thought you were pretty stuck-up. -Oh, OK. OK! | 0:13:54 | 0:13:56 | |
'When I first met Leia...' | 0:13:56 | 0:13:58 | |
I did think she was stuck-up, because... | 0:13:58 | 0:14:00 | |
Well, have you met her? | 0:14:00 | 0:14:03 | |
Sorry, I'm having a lot of trouble with the sound system. | 0:14:03 | 0:14:06 | |
-Can you guys help? -Oh, yeah, sure. -Thanks. | 0:14:06 | 0:14:08 | |
-You coming? -Meh, I'll just stay here. | 0:14:08 | 0:14:11 | |
OK. Come on. | 0:14:11 | 0:14:12 | |
'I am not stuck-up!' | 0:14:12 | 0:14:14 | |
I'm just aloof... | 0:14:14 | 0:14:16 | |
and mysterious. | 0:14:16 | 0:14:18 | |
BACKING TRACK PLAYS | 0:14:19 | 0:14:24 | |
LUKE PLAYS FULL-ON SOLO | 0:14:24 | 0:14:27 | |
'Luke is definitely giving it all he's got here.' | 0:14:39 | 0:14:43 | |
But I think all he's got is a little too much. | 0:14:43 | 0:14:46 | |
Well, that was fun... | 0:14:56 | 0:14:58 | |
but can we do another pass of that | 0:14:58 | 0:15:00 | |
and then do something a little bit more simple with the solo? | 0:15:00 | 0:15:03 | |
I think it's great the way it is. | 0:15:03 | 0:15:05 | |
I think it adds something completely different to the song. | 0:15:05 | 0:15:07 | |
Yeah, it does add something different to the song, | 0:15:07 | 0:15:09 | |
but it doesn't really go along with the song. | 0:15:09 | 0:15:12 | |
I practised this solo at home for hours, and it sounded great. | 0:15:12 | 0:15:14 | |
I don't know why nobody else is into it. | 0:15:14 | 0:15:16 | |
I will do another pass, but with the solo I just did. | 0:15:16 | 0:15:20 | |
'The standoff between Luke and Mr T is pretty awkward.' | 0:15:21 | 0:15:25 | |
Um, this is kind of a moment where... | 0:15:25 | 0:15:27 | |
it's kind of quiet. | 0:15:27 | 0:15:29 | |
So, you're really married to the solo the way it is? | 0:15:30 | 0:15:33 | |
Yes, I am. | 0:15:33 | 0:15:34 | |
Then this is when the music producer goes out for coffee. | 0:15:34 | 0:15:37 | |
-Wait, where are you going? I'm recording the session. -Mm-hmm. | 0:15:39 | 0:15:44 | |
'I don't know why Luke is acting like this.' | 0:15:44 | 0:15:46 | |
There must be something else going on. | 0:15:46 | 0:15:49 | |
So, uh... Who's going to go talk to him? | 0:15:49 | 0:15:51 | |
-It's all you. -Yeah, I'll talk to him. | 0:15:56 | 0:15:58 | |
You ever think about how great the sandwich is? | 0:16:10 | 0:16:13 | |
I mean, who thought of this - to put food between two hunks of bread? | 0:16:13 | 0:16:16 | |
It's like food that comes with its own handles. | 0:16:16 | 0:16:19 | |
That guy's a genius. I once used a sandwich as a napkin. | 0:16:19 | 0:16:22 | |
It was very absorbent. | 0:16:22 | 0:16:24 | |
-You know what I'm waiting for? -What? | 0:16:24 | 0:16:26 | |
A sandwich that comes with its own Wi-Fi. | 0:16:26 | 0:16:28 | |
That way, I can game and eat my sandwich at the same time. | 0:16:28 | 0:16:31 | |
LUKE LAUGHS | 0:16:31 | 0:16:33 | |
See, that's better. | 0:16:33 | 0:16:36 | |
Come on, what's going on? | 0:16:36 | 0:16:37 | |
I don't know. I just wasn't happy with the guitar like I tried to do. | 0:16:39 | 0:16:43 | |
It happens, man. It's nothing to worry about. | 0:16:43 | 0:16:45 | |
I really see greatness in you, and in me, and in the band, | 0:16:45 | 0:16:48 | |
and I really feel like this could be our moment to make it | 0:16:48 | 0:16:52 | |
and do something with it. | 0:16:52 | 0:16:54 | |
I just wanted to seize that moment and not let it get away. | 0:16:54 | 0:16:57 | |
I get it completely. I mean, look at me. | 0:16:57 | 0:16:59 | |
I'm the king of living in the moment. | 0:16:59 | 0:17:01 | |
I just... I look back on time I spent with my mom | 0:17:01 | 0:17:06 | |
and I just wish I could have seized that, you know? | 0:17:06 | 0:17:10 | |
Losing my mom really helped me understand | 0:17:10 | 0:17:12 | |
that you have to make every moment precious. | 0:17:12 | 0:17:14 | |
You have to enjoy it. You have to live in it. | 0:17:14 | 0:17:16 | |
Because now is what matters. | 0:17:16 | 0:17:18 | |
I'm not trying to compare what I'm going through with... | 0:17:18 | 0:17:21 | |
I know, I know. What you're feeling is completely OK. | 0:17:21 | 0:17:24 | |
It's completely reasonable. | 0:17:24 | 0:17:25 | |
But we're either going to make it, or we're not going to make it - | 0:17:26 | 0:17:29 | |
and we're not going to know until that happens. | 0:17:29 | 0:17:32 | |
So you got to relax and take it easy. | 0:17:32 | 0:17:35 | |
What happens if we don't make it, though? | 0:17:35 | 0:17:37 | |
It doesn't matter. | 0:17:37 | 0:17:39 | |
What matters is that we're doing what we love. | 0:17:39 | 0:17:42 | |
-You're right. -And eat your sandwich. | 0:17:44 | 0:17:46 | |
I'm not really hungry. | 0:17:46 | 0:17:48 | |
Fine, then I'll have it - | 0:17:48 | 0:17:49 | |
cos as we know, I love the sandwich. | 0:17:49 | 0:17:52 | |
Oh, I know. You went on about it for, like, five minutes. | 0:17:52 | 0:17:55 | |
I know! It's the greatest thing since sliced bread. | 0:17:55 | 0:17:58 | |
John, take four. | 0:18:05 | 0:18:06 | |
# Hey | 0:18:09 | 0:18:12 | |
# Take a break | 0:18:12 | 0:18:14 | |
# You're so caught up | 0:18:14 | 0:18:16 | |
# You're gonna trip into your downfall... # | 0:18:16 | 0:18:18 | |
'John is really good at talking me down | 0:18:18 | 0:18:20 | |
'when I get too worked up about something.' | 0:18:20 | 0:18:22 | |
So I went back and recorded a better solo, and it's all good. | 0:18:22 | 0:18:26 | |
# You worry so much about making it You're missing it all | 0:18:26 | 0:18:29 | |
# Oh, oh... # | 0:18:29 | 0:18:32 | |
OK, hang on, hang on, hang on. That wasn't bad, | 0:18:32 | 0:18:34 | |
but what are you thinking about when you're singing the song? | 0:18:34 | 0:18:38 | |
Uh, I don't know. | 0:18:38 | 0:18:39 | |
Well, I need you to think about something. | 0:18:39 | 0:18:42 | |
You know what? | 0:18:42 | 0:18:43 | |
I'll dedicate this to my rock star buddy, Luke, | 0:18:43 | 0:18:46 | |
who's still pouting, | 0:18:46 | 0:18:47 | |
even though he laid down that guitar track | 0:18:47 | 0:18:50 | |
the way it was supposed to be laid down. | 0:18:50 | 0:18:52 | |
THEY GIGGLE | 0:18:54 | 0:18:56 | |
'We're a band, and I can't do this on my own.' | 0:18:56 | 0:18:59 | |
And in all honesty, I don't want to. | 0:18:59 | 0:19:01 | |
I love these guys. | 0:19:01 | 0:19:03 | |
All right, then. Let's go again. OK? | 0:19:03 | 0:19:05 | |
OK. John, take five. | 0:19:05 | 0:19:08 | |
# Hey | 0:19:10 | 0:19:13 | |
# Take a break | 0:19:13 | 0:19:15 | |
# You're so caught up you're gonna trip into your downfall | 0:19:16 | 0:19:20 | |
# Oh oh... # | 0:19:20 | 0:19:21 | |
'We all just want to be great.' | 0:19:23 | 0:19:25 | |
And we're all going to get there together. | 0:19:25 | 0:19:27 | |
# You worry so much about making it You're missing it all | 0:19:27 | 0:19:31 | |
# Oh, oh | 0:19:31 | 0:19:33 | |
# If it's gonna be the best day of your life | 0:19:33 | 0:19:36 | |
# Gonna be, gonna be the best day... # | 0:19:36 | 0:19:39 | |
'I think our dreams as a band are going to come true, for sure.' | 0:19:39 | 0:19:41 | |
This is the best place to be, to make that happen. | 0:19:41 | 0:19:44 | |
# Heya, don't you know | 0:19:44 | 0:19:47 | |
# Some day you're gonna hear us on the radio | 0:19:47 | 0:19:50 | |
# Heya, don't you know | 0:19:50 | 0:19:52 | |
# It happens so fast these days I gotta take it slow. # | 0:19:52 | 0:19:55 | |
So, we'll see you at auditions? | 0:19:57 | 0:19:59 | |
-Yeah. -Good. | 0:19:59 | 0:20:01 | |
'I've always dreamed of being in a place like this.' | 0:20:02 | 0:20:05 | |
I'm just so excited. | 0:20:05 | 0:20:06 | |
# You gotta be ready when the haters come and crush your style | 0:20:06 | 0:20:10 | |
# Oh, oh. # | 0:20:10 | 0:20:12 | |
Hey, man. What's going on, bro? | 0:20:12 | 0:20:14 | |
What you doing, man? What you doing? What you doing, man? | 0:20:15 | 0:20:19 | |
What's going on, boys? How y'all doing? | 0:20:19 | 0:20:22 | |
You OK? | 0:20:26 | 0:20:27 | |
Hop in. I'll give you a ride. | 0:20:27 | 0:20:29 | |
'If I get into Lost & Found, | 0:20:29 | 0:20:31 | |
'that means that I can spend a lot less time in my neighbourhood...' | 0:20:31 | 0:20:34 | |
which is a good thing. | 0:20:34 | 0:20:35 | |
# Heya, don't you know | 0:20:35 | 0:20:37 | |
# Some day you're gonna hear us on the radio | 0:20:37 | 0:20:40 | |
# Heya, don't you know | 0:20:40 | 0:20:43 | |
# It happens so fast these days I gotta take it slow | 0:20:43 | 0:20:46 | |
# Like the stars that rise and fall | 0:20:57 | 0:20:59 | |
' From so far out, so small | 0:20:59 | 0:21:02 | |
# If some day your back is against the wall | 0:21:02 | 0:21:05 | |
# Don't worry | 0:21:05 | 0:21:07 | |
# Don't worry at all. # | 0:21:07 | 0:21:10 | |
# Whoa, oh, oh, oh, oh Whoa, oh, oh, oh, oh | 0:21:14 | 0:21:17 | |
# Whoa, oh, oh, oh | 0:21:17 | 0:21:19 | |
# We are the lost and the found | 0:21:19 | 0:21:21 | |
# Don't know where we stand | 0:21:21 | 0:21:23 | |
# But it's solid ground | 0:21:23 | 0:21:25 | |
# This is your shot Let's see what you got | 0:21:25 | 0:21:28 | |
# Only your true light shines | 0:21:28 | 0:21:30 | |
# As bright as you | 0:21:30 | 0:21:32 | |
# Whoa, oh, oh, oh, oh | 0:21:32 | 0:21:34 | |
# Whoa, oh, oh, oh, oh | 0:21:34 | 0:21:35 | |
# Whoa, oh, oh, oh | 0:21:35 | 0:21:38 | |
# Whoa, oh, oh, oh, oh | 0:21:38 | 0:21:40 | |
# Whoa, oh, oh, oh, oh | 0:21:40 | 0:21:41 | |
# Whoa, oh, oh, oh. # | 0:21:41 | 0:21:43 |