Browse content similar to Freebird. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Previously on Lost & Found... | 0:00:02 | 0:00:03 | |
-I was supposed to have a date with him tonight in this van. -What? | 0:00:03 | 0:00:06 | |
I don't think I can go on a date with you tonight. | 0:00:06 | 0:00:08 | |
Maybe this wasn't a good idea. | 0:00:08 | 0:00:10 | |
I think Luke and I are starting something, and I'm going to go for it. | 0:00:10 | 0:00:13 | |
I like Luke! | 0:00:13 | 0:00:15 | |
Oh, no. This is bad. | 0:00:15 | 0:00:17 | |
I'm next. | 0:00:17 | 0:00:18 | |
'I want to be here so bad, and I just want to fit in. | 0:00:18 | 0:00:21 | |
'and I can't even sing with these people' | 0:00:21 | 0:00:23 | |
and I don't know why. | 0:00:23 | 0:00:24 | |
# If I leave here tomorrow | 0:00:31 | 0:00:35 | |
# Would you still remember me? | 0:00:38 | 0:00:42 | |
# For I must be travelling on now | 0:00:45 | 0:00:49 | |
# There's too many places I've got to see... # | 0:00:52 | 0:00:57 | |
I stayed up all night searching for the perfect song | 0:00:57 | 0:00:59 | |
to sing at the open stage today, | 0:00:59 | 0:01:00 | |
and I decided to perform Freebird because it's my dad's favourite. | 0:01:00 | 0:01:03 | |
# Things just couldn't be the same | 0:01:07 | 0:01:10 | |
# Cos I'm as free as a bird now | 0:01:14 | 0:01:18 | |
# And this bird you cannot change | 0:01:21 | 0:01:25 | |
# And this bird you cannot change | 0:01:28 | 0:01:32 | |
# Oh | 0:01:33 | 0:01:35 | |
# And this bird you cannot change | 0:01:35 | 0:01:39 | |
# Oh | 0:01:40 | 0:01:42 | |
# And this bird you cannot change... # | 0:01:42 | 0:01:45 | |
I'm so impressed. | 0:01:45 | 0:01:46 | |
Did she write this? | 0:01:46 | 0:01:48 | |
I guess so. | 0:01:48 | 0:01:49 | |
# Lord knows, I can't change | 0:01:49 | 0:01:53 | |
# I can't change. # | 0:01:55 | 0:01:57 | |
-CHEERING AND CLAPPING -So good. So good. | 0:01:59 | 0:02:03 | |
-I love that song. -Thank you. -Amazing job, amazing. | 0:02:03 | 0:02:06 | |
Thank you so much. | 0:02:06 | 0:02:07 | |
Clara, I loved that song. | 0:02:07 | 0:02:09 | |
When did you write it? | 0:02:09 | 0:02:11 | |
I wrote it last week. | 0:02:12 | 0:02:15 | |
Wow. Phenomenal. | 0:02:15 | 0:02:17 | |
'I didn't plan on telling people I wrote the song myself.' | 0:02:17 | 0:02:19 | |
It just kind of came out that way. | 0:02:19 | 0:02:22 | |
-It's brilliant. Honestly. -Thank you. | 0:02:22 | 0:02:24 | |
I think we should collaborate sometime. | 0:02:24 | 0:02:26 | |
Yeah, that would be so cool. | 0:02:26 | 0:02:27 | |
You guys would sound so good together. | 0:02:27 | 0:02:29 | |
'Everyone is so impressed with me and I feel like I finally fit in.' | 0:02:29 | 0:02:32 | |
I mean, it's just a little white lie. | 0:02:32 | 0:02:34 | |
It's not that big a deal, right? | 0:02:34 | 0:02:36 | |
# We are the lost | 0:02:37 | 0:02:39 | |
# And the found | 0:02:39 | 0:02:41 | |
# Don't know where we stand | 0:02:41 | 0:02:42 | |
# But it's solid ground | 0:02:42 | 0:02:43 | |
# It's your shot | 0:02:43 | 0:02:44 | |
# Let me see what you got | 0:02:44 | 0:02:46 | |
# Only your true light shines | 0:02:46 | 0:02:48 | |
# As bright as you | 0:02:48 | 0:02:50 | |
# Whoa, oh, oh, oh, oh Whoa, oh, oh, oh, oh | 0:02:50 | 0:02:53 | |
# Whoa, oh, oh, oh. # | 0:02:53 | 0:02:56 | |
# Original, original, original... # | 0:03:03 | 0:03:07 | |
'John's last attempt at dating Michelle failed miserably. | 0:03:12 | 0:03:15 | |
'It's time for him to try again,' | 0:03:15 | 0:03:16 | |
so, I'm trying a new motivation tactic with John today. | 0:03:16 | 0:03:19 | |
Threats. | 0:03:19 | 0:03:20 | |
What's going on? | 0:03:22 | 0:03:23 | |
Have a seat. | 0:03:24 | 0:03:25 | |
What? | 0:03:29 | 0:03:30 | |
What are these, John? | 0:03:30 | 0:03:32 | |
Fuzzy dice. | 0:03:32 | 0:03:33 | |
Mm-hm. Where are they from? | 0:03:33 | 0:03:35 | |
The van. | 0:03:35 | 0:03:36 | |
The van. | 0:03:36 | 0:03:38 | |
You ever want to see these again, | 0:03:38 | 0:03:40 | |
or any part of the van for that matter, | 0:03:40 | 0:03:42 | |
you ask out Michelle. | 0:03:42 | 0:03:43 | |
-Today. -You know what? Actually, that's probably a really bad idea, | 0:03:44 | 0:03:47 | |
-and I see an... -Can it! | 0:03:47 | 0:03:49 | |
'There's no way I could ask Michelle out.' | 0:03:50 | 0:03:53 | |
Last time I was supposed to go on a date with her, | 0:03:53 | 0:03:55 | |
there's this whole misunderstanding with Leia and the van, | 0:03:55 | 0:03:58 | |
and it was a disaster. | 0:03:58 | 0:03:59 | |
It's today, | 0:03:59 | 0:04:01 | |
or you kiss the van goodbye. | 0:04:01 | 0:04:03 | |
And you walk for the rest of your life. | 0:04:03 | 0:04:06 | |
SIGHS | 0:04:06 | 0:04:08 | |
Never...again. | 0:04:18 | 0:04:20 | |
'I know Luke is right,' | 0:04:25 | 0:04:27 | |
but I am really not ready for this. | 0:04:27 | 0:04:29 | |
-Yeah, I think that anyone just... -Hey, guys. | 0:04:29 | 0:04:32 | |
'Maggie and I' | 0:04:32 | 0:04:33 | |
both like Luke, which is a huge problem, | 0:04:33 | 0:04:36 | |
but we want to save the band and our friendship. | 0:04:36 | 0:04:38 | |
So, we came up with the only solution we could think of - | 0:04:38 | 0:04:41 | |
the Luke truce. | 0:04:41 | 0:04:43 | |
What is that? | 0:04:43 | 0:04:44 | |
It just means that we're both going to stay away from Luke. | 0:04:44 | 0:04:48 | |
Cos the band means more to us. | 0:04:48 | 0:04:49 | |
So both of you are going to stay away from Luke? | 0:04:49 | 0:04:53 | |
-Precisely. -Yeah. | 0:04:53 | 0:04:55 | |
I value Maggie's friendship, | 0:04:55 | 0:04:57 | |
so I'm going to continue with this truce, | 0:04:57 | 0:05:00 | |
even though it's killing me. | 0:05:00 | 0:05:02 | |
'Luke's a great guy, but Leia's a great friend, too.' | 0:05:02 | 0:05:06 | |
I want to keep the band and, more importantly, the friendship. | 0:05:06 | 0:05:10 | |
-There you are. -Ah! -Ah! | 0:05:17 | 0:05:20 | |
Wait, why did you scream? | 0:05:20 | 0:05:21 | |
Cos you frightened me. | 0:05:21 | 0:05:22 | |
Why'd you scream? | 0:05:22 | 0:05:24 | |
I thought someone was sneaking up behind me. | 0:05:24 | 0:05:26 | |
Anyway, that doesn't matter. | 0:05:26 | 0:05:28 | |
Have you asked out Michelle? | 0:05:28 | 0:05:30 | |
No. | 0:05:30 | 0:05:31 | |
No, I'm still trying to figure out what to say. | 0:05:31 | 0:05:34 | |
Do you have anything? | 0:05:34 | 0:05:36 | |
I got something good. | 0:05:36 | 0:05:37 | |
OK. Shoot. | 0:05:37 | 0:05:39 | |
Hey, Michelle. | 0:05:39 | 0:05:41 | |
Didn't see you there. | 0:05:41 | 0:05:43 | |
That's lovely, John, really. | 0:05:43 | 0:05:45 | |
It'll sweep her off her feet. | 0:05:45 | 0:05:48 | |
Leia, come here. | 0:05:48 | 0:05:49 | |
OK. | 0:05:49 | 0:05:51 | |
You're going to sit right here. | 0:05:51 | 0:05:53 | |
-Get up. Get up. -What are you doing? | 0:05:53 | 0:05:55 | |
Sit right here. | 0:05:55 | 0:05:56 | |
I need to ask you to do something. | 0:05:57 | 0:05:59 | |
Yes? | 0:05:59 | 0:06:00 | |
Can you pretend to be someone for John? | 0:06:00 | 0:06:02 | |
Oh, yeah. | 0:06:02 | 0:06:04 | |
'I have a Luke truce with Maggie,' | 0:06:04 | 0:06:06 | |
so I'm just helping him out as a friend. | 0:06:06 | 0:06:09 | |
-What's up? -Well, long story short, John likes Michelle. | 0:06:09 | 0:06:13 | |
-Oh. -You can't just say that! | 0:06:13 | 0:06:14 | |
Shh! So, your motivation is to just be Michelle. | 0:06:14 | 0:06:18 | |
OK. Now, does Michelle like John? | 0:06:18 | 0:06:21 | |
Oh, yeah, completely. | 0:06:21 | 0:06:22 | |
Oh, lucky John. | 0:06:22 | 0:06:24 | |
OK. Now you're going to be John. | 0:06:24 | 0:06:26 | |
That should be fairly easy for you, | 0:06:26 | 0:06:27 | |
and your motivation is to ask her out using something | 0:06:27 | 0:06:30 | |
we like to call words. | 0:06:30 | 0:06:31 | |
Begin. | 0:06:33 | 0:06:34 | |
Hey, Michelle. | 0:06:37 | 0:06:39 | |
Hi, John. | 0:06:39 | 0:06:41 | |
It's me... | 0:06:41 | 0:06:42 | |
..John. | 0:06:43 | 0:06:44 | |
I know, John. You're sitting right next to me, and I like it. | 0:06:44 | 0:06:48 | |
I am really good at this. | 0:06:48 | 0:06:50 | |
I was wondering, | 0:06:50 | 0:06:52 | |
do you want to do a duet? | 0:06:52 | 0:06:54 | |
Like a dance duet? | 0:06:54 | 0:06:55 | |
Because it would be really awkward if she asked me to dance. | 0:06:55 | 0:06:58 | |
No, no, no. A song. | 0:06:58 | 0:07:00 | |
-Well... -Actually, Leia, John should be doing the asking. | 0:07:00 | 0:07:03 | |
Why don't you ask me what I like to eat? | 0:07:03 | 0:07:06 | |
What do you like to eat? | 0:07:06 | 0:07:08 | |
Well, John, I actually really like soup. | 0:07:08 | 0:07:12 | |
Doesn't your best friend like soup, too? | 0:07:12 | 0:07:14 | |
Yeah. | 0:07:15 | 0:07:16 | |
Ah, you should totally tell him that. We have so much in common! | 0:07:16 | 0:07:20 | |
She likes soup. | 0:07:21 | 0:07:22 | |
This is really going off the rails fast. | 0:07:23 | 0:07:26 | |
I think, er, I think we're done here. I think, I think so. | 0:07:26 | 0:07:29 | |
-Thank you for everything. -Yeah. Thanks. | 0:07:29 | 0:07:31 | |
If I can't even ask out Leia' pretending to be Michelle, | 0:07:31 | 0:07:33 | |
what hope do I have with asking out the real Michelle? | 0:07:33 | 0:07:36 | |
What's going on here? | 0:07:39 | 0:07:41 | |
I'm going to do some busking. | 0:07:41 | 0:07:42 | |
I see Theo setting up, and I get this idea of how to get my mind off | 0:07:42 | 0:07:46 | |
the whole Luke situation. | 0:07:46 | 0:07:47 | |
Why don't we play a little game. | 0:07:47 | 0:07:49 | |
What do you have in mind? | 0:07:49 | 0:07:51 | |
OK, we each busk for one hour, | 0:07:51 | 0:07:53 | |
and whoever makes the most money wins. | 0:07:53 | 0:07:55 | |
You're so on. | 0:07:56 | 0:07:57 | |
You're so on. | 0:07:57 | 0:08:00 | |
I'm super-excited for the competition to begin. | 0:08:00 | 0:08:02 | |
I can take him. | 0:08:02 | 0:08:03 | |
That song you did today was amazing. | 0:08:08 | 0:08:10 | |
-Thank you. -I love your writing. | 0:08:10 | 0:08:12 | |
Like, it actually inspired me. | 0:08:12 | 0:08:15 | |
Thank you. | 0:08:15 | 0:08:16 | |
'Freebird is a famous song from the '70s,' | 0:08:16 | 0:08:18 | |
and when I hear her say that she wrote it, | 0:08:18 | 0:08:20 | |
I'm just so disappointed in her. | 0:08:20 | 0:08:22 | |
We need to work together. | 0:08:22 | 0:08:23 | |
-Yeah. That'd be so cool. -I know. Well, see you soon. | 0:08:23 | 0:08:26 | |
-Yeah. -OK, bye. -OK, bye. | 0:08:26 | 0:08:29 | |
Hey, Clara. | 0:08:33 | 0:08:34 | |
Erm, about the song you did today. | 0:08:34 | 0:08:36 | |
Thank you. | 0:08:36 | 0:08:38 | |
No, why are you telling people that you wrote it? You didn't. | 0:08:38 | 0:08:42 | |
Why do you think I didn't write it? | 0:08:42 | 0:08:45 | |
Give me your phone for a sec. | 0:08:45 | 0:08:46 | |
Oh, no. | 0:08:46 | 0:08:48 | |
Busted. | 0:08:48 | 0:08:49 | |
MUSIC: Freebird by Lynyrd Skynyrd | 0:08:53 | 0:08:56 | |
# Cos I'm as free as a bird now... #' | 0:08:56 | 0:08:58 | |
This is how I know you didn't write it. | 0:08:58 | 0:09:01 | |
# ..As free as a bird now... # | 0:09:01 | 0:09:03 | |
Stop. Someone could hear it. | 0:09:03 | 0:09:05 | |
Everyone thinks I wrote it. | 0:09:05 | 0:09:07 | |
They'll hate me. | 0:09:07 | 0:09:09 | |
They'll hate you more if they find out another way. | 0:09:09 | 0:09:11 | |
Look, the truth comes out, Clara. | 0:09:11 | 0:09:13 | |
It always does. | 0:09:13 | 0:09:15 | |
Wait. | 0:09:15 | 0:09:16 | |
Promise me you won't tell anyone. | 0:09:16 | 0:09:18 | |
I'm not going to lie for you, | 0:09:18 | 0:09:20 | |
but I won't say anything. | 0:09:20 | 0:09:22 | |
'Everything is fine as long as Eva doesn't' | 0:09:25 | 0:09:27 | |
tell anyone what I did. | 0:09:27 | 0:09:29 | |
# So, go ahead | 0:09:31 | 0:09:33 | |
# Take a picture, take a photograph | 0:09:33 | 0:09:37 | |
# We'll be the ones who never turn back | 0:09:37 | 0:09:41 | |
# Got something worth saying | 0:09:41 | 0:09:43 | |
# Promise that we won't forget | 0:09:43 | 0:09:46 | |
# Remember what you said | 0:09:46 | 0:09:48 | |
# We were never gonna have regrets | 0:09:49 | 0:09:53 | |
# We swore that we would take any chance | 0:09:53 | 0:09:56 | |
# On something worth saving... # | 0:09:56 | 0:09:58 | |
I see people walking by throwing change | 0:09:58 | 0:10:01 | |
and money into my hat and into Theo's guitar case, | 0:10:01 | 0:10:03 | |
and I can't even tell who was getting more. | 0:10:03 | 0:10:05 | |
I mean, it's going to be close. | 0:10:05 | 0:10:07 | |
BOTH: # We swore that we would take any chance | 0:10:07 | 0:10:11 | |
# On something worth saying | 0:10:11 | 0:10:13 | |
# A promise that I won't forget | 0:10:13 | 0:10:15 | |
# A promise that I won't forget | 0:10:16 | 0:10:19 | |
# A promise that I won't forget. # | 0:10:20 | 0:10:23 | |
This was an awesome way to get my mind off Luke for a while. | 0:10:23 | 0:10:26 | |
'Win or lose, I'm happy.' | 0:10:26 | 0:10:28 | |
All right. What you got? | 0:10:28 | 0:10:30 | |
27.50. | 0:10:30 | 0:10:32 | |
27.50. | 0:10:34 | 0:10:35 | |
Oh! | 0:10:35 | 0:10:37 | |
Maggie and I tied, and I'm not a competitive person, | 0:10:37 | 0:10:40 | |
but for some reason, | 0:10:40 | 0:10:41 | |
I'm just not OK with this. | 0:10:41 | 0:10:44 | |
Hey. | 0:10:47 | 0:10:48 | |
I'm about to attempt a conversation with Michelle. | 0:10:48 | 0:10:52 | |
Wish me luck. | 0:10:52 | 0:10:53 | |
Homework? | 0:10:53 | 0:10:55 | |
Yeah. I'm doing a project on Nikola Tesla. | 0:10:55 | 0:10:58 | |
This semester in history, we're studying inventors. | 0:10:58 | 0:11:01 | |
Oh, OK. Yeah. | 0:11:01 | 0:11:04 | |
I heard that, uh, he got his photographic memory from his mother | 0:11:04 | 0:11:07 | |
and that she was an inventor, too. | 0:11:07 | 0:11:10 | |
Oh. Well, I'll add that to my project. | 0:11:10 | 0:11:12 | |
-OK. -Thanks. | 0:11:12 | 0:11:14 | |
Yeah, my mom was actually a dancer, | 0:11:14 | 0:11:16 | |
so, I found my interest and love for dancing through my mom. | 0:11:16 | 0:11:20 | |
Oh, yeah? Well, my... | 0:11:20 | 0:11:21 | |
I almost start talking about my mom, | 0:11:23 | 0:11:25 | |
which makes me start thinking about stuff. | 0:11:25 | 0:11:27 | |
Stuff that I don't want to think about. | 0:11:27 | 0:11:29 | |
I have to get out of there. | 0:11:29 | 0:11:31 | |
I...I should go. | 0:11:31 | 0:11:33 | |
Um, good luck with that. | 0:11:33 | 0:11:36 | |
Um, I hope it goes gangbusters. Yeah. | 0:11:36 | 0:11:39 | |
Thanks. | 0:11:39 | 0:11:40 | |
And sorry I just said gangbusters. | 0:11:40 | 0:11:43 | |
-Bye. -Bye. | 0:11:45 | 0:11:47 | |
-Hey. -Hey. -Take a seat. -OK. | 0:11:49 | 0:11:52 | |
OK... | 0:11:55 | 0:11:56 | |
we need to fix this. | 0:11:56 | 0:11:58 | |
We need to fix what? | 0:11:58 | 0:11:59 | |
The fact that it's a tie. We need to finish it. | 0:11:59 | 0:12:02 | |
'More time with Theo means less time' | 0:12:02 | 0:12:04 | |
thinking about Luke. I'm in. | 0:12:04 | 0:12:06 | |
What do you have in mind? | 0:12:06 | 0:12:08 | |
Um... | 0:12:08 | 0:12:09 | |
whoever can hold a note the longest wins. | 0:12:09 | 0:12:12 | |
OK. | 0:12:12 | 0:12:14 | |
-Erm...how about this note? -SHE PLAYS A NOTE | 0:12:14 | 0:12:17 | |
Sounds great. That sounds great. | 0:12:17 | 0:12:19 | |
'I don't mind losing,' | 0:12:19 | 0:12:21 | |
and I don't mind winning. I just need closure. | 0:12:21 | 0:12:24 | |
TOGETHER: One, two, three. | 0:12:24 | 0:12:27 | |
BOTH: # Aaah... # | 0:12:27 | 0:12:39 | |
'I'm running out of breath. Theo is relentless.' | 0:12:39 | 0:12:41 | |
I had no idea he was so competitive. | 0:12:41 | 0:12:43 | |
BOTH: # ..aaah... # | 0:12:43 | 0:12:46 | |
You win. | 0:12:46 | 0:12:47 | |
I had way more air. | 0:12:49 | 0:12:51 | |
Did you? Oh, I didn't take a big enough breath. | 0:12:51 | 0:12:53 | |
-Oh, yeah. No. -No. | 0:12:53 | 0:12:54 | |
I did it! | 0:12:54 | 0:12:55 | |
I mean, I don't care that I won, | 0:12:55 | 0:12:57 | |
but I totally won. | 0:12:57 | 0:12:59 | |
Almonds are just so much better than any other nut. | 0:12:59 | 0:13:02 | |
I like Brazil nuts. | 0:13:02 | 0:13:03 | |
You're not even from Brazil. | 0:13:03 | 0:13:04 | |
'I'm really nervous.' | 0:13:04 | 0:13:05 | |
What if Eva told anyone that I didn't write Freebird? | 0:13:05 | 0:13:08 | |
My life would be over. | 0:13:08 | 0:13:10 | |
Hey, Clara. We're just heading to the Junction. | 0:13:10 | 0:13:12 | |
-Do you want to come? -Sure. | 0:13:12 | 0:13:13 | |
Yeah, we're going to get some pe-CAN tarts. | 0:13:13 | 0:13:16 | |
Isn't it PE-can? | 0:13:16 | 0:13:17 | |
BOTH: Thank you! | 0:13:17 | 0:13:19 | |
Do you want one? My treat. | 0:13:19 | 0:13:20 | |
-Sure. Thank you. -Awesome! | 0:13:20 | 0:13:22 | |
-Are we the only sane people around here? -Give it up. | 0:13:22 | 0:13:24 | |
-It's so pe-CAN. -Who told you that? | 0:13:24 | 0:13:26 | |
-It's PE-can. -My mom told me... | 0:13:26 | 0:13:27 | |
The cool girls want to hang out with me. | 0:13:27 | 0:13:29 | |
I guess everything's OK. | 0:13:29 | 0:13:31 | |
How did you write words like that? | 0:13:36 | 0:13:38 | |
Honestly, I just try to hear what I'm feeling. | 0:13:38 | 0:13:41 | |
You know? Like learning to listen to yourself. | 0:13:41 | 0:13:44 | |
That is so true. | 0:13:44 | 0:13:46 | |
So, is the song about anyone in particular? | 0:13:46 | 0:13:49 | |
Um... | 0:13:49 | 0:13:51 | |
Yeah, it's about this guy I met | 0:13:51 | 0:13:53 | |
when my family was backpacking through Europe. | 0:13:53 | 0:13:55 | |
Ooh! | 0:13:55 | 0:13:57 | |
Oh, no. | 0:13:57 | 0:13:58 | |
I can feel the lie starting to spiral out of control. | 0:13:58 | 0:14:01 | |
Whereabouts in Europe? | 0:14:01 | 0:14:02 | |
Um, Europe. | 0:14:02 | 0:14:05 | |
You know, like, all over Europe. | 0:14:05 | 0:14:07 | |
Yeah, it was, um, everywhere through Europe. | 0:14:07 | 0:14:10 | |
Oh! Oh, yeah | 0:14:10 | 0:14:11 | |
Guys, what song is this? | 0:14:11 | 0:14:13 | |
# And this bird you cannot change | 0:14:13 | 0:14:18 | |
# Lord knows, I can't change... # | 0:14:19 | 0:14:23 | |
Those are your lyrics, Clara. | 0:14:23 | 0:14:24 | |
# Lord, help me, I can't change... # | 0:14:26 | 0:14:31 | |
'We're here in the Rose Room' | 0:14:42 | 0:14:44 | |
to determine Clara's future here at Lost & Found, | 0:14:44 | 0:14:47 | |
and it's not going to be easy. | 0:14:47 | 0:14:49 | |
Clara violated one of the most important rules at Lost & Found. | 0:14:49 | 0:14:53 | |
You don't steal anyone's work. | 0:14:53 | 0:14:55 | |
Ever. | 0:14:55 | 0:14:56 | |
How could you do that to me? | 0:14:58 | 0:15:01 | |
Clara, I promise you, I had nothing to do with the song coming on | 0:15:01 | 0:15:04 | |
the speakers in the Java Junction. | 0:15:04 | 0:15:06 | |
Yeah, right. | 0:15:06 | 0:15:07 | |
Then how do you even know what happened? | 0:15:07 | 0:15:09 | |
Leia told me. | 0:15:09 | 0:15:11 | |
I'm going to get kicked out of the studio. | 0:15:11 | 0:15:13 | |
They're in the Rose Room voting on it right now. | 0:15:13 | 0:15:15 | |
I know. I just came from there. | 0:15:15 | 0:15:17 | |
I came to get you because you have to go in there. | 0:15:17 | 0:15:20 | |
You have the right to defend yourself. | 0:15:20 | 0:15:21 | |
I don't think I can. | 0:15:21 | 0:15:24 | |
You have nothing to lose. | 0:15:24 | 0:15:25 | |
'What Clara did was wrong,' | 0:15:27 | 0:15:30 | |
but it was just a mistake, and I think she deserves to be forgiven. | 0:15:30 | 0:15:32 | |
'This is the longest walk of my life.' | 0:15:35 | 0:15:37 | |
I have no idea what's going to happen now. | 0:15:37 | 0:15:39 | |
CHATTING | 0:15:40 | 0:15:41 | |
Go ahead. Have a seat. | 0:15:44 | 0:15:45 | |
Come with me. | 0:15:47 | 0:15:49 | |
OK, we have to have a talk. | 0:15:53 | 0:15:55 | |
Clara, you've been accused of plagiarism, | 0:15:55 | 0:15:57 | |
and that's really, really serious. | 0:15:57 | 0:15:59 | |
Plagiarism is taking credit for someone else's work. | 0:15:59 | 0:16:02 | |
It's the worst crime that a musician could commit. | 0:16:02 | 0:16:05 | |
Yeah, but nowadays there are so many grey areas in original music. | 0:16:05 | 0:16:08 | |
Sampling is also taking someone's work and using it as your own. | 0:16:08 | 0:16:12 | |
'I can't focus on what's going on around me.' | 0:16:12 | 0:16:14 | |
I can't even hear what anyone's saying. | 0:16:14 | 0:16:17 | |
-(VOICES ECHOING) -She plagiarised the song, but I don't think she meant to do it... | 0:16:17 | 0:16:21 | |
The difference is when people sample, they give credit to the original artist... | 0:16:21 | 0:16:25 | |
Look at Bittersweet Symphony by The Verve... | 0:16:25 | 0:16:27 | |
If you plagiarise a song, you're no longer a musician... | 0:16:27 | 0:16:29 | |
He ended up giving him a co-writing credit because the songs were so similar... | 0:16:29 | 0:16:33 | |
-Just give her a second chance... -If you don't follow the rules... | 0:16:33 | 0:16:36 | |
She was just trying to fit in, and I know what that feels like... | 0:16:36 | 0:16:38 | |
You said you wrote it... | 0:16:38 | 0:16:40 | |
Don't you understand what the Lost & Found experience is about...? | 0:16:40 | 0:16:43 | |
Life can be tough. She knows what she needs to do... | 0:16:43 | 0:16:45 | |
I didn't know what I was doing. | 0:16:49 | 0:16:51 | |
I thought that I could make a really good song | 0:16:51 | 0:16:54 | |
and that you guys would like me, | 0:16:54 | 0:16:55 | |
because no-one ever likes me, | 0:16:55 | 0:16:58 | |
and it was really good, and I was so proud of it, | 0:16:58 | 0:17:00 | |
and then you're just yelling at me. | 0:17:00 | 0:17:02 | |
I am a musician and I belong here. | 0:17:05 | 0:17:07 | |
How can I prove it? | 0:17:11 | 0:17:13 | |
OK, well, I have an idea. | 0:17:16 | 0:17:18 | |
Clara, go into the recording studio and make an original song | 0:17:19 | 0:17:22 | |
and don't come out until you're finished. | 0:17:22 | 0:17:24 | |
-Mr T? -What do you guys think? | 0:17:25 | 0:17:27 | |
-THEO: Yeah. MAGGIE: -That's fine. | 0:17:27 | 0:17:29 | |
But give me your phone. No cheating. | 0:17:29 | 0:17:32 | |
You have so little faith in me, don't you? | 0:17:32 | 0:17:35 | |
Better get started. | 0:17:36 | 0:17:37 | |
Clara. Be strong, OK? You can do this. | 0:17:39 | 0:17:42 | |
-Yeah. -Good luck. | 0:17:42 | 0:17:43 | |
Thank you. | 0:17:43 | 0:17:45 | |
You know, I really hope you appreciate the second chance. | 0:17:56 | 0:17:59 | |
Not many people around here are lucky enough to get one of those. | 0:17:59 | 0:18:02 | |
I do. | 0:18:02 | 0:18:03 | |
Let me know when you're done, and you can have this back. | 0:18:03 | 0:18:06 | |
'I have to write the song of my life now, | 0:18:06 | 0:18:09 | |
'and I've never felt less capable.' | 0:18:09 | 0:18:11 | |
I don't know if I can do it. | 0:18:11 | 0:18:13 | |
'I hear this beautiful piano-playing,' | 0:18:26 | 0:18:27 | |
and I'm just so drawn to it, | 0:18:27 | 0:18:29 | |
and I look into the Rose Room, and it's John. | 0:18:29 | 0:18:31 | |
'Music is easy for me,' | 0:18:33 | 0:18:35 | |
but connecting with Michelle, | 0:18:35 | 0:18:37 | |
something inside me just won't let me tell her how I feel. | 0:18:37 | 0:18:41 | |
# Hello, here is my confession | 0:18:53 | 0:18:57 | |
# I tried to go with the flow | 0:19:00 | 0:19:03 | |
# But didn't flow in my direction | 0:19:03 | 0:19:06 | |
# I guess I have one little problem | 0:19:08 | 0:19:13 | |
# I saw him running with the pack | 0:19:16 | 0:19:18 | |
# But they weren't going where I was going | 0:19:18 | 0:19:22 | |
# Everyone was acting like as if they were right | 0:19:22 | 0:19:26 | |
# But I did not bite No, I did not bite | 0:19:26 | 0:19:30 | |
# I said I'm going back till there's no-one left | 0:19:30 | 0:19:34 | |
# Till there's no-one left | 0:19:34 | 0:19:36 | |
# Now I'm standing on my own | 0:19:36 | 0:19:40 | |
# It's me against them all | 0:19:40 | 0:19:44 | |
# And it never looked so beautiful | 0:19:44 | 0:19:48 | |
# Cos I found what I was looking for | 0:19:48 | 0:19:51 | |
# Now I'm standing on my own | 0:19:51 | 0:19:55 | |
# It's me against the world | 0:19:55 | 0:19:59 | |
# And I never felt so wonderful | 0:19:59 | 0:20:03 | |
# Cos I found what I was searching for | 0:20:03 | 0:20:06 | |
# I found my voice | 0:20:08 | 0:20:10 | |
# I found my voice | 0:20:10 | 0:20:11 | |
# I found my voice | 0:20:11 | 0:20:13 | |
# I found my voice | 0:20:13 | 0:20:15 | |
# I found my voice | 0:20:15 | 0:20:17 | |
# I found my voice | 0:20:17 | 0:20:19 | |
# I found my voice | 0:20:19 | 0:20:23 | |
# Hello, here is my confession | 0:20:25 | 0:20:30 | |
# I got lost along the way sometime | 0:20:30 | 0:20:34 | |
# Because I was guessing, yeah | 0:20:34 | 0:20:37 | |
# Oh, follow my heart, I'm broken I felt it... # | 0:20:40 | 0:20:45 | |
'I know John and I have a connection, | 0:20:45 | 0:20:47 | |
but I don't know why he can't just talk to me. | 0:20:47 | 0:20:50 | |
Until he can, we can't be together. | 0:20:50 | 0:20:53 | |
# I found my voice | 0:20:56 | 0:20:59 | |
# I found my voice | 0:21:00 | 0:21:02 | |
# I found my voice | 0:21:03 | 0:21:06 | |
# I found my voice | 0:21:07 | 0:21:10 | |
# I found my voice | 0:21:10 | 0:21:13 | |
# I found my voice | 0:21:13 | 0:21:15 | |
# I found my voice | 0:21:15 | 0:21:17 | |
# I found my voice | 0:21:17 | 0:21:19 | |
# I found my voice | 0:21:19 | 0:21:21 | |
# Yes, I found my voice | 0:21:21 | 0:21:22 | |
# I found my voice. # | 0:21:22 | 0:21:26 |