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-Previously on Lost & Found. -Can I help you with something? | 0:00:02 | 0:00:05 | |
Yeah, looking for Isaac. | 0:00:05 | 0:00:06 | |
'Whenever my brother shows up it's trouble.' | 0:00:06 | 0:00:08 | |
Why don't we all just get together as a group? | 0:00:08 | 0:00:11 | |
I guess we're a girl band now? Sweet. | 0:00:11 | 0:00:13 | |
Clara, you've been accused of plagiarism, | 0:00:13 | 0:00:15 | |
and that's really, really serious. | 0:00:15 | 0:00:17 | |
Clara, go into the studio and make an original song | 0:00:17 | 0:00:19 | |
and don't come out until you're finished. | 0:00:19 | 0:00:21 | |
I really hope you appreciate the second chance. | 0:00:21 | 0:00:24 | |
Not many people around here are lucky enough to get one of those. | 0:00:24 | 0:00:27 | |
# I wanted his mic, oh | 0:00:36 | 0:00:38 | |
# DJ, play my jam jam | 0:00:38 | 0:00:40 | |
# We're on an all-nighter | 0:00:40 | 0:00:42 | |
# You're right, that's the plan, man | 0:00:42 | 0:00:45 | |
# Won't catch me on my phone | 0:00:45 | 0:00:47 | |
# My stress in the rear-view | 0:00:47 | 0:00:49 | |
# Forget all my troubles when I'm here with you | 0:00:49 | 0:00:53 | |
# Oh, oh, oh | 0:00:53 | 0:00:55 | |
# Don't need material things to tell us who we are | 0:00:55 | 0:00:59 | |
# I just need this night with you underneath the stars | 0:00:59 | 0:01:04 | |
# Into the sun, into the sunrise | 0:01:04 | 0:01:07 | |
# Whoa | 0:01:07 | 0:01:08 | |
# Into the sun, into the sunrise | 0:01:08 | 0:01:11 | |
# Whoa | 0:01:11 | 0:01:12 | |
# Into the sun into the sunrise... # | 0:01:12 | 0:01:14 | |
'I'm not very happy right now.' | 0:01:14 | 0:01:16 | |
I was almost kicked out of Lost& Found for stealing a song, | 0:01:16 | 0:01:19 | |
and I don't think anyone's forgiven me yet. | 0:01:19 | 0:01:21 | |
# I said into the morning | 0:01:21 | 0:01:23 | |
# We get into the craziest thing | 0:01:23 | 0:01:26 | |
# I'm into everything and anything you want to do | 0:01:26 | 0:01:28 | |
# And when we do it do it, do it all over again | 0:01:28 | 0:01:30 | |
# I said into the morning | 0:01:30 | 0:01:32 | |
# We get into the craziest things | 0:01:32 | 0:01:34 | |
# I'm into everything and anything you want to do | 0:01:34 | 0:01:37 | |
# And then we do it, do it do it all over again. # | 0:01:37 | 0:01:40 | |
How's it going? | 0:01:46 | 0:01:48 | |
'My boyfriend is a music DJ and producer.' | 0:01:48 | 0:01:50 | |
His stage name is Paradox. | 0:01:50 | 0:01:51 | |
He's really popular on the underground music scene. | 0:01:51 | 0:01:54 | |
-Hey, you did an amazing job. -Thanks. | 0:01:54 | 0:01:56 | |
What are you doing here? | 0:01:56 | 0:01:58 | |
I came to see my girlfriend. | 0:01:58 | 0:02:00 | |
Uh, Isaac, you two know each other? | 0:02:00 | 0:02:03 | |
This is my brother. | 0:02:03 | 0:02:04 | |
'I had no idea' | 0:02:04 | 0:02:06 | |
Tully is Isaac's brother. | 0:02:06 | 0:02:08 | |
Isaac's never talked about him before. | 0:02:08 | 0:02:09 | |
You were on fire up there, baby bro. | 0:02:09 | 0:02:12 | |
'Tully plays a tough guy on stage, but it isn't just an act.' | 0:02:12 | 0:02:16 | |
Nobody understands how bad Tully really is. | 0:02:16 | 0:02:19 | |
# We are the lost | 0:02:19 | 0:02:21 | |
# And the found | 0:02:21 | 0:02:22 | |
# Don't know where we stand | 0:02:22 | 0:02:24 | |
# But it's solid ground | 0:02:24 | 0:02:26 | |
# It's your shot | 0:02:26 | 0:02:27 | |
# Let's see what you got | 0:02:27 | 0:02:29 | |
# Only your true light shines | 0:02:29 | 0:02:30 | |
# As bright as you | 0:02:30 | 0:02:32 | |
# Whoa, oh, oh, oh, oh | 0:02:32 | 0:02:34 | |
# Whoa, oh, oh, oh, oh | 0:02:34 | 0:02:36 | |
# Whoa, oh, oh, oh. # | 0:02:36 | 0:02:38 | |
We need to talk. | 0:02:52 | 0:02:54 | |
Hey, you're not still mad at me, are you, baby bro? | 0:02:54 | 0:02:56 | |
Look, you need to leave here | 0:02:56 | 0:02:58 | |
and never come back. OK, this is my place, | 0:02:58 | 0:03:00 | |
and if you cared about me, you would just leave already. | 0:03:00 | 0:03:02 | |
You know, I can actually help you here. | 0:03:02 | 0:03:05 | |
-Help me? -Yeah. You know, I actually got news for you. | 0:03:05 | 0:03:07 | |
You're not better than me, | 0:03:07 | 0:03:10 | |
and I go wherever I want. | 0:03:10 | 0:03:12 | |
-So, you don't care about me? -Do not be a baby right now. | 0:03:13 | 0:03:17 | |
-Tully, there you are. -Hey. -I've been looking for you. | 0:03:17 | 0:03:20 | |
'Tully puts people who are close to him in danger.' | 0:03:20 | 0:03:24 | |
He can't stay here. | 0:03:24 | 0:03:25 | |
I can't sit back and watch him ruin things for me again. | 0:03:25 | 0:03:28 | |
-Hey, Eva. -Hey. | 0:03:35 | 0:03:38 | |
Um, I just wanted to say I'm really sorry I didn't listen to you before. | 0:03:38 | 0:03:42 | |
'Eva tried to get me to admit that I didn't write the song | 0:03:42 | 0:03:44 | |
'Free Bird' | 0:03:44 | 0:03:45 | |
and I didn't listen. | 0:03:45 | 0:03:47 | |
Now I'm paying the price. | 0:03:47 | 0:03:48 | |
I just...I wish there was a way I could make it up to everyone. | 0:03:48 | 0:03:51 | |
I mean, you've done what you can. | 0:03:51 | 0:03:52 | |
You wrote an original song, and it was really good. | 0:03:52 | 0:03:55 | |
I hate feeling this way. | 0:03:55 | 0:03:57 | |
I wish there was something I would do right now | 0:03:57 | 0:03:59 | |
and make everything better. | 0:03:59 | 0:04:00 | |
-I know it's hard now, but the scars will heal. -Right. OK. | 0:04:00 | 0:04:05 | |
Thanks again. | 0:04:05 | 0:04:06 | |
'I know Eva is trying to help,' | 0:04:09 | 0:04:11 | |
but she can't help me now. | 0:04:11 | 0:04:14 | |
-Hey. -Hey. -I got your text. What's the big news? | 0:04:23 | 0:04:25 | |
OK. We just booked our first gig. I know. | 0:04:25 | 0:04:28 | |
Here in the Rose Room tonight... | 0:04:28 | 0:04:31 | |
opening for Magenta City. | 0:04:31 | 0:04:33 | |
-Oh, my God! -I love Magenta City. -I know! | 0:04:33 | 0:04:36 | |
-Eddie Magenta is going to be here? -I know. -Like, with us? | 0:04:36 | 0:04:38 | |
'At night, Lost & Found becomes a live music venue.' | 0:04:38 | 0:04:41 | |
Touring bands from all over the country come here to play. | 0:04:41 | 0:04:44 | |
OK. So how did you swing this? | 0:04:44 | 0:04:46 | |
My uncle's the band manager, so... | 0:04:46 | 0:04:48 | |
Are you serious? | 0:04:48 | 0:04:50 | |
-I can't believe you didn't tell us. -Who cares? 'Maggie's amazing.' | 0:04:50 | 0:04:53 | |
We're so lucky to have her in the band. | 0:04:53 | 0:04:55 | |
# We're going to light it up | 0:04:55 | 0:04:57 | |
# Oh, oh, oh, oh | 0:04:57 | 0:04:59 | |
# We're going to light it up. # | 0:04:59 | 0:05:02 | |
So I was with some friends | 0:05:02 | 0:05:03 | |
the other day, and we were talking, and you came up. | 0:05:03 | 0:05:06 | |
-Of course. -They told me some really scary things about you. | 0:05:06 | 0:05:09 | |
Are they true? | 0:05:09 | 0:05:11 | |
Why do you ask? | 0:05:12 | 0:05:14 | |
Um... | 0:05:15 | 0:05:17 | |
Well, because I'm starting to have feelings for you. | 0:05:17 | 0:05:20 | |
And I want to know if I should. | 0:05:21 | 0:05:23 | |
Yes. | 0:05:30 | 0:05:31 | |
I'm...I'm involved with a crew. | 0:05:33 | 0:05:35 | |
It doesn't change things between us, right? | 0:05:35 | 0:05:38 | |
-Well, I don't know, Tully. -It's only temporary, OK? | 0:05:38 | 0:05:41 | |
I mean this whole Paradox thing is blowing up. | 0:05:41 | 0:05:44 | |
-You know what I'm saying? -Yeah. | 0:05:44 | 0:05:46 | |
-I want you to be a big part of that. -Mm-hmm. | 0:05:46 | 0:05:48 | |
And, as soon as it does, it's all over... | 0:05:48 | 0:05:53 | |
I promise you. | 0:05:53 | 0:05:54 | |
'Now that Telly's music career is taking off, he doesn't have to' | 0:05:57 | 0:06:00 | |
hang out with his crew any more, and I believe him. | 0:06:00 | 0:06:03 | |
He's doing what he has to do. | 0:06:03 | 0:06:05 | |
-You OK? -Mm-hmm. | 0:06:05 | 0:06:06 | |
# What's your first impression of me | 0:06:09 | 0:06:12 | |
# Tell me what do you see | 0:06:12 | 0:06:15 | |
# You think you know me but you only know the outside | 0:06:15 | 0:06:20 | |
# Don't you know that looks can deceive | 0:06:20 | 0:06:23 | |
# Cos I got more up my sleeve | 0:06:23 | 0:06:24 | |
# Yeah, there's a shimmer | 0:06:24 | 0:06:26 | |
# There's a flicker burning inside | 0:06:26 | 0:06:29 | |
# Sometimes I'm shy | 0:06:29 | 0:06:32 | |
# Sometimes I'm quiet | 0:06:32 | 0:06:34 | |
# So you got to stand back to see who I am | 0:06:34 | 0:06:37 | |
# I'm about to blow your mind | 0:06:37 | 0:06:41 | |
# Yeah, I'm a firecracker | 0:06:41 | 0:06:43 | |
# Strike the match up I'm taking over | 0:06:43 | 0:06:45 | |
# Light me up, light me up light me up | 0:06:45 | 0:06:48 | |
# Light me up, light me up | 0:06:48 | 0:06:50 | |
# Yeah, I'm a firecracker | 0:06:50 | 0:06:53 | |
# Going up like it don't matter | 0:06:53 | 0:06:55 | |
# Light me up, light me up light me up | 0:06:55 | 0:06:58 | |
# Like a firecracker | 0:06:58 | 0:07:00 | |
# Everybody's so quick to judge | 0:07:00 | 0:07:03 | |
# Make you feel like you're never enough | 0:07:03 | 0:07:05 | |
# Well, call me crazy it don't faze me... # | 0:07:05 | 0:07:07 | |
'We're rehearsing our song Firecracker for tonight.' | 0:07:07 | 0:07:10 | |
I'm just so happy to help out my band, I can't wait to play the show. | 0:07:10 | 0:07:15 | |
# Like no other my true colours will be flying | 0:07:15 | 0:07:20 | |
# Sometimes I'm shy | 0:07:20 | 0:07:22 | |
# Sometimes I'm quiet | 0:07:22 | 0:07:25 | |
# So you got to stand back to see who I am | 0:07:25 | 0:07:28 | |
I'm about to blow your mind | 0:07:28 | 0:07:30 | |
# Yeah, I'm a firecracker | 0:07:30 | 0:07:33 | |
# Strike the match I'm taking over | 0:07:33 | 0:07:35 | |
# Light me up, light me up light me up | 0:07:35 | 0:07:38 | |
# Light me up, light me up | 0:07:38 | 0:07:40 | |
# Yeah, I'm a firecracker | 0:07:40 | 0:07:43 | |
# Going up like it don't matter | 0:07:43 | 0:07:45 | |
# Light me up... # | 0:07:45 | 0:07:46 | |
I invited my uncle Reid to come to our rehearsal. | 0:07:46 | 0:07:49 | |
I know he'll be impressed. | 0:07:49 | 0:07:50 | |
# Whoa, going to explode | 0:07:50 | 0:07:54 | |
# Whoa, going to explode... # | 0:07:54 | 0:07:58 | |
Impressing a manager in the music industry is a big deal, | 0:07:58 | 0:08:01 | |
but I'm not worried. Maggie's uncle is going to LOVE us. | 0:08:01 | 0:08:05 | |
# You think you know me but you only know the outside | 0:08:05 | 0:08:12 | |
# Yeah, I'm a firecracker | 0:08:14 | 0:08:16 | |
# Strike the match I'm taking over | 0:08:16 | 0:08:18 | |
# Light me up, light me up light me up | 0:08:18 | 0:08:21 | |
# Light me up, light me up | 0:08:21 | 0:08:23 | |
Yeah, I'm a firecracker...# | 0:08:23 | 0:08:25 | |
If it goes well, opening for a band like Magenta City | 0:08:25 | 0:08:28 | |
can launch our careers, like, literally overnight. | 0:08:28 | 0:08:31 | |
It's our big break. | 0:08:31 | 0:08:33 | |
Maybe Maggie did do something right. | 0:08:33 | 0:08:35 | |
# Going to explode | 0:08:35 | 0:08:37 | |
# Whoa | 0:08:37 | 0:08:40 | |
# Going to explode | 0:08:40 | 0:08:42 | |
# Like a firecracker. # | 0:08:42 | 0:08:43 | |
Wow! | 0:08:43 | 0:08:45 | |
Whoa, that was great, that was great, but what are you doing? | 0:08:46 | 0:08:51 | |
Hmm? What? | 0:08:52 | 0:08:53 | |
Why isn't Maggie up there, why is the...that pink shirt girl there? | 0:08:53 | 0:08:57 | |
I'm not a pink shirt girl. My name is Leia, actually. | 0:08:57 | 0:08:59 | |
Oh, OK. Well, you don't sing the lead | 0:08:59 | 0:09:01 | |
when it's my band playing tonight. | 0:09:01 | 0:09:03 | |
Maggie does. Maggie, I'll see you later. | 0:09:03 | 0:09:05 | |
I'll take care of this. | 0:09:05 | 0:09:06 | |
You guys, if you want to do back up or I'll get you tickets or... | 0:09:06 | 0:09:09 | |
I don't care what you do, really. | 0:09:09 | 0:09:10 | |
-Wait.... -Oh, my... -Yeah... | 0:09:10 | 0:09:14 | |
This was not the way this was supposed to happen. | 0:09:14 | 0:09:17 | |
Maggie, do you think we're your backup band? | 0:09:26 | 0:09:28 | |
I can't believe your selfishness! | 0:09:28 | 0:09:29 | |
No, I had no idea that's what my uncle thought | 0:09:29 | 0:09:31 | |
when I agreed to the gig. | 0:09:31 | 0:09:32 | |
-Oh, well, I don't really care... -You know what, Leia, calm down. | 0:09:32 | 0:09:35 | |
I mean, I'm sure Maggie didn't mean to mislead us or her uncle... | 0:09:35 | 0:09:39 | |
'Leia should just roll with this.' | 0:09:39 | 0:09:41 | |
It's a great opportunity, and it would be nice for someone | 0:09:41 | 0:09:44 | |
other than Leia to sing lead for a change. | 0:09:44 | 0:09:46 | |
Opening for Magenta City is an incredible opportunity, | 0:09:46 | 0:09:49 | |
and I don't think that any of us | 0:09:49 | 0:09:50 | |
should care whether we're singing backup or not. | 0:09:50 | 0:09:52 | |
Um, absolutely not! We're not going to change who we are as a band. | 0:09:52 | 0:09:56 | |
That's selling out. 'I don't know.' | 0:09:56 | 0:09:58 | |
Is it selling out having someone other than Leia sing lead? | 0:09:58 | 0:10:02 | |
Show of hands. We're not doing the gig. | 0:10:02 | 0:10:04 | |
Annabelle? | 0:10:07 | 0:10:08 | |
OK. I understand. | 0:10:12 | 0:10:14 | |
-I'll go tell my uncle. -Good. | 0:10:14 | 0:10:17 | |
'My uncle will never forgive me,' | 0:10:17 | 0:10:21 | |
but I have to do what the band wants. | 0:10:21 | 0:10:24 | |
I found these pair of pants, OK, and they're like the bluest of blue. | 0:10:24 | 0:10:28 | |
Like, I don't think you understand. | 0:10:28 | 0:10:30 | |
Like, it's not...it's not like sky blue or ocean blue. | 0:10:30 | 0:10:33 | |
It's like the combination of the two of them together. You know? | 0:10:33 | 0:10:36 | |
-OK. -Oh, hey. Clara. -Come here. | 0:10:36 | 0:10:39 | |
-Can you give me a second? -Yeah, sure. | 0:10:42 | 0:10:45 | |
-Hey. Hey. How's Lost & Found going? -It's fine. | 0:10:45 | 0:10:49 | |
I'm your sister, so I know when something is bothering you. | 0:10:49 | 0:10:53 | |
What's up? | 0:10:53 | 0:10:54 | |
'It's the worst feeling to feel' | 0:10:54 | 0:10:56 | |
like even here I don't fit in, | 0:10:56 | 0:10:58 | |
because I thought this was my place, and I completely messed it up. | 0:10:58 | 0:11:02 | |
I completely embarrassed myself. | 0:11:02 | 0:11:04 | |
Everyone hates me. | 0:11:04 | 0:11:05 | |
-I'm sure it's not that bad. -No, it's THAT bad. | 0:11:05 | 0:11:08 | |
-Do you want to talk about it? -Yeah. -OK, let's go. | 0:11:08 | 0:11:11 | |
I want to fit in. | 0:11:11 | 0:11:13 | |
I really do but I can't, and I don't know why. | 0:11:13 | 0:11:17 | |
That mix tape you dropped with Push Bully really blew my mind. | 0:11:25 | 0:11:30 | |
-Thank you. -How did you meet him? | 0:11:30 | 0:11:33 | |
Actually I've known him since I was a little kid. | 0:11:33 | 0:11:35 | |
'I can't believe Paradox is here. | 0:11:35 | 0:11:37 | |
'I'm a huge fan.' | 0:11:37 | 0:11:38 | |
That guy's blowing up. | 0:11:38 | 0:11:40 | |
That's your brother? | 0:11:40 | 0:11:42 | |
-Yeah. -Yeah. OK. | 0:11:43 | 0:11:46 | |
'I can't believe this.' | 0:11:46 | 0:11:48 | |
He's fooling everyone. | 0:11:48 | 0:11:50 | |
Hey, "Paradox." | 0:11:50 | 0:11:52 | |
Tell us, man, where do you get your musical inspiration? | 0:11:52 | 0:11:55 | |
Outside? Camping? Fishing? What? | 0:11:55 | 0:11:59 | |
It's actually a really good question, bro. | 0:12:00 | 0:12:02 | |
Um, I guess I just get it from, | 0:12:02 | 0:12:05 | |
you know, being around my fans and surrounding myself | 0:12:05 | 0:12:08 | |
with beautiful positivity and good people, | 0:12:08 | 0:12:10 | |
and good energy, you know? | 0:12:10 | 0:12:12 | |
-Yeah. -Family and loved ones. | 0:12:12 | 0:12:16 | |
So when can we expect new music? | 0:12:17 | 0:12:19 | |
Um, I'm actually putting the finishing touches | 0:12:19 | 0:12:21 | |
on my tape now as we speak. | 0:12:21 | 0:12:23 | |
As we speak. | 0:12:23 | 0:12:24 | |
I can't tell you when it's going to come out, but what I CAN say | 0:12:24 | 0:12:28 | |
is that I'm featuring the wonderful, the beautifully talented Mary. | 0:12:28 | 0:12:34 | |
That's amazing. | 0:12:35 | 0:12:37 | |
-Congrats. -Good for you. | 0:12:37 | 0:12:38 | |
I'm going to be on a Paradox track. | 0:12:38 | 0:12:40 | |
This is huge. I'm so lucky. | 0:12:40 | 0:12:42 | |
Congratulations. | 0:12:42 | 0:12:44 | |
Yo, are you good, man? | 0:12:44 | 0:12:46 | |
HE SCOFFS | 0:12:46 | 0:12:47 | |
'Isaac should be happy his bro is hanging around here.' | 0:12:50 | 0:12:53 | |
I don't know why he's not. | 0:12:53 | 0:12:55 | |
Clara... | 0:12:58 | 0:12:59 | |
please talk to me. | 0:12:59 | 0:13:01 | |
There's nothing to talk about. | 0:13:05 | 0:13:06 | |
Well, clearly there is, Clara. | 0:13:08 | 0:13:10 | |
Everyone here is from Lost & Found, | 0:13:12 | 0:13:15 | |
and they're not even talking to me. | 0:13:15 | 0:13:18 | |
I think everyone is just doing their own thing, Clara, like you | 0:13:18 | 0:13:21 | |
and I are doing our own thing right now. | 0:13:21 | 0:13:23 | |
-Everyone hates me. -No-one hates you. -People just don't like me. | 0:13:23 | 0:13:27 | |
They do, Clara, if you gave them a chance to like you. | 0:13:27 | 0:13:30 | |
Stop yelling at me, OK? | 0:13:30 | 0:13:31 | |
-Fine. What do you want me to do? -Hi. | 0:13:32 | 0:13:35 | |
-I don't know. -Stop... -Hey. | 0:13:35 | 0:13:37 | |
I was about to go to the Magenta City show. | 0:13:37 | 0:13:40 | |
-Do you want to come? -Um, no, thanks. | 0:13:40 | 0:13:44 | |
-You know what? Just give us a second. -OK. -OK. | 0:13:44 | 0:13:49 | |
-Why not? -She's not my friend. She's just trying to be nice. | 0:13:49 | 0:13:53 | |
-She walked in and she came straight to you. -You don't know anything. | 0:13:53 | 0:13:56 | |
-I do. I'm your sister. -You're not acting like my sister. | 0:13:56 | 0:13:59 | |
How could you say something like that? | 0:13:59 | 0:14:02 | |
I've always been there for you, and I'm here now. | 0:14:02 | 0:14:04 | |
You're not here for me. You're just yelling at me in front of everyone. | 0:14:04 | 0:14:07 | |
-I'm going to go to the concert, OK? -I'm always... | 0:14:07 | 0:14:09 | |
So I'm going to go. Bye. See you later. | 0:14:09 | 0:14:11 | |
Clara seems to be in a bad way right now. | 0:14:15 | 0:14:17 | |
I can usually try to talk her out of it, | 0:14:17 | 0:14:19 | |
but this time nothing's working. | 0:14:19 | 0:14:21 | |
Checking. Check one. | 0:14:25 | 0:14:28 | |
Magenta City live at the Lost & Found! | 0:14:28 | 0:14:32 | |
Oh, hello. What's up? You must be Maggie. | 0:14:32 | 0:14:36 | |
Yeah, hi. Oh, my goodness. | 0:14:36 | 0:14:37 | |
-How are you doing, Maggie? -I'm doing great. | 0:14:37 | 0:14:40 | |
'Eddie Magenta is a rock god,' | 0:14:40 | 0:14:42 | |
and he knows my name. | 0:14:42 | 0:14:43 | |
I used to know a Maggie. She was cool, just like you. | 0:14:43 | 0:14:46 | |
-You seem cool, Maggie. -You're...you're cool. | 0:14:46 | 0:14:48 | |
But right now I need a sandwich. Could someone get me a sandwich? | 0:14:48 | 0:14:51 | |
Not you. You're cool. You don't have to get me a sandwich. | 0:14:51 | 0:14:54 | |
-Thank you. -I will see you later. I'm looking forward | 0:14:54 | 0:14:56 | |
-to hearing you perform. -Maggie! -Hey. -How's my favourite niece? | 0:14:56 | 0:15:00 | |
Either you or your sister. I don't remember. | 0:15:00 | 0:15:02 | |
-I solved the problem. I got a band for you here. -Oh. | 0:15:02 | 0:15:05 | |
Yeah, um, it's just that I sort of talked to my band, and they... | 0:15:05 | 0:15:08 | |
Let's try that again. | 0:15:08 | 0:15:10 | |
I said you're opening for Magenta City, and you say? | 0:15:10 | 0:15:13 | |
-Yay? -Yay! All right. Beautiful. Beautiful. | 0:15:13 | 0:15:17 | |
-OK. -Eddie! Come meet the boys. -Hey, one of you boys have a sandwich? | 0:15:17 | 0:15:21 | |
'Maggie's uncle just asked us to open up for Magenta City.' | 0:15:22 | 0:15:25 | |
OK. Well, Maggie is technically opening up for Magenta City, | 0:15:25 | 0:15:28 | |
and we're the backing band, | 0:15:28 | 0:15:30 | |
but it still counts. | 0:15:30 | 0:15:31 | |
-OK, why don't we get up there and, uh, and rehearse. -Let's do it. | 0:15:31 | 0:15:35 | |
Sounds great. | 0:15:35 | 0:15:36 | |
'This is really a great opportunity.' | 0:15:36 | 0:15:38 | |
I can't turn it down. | 0:15:38 | 0:15:40 | |
I hope the band understands. | 0:15:40 | 0:15:41 | |
I've never opened for Magenta City before. | 0:15:57 | 0:15:59 | |
Theo, none of us have. | 0:15:59 | 0:16:01 | |
But I said it first. | 0:16:01 | 0:16:03 | |
I think he's got you there, man. | 0:16:03 | 0:16:06 | |
OK. | 0:16:06 | 0:16:07 | |
CHEERING AND APPLAUSE | 0:16:07 | 0:16:10 | |
Hi, I'm Maggie. | 0:16:10 | 0:16:12 | |
CHEERING AND APPLAUSE | 0:16:12 | 0:16:14 | |
And I am so excited to be opening for Magenta City. | 0:16:14 | 0:16:18 | |
Yeah! Whoohoo! | 0:16:18 | 0:16:21 | |
One, two, three, four. | 0:16:21 | 0:16:24 | |
# Walk in a room like you own this place | 0:16:24 | 0:16:27 | |
# Act like somebody who can't be replaced | 0:16:27 | 0:16:30 | |
# Your tongue keeps moving but you can't reply | 0:16:30 | 0:16:33 | |
# Even the blind see through your eyes | 0:16:33 | 0:16:36 | |
# You stand on this money that you can't afford | 0:16:36 | 0:16:39 | |
# Buy your friends with Sir Robert Borden | 0:16:39 | 0:16:41 | |
# When the cash runs out they're going to cut the cord | 0:16:41 | 0:16:44 | |
# Can't buy fame with a double-edged sword | 0:16:44 | 0:16:47 | |
# Whoa, whoa, whoa, whoa | 0:16:47 | 0:16:50 | |
# You can't buy fame you can't buy fame | 0:16:50 | 0:16:53 | |
# No, whoa, whoa, whoa | 0:16:53 | 0:16:56 | |
# No, they won't remember your name | 0:16:56 | 0:17:00 | |
# We all know that you're full of yourself | 0:17:00 | 0:17:03 | |
# And you're nowhere near the top down, see | 0:17:03 | 0:17:05 | |
# It's about time that you fell off your horsey | 0:17:05 | 0:17:08 | |
# Oh, please | 0:17:08 | 0:17:11 | |
# It's about time that you fell off your high chair | 0:17:11 | 0:17:14 | |
# And realise you weren't really up there | 0:17:14 | 0:17:17 | |
# You can't buy fame with what you wear | 0:17:17 | 0:17:21 | |
# Oh, please | 0:17:21 | 0:17:22 | |
# You can't buy fame you can't buy fame | 0:17:22 | 0:17:24 | |
# Oh, please | 0:17:24 | 0:17:28 | |
# Oh, you can't buy fame... # | 0:17:28 | 0:17:32 | |
I don't understand how everyone's having fun like nothing is wrong. | 0:17:35 | 0:17:39 | |
Everything's wrong. | 0:17:39 | 0:17:41 | |
Hey, are you OK? Why aren't you dancing? | 0:17:41 | 0:17:43 | |
Yeah, these people are stupid, but that's fine. | 0:17:43 | 0:17:45 | |
-Oh, OK. -OK. | 0:17:45 | 0:17:48 | |
I don't think this is the right place for me right now. | 0:17:55 | 0:17:58 | |
I need a break. | 0:17:58 | 0:18:00 | |
# It's time that you fell off your high chair | 0:18:00 | 0:18:03 | |
# And realise you weren't there up there | 0:18:03 | 0:18:05 | |
# You can't buy fame with what you wear | 0:18:05 | 0:18:09 | |
# Oh, please... | 0:18:09 | 0:18:10 | |
# You can't buy fame | 0:18:10 | 0:18:12 | |
# You can't buy fame you can't buy fame | 0:18:12 | 0:18:14 | |
# Oh, please | 0:18:14 | 0:18:16 | |
# Whoa... # | 0:18:16 | 0:18:17 | |
I cannot believe she's playing the show without us. | 0:18:17 | 0:18:21 | |
And with Luke of all people | 0:18:21 | 0:18:23 | |
# You can't buy fame you can't buy fame | 0:18:23 | 0:18:25 | |
# You can't buy fame... # | 0:18:27 | 0:18:29 | |
This is total betrayal. | 0:18:29 | 0:18:31 | |
Maggie needs to pay. | 0:18:31 | 0:18:33 | |
# Whoa, whoa, whoa | 0:18:33 | 0:18:36 | |
# You can't buy fame you can't buy fame | 0:18:36 | 0:18:39 | |
# No, whoa, whoa, whoa | 0:18:39 | 0:18:42 | |
# No, they won't remember your name. # | 0:18:42 | 0:18:48 | |
Give it up for the band! Whoo! | 0:18:50 | 0:18:52 | |
Theo on bass. | 0:18:52 | 0:18:55 | |
James on drums. | 0:18:56 | 0:18:57 | |
John on lead guitar. | 0:18:58 | 0:19:00 | |
And Luke on rhythm guitar. Whoo! | 0:19:01 | 0:19:04 | |
I can't believe she did this to us. | 0:19:04 | 0:19:06 | |
Yeah! | 0:19:08 | 0:19:09 | |
Girls, let's go. | 0:19:10 | 0:19:12 | |
Thanks. Thanks so much. | 0:19:14 | 0:19:16 | |
Bring it in, bring it in. | 0:19:18 | 0:19:19 | |
-You were amazing. -Oh, thank you. | 0:19:19 | 0:19:21 | |
'The gig could not have gone any better,' | 0:19:21 | 0:19:23 | |
except I know I'm going to be in big trouble with the band and Leia. | 0:19:23 | 0:19:27 | |
# Let me take you back, back to hometown row | 0:19:27 | 0:19:30 | |
# Let me take you b-a-a-a-a-ck to hometown row. # | 0:19:31 | 0:19:35 | |
Yo. What's going on? | 0:19:36 | 0:19:38 | |
I don't want to talk about it. | 0:19:38 | 0:19:40 | |
All right, man. Spill the beans. | 0:19:43 | 0:19:46 | |
Are you good? | 0:19:46 | 0:19:47 | |
Does it look like I'm good? | 0:19:48 | 0:19:49 | |
-No, it doesn't. -Well, I'm not. | 0:19:49 | 0:19:52 | |
You don't know my life. You don't know where I'm from. | 0:19:53 | 0:19:56 | |
I don't. | 0:19:57 | 0:19:58 | |
So why do you want to help me, Mr Cool James? | 0:19:59 | 0:20:02 | |
Listen, man, I'm all ears, I'm open to whatever right now. | 0:20:03 | 0:20:07 | |
Well... | 0:20:12 | 0:20:13 | |
..I live in a bad neighbourhood, | 0:20:15 | 0:20:17 | |
you know, one of the worst in town, | 0:20:17 | 0:20:19 | |
and I'm scared to walk home every night. | 0:20:19 | 0:20:22 | |
I never would have guessed that. | 0:20:23 | 0:20:26 | |
Tully runs with a lot of the bad people, | 0:20:26 | 0:20:29 | |
and they're the reason my neighbourhood's so unsafe. | 0:20:29 | 0:20:32 | |
-So, Tully is the problem? -Yeah. | 0:20:32 | 0:20:35 | |
He's just going to bring all that bad energy and all that bad | 0:20:35 | 0:20:38 | |
negativity into Lost & Found, and I don't want that. | 0:20:38 | 0:20:41 | |
I don't want people to see me as that kid from the bad neighbourhood. | 0:20:41 | 0:20:44 | |
You know, that's not who I am. | 0:20:44 | 0:20:45 | |
All right, man. Well, you got two options. | 0:20:45 | 0:20:48 | |
You're either going to have to suck it up, | 0:20:48 | 0:20:50 | |
or you're going to have to find a way to get him out of here. | 0:20:50 | 0:20:52 | |
But this is your place. | 0:20:53 | 0:20:55 | |
-You feel safe here, right? -Mm-hm. | 0:20:55 | 0:20:57 | |
So you got to protect that, man. | 0:20:57 | 0:21:00 | |
Sounds like you need to be a little bit bigger than your older brother. | 0:21:00 | 0:21:04 | |
I have confidence in you, man. You can do that. | 0:21:04 | 0:21:06 | |
Thank you, James. | 0:21:10 | 0:21:12 | |
Hi, guys. | 0:21:21 | 0:21:23 | |
Um, I hope you understand why I had to do the gig. | 0:21:24 | 0:21:28 | |
My uncle was depending on me, | 0:21:28 | 0:21:30 | |
and you don't let down your family, so... | 0:21:30 | 0:21:32 | |
-Well, that must have been fun. -Yeah. | 0:21:32 | 0:21:36 | |
Was it just great opening for Magenta City with the guys' band? | 0:21:36 | 0:21:40 | |
Did you meet Eddie Magenta? Was he awesome? | 0:21:40 | 0:21:45 | |
-Yeah, it was... -I don't care. | 0:21:45 | 0:21:48 | |
I hope the boys welcomed you into their band, because... | 0:21:48 | 0:21:52 | |
you're no longer welcome in ours. | 0:21:52 | 0:21:54 | |
We took a vote. | 0:21:54 | 0:21:56 | |
It was unanimous. | 0:21:56 | 0:21:57 | |
Let's go, girls. | 0:21:57 | 0:21:59 | |
Sorry. | 0:21:59 | 0:22:00 | |
# Whoa-oh-oh, whoa-oh-oh | 0:22:13 | 0:22:16 | |
# Whoa-oh | 0:22:16 | 0:22:18 | |
# We are the lost | 0:22:18 | 0:22:20 | |
# And the found | 0:22:20 | 0:22:22 | |
# Don't know where we stand | 0:22:22 | 0:22:23 | |
# But it's solid ground | 0:22:23 | 0:22:25 | |
# It's your shot | 0:22:25 | 0:22:26 | |
# Let's see what you got | 0:22:26 | 0:22:28 | |
# Only your true light shines | 0:22:28 | 0:22:30 | |
# As bright as you | 0:22:30 | 0:22:31 | |
# Whoa, oh, oh, oh, oh | 0:22:31 | 0:22:32 | |
# Whoa, oh, oh, oh, oh | 0:22:32 | 0:22:34 | |
# Whoa, oh, oh, oh | 0:22:34 | 0:22:37 | |
# Whoa, oh, oh, oh, oh | 0:22:37 | 0:22:39 | |
# Whoa, oh, oh, oh, oh | 0:22:39 | 0:22:40 | |
# Whoa, oh, oh, oh, oh. # | 0:22:40 | 0:22:43 |