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'Previously on Lost And Found...' | 0:00:01 | 0:00:03 | |
Eva tried to get me to admit that I didn't write the song Free Bird, | 0:00:03 | 0:00:07 | |
and I didn't listen. Now I'm paying the price. | 0:00:07 | 0:00:09 | |
Connecting with Michelle, something inside me just won't let me | 0:00:09 | 0:00:13 | |
tell her how I feel. | 0:00:13 | 0:00:14 | |
I said you're opening for Magenta City. | 0:00:14 | 0:00:18 | |
I didn't tell the girls. Hopefully they won't show up. | 0:00:18 | 0:00:21 | |
I hope the boys welcomed you into their band, | 0:00:21 | 0:00:23 | |
because you're no longer welcome in ours. | 0:00:23 | 0:00:26 | |
# I was searching for someone who could come satisfy me... # | 0:00:36 | 0:00:41 | |
We're having a band rehearsal right now | 0:00:41 | 0:00:44 | |
and it's the first one since we kicked Maggie out. | 0:00:44 | 0:00:47 | |
# I've been falling for Every little fish in the sea... # | 0:00:47 | 0:00:52 | |
Taking a gig without us was a huge betrayal. Maggie had to go. | 0:00:52 | 0:00:57 | |
# It's up to me And I've known it all along... # | 0:00:58 | 0:01:03 | |
We had to kick Maggie out the band after what she did. | 0:01:03 | 0:01:06 | |
At least... It felt like that at the time. | 0:01:06 | 0:01:09 | |
# All this, all this All this is breaking my | 0:01:11 | 0:01:15 | |
# All this, all this all this is killing me | 0:01:15 | 0:01:19 | |
# All this, all this, all this Always changing | 0:01:19 | 0:01:24 | |
# What if all this All this tragic nonstop madness | 0:01:24 | 0:01:29 | |
# Full-on sadness | 0:01:29 | 0:01:32 | |
# Is really just a dream? | 0:01:32 | 0:01:37 | |
# Just a dream | 0:01:37 | 0:01:43 | |
# Dream Just a dream... # | 0:01:43 | 0:01:50 | |
I guess we don't work as a trio. We need a fourth person. | 0:01:50 | 0:01:54 | |
Not Maggie, but someone. | 0:01:54 | 0:01:56 | |
# Dream | 0:01:56 | 0:01:59 | |
# Dream Just a dream. # | 0:01:59 | 0:02:06 | |
# We are the lost and the found | 0:02:09 | 0:02:12 | |
# Don't know where we stand But it's solid ground | 0:02:12 | 0:02:15 | |
# It's your shot Let's see what you got | 0:02:15 | 0:02:18 | |
# Only your true light shines As bright as you | 0:02:18 | 0:02:21 | |
# Whoa, oh, oh, oh, oh | 0:02:21 | 0:02:23 | |
# Whoa, oh, oh, oh, oh Whoa, oh, oh, oh. # | 0:02:23 | 0:02:29 | |
Yeah, that sounds great. We can play all night. | 0:02:39 | 0:02:42 | |
We got originals, covers, anything you want. Yeah. | 0:02:42 | 0:02:46 | |
OK, bye. | 0:02:49 | 0:02:50 | |
-We just got our first gig! -Yes! -Yes! -Yes! | 0:02:50 | 0:02:54 | |
-OK, my solo. -All right. | 0:02:57 | 0:03:00 | |
-Go! -Yes! | 0:03:00 | 0:03:01 | |
Oh, my gosh! I didn't think this was going to happen. | 0:03:03 | 0:03:05 | |
This is incredible! | 0:03:05 | 0:03:07 | |
I didn't think things could get more awkward with Michelle, | 0:03:07 | 0:03:10 | |
but they just did. | 0:03:10 | 0:03:12 | |
There's a really good reason that I'm jumping around like this, | 0:03:13 | 0:03:17 | |
-and it's because there was bee in my shirt. -Is it gone? | 0:03:17 | 0:03:22 | |
I guess we're going to find out at some point. | 0:03:22 | 0:03:25 | |
We got to go take care of this...thing. | 0:03:25 | 0:03:27 | |
Yeah, yeah, the thing... | 0:03:27 | 0:03:29 | |
-We got some...stuff. -Music stuff. | 0:03:29 | 0:03:32 | |
-Bye, Michelle. -OK, bye. | 0:03:32 | 0:03:34 | |
It's so hard running into John like this. | 0:03:34 | 0:03:36 | |
I know he doesn't like me. He just always runs away from me. | 0:03:36 | 0:03:40 | |
But I can't help how I feel about him. I like him. | 0:03:40 | 0:03:44 | |
I know Clara is still feeling hurt from trying to pass | 0:03:51 | 0:03:54 | |
Free Bird off as her own. | 0:03:54 | 0:03:56 | |
Getting in the band would prove to Clara that everyone has | 0:03:56 | 0:03:58 | |
forgotten what happened with Free Bird. | 0:03:58 | 0:04:01 | |
-Hey, Clara. -Hey. -Are you auditioning for Leia's band? | 0:04:01 | 0:04:05 | |
-I don't know. -You should. | 0:04:05 | 0:04:08 | |
-Are you auditioning? -I don't know. | 0:04:08 | 0:04:11 | |
I don't know if I want to be in an amazing band with | 0:04:11 | 0:04:13 | |
incredible people performing awesome songs. | 0:04:13 | 0:04:16 | |
-Sounds like you want to audition. -Yeah, I really do! | 0:04:16 | 0:04:18 | |
THEY LAUGH | 0:04:18 | 0:04:19 | |
Tell you what. If you audition, I'll audition. | 0:04:19 | 0:04:22 | |
Eva is making me feel like I have a really good chance | 0:04:22 | 0:04:25 | |
of getting into Leia's band. | 0:04:25 | 0:04:26 | |
She's being a really good friend right now. | 0:04:26 | 0:04:29 | |
My only friend right now. | 0:04:29 | 0:04:31 | |
OK, deal! | 0:04:31 | 0:04:33 | |
-OK. So, see you at the auditions, then? -Yeah, OK. | 0:04:33 | 0:04:37 | |
-All right. -Bye. -Bye. | 0:04:37 | 0:04:39 | |
I'm going to audition for Leia's band too, | 0:04:43 | 0:04:46 | |
even though technically I'm not a part of Lost And Found yet. | 0:04:46 | 0:04:50 | |
I'm waiting for Mary because she's supposed to be helping me | 0:04:50 | 0:04:52 | |
prepare for my audition for Leia's band. | 0:04:52 | 0:04:55 | |
-Hey. -Where have you been? -You won't believe this. | 0:04:55 | 0:04:59 | |
I've been in the studio all night working on Paradox's new mix tape. | 0:04:59 | 0:05:02 | |
It sounds amazing, and I'm featured on it. | 0:05:02 | 0:05:05 | |
Did you forget about our rehearsal? | 0:05:05 | 0:05:07 | |
Look, Hannah, I left my music at home. | 0:05:07 | 0:05:10 | |
What song are we doing again? Can we just work on this later? | 0:05:10 | 0:05:14 | |
How about we work on this never? | 0:05:14 | 0:05:17 | |
Thanks to Tully, my career is going to blow up. | 0:05:17 | 0:05:20 | |
If Hannah doesn't want to work with me any more, it's her loss. | 0:05:20 | 0:05:23 | |
-OK, OK, OK! -Go, go, go! -OK, slow down. | 0:05:23 | 0:05:27 | |
-What's up, guys? -We have big news. | 0:05:27 | 0:05:30 | |
Congratulations! | 0:05:30 | 0:05:31 | |
It's news for all of us, you idiot. | 0:05:31 | 0:05:34 | |
Yeah, I'm congratulating all of us. | 0:05:34 | 0:05:36 | |
Anyway, I just got off the phone with a little venue called The 63rd. | 0:05:36 | 0:05:40 | |
Do they want us to open? | 0:05:40 | 0:05:41 | |
Actually, they want us to headline. | 0:05:41 | 0:05:44 | |
-No! -Our first headlining gig! | 0:05:44 | 0:05:46 | |
Headlining means that we are the main attraction. | 0:05:47 | 0:05:50 | |
This is the biggest moment in the history of our band. | 0:05:50 | 0:05:52 | |
It's our first official show. | 0:05:52 | 0:05:54 | |
Wait. Why aren't you in this hug? | 0:05:54 | 0:05:58 | |
I don't really do that. | 0:05:58 | 0:05:59 | |
Oh, my goodness, bro. Don't hug me, man. | 0:06:02 | 0:06:05 | |
-So, are we ready? -Yeah! I mean, whoever we choose, | 0:06:14 | 0:06:18 | |
she's going to be better than Maggie, right? | 0:06:18 | 0:06:20 | |
Yeah, we'll see. | 0:06:20 | 0:06:21 | |
We've decided to have auditions to replace Maggie, but I'm not | 0:06:21 | 0:06:25 | |
confident we'll find someone as good as her. | 0:06:25 | 0:06:28 | |
Literally anyone is a better fit for our band right now then Maggie. | 0:06:28 | 0:06:32 | |
Hey, I'm here to audition. | 0:06:32 | 0:06:34 | |
You don't go to the studio, do you? | 0:06:34 | 0:06:37 | |
James isn't in the studio either, | 0:06:37 | 0:06:40 | |
and he's part of the guys' band, so... | 0:06:40 | 0:06:43 | |
Yeah, go ahead. | 0:06:43 | 0:06:44 | |
I think Leia is going to take the most convincing. | 0:06:46 | 0:06:49 | |
For some reason I think she doesn't like me very much. | 0:06:49 | 0:06:51 | |
I'm going to try and change that today. | 0:06:51 | 0:06:53 | |
# Na, na, na, na, na Na, na, na, na | 0:06:53 | 0:06:56 | |
# No more red No more red lights | 0:06:56 | 0:06:59 | |
# Na, na, na, na Na, na, na, na | 0:06:59 | 0:07:02 | |
# No more red No more red | 0:07:02 | 0:07:04 | |
# See you coming And I keep turning away | 0:07:04 | 0:07:07 | |
# Cos I don't know Who I can trust right now... # | 0:07:07 | 0:07:10 | |
I wrote the song Red Light specifically for this audition. | 0:07:10 | 0:07:13 | |
I'm tired of being told no and being given the red light. | 0:07:13 | 0:07:15 | |
Today I'm going for the green light. | 0:07:15 | 0:07:17 | |
# ..But I want to love And I want to feel | 0:07:17 | 0:07:20 | |
# Everything the world's got to give | 0:07:20 | 0:07:23 | |
# All I can do is try... # | 0:07:23 | 0:07:25 | |
Leia's band is the exact stepping stone I need | 0:07:25 | 0:07:28 | |
to get into Lost And Found. | 0:07:28 | 0:07:29 | |
# No, no, no more red lights in my heart | 0:07:29 | 0:07:32 | |
# I'm going to land loving ready to start | 0:07:32 | 0:07:35 | |
# Hey, sister You don't got to worry about me | 0:07:35 | 0:07:38 | |
# I finally found plenty more fish in the sea. # | 0:07:38 | 0:07:42 | |
Britney's awesome. | 0:07:42 | 0:07:43 | |
I thought it would be hard to find someone who could fill | 0:07:43 | 0:07:46 | |
Maggie's shoes, but I think she'd be a great addition to the band. | 0:07:46 | 0:07:48 | |
# ..Love is worth all the waiting | 0:07:48 | 0:07:51 | |
# Just got to be a little patient... # | 0:07:51 | 0:07:54 | |
Britney's audition is...great. | 0:07:54 | 0:07:57 | |
But there's something about her that doesn't sit well with me. | 0:07:57 | 0:08:01 | |
I don't know about her. | 0:08:01 | 0:08:03 | |
# ..You know I'm ready to start. # | 0:08:03 | 0:08:05 | |
-Nice! -Awesome! | 0:08:05 | 0:08:08 | |
I want to find the girls and apologise to them for what happened. | 0:08:10 | 0:08:14 | |
I hope they weren't serious about kicking me out of the band. | 0:08:14 | 0:08:17 | |
I can't believe they're already replacing me. | 0:08:23 | 0:08:26 | |
I guess I wasn't as important to the band as I thought. | 0:08:26 | 0:08:29 | |
Honestly, I think we should start with Lost And Found. | 0:08:36 | 0:08:39 | |
-We always start with Lost And Found. -But this isn't the usual gig. | 0:08:39 | 0:08:42 | |
I mean, this is our first headlining gig. | 0:08:42 | 0:08:44 | |
We should start with something a bit... I don't know. More new. | 0:08:44 | 0:08:47 | |
Right now we're trying to come up with the set list. | 0:08:47 | 0:08:50 | |
And it needs to be perfect. It's all I can think about right now. | 0:08:50 | 0:08:52 | |
I don't think we'll be able to figure it out | 0:08:52 | 0:08:54 | |
until we get the vibe of the crowd. | 0:08:54 | 0:08:57 | |
First official gig, first official merch! | 0:08:57 | 0:09:00 | |
-What? -What are these? -What? | 0:09:02 | 0:09:06 | |
-Theo, our band has nothing to do with sailboats. -But we could. | 0:09:06 | 0:09:11 | |
We could be The Sailors, or The Sailboats. Or The Ghost Ships. | 0:09:11 | 0:09:16 | |
Is this a blanket or a shirt? Where did you get these? | 0:09:16 | 0:09:19 | |
I know guy who runs a T-shirt printing place. | 0:09:19 | 0:09:22 | |
Somebody printed 1,000 sail boat T-shirts and just left them there, | 0:09:22 | 0:09:25 | |
so I got an insane discount. | 0:09:25 | 0:09:27 | |
Theo, we're worrying about the wrong things at the wrong time. | 0:09:28 | 0:09:32 | |
-We don't even have a set list, man. -You don't like them? | 0:09:32 | 0:09:36 | |
Luke, you've got the nerves, and it's fine, | 0:09:36 | 0:09:38 | |
-I used to get nervous all the time. -Really? | 0:09:38 | 0:09:40 | |
Yeah, until I performed onstage in front of thousands of people. | 0:09:40 | 0:09:43 | |
But you know what I say now? | 0:09:43 | 0:09:45 | |
-What? -Don't even worry about it. | 0:09:45 | 0:09:47 | |
But you're onstage, and there's thousands of people, | 0:09:47 | 0:09:50 | |
and the noise is so loud, and they are all watching you. | 0:09:50 | 0:09:53 | |
And there's these huge bright lights shining on you, | 0:09:53 | 0:09:56 | |
almost so bright you can't even see the audience. | 0:09:56 | 0:09:59 | |
But it's crazy. | 0:09:59 | 0:10:00 | |
What are you guys looking at? | 0:10:02 | 0:10:04 | |
Really? | 0:10:07 | 0:10:08 | |
PHONE ALERT | 0:10:21 | 0:10:23 | |
Oh, my gosh! The boys got their first paid gig. | 0:10:23 | 0:10:25 | |
-No way! -That's amazing. | 0:10:25 | 0:10:27 | |
Oh, that must have been why John was so happy. | 0:10:27 | 0:10:30 | |
OK, it makes sense now. | 0:10:30 | 0:10:31 | |
Somebody's been paying close attention to John. | 0:10:31 | 0:10:35 | |
Well, he is very intriguing and mysterious and... | 0:10:35 | 0:10:39 | |
sweet and kind of strange, but, you know... | 0:10:39 | 0:10:43 | |
Well, usually when a guy acts strange around a girl, | 0:10:43 | 0:10:45 | |
it's cos he likes her. | 0:10:45 | 0:10:46 | |
There is no way that John likes me. | 0:10:46 | 0:10:48 | |
He could like anyone, but he wouldn't like... | 0:10:48 | 0:10:51 | |
Do you think he likes me? | 0:10:51 | 0:10:52 | |
'I definitely think John likes Michelle.' | 0:10:52 | 0:10:54 | |
I mean, the way he looks at her | 0:10:54 | 0:10:56 | |
and just the way he acts kind of weird around her, | 0:10:56 | 0:10:58 | |
it's so obvious he has a crush on her. | 0:10:58 | 0:11:00 | |
I think the question is do you have a crush on John? | 0:11:00 | 0:11:03 | |
-RILEY GASPS -There's... No. | 0:11:05 | 0:11:06 | |
Oh, my gosh. No, you so do. You do. | 0:11:06 | 0:11:08 | |
'I'm so embarrassed that Riley knows that I like John.' | 0:11:08 | 0:11:10 | |
I don't even know how he feels about me. | 0:11:10 | 0:11:13 | |
-You like John. -OK, fine... -Oh, my gosh! OK, OK. | 0:11:13 | 0:11:15 | |
Here's what I'm going to do for you - | 0:11:15 | 0:11:16 | |
I'm going to talk to James and get him to recon | 0:11:16 | 0:11:18 | |
to see how he feels about you. | 0:11:18 | 0:11:19 | |
That's fine as long as James doesn't say anything about what I just... | 0:11:19 | 0:11:22 | |
Yes! No, don't worry. He won't. | 0:11:22 | 0:11:24 | |
-OK. -Oh, my gosh, I'm so excited. | 0:11:24 | 0:11:26 | |
# Sergeant Pepper's spinning | 0:11:30 | 0:11:32 | |
# All night long | 0:11:32 | 0:11:33 | |
# I found some Coltrane | 0:11:33 | 0:11:35 | |
# So I finally put it on | 0:11:35 | 0:11:37 | |
# Back In Black is playing... # | 0:11:37 | 0:11:39 | |
'I'm singing the song that got me | 0:11:39 | 0:11:40 | |
'into Lost And Found in the first place.' | 0:11:40 | 0:11:42 | |
It really brings back great memories for me. | 0:11:42 | 0:11:45 | |
# I close my eyes | 0:11:45 | 0:11:46 | |
# I hear the sound | 0:11:46 | 0:11:48 | |
# I lose my mind | 0:11:48 | 0:11:50 | |
# Can't turn it down... # | 0:11:50 | 0:11:52 | |
'Clara's doing great.' | 0:11:52 | 0:11:54 | |
If I don't get in and Clara does, I'd actually be OK with it. | 0:11:54 | 0:11:57 | |
'I know how much getting in means to her.' | 0:11:57 | 0:11:59 | |
# Play the record Play the record | 0:11:59 | 0:12:01 | |
# Play the record for me... # | 0:12:01 | 0:12:02 | |
Getting in this band would be a total fresh start for me. | 0:12:02 | 0:12:06 | |
I really need this. | 0:12:06 | 0:12:07 | |
# Play the record Play the record | 0:12:07 | 0:12:08 | |
# Play the record for me | 0:12:08 | 0:12:10 | |
# I want to hear it loud so I can freak out to the beat... # | 0:12:10 | 0:12:14 | |
'Clara is a great singer. | 0:12:14 | 0:12:16 | |
'You know, sometimes she's a little high-strung | 0:12:16 | 0:12:18 | |
'and a little bit hyper, but so am I, you know... | 0:12:18 | 0:12:21 | |
'It's cool.' | 0:12:21 | 0:12:22 | |
# Play the record Play the record for me | 0:12:22 | 0:12:25 | |
# I wanna hear it loud so I can freak out to the beat... # | 0:12:25 | 0:12:29 | |
'I had a few doubts about Clara, but she's actually doing really awesome. | 0:12:29 | 0:12:32 | |
'I think she's redeeming herself.' | 0:12:32 | 0:12:34 | |
# This is all I wanna do | 0:12:34 | 0:12:38 | |
# This music is all we need | 0:12:38 | 0:12:42 | |
# Play the record Play the record... # | 0:12:42 | 0:12:45 | |
'I really like Clara's energy, | 0:12:45 | 0:12:47 | |
'but this sound... It's just not right for our band.' | 0:12:47 | 0:12:50 | |
# Play the record Play the record | 0:12:50 | 0:12:52 | |
# Play the record for me | 0:12:52 | 0:12:54 | |
# I wanna hear it loud so I can freak out to the beat. # | 0:12:54 | 0:12:59 | |
-Whoo! -Good job. | 0:12:59 | 0:13:00 | |
All right, we have to get on with auditions, so we'll let you know. | 0:13:00 | 0:13:04 | |
OK. Thank you. | 0:13:04 | 0:13:05 | |
-Hey, that was really good. -Thank you. | 0:13:05 | 0:13:08 | |
-Good luck. -Thanks. | 0:13:08 | 0:13:09 | |
'I'm so glad Eva pushed me to audition.' | 0:13:09 | 0:13:12 | |
I think this is really the start of a great new future for me. | 0:13:12 | 0:13:15 | |
-I'll be quick. -Let's go. | 0:13:15 | 0:13:17 | |
I need some intel. | 0:13:17 | 0:13:18 | |
I promised Michelle that I'd find out some intel on John. | 0:13:18 | 0:13:21 | |
I hope James can help. | 0:13:21 | 0:13:22 | |
Intel. | 0:13:22 | 0:13:24 | |
Short for intelligence. You came to the right guy. | 0:13:24 | 0:13:26 | |
You can't even spell intelligence. | 0:13:26 | 0:13:28 | |
But I know what it means. | 0:13:28 | 0:13:30 | |
OK. John and Michelle. | 0:13:31 | 0:13:34 | |
Ah, the big question. | 0:13:34 | 0:13:36 | |
If Riley wants something, she's going to have to pay. | 0:13:36 | 0:13:39 | |
Are you trying to hypnotise me? | 0:13:44 | 0:13:46 | |
No, I'm just trying to think about what I want out of this. | 0:13:46 | 0:13:50 | |
And that would be...? | 0:13:50 | 0:13:51 | |
I'm going to need some cake. | 0:13:53 | 0:13:55 | |
All right, done. | 0:13:55 | 0:13:56 | |
-Done? -Yeah. | 0:13:56 | 0:13:57 | |
-Perfect. -OK, now what do I get? | 0:13:57 | 0:14:00 | |
An answer. | 0:14:00 | 0:14:01 | |
I thought you were in a rush. | 0:14:02 | 0:14:05 | |
Actually, I got to go. Yeah, OK, OK. | 0:14:05 | 0:14:07 | |
He loves her. Like, LOVES her, all right? | 0:14:07 | 0:14:10 | |
We're about to run the set in an hour. | 0:14:10 | 0:14:12 | |
Come, make sure Michelle hears the song. | 0:14:12 | 0:14:14 | |
She'll hear everything that she needs to hear. Cool? | 0:14:14 | 0:14:16 | |
-Cool. -All right. | 0:14:16 | 0:14:17 | |
Hold... | 0:14:17 | 0:14:18 | |
I need three words on that cake. | 0:14:18 | 0:14:21 | |
"Best...boyfriend...eva." | 0:14:21 | 0:14:24 | |
No R. "Eva." All right? And in calligraphy. | 0:14:24 | 0:14:29 | |
Chocolate. | 0:14:29 | 0:14:30 | |
Heh... | 0:14:30 | 0:14:32 | |
'This is great. | 0:14:32 | 0:14:33 | |
'Michelle will finally hear for herself that John likes her.' | 0:14:33 | 0:14:36 | |
I can't wait. | 0:14:36 | 0:14:37 | |
-You play electric guitar? -Yeah. Yeah, I do. | 0:14:39 | 0:14:41 | |
-Nice! -Awesome. | 0:14:41 | 0:14:43 | |
'I've never played my guitar in public before.' | 0:14:43 | 0:14:45 | |
This is a really big step for me, and I hope the girls like it. | 0:14:45 | 0:14:48 | |
# Chameleon | 0:14:58 | 0:15:00 | |
# That's what they call me | 0:15:00 | 0:15:02 | |
# But I changed so much I forgot what colour I started with | 0:15:02 | 0:15:07 | |
# Chameleon | 0:15:07 | 0:15:10 | |
# That's what they call me... # | 0:15:10 | 0:15:12 | |
'I'm singing a song that I wrote called Chameleon, | 0:15:12 | 0:15:15 | |
'because I'm really trying to work on figuring out who I am.' | 0:15:15 | 0:15:18 | |
# Underneath it all | 0:15:18 | 0:15:20 | |
# When the colours flow | 0:15:20 | 0:15:22 | |
# Underneath it all | 0:15:22 | 0:15:24 | |
# I'm a rainbow | 0:15:24 | 0:15:27 | |
# Underneath it all | 0:15:27 | 0:15:29 | |
# There's a place to go | 0:15:29 | 0:15:32 | |
# Chameleon | 0:15:32 | 0:15:36 | |
# Chameleon | 0:15:37 | 0:15:41 | |
# I feel them watching | 0:15:42 | 0:15:44 | |
# Yeah, I'll give 'em a show... # | 0:15:44 | 0:15:47 | |
It's true, the girls are replacing me. | 0:15:47 | 0:15:51 | |
I'm seeing it with my own eyes. | 0:15:51 | 0:15:52 | |
# I hear them talking | 0:15:52 | 0:15:54 | |
# But I'm deaf while I soar | 0:15:54 | 0:15:56 | |
# The sky is falling | 0:15:56 | 0:15:59 | |
# After the rains, I explode | 0:15:59 | 0:16:01 | |
# Underneath it all | 0:16:01 | 0:16:03 | |
# There's a place to go | 0:16:03 | 0:16:06 | |
# Chameleon... # | 0:16:06 | 0:16:08 | |
'I can't believe Maggie is sticking her nose in our business.' | 0:16:08 | 0:16:11 | |
We just found her replacement. | 0:16:11 | 0:16:13 | |
Whoo! Thanks, Eva. We'll let you know. Thank you. | 0:16:21 | 0:16:25 | |
-All right. Thanks. -Huddle? | 0:16:25 | 0:16:27 | |
-What do you think? -Guys, I can totally see her in the band. | 0:16:28 | 0:16:32 | |
-Yeah? -Yeah. I mean, she even plays the guitar just like Maggie. | 0:16:32 | 0:16:37 | |
Do you want to go with it? | 0:16:37 | 0:16:39 | |
Apparently, we've seen enough. | 0:16:39 | 0:16:41 | |
Congrats, Eva - you're in the band. | 0:16:41 | 0:16:43 | |
-Oh, my gosh. Really? -Yep. | 0:16:43 | 0:16:46 | |
-When's our first rehearsal? -Rehearsal is at four on Wednesdays. | 0:16:46 | 0:16:49 | |
-OK. -In here. -In here. All right. I'll see you later. | 0:16:49 | 0:16:51 | |
Awesome. Don't be late. | 0:16:51 | 0:16:53 | |
-Good song. -Thank you. | 0:16:53 | 0:16:54 | |
Maggie has officially been replaced. | 0:16:54 | 0:16:56 | |
Now the band is going to sound better than ever. | 0:16:56 | 0:16:58 | |
'I still haven't heard anything about the audition yet.' | 0:17:11 | 0:17:14 | |
I think I still have a really good shot. | 0:17:14 | 0:17:16 | |
The suspense is killing me. | 0:17:16 | 0:17:17 | |
Hey. | 0:17:20 | 0:17:22 | |
-Hey. -That audition was crazy, right? | 0:17:22 | 0:17:25 | |
-Yeah. -Yeah. I was so nervous, but I think it actually went really well. | 0:17:25 | 0:17:30 | |
-Yeah, you were great. -Thank you. | 0:17:30 | 0:17:32 | |
How do you think you did? | 0:17:32 | 0:17:33 | |
Uh, I think I did pretty well. Yeah. | 0:17:33 | 0:17:36 | |
That's awesome. I'm sure you were amazing. | 0:17:36 | 0:17:39 | |
Thank you. | 0:17:39 | 0:17:40 | |
'I realise that I really should tell Clara that I got into the band.' | 0:17:40 | 0:17:43 | |
I mean, she's going to find out either way | 0:17:43 | 0:17:45 | |
and it's best if it comes from me. | 0:17:45 | 0:17:47 | |
OK, Clara... | 0:17:47 | 0:17:48 | |
..I know my audition went well... | 0:17:50 | 0:17:53 | |
because I got the spot. | 0:17:53 | 0:17:55 | |
I'm sorry. | 0:17:56 | 0:17:58 | |
Um, I think they made a really good choice. | 0:17:58 | 0:18:01 | |
-Thank you. -Yeah. | 0:18:01 | 0:18:03 | |
Hey, but... | 0:18:05 | 0:18:07 | |
-Like, glitter. See the glitter? -Oh, wow. -Yeah, man. | 0:18:11 | 0:18:14 | |
I am so excited for Luke. I think he's going to be a rock star. | 0:18:18 | 0:18:21 | |
LAUGHTER | 0:18:21 | 0:18:23 | |
Maybe we'll even get to go on the tour together someday. | 0:18:23 | 0:18:27 | |
Time to challenge the old Luke Truce. | 0:18:30 | 0:18:34 | |
-Hey. -Oh, hey. | 0:18:34 | 0:18:35 | |
I heard about your show. That's such good news. Congratulations. | 0:18:35 | 0:18:39 | |
Thank you. | 0:18:39 | 0:18:40 | |
Actually, we should probably take a commemorative selfie. | 0:18:40 | 0:18:43 | |
'I happen to know that Luke has a strict no selfies policy.' | 0:18:43 | 0:18:47 | |
He reminds me of it all the time. | 0:18:47 | 0:18:49 | |
-Let's do it. -Let's do it. Ready? | 0:18:49 | 0:18:51 | |
-Perfect. -Take one on mine too. -OK, sure. | 0:18:51 | 0:18:55 | |
-Excuse me. Luke? -Yeah. One second. | 0:18:55 | 0:18:59 | |
Sure. | 0:18:59 | 0:19:00 | |
I just wanted to say I'm really proud of you. | 0:19:00 | 0:19:04 | |
Thanks, dude. | 0:19:04 | 0:19:05 | |
He dude-ed me. | 0:19:07 | 0:19:09 | |
I'm a dude. | 0:19:09 | 0:19:11 | |
Actually, could you take a picture of Maggie and I? | 0:19:11 | 0:19:14 | |
She took a selfie on her phone, I kind of wanted one on mine, too. | 0:19:14 | 0:19:17 | |
-Sure. -Yeah, just press the button. | 0:19:17 | 0:19:19 | |
Thanks for doing this. | 0:19:19 | 0:19:21 | |
Thanks, Leia. | 0:19:21 | 0:19:23 | |
BOTH: Cheese! | 0:19:25 | 0:19:27 | |
Even though Maggie is out of the band, | 0:19:27 | 0:19:28 | |
I'm still seeing way more of her than I want to. | 0:19:28 | 0:19:32 | |
OK, ladies... | 0:19:32 | 0:19:34 | |
we appreciate the support, but it's time to hit the road, OK? | 0:19:34 | 0:19:38 | |
Can we do this now? | 0:19:40 | 0:19:41 | |
I thought Eva was the one person I could depend on here, | 0:19:53 | 0:19:55 | |
but I was obviously wrong. | 0:19:55 | 0:19:57 | |
There's no point in being here any more. | 0:20:06 | 0:20:09 | |
It just reminds me of what a failure I am. | 0:20:09 | 0:20:12 | |
Leia, Leia, wait. | 0:20:12 | 0:20:14 | |
We need to talk. | 0:20:14 | 0:20:15 | |
What are you doing? We have a Luke Truce. | 0:20:15 | 0:20:17 | |
I can't believe you're holding auditions to replace me already. | 0:20:17 | 0:20:20 | |
Well, what do you want me to do?! I have to do something. | 0:20:20 | 0:20:22 | |
I just... I thought we could work it out, that's all. | 0:20:22 | 0:20:25 | |
Well, too late. You're already replaced. | 0:20:25 | 0:20:27 | |
'So it's true. I've been replaced.' | 0:20:29 | 0:20:32 | |
I guess there's no hope. | 0:20:32 | 0:20:34 | |
# I slept alone in the van | 0:20:44 | 0:20:47 | |
# You brought me breakfast in bed | 0:20:47 | 0:20:49 | |
# I wrote it down in a song... # | 0:20:49 | 0:20:52 | |
Hold on. Stop. | 0:20:52 | 0:20:53 | |
What? | 0:20:53 | 0:20:54 | |
# ..I see the way you dance | 0:20:54 | 0:20:56 | |
# If I get my chance... # | 0:20:56 | 0:20:58 | |
Do you hear these lyrics? | 0:20:58 | 0:21:00 | |
Yeah. | 0:21:00 | 0:21:02 | |
This song is definitely about me. | 0:21:02 | 0:21:05 | |
Well, that's a good thing, no? | 0:21:05 | 0:21:07 | |
# ..It's true love at first sight | 0:21:07 | 0:21:11 | |
# And I'm so afraid to say | 0:21:11 | 0:21:14 | |
# I know you'll run away, yeah | 0:21:14 | 0:21:16 | |
# True love at first sight... # | 0:21:16 | 0:21:20 | |
When I hear these lyrics, I feel so great, | 0:21:20 | 0:21:23 | |
but, at the same time, I feel so frightened | 0:21:23 | 0:21:26 | |
because I had no idea that John felt this way about me. | 0:21:26 | 0:21:29 | |
I don't know what to do about it. | 0:21:29 | 0:21:31 | |
# ..I see your golden hair | 0:21:31 | 0:21:33 | |
# All I can do is stare | 0:21:33 | 0:21:35 | |
# So I look down to the floor... # | 0:21:35 | 0:21:38 | |
'I know I said I want to get over Michelle,' | 0:21:41 | 0:21:43 | |
but she's all I want to write about. | 0:21:43 | 0:21:46 | |
I know I'll never get over her. | 0:21:46 | 0:21:49 | |
# ..Cos the one thing I know | 0:21:49 | 0:21:52 | |
# Is that it's true love at first... # | 0:21:52 | 0:21:55 | |
I don't think I'm ready to talk to him. | 0:21:55 | 0:21:59 | |
Let's go. | 0:21:59 | 0:22:00 | |
# ..I know you'll run away | 0:22:00 | 0:22:02 | |
# True love at first sight | 0:22:02 | 0:22:06 | |
# Yeah, you see it's you | 0:22:06 | 0:22:08 | |
# Yeah, you see it's you. # | 0:22:10 | 0:22:13 | |
# Oh-oh-oh oh oh | 0:22:18 | 0:22:19 | |
# Oh-oh-oh oh oh | 0:22:19 | 0:22:21 | |
# Oh oh oh oh | 0:22:21 | 0:22:23 | |
# We are the Lost And Found | 0:22:23 | 0:22:26 | |
# Don't know where we stand | 0:22:26 | 0:22:28 | |
# But it's solid ground | 0:22:28 | 0:22:29 | |
# It's your shot | 0:22:29 | 0:22:30 | |
# Let's see what you got | 0:22:30 | 0:22:32 | |
# Only a true light shines as bright as you | 0:22:32 | 0:22:36 | |
# Oh-oh-oh oh oh | 0:22:36 | 0:22:37 | |
# Oh-oh-oh oh oh | 0:22:37 | 0:22:39 | |
# Oh oh oh oh | 0:22:39 | 0:22:42 | |
# Oh-oh-oh oh oh | 0:22:42 | 0:22:44 | |
# Oh-oh-oh oh oh | 0:22:44 | 0:22:45 | |
# Oh oh oh oh. # | 0:22:45 | 0:22:48 |