Browse content similar to Sweet Tart. Check below for episodes and series from the same categories and more!
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# Whoa-o-oa who-o-oa | 0:00:02 | 0:00:04 | |
# Whoa-o-oa who-o-oa | 0:00:05 | 0:00:07 | |
-# Bright lights -Bright lights | 0:00:07 | 0:00:10 | |
# Can I get a bright light on this stage? | 0:00:10 | 0:00:13 | |
# Gotta get Gotta get | 0:00:15 | 0:00:17 | |
# You gotta get it right so you're all the rage | 0:00:17 | 0:00:21 | |
# Broken hearts Broken hearts | 0:00:22 | 0:00:25 | |
# It's always bad but never been this strange | 0:00:25 | 0:00:28 | |
# They always fall in love with me | 0:00:30 | 0:00:32 | |
# But my answer is always the same | 0:00:33 | 0:00:36 | |
# We don't know | 0:00:37 | 0:00:41 | |
# We're still young | 0:00:41 | 0:00:45 | |
# We got it right, now... # | 0:00:45 | 0:00:46 | |
I'm trying to be positive. But this is bad. | 0:00:46 | 0:00:49 | |
Our first gig was a disaster. | 0:00:49 | 0:00:50 | |
And not to mention, the Mutt-cracker is totalled. | 0:00:52 | 0:00:55 | |
# Feel like the first time | 0:00:55 | 0:00:57 | |
# You opened your eyes | 0:00:57 | 0:00:59 | |
-# Don't stop -don't stop | 0:00:59 | 0:01:01 | |
# Never let anybody bring you down... # | 0:01:01 | 0:01:04 | |
I'm not very happy right now. | 0:01:04 | 0:01:06 | |
I was almost kicked out of Lost And Found for stealing a song. | 0:01:06 | 0:01:08 | |
I thought that I could make a really good song | 0:01:08 | 0:01:10 | |
and that you guys would like me! | 0:01:10 | 0:01:12 | |
Because no-one ever likes me! | 0:01:12 | 0:01:14 | |
I want to be here, but it's really hard for me. | 0:01:15 | 0:01:19 | |
I'm just trying to be brave. | 0:01:19 | 0:01:20 | |
-# Hard knocks -hard knocks | 0:01:21 | 0:01:23 | |
# Just come and see, we'll help you figure it out. # | 0:01:23 | 0:01:28 | |
So far, I've been loving it at Lost And Found. | 0:01:28 | 0:01:30 | |
I've met some amazing people. | 0:01:30 | 0:01:32 | |
I'm starting to have feelings for you. | 0:01:32 | 0:01:34 | |
And things with my new boyfriend Tully are going great. | 0:01:34 | 0:01:38 | |
He's so amazing. | 0:01:38 | 0:01:39 | |
# We got it right, yeah... # | 0:01:40 | 0:01:42 | |
You're not better than me. | 0:01:42 | 0:01:43 | |
And I go wherever I want. | 0:01:43 | 0:01:45 | |
My brother Tully keeps showing up at Lost And Found. | 0:01:45 | 0:01:47 | |
We have to find a way to get him out of here. | 0:01:47 | 0:01:49 | |
I never wanted that part of my life to come to Lost And Found, | 0:01:49 | 0:01:53 | |
but now it's here. | 0:01:53 | 0:01:54 | |
# We got it right... # | 0:01:55 | 0:01:56 | |
I am really happy to be back in the band | 0:01:56 | 0:01:58 | |
with Leia, Rachel and Annabelle. | 0:01:58 | 0:02:00 | |
Leia only let me back in because I promised to stay away from Luke. | 0:02:00 | 0:02:03 | |
I hope everything goes smoothly from here on out. | 0:02:03 | 0:02:06 | |
Things could not be better right now. | 0:02:08 | 0:02:10 | |
The band is back together, | 0:02:10 | 0:02:11 | |
and I can start making my move on Luke. | 0:02:11 | 0:02:14 | |
I'm totally in control! | 0:02:14 | 0:02:16 | |
# We got it right, yeah | 0:02:16 | 0:02:18 | |
# We're all like... # | 0:02:18 | 0:02:19 | |
This year, Lost And Found has been a rollercoaster for me. | 0:02:19 | 0:02:23 | |
Really think about why you're here right now. | 0:02:23 | 0:02:25 | |
I can't hide what's going on inside me any more. | 0:02:25 | 0:02:28 | |
But I'm terrified. | 0:02:28 | 0:02:30 | |
# Nothing you can do to stop this train from rolling... # | 0:02:32 | 0:02:34 | |
Things with Michelle are... complicated. | 0:02:34 | 0:02:37 | |
I saw her outside of my house last night after our gig, | 0:02:37 | 0:02:40 | |
and she ran away before I could talk to her. | 0:02:40 | 0:02:43 | |
Now, I'm really not sure what I should say to her. | 0:02:43 | 0:02:46 | |
# We don't know | 0:02:46 | 0:02:50 | |
# We're still young | 0:02:50 | 0:02:54 | |
# We got it right, yeah | 0:02:54 | 0:02:55 | |
# We're all like | 0:02:55 | 0:02:57 | |
# We won't be quiet | 0:02:57 | 0:02:58 | |
# We got it right | 0:02:58 | 0:02:59 | |
# Gonna rise and reach the heights | 0:02:59 | 0:03:01 | |
# We got it right | 0:03:01 | 0:03:03 | |
# The higher we climb | 0:03:03 | 0:03:05 | |
# It'll feel like the first time | 0:03:05 | 0:03:07 | |
# You opened your eyes | 0:03:07 | 0:03:09 | |
# We got it right yeah | 0:03:09 | 0:03:10 | |
# We're all like | 0:03:10 | 0:03:12 | |
# We won't be quiet | 0:03:12 | 0:03:13 | |
# We got it right | 0:03:13 | 0:03:14 | |
# Gonna rise and reach the heights | 0:03:14 | 0:03:17 | |
# We got it right | 0:03:17 | 0:03:18 | |
# The higher we climb | 0:03:18 | 0:03:20 | |
# It'll feel like the first time | 0:03:20 | 0:03:22 | |
# You opened your eyes | 0:03:22 | 0:03:24 | |
# Don't stop. # | 0:03:24 | 0:03:25 | |
APPLAUSE | 0:03:25 | 0:03:27 | |
We're all so excited to see | 0:03:29 | 0:03:31 | |
where this journey at Lost And Found takes us next. | 0:03:31 | 0:03:33 | |
It's going to be amazing. | 0:03:33 | 0:03:35 | |
-# We are lost -We're lost | 0:03:35 | 0:03:36 | |
-# And found -We're found | 0:03:36 | 0:03:38 | |
# Don't know where we stand but it's solid ground | 0:03:38 | 0:03:41 | |
-# It's your shot -Take it | 0:03:41 | 0:03:43 | |
-# Let's see what you got -Don't fake it | 0:03:43 | 0:03:45 | |
# Only your true light shines as bright as you | 0:03:45 | 0:03:48 | |
# O-o-oh, oh, oh | 0:03:48 | 0:03:49 | |
# O-o-oh, oh, oh | 0:03:49 | 0:03:51 | |
# Oh, oh, oh, oh. # | 0:03:51 | 0:03:53 | |
# One, one two one | 0:04:08 | 0:04:09 | |
# One two three two one | 0:04:09 | 0:04:10 | |
# One two three four three two one | 0:04:10 | 0:04:12 | |
# One two three four five four three two o-one | 0:04:12 | 0:04:15 | |
# One, one two one | 0:04:15 | 0:04:16 | |
# One two three two one. # Hey, guys. What did I miss? | 0:04:16 | 0:04:19 | |
Maggie's back! | 0:04:19 | 0:04:20 | |
No, the band is back. | 0:04:20 | 0:04:22 | |
We were just warming up, | 0:04:22 | 0:04:24 | |
and then we're going to start working on songs. | 0:04:24 | 0:04:26 | |
Cool. I just wrote five songs, | 0:04:26 | 0:04:27 | |
so we can start with one of these. | 0:04:27 | 0:04:29 | |
Well, actually, we were just discussing writing a song now. | 0:04:29 | 0:04:32 | |
Uh, no. | 0:04:33 | 0:04:34 | |
Usually, we don't write songs during rehearsals. | 0:04:34 | 0:04:37 | |
Who's heard of a band who can't write a song when they get together? | 0:04:38 | 0:04:41 | |
Are you saying that one of the band rules | 0:04:41 | 0:04:43 | |
is that we can only sing songs that we've already written? | 0:04:43 | 0:04:45 | |
It's not a rule, | 0:04:45 | 0:04:46 | |
it's just a suggestion to help the band. | 0:04:46 | 0:04:48 | |
Oh, OK. So what are your other "suggestions"? | 0:04:48 | 0:04:51 | |
Well, we can start with one of my songs. | 0:04:51 | 0:04:53 | |
Well, I think we should actually get really clear | 0:04:53 | 0:04:56 | |
on what the rules are before we start doing that. | 0:04:56 | 0:04:58 | |
'Uh-oh.' | 0:04:58 | 0:05:00 | |
I knew the good times wouldn't last. | 0:05:00 | 0:05:01 | |
OK. | 0:05:03 | 0:05:04 | |
'I'm really happy to be back, but this band' | 0:05:04 | 0:05:06 | |
needs to make some serious changes. | 0:05:06 | 0:05:08 | |
# Come on | 0:05:10 | 0:05:11 | |
# Come on, come on | 0:05:11 | 0:05:13 | |
# Come on, come on, open road | 0:05:14 | 0:05:16 | |
# We've been thinking 'bout it | 0:05:16 | 0:05:18 | |
# We've talking 'bout it | 0:05:18 | 0:05:20 | |
# We've been waiting for too long... # | 0:05:20 | 0:05:24 | |
On a scale of one to ten, we all want our songs to be 11s. | 0:05:25 | 0:05:28 | |
So we started this thing called Going To 11. | 0:05:28 | 0:05:30 | |
It's where other musicians can give honest feedback | 0:05:30 | 0:05:32 | |
to make our songs better. | 0:05:32 | 0:05:34 | |
# Come on, come on | 0:05:34 | 0:05:36 | |
# Come on, come on | 0:05:37 | 0:05:38 | |
# Come on, come on, open road | 0:05:39 | 0:05:41 | |
# Come on, come on | 0:05:43 | 0:05:45 | |
# Come on, come on | 0:05:45 | 0:05:47 | |
# Come on, come on open road... # | 0:05:47 | 0:05:49 | |
This is my first Go To 11, and I'm kind of surprised. | 0:05:49 | 0:05:52 | |
I know the singers have to take their songs to 11, | 0:05:52 | 0:05:54 | |
but we also have to take our criticism to 11. | 0:05:54 | 0:05:56 | |
I'm just worried about telling Theo | 0:05:56 | 0:05:58 | |
what I really think. | 0:05:58 | 0:06:00 | |
# Let's take the open road. # | 0:06:00 | 0:06:03 | |
APPLAUSE | 0:06:05 | 0:06:07 | |
What did you think? Take me to 11. | 0:06:07 | 0:06:09 | |
I think it's great, | 0:06:09 | 0:06:10 | |
but there could probably be some more depth on the bridge, you know. | 0:06:10 | 0:06:14 | |
I'm afraid that my going to 11 | 0:06:14 | 0:06:16 | |
is a lot harsher than the other musicians'. | 0:06:16 | 0:06:18 | |
It's really good, | 0:06:18 | 0:06:19 | |
but I'm thinking maybe some counter melodies are something? | 0:06:19 | 0:06:21 | |
Everyone's just touching on the surface | 0:06:21 | 0:06:23 | |
and not getting to the heart of the problem, | 0:06:23 | 0:06:25 | |
which is that this song has no heart. | 0:06:25 | 0:06:27 | |
Mary? | 0:06:27 | 0:06:28 | |
Oh, yeah. Um... | 0:06:28 | 0:06:30 | |
It was fine. | 0:06:30 | 0:06:31 | |
It's fine? | 0:06:32 | 0:06:34 | |
If there's one thing I know, it's that "fine" covers for "bad". | 0:06:34 | 0:06:37 | |
Fine's almost as bad as "nice". | 0:06:37 | 0:06:39 | |
Fine? That's everything? | 0:06:39 | 0:06:41 | |
Yeah. Nice song. | 0:06:41 | 0:06:43 | |
OK. Thank you. | 0:06:44 | 0:06:47 | |
This isn't like any Go To 11 I've ever heard. | 0:06:47 | 0:06:50 | |
Mary's holding something back. | 0:06:50 | 0:06:52 | |
I found this! | 0:06:56 | 0:06:57 | |
Wow. That's great. | 0:06:58 | 0:07:00 | |
-HE SIGHS -All right. | 0:07:00 | 0:07:02 | |
What do you think? | 0:07:02 | 0:07:04 | |
What do I think? | 0:07:04 | 0:07:05 | |
I think your suspension's done, your tranny is shot, | 0:07:05 | 0:07:07 | |
you need a new rear axle, I haven't looked at the engine yet, | 0:07:07 | 0:07:10 | |
you got a whole bunch of bodywork. | 0:07:10 | 0:07:11 | |
It's going to cost you about five, six grand, I'd say. | 0:07:11 | 0:07:14 | |
All right, one second. | 0:07:14 | 0:07:16 | |
'Five grand?!' | 0:07:16 | 0:07:17 | |
The Legion only paid us 50 bucks for this gig! | 0:07:17 | 0:07:20 | |
I have no idea what we're going to do now. | 0:07:20 | 0:07:22 | |
It's going to take five grand to fix this thing. | 0:07:22 | 0:07:24 | |
Five grand, are you kidding me?! | 0:07:24 | 0:07:26 | |
We could buy five new vans with that! | 0:07:26 | 0:07:28 | |
But this is sentimental. This is the Mutt-Cracker here. | 0:07:28 | 0:07:30 | |
You're a Mutt-Cracker. | 0:07:30 | 0:07:32 | |
You know, James, I'm really sick of your attitude, man. | 0:07:32 | 0:07:34 | |
Really negative! | 0:07:34 | 0:07:35 | |
You know that you could be replaced? | 0:07:35 | 0:07:37 | |
-You're a drummer, man. Remember that. -Ow! | 0:07:37 | 0:07:39 | |
We need to think of something! | 0:07:39 | 0:07:41 | |
Wait, what if we, like, did a concert or something? | 0:07:41 | 0:07:44 | |
-Like, for his kids. -Yeah! -Yeah. | 0:07:44 | 0:07:46 | |
See? that's an idea, man. | 0:07:46 | 0:07:48 | |
There you go. | 0:07:50 | 0:07:52 | |
You're an idiot. | 0:07:52 | 0:07:53 | |
All right. Here's the thing. | 0:07:53 | 0:07:56 | |
We're kind of, like, an up-and-coming band. | 0:07:56 | 0:07:58 | |
-Really? -Yeah. | 0:07:58 | 0:07:59 | |
So we probably could play at, like, | 0:07:59 | 0:08:02 | |
birthday parties or something to help pay for the bill. | 0:08:02 | 0:08:05 | |
Oh, yeah? | 0:08:05 | 0:08:06 | |
Yeah. | 0:08:06 | 0:08:07 | |
Magnus? | 0:08:07 | 0:08:08 | |
HE SINGS OPERA | 0:08:08 | 0:08:12 | |
'It looks like we might not be able to play our way out of this situation.' | 0:08:24 | 0:08:27 | |
This might be the end of the Mutt-Cracker. | 0:08:28 | 0:08:30 | |
-Hey, I got your message. Is everything OK? -Hey, yeah. | 0:08:40 | 0:08:43 | |
I've just... I've had something bugging me. | 0:08:43 | 0:08:45 | |
Yeah, shoot. | 0:08:45 | 0:08:46 | |
Um, I feel like you didn't go to 11 in the Go To 11 clinic. | 0:08:46 | 0:08:50 | |
I was very 11. | 0:08:50 | 0:08:51 | |
No, you gave me a five. | 0:08:51 | 0:08:53 | |
At best. | 0:08:53 | 0:08:54 | |
-Theo, I give you an 11. -You gave me a five! | 0:08:54 | 0:08:56 | |
What more do you want?! | 0:08:56 | 0:08:57 | |
I want the truth! | 0:08:57 | 0:08:58 | |
You're right. I... | 0:09:00 | 0:09:02 | |
I actually only gave you a two. | 0:09:02 | 0:09:04 | |
And that was generous. | 0:09:04 | 0:09:06 | |
You gave me a two? | 0:09:07 | 0:09:08 | |
Yeah, I... I didn't want to hurt you. | 0:09:09 | 0:09:12 | |
Well, you just did. | 0:09:12 | 0:09:13 | |
Theo, look. | 0:09:15 | 0:09:17 | |
Music means the world to me. | 0:09:17 | 0:09:19 | |
And I'm very hard on myself, | 0:09:19 | 0:09:21 | |
and I don't want to be hard on others and hurt them. | 0:09:21 | 0:09:23 | |
Yeah. | 0:09:23 | 0:09:24 | |
Well, I want you to be as hard on me as you are on yourself. | 0:09:24 | 0:09:28 | |
That's what Go To 11's all about. | 0:09:28 | 0:09:29 | |
Are you sure you want my 11? | 0:09:31 | 0:09:32 | |
Yeah, I really do. | 0:09:32 | 0:09:33 | |
OK. Meet me in the recording studio later. | 0:09:35 | 0:09:39 | |
OK. | 0:09:39 | 0:09:40 | |
Just remember, you asked for this. | 0:09:44 | 0:09:46 | |
# I can't get enough of your dandelion love | 0:09:50 | 0:09:53 | |
# Oh, I can see a sailboat in the sky. # | 0:09:53 | 0:09:57 | |
All right, so here are the band rules that we've agreed upon so far. | 0:10:00 | 0:10:03 | |
-One... -SO unnecessary! | 0:10:04 | 0:10:07 | |
OK. One, no songs over four minutes. | 0:10:07 | 0:10:11 | |
Two, bring original songs to practice. | 0:10:11 | 0:10:14 | |
And three, no guests during practice unless previously approved. | 0:10:14 | 0:10:18 | |
And of course, whoever writes the songs gets to sing lead, yeah? | 0:10:18 | 0:10:21 | |
But you wrote all the songs that you brought, | 0:10:21 | 0:10:23 | |
so are you going to sing lead on all of them? | 0:10:23 | 0:10:26 | |
-Well, no-one else wrote a song... -Well, I have a song. | 0:10:26 | 0:10:28 | |
Maggie's a really good songwriter. | 0:10:30 | 0:10:32 | |
I would love for the band to do a song of hers! | 0:10:32 | 0:10:34 | |
Who votes to let me sing my song? | 0:10:34 | 0:10:37 | |
I guess that's three against one. | 0:10:37 | 0:10:39 | |
'Uh-oh.' | 0:10:39 | 0:10:41 | |
I think there's some sort of power play happening here. | 0:10:41 | 0:10:43 | |
And you know what? | 0:10:43 | 0:10:45 | |
Actually, I was thinking that Rachel, you should sing this song. | 0:10:45 | 0:10:47 | |
-Really? -Yeah. | 0:10:47 | 0:10:48 | |
That's fantastic, yeah. | 0:10:48 | 0:10:50 | |
'I really think Rachel will sound great on the song.' | 0:10:50 | 0:10:53 | |
The fact that it will annoy Leia is just a bonus. | 0:10:53 | 0:10:55 | |
Oh, man! | 0:11:04 | 0:11:06 | |
Maybe we should just put it out of its misery. | 0:11:09 | 0:11:11 | |
What if we tried to put the hub cap back on? | 0:11:11 | 0:11:13 | |
Maybe that's one repair that's fixed. | 0:11:13 | 0:11:15 | |
There's not even a point in doing that, man. | 0:11:15 | 0:11:17 | |
That's a Frisbee now. It's not a hub cap. | 0:11:17 | 0:11:19 | |
It's pretty much done. | 0:11:19 | 0:11:22 | |
We're doomed. We are doomed. The van doesn't work. | 0:11:22 | 0:11:25 | |
We don't have a van for gigs. | 0:11:25 | 0:11:26 | |
We don't even have a car to put equipment in! | 0:11:26 | 0:11:28 | |
Hey, hey, calm down. | 0:11:28 | 0:11:29 | |
Honestly, this is not that huge. | 0:11:29 | 0:11:31 | |
Well, it might be huge, but we can come back from this, | 0:11:31 | 0:11:34 | |
and I would love to buy you ice cream. | 0:11:34 | 0:11:35 | |
What kind of pep talk is that? | 0:11:37 | 0:11:38 | |
What's this? | 0:11:41 | 0:11:42 | |
Oh. This is about Michelle, isn't it? | 0:11:43 | 0:11:46 | |
Of course it is. That's where did the little thing with my head, | 0:11:46 | 0:11:48 | |
indicating that she's there. | 0:11:48 | 0:11:50 | |
Well, why don't you go talk to her? | 0:11:50 | 0:11:51 | |
And say what? | 0:11:51 | 0:11:52 | |
"Hey, I saw you outside my house last night, | 0:11:52 | 0:11:54 | |
"hey, maybe we should hang out some time"? | 0:11:54 | 0:11:56 | |
-Hold on, she was at your house last night? -Yes. | 0:11:56 | 0:11:59 | |
Why don't you just ask to hang out then, man? | 0:11:59 | 0:12:01 | |
Because she was walking away from my house, | 0:12:01 | 0:12:03 | |
and that's not a good sign. | 0:12:03 | 0:12:04 | |
No one walks away from my house happy. | 0:12:04 | 0:12:06 | |
Luke, you have much bigger things to worry about right now than that. | 0:12:07 | 0:12:11 | |
Look at this! | 0:12:11 | 0:12:12 | |
James, what do you think? | 0:12:14 | 0:12:16 | |
I think we're doomed. | 0:12:16 | 0:12:17 | |
'I'm nervous to hear what Mary has to say about my song.' | 0:12:27 | 0:12:30 | |
I get the feeling I should buckle up. | 0:12:30 | 0:12:32 | |
Have a seat. | 0:12:33 | 0:12:35 | |
'Well, Theo says he wants the real the truth.' | 0:12:36 | 0:12:38 | |
Let's see if he really means it. | 0:12:38 | 0:12:40 | |
So, you wanted my 11, right? | 0:12:40 | 0:12:42 | |
OK. | 0:12:42 | 0:12:44 | |
You're a great musician. But... | 0:12:45 | 0:12:47 | |
you weren't yourself. | 0:12:47 | 0:12:49 | |
I didn't feel who you were, I didn't feel what your music was about, | 0:12:49 | 0:12:52 | |
it was just listening to a guitar strumming and strumming, | 0:12:52 | 0:12:56 | |
and I got nothing. | 0:12:56 | 0:12:57 | |
Like, yeah, it was entertaining, | 0:12:57 | 0:12:59 | |
but that's just cos you're charming. | 0:12:59 | 0:13:01 | |
And that's not enough. | 0:13:01 | 0:13:03 | |
'I only told Theo a few things, and he's not even moving. | 0:13:03 | 0:13:07 | |
'See, this is what happens when I go to 11.' | 0:13:07 | 0:13:09 | |
So, what do you think? | 0:13:10 | 0:13:12 | |
I think you're an answer to my prayers, is what I think. | 0:13:14 | 0:13:17 | |
I wrote this poem a couple of years ago. | 0:13:18 | 0:13:20 | |
-I just... I've never been able to put music to it. -Oh. | 0:13:21 | 0:13:25 | |
Can I read it? | 0:13:25 | 0:13:26 | |
Yeah. | 0:13:26 | 0:13:27 | |
'The fact that Theo's been carrying around this poem for so long' | 0:13:27 | 0:13:30 | |
shows that he connects with it, and that's exactly what he needs | 0:13:30 | 0:13:33 | |
to write a song with heart. | 0:13:33 | 0:13:34 | |
So you can help? | 0:13:34 | 0:13:35 | |
Yeah, of course. | 0:13:35 | 0:13:37 | |
Let's see what we can come up with. | 0:13:37 | 0:13:39 | |
'Mary's criticisms were pretty harsh,' | 0:13:40 | 0:13:43 | |
but I'm pretty excited to see what's going to happen. | 0:13:43 | 0:13:45 | |
# We're invincible, invincible. # | 0:13:49 | 0:13:52 | |
Such a bummer. | 0:13:53 | 0:13:55 | |
Like, we barely had enough money to even tow it here. | 0:13:55 | 0:13:57 | |
OK, if we could get it done for free | 0:13:58 | 0:14:00 | |
but you had to have a bear in the back, | 0:14:00 | 0:14:01 | |
like, living in the back, would you do it? | 0:14:01 | 0:14:03 | |
What kind of bear? | 0:14:05 | 0:14:06 | |
like, a full mammoth, polar, vicious... | 0:14:06 | 0:14:08 | |
-Would you have to feed it? -Yeah, man. | 0:14:08 | 0:14:10 | |
Like, you got to feed it, take care of it, | 0:14:10 | 0:14:12 | |
take it out to pee, shave it... | 0:14:12 | 0:14:14 | |
-I already do that with John, so... -Hey, that was one time! | 0:14:14 | 0:14:16 | |
One time, let it go. | 0:14:16 | 0:14:18 | |
That's true, man. Totally. | 0:14:18 | 0:14:19 | |
You know what? It doesn't even matter. | 0:14:22 | 0:14:25 | |
-We're doomed. -Yeah, man. | 0:14:25 | 0:14:27 | |
The van's destroyed, we can't do anything about it, | 0:14:27 | 0:14:29 | |
we don't have a van to get us to gigs, we don't have anything. | 0:14:29 | 0:14:32 | |
Yeah. | 0:14:32 | 0:14:33 | |
-Like, what are we going to do for gigs? -I don't know. Walk? | 0:14:33 | 0:14:36 | |
'Luke's van is wrecked? That's awful!' | 0:14:36 | 0:14:40 | |
I wish there was something I could do about it. | 0:14:40 | 0:14:42 | |
Maybe there is! | 0:14:42 | 0:14:44 | |
I think I've got a plan. | 0:14:44 | 0:14:45 | |
# Day after day | 0:14:48 | 0:14:50 | |
# We'll always be | 0:14:50 | 0:14:52 | |
# Day after day. # | 0:14:52 | 0:14:54 | |
Thank you so much, uncle Jerry. | 0:14:56 | 0:14:58 | |
I really appreciate... | 0:14:58 | 0:14:59 | |
'I have the best surprise for Luke. | 0:14:59 | 0:15:01 | |
'My uncle Jerry is fixing his van!' | 0:15:01 | 0:15:04 | |
The only thing is, | 0:15:04 | 0:15:05 | |
I kind of told him it was my van, | 0:15:05 | 0:15:07 | |
so that he would do it for free. | 0:15:07 | 0:15:09 | |
OK, OK, bye. | 0:15:09 | 0:15:11 | |
-It was just phenomenal. -So good. -I can't believe you sounded like that. | 0:15:12 | 0:15:14 | |
So what are you guys talking about? | 0:15:14 | 0:15:16 | |
We were just talking about how completely amazing Rachel was | 0:15:16 | 0:15:19 | |
singing that song. | 0:15:19 | 0:15:20 | |
Thank you so much! | 0:15:20 | 0:15:21 | |
You just have this ability where you pick certain people | 0:15:21 | 0:15:24 | |
to sing certain songs, and it just sounds awesome! | 0:15:24 | 0:15:27 | |
Thanks. | 0:15:27 | 0:15:28 | |
Actually, I was just thinking that Rachel should sing that torch song | 0:15:28 | 0:15:32 | |
that you were working on a few weeks ago. | 0:15:32 | 0:15:34 | |
-Torch song? -Yeah. | 0:15:35 | 0:15:38 | |
See Through Me? | 0:15:38 | 0:15:39 | |
I love that song! | 0:15:39 | 0:15:41 | |
Would you mind? | 0:15:42 | 0:15:44 | |
I wrote See Through Me about Luke. | 0:15:45 | 0:15:47 | |
It's very personal, very raw and emotional, | 0:15:47 | 0:15:51 | |
and I think I'm the only one who could do this song justice. | 0:15:51 | 0:15:54 | |
Yeah, you seem a little hesitant. Is there a problem? | 0:15:54 | 0:15:56 | |
Guys, I don't know. | 0:15:58 | 0:15:59 | |
It's, like, my signature song. | 0:15:59 | 0:16:02 | |
I mean, we're a band now, so we really need to share our songs. | 0:16:02 | 0:16:05 | |
OK. No problem. | 0:16:09 | 0:16:11 | |
Thank you, thank you, thank you, thank you, thank you! | 0:16:11 | 0:16:14 | |
I think a war is coming. | 0:16:17 | 0:16:20 | |
# Some of us got some nicer shoes | 0:16:22 | 0:16:25 | |
# But we all gotta | 0:16:25 | 0:16:27 | |
# Know the rules of the road. # | 0:16:28 | 0:16:30 | |
OK, you got this. Grab your guitar, and let's take it from the top. | 0:16:31 | 0:16:35 | |
'I resisted taking my criticism to 11' | 0:16:35 | 0:16:38 | |
because I was afraid of hurting Theo's feelings. | 0:16:38 | 0:16:40 | |
But now I see the value in it. | 0:16:40 | 0:16:42 | |
We all just want to be better musicians. | 0:16:42 | 0:16:44 | |
# This is the life we've been living in | 0:16:44 | 0:16:47 | |
# And we might not know how to begin | 0:16:47 | 0:16:50 | |
# But we know | 0:16:50 | 0:16:52 | |
# Just where we wanna go... # | 0:16:53 | 0:16:56 | |
'Turning Theo's poem The Language Of Love into a song | 0:16:56 | 0:16:59 | |
'was an amazing experience. | 0:16:59 | 0:17:02 | |
'Theo genuinely wanted my input,' | 0:17:02 | 0:17:04 | |
and it turned out to be an amazing collaboration. | 0:17:04 | 0:17:06 | |
# The language of love | 0:17:06 | 0:17:09 | |
# This world keeps growing in size | 0:17:11 | 0:17:14 | |
# Don't need no satellite to realise | 0:17:14 | 0:17:17 | |
# That we're all | 0:17:17 | 0:17:18 | |
# In the same old boat | 0:17:19 | 0:17:21 | |
# If you wanna go | 0:17:24 | 0:17:25 | |
# Go and make a change | 0:17:25 | 0:17:27 | |
# Everybody's gotta make a foreign exchange | 0:17:27 | 0:17:30 | |
# Yeah | 0:17:30 | 0:17:32 | |
# You gotta relate | 0:17:33 | 0:17:35 | |
# Cos now I'm learning the brand-new language | 0:17:37 | 0:17:41 | |
# The language of love | 0:17:41 | 0:17:43 | |
# All these words can do no damage | 0:17:43 | 0:17:47 | |
# In the language of love | 0:17:47 | 0:17:50 | |
# Don't speak Greek, Chinese, English, or Spanish | 0:17:50 | 0:17:54 | |
# Just the language of love | 0:17:54 | 0:17:56 | |
# Now I'm learning a brand-new language | 0:17:57 | 0:18:00 | |
# All these words can do no damage | 0:18:00 | 0:18:03 | |
# Don't speak Greek, Chinese, English, or Spanish | 0:18:03 | 0:18:09 | |
# Just the language of love | 0:18:09 | 0:18:13 | |
# Yeah, yeah | 0:18:13 | 0:18:14 | |
# Just the language of love | 0:18:15 | 0:18:18 | |
# Ooh, ooh | 0:18:19 | 0:18:21 | |
-# Just the language of love -Ooh | 0:18:22 | 0:18:25 | |
-# Just the language of love -Ooh, ooh | 0:18:25 | 0:18:29 | |
# Just the language of love | 0:18:29 | 0:18:31 | |
# The language of love, yeah | 0:18:32 | 0:18:35 | |
# Just the language of love. # | 0:18:35 | 0:18:38 | |
11? | 0:18:42 | 0:18:43 | |
12. | 0:18:43 | 0:18:44 | |
Yeah. | 0:18:44 | 0:18:46 | |
# Now I'm learning the brand-new language | 0:18:46 | 0:18:50 | |
# The language of love. # | 0:18:50 | 0:18:52 | |
Hey. | 0:19:00 | 0:19:02 | |
I think that was a really great band practice today. | 0:19:02 | 0:19:04 | |
Glad you thought so. | 0:19:04 | 0:19:06 | |
Listen, I don't know what you're trying to do... | 0:19:06 | 0:19:08 | |
I think you know exactly what I'm trying to do. | 0:19:08 | 0:19:11 | |
I think we should all have equal power in the band. | 0:19:11 | 0:19:13 | |
Oh, is that why you're manipulating Rachel? | 0:19:13 | 0:19:15 | |
You know, if you just stopped worrying about losing control for one second | 0:19:15 | 0:19:19 | |
and listened to Rachel, | 0:19:19 | 0:19:20 | |
you'd know that she deserves to sing. | 0:19:20 | 0:19:22 | |
Leia is accusing ME of manipulating Rachel? | 0:19:22 | 0:19:25 | |
Leia is the queen of manipulation. | 0:19:25 | 0:19:28 | |
OK, I know that you don't like it, but I think that | 0:19:28 | 0:19:30 | |
Annabelle, Rachel and I should all have equal say in the band. | 0:19:30 | 0:19:34 | |
Yeah, but I think your voice is a little bit louder than theirs, | 0:19:34 | 0:19:36 | |
don't you think? | 0:19:36 | 0:19:38 | |
-Well, it's not as loud as yours yet. -I knew it! | 0:19:38 | 0:19:41 | |
You want to take control of the band, but I am the leader here. | 0:19:41 | 0:19:43 | |
If I really wanted to, I could get you kicked out. Again. | 0:19:43 | 0:19:47 | |
You know what? | 0:19:47 | 0:19:48 | |
That's such a great idea, | 0:19:48 | 0:19:50 | |
because then I would have all this free time, | 0:19:50 | 0:19:52 | |
and I could go see what Luke's up to. | 0:19:52 | 0:19:55 | |
'She's got me. | 0:19:58 | 0:19:59 | |
'I'm trapped.' | 0:20:01 | 0:20:02 | |
Trapped in a band with Maggie. | 0:20:02 | 0:20:04 | |
-I was thinking of getting a job. -Yeah, that makes sense. | 0:20:07 | 0:20:10 | |
-Dude, where's my van? -I don't know. | 0:20:13 | 0:20:16 | |
Someone stole the van. | 0:20:16 | 0:20:17 | |
Someone stole the van! | 0:20:17 | 0:20:19 | |
No-one stole the van, that doesn't make any sense. | 0:20:19 | 0:20:21 | |
Well, then where is it? | 0:20:21 | 0:20:22 | |
I don't know. Maybe... Maybe it got impounded for looking abandoned. | 0:20:22 | 0:20:25 | |
It's a piece of junk. | 0:20:25 | 0:20:27 | |
This isn't happening right now. | 0:20:27 | 0:20:28 | |
This isn't happening. This can't happen. | 0:20:28 | 0:20:30 | |
Of course this isn't happening right now. | 0:20:30 | 0:20:32 | |
Look, we can... We'll start checking impound lots. We'll... | 0:20:32 | 0:20:36 | |
Maybe missing van signs? | 0:20:36 | 0:20:38 | |
This isn't happening. | 0:20:38 | 0:20:39 | |
'I thought it was bad that the van was totalled, | 0:20:39 | 0:20:42 | |
'but now it's gone.' | 0:20:42 | 0:20:44 | |
This is bad! | 0:20:44 | 0:20:45 | |
And I have no idea what we're going to do now. | 0:20:45 | 0:20:48 | |
# Who-o-oa oh, oh | 0:20:51 | 0:20:52 | |
# Who-o-oa oh, oh | 0:20:52 | 0:20:54 | |
# Whoa, oh, oh, oh | 0:20:54 | 0:20:56 | |
# We are the lost | 0:20:56 | 0:20:58 | |
# And the found | 0:20:58 | 0:20:59 | |
# Don't know where we stand, but it's solid ground | 0:20:59 | 0:21:02 | |
# It's your shot | 0:21:02 | 0:21:03 | |
# Let's see what you got | 0:21:03 | 0:21:05 | |
# Only your true light shines as bright as you | 0:21:05 | 0:21:09 | |
# Who-o-oa oh oh | 0:21:09 | 0:21:10 | |
# Who-o-oa oh oh | 0:21:10 | 0:21:12 | |
# Whoa oh oh oh oh | 0:21:12 | 0:21:15 | |
# Who-o-oa oh oh | 0:21:15 | 0:21:17 | |
# Who-o-oa oh oh | 0:21:17 | 0:21:18 | |
# Whoa oh oh oh oh. # | 0:21:18 | 0:21:21 |