Sweet Tart Lost & Found Music Studios


Sweet Tart

Reality-style series following the members of an exclusive after-school music programme. The girls' band experiences a power struggle as Maggie questions the old rules.


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Transcript


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# Whoa-o-oa who-o-oa

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# Whoa-o-oa who-o-oa

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-# Bright lights

-Bright lights

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# Can I get a bright light on this stage?

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# Gotta get Gotta get

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# You gotta get it right so you're all the rage

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# Broken hearts Broken hearts

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# It's always bad but never been this strange

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# They always fall in love with me

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# But my answer is always the same

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# We don't know

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# We're still young

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# We got it right, now... #

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I'm trying to be positive. But this is bad.

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Our first gig was a disaster.

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And not to mention, the Mutt-cracker is totalled.

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# Feel like the first time

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# You opened your eyes

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-# Don't stop

-don't stop

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# Never let anybody bring you down... #

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I'm not very happy right now.

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I was almost kicked out of Lost And Found for stealing a song.

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I thought that I could make a really good song

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and that you guys would like me!

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Because no-one ever likes me!

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I want to be here, but it's really hard for me.

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I'm just trying to be brave.

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-# Hard knocks

-hard knocks

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# Just come and see, we'll help you figure it out. #

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So far, I've been loving it at Lost And Found.

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I've met some amazing people.

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I'm starting to have feelings for you.

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And things with my new boyfriend Tully are going great.

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He's so amazing.

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# We got it right, yeah... #

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You're not better than me.

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And I go wherever I want.

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My brother Tully keeps showing up at Lost And Found.

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We have to find a way to get him out of here.

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I never wanted that part of my life to come to Lost And Found,

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but now it's here.

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# We got it right... #

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I am really happy to be back in the band

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with Leia, Rachel and Annabelle.

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Leia only let me back in because I promised to stay away from Luke.

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I hope everything goes smoothly from here on out.

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Things could not be better right now.

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The band is back together,

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and I can start making my move on Luke.

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I'm totally in control!

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# We got it right, yeah

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# We're all like... #

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This year, Lost And Found has been a rollercoaster for me.

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Really think about why you're here right now.

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I can't hide what's going on inside me any more.

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But I'm terrified.

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# Nothing you can do to stop this train from rolling... #

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Things with Michelle are... complicated.

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I saw her outside of my house last night after our gig,

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and she ran away before I could talk to her.

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Now, I'm really not sure what I should say to her.

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# We don't know

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# We're still young

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# We got it right, yeah

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# We're all like

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# We won't be quiet

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# We got it right

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# Gonna rise and reach the heights

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# We got it right

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# The higher we climb

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# It'll feel like the first time

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# You opened your eyes

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# We got it right yeah

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# We're all like

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# We won't be quiet

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# We got it right

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# Gonna rise and reach the heights

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# We got it right

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# The higher we climb

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# It'll feel like the first time

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# You opened your eyes

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# Don't stop. #

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APPLAUSE

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We're all so excited to see

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where this journey at Lost And Found takes us next.

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It's going to be amazing.

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-# We are lost

-We're lost

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-# And found

-We're found

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# Don't know where we stand but it's solid ground

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-# It's your shot

-Take it

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-# Let's see what you got

-Don't fake it

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# Only your true light shines as bright as you

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# O-o-oh, oh, oh

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# O-o-oh, oh, oh

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# Oh, oh, oh, oh. #

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# One, one two one

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# One two three two one

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# One two three four three two one

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# One two three four five four three two o-one

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# One, one two one

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# One two three two one. # Hey, guys. What did I miss?

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Maggie's back!

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No, the band is back.

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We were just warming up,

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and then we're going to start working on songs.

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Cool. I just wrote five songs,

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so we can start with one of these.

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Well, actually, we were just discussing writing a song now.

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Uh, no.

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Usually, we don't write songs during rehearsals.

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Who's heard of a band who can't write a song when they get together?

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Are you saying that one of the band rules

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is that we can only sing songs that we've already written?

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It's not a rule,

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it's just a suggestion to help the band.

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Oh, OK. So what are your other "suggestions"?

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Well, we can start with one of my songs.

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Well, I think we should actually get really clear

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on what the rules are before we start doing that.

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'Uh-oh.'

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I knew the good times wouldn't last.

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OK.

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'I'm really happy to be back, but this band'

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needs to make some serious changes.

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# Come on

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# Come on, come on

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# Come on, come on, open road

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# We've been thinking 'bout it

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# We've talking 'bout it

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# We've been waiting for too long... #

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On a scale of one to ten, we all want our songs to be 11s.

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So we started this thing called Going To 11.

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It's where other musicians can give honest feedback

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to make our songs better.

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# Come on, come on

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# Come on, come on

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# Come on, come on, open road

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# Come on, come on

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# Come on, come on

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# Come on, come on open road... #

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This is my first Go To 11, and I'm kind of surprised.

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I know the singers have to take their songs to 11,

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but we also have to take our criticism to 11.

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I'm just worried about telling Theo

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what I really think.

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# Let's take the open road. #

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APPLAUSE

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What did you think? Take me to 11.

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I think it's great,

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but there could probably be some more depth on the bridge, you know.

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I'm afraid that my going to 11

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is a lot harsher than the other musicians'.

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It's really good,

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but I'm thinking maybe some counter melodies are something?

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Everyone's just touching on the surface

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and not getting to the heart of the problem,

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which is that this song has no heart.

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Mary?

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Oh, yeah. Um...

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It was fine.

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It's fine?

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If there's one thing I know, it's that "fine" covers for "bad".

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Fine's almost as bad as "nice".

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Fine? That's everything?

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Yeah. Nice song.

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OK. Thank you.

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This isn't like any Go To 11 I've ever heard.

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Mary's holding something back.

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I found this!

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Wow. That's great.

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-HE SIGHS

-All right.

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What do you think?

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What do I think?

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I think your suspension's done, your tranny is shot,

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you need a new rear axle, I haven't looked at the engine yet,

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you got a whole bunch of bodywork.

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It's going to cost you about five, six grand, I'd say.

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All right, one second.

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'Five grand?!'

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The Legion only paid us 50 bucks for this gig!

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I have no idea what we're going to do now.

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It's going to take five grand to fix this thing.

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Five grand, are you kidding me?!

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We could buy five new vans with that!

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But this is sentimental. This is the Mutt-Cracker here.

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You're a Mutt-Cracker.

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You know, James, I'm really sick of your attitude, man.

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Really negative!

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You know that you could be replaced?

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-You're a drummer, man. Remember that.

-Ow!

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We need to think of something!

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Wait, what if we, like, did a concert or something?

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-Like, for his kids.

-Yeah!

-Yeah.

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See? that's an idea, man.

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There you go.

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You're an idiot.

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All right. Here's the thing.

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We're kind of, like, an up-and-coming band.

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-Really?

-Yeah.

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So we probably could play at, like,

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birthday parties or something to help pay for the bill.

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Oh, yeah?

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Yeah.

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Magnus?

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HE SINGS OPERA

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'It looks like we might not be able to play our way out of this situation.'

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This might be the end of the Mutt-Cracker.

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-Hey, I got your message. Is everything OK?

-Hey, yeah.

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I've just... I've had something bugging me.

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Yeah, shoot.

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Um, I feel like you didn't go to 11 in the Go To 11 clinic.

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I was very 11.

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No, you gave me a five.

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At best.

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-Theo, I give you an 11.

-You gave me a five!

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What more do you want?!

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I want the truth!

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You're right. I...

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I actually only gave you a two.

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And that was generous.

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You gave me a two?

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Yeah, I... I didn't want to hurt you.

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Well, you just did.

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Theo, look.

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Music means the world to me.

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And I'm very hard on myself,

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and I don't want to be hard on others and hurt them.

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Yeah.

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Well, I want you to be as hard on me as you are on yourself.

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That's what Go To 11's all about.

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Are you sure you want my 11?

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Yeah, I really do.

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OK. Meet me in the recording studio later.

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OK.

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Just remember, you asked for this.

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# I can't get enough of your dandelion love

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# Oh, I can see a sailboat in the sky. #

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All right, so here are the band rules that we've agreed upon so far.

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-One...

-SO unnecessary!

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OK. One, no songs over four minutes.

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Two, bring original songs to practice.

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And three, no guests during practice unless previously approved.

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And of course, whoever writes the songs gets to sing lead, yeah?

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But you wrote all the songs that you brought,

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so are you going to sing lead on all of them?

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-Well, no-one else wrote a song...

-Well, I have a song.

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Maggie's a really good songwriter.

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I would love for the band to do a song of hers!

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Who votes to let me sing my song?

0:10:340:10:37

I guess that's three against one.

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'Uh-oh.'

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I think there's some sort of power play happening here.

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And you know what?

0:10:430:10:45

Actually, I was thinking that Rachel, you should sing this song.

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-Really?

-Yeah.

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That's fantastic, yeah.

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'I really think Rachel will sound great on the song.'

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The fact that it will annoy Leia is just a bonus.

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Oh, man!

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Maybe we should just put it out of its misery.

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What if we tried to put the hub cap back on?

0:11:110:11:13

Maybe that's one repair that's fixed.

0:11:130:11:15

There's not even a point in doing that, man.

0:11:150:11:17

That's a Frisbee now. It's not a hub cap.

0:11:170:11:19

It's pretty much done.

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We're doomed. We are doomed. The van doesn't work.

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We don't have a van for gigs.

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We don't even have a car to put equipment in!

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Hey, hey, calm down.

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Honestly, this is not that huge.

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Well, it might be huge, but we can come back from this,

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and I would love to buy you ice cream.

0:11:340:11:35

What kind of pep talk is that?

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What's this?

0:11:410:11:42

Oh. This is about Michelle, isn't it?

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Of course it is. That's where did the little thing with my head,

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indicating that she's there.

0:11:480:11:50

Well, why don't you go talk to her?

0:11:500:11:51

And say what?

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"Hey, I saw you outside my house last night,

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"hey, maybe we should hang out some time"?

0:11:540:11:56

-Hold on, she was at your house last night?

-Yes.

0:11:560:11:59

Why don't you just ask to hang out then, man?

0:11:590:12:01

Because she was walking away from my house,

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and that's not a good sign.

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No one walks away from my house happy.

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Luke, you have much bigger things to worry about right now than that.

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Look at this!

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James, what do you think?

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I think we're doomed.

0:12:160:12:17

'I'm nervous to hear what Mary has to say about my song.'

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I get the feeling I should buckle up.

0:12:300:12:32

Have a seat.

0:12:330:12:35

'Well, Theo says he wants the real the truth.'

0:12:360:12:38

Let's see if he really means it.

0:12:380:12:40

So, you wanted my 11, right?

0:12:400:12:42

OK.

0:12:420:12:44

You're a great musician. But...

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you weren't yourself.

0:12:470:12:49

I didn't feel who you were, I didn't feel what your music was about,

0:12:490:12:52

it was just listening to a guitar strumming and strumming,

0:12:520:12:56

and I got nothing.

0:12:560:12:57

Like, yeah, it was entertaining,

0:12:570:12:59

but that's just cos you're charming.

0:12:590:13:01

And that's not enough.

0:13:010:13:03

'I only told Theo a few things, and he's not even moving.

0:13:030:13:07

'See, this is what happens when I go to 11.'

0:13:070:13:09

So, what do you think?

0:13:100:13:12

I think you're an answer to my prayers, is what I think.

0:13:140:13:17

I wrote this poem a couple of years ago.

0:13:180:13:20

-I just... I've never been able to put music to it.

-Oh.

0:13:210:13:25

Can I read it?

0:13:250:13:26

Yeah.

0:13:260:13:27

'The fact that Theo's been carrying around this poem for so long'

0:13:270:13:30

shows that he connects with it, and that's exactly what he needs

0:13:300:13:33

to write a song with heart.

0:13:330:13:34

So you can help?

0:13:340:13:35

Yeah, of course.

0:13:350:13:37

Let's see what we can come up with.

0:13:370:13:39

'Mary's criticisms were pretty harsh,'

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but I'm pretty excited to see what's going to happen.

0:13:430:13:45

# We're invincible, invincible. #

0:13:490:13:52

Such a bummer.

0:13:530:13:55

Like, we barely had enough money to even tow it here.

0:13:550:13:57

OK, if we could get it done for free

0:13:580:14:00

but you had to have a bear in the back,

0:14:000:14:01

like, living in the back, would you do it?

0:14:010:14:03

What kind of bear?

0:14:050:14:06

like, a full mammoth, polar, vicious...

0:14:060:14:08

-Would you have to feed it?

-Yeah, man.

0:14:080:14:10

Like, you got to feed it, take care of it,

0:14:100:14:12

take it out to pee, shave it...

0:14:120:14:14

-I already do that with John, so...

-Hey, that was one time!

0:14:140:14:16

One time, let it go.

0:14:160:14:18

That's true, man. Totally.

0:14:180:14:19

You know what? It doesn't even matter.

0:14:220:14:25

-We're doomed.

-Yeah, man.

0:14:250:14:27

The van's destroyed, we can't do anything about it,

0:14:270:14:29

we don't have a van to get us to gigs, we don't have anything.

0:14:290:14:32

Yeah.

0:14:320:14:33

-Like, what are we going to do for gigs?

-I don't know. Walk?

0:14:330:14:36

'Luke's van is wrecked? That's awful!'

0:14:360:14:40

I wish there was something I could do about it.

0:14:400:14:42

Maybe there is!

0:14:420:14:44

I think I've got a plan.

0:14:440:14:45

# Day after day

0:14:480:14:50

# We'll always be

0:14:500:14:52

# Day after day. #

0:14:520:14:54

Thank you so much, uncle Jerry.

0:14:560:14:58

I really appreciate...

0:14:580:14:59

'I have the best surprise for Luke.

0:14:590:15:01

'My uncle Jerry is fixing his van!'

0:15:010:15:04

The only thing is,

0:15:040:15:05

I kind of told him it was my van,

0:15:050:15:07

so that he would do it for free.

0:15:070:15:09

OK, OK, bye.

0:15:090:15:11

-It was just phenomenal.

-So good.

-I can't believe you sounded like that.

0:15:120:15:14

So what are you guys talking about?

0:15:140:15:16

We were just talking about how completely amazing Rachel was

0:15:160:15:19

singing that song.

0:15:190:15:20

Thank you so much!

0:15:200:15:21

You just have this ability where you pick certain people

0:15:210:15:24

to sing certain songs, and it just sounds awesome!

0:15:240:15:27

Thanks.

0:15:270:15:28

Actually, I was just thinking that Rachel should sing that torch song

0:15:280:15:32

that you were working on a few weeks ago.

0:15:320:15:34

-Torch song?

-Yeah.

0:15:350:15:38

See Through Me?

0:15:380:15:39

I love that song!

0:15:390:15:41

Would you mind?

0:15:420:15:44

I wrote See Through Me about Luke.

0:15:450:15:47

It's very personal, very raw and emotional,

0:15:470:15:51

and I think I'm the only one who could do this song justice.

0:15:510:15:54

Yeah, you seem a little hesitant. Is there a problem?

0:15:540:15:56

Guys, I don't know.

0:15:580:15:59

It's, like, my signature song.

0:15:590:16:02

I mean, we're a band now, so we really need to share our songs.

0:16:020:16:05

OK. No problem.

0:16:090:16:11

Thank you, thank you, thank you, thank you, thank you!

0:16:110:16:14

I think a war is coming.

0:16:170:16:20

# Some of us got some nicer shoes

0:16:220:16:25

# But we all gotta

0:16:250:16:27

# Know the rules of the road. #

0:16:280:16:30

OK, you got this. Grab your guitar, and let's take it from the top.

0:16:310:16:35

'I resisted taking my criticism to 11'

0:16:350:16:38

because I was afraid of hurting Theo's feelings.

0:16:380:16:40

But now I see the value in it.

0:16:400:16:42

We all just want to be better musicians.

0:16:420:16:44

# This is the life we've been living in

0:16:440:16:47

# And we might not know how to begin

0:16:470:16:50

# But we know

0:16:500:16:52

# Just where we wanna go... #

0:16:530:16:56

'Turning Theo's poem The Language Of Love into a song

0:16:560:16:59

'was an amazing experience.

0:16:590:17:02

'Theo genuinely wanted my input,'

0:17:020:17:04

and it turned out to be an amazing collaboration.

0:17:040:17:06

# The language of love

0:17:060:17:09

# This world keeps growing in size

0:17:110:17:14

# Don't need no satellite to realise

0:17:140:17:17

# That we're all

0:17:170:17:18

# In the same old boat

0:17:190:17:21

# If you wanna go

0:17:240:17:25

# Go and make a change

0:17:250:17:27

# Everybody's gotta make a foreign exchange

0:17:270:17:30

# Yeah

0:17:300:17:32

# You gotta relate

0:17:330:17:35

# Cos now I'm learning the brand-new language

0:17:370:17:41

# The language of love

0:17:410:17:43

# All these words can do no damage

0:17:430:17:47

# In the language of love

0:17:470:17:50

# Don't speak Greek, Chinese, English, or Spanish

0:17:500:17:54

# Just the language of love

0:17:540:17:56

# Now I'm learning a brand-new language

0:17:570:18:00

# All these words can do no damage

0:18:000:18:03

# Don't speak Greek, Chinese, English, or Spanish

0:18:030:18:09

# Just the language of love

0:18:090:18:13

# Yeah, yeah

0:18:130:18:14

# Just the language of love

0:18:150:18:18

# Ooh, ooh

0:18:190:18:21

-# Just the language of love

-Ooh

0:18:220:18:25

-# Just the language of love

-Ooh, ooh

0:18:250:18:29

# Just the language of love

0:18:290:18:31

# The language of love, yeah

0:18:320:18:35

# Just the language of love. #

0:18:350:18:38

11?

0:18:420:18:43

12.

0:18:430:18:44

Yeah.

0:18:440:18:46

# Now I'm learning the brand-new language

0:18:460:18:50

# The language of love. #

0:18:500:18:52

Hey.

0:19:000:19:02

I think that was a really great band practice today.

0:19:020:19:04

Glad you thought so.

0:19:040:19:06

Listen, I don't know what you're trying to do...

0:19:060:19:08

I think you know exactly what I'm trying to do.

0:19:080:19:11

I think we should all have equal power in the band.

0:19:110:19:13

Oh, is that why you're manipulating Rachel?

0:19:130:19:15

You know, if you just stopped worrying about losing control for one second

0:19:150:19:19

and listened to Rachel,

0:19:190:19:20

you'd know that she deserves to sing.

0:19:200:19:22

Leia is accusing ME of manipulating Rachel?

0:19:220:19:25

Leia is the queen of manipulation.

0:19:250:19:28

OK, I know that you don't like it, but I think that

0:19:280:19:30

Annabelle, Rachel and I should all have equal say in the band.

0:19:300:19:34

Yeah, but I think your voice is a little bit louder than theirs,

0:19:340:19:36

don't you think?

0:19:360:19:38

-Well, it's not as loud as yours yet.

-I knew it!

0:19:380:19:41

You want to take control of the band, but I am the leader here.

0:19:410:19:43

If I really wanted to, I could get you kicked out. Again.

0:19:430:19:47

You know what?

0:19:470:19:48

That's such a great idea,

0:19:480:19:50

because then I would have all this free time,

0:19:500:19:52

and I could go see what Luke's up to.

0:19:520:19:55

'She's got me.

0:19:580:19:59

'I'm trapped.'

0:20:010:20:02

Trapped in a band with Maggie.

0:20:020:20:04

-I was thinking of getting a job.

-Yeah, that makes sense.

0:20:070:20:10

-Dude, where's my van?

-I don't know.

0:20:130:20:16

Someone stole the van.

0:20:160:20:17

Someone stole the van!

0:20:170:20:19

No-one stole the van, that doesn't make any sense.

0:20:190:20:21

Well, then where is it?

0:20:210:20:22

I don't know. Maybe... Maybe it got impounded for looking abandoned.

0:20:220:20:25

It's a piece of junk.

0:20:250:20:27

This isn't happening right now.

0:20:270:20:28

This isn't happening. This can't happen.

0:20:280:20:30

Of course this isn't happening right now.

0:20:300:20:32

Look, we can... We'll start checking impound lots. We'll...

0:20:320:20:36

Maybe missing van signs?

0:20:360:20:38

This isn't happening.

0:20:380:20:39

'I thought it was bad that the van was totalled,

0:20:390:20:42

'but now it's gone.'

0:20:420:20:44

This is bad!

0:20:440:20:45

And I have no idea what we're going to do now.

0:20:450:20:48

# Who-o-oa oh, oh

0:20:510:20:52

# Who-o-oa oh, oh

0:20:520:20:54

# Whoa, oh, oh, oh

0:20:540:20:56

# We are the lost

0:20:560:20:58

# And the found

0:20:580:20:59

# Don't know where we stand, but it's solid ground

0:20:590:21:02

# It's your shot

0:21:020:21:03

# Let's see what you got

0:21:030:21:05

# Only your true light shines as bright as you

0:21:050:21:09

# Who-o-oa oh oh

0:21:090:21:10

# Who-o-oa oh oh

0:21:100:21:12

# Whoa oh oh oh oh

0:21:120:21:15

# Who-o-oa oh oh

0:21:150:21:17

# Who-o-oa oh oh

0:21:170:21:18

# Whoa oh oh oh oh. #

0:21:180:21:21

The girls' band experiences a power struggle as Maggie questions the old rules. Luke panics about what the van's demise means for the band's future. Theo convinces Mary to 'take it to 11' with her critique of his new song.