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Previously on Lost And Found... | 0:00:02 | 0:00:03 | |
I'm going to hang out with Octavius. | 0:00:03 | 0:00:04 | |
I thought you weren't hanging around with that boy any more. | 0:00:04 | 0:00:07 | |
'Octavius is the leader of Tully's crew, and he's worse than Tully.' | 0:00:07 | 0:00:09 | |
-Everything Tully touches comes crashing down. -Tully's great, OK? | 0:00:09 | 0:00:13 | |
I'm going to do whatever it takes to get Tully out of my life. | 0:00:13 | 0:00:18 | |
'John and I are friends now,' | 0:00:18 | 0:00:20 | |
so I'm going to ask John a favour that a friend | 0:00:20 | 0:00:22 | |
would ask another friend. | 0:00:22 | 0:00:24 | |
We need a song, and I was wondering if you would write it. | 0:00:24 | 0:00:26 | |
Maybe this is her way of giving me a second chance. | 0:00:26 | 0:00:28 | |
All I know is I cannot mess this up. | 0:00:28 | 0:00:31 | |
'It's so strange how I can express how I feel about Michelle in song, | 0:00:38 | 0:00:41 | |
'but I can't when I'm talking to her in person.' | 0:00:41 | 0:00:44 | |
I can only dream of singing this song for her. | 0:00:46 | 0:00:48 | |
APPLAUSE | 0:00:51 | 0:00:54 | |
# Sunrise | 0:01:07 | 0:01:09 | |
# The birds will sing | 0:01:09 | 0:01:11 | |
# From tree tops | 0:01:13 | 0:01:16 | |
# They see everything | 0:01:16 | 0:01:18 | |
# They see how far | 0:01:20 | 0:01:24 | |
# They see how far we've come | 0:01:24 | 0:01:28 | |
# Love You started out alone | 0:01:34 | 0:01:39 | |
# So beautiful | 0:01:39 | 0:01:42 | |
# The sun is to the moon | 0:01:43 | 0:01:46 | |
# A perfect circle | 0:01:46 | 0:01:49 | |
# And I trace it back to you | 0:01:49 | 0:01:53 | |
# And start all over | 0:01:53 | 0:01:56 | |
# Wake up | 0:01:59 | 0:02:02 | |
# And draw the blinds | 0:02:02 | 0:02:04 | |
# Sleep tight | 0:02:06 | 0:02:08 | |
# And change our minds | 0:02:08 | 0:02:11 | |
# Let's make a day of it | 0:02:13 | 0:02:16 | |
# Let's make a day | 0:02:17 | 0:02:19 | |
# Love You started out alone | 0:02:19 | 0:02:24 | |
# So beautiful | 0:02:24 | 0:02:28 | |
# Like the sun is to the moon... # | 0:02:28 | 0:02:31 | |
'Recently Michelle and I decided that | 0:02:31 | 0:02:33 | |
'maybe we're better off as friends, but... | 0:02:33 | 0:02:36 | |
'I still want more.' | 0:02:36 | 0:02:38 | |
# And start all over | 0:02:38 | 0:02:41 | |
# Oh ooh-ooh ooh-ooh | 0:02:41 | 0:02:45 | |
# Oh ooh-ooh | 0:02:45 | 0:02:48 | |
# Oh ooh-ooh ooh-ooh | 0:02:48 | 0:02:52 | |
# Oh ooh-ooh | 0:02:52 | 0:02:54 | |
# Love You started out alone | 0:02:54 | 0:02:58 | |
# So beautiful | 0:02:59 | 0:03:02 | |
# Like the sun is to the moon... # | 0:03:02 | 0:03:05 | |
'I've been so afraid of losing Michelle that I've been | 0:03:05 | 0:03:08 | |
'pushing her away, but I don't want to do that any more. | 0:03:08 | 0:03:10 | |
'I want to be with her.' | 0:03:10 | 0:03:12 | |
# And start all over | 0:03:13 | 0:03:16 | |
# I trace it back to you. # | 0:03:16 | 0:03:19 | |
CHEERING AND APPLAUSE | 0:03:22 | 0:03:24 | |
-# We are the lost -The lost | 0:03:30 | 0:03:32 | |
-# And the found -The found | 0:03:32 | 0:03:33 | |
# Don't know where we stand But it's solid ground | 0:03:33 | 0:03:36 | |
-# It's your shot -Take it | 0:03:36 | 0:03:38 | |
-# Let's see what you've got -Don't ever fake it | 0:03:38 | 0:03:40 | |
# Only your true light shines as bright as you | 0:03:40 | 0:03:43 | |
# Whoa oh-oh Whoa oh-oh | 0:03:43 | 0:03:46 | |
# Whoa oh-oh oh. # | 0:03:46 | 0:03:49 | |
All right, guys. | 0:04:02 | 0:04:03 | |
It's been 48 hours since John wrote this song for Michelle, | 0:04:03 | 0:04:06 | |
and today is the day where he will actually get to speak to her. | 0:04:06 | 0:04:09 | |
-Congratulations. -Yes! -Thanks. | 0:04:09 | 0:04:12 | |
'Technically, I talked to Michelle,' | 0:04:12 | 0:04:14 | |
but I wasn't able to form full sentences, | 0:04:14 | 0:04:17 | |
so I don't think it counts. | 0:04:17 | 0:04:19 | |
-You nervous? -I'm excited, I think. | 0:04:19 | 0:04:22 | |
Of course he's nervous, look - his grandma ironed his shirt for him. | 0:04:22 | 0:04:25 | |
THEY LAUGH | 0:04:25 | 0:04:26 | |
He looks like he's going to a square dance. | 0:04:26 | 0:04:27 | |
-I'm trying, here, guys, I'm trying. -Very dandy of you. -I'm trying. | 0:04:27 | 0:04:31 | |
-If you listen to what I say, this will go fine. Trust me. -OK. | 0:04:31 | 0:04:33 | |
All right? And if I know anything about Riley, | 0:04:33 | 0:04:35 | |
she's been telling Michelle that she needs to be asking you | 0:04:35 | 0:04:38 | |
all these personal questions. And you don't really want | 0:04:38 | 0:04:40 | |
to get involved in that, all right? | 0:04:40 | 0:04:41 | |
You only need three words for this conversation - | 0:04:41 | 0:04:43 | |
"Yes", "No", and "Cool". | 0:04:43 | 0:04:46 | |
-What are the three words? -Yes, no, cool. -Good job. | 0:04:46 | 0:04:50 | |
'James knows what he's talking about.' | 0:04:50 | 0:04:51 | |
I'm going to stick to his plan this time. | 0:04:51 | 0:04:54 | |
OK. So, from what I'm hearing, all of the conversations that you've had | 0:04:54 | 0:04:57 | |
-have ended in disaster. -Yes. Utter catastrophe. -OK. | 0:04:57 | 0:05:00 | |
'I feel like things are' | 0:05:00 | 0:05:01 | |
just about to happen with John, | 0:05:01 | 0:05:03 | |
and that's why I'm getting advice from Riley and Giselle. | 0:05:03 | 0:05:06 | |
Our last conversation was...a little awkward. | 0:05:06 | 0:05:09 | |
Yeah, and you know, you need to start directing the conversation. | 0:05:09 | 0:05:12 | |
-Talk about...geography or the weather. -Yeah. -OK. | 0:05:12 | 0:05:15 | |
Also, ask open-ended questions - nothing he could answer | 0:05:15 | 0:05:19 | |
-"Yes", "No", or "Cool" to. -And this is going to work? | 0:05:19 | 0:05:22 | |
Yeah. I mean, everything else that you've tried has failed, | 0:05:22 | 0:05:25 | |
so you might as well try something new. | 0:05:25 | 0:05:27 | |
You're right. | 0:05:27 | 0:05:28 | |
You know what? I'm excited, but I'm nervous, but excited. | 0:05:28 | 0:05:33 | |
-All right! Then text him. -Right now? | 0:05:33 | 0:05:35 | |
Yeah. Let the games begin. | 0:05:35 | 0:05:38 | |
OK. | 0:05:38 | 0:05:40 | |
Nailed it. | 0:05:40 | 0:05:42 | |
'Since John wrote such an amazing song for our competition,' | 0:05:42 | 0:05:45 | |
I'm going to text him to ask hm if he wants to go for coffee. | 0:05:45 | 0:05:48 | |
TEXT ALERT | 0:05:48 | 0:05:49 | |
Hey. She beat me to it. She wants me to meet her on the patio. | 0:05:49 | 0:05:54 | |
-OK. -Yeah. -Awesome. -You need to structure your time, though. | 0:05:54 | 0:05:56 | |
-Don't be in this conversation for more than ten minutes. -Got it. | 0:05:56 | 0:05:59 | |
-I'm not four years old. -Ten. Max. -OK, ten. Ten minutes. | 0:05:59 | 0:06:03 | |
-OK? -All right. | 0:06:03 | 0:06:04 | |
'I'm ready to talk to Michelle.' | 0:06:04 | 0:06:06 | |
And with such limited vocabulary, I can't possibly mess it up. | 0:06:06 | 0:06:09 | |
# Memories of days long ago | 0:06:16 | 0:06:20 | |
# Before you lit, lit up My life and helped me to know | 0:06:22 | 0:06:27 | |
# That I couldn't live like before... # | 0:06:27 | 0:06:32 | |
'I'm working on new song, | 0:06:32 | 0:06:33 | |
'and I think it's the best one I've every written.' | 0:06:33 | 0:06:36 | |
That's because of who it's about. | 0:06:36 | 0:06:38 | |
# And there's no need... # | 0:06:42 | 0:06:45 | |
-Eva, Eva, Eva! How's it going? -Good. How are you? | 0:06:45 | 0:06:48 | |
-I'm doing pretty good, actually. -That sounds awesome. Is it new? | 0:06:48 | 0:06:52 | |
Yeah, I wrote this one for Tully. | 0:06:52 | 0:06:54 | |
And the song kind of wrote itself, to be honest. | 0:06:54 | 0:06:57 | |
Mary's been spending all her time with Tully, so I haven't seen | 0:06:57 | 0:07:00 | |
her very much, but I guess that's what happens when you're in love... | 0:07:00 | 0:07:02 | |
or so I've heard. | 0:07:02 | 0:07:04 | |
Has he heard it yet? | 0:07:04 | 0:07:06 | |
No, I'm going to ask him to come by the studio later, | 0:07:06 | 0:07:08 | |
along with a few others. | 0:07:08 | 0:07:09 | |
Wow. That's, like, a public declaration of love. | 0:07:09 | 0:07:12 | |
-You're very brave. -Do you think you'd want to come and see it too? | 0:07:12 | 0:07:14 | |
I'd love for you to stop by. | 0:07:14 | 0:07:16 | |
-Of course. I wouldn't miss it. -OK. | 0:07:16 | 0:07:19 | |
'I want the whole world to know how in love I am.' | 0:07:19 | 0:07:21 | |
I can't wait to play this song for Tully. | 0:07:21 | 0:07:24 | |
I wish the sun would come out. | 0:07:32 | 0:07:34 | |
-Yeah. -HE CHUCKLES | 0:07:35 | 0:07:38 | |
So, what do you think about the Amazon? | 0:07:38 | 0:07:41 | |
Cool. | 0:07:41 | 0:07:43 | |
'I'm doing exactly what Riley and Giselle told me to do,' | 0:07:43 | 0:07:45 | |
but it's failing miserably. | 0:07:45 | 0:07:48 | |
What are your favourite pet names? | 0:07:48 | 0:07:50 | |
Cool? | 0:07:52 | 0:07:53 | |
'Now, I'm no expert, but...' | 0:07:53 | 0:07:55 | |
I'm pretty sure that this is going terribly. | 0:07:55 | 0:07:58 | |
This isn't working. I'm going to have to resort to my go-to question. | 0:07:58 | 0:08:02 | |
Who do you think would win in a fight, an elephant or a shark? | 0:08:02 | 0:08:06 | |
Um... Yeah... Mmm... No... | 0:08:06 | 0:08:09 | |
Ah, I can't do this any more. | 0:08:11 | 0:08:13 | |
It was just a theoretical question, I actually don't want them to fight. | 0:08:13 | 0:08:15 | |
No, no, it's not that, it's... | 0:08:15 | 0:08:18 | |
James told me to play it cool. To, um... | 0:08:18 | 0:08:20 | |
You know, one-word answers and all that stuff. | 0:08:20 | 0:08:23 | |
Look at me, I'm not cool, I'm wearing a tablecloth. | 0:08:23 | 0:08:25 | |
It's funny, because the girls told me to ask you | 0:08:25 | 0:08:27 | |
questions that are distant and impersonal. | 0:08:27 | 0:08:30 | |
Distant and impersonal. | 0:08:30 | 0:08:32 | |
-Yeah. -Yeah, I'd agree, except for the whole shark and elephant thing. | 0:08:32 | 0:08:35 | |
Yeah, you can tell a lot about a person on how they answer | 0:08:35 | 0:08:37 | |
-that question. -Well, in that case, I give it to the elephant, hands down. | 0:08:37 | 0:08:40 | |
Yeah. Did you know that when a shark turns on its back, | 0:08:40 | 0:08:42 | |
-it actually becomes paralysed? -I did, actually! | 0:08:42 | 0:08:44 | |
You know, the elephant would just knock it onto its back | 0:08:44 | 0:08:47 | |
with its trunk, therefore the elephant wins. | 0:08:47 | 0:08:49 | |
I mean, the elephant could just pick it up and carry it to the beach | 0:08:49 | 0:08:52 | |
-and call it a day. -Exactly. | 0:08:52 | 0:08:55 | |
Is that the boys texting you to leave? | 0:08:55 | 0:08:58 | |
Yeah, it is. Um... | 0:08:58 | 0:09:00 | |
You know what? I'm turning off my phone. | 0:09:00 | 0:09:03 | |
Does that mean you're open to more personal questions? | 0:09:03 | 0:09:05 | |
Yeah. Shoot. | 0:09:05 | 0:09:07 | |
OK, first question... | 0:09:07 | 0:09:10 | |
Is your tablecloth shirt | 0:09:10 | 0:09:11 | |
from an Italian restaurant or a French restaurant? | 0:09:11 | 0:09:14 | |
-Portuguese. -Oh. Sorry. -Come on. | 0:09:16 | 0:09:19 | |
'We did it. We're talking, and we're actually having fun.' | 0:09:19 | 0:09:22 | |
It almost feels like this is a date. | 0:09:22 | 0:09:24 | |
'Octavius texted me and said to meet him here. | 0:09:30 | 0:09:32 | |
'I have no idea what he wants.' | 0:09:32 | 0:09:34 | |
Put it on my tab. HE LAUGHS | 0:09:34 | 0:09:37 | |
Hey. Thanks for meeting me. This seat taken? | 0:09:37 | 0:09:41 | |
-Be my guest. -Yeah. | 0:09:41 | 0:09:43 | |
Oh, come on, man, we're practically family. | 0:09:46 | 0:09:49 | |
No, we're not. You're my brother's stupid friend. | 0:09:49 | 0:09:52 | |
Actually, you're not even his friend. What do you want, Octavius? | 0:09:53 | 0:09:57 | |
I like you. You've got a lot of talent. Raw talent. | 0:09:57 | 0:10:00 | |
-Even more than Paradox. -Thanks. | 0:10:00 | 0:10:03 | |
Listen, I know you want your brother out of here, | 0:10:03 | 0:10:06 | |
and I want to help you make that happen. | 0:10:06 | 0:10:09 | |
-Why do you want to help me? -Like I said, I like you, | 0:10:09 | 0:10:12 | |
and I'm always looking to do business with talented people. | 0:10:12 | 0:10:15 | |
If the price is right, that is. | 0:10:15 | 0:10:17 | |
What do you want, Octavius? | 0:10:17 | 0:10:20 | |
OK, here's what's up. | 0:10:20 | 0:10:22 | |
Tully's keeping a hard drive with the only copy | 0:10:22 | 0:10:24 | |
of the new Paradox mix tape in his car. | 0:10:24 | 0:10:27 | |
I want you to get that for me. | 0:10:27 | 0:10:29 | |
What do you want it for? | 0:10:29 | 0:10:32 | |
I'll keep it. Sell it. | 0:10:32 | 0:10:34 | |
I'll figure out something. | 0:10:34 | 0:10:36 | |
I can't believe you would do this to Tully. | 0:10:36 | 0:10:38 | |
I can't believe you would do this to your own brother, man. | 0:10:38 | 0:10:42 | |
Octavius is the leader of Tully's crew. | 0:10:42 | 0:10:45 | |
He's the only one who can keep Tully away from Lost And Found. | 0:10:45 | 0:10:48 | |
Do we have a deal? | 0:10:48 | 0:10:50 | |
Think about it. I'll be waiting for your call. | 0:10:52 | 0:10:55 | |
'Tully and I have been spending the day together. I'm so lucky.' | 0:11:07 | 0:11:11 | |
I've already found the love of my life. | 0:11:11 | 0:11:13 | |
I never want this feeling to end. | 0:11:13 | 0:11:15 | |
-It's so nice today. -I know. | 0:11:15 | 0:11:18 | |
-MARY LAUGHS -Let's go, bae. -OK. | 0:11:18 | 0:11:21 | |
'I have one shot to save Lost And Found,' | 0:11:21 | 0:11:23 | |
and if Tully left his mix tape in the car, I can get it. | 0:11:23 | 0:11:26 | |
I take Tully's extra key, I get into the car, | 0:11:29 | 0:11:32 | |
and I take the hard drive with Tully's new mix tape on it. | 0:11:32 | 0:11:36 | |
I'm ready to take Octavius up on his offer. | 0:11:36 | 0:11:39 | |
Then Tully and his crew will be gone for good. | 0:11:39 | 0:11:42 | |
I'm doing a terrible thing, | 0:11:42 | 0:11:44 | |
but this is the only way I can make him leave. | 0:11:44 | 0:11:46 | |
It's actually so funny how both of our groups of friends | 0:11:51 | 0:11:53 | |
-tried to give us advice and it just turned out so awful. -Yeah. | 0:11:53 | 0:11:56 | |
But, you know, at the end of the day, they just want us to be happy. | 0:11:56 | 0:11:59 | |
Mmm. It's funny, we have that in common, I guess - idiot friends. | 0:11:59 | 0:12:02 | |
Oh, yeah, totally! | 0:12:02 | 0:12:03 | |
'I'm having a great time' | 0:12:03 | 0:12:04 | |
with John. Now that the pressure's off, he's really easy to talk to. | 0:12:04 | 0:12:08 | |
-Hey, guys. -Hey. -I didn't know you came here. | 0:12:08 | 0:12:11 | |
I'm here, like, every day. | 0:12:11 | 0:12:12 | |
-Oh. -Yeah. -Well, we must be on different schedules. | 0:12:12 | 0:12:15 | |
-I think you saw me yesterday. -Oh. | 0:12:15 | 0:12:18 | |
Well, I probably wasn't paying attention to you, so... | 0:12:18 | 0:12:20 | |
Anyways - Michelle, we have rehearsal. | 0:12:20 | 0:12:22 | |
'I really don't want to leave. I mean, I'm usually' | 0:12:22 | 0:12:25 | |
really excited to go to dance, | 0:12:25 | 0:12:26 | |
but I just kind of want to stay here with John. | 0:12:26 | 0:12:29 | |
I'm sorry, I just lost track of time. | 0:12:29 | 0:12:30 | |
-It's all good, don't worry about it. -I'll see you later? -Yeah. -Bye. | 0:12:30 | 0:12:34 | |
-Good luck! -You two lovebirds! Just... | 0:12:34 | 0:12:36 | |
-OK, let's go. -Bye, John. We'll see you. | 0:12:36 | 0:12:39 | |
Bye. | 0:12:39 | 0:12:41 | |
'I don't want this day to end.' | 0:12:41 | 0:12:42 | |
It's time to stop running away. | 0:12:42 | 0:12:44 | |
I'm going to show Michelle how I feel about her. | 0:12:44 | 0:12:46 | |
'I was getting nervous about leaving my package in the car, | 0:12:57 | 0:13:00 | |
'and I come back to look for my mix tape, and it's gone. | 0:13:00 | 0:13:03 | |
'Mary's the only one that was in the car.' | 0:13:03 | 0:13:06 | |
She must have taken that package. | 0:13:06 | 0:13:08 | |
I thought I could trust Mary. | 0:13:08 | 0:13:10 | |
Where is it? Where's the package?! | 0:13:11 | 0:13:13 | |
I have no idea what's happening right now. | 0:13:13 | 0:13:16 | |
You were the last person in my car, my package is not there no more. | 0:13:16 | 0:13:19 | |
-It's not there no more. -What brown package are you talking about?! | 0:13:19 | 0:13:21 | |
This...is scary. | 0:13:21 | 0:13:23 | |
Listen, if you just took my package by accident, I understand. | 0:13:24 | 0:13:26 | |
-I won't be mad. -I didn't take anything! -Just give it back to me. | 0:13:26 | 0:13:29 | |
What's wrong with you? | 0:13:29 | 0:13:31 | |
'I can't believe Mary would do this to me. | 0:13:31 | 0:13:33 | |
'I'm out here trying to' | 0:13:35 | 0:13:36 | |
help her, and her career, | 0:13:36 | 0:13:38 | |
and she's over here trying to leak the mix tape and steal my songs. | 0:13:38 | 0:13:41 | |
What are you doing? | 0:13:41 | 0:13:42 | |
Mary... Mary, where... | 0:13:48 | 0:13:50 | |
Tully, get away from me. | 0:13:50 | 0:13:52 | |
I don't even know who that was. That was not Tully. | 0:13:54 | 0:13:57 | |
MARY SOBS | 0:14:02 | 0:14:04 | |
# Memories of days long ago | 0:14:20 | 0:14:24 | |
# Before you lit, lit up my life | 0:14:26 | 0:14:29 | |
# And helped me to know... # | 0:14:29 | 0:14:31 | |
Forget about him. He's not worth your time. | 0:14:31 | 0:14:34 | |
You're right. | 0:14:36 | 0:14:38 | |
He's not worth my time. | 0:14:41 | 0:14:43 | |
# There's no need to doubt it | 0:14:43 | 0:14:46 | |
# You know how I feel | 0:14:46 | 0:14:49 | |
# I know it baby | 0:14:49 | 0:14:51 | |
# I know that it's real | 0:14:51 | 0:14:56 | |
# I feel so alive cos I know | 0:14:57 | 0:15:01 | |
# You're the kind they write about and sing about and shout about | 0:15:03 | 0:15:09 | |
# Nowhere that we couldn't go | 0:15:09 | 0:15:13 | |
# I'm so in love | 0:15:15 | 0:15:18 | |
# And I won't let go | 0:15:18 | 0:15:20 | |
# Though there are days that you're gone | 0:15:26 | 0:15:32 | |
# They way I feel... # | 0:15:32 | 0:15:33 | |
'I invited a few people to watch this performance, | 0:15:33 | 0:15:36 | |
'but I set this all up for Tully. | 0:15:36 | 0:15:38 | |
'If it weren't for Eva, | 0:15:38 | 0:15:39 | |
'there was no way I'd be able to perform right now.' | 0:15:39 | 0:15:42 | |
# I made my choice I'm up for you | 0:15:43 | 0:15:46 | |
# I knew from the start | 0:15:46 | 0:15:49 | |
# Now I'm here to say | 0:15:49 | 0:15:52 | |
# My lips can't be sealed | 0:15:52 | 0:15:55 | |
# And if you saw me falling | 0:15:55 | 0:15:58 | |
# You'd know that it's real | 0:15:58 | 0:16:03 | |
# I feel so alive cos I know | 0:16:04 | 0:16:09 | |
# That you're the kind they write about they sing about | 0:16:09 | 0:16:14 | |
# They shout about | 0:16:14 | 0:16:15 | |
# Nowhere that we couldn't go... # | 0:16:15 | 0:16:19 | |
'The hardest thing in the world' | 0:16:20 | 0:16:22 | |
is to sing a love song when your heart's broken. | 0:16:22 | 0:16:25 | |
# And I won't let go. # | 0:16:26 | 0:16:31 | |
'I did exactly what Octavius wanted - I stole Tully's mix tape,' | 0:16:45 | 0:16:49 | |
and now it's Octavius's turn to hold up his end of the bargain. | 0:16:49 | 0:16:52 | |
Ooh! I'm glad I'm an only child. | 0:16:54 | 0:16:57 | |
Now, it's your turn. | 0:16:57 | 0:16:59 | |
Get Tully out of Lost And Found. | 0:16:59 | 0:17:01 | |
It's already done. | 0:17:01 | 0:17:03 | |
And I didn't even have to lift a finger. | 0:17:03 | 0:17:05 | |
-What do you mean? -Tully made a huge scene down here, man, | 0:17:05 | 0:17:09 | |
as soon as he found out his mix tape was missing. | 0:17:09 | 0:17:11 | |
He even accused Mary of taking it. Hah! | 0:17:11 | 0:17:14 | |
Made her cry. | 0:17:14 | 0:17:16 | |
'I feel so bad that Mary got hurt by what I did.' | 0:17:16 | 0:17:19 | |
No-one could ever know what I did to keep Tully away. | 0:17:19 | 0:17:22 | |
Congratulations, man. You did it. You got rid of your brother. | 0:17:22 | 0:17:25 | |
I'll be looking for you if I ever need a favour. | 0:17:27 | 0:17:29 | |
'Tully's been holding me back my whole life, | 0:17:34 | 0:17:37 | |
'and now it's finally over.' | 0:17:37 | 0:17:39 | |
But why do I feel so terrible? | 0:17:39 | 0:17:41 | |
ON PHONE: 'Hey, it's Mary, leave a message.' | 0:17:53 | 0:17:55 | |
Hey, Mary, it's, um... It's me. | 0:17:55 | 0:17:58 | |
I ruined everything with Mary. | 0:17:59 | 0:18:01 | |
When things don't go my way, I blow up. I don't care who gets hurt. | 0:18:01 | 0:18:06 | |
I understand now that she would have never taken that package. | 0:18:06 | 0:18:09 | |
I never should have doubted Mary. | 0:18:09 | 0:18:11 | |
Now, it's all over. | 0:18:12 | 0:18:15 | |
'I text Michelle to meet me in the recording studio. | 0:18:29 | 0:18:32 | |
'Last time we were in the studio, Michelle sang me a beautiful' | 0:18:33 | 0:18:36 | |
original song, and it was about how she felt about me. | 0:18:36 | 0:18:40 | |
I was too afraid to tell her how much it meant to me. | 0:18:40 | 0:18:43 | |
-What's this? -Well... | 0:18:43 | 0:18:45 | |
I was thinking about the last time that we were | 0:18:47 | 0:18:49 | |
in this room together, and things didn't go over so well. | 0:18:49 | 0:18:52 | |
So, I thought I'd switch it up and | 0:18:52 | 0:18:54 | |
wish you a happy 12th birthday. | 0:18:54 | 0:18:57 | |
I can't believe you remembered that story. | 0:18:57 | 0:18:59 | |
Yeah, I remembered that you didn't get any cake that year. | 0:18:59 | 0:19:01 | |
Make a wish. | 0:19:01 | 0:19:03 | |
Wow. | 0:19:08 | 0:19:10 | |
-Thank you. -You're welcome. | 0:19:10 | 0:19:13 | |
I'm sorry about how I reacted when you sang me the song. | 0:19:13 | 0:19:16 | |
-I love the song. -Really? | 0:19:16 | 0:19:20 | |
Really. I can't get it out of my head. | 0:19:20 | 0:19:23 | |
Let me show you something. | 0:19:23 | 0:19:26 | |
'I'm nervous, but this is' | 0:19:26 | 0:19:27 | |
the best way I can think of to show Michelle how I feel about her. | 0:19:27 | 0:19:30 | |
Will you sit with me? | 0:19:30 | 0:19:32 | |
Sure. | 0:19:32 | 0:19:34 | |
# Maybe it's the sunshine | 0:19:45 | 0:19:48 | |
# Or the colour of your eyes | 0:19:48 | 0:19:52 | |
# Maybe its the moonlight | 0:19:53 | 0:19:56 | |
# Or the colour of the sky | 0:19:56 | 0:20:00 | |
# If I could freeze this moment | 0:20:02 | 0:20:05 | |
# I would stay here every day | 0:20:05 | 0:20:08 | |
# If I keep singing love songs... # | 0:20:10 | 0:20:13 | |
'This is all just so incredible.' | 0:20:13 | 0:20:15 | |
Not only did John like my song, but he remembered every word. | 0:20:15 | 0:20:19 | |
# BOTH: Woah-oh oh-oh | 0:20:19 | 0:20:21 | |
# There's nowhere else I'd rather be | 0:20:23 | 0:20:27 | |
# No, woah-ho | 0:20:27 | 0:20:30 | |
# We can't explain the way we feel | 0:20:30 | 0:20:34 | |
# But I believe in you | 0:20:34 | 0:20:38 | |
# And me. # | 0:20:41 | 0:20:44 | |
Wow. | 0:20:48 | 0:20:50 | |
You made my song so beautiful. | 0:20:50 | 0:20:52 | |
Not as beautiful as you are. | 0:20:55 | 0:20:57 | |
Thank you. | 0:20:59 | 0:21:01 | |
Listen, I have to tell you something | 0:21:02 | 0:21:05 | |
super-crazy that I did. | 0:21:05 | 0:21:08 | |
Try me, I've been doing crazy stuff every day | 0:21:08 | 0:21:11 | |
for the past little while, so... | 0:21:11 | 0:21:13 | |
I actually went to your house to give you something... | 0:21:15 | 0:21:18 | |
..and I ended up having tea with your grandma. | 0:21:19 | 0:21:22 | |
-Yeah, I know. -You know? | 0:21:23 | 0:21:26 | |
Yeah, she told me about it. | 0:21:26 | 0:21:28 | |
We talked for a really long time. | 0:21:28 | 0:21:30 | |
We talked about you. | 0:21:31 | 0:21:33 | |
And she told me about your mom. | 0:21:34 | 0:21:36 | |
I'm really sorry. | 0:21:41 | 0:21:42 | |
You must really miss her. | 0:21:43 | 0:21:45 | |
Yeah. Yeah, I do. | 0:21:47 | 0:21:49 | |
My grandma, she, uh... | 0:21:54 | 0:21:57 | |
She didn't tell you everything. | 0:21:57 | 0:21:59 | |
# Whoa oh-oh Whoa oh-oh | 0:22:05 | 0:22:08 | |
# Whoa oh-oh-oh | 0:22:08 | 0:22:10 | |
# We are the lost | 0:22:10 | 0:22:12 | |
# And the found | 0:22:12 | 0:22:13 | |
# Don't know where we stand But it's solid ground | 0:22:13 | 0:22:16 | |
# It's your shot Let's see what you've got | 0:22:16 | 0:22:19 | |
# Only your true light shines as bright as you | 0:22:19 | 0:22:23 | |
# Whoa oh-oh Whoa oh-oh | 0:22:23 | 0:22:26 | |
# Whoa oh-oh-oh | 0:22:26 | 0:22:29 | |
# Whoa oh-oh Whoa oh-oh | 0:22:29 | 0:22:32 | |
# Whoa oh-oh-oh. # | 0:22:32 | 0:22:35 |