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Previously on Lost and Found... | 0:00:02 | 0:00:03 | |
Michelle sang me a song. | 0:00:03 | 0:00:04 | |
Why are you acting like it's a bad thing? | 0:00:04 | 0:00:06 | |
When she finished the song, I walked over here, | 0:00:06 | 0:00:08 | |
pressed the button and said, "Thank you." | 0:00:08 | 0:00:10 | |
Maybe we should just be friends for a little while. | 0:00:10 | 0:00:13 | |
My boyfriend is a music DJ and producer. His stage name is Paradox. | 0:00:13 | 0:00:16 | |
He's really popular on the underground music scene. | 0:00:16 | 0:00:18 | |
-You two know each other? -This is my brother. | 0:00:18 | 0:00:20 | |
Tully runs with a lot of bad people and he's just | 0:00:20 | 0:00:22 | |
going to bring all that bad energy into Lost and Found | 0:00:22 | 0:00:24 | |
and I don't want that. | 0:00:24 | 0:00:25 | |
We are going to have to find a way to get him out of here. | 0:00:25 | 0:00:28 | |
# I hear what they say | 0:00:34 | 0:00:38 | |
# Yeah, you're no no good to me | 0:00:38 | 0:00:40 | |
# Try to keep away | 0:00:40 | 0:00:44 | |
# But I'm my own worst enemy | 0:00:44 | 0:00:46 | |
# You make things worse When you look like that | 0:00:46 | 0:00:48 | |
# How can a girl say no?... # | 0:00:48 | 0:00:51 | |
'Tully and I have been dating for a while now,' | 0:00:51 | 0:00:53 | |
and it's amazing. I've never been so happy. | 0:00:53 | 0:00:58 | |
# When I look in your eyes The whole world... # | 0:00:58 | 0:01:02 | |
'Tully is a DJ and a music producer.' | 0:01:02 | 0:01:04 | |
His stage name is Paradox, and his mixtapes are huge right now. | 0:01:04 | 0:01:08 | |
# You hit my heart | 0:01:08 | 0:01:11 | |
# Taking me right out Knocking me down down | 0:01:11 | 0:01:14 | |
# You hit my heart | 0:01:14 | 0:01:17 | |
# Taking me right out Knocking me down down... # | 0:01:17 | 0:01:20 | |
'Right now I'm performing a song called Hit My Heart, | 0:01:20 | 0:01:22 | |
and it's going to be on the new Paradox mixtape. | 0:01:22 | 0:01:25 | |
Mary is amazing. | 0:01:27 | 0:01:29 | |
Her voice is perfect for this track. | 0:01:29 | 0:01:31 | |
# You hit my heart | 0:01:31 | 0:01:34 | |
# Taking me right out Knocking me down down | 0:01:34 | 0:01:37 | |
# You hit my heart | 0:01:37 | 0:01:40 | |
# Picked me out of that crowd Game over right now | 0:01:40 | 0:01:43 | |
# Boy you've got me seeing stars again... # | 0:01:43 | 0:01:45 | |
'Being on a Paradox mixtape could launch my whole career.' | 0:01:45 | 0:01:48 | |
I'd get amazing exposure. | 0:01:48 | 0:01:50 | |
# My heart | 0:01:50 | 0:01:51 | |
# Taking me right down Knocking me down down, yeah. # | 0:01:51 | 0:01:55 | |
Now, that was something. | 0:01:58 | 0:01:59 | |
Absolutely amazing. | 0:01:59 | 0:02:01 | |
-Thanks. We did it. -No, no, no - you did it, Mary. | 0:02:01 | 0:02:04 | |
It was all you. You're on fire. | 0:02:04 | 0:02:07 | |
Together, Tully and I are an unstoppable team. | 0:02:07 | 0:02:10 | |
Finally, everything in my life is coming together. | 0:02:10 | 0:02:13 | |
-# We are the lost -The lost | 0:02:13 | 0:02:15 | |
-# And the found -The found | 0:02:15 | 0:02:17 | |
# Don't know where we stand But it's solid ground | 0:02:17 | 0:02:20 | |
-# It's your shot -Take it | 0:02:20 | 0:02:21 | |
-# Let's see what you've got -Don't fake it | 0:02:21 | 0:02:23 | |
# Only a true light shines as bright as you | 0:02:23 | 0:02:26 | |
# Woah oh oh Woah oh oh | 0:02:26 | 0:02:29 | |
# Oh oh-oh oh. # | 0:02:29 | 0:02:32 | |
# BOTH: People who need love the most tend to | 0:02:48 | 0:02:51 | |
# Give it away | 0:02:51 | 0:02:55 | |
# Heartache can swallow | 0:02:57 | 0:03:01 | |
# A year in a day... # | 0:03:01 | 0:03:04 | |
'We used to sing like this as a family all the time,' | 0:03:04 | 0:03:06 | |
but it doesn't happen any more. | 0:03:06 | 0:03:08 | |
Tully's always running with his crew, getting into trouble. | 0:03:08 | 0:03:11 | |
I wish I could have the old Tully back. | 0:03:11 | 0:03:14 | |
# Under these clouds... # | 0:03:14 | 0:03:21 | |
'My mom still wants believe that Tully is good,' | 0:03:21 | 0:03:23 | |
no matter how many times he proves her wrong. | 0:03:23 | 0:03:26 | |
-# Tomorrow the cold -BOTH: Will break | 0:03:26 | 0:03:31 | |
# Under a patient sun | 0:03:31 | 0:03:35 | |
# It's still hard to find a way... # | 0:03:35 | 0:03:40 | |
THEY LAUGH | 0:03:44 | 0:03:46 | |
Well, I've got to go. That was nice. | 0:03:47 | 0:03:50 | |
-Well, where are you headed? -I'm going to hang out with Octavius. | 0:03:50 | 0:03:53 | |
I thought you weren't hanging around with that boy any more. | 0:03:53 | 0:03:56 | |
Mom, I've known him since the eighth grade. He's been a homie. Come on. | 0:03:56 | 0:03:59 | |
'Octavius is the leader of Tully's crew' | 0:03:59 | 0:04:01 | |
and he's worse than Tully. | 0:04:01 | 0:04:03 | |
He's definitely not his homie. | 0:04:03 | 0:04:05 | |
You know, I've actually been making new friends at Lost and Found. | 0:04:05 | 0:04:08 | |
-That's great! Huh? -CAR HORN SOUNDS | 0:04:08 | 0:04:11 | |
Oh, well, that's him, so I'll see you, OK? | 0:04:11 | 0:04:14 | |
Be safe, all right? Be safe. | 0:04:14 | 0:04:16 | |
-I love you. -Love you. Love you. | 0:04:16 | 0:04:17 | |
The more Tully hangs out at Lost And Found, the less I want to be there. | 0:04:21 | 0:04:25 | |
Let's sing our song. Come on. | 0:04:25 | 0:04:27 | |
# Been like a... # | 0:04:39 | 0:04:41 | |
Mom... | 0:04:43 | 0:04:45 | |
I need Lost And Found. | 0:04:45 | 0:04:47 | |
You know that Tully being there is not going to help at all. | 0:04:47 | 0:04:51 | |
It's just going to hurt me. | 0:04:51 | 0:04:53 | |
I know. | 0:04:57 | 0:04:58 | |
I know. | 0:05:00 | 0:05:01 | |
-I'm sorry. -'I can't go on like this. | 0:05:08 | 0:05:10 | |
'I need to do something or else my time' | 0:05:10 | 0:05:13 | |
at Lost And Found is over. | 0:05:13 | 0:05:15 | |
John. | 0:05:24 | 0:05:25 | |
-Hey. -I have to ask you something. | 0:05:25 | 0:05:28 | |
OK. Yeah. | 0:05:28 | 0:05:29 | |
'John and I are friends now, so I'm going to ask John' | 0:05:29 | 0:05:32 | |
a favour that a friend would ask another friend. | 0:05:32 | 0:05:35 | |
So, Giselle, Riley and I have a dance competition coming up. | 0:05:35 | 0:05:38 | |
And I thought of you. | 0:05:38 | 0:05:40 | |
But I don't dance. | 0:05:40 | 0:05:43 | |
I know that. What I meant was... We have to choreograph a new routine | 0:05:43 | 0:05:47 | |
and we need a song, and I was wondering if you could write it. | 0:05:47 | 0:05:50 | |
I do do that. | 0:05:50 | 0:05:52 | |
So, the song needs to be upbeat and poppy. | 0:05:52 | 0:05:55 | |
Something that we can dance to. | 0:05:55 | 0:05:56 | |
Yeah. Yeah, um, upbeat and poppy is my middle name. | 0:05:56 | 0:06:00 | |
-It is? -No, it's Edward. | 0:06:00 | 0:06:03 | |
The point is, I will write the best - and the first - | 0:06:04 | 0:06:08 | |
dance-pop song that I've ever written. | 0:06:08 | 0:06:11 | |
'I'm so glad John' | 0:06:11 | 0:06:12 | |
agreed to write the song for me. | 0:06:12 | 0:06:14 | |
As a friend, of course. | 0:06:14 | 0:06:16 | |
OK. | 0:06:16 | 0:06:18 | |
I guess we could... | 0:06:18 | 0:06:19 | |
We should shake on it. | 0:06:19 | 0:06:21 | |
-OK. -OK. | 0:06:23 | 0:06:25 | |
I'll have the song ready soon. | 0:06:26 | 0:06:28 | |
You're still shaking my hand. | 0:06:28 | 0:06:30 | |
-Yeah, sorry. -OK. | 0:06:30 | 0:06:31 | |
Thank you, and I'll see you later. | 0:06:32 | 0:06:35 | |
'Michelle wants me to write a song for her.' | 0:06:35 | 0:06:38 | |
Maybe this is a way of giving me a second chance. All I know is | 0:06:38 | 0:06:41 | |
I cannot mess this up. | 0:06:41 | 0:06:43 | |
RACHEL STRUMS A FINAL CHORD | 0:06:43 | 0:06:46 | |
Thanks. | 0:06:46 | 0:06:47 | |
I cannot believe that yesterday I was ready to drop my first single, | 0:06:47 | 0:06:51 | |
and today I'm busking for quarters. | 0:06:51 | 0:06:53 | |
The music industry is a roller-coaster, huh? | 0:06:53 | 0:06:56 | |
LEIA LAUGHS | 0:06:56 | 0:06:58 | |
Oh, hey. Someone left a note. | 0:06:58 | 0:07:00 | |
"Your song puts a song in my heart. | 0:07:04 | 0:07:08 | |
"You are amazing. | 0:07:08 | 0:07:10 | |
"Signed... | 0:07:12 | 0:07:13 | |
"Your secret admirer"? | 0:07:13 | 0:07:15 | |
See, Luke? I am moving on with my secret admirer. | 0:07:15 | 0:07:19 | |
It could be anyone. SHE GASPS | 0:07:19 | 0:07:21 | |
Maybe it's Luke. | 0:07:21 | 0:07:23 | |
That's so weird. I didn't know I had a secret admirer. | 0:07:23 | 0:07:26 | |
Here we go. I bet we're going to spend the day looking for | 0:07:26 | 0:07:29 | |
Leia's secret admirer. | 0:07:29 | 0:07:31 | |
-Rachel?! -What? | 0:07:31 | 0:07:33 | |
-It's for me? -So, it's not for me? | 0:07:36 | 0:07:38 | |
-Rachel! -Well, maybe you are supposed to pass it to me. | 0:07:39 | 0:07:43 | |
Get over yourself! People can like me too. | 0:07:43 | 0:07:46 | |
I guess. It's cute, though. | 0:07:46 | 0:07:49 | |
'I have never had a secret admirer' | 0:07:49 | 0:07:51 | |
before. I don't like secrets. | 0:07:51 | 0:07:53 | |
I'm waiting for the guys because I need to ask them for help | 0:07:58 | 0:08:00 | |
with the song. | 0:08:00 | 0:08:01 | |
-Hi, guys. -Hey. -Yo. | 0:08:02 | 0:08:04 | |
-What's up, man? -So, here's the thing. | 0:08:04 | 0:08:07 | |
Michelle asked me to write her a song for a dance competition. | 0:08:07 | 0:08:10 | |
You said yes, right? | 0:08:13 | 0:08:14 | |
-That's amazing! -YEAH! -Yeah! | 0:08:16 | 0:08:19 | |
He's so close to being with Michelle, all he needs | 0:08:19 | 0:08:22 | |
is a little help from his friends. | 0:08:22 | 0:08:23 | |
Hold on. We've got to hold our applause until he actually | 0:08:23 | 0:08:26 | |
-gives her the song. -I'm going to give her the song. | 0:08:26 | 0:08:29 | |
But here's the thing. I just have to write it. | 0:08:29 | 0:08:32 | |
And she wants like a dance-pop song | 0:08:32 | 0:08:34 | |
and that's really out of my comfort zone. | 0:08:34 | 0:08:36 | |
I don't know anything about that. | 0:08:36 | 0:08:38 | |
Don't even worry about it, man. I'm a dancer. | 0:08:38 | 0:08:39 | |
I know how to make dance music. | 0:08:39 | 0:08:41 | |
Plus, these guys are going to help. Right? Yeah, they're going to help. | 0:08:41 | 0:08:45 | |
It's time to get these two together, already. | 0:08:45 | 0:08:47 | |
It is going to be a challenge, but the boys and I are on it. | 0:08:47 | 0:08:50 | |
Mary, are you OK? | 0:09:04 | 0:09:06 | |
Hey, Isaac. Yeah, I'm good. | 0:09:06 | 0:09:08 | |
Did you not get enough sleep last night, or something? | 0:09:08 | 0:09:10 | |
Yeah, I've had a lot of late nights working on Tully's new mix tape. | 0:09:10 | 0:09:13 | |
'So far, Tully's main reason for being at Lost And Found is Mary.' | 0:09:13 | 0:09:16 | |
If I can convince Mary to break up with Tully, maybe he'll just leave. | 0:09:16 | 0:09:19 | |
Everyone in Lost And Found has noticed that you are changing. | 0:09:20 | 0:09:23 | |
-You're different. -Isaac, I told you this before, OK? | 0:09:23 | 0:09:27 | |
What goes on in my personal life is no-one's business. | 0:09:27 | 0:09:29 | |
When is Isaac going to get over this? | 0:09:29 | 0:09:31 | |
I'm tired of having this conversation. | 0:09:31 | 0:09:33 | |
And for the record, Tully's great, and I couldn't be any happier. | 0:09:33 | 0:09:38 | |
Well, I don't think you understand that everything Tully touches | 0:09:38 | 0:09:41 | |
-comes crashing down. -Get over yourself! | 0:09:41 | 0:09:43 | |
Tully's great, OK? | 0:09:43 | 0:09:45 | |
You're just jealous. | 0:09:46 | 0:09:48 | |
Look, I've got to go. | 0:09:50 | 0:09:52 | |
'Tully has already gotten to Mary.' | 0:09:52 | 0:09:54 | |
She won't listen to me. | 0:09:54 | 0:09:55 | |
# We all got to be our brightest | 0:09:58 | 0:10:02 | |
# Cannot stay the same | 0:10:02 | 0:10:06 | |
# We are, we are, we are The stars above | 0:10:06 | 0:10:10 | |
# We can, we can We can light the sky | 0:10:10 | 0:10:14 | |
# We all, we all, we all Have the spark inside | 0:10:14 | 0:10:19 | |
# So let it all out. # | 0:10:19 | 0:10:21 | |
All right. That's great, guys. I've just got a couple of notes. | 0:10:21 | 0:10:24 | |
Just come in here, man. | 0:10:24 | 0:10:25 | |
'The song is killer.' | 0:10:25 | 0:10:26 | |
John will definitely be on the road to romance | 0:10:26 | 0:10:28 | |
after Michelle hears this. | 0:10:28 | 0:10:30 | |
OK, so I think it needs to be a little more energetic, | 0:10:30 | 0:10:33 | |
a little more pop because people have to dance... | 0:10:33 | 0:10:35 | |
-What are you smiling about? -THEY LAUGH | 0:10:35 | 0:10:37 | |
Michelle is going to love this song, bro. | 0:10:37 | 0:10:39 | |
I know, I just kept thinking about that the entire time. | 0:10:39 | 0:10:41 | |
She's going to love it. You might as well add wedding bells to the track. | 0:10:41 | 0:10:45 | |
Let's just do another take. | 0:10:45 | 0:10:47 | |
THEY LAUGH You know you love us. | 0:10:47 | 0:10:49 | |
'These guys make me feel that this might actually work out.' | 0:10:49 | 0:10:51 | |
I might actually be ready to do this for real. | 0:10:51 | 0:10:54 | |
Yo, John, just to make sure we are on the right track with this one, | 0:10:54 | 0:10:57 | |
why don't you dance along? | 0:10:57 | 0:10:59 | |
I'm going to give you the short, simple answer... | 0:10:59 | 0:11:01 | |
..no. | 0:11:03 | 0:11:04 | |
-Come on! -Come on! -Come on! | 0:11:04 | 0:11:06 | |
-THEY LAUGH -Yeah! | 0:11:07 | 0:11:09 | |
OK, I take it back. Don't dance. | 0:11:09 | 0:11:11 | |
John and Michelle, Michelle and John. | 0:11:11 | 0:11:14 | |
Michjohn. | 0:11:14 | 0:11:16 | |
Johnchelle. | 0:11:16 | 0:11:17 | |
I just think this is so romantic. | 0:11:18 | 0:11:21 | |
-I don't. It's annoying. -What? | 0:11:21 | 0:11:24 | |
'I don't know why Rachel isn't' | 0:11:24 | 0:11:26 | |
more excited about this. | 0:11:26 | 0:11:28 | |
This is such a fun mystery. | 0:11:28 | 0:11:30 | |
You know what? | 0:11:30 | 0:11:31 | |
What are you doing? Get down! | 0:11:33 | 0:11:34 | |
Attention, everyone. | 0:11:35 | 0:11:37 | |
Whoever wrote me this note saying you're my secret admirer... | 0:11:37 | 0:11:41 | |
I don't like secrets. | 0:11:41 | 0:11:42 | |
So, I challenge you, whoever you are, | 0:11:42 | 0:11:45 | |
to be my public admirer. | 0:11:45 | 0:11:47 | |
Yeah. | 0:11:47 | 0:11:49 | |
You have until this afternoon to show your face, | 0:11:49 | 0:11:52 | |
and if it's not you, well, spread the word. | 0:11:52 | 0:11:56 | |
Cool? What do we say, people? | 0:11:56 | 0:11:58 | |
-Yeah, we got you. -Yeah. -We'll be back. | 0:11:58 | 0:12:02 | |
'I'm hoping that my secret admirer' | 0:12:02 | 0:12:04 | |
will step up, | 0:12:04 | 0:12:05 | |
take charge and reveal themselves. | 0:12:05 | 0:12:08 | |
Assertiveness is a very attractive quality. | 0:12:08 | 0:12:11 | |
# We'll rise up from the ashes | 0:12:11 | 0:12:15 | |
# A thousand times | 0:12:15 | 0:12:19 | |
# To lead the way | 0:12:19 | 0:12:22 | |
# Back home. # | 0:12:22 | 0:12:24 | |
-So good! -It's the one, man. | 0:12:24 | 0:12:26 | |
-It's awesome. -Felt like dancing the whole time. | 0:12:26 | 0:12:29 | |
All right. OK. | 0:12:29 | 0:12:31 | |
'I'm finally ready for this. I'm going to give this song' | 0:12:31 | 0:12:33 | |
to Michelle and I'm going to tell her how I feel. | 0:12:33 | 0:12:36 | |
All right, wish me luck, boys. | 0:12:36 | 0:12:37 | |
Whoa, man. No, no, no, no, no, no. | 0:12:37 | 0:12:40 | |
You're not going to leave here until you tell me | 0:12:40 | 0:12:41 | |
-how you're going to play this? -What? | 0:12:41 | 0:12:43 | |
I am not letting John out of here in this state. | 0:12:43 | 0:12:45 | |
Luckily for him, I have the cure for all his girl problems. | 0:12:45 | 0:12:49 | |
Dr James is now in session. | 0:12:49 | 0:12:52 | |
Why can't I give her the USB key, man? The song is great. | 0:12:52 | 0:12:54 | |
Shh. You are a little too keen, my friend. | 0:12:54 | 0:12:57 | |
You need to chill. | 0:12:57 | 0:12:59 | |
You almost just skipped out of here. | 0:12:59 | 0:13:01 | |
You know have sad that is, for me to watch my friend SKIP out of here | 0:13:01 | 0:13:04 | |
to a girl? Trust me, I know how to play this, all right? | 0:13:04 | 0:13:06 | |
Let me see your cool stance. Lean against the wall. | 0:13:06 | 0:13:08 | |
You're just chilling, super cool. | 0:13:08 | 0:13:10 | |
'John sometimes has a problem being cool.' | 0:13:13 | 0:13:15 | |
It is kind of like a chronic thing for him. | 0:13:15 | 0:13:17 | |
Like, an incurable lack of coolness. | 0:13:17 | 0:13:20 | |
-I don't know what you want, man. -Not that! | 0:13:22 | 0:13:24 | |
That's not cool, man. | 0:13:24 | 0:13:26 | |
We've got a lot of work to do. | 0:13:26 | 0:13:27 | |
'John is having trouble with phase one of my plan, | 0:13:27 | 0:13:30 | |
'but I'll get him there.' | 0:13:30 | 0:13:31 | |
I guarantee it. | 0:13:31 | 0:13:32 | |
I'm staying away from Lost And Found right now because I know Tully | 0:13:41 | 0:13:44 | |
is probably there with his crew. | 0:13:44 | 0:13:46 | |
TULLY LAUGHS | 0:13:53 | 0:13:55 | |
Give my bike back, man. | 0:13:55 | 0:13:57 | |
Nope! | 0:13:57 | 0:13:58 | |
Give me my bike. | 0:13:58 | 0:14:01 | |
Tully, give me my bike! | 0:14:01 | 0:14:02 | |
Why are you so mad at me? | 0:14:02 | 0:14:04 | |
You know why I'm mad at you, you do. | 0:14:04 | 0:14:06 | |
No, I don't. | 0:14:06 | 0:14:07 | |
Are you really going to ruin Lost And Found for me? | 0:14:08 | 0:14:10 | |
Even though you know that's the only thing I've got? | 0:14:10 | 0:14:12 | |
'Lost And Found was the only place where I actually felt safe | 0:14:13 | 0:14:16 | |
'and now that Tully and his crew' | 0:14:16 | 0:14:17 | |
are hanging there, I don't feel safe anywhere any more. | 0:14:17 | 0:14:21 | |
Look... | 0:14:21 | 0:14:23 | |
You can't stop being you and I can't stop being me, right? | 0:14:23 | 0:14:27 | |
OK, whatever. Can you just give me my bike back, please. | 0:14:27 | 0:14:29 | |
I don't even care any more. | 0:14:29 | 0:14:31 | |
-I'll see you at home. -No, can you just...? -No, I'll see you at home. | 0:14:31 | 0:14:36 | |
Walking's good for exercise, little one. | 0:14:36 | 0:14:37 | |
Don't forget about the pop-up show. | 0:14:39 | 0:14:41 | |
'I may not be able to get Tully out of my life' | 0:14:42 | 0:14:45 | |
but I need to at least try to get him out of Lost And Found. | 0:14:45 | 0:14:47 | |
-It was... It was too much. -It was too much. -Guys, John just texted me. | 0:14:55 | 0:14:59 | |
He said that the song's ready and that it's on its way. | 0:14:59 | 0:15:02 | |
'I know that John and I' | 0:15:02 | 0:15:03 | |
are just friends, but I can't help hope that John | 0:15:03 | 0:15:05 | |
will do something special. | 0:15:05 | 0:15:06 | |
I think it's a chance for us to get to know each other better. | 0:15:06 | 0:15:09 | |
Especially when he's bringing a little gift. | 0:15:09 | 0:15:11 | |
Guys, sorry, I have to give this to you. | 0:15:11 | 0:15:14 | |
-What is this? -It is a USB key with a song on it. | 0:15:14 | 0:15:17 | |
John gave me a USB key to give to Michelle. | 0:15:17 | 0:15:19 | |
James wasn't letting him leave the room because he had to | 0:15:19 | 0:15:22 | |
work on his cool stance, or something. | 0:15:22 | 0:15:24 | |
-Well, who's it from? -John told me to give it to you. | 0:15:24 | 0:15:27 | |
-OK. -OK. -Thanks. | 0:15:27 | 0:15:28 | |
-See you. -Bye. -Bye. | 0:15:28 | 0:15:31 | |
Never mind. | 0:15:33 | 0:15:35 | |
Are you OK? | 0:15:35 | 0:15:37 | |
Yeah, no, I'm fine. I just thought John was coming, | 0:15:37 | 0:15:40 | |
and I'm just a little disappointed. | 0:15:40 | 0:15:42 | |
It's not a big deal. | 0:15:42 | 0:15:44 | |
No. No, don't be disappointed. | 0:15:44 | 0:15:47 | |
What just happened is a great thing. | 0:15:47 | 0:15:49 | |
If John didn't care he would have just walked on over | 0:15:49 | 0:15:53 | |
and handed you that USB key like it was no big deal, but no - | 0:15:53 | 0:15:55 | |
he sent someone, | 0:15:55 | 0:15:56 | |
because he wanted to stick to the pact, | 0:15:56 | 0:15:58 | |
which means that he still has feelings for you. | 0:15:58 | 0:16:00 | |
-Amen to that! -Yeah. Uh-huh. | 0:16:00 | 0:16:02 | |
Yep, I am a total relationship expert. | 0:16:02 | 0:16:05 | |
Plus, James texted me about ten minutes ago | 0:16:05 | 0:16:07 | |
telling me this was all his idea, so... | 0:16:07 | 0:16:09 | |
So, what you're saying is I should look at this USB key | 0:16:09 | 0:16:11 | |
-very differently. -Yeah. -Exactly. | 0:16:11 | 0:16:13 | |
-Let's listen to it. -Woo! | 0:16:13 | 0:16:15 | |
I'm actually really excited to hear it. | 0:16:15 | 0:16:17 | |
-Me as well. -He said it's great. | 0:16:17 | 0:16:19 | |
Hey, guys. Everyone... | 0:16:26 | 0:16:28 | |
on that side of the room. | 0:16:28 | 0:16:29 | |
Go on. | 0:16:30 | 0:16:32 | |
OK. Come on. Now, now, now, now. | 0:16:32 | 0:16:34 | |
'Until my admirer reveals themselves,' | 0:16:34 | 0:16:36 | |
no-one is permitted to leave the area. | 0:16:36 | 0:16:39 | |
All right. Whoever has a crush on me, | 0:16:39 | 0:16:43 | |
come forward, now. | 0:16:43 | 0:16:44 | |
Hi, Rachel. | 0:16:51 | 0:16:53 | |
Nate? | 0:16:53 | 0:16:54 | |
My secret admirer is Nate? | 0:16:54 | 0:16:57 | |
Everybody out! Get out! | 0:16:57 | 0:17:00 | |
Not you. Sit down. | 0:17:02 | 0:17:04 | |
-Can I stay? Please? -Do you really want to see this? | 0:17:10 | 0:17:13 | |
Right. | 0:17:16 | 0:17:18 | |
OK, I'll catch you later. | 0:17:18 | 0:17:20 | |
'Poor Nate. He is in for some serious' | 0:17:20 | 0:17:23 | |
heart stomping. | 0:17:23 | 0:17:25 | |
Hey, I picked this for you this morning, Rachel. | 0:17:25 | 0:17:29 | |
Thanks, Nate. Um... | 0:17:29 | 0:17:30 | |
Listen, what you did was really sweet. | 0:17:32 | 0:17:35 | |
It was probably the most romantic thing anyone has ever done for me. | 0:17:35 | 0:17:38 | |
But right now I'm just too old for you. | 0:17:39 | 0:17:42 | |
Well, isn't that for me to decide? | 0:17:44 | 0:17:46 | |
No, not really. | 0:17:46 | 0:17:48 | |
Sorry, Nate. | 0:17:49 | 0:17:51 | |
Well, that really hurts inside. | 0:17:51 | 0:17:53 | |
I know. But, how about this... | 0:17:53 | 0:17:56 | |
You call me in two years. | 0:17:56 | 0:17:59 | |
I can't promise I'll still be available then. | 0:17:59 | 0:18:01 | |
Then it'll be the biggest mistake I ever made. | 0:18:01 | 0:18:04 | |
Deal? | 0:18:08 | 0:18:10 | |
Deal. | 0:18:11 | 0:18:13 | |
JOHN'S SONG PLAYS | 0:18:16 | 0:18:19 | |
I love it! | 0:18:20 | 0:18:22 | |
It's so good! | 0:18:22 | 0:18:25 | |
-Hey! -THEY LAUGH | 0:18:25 | 0:18:27 | |
-SONG FINISHES -That was so good! | 0:18:27 | 0:18:29 | |
-That was SO good. -Yep. | 0:18:29 | 0:18:30 | |
'John's song is really good,' | 0:18:30 | 0:18:31 | |
and you can obviously tell he put a lock of work into it. | 0:18:31 | 0:18:34 | |
It's really good to know that he cares, as a friend, or maybe more. | 0:18:34 | 0:18:38 | |
All right. James says you've got to do this if you want to | 0:18:41 | 0:18:44 | |
-keep things casual with Michelle. -OK. -Are you ready? | 0:18:44 | 0:18:47 | |
-Barely. -Get in there and be cool. | 0:18:47 | 0:18:49 | |
'The next phase of James's plan is I get to talk to Michelle | 0:18:49 | 0:18:52 | |
'as long as I stay cool.' | 0:18:52 | 0:18:54 | |
I'm going to make the guys proud. | 0:18:54 | 0:18:55 | |
They been waiting a long time for this moment. | 0:18:55 | 0:18:59 | |
-Hey. -Hey. -Michelle... | 0:18:59 | 0:19:00 | |
..and other ladies, seated. | 0:19:01 | 0:19:03 | |
Hey. | 0:19:05 | 0:19:06 | |
Did you... Did you... | 0:19:06 | 0:19:09 | |
Did you get my, eh... | 0:19:09 | 0:19:11 | |
-musical offering? -I did. | 0:19:11 | 0:19:14 | |
Just needing to get the confirmation. Thank you. | 0:19:14 | 0:19:17 | |
But I texted you saying I got it. | 0:19:17 | 0:19:19 | |
And I was just confirming that I got your text. | 0:19:19 | 0:19:22 | |
Hang ten. | 0:19:24 | 0:19:26 | |
-What? -What? | 0:19:28 | 0:19:29 | |
'That was weird,' | 0:19:30 | 0:19:31 | |
but cute. So John! | 0:19:31 | 0:19:34 | |
CHEERING AND APPLAUSE | 0:19:45 | 0:19:47 | |
-# We -We | 0:19:50 | 0:19:52 | |
# Want to be elegant | 0:19:52 | 0:19:54 | |
-# We -We | 0:19:54 | 0:19:56 | |
# Want to live like movie stars... # | 0:19:56 | 0:19:59 | |
'Tully's pop-up show is amazing. This place is packed. | 0:19:59 | 0:20:02 | |
People love him. | 0:20:02 | 0:20:04 | |
-# We don't care -Like we feel | 0:20:04 | 0:20:06 | |
# You never feel... # | 0:20:06 | 0:20:09 | |
-This party is amazing. -Trust me, bro. | 0:20:12 | 0:20:15 | |
Paradox has got to be a millionaire, right? | 0:20:15 | 0:20:18 | |
Or at least 100,000. | 0:20:18 | 0:20:19 | |
'His show is awesome!' | 0:20:19 | 0:20:21 | |
Best ten bucks I ever spent. | 0:20:21 | 0:20:23 | |
# I see you on the red carpet | 0:20:23 | 0:20:24 | |
# Working all these shiny clothes | 0:20:24 | 0:20:27 | |
# Keep breaking all the rules... # | 0:20:27 | 0:20:31 | |
Make some noise, yeah. | 0:20:31 | 0:20:32 | |
CHEERING AND APPLAUSE | 0:20:32 | 0:20:36 | |
# Forget about what they're saying | 0:20:36 | 0:20:39 | |
# Forget about what they do | 0:20:39 | 0:20:41 | |
# Forget about all the answers... # | 0:20:41 | 0:20:43 | |
It's really awesome that Paradox can do a show here. | 0:20:43 | 0:20:45 | |
-I know, man. -It's crazy. | 0:20:45 | 0:20:47 | |
THEY WHOOP AND CHEER | 0:20:47 | 0:20:50 | |
# We run this thing together We rule this crew | 0:20:50 | 0:20:54 | |
-# Cos we -We... # | 0:20:54 | 0:20:55 | |
I don't really know how I feel about Tully's crew, | 0:20:55 | 0:20:58 | |
but Tully promised me that he would get away from them soon. | 0:20:58 | 0:21:01 | |
Hey! Give it back, give it back, give it back, yo! | 0:21:01 | 0:21:03 | |
-# We -We | 0:21:03 | 0:21:05 | |
# We always get it on again | 0:21:05 | 0:21:08 | |
-# We don't care -Now we are billionaires... # | 0:21:08 | 0:21:11 | |
CHEERING AND APPLAUSE | 0:21:14 | 0:21:16 | |
Yeah! | 0:21:18 | 0:21:20 | |
'I tried reasoning with Tully but he won't listen.' | 0:21:28 | 0:21:31 | |
It's time to do something that's going to get Tully to leave | 0:21:31 | 0:21:33 | |
for good. | 0:21:33 | 0:21:35 | |
# Woah oh-oh Woah oh-oh | 0:21:39 | 0:21:42 | |
# Woah oh-oh-oh | 0:21:42 | 0:21:44 | |
# We are the lost | 0:21:44 | 0:21:46 | |
# And the found | 0:21:46 | 0:21:47 | |
# Don't know where we stand But it's solid ground | 0:21:47 | 0:21:50 | |
# It's your shot Let's see what you've got | 0:21:50 | 0:21:53 | |
# Only a true light shines As bright as you | 0:21:53 | 0:21:57 | |
# Woah oh-oh Woah oh-oh | 0:21:57 | 0:22:00 | |
# Woah oh-oh-oh | 0:22:00 | 0:22:03 | |
# Woah oh-oh Woah oh-oh | 0:22:03 | 0:22:06 | |
# Woah oh-oh-oh. # | 0:22:06 | 0:22:09 |