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Previously... | 0:00:02 | 0:00:03 | |
'I think Rachel has the best voice' | 0:00:03 | 0:00:04 | |
out of anyone here at Lost And Found. | 0:00:04 | 0:00:06 | |
-Rachel used to sing this song. -Really? | 0:00:06 | 0:00:08 | |
I must be getting good. | 0:00:08 | 0:00:09 | |
-Everyone hates me here. -No-one hates you. | 0:00:09 | 0:00:12 | |
I don't think this is the right place for me right now. | 0:00:12 | 0:00:15 | |
I need a break. | 0:00:15 | 0:00:16 | |
I like you. | 0:00:16 | 0:00:18 | |
I'll see you at the party, OK? | 0:00:18 | 0:00:20 | |
'He could've said anything any it would be OK.' | 0:00:20 | 0:00:23 | |
But he said nothing. | 0:00:25 | 0:00:26 | |
# I figured out things are always better right from the heart | 0:00:29 | 0:00:37 | |
# And if I know I'm gonna to make it happen | 0:00:37 | 0:00:40 | |
# Better make a start | 0:00:40 | 0:00:44 | |
# I can hear the music It moves my body... # | 0:00:44 | 0:00:48 | |
'I'm singing a song I've been working on for a while.' | 0:00:48 | 0:00:51 | |
I'm finally ready to share it. | 0:00:51 | 0:00:52 | |
I think it's the best song I've ever written. | 0:00:52 | 0:00:54 | |
# I'm going to take it on | 0:00:54 | 0:00:57 | |
# And it makes me feel something so real | 0:00:57 | 0:01:04 | |
# And I can't let go | 0:01:04 | 0:01:08 | |
# I'm gonna take control | 0:01:08 | 0:01:11 | |
# Take control o-oh... # | 0:01:11 | 0:01:15 | |
'My friend Opal works for a record company and she's here | 0:01:15 | 0:01:17 | |
'to check out the talent. | 0:01:17 | 0:01:19 | |
'I have a feeling Rachel' | 0:01:19 | 0:01:20 | |
is going to be learning a lot about the music industry today. | 0:01:20 | 0:01:23 | |
# Take control... # | 0:01:23 | 0:01:26 | |
'I have Leia to thank for this. | 0:01:28 | 0:01:30 | |
'She's the one who helped me discover' | 0:01:30 | 0:01:32 | |
my true voice as a songwriter. | 0:01:32 | 0:01:34 | |
My little girl is all grown up! | 0:01:34 | 0:01:37 | |
# And I can't let go | 0:01:38 | 0:01:41 | |
# I'm gonna take control | 0:01:41 | 0:01:44 | |
# Take control o-oh | 0:01:44 | 0:01:48 | |
# Contro-o-l | 0:01:48 | 0:01:52 | |
# Contro-o-o-o-o-l | 0:01:52 | 0:01:56 | |
# Take control. # | 0:01:56 | 0:01:59 | |
CROWD WHOOPS AND CHEERS | 0:02:00 | 0:02:03 | |
She's great. | 0:02:05 | 0:02:06 | |
-LEIA SQUEAKS: -It's so good! | 0:02:06 | 0:02:09 | |
Thank you! | 0:02:09 | 0:02:10 | |
Hey, Rachel, come here. | 0:02:10 | 0:02:13 | |
-This is Opal. -Hi! -She's an executive at Torrential Records. | 0:02:13 | 0:02:16 | |
-Hi! -Good to meet you. -You too. -That was fantastic. -Thank you. | 0:02:16 | 0:02:19 | |
It was such an interesting song. | 0:02:19 | 0:02:20 | |
Where'd you get your inspiration from? | 0:02:20 | 0:02:22 | |
Oh, it was for my best friend, Leia. | 0:02:22 | 0:02:25 | |
Well, you should be very thankful to your friend cos | 0:02:25 | 0:02:28 | |
I think you'd be an excellent fit on our label. | 0:02:28 | 0:02:31 | |
A...a record label?! | 0:02:31 | 0:02:33 | |
Ah! I knew her before she was famous! | 0:02:33 | 0:02:36 | |
So here's what we're proposing, we'd love to produce your | 0:02:36 | 0:02:39 | |
first single and I really like what I just heard. | 0:02:39 | 0:02:41 | |
Would you be down for that? | 0:02:41 | 0:02:43 | |
-Say yes, say yes, say yes! -Well, yeah, absolutely! | 0:02:43 | 0:02:45 | |
'I've heard of people getting discovered,' | 0:02:45 | 0:02:47 | |
but it's never happened to anyone I know. | 0:02:47 | 0:02:50 | |
And...now it might be me. | 0:02:50 | 0:02:52 | |
-# We are the lost -Lost | 0:02:52 | 0:02:54 | |
-# And the found -Found | 0:02:54 | 0:02:56 | |
# Don't know where we stand but it's solid ground | 0:02:56 | 0:02:59 | |
-# It's your shot -Take it | 0:02:59 | 0:03:00 | |
-# Let's see what you got -Don't fake it | 0:03:00 | 0:03:02 | |
# Only your true light shines as bright as you | 0:03:02 | 0:03:05 | |
# Who-o-oa oh oh Who-o-oa oh oh | 0:03:05 | 0:03:09 | |
# Whoa o-o-o-oh. # | 0:03:09 | 0:03:11 | |
Luke, just the person I was looking for. | 0:03:23 | 0:03:25 | |
As you know, I have my vlog and I want to do an interview with you. | 0:03:25 | 0:03:29 | |
-Are you in? -Yeah, of course. | 0:03:29 | 0:03:31 | |
'I'm really flattered.' | 0:03:31 | 0:03:32 | |
Annabelle must think I have a lot of great insight. | 0:03:32 | 0:03:35 | |
That lady might be right. | 0:03:35 | 0:03:37 | |
Leia, Rachel and Maggie are all busy, | 0:03:37 | 0:03:39 | |
so Luke is my fourth choice. | 0:03:39 | 0:03:41 | |
But he doesn't need to know that. | 0:03:41 | 0:03:43 | |
All right, awesome! | 0:03:43 | 0:03:44 | |
Meet me in the green room after lunch. | 0:03:44 | 0:03:46 | |
Don't wear anything to busy. | 0:03:46 | 0:03:48 | |
-I'll zip up. -OK. | 0:03:48 | 0:03:50 | |
All right, OK! | 0:03:50 | 0:03:51 | |
-See you then. -Yeah. -And, congrats! | 0:03:51 | 0:03:53 | |
-Thanks. -Bye! | 0:03:53 | 0:03:55 | |
'A rock star's interviews' | 0:03:55 | 0:03:56 | |
are how they connect with the public. I can't mess this up. | 0:03:56 | 0:03:59 | |
# Racks all in my pocket | 0:03:59 | 0:04:02 | |
# None of them any good... # | 0:04:02 | 0:04:03 | |
'Being here is such an emotional rollercoaster.' | 0:04:05 | 0:04:07 | |
I think I just needed a bit of time to rest. | 0:04:07 | 0:04:10 | |
But now I'm back and I'm ready to show everyone what I can do. | 0:04:10 | 0:04:13 | |
# I see the gratitude... # | 0:04:13 | 0:04:15 | |
Hey, that sounds amazing! | 0:04:15 | 0:04:17 | |
Whoa! I haven't seen you forever. | 0:04:17 | 0:04:20 | |
Where have you been? | 0:04:20 | 0:04:21 | |
Yeah, I took a bit of a break to recharge. | 0:04:21 | 0:04:23 | |
But I feel good now and I'm ready to work. | 0:04:23 | 0:04:25 | |
'Clara hasn't been around in a while.' | 0:04:25 | 0:04:27 | |
The last time I saw her, she seemed really stressed out. | 0:04:27 | 0:04:30 | |
I'm just glad that she's doing better now. | 0:04:30 | 0:04:32 | |
What are you working on? | 0:04:32 | 0:04:33 | |
Because I want in. | 0:04:33 | 0:04:34 | |
-Oh, really? -Yeah. -Wow. | 0:04:34 | 0:04:37 | |
Just a little rap, nothing too serious. | 0:04:37 | 0:04:39 | |
Um, I feel like it needs a hook so if you have anything, just... | 0:04:39 | 0:04:42 | |
-Yeah. -Yeah? -Totally. -OK, good, good. | 0:04:42 | 0:04:44 | |
Oh, my gosh, I had a feeling it was going to be an amazing day, | 0:04:44 | 0:04:47 | |
and now we're going to write an awesome song! | 0:04:47 | 0:04:49 | |
You're on a roll and I'm loving it. | 0:04:49 | 0:04:52 | |
OK, so tell me all of your ideas because I have a million | 0:04:52 | 0:04:54 | |
and I want to make yours better. | 0:04:54 | 0:04:56 | |
Ooh, I'm loving this new assertive Clara. | 0:04:56 | 0:04:58 | |
Ooh, I have an idea to make it more interesting. | 0:05:05 | 0:05:07 | |
'The guys are helping me out with the interview' | 0:05:07 | 0:05:09 | |
and so far they don't really seem impressed. | 0:05:09 | 0:05:12 | |
Do the whole interview in an accent. | 0:05:12 | 0:05:14 | |
Like a Spanish accent. | 0:05:14 | 0:05:16 | |
But everybody knows I'm not Spanish. | 0:05:16 | 0:05:19 | |
But maybe you've been pretending the whole time to not be Spanish, | 0:05:19 | 0:05:23 | |
but now you're revealing that you are Spanish. | 0:05:23 | 0:05:26 | |
-That's interesting. -No, people love to hear about controversy | 0:05:26 | 0:05:29 | |
within a band so you get at one of us, or all of us. | 0:05:29 | 0:05:33 | |
-But we don't actually get at each other. -You should make it up, man, | 0:05:33 | 0:05:36 | |
-they'll eat it up. -Yeah, who cares? | 0:05:36 | 0:05:37 | |
I mean, if you're talking about me, talk about how terrible | 0:05:37 | 0:05:40 | |
-of a songwriter I am. -Yeah. | 0:05:40 | 0:05:41 | |
Or you could be like, "I've got to hold John's hand every time | 0:05:41 | 0:05:44 | |
"when we're backstage." | 0:05:44 | 0:05:45 | |
You know, the old fella with the cat is here. | 0:05:45 | 0:05:47 | |
Yeah, and James eats too much cheese and he's lactose intolerant. | 0:05:47 | 0:05:52 | |
You know, the guys are right. | 0:05:52 | 0:05:54 | |
All legendary bands have legendary conflicts. | 0:05:54 | 0:05:58 | |
OK. | 0:05:58 | 0:05:59 | |
Yeah, I can do that. | 0:05:59 | 0:06:01 | |
-Destroy all of you guys. -Yeah! | 0:06:01 | 0:06:04 | |
-Hey! -Hi! -How's it going? | 0:06:05 | 0:06:08 | |
-Oh, it's good. -Good. -What's this? | 0:06:08 | 0:06:11 | |
OK, so I had these sent over so we could work on your image. | 0:06:11 | 0:06:15 | |
Take your pick. | 0:06:15 | 0:06:16 | |
Oh! Um, I mean, I don't usually wear anything like this, | 0:06:16 | 0:06:21 | |
but I guess...now...now's the time to start. | 0:06:21 | 0:06:25 | |
I definitely don't want to lose this opportunity | 0:06:25 | 0:06:28 | |
so I'm going to do anything I can | 0:06:28 | 0:06:30 | |
to make Opal happy. | 0:06:30 | 0:06:31 | |
-How's it going? -Great. -Oh, it's really good. | 0:06:31 | 0:06:35 | |
Good. Don't let me interrupt, I'm just here to observe. | 0:06:35 | 0:06:38 | |
Right. OK. So, did you want to start recording first? | 0:06:38 | 0:06:42 | |
Oh, you don't have to worry about that. | 0:06:42 | 0:06:43 | |
No, we've got some backing tracks | 0:06:43 | 0:06:45 | |
I want to try laying the lyrics down on first, see if everything fits. | 0:06:45 | 0:06:47 | |
So you don't have to worry about your guitar. | 0:06:47 | 0:06:49 | |
Well, I mean, I just thought that you wanted to record | 0:06:49 | 0:06:52 | |
what you heard earlier. | 0:06:52 | 0:06:53 | |
Oh, what you played sounded great, but it lacked production values, | 0:06:53 | 0:06:56 | |
so we're going to make it sound even better. | 0:06:56 | 0:06:59 | |
You know what, I think this will be perfect. | 0:06:59 | 0:07:02 | |
This is weird. I thought that Opal liked my song the way it was. | 0:07:02 | 0:07:06 | |
Oh, well, she's the expert. | 0:07:06 | 0:07:08 | |
All right. So, welcome to the Annabelle Show. | 0:07:11 | 0:07:14 | |
-And today, I have Luke with me. -Hey. | 0:07:14 | 0:07:18 | |
All right, so, tell me, how are you enjoying your time in the band? | 0:07:18 | 0:07:21 | |
Um... | 0:07:23 | 0:07:24 | |
Well, if I can be completely honest... | 0:07:24 | 0:07:26 | |
Of course you can be honest here, you're among friends. | 0:07:26 | 0:07:29 | |
Uh, I expected more. | 0:07:30 | 0:07:32 | |
Really? How so? | 0:07:32 | 0:07:34 | |
Well, I'm the only true musician in the band. | 0:07:34 | 0:07:37 | |
The rest of the guys are just using me. | 0:07:37 | 0:07:39 | |
-Tell me about it. -Um... | 0:07:39 | 0:07:42 | |
-Well, for starters, John is really lazy. -John, lazy? -Mm-hm. | 0:07:42 | 0:07:47 | |
-And James. -The drummer? -The drummer. | 0:07:47 | 0:07:49 | |
The only thing he drums up is my sympathy. | 0:07:49 | 0:07:51 | |
-He's a horrible drama. -Wow. | 0:07:51 | 0:07:54 | |
This is so much better than I expected. | 0:07:54 | 0:07:57 | |
Luke is going rogue. | 0:07:57 | 0:07:59 | |
And it's not even just the band, | 0:07:59 | 0:08:01 | |
I feel like the entire studio is just using me all the time. | 0:08:01 | 0:08:04 | |
Really? Tell me how you feel this way. | 0:08:04 | 0:08:06 | |
'Annabelle keeps looking at me like she wants more.' | 0:08:06 | 0:08:08 | |
Like she wants me to keep going. | 0:08:08 | 0:08:10 | |
So I don't stop. | 0:08:10 | 0:08:12 | |
OK, so I'm going to throw out a couple of names and you | 0:08:12 | 0:08:14 | |
let me know how you feel. | 0:08:14 | 0:08:15 | |
-Yeah. -All right. Mary. | 0:08:15 | 0:08:18 | |
She needs to smile more. | 0:08:18 | 0:08:20 | |
What about Rachel? | 0:08:20 | 0:08:22 | |
Too many lists and not enough time to cross things off them. | 0:08:22 | 0:08:24 | |
-Jude. -Jude's rhymes don't rhyme all the time. | 0:08:24 | 0:08:27 | |
Are you saying that you rhyme better than him? | 0:08:27 | 0:08:31 | |
Uh-huh. All I'm saying is - I'm coming for you, Jude. | 0:08:32 | 0:08:35 | |
Luke just slammed everyone at Lost And Found. | 0:08:35 | 0:08:38 | |
This is fantastic. | 0:08:38 | 0:08:41 | |
We'll see you next time. Bye, guys! | 0:08:41 | 0:08:42 | |
WHISPERS: How was that? | 0:08:44 | 0:08:46 | |
That was...good. | 0:08:46 | 0:08:47 | |
Yeah. | 0:08:49 | 0:08:51 | |
Oh, yeah. | 0:08:51 | 0:08:52 | |
RECORDING: 'Jude's rhymes don't rhyme all the time.' | 0:08:58 | 0:09:01 | |
-That was awesome, man. -Are you sure? -Yeah. | 0:09:01 | 0:09:03 | |
-I didn't go too far? -No, no way. | 0:09:03 | 0:09:05 | |
Rock and roll is supposed to be controversial. | 0:09:05 | 0:09:08 | |
Yeah, I guess you're right. | 0:09:08 | 0:09:09 | |
Yo, bro, what's your problem? | 0:09:09 | 0:09:12 | |
My problem? | 0:09:14 | 0:09:15 | |
On behalf of all of us, right now you're disliked by everyone. | 0:09:15 | 0:09:19 | |
When you started dissing, we disliked you by the second one. | 0:09:19 | 0:09:22 | |
And why? Cos we thought you were our brother. | 0:09:22 | 0:09:25 | |
Go behind our backs and talk the smack all on the cover. | 0:09:25 | 0:09:28 | |
It's all good though, we see you. | 0:09:28 | 0:09:30 | |
-You know what I find fascinating? -What? | 0:09:32 | 0:09:35 | |
Even when he's mad, he can still rhyme. | 0:09:35 | 0:09:38 | |
He has a gift. | 0:09:38 | 0:09:40 | |
'I clearly went way too far' | 0:09:40 | 0:09:42 | |
and I have to fix this. | 0:09:42 | 0:09:43 | |
GUITAR NOTES STRUM | 0:09:45 | 0:09:47 | |
DRUMBEAT STARTS | 0:09:50 | 0:09:53 | |
# We're gonna rock this party | 0:09:57 | 0:10:00 | |
# And move our bodies till the break of dawn | 0:10:00 | 0:10:04 | |
# And we don't need to worry | 0:10:04 | 0:10:07 | |
# Let me take you on... # | 0:10:07 | 0:10:10 | |
'Something about this doesn't feel right.' | 0:10:10 | 0:10:13 | |
I worked so hard to create something that's uniquely me | 0:10:13 | 0:10:17 | |
and now we're changing into some random pop song. | 0:10:17 | 0:10:20 | |
I do get it. | 0:10:20 | 0:10:22 | |
# So, baby, take control | 0:10:22 | 0:10:24 | |
# Take control | 0:10:24 | 0:10:27 | |
# Take contro-o-o-o-o-ol | 0:10:27 | 0:10:32 | |
-MUSIC STOPS -That was great. | 0:10:36 | 0:10:38 | |
OK, can you try a playful giggle for us at the end? | 0:10:38 | 0:10:42 | |
SHE CLEARS THROAT | 0:10:43 | 0:10:44 | |
SHE FAKE LAUGHS | 0:10:45 | 0:10:47 | |
OK, yeah, but more of a giggle. | 0:10:47 | 0:10:50 | |
Yeah, I'm not much of a giggler. | 0:10:52 | 0:10:53 | |
It..just kind of sounds like a guffaw sometimes, | 0:10:53 | 0:10:57 | |
there's, like, a snort. | 0:10:57 | 0:10:58 | |
Giggles test very well. | 0:10:58 | 0:11:00 | |
-You know what, why don't we take a quick break? -OK. Yep, sure. | 0:11:00 | 0:11:04 | |
Yeah, take five. | 0:11:04 | 0:11:06 | |
'I'm trying really hard to make everyone happy, but' | 0:11:06 | 0:11:09 | |
I don't think it's working. | 0:11:09 | 0:11:10 | |
# Racks all in my pockets Now the women getting flirty | 0:11:15 | 0:11:17 | |
# I see the gratitude that you show with me and expect of me | 0:11:17 | 0:11:20 | |
# To be courteous | 0:11:20 | 0:11:21 | |
# And I ain't gonna be courteous | 0:11:21 | 0:11:23 | |
# I've been learning all of this | 0:11:23 | 0:11:25 | |
# And I'm quick to say, "Hold up" | 0:11:25 | 0:11:26 | |
# Everything in the party don't pump if you ain't got anything | 0:11:26 | 0:11:28 | |
# And the party don't show up, no rules... | 0:11:28 | 0:11:31 | |
# Slide off and look in the mirror Look in the mirror | 0:11:31 | 0:11:33 | |
# I see the fairer and the terror in your eyes | 0:11:33 | 0:11:36 | |
-# I do what I want -Hey! | 0:11:36 | 0:11:38 | |
-# I do what I want -Let's get it | 0:11:38 | 0:11:39 | |
-# I do what I want -Ah! | 0:11:39 | 0:11:41 | |
# I do what I want... # | 0:11:41 | 0:11:42 | |
'This is going great. I'm already thinking' | 0:11:42 | 0:11:44 | |
about the next song we're going to do together. | 0:11:44 | 0:11:46 | |
We're going to have a whole album's worth. | 0:11:46 | 0:11:48 | |
# I do what I want. # | 0:11:48 | 0:11:49 | |
-I like that, I like that. That was nice. -OK! | 0:11:49 | 0:11:51 | |
-Perfect, done. OK. -That was real good. -Yeah. | 0:11:51 | 0:11:53 | |
What you should do, though, is take off who "do what I want" | 0:11:53 | 0:11:57 | |
so I that can hop in to begin rapping. | 0:11:57 | 0:11:58 | |
OK, I'm not going to do that because then it's six instead of eight | 0:11:58 | 0:12:01 | |
and eight's the perfect number. | 0:12:01 | 0:12:03 | |
I know it's six, but that's the point. | 0:12:03 | 0:12:06 | |
-It gives me more time... -No. No, you're not listening to me. | 0:12:06 | 0:12:08 | |
Do you want to just listen to me? | 0:12:08 | 0:12:09 | |
Whoa! I did not expect Clara to be so...intense. | 0:12:09 | 0:12:14 | |
The hook's the best part and it's my part and I don't know why | 0:12:14 | 0:12:16 | |
you want there to be less of it. | 0:12:16 | 0:12:18 | |
-OK, well.... -Do you want to just do it again? | 0:12:18 | 0:12:20 | |
OK, let's do it again. | 0:12:20 | 0:12:21 | |
Clara is taking over and not in a good way. | 0:12:21 | 0:12:24 | |
# I see the gratitude that you show with me and expect of me | 0:12:24 | 0:12:27 | |
# Cos I do what I want... # | 0:12:27 | 0:12:28 | |
Go with me, go with me, come on. | 0:12:28 | 0:12:30 | |
-# I've been learning all of this -I do what I want | 0:12:30 | 0:12:32 | |
-# And I'm quick to say, "Hold up" -I do what I want | 0:12:32 | 0:12:34 | |
# I do what I want... # Come on, dance. | 0:12:34 | 0:12:36 | |
# I do what I want | 0:12:36 | 0:12:37 | |
-# Slide off and look in the mirror -I do what I want | 0:12:37 | 0:12:39 | |
-# ..mirror... -I do what I want... # | 0:12:39 | 0:12:42 | |
Come on, dance! # I do what I want... # | 0:12:42 | 0:12:44 | |
-What are you guys doing? -# I do what I want... # | 0:12:44 | 0:12:46 | |
What are you doing? Make it up. Sing, please! | 0:12:46 | 0:12:48 | |
-BOTH: -# I do what I want... # | 0:12:48 | 0:12:50 | |
'I'm not...' | 0:12:50 | 0:12:51 | |
doing what I want! | 0:12:51 | 0:12:52 | |
-Hi. -Hey. | 0:12:57 | 0:12:58 | |
So, you're looking a little uncomfortable. You OK? | 0:13:00 | 0:13:03 | |
I mean, I don't get to wear my own clothes, | 0:13:03 | 0:13:05 | |
I don't get to sing my own song. | 0:13:05 | 0:13:07 | |
If they didn't want me, why did they pick me? | 0:13:07 | 0:13:10 | |
Listen, if you don't feel comfortable, you have to tell them. | 0:13:10 | 0:13:15 | |
-Do you really think so? -Yeah. | 0:13:15 | 0:13:18 | |
The only one that can stand up for what Rachel wants is Rachel. | 0:13:18 | 0:13:22 | |
Well, this Rachel's a little scared. | 0:13:22 | 0:13:25 | |
'Parker's right.' | 0:13:26 | 0:13:28 | |
I need to stand up for myself. | 0:13:28 | 0:13:29 | |
But what if I never get a chance like this again? | 0:13:29 | 0:13:32 | |
Why would you even want the video down anyways? | 0:13:38 | 0:13:40 | |
It doesn't make any sense, everybody's already seen it. | 0:13:40 | 0:13:43 | |
'This interview was supposed to be my legacy.' | 0:13:43 | 0:13:46 | |
This can't be my legacy. People are going to hate me. | 0:13:46 | 0:13:48 | |
Wait a minute. | 0:13:48 | 0:13:50 | |
-Light bulb moment. Everybody's already seen it. -Mm-hm. | 0:13:50 | 0:13:53 | |
So that means her vlog is pretty popular, right? | 0:13:53 | 0:13:56 | |
-Of course it's popular. -But that might be what saves you. | 0:13:56 | 0:13:59 | |
What if you went on her vlog and made a public apology? | 0:13:59 | 0:14:03 | |
So, you want me to go back in the belly of the beast? | 0:14:04 | 0:14:07 | |
You've got to apologise to a lot of people really quickly. | 0:14:07 | 0:14:10 | |
'I have no other option' | 0:14:10 | 0:14:11 | |
but to get onto Annabelle's vlog. It can't get any worse. | 0:14:11 | 0:14:15 | |
-You sure about this? -Yeah. | 0:14:23 | 0:14:25 | |
Hey, she's back. | 0:14:25 | 0:14:27 | |
Right, I'm ready, let's try another take. | 0:14:33 | 0:14:35 | |
Um, actually, I want to do my version. | 0:14:35 | 0:14:39 | |
-What? -With my guitar. | 0:14:39 | 0:14:42 | |
OK, you can do your own versions in your own time. | 0:14:42 | 0:14:45 | |
Right now we're looking for the right sound. | 0:14:45 | 0:14:47 | |
No. | 0:14:47 | 0:14:49 | |
I want to concentrate on my sound. | 0:14:49 | 0:14:51 | |
-OK. -I've worked really hard to find it and... | 0:14:51 | 0:14:55 | |
I want to build on what I have. | 0:14:55 | 0:14:56 | |
I don't want to throw it all away and start over with some kind of | 0:14:56 | 0:15:00 | |
generic backing track. | 0:15:00 | 0:15:01 | |
So you're sure about this? | 0:15:03 | 0:15:06 | |
Yeah, I am. | 0:15:06 | 0:15:07 | |
-Fine. You ready to record it right now? -Yeah, yeah. | 0:15:09 | 0:15:11 | |
Great, yeah, let's get this out of the way. | 0:15:13 | 0:15:15 | |
Take Control, take one. | 0:15:16 | 0:15:18 | |
'Parker was right.' | 0:15:23 | 0:15:24 | |
All I had to do was stand up for myself. | 0:15:24 | 0:15:27 | |
# I can hear the music | 0:15:27 | 0:15:31 | |
# It moves my body till the break of dawn. # | 0:15:31 | 0:15:35 | |
'I'm giving it my all right now.' | 0:15:35 | 0:15:38 | |
Hopefully, Opal can see how special my version of the song is. | 0:15:38 | 0:15:42 | |
# And it makes me feel | 0:15:42 | 0:15:45 | |
# Something so real | 0:15:45 | 0:15:48 | |
# And I can't let go | 0:15:48 | 0:15:52 | |
# I'm gonna take control. # | 0:15:52 | 0:15:56 | |
OK, nice work. | 0:15:59 | 0:16:02 | |
'I'm proud of myself.' | 0:16:02 | 0:16:03 | |
I know I did the right thing. | 0:16:03 | 0:16:06 | |
Hey, guys. We're back with another scintillating interview with | 0:16:11 | 0:16:14 | |
the inimitable Luke. | 0:16:14 | 0:16:15 | |
Let's see what he has to say for himself now. | 0:16:15 | 0:16:18 | |
Er... | 0:16:18 | 0:16:20 | |
I'd like to make a public apology for everything that I've done. | 0:16:20 | 0:16:24 | |
Luke is treating my vlog like his own little PR firm. | 0:16:24 | 0:16:27 | |
I don't think so. | 0:16:27 | 0:16:28 | |
If you thought that you could just come in here, | 0:16:28 | 0:16:30 | |
hand me some apology, sing some lame song about how | 0:16:30 | 0:16:32 | |
you're sad that you said mean things to people, I would think twice. | 0:16:32 | 0:16:36 | |
-It had a really cool bridge. -I don't care, Theo. | 0:16:36 | 0:16:38 | |
Go eat a meat sandwich or something. I'm trying to get to the truth here. | 0:16:38 | 0:16:42 | |
All right, let's get real. | 0:16:42 | 0:16:44 | |
So do you think you're the most talented singer here? | 0:16:44 | 0:16:47 | |
I can't even think straight, but I have to be honest about everything. | 0:16:47 | 0:16:50 | |
Lying got me here in the first place. | 0:16:50 | 0:16:53 | |
-OK, well at least top five in the studio. -Really? Risky. | 0:16:54 | 0:16:58 | |
Honest? Too honest or not honest enough? | 0:16:58 | 0:17:02 | |
Do you think you'll ever leave the band? | 0:17:03 | 0:17:06 | |
Um, like, for a solo career? | 0:17:06 | 0:17:09 | |
Precisely. | 0:17:09 | 0:17:12 | |
Not until we release three albums and go on a world tour, | 0:17:12 | 0:17:15 | |
but even then we can always go on a reunion tour later on. | 0:17:15 | 0:17:18 | |
You're really going to betray your band like that? | 0:17:20 | 0:17:22 | |
No, that's further down the road. Stop twisting my words around. | 0:17:22 | 0:17:25 | |
OK, I need something really juicy. | 0:17:25 | 0:17:27 | |
Time to go in for the kill. | 0:17:27 | 0:17:29 | |
Do you have a crush on anyone? | 0:17:29 | 0:17:31 | |
HE SNIGGERS | 0:17:31 | 0:17:33 | |
Ssh! | 0:17:33 | 0:17:34 | |
Um... | 0:17:34 | 0:17:36 | |
Yes, I do have a crush on someone. | 0:17:36 | 0:17:39 | |
Really? Who is it? | 0:17:39 | 0:17:41 | |
-Is it me? -No. | 0:17:41 | 0:17:42 | |
-Rachel? -No. | 0:17:42 | 0:17:44 | |
-Eva? -No. | 0:17:44 | 0:17:46 | |
-Maggie? You guys are... -It's Leia. | 0:17:46 | 0:17:49 | |
Did I just say that out loud? | 0:17:50 | 0:17:53 | |
I guess you can apologise now. | 0:17:53 | 0:17:55 | |
Breaking news - Luke likes Leia. | 0:17:58 | 0:18:00 | |
Looks like we just broke the internet. | 0:18:00 | 0:18:02 | |
I'm not ready to deal with this. | 0:18:02 | 0:18:04 | |
I need to slow this down somehow. | 0:18:04 | 0:18:06 | |
Thanks for watching, guys. Subscribe and see you next time. | 0:18:06 | 0:18:11 | |
(This is my new favourite show.) | 0:18:11 | 0:18:14 | |
Hey, Jude, I was wondering when you wanted to start working on | 0:18:18 | 0:18:21 | |
our next song? | 0:18:21 | 0:18:23 | |
Um, I think we should sleep on it and see if we feel something | 0:18:23 | 0:18:26 | |
different tomorrow. | 0:18:26 | 0:18:28 | |
What are you talking about? I have so many ideas. | 0:18:28 | 0:18:31 | |
Well... | 0:18:32 | 0:18:34 | |
I have to drop a truth bomb on Clara | 0:18:34 | 0:18:36 | |
even though it's not going to be any fun. | 0:18:36 | 0:18:38 | |
You're kind of difficult to work with to be honest. | 0:18:38 | 0:18:41 | |
I don't want to be rude or anything, | 0:18:41 | 0:18:43 | |
but you're just so intense and it has me like, "OK, so..." | 0:18:43 | 0:18:46 | |
I'm not difficult to work with! | 0:18:46 | 0:18:49 | |
YOU'RE difficult to work with. All you do is shoot down my ideas. | 0:18:49 | 0:18:53 | |
Well, you tried to take over my whole song. | 0:18:53 | 0:18:54 | |
It wasn't your song, it was our song. | 0:18:54 | 0:18:57 | |
I wasn't taking it over. I was making it better. | 0:18:57 | 0:18:59 | |
Wow! | 0:18:59 | 0:19:01 | |
I'm no expert, but I think Clara might still be feeling | 0:19:01 | 0:19:03 | |
a lot of stress here. | 0:19:03 | 0:19:05 | |
-You're so rude! -Me?! | 0:19:05 | 0:19:06 | |
Yeah, I'm done, OK? Bye. | 0:19:06 | 0:19:09 | |
Your loss, OK? | 0:19:09 | 0:19:11 | |
OK, move, please. | 0:19:11 | 0:19:13 | |
That went well. | 0:19:18 | 0:19:20 | |
Rachel. | 0:19:24 | 0:19:26 | |
So I spoke to Opal and they're going to shelve the song. | 0:19:26 | 0:19:30 | |
Is it cos I made her do my version? | 0:19:31 | 0:19:34 | |
Opal just said it wasn't the right sound for them. | 0:19:34 | 0:19:36 | |
So all of this has been for nothing? | 0:19:36 | 0:19:38 | |
No, you stood up for yourself. | 0:19:38 | 0:19:41 | |
Plus songs get shelved for millions of reasons all the time. | 0:19:41 | 0:19:44 | |
There are so many songs recorded that we will never hear. | 0:19:44 | 0:19:46 | |
-I liked my version. -Then that's your win. | 0:19:46 | 0:19:49 | |
You pushed for what was you. You got it. | 0:19:49 | 0:19:52 | |
'I got it, but where did that really get me?' | 0:19:55 | 0:19:59 | |
Shelved, that's where. | 0:19:59 | 0:20:01 | |
I'm hiding from everyone. | 0:20:02 | 0:20:04 | |
Leia. My feelings for Leia. | 0:20:04 | 0:20:06 | |
Just everyone. | 0:20:08 | 0:20:10 | |
Everyone hates me. | 0:20:10 | 0:20:12 | |
(I don't hate you.) | 0:20:12 | 0:20:15 | |
Code six. | 0:20:15 | 0:20:16 | |
-Code six? -Code six? | 0:20:16 | 0:20:18 | |
Code six. | 0:20:18 | 0:20:20 | |
Should I be scared? | 0:20:21 | 0:20:24 | |
Aargh! | 0:20:26 | 0:20:27 | |
-Hi. -Hi. | 0:20:27 | 0:20:29 | |
I always suspected Luke liked me and now I have proof. | 0:20:29 | 0:20:33 | |
Like actual proof. Video evidence. | 0:20:33 | 0:20:36 | |
-Leia, about the... -Wait! | 0:20:36 | 0:20:38 | |
Before you say anything, I just... | 0:20:38 | 0:20:41 | |
I wanted to say I feel like a storm has just passed and, | 0:20:41 | 0:20:48 | |
for once in my life, I don't feel crazy. | 0:20:48 | 0:20:52 | |
As you were saying. | 0:20:54 | 0:20:57 | |
This is all just moving way too fast. | 0:20:59 | 0:21:01 | |
I don't even really know how I truly feel. | 0:21:01 | 0:21:03 | |
Look, I went into this interview wanting to be controversial | 0:21:06 | 0:21:11 | |
and a bit more dramatic. | 0:21:11 | 0:21:14 | |
I just thought, because you're you, you would get it. | 0:21:15 | 0:21:18 | |
Um, so... | 0:21:19 | 0:21:21 | |
..thanks. | 0:21:22 | 0:21:26 | |
Thanks for being in on the joke. | 0:21:26 | 0:21:28 | |
Yeah, it's no problem. | 0:21:30 | 0:21:33 | |
Er, I think someone called me. | 0:21:34 | 0:21:38 | |
Leia, your phone. | 0:21:38 | 0:21:40 | |
'I think I might have just ruined everything.' | 0:21:42 | 0:21:45 | |
I just wanted to slow it down, | 0:21:45 | 0:21:47 | |
but I may have stopped it forever. | 0:21:47 | 0:21:51 | |
# Who-o-oa oh oh Who-o-oa oh oh | 0:22:11 | 0:22:14 | |
# Whoa, o-o-oh | 0:22:14 | 0:22:16 | |
# We are the lost | 0:22:16 | 0:22:18 | |
# And the found | 0:22:18 | 0:22:19 | |
# Don't know where we stand but it's solid ground | 0:22:19 | 0:22:22 | |
# It's your shot | 0:22:22 | 0:22:23 | |
# Let's see what you got | 0:22:23 | 0:22:25 | |
# Only your true light shines as bright as you | 0:22:25 | 0:22:29 | |
# Who-o-oa oh oh Who-o-oa oh oh | 0:22:29 | 0:22:32 | |
# Whoa o-o-o-oh | 0:22:32 | 0:22:35 | |
# Who-o-oa oh oh Who-o-oa oh oh | 0:22:35 | 0:22:38 | |
# Whoa o-o-o-oh. # | 0:22:38 | 0:22:40 |