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Welcome to the tailgate party! | 0:00:02 | 0:00:05 | |
THEY CHEER | 0:00:05 | 0:00:06 | |
Eva. | 0:00:06 | 0:00:07 | |
My parents are really strict, | 0:00:07 | 0:00:09 | |
but there's no turning back because I want to be here. | 0:00:09 | 0:00:12 | |
I want to stand out here. I want to be remembered. | 0:00:12 | 0:00:14 | |
You have to push yourself in order to succeed. | 0:00:14 | 0:00:16 | |
You can't just go along with what everybody else is doing. | 0:00:16 | 0:00:19 | |
Michelle wrote a song for me. | 0:00:19 | 0:00:20 | |
I can't believe it. | 0:00:20 | 0:00:22 | |
I can finally tell him how I feel. What do you think? | 0:00:22 | 0:00:25 | |
# Wondering | 0:00:28 | 0:00:32 | |
# What the day will bring... # | 0:00:34 | 0:00:37 | |
I'm playing a song that I wrote on my electric guitar called Wondering. | 0:00:37 | 0:00:40 | |
It's also the first time that I've ever played my guitar | 0:00:40 | 0:00:43 | |
in front of an audience, | 0:00:43 | 0:00:44 | |
so I'm pretty excited. | 0:00:44 | 0:00:45 | |
# Maybe there's no such thing as me | 0:00:45 | 0:00:48 | |
# Maybe there's no such thing as you | 0:00:48 | 0:00:50 | |
# Maybe we're all just parts of the one... # | 0:00:50 | 0:00:53 | |
I'm shooting this music video because I want to celebrate. | 0:00:53 | 0:00:56 | |
I think that things are actually starting to change for me. | 0:00:56 | 0:00:58 | |
# Make a big wave | 0:00:58 | 0:01:00 | |
# And reach the top | 0:01:00 | 0:01:01 | |
# But what I really want | 0:01:01 | 0:01:04 | |
# Is to have some fun | 0:01:04 | 0:01:06 | |
# Oh-oh-oh-oh-oh | 0:01:06 | 0:01:08 | |
# What I really, really want What I really, really want, yeah | 0:01:08 | 0:01:11 | |
# Oh-oh-oh-oh-oh | 0:01:11 | 0:01:13 | |
# What I really, really want What I really, really want | 0:01:13 | 0:01:16 | |
# Oh, oh, oh-oh | 0:01:16 | 0:01:21 | |
# I'll start with whatever's in my heart. # | 0:01:21 | 0:01:26 | |
CHEERING AND APPLAUSE | 0:01:28 | 0:01:31 | |
OK, so listen up. | 0:01:31 | 0:01:32 | |
The reason why I had Mary record this | 0:01:32 | 0:01:33 | |
is because Parker has been telling me | 0:01:33 | 0:01:35 | |
that our presence online is a little bit lagging. | 0:01:35 | 0:01:37 | |
We want to promote the talent here. | 0:01:37 | 0:01:38 | |
And the best way to do that | 0:01:38 | 0:01:39 | |
is to get the kids to shoot some music videos today. | 0:01:39 | 0:01:42 | |
And that goes for everybody. Get some videos up there, all right? | 0:01:42 | 0:01:44 | |
I'm really excited about doing a new video. | 0:01:44 | 0:01:46 | |
I'm going to write a brand-new song for it, something special. | 0:01:46 | 0:01:50 | |
-Eva, that was amazing. So good. -Mr T? -Yes? | 0:01:50 | 0:01:54 | |
I'd like to discuss Eva's tenure here at the studio. | 0:01:54 | 0:01:56 | |
What is my mom doing here? I cannot let her see me like this. | 0:01:56 | 0:02:00 | |
-Shoot. -Sorry, you might want to turn that inside out. | 0:02:00 | 0:02:03 | |
Some place private, please. | 0:02:03 | 0:02:04 | |
This way. | 0:02:05 | 0:02:07 | |
I really hope my mom did not see me performing up there. | 0:02:07 | 0:02:10 | |
I worry that she might pull me out of Lost & Found. | 0:02:10 | 0:02:12 | |
For good. | 0:02:12 | 0:02:14 | |
# We are the lost | 0:02:14 | 0:02:16 | |
# And the found | 0:02:16 | 0:02:17 | |
# Don't know where we stand but it's solid ground | 0:02:17 | 0:02:20 | |
# It's your shot | 0:02:20 | 0:02:21 | |
# To see what you've got | 0:02:21 | 0:02:23 | |
# Only your true love shines | 0:02:23 | 0:02:25 | |
# But it's you | 0:02:25 | 0:02:27 | |
# Oh-ho-ho, oh, oh | 0:02:27 | 0:02:28 | |
# Oh-oh-oh, oh, oh | 0:02:28 | 0:02:30 | |
# Oh, oh, oh, oh. # | 0:02:30 | 0:02:33 | |
After you. | 0:02:47 | 0:02:48 | |
I got in trouble last night for going to the tailgate party. | 0:02:48 | 0:02:51 | |
And I thought that being grounded was enough punishment. | 0:02:51 | 0:02:53 | |
But apparently not. | 0:02:53 | 0:02:54 | |
So, what is it you would like to discuss? | 0:02:54 | 0:02:57 | |
Eva missed her curfew attending a studio tailgating party. | 0:02:58 | 0:03:02 | |
-Uh-huh. Did you say sorry? -Yes, of course. | 0:03:02 | 0:03:05 | |
OK, so what's the problem? | 0:03:05 | 0:03:07 | |
I'm considering pulling her from this programme altogether. | 0:03:07 | 0:03:09 | |
Is that really necessary? | 0:03:09 | 0:03:10 | |
Eva has been here for two years, | 0:03:10 | 0:03:12 | |
and she's just now starting to tap into her potential. | 0:03:12 | 0:03:14 | |
If she wants to keep growing, she needs her independence. | 0:03:14 | 0:03:17 | |
I mean, were you aware of this? | 0:03:17 | 0:03:18 | |
You condone this kind of behaviour on your property? | 0:03:18 | 0:03:20 | |
-Actually, I encourage it. I do. -Wow. | 0:03:20 | 0:03:22 | |
A bunch of kids drinking pop, having chips, | 0:03:22 | 0:03:24 | |
celebrating music in a van. I really don't think it's a big deal. | 0:03:24 | 0:03:26 | |
She's a child! You run this place. | 0:03:26 | 0:03:28 | |
She's hardly an infant, | 0:03:28 | 0:03:29 | |
and if you have a problem knowing where she is, | 0:03:29 | 0:03:32 | |
-why don't you get her cellphone? -A cell... | 0:03:32 | 0:03:34 | |
Eva, wait outside, please. | 0:03:34 | 0:03:35 | |
My mom thinks that cellphones and social media are really bad. | 0:03:37 | 0:03:40 | |
-A cellphone?! -A cellphone. | 0:03:40 | 0:03:41 | |
What kind of place are you running here? | 0:03:41 | 0:03:43 | |
I didn't swear at you. I said cellphone. | 0:03:43 | 0:03:44 | |
This is a music studio where people come and make music | 0:03:44 | 0:03:47 | |
and grow as musicians, | 0:03:47 | 0:03:48 | |
and your daughter is doing a fantastic job of doing both. | 0:03:48 | 0:03:52 | |
Wait, wait! | 0:03:52 | 0:03:53 | |
Is she any good? | 0:03:56 | 0:03:57 | |
Yes. | 0:04:02 | 0:04:04 | |
Yes, she is. | 0:04:04 | 0:04:05 | |
-We really need a video concept. -Yeah. | 0:04:11 | 0:04:14 | |
We're about to film our first music video | 0:04:14 | 0:04:15 | |
for the Lost & Found internet channel. | 0:04:15 | 0:04:18 | |
This is the best way to sell ourselves as a band. | 0:04:18 | 0:04:20 | |
All we need to do is think of an amazing concept. | 0:04:20 | 0:04:22 | |
They don't want us to just be random, you know? | 0:04:22 | 0:04:24 | |
We need a concept. | 0:04:24 | 0:04:25 | |
-Oh, oh, oh! -Yes, Theo. -What... | 0:04:25 | 0:04:27 | |
..if we were lying down... | 0:04:29 | 0:04:31 | |
No. Why would we be lying down? | 0:04:32 | 0:04:34 | |
..in the snow? | 0:04:34 | 0:04:35 | |
-Making snow angels. -Why would we be lying down? | 0:04:35 | 0:04:38 | |
Theo's got a million ideas for the video. | 0:04:38 | 0:04:41 | |
And they're all terrible. | 0:04:41 | 0:04:43 | |
I have an even better idea! We'll shoot it from space. | 0:04:43 | 0:04:47 | |
Hey, if you can get us a shot from space, I'm down. | 0:04:47 | 0:04:49 | |
That would be pretty cool. | 0:04:49 | 0:04:51 | |
-I can't do that. -Then, no. | 0:04:51 | 0:04:54 | |
We are about to shoot our first music video. It has to be good. | 0:04:54 | 0:04:58 | |
What did I miss? | 0:04:58 | 0:05:00 | |
Nothing, just some Theo idiocy. | 0:05:00 | 0:05:02 | |
Yeah, I call it Theo-idiocy. | 0:05:02 | 0:05:04 | |
-OK, cool. Um, can I talk to you for a sec? -Yeah, dude. | 0:05:04 | 0:05:07 | |
Yeah, you guys talk there, we'll talk here. | 0:05:07 | 0:05:10 | |
I need to talk to Luke. | 0:05:10 | 0:05:11 | |
Michelle sang a beautiful, original song for me | 0:05:11 | 0:05:15 | |
and I didn't react so well. | 0:05:15 | 0:05:17 | |
-So here's the deal. -Uh-huh. | 0:05:17 | 0:05:21 | |
-Michelle sang me a song. -What?! | 0:05:21 | 0:05:23 | |
-Yeah. -Where? -Here, | 0:05:23 | 0:05:25 | |
in this general area. | 0:05:25 | 0:05:26 | |
What did you do, John? | 0:05:28 | 0:05:29 | |
When the song ended, and she asked me how I felt about it, | 0:05:30 | 0:05:34 | |
I walked over here, I pressed a button and said, "Thank you." | 0:05:34 | 0:05:38 | |
You're welcome! | 0:05:38 | 0:05:39 | |
-And then I walked out. -OK, well, you said thank you. | 0:05:41 | 0:05:44 | |
Which you only say to people who open the door for you | 0:05:44 | 0:05:47 | |
-or tell you that your shirt is inside out. -Yeah, I know. | 0:05:47 | 0:05:49 | |
-Or remind people like you that you are an idiot! -Thank you. | 0:05:49 | 0:05:52 | |
You're welcome! | 0:05:52 | 0:05:53 | |
What do I do, man? | 0:05:53 | 0:05:55 | |
I don't know. | 0:05:56 | 0:05:57 | |
The only thing I can think of is working on the video concept | 0:05:57 | 0:06:00 | |
to get your mind off it. | 0:06:00 | 0:06:01 | |
Cos you, my friend, are doomed. | 0:06:01 | 0:06:04 | |
-Great, thanks. -You're welcome! | 0:06:05 | 0:06:07 | |
Theo, shut up! | 0:06:07 | 0:06:09 | |
Do you know what, guys? | 0:06:18 | 0:06:20 | |
I think I have a really cool concept for the video. | 0:06:20 | 0:06:22 | |
-Yeah? -Yeah. | 0:06:22 | 0:06:23 | |
I have a video concept that is going to blow everyone's minds. | 0:06:23 | 0:06:27 | |
Kind of like a road trip, slice of life, | 0:06:27 | 0:06:29 | |
band on the road kind of thing. | 0:06:29 | 0:06:31 | |
-That's three things. -Put them together, Theo, could be one. | 0:06:31 | 0:06:35 | |
I love Luke's video concept. | 0:06:35 | 0:06:36 | |
Being in a band is all about life on the road. | 0:06:36 | 0:06:40 | |
All right, so... | 0:06:40 | 0:06:42 | |
I'll be driving. And I'll pick all of you guys up. | 0:06:42 | 0:06:44 | |
HE CLICKS HIS FINGERS | 0:06:44 | 0:06:46 | |
Wake up, man! | 0:06:46 | 0:06:47 | |
Shake the Michelle out of you! Live! | 0:06:47 | 0:06:50 | |
-Live! -OK! | 0:06:50 | 0:06:51 | |
All I'm thinking about is how much of an idiot I am. | 0:06:54 | 0:06:56 | |
Then these other idiots tried to help me snap out of it. | 0:06:56 | 0:07:00 | |
-Want in on this? -No, thank you. | 0:07:00 | 0:07:02 | |
I'm good. | 0:07:02 | 0:07:03 | |
The van won't start. | 0:07:07 | 0:07:09 | |
Hey, remember when I said, "Let's NOT buy this piece of junk."? | 0:07:09 | 0:07:12 | |
She'll hear you. | 0:07:12 | 0:07:13 | |
We need the van to work if we're going to film a road-trip video. | 0:07:13 | 0:07:16 | |
We have no road, no trip. | 0:07:16 | 0:07:18 | |
What are we supposed to do now? | 0:07:18 | 0:07:20 | |
OK, maybe if I started it up again. Maybe it'll... | 0:07:29 | 0:07:31 | |
It's not going to help. | 0:07:31 | 0:07:32 | |
It's been two hours. You've tried to start it 60 times. | 0:07:32 | 0:07:35 | |
If it was going to start, it would have started. | 0:07:35 | 0:07:37 | |
-Oh, oh, oh, oh! -Yes, yes, Theo? | 0:07:37 | 0:07:39 | |
I have an idea. | 0:07:39 | 0:07:41 | |
Man, what's your idea? | 0:07:43 | 0:07:45 | |
-Come back! -He's finally snapped. | 0:07:45 | 0:07:47 | |
OK, forget going on the road trip. I'll bring the road trip to us. | 0:07:52 | 0:07:55 | |
OK, so why did you run away? | 0:07:55 | 0:07:57 | |
To go get the road-trip stuff to bring the road trip to us. | 0:07:57 | 0:07:59 | |
I know the guys think that I only come up with crazy ideas. | 0:07:59 | 0:08:02 | |
But this one, it's going to completely blow their minds. | 0:08:02 | 0:08:05 | |
OK, I'm going to go now. But I'm not going to go as fast. | 0:08:05 | 0:08:09 | |
THEY LAUGH | 0:08:09 | 0:08:11 | |
# I can give you what you want | 0:08:17 | 0:08:20 | |
# Even if it hurts... # | 0:08:20 | 0:08:23 | |
I'm working on a new song for the video. | 0:08:23 | 0:08:24 | |
I think it could be really good, | 0:08:24 | 0:08:26 | |
but I need time to focus. | 0:08:26 | 0:08:28 | |
# And it's true that I can be some... # | 0:08:28 | 0:08:32 | |
Mary? | 0:08:33 | 0:08:34 | |
-Jackie? What are you doing here? -What are you doing here? | 0:08:36 | 0:08:39 | |
You were supposed to pick me up after my piano lesson. | 0:08:39 | 0:08:41 | |
I'm sorry, I... | 0:08:41 | 0:08:43 | |
Aw, man. I really lost track of time. | 0:08:43 | 0:08:46 | |
Well, Mom called, and she wants to know where you are. | 0:08:46 | 0:08:48 | |
TELEPHONE RINGS | 0:08:48 | 0:08:50 | |
It's Mom. | 0:08:51 | 0:08:52 | |
Hello? | 0:08:56 | 0:08:57 | |
'I can't believe Jackie told on me. | 0:08:57 | 0:08:59 | |
'I don't think my family understands | 0:08:59 | 0:09:01 | |
'that I need to work hard to achieve my dreams.' | 0:09:01 | 0:09:03 | |
Mom, I'm sorry, I lost track of time... | 0:09:03 | 0:09:06 | |
Isn't there any way I can just finish this song and then... | 0:09:06 | 0:09:08 | |
-SHE SIGHS -OK. | 0:09:08 | 0:09:11 | |
Bye. | 0:09:11 | 0:09:14 | |
Thanks a lot, Jackie. | 0:09:14 | 0:09:15 | |
Shut up. | 0:09:15 | 0:09:17 | |
My mom just doesn't get it. | 0:09:17 | 0:09:19 | |
Shooting this video is way more important than baby-sitting Jackie. | 0:09:19 | 0:09:22 | |
So, you guys, what did I tell you? | 0:09:24 | 0:09:26 | |
Our desert theme will be done in no time. | 0:09:26 | 0:09:28 | |
Yeah, man, it looks good. | 0:09:28 | 0:09:29 | |
I can see it. | 0:09:29 | 0:09:31 | |
Theo may come up with a million horrible ideas, | 0:09:31 | 0:09:33 | |
but his millionth and one idea | 0:09:33 | 0:09:35 | |
is pretty genius. | 0:09:35 | 0:09:37 | |
-James? -Yeah. | 0:09:37 | 0:09:40 | |
Can I ask you a question? | 0:09:40 | 0:09:41 | |
-Yeah, Theo, what? -No. | 0:09:42 | 0:09:44 | |
-I'm Rick. -OK, Rick, what? | 0:09:45 | 0:09:47 | |
Rick would like to know, | 0:09:49 | 0:09:50 | |
what is it like to be in love? | 0:09:50 | 0:09:53 | |
Why are you asking me that now? | 0:09:53 | 0:09:55 | |
Why don't you ask one of these guys? | 0:09:55 | 0:09:57 | |
-Well, look at these guys. His name is Frank. -What's wrong with Frank?, | 0:09:57 | 0:10:01 | |
Oh, come on. It's a terrible name for a terrible person. | 0:10:01 | 0:10:04 | |
-Yeah, name one cool person you know named Frank. -Yeah, it's unlovable. | 0:10:04 | 0:10:08 | |
All right, fine, let's have a little lesson. Let's go. | 0:10:08 | 0:10:10 | |
Crisscross, apple sauce. | 0:10:10 | 0:10:12 | |
Dr James is in the house. | 0:10:12 | 0:10:14 | |
My reputation precedes me. | 0:10:14 | 0:10:16 | |
You know, I'll just, I'll just...go grab some drinks. | 0:10:16 | 0:10:18 | |
No, John, you sit down. You need this the most. | 0:10:18 | 0:10:20 | |
Yeah. | 0:10:20 | 0:10:22 | |
All right, what do you want to know? | 0:10:22 | 0:10:23 | |
OK. For instance, like, how do you know Riley's the one? | 0:10:23 | 0:10:27 | |
Honestly, I think it's just because any time anything happens to me, | 0:10:29 | 0:10:32 | |
whether it's good or bad, she is the person I want to tell first. | 0:10:32 | 0:10:35 | |
Do you know what I mean? | 0:10:35 | 0:10:36 | |
-Like, she is the first person I want to share with. -That's sweet, man. | 0:10:36 | 0:10:39 | |
Sound familiar? | 0:10:39 | 0:10:41 | |
Do you guys think you can really write | 0:10:41 | 0:10:43 | |
a love song if you've never been a love? | 0:10:43 | 0:10:45 | |
Yeah, I think you can. | 0:10:45 | 0:10:47 | |
And then when you actually fall in love, | 0:10:47 | 0:10:49 | |
it'll just change your perspective on how you write your songs. | 0:10:49 | 0:10:51 | |
Realistically, you can write a song about anything. | 0:10:51 | 0:10:53 | |
Do you know what I mean? You'd be, like, | 0:10:53 | 0:10:55 | |
-# Johnny's figured it out... # -OK, time to go back to painting. | 0:10:55 | 0:10:57 | |
# He needs to man up... | 0:10:57 | 0:10:59 | |
-Shut up! -#..and ask her out. # | 0:10:59 | 0:11:00 | |
I'm going to cover you with this paintbrush. | 0:11:00 | 0:11:03 | |
'Music is easy for me.' | 0:11:03 | 0:11:04 | |
But connecting with Michelle? | 0:11:05 | 0:11:07 | |
Something inside me just won't let me tell her how I feel. | 0:11:07 | 0:11:10 | |
# I could sing another song | 0:11:17 | 0:11:19 | |
# I could... # | 0:11:20 | 0:11:22 | |
Even though I had to leave the studio because of Jackie, | 0:11:23 | 0:11:26 | |
I'm still trying to get this melody right. | 0:11:26 | 0:11:27 | |
But I'm so annoyed with her, | 0:11:27 | 0:11:29 | |
I can't even find the right chords. | 0:11:29 | 0:11:30 | |
# Then I could be somebody... # | 0:11:30 | 0:11:32 | |
Can you get out of my room? | 0:11:34 | 0:11:36 | |
No. I'm not leaving. | 0:11:36 | 0:11:37 | |
Jackie, what do you want? Tell me. What do you want? | 0:11:37 | 0:11:39 | |
What do you want? You're still writing that stupid song? | 0:11:39 | 0:11:42 | |
I know both of us hate fighting like this, but right now, | 0:11:42 | 0:11:44 | |
I don't have time to be a big sister. | 0:11:44 | 0:11:46 | |
Listen, it might be stupid to you, | 0:11:46 | 0:11:48 | |
-but other people are going to like it, trust me. -What's the point? | 0:11:48 | 0:11:50 | |
You're grounded, anyway. So it's not like you can shoot the video. | 0:11:50 | 0:11:53 | |
I'm grounded because of you! That's why I'm grounded. | 0:11:53 | 0:11:55 | |
What?! | 0:11:55 | 0:11:56 | |
You're grounded because of YOU. You left me for two hours, alone. | 0:11:56 | 0:12:00 | |
Whatever. | 0:12:00 | 0:12:02 | |
# I can give you what you want... # | 0:12:05 | 0:12:08 | |
DOOR SLAMS | 0:12:08 | 0:12:09 | |
SHE SIGHS | 0:12:11 | 0:12:12 | |
-This is amazing! -It actually looks really good. | 0:12:20 | 0:12:22 | |
-It actually looks amazing. -Right, let's do this. You sit in the front. | 0:12:22 | 0:12:26 | |
-All right. -You take this. | 0:12:26 | 0:12:27 | |
-OK. -You take this. | 0:12:28 | 0:12:30 | |
I've got this guy. And then we just run... | 0:12:32 | 0:12:34 | |
..with our props, back and forth. | 0:12:36 | 0:12:38 | |
And the camera will be right there. | 0:12:38 | 0:12:40 | |
Cool. | 0:12:40 | 0:12:41 | |
If you guys are running with props, and I'm in the front seat, | 0:12:41 | 0:12:44 | |
who's holding the camera? | 0:12:44 | 0:12:45 | |
John? | 0:12:45 | 0:12:47 | |
Oh, forget it, I'm going to find someone. | 0:12:47 | 0:12:49 | |
I need to find someone to shoot this video for us. | 0:12:49 | 0:12:52 | |
But I see Michelle, and I know I need to talk to her for John's sake. | 0:12:54 | 0:12:58 | |
-Hey, Michelle. -Hey. | 0:12:58 | 0:12:59 | |
John really liked your song. | 0:13:02 | 0:13:03 | |
I don't know. I disagree. He gave me a polite thank you | 0:13:04 | 0:13:08 | |
and then ran away. | 0:13:08 | 0:13:10 | |
But that's John. | 0:13:10 | 0:13:11 | |
OK, he runs away sometimes. But that doesn't mean he doesn't care. | 0:13:11 | 0:13:14 | |
Just trust me. OK? | 0:13:14 | 0:13:17 | |
Please don't give up on him yet. | 0:13:17 | 0:13:20 | |
OK. | 0:13:20 | 0:13:22 | |
I'll try not to. | 0:13:22 | 0:13:23 | |
I don't believe Luke. I put myself out there, and John ran away. | 0:13:23 | 0:13:28 | |
If he really liked me, he would have never done that. | 0:13:28 | 0:13:31 | |
-See you later. -Yeah. | 0:13:31 | 0:13:32 | |
Camera, camera, camera, camera... Eva! | 0:13:34 | 0:13:37 | |
Um, do you know how to use the camera on that thing? | 0:13:37 | 0:13:39 | |
Are you kidding me? I am the pro at videoing on this. | 0:13:39 | 0:13:42 | |
Mr T must work some kind of magic | 0:13:42 | 0:13:44 | |
because my mom got me a cellphone, finally. | 0:13:44 | 0:13:47 | |
OK, can we use it for our video? | 0:13:47 | 0:13:49 | |
-Yeah, of course. -Cool, let's go. | 0:13:49 | 0:13:51 | |
What is an emoji? | 0:13:51 | 0:13:53 | |
I had no idea my phone even had a camera. | 0:13:54 | 0:13:56 | |
This is wicked! | 0:13:56 | 0:13:57 | |
# I'm so afraid to say | 0:13:59 | 0:14:02 | |
# I know you'll run away... # | 0:14:02 | 0:14:05 | |
Thanks to my sister, I'm missing out on shooting my video. | 0:14:05 | 0:14:08 | |
I can't even concentrate on the song, I'm so angry. | 0:14:08 | 0:14:10 | |
KNOCK AT DOOR | 0:14:10 | 0:14:11 | |
Come in. | 0:14:13 | 0:14:14 | |
Hey. | 0:14:17 | 0:14:19 | |
Um... I got pizza. | 0:14:19 | 0:14:21 | |
I saved some for you. | 0:14:21 | 0:14:23 | |
-I'm not hungry. But thanks. -OK. | 0:14:24 | 0:14:27 | |
Um, I've been listening to you play that song. | 0:14:28 | 0:14:32 | |
I just don't think you've been playing it the way you should. | 0:14:32 | 0:14:36 | |
-What? -May I? -Yeah. | 0:14:36 | 0:14:40 | |
I'm still really mad at my sister. | 0:14:40 | 0:14:42 | |
But it's nice that she's trying to make it up to me. | 0:14:42 | 0:14:45 | |
# I could sing another song | 0:14:52 | 0:14:55 | |
# I could find the words and it's true... | 0:14:55 | 0:15:00 | |
# That I could be somebody | 0:15:00 | 0:15:04 | |
# But right now, I don't know. # | 0:15:04 | 0:15:06 | |
How did you get it right, and I didn't? | 0:15:06 | 0:15:08 | |
You played every wrong version. | 0:15:08 | 0:15:10 | |
That was the only one left. | 0:15:10 | 0:15:12 | |
Jackie, you might have just saved my song. | 0:15:12 | 0:15:14 | |
Admit it. You were just being a stupid big sister. | 0:15:14 | 0:15:16 | |
OK, I'm sorry. | 0:15:18 | 0:15:19 | |
Forgiven? | 0:15:19 | 0:15:21 | |
Forgiven. Always forgive, we're sisters. | 0:15:21 | 0:15:25 | |
So... | 0:15:25 | 0:15:26 | |
do you think maybe you could help me with that video? | 0:15:26 | 0:15:29 | |
Sure. | 0:15:29 | 0:15:31 | |
-OK. -But first, we should eat some pizza. | 0:15:31 | 0:15:33 | |
-Pizza! -Yes! -Thank you. | 0:15:33 | 0:15:36 | |
OK, ready? | 0:15:41 | 0:15:43 | |
-Oh, yeah. -Yeah. -And...action! | 0:15:43 | 0:15:46 | |
# Can you feel the love? | 0:15:58 | 0:16:01 | |
# Feel it on your skin? | 0:16:01 | 0:16:03 | |
# Just like the sun above | 0:16:03 | 0:16:05 | |
# Why don't you grab my hand | 0:16:05 | 0:16:08 | |
# And I'll lead you out | 0:16:08 | 0:16:09 | |
# To the sunniest day | 0:16:09 | 0:16:12 | |
-# Can you feel the love? -I can feel it | 0:16:12 | 0:16:14 | |
-# Can you feel the high? -Building round me | 0:16:14 | 0:16:17 | |
-# Give it all you've got -Building towards the... | 0:16:17 | 0:16:19 | |
-# And take it to the sky -..sky | 0:16:19 | 0:16:22 | |
-# I can feel the love -I can feel the... | 0:16:22 | 0:16:25 | |
-# I can feel it high -..city swimming | 0:16:25 | 0:16:27 | |
-# Give it all I've got -Streets have come... | 0:16:27 | 0:16:30 | |
-# Take it to the sky -..alive | 0:16:30 | 0:16:33 | |
# Is that the border line? | 0:16:34 | 0:16:36 | |
# And if we can make it past then we can all be fine | 0:16:36 | 0:16:41 | |
# But if we go alone | 0:16:41 | 0:16:43 | |
# There's no telling if we'll ever make it home | 0:16:43 | 0:16:47 | |
# Why don't you grab my hand | 0:16:47 | 0:16:50 | |
# And I'll lead you out to the promised land | 0:16:50 | 0:16:54 | |
# Back to lodge in town | 0:16:54 | 0:16:56 | |
# The place that we come from | 0:16:56 | 0:16:58 | |
# Will never let you down | 0:16:58 | 0:17:00 | |
-# Can you feel the love? -I can feel it | 0:17:00 | 0:17:03 | |
-# Can you feel the high? -Building round me | 0:17:03 | 0:17:05 | |
-# Give it all you've got -Building towards the... | 0:17:05 | 0:17:08 | |
-# Take it to the sky -..sky | 0:17:08 | 0:17:11 | |
-# I can feel the love -I can feel the... | 0:17:11 | 0:17:13 | |
-# I can feel it flying -..city swimming | 0:17:13 | 0:17:16 | |
-# Give it all I've got -Streets have come... | 0:17:16 | 0:17:19 | |
-# Take it to the sky -..alive | 0:17:19 | 0:17:22 | |
# Can you feel the love? | 0:17:29 | 0:17:31 | |
# Feel it on your skin just like the sun above | 0:17:32 | 0:17:36 | |
# Why don't you grab my hand? | 0:17:36 | 0:17:38 | |
# And I'll lead you out to the promised land | 0:17:38 | 0:17:42 | |
# I can feel it building round me | 0:17:42 | 0:17:47 | |
# Building towards the sky | 0:17:47 | 0:17:53 | |
# I can feel the city swimming | 0:17:53 | 0:17:58 | |
# Streets have come alive | 0:17:58 | 0:18:03 | |
-# Can you feel the love? -I can feel it | 0:18:03 | 0:18:06 | |
-# Can you feel the high? -Building round me | 0:18:06 | 0:18:09 | |
-# Give it all you've got -Building towards the... | 0:18:09 | 0:18:11 | |
-# And take it to the sky -..sky | 0:18:11 | 0:18:14 | |
-# I can feel the love -I can feel the... | 0:18:14 | 0:18:18 | |
-# I can feel it high -..city swimming | 0:18:18 | 0:18:20 | |
-# Give it all I've got -Streets have come... | 0:18:20 | 0:18:22 | |
-# And take it to the sky -..alive | 0:18:22 | 0:18:25 | |
# Can you feel the love? # | 0:18:25 | 0:18:27 | |
# Hm, hm... # | 0:18:46 | 0:18:49 | |
I'm finally getting to shoot my video, | 0:18:51 | 0:18:53 | |
and it turns out Jackie was pretty helpful after all. | 0:18:53 | 0:18:56 | |
# I can give you what you want | 0:18:56 | 0:18:59 | |
# Even when it hurts | 0:18:59 | 0:19:01 | |
# I could sing another song | 0:19:01 | 0:19:04 | |
# I could find the words | 0:19:04 | 0:19:07 | |
# And it's true that I could be somebody | 0:19:07 | 0:19:11 | |
# But right now, I don't know | 0:19:11 | 0:19:14 | |
# And how did it get to be so complicated? | 0:19:18 | 0:19:24 | |
# Sometimes it gets me down | 0:19:24 | 0:19:27 | |
# Sometimes I'm spinning round | 0:19:27 | 0:19:29 | |
# But I won't disappear | 0:19:29 | 0:19:32 | |
# You'll see me standing here holding... # | 0:19:32 | 0:19:36 | |
'Singing the song with Jackie makes me realise | 0:19:36 | 0:19:38 | |
'how special my family is. | 0:19:38 | 0:19:40 | |
'I guess I can be a big sister and a musician.' | 0:19:40 | 0:19:43 | |
# Ooh-ooh-ooh | 0:19:45 | 0:19:47 | |
# So when all the lights go down | 0:19:49 | 0:19:52 | |
# When the music's done | 0:19:52 | 0:19:55 | |
# I'm here left without | 0:19:55 | 0:19:57 | |
# Everybody's gone | 0:19:57 | 0:20:00 | |
# And it's true that I could be somebody | 0:20:00 | 0:20:05 | |
# But right now, I don't know who. # | 0:20:05 | 0:20:08 | |
THEY LAUGH | 0:20:11 | 0:20:13 | |
Yay! It's so good! | 0:20:13 | 0:20:15 | |
I took Luke's words to heart, | 0:20:21 | 0:20:23 | |
and I've decided to talk to John. | 0:20:23 | 0:20:25 | |
-Did you see the barista's face when I walked in with a cactus? -Oh, man! | 0:20:25 | 0:20:29 | |
-Hey. -Hey. -Hey. | 0:20:29 | 0:20:30 | |
I'll let you guys talk. | 0:20:32 | 0:20:33 | |
Yeah. | 0:20:33 | 0:20:34 | |
HE SIGHS | 0:20:36 | 0:20:38 | |
I'm sorry for running out after the song. | 0:20:41 | 0:20:44 | |
I, I come from a long line of runners. | 0:20:46 | 0:20:49 | |
Not like people who run towards things, | 0:20:49 | 0:20:52 | |
but people who run away from stuff. | 0:20:52 | 0:20:55 | |
Like, when I was 12, | 0:20:55 | 0:20:57 | |
I ran away from my birthday party, | 0:20:57 | 0:21:00 | |
and no-one even noticed I was gone. | 0:21:00 | 0:21:02 | |
And there was no cake left when I came back. | 0:21:02 | 0:21:05 | |
And my uncle looked like he'd gained a few pounds. | 0:21:05 | 0:21:08 | |
Why are you babbling? | 0:21:09 | 0:21:10 | |
Cos I know what you're going to say. | 0:21:12 | 0:21:15 | |
John doesn't seem ready to let me go, | 0:21:15 | 0:21:17 | |
but I can't keep going on this way. | 0:21:17 | 0:21:19 | |
Maybe we'd just be better off as friends. | 0:21:19 | 0:21:22 | |
Don't you think we should stop what we're doing? | 0:21:22 | 0:21:26 | |
We're not even doing anything, and I don't want to stop that. | 0:21:26 | 0:21:29 | |
Maybe this would just be better some time in the future. | 0:21:30 | 0:21:33 | |
If that's what you want, then... Yeah, I agree. | 0:21:35 | 0:21:39 | |
'If John really liked me...' | 0:21:39 | 0:21:40 | |
OK. | 0:21:40 | 0:21:42 | |
'He would stop me from saying these things right now.' | 0:21:42 | 0:21:45 | |
But I guess it's not meant to be. | 0:21:45 | 0:21:47 | |
-See you around. -Yeah. | 0:21:50 | 0:21:52 | |
# We are the lost | 0:22:12 | 0:22:14 | |
# And the found | 0:22:14 | 0:22:15 | |
# Don't know where we stand but it's solid ground | 0:22:15 | 0:22:18 | |
# It's your shot | 0:22:18 | 0:22:20 | |
# To see what you've got | 0:22:20 | 0:22:21 | |
# Only the true light shines | 0:22:21 | 0:22:23 | |
# As bright as you... # | 0:22:23 | 0:22:25 |