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Previously on Lost And Found... | 0:00:02 | 0:00:04 | |
'This isn't the first time I've been excluded,' | 0:00:04 | 0:00:06 | |
it's just I felt it would be different around here. | 0:00:06 | 0:00:08 | |
-I won't be mad. -I didn't take anything! -Just give it back. | 0:00:08 | 0:00:10 | |
What's wrong with you? | 0:00:10 | 0:00:12 | |
I really believed that Tully was a good person. | 0:00:12 | 0:00:15 | |
I was wrong. About everything. | 0:00:15 | 0:00:17 | |
You obviously don't have the band's best interests at heart. | 0:00:17 | 0:00:19 | |
We need to move forward - without you. | 0:00:19 | 0:00:21 | |
This has gone from the best day to the worst day. | 0:00:21 | 0:00:25 | |
I just lost my best friends. | 0:00:25 | 0:00:27 | |
# I can take you there I can take you there | 0:00:30 | 0:00:33 | |
# Every day is a chance To make a brand-new start | 0:00:36 | 0:00:39 | |
# You can turn it all around... # | 0:00:39 | 0:00:41 | |
'There's no lead singer in the band any more.' | 0:00:41 | 0:00:45 | |
We get along so much better. I think kicking Leia out | 0:00:45 | 0:00:47 | |
is probably the best thing we've done for the band so far. | 0:00:47 | 0:00:51 | |
# We will touch the sky | 0:00:51 | 0:00:53 | |
# With our feet planted into the ground | 0:00:53 | 0:00:56 | |
# Cos we can dream Forever Young | 0:00:57 | 0:01:01 | |
WHOOPING AND CHEERING | 0:01:01 | 0:01:04 | |
# I can take you there I can take you there. # | 0:01:04 | 0:01:07 | |
'Things are going really well for the band.' | 0:01:09 | 0:01:12 | |
I miss Leia but we're fine without her. | 0:01:12 | 0:01:16 | |
# I turned it upside down Just stand on solid ground... # | 0:01:16 | 0:01:18 | |
'I can't believe they're playing without me already. | 0:01:18 | 0:01:21 | |
'That was my band and Rachel was supposed to be my best friend.' | 0:01:21 | 0:01:24 | |
I don't know what to think. | 0:01:24 | 0:01:26 | |
# We will touch the sky with our feet planted into the ground | 0:01:28 | 0:01:33 | |
# Cos we can dream Forever young. # | 0:01:33 | 0:01:37 | |
'I didn't think it would hurt this much to not be friends with | 0:01:40 | 0:01:43 | |
'Rachel any more. | 0:01:43 | 0:01:44 | |
'It's hard to see her on stage without me | 0:01:44 | 0:01:46 | |
'but I don't think we can be friends again.' | 0:01:46 | 0:01:48 | |
Too much has happened. | 0:01:48 | 0:01:49 | |
'Leia said to my face that Luke was more important to her than the band. | 0:01:52 | 0:01:56 | |
'That means she's putting a boy above our friendship again.' | 0:01:56 | 0:01:59 | |
I don't think I can forgive her for that. | 0:01:59 | 0:02:01 | |
# I can take you there I can take you there. # | 0:02:01 | 0:02:06 | |
CHEERING AND APPLAUSE | 0:02:09 | 0:02:12 | |
# We are the lost And the found | 0:02:14 | 0:02:17 | |
# Don't know where we stand but it's solid ground | 0:02:17 | 0:02:20 | |
# It's your shot Let's see what you got | 0:02:20 | 0:02:23 | |
# Only your true light shines as bright as you | 0:02:23 | 0:02:26 | |
# Whoa oh-oh Whoa oh-oh | 0:02:26 | 0:02:30 | |
# Whoa oh-oh-oh. # | 0:02:30 | 0:02:33 | |
# Day after day You'll always be | 0:02:39 | 0:02:44 | |
# Day after day... # | 0:02:44 | 0:02:47 | |
-Mr T? -Oh, hey. -You wanted to see me? -Yes. | 0:02:49 | 0:02:52 | |
So, I got a phone call from this A&R rep from So Paid Records in | 0:02:52 | 0:02:55 | |
LA and he's coming in town just for the day and he's coming to see YOU. | 0:02:55 | 0:02:58 | |
Me? 'So Paid records?' | 0:02:58 | 0:03:01 | |
Some of the biggest names in music are signed to that label. | 0:03:01 | 0:03:03 | |
This is huge. | 0:03:03 | 0:03:05 | |
-Why me? -I don't know, maybe he saw one of your videos on the website. | 0:03:05 | 0:03:08 | |
OK, um, that's great. | 0:03:08 | 0:03:10 | |
-Is there any other day that I could meet with him? -Why? | 0:03:10 | 0:03:14 | |
'I haven't been able to work on anything since the break-up.' | 0:03:14 | 0:03:17 | |
I'm still really upset about what happened with Tully. | 0:03:17 | 0:03:21 | |
No reason. | 0:03:21 | 0:03:23 | |
-I'll be there. -You will. | 0:03:23 | 0:03:24 | |
'I'm not sure I'm ready to put myself out there yet. | 0:03:24 | 0:03:27 | |
'But this is a big opportunity' | 0:03:27 | 0:03:28 | |
and I don't want to blow it. | 0:03:28 | 0:03:30 | |
'I'm used to coming here every day at this time with Leia. | 0:03:43 | 0:03:47 | |
'But today, I'm here alone.' | 0:03:47 | 0:03:49 | |
I guess old habits die hard. | 0:03:49 | 0:03:51 | |
Hey! I'm so excited about how band practice went today. | 0:03:57 | 0:04:01 | |
Yeah, me too. | 0:04:01 | 0:04:03 | |
'I know Rachel is still really sad about losing Leia' | 0:04:03 | 0:04:06 | |
but maybe I can cheer her up. | 0:04:06 | 0:04:09 | |
We should do something fun. | 0:04:09 | 0:04:12 | |
Scott Hellman has a concert tonight and we should get tickets. | 0:04:12 | 0:04:16 | |
How are we going to get tickets? Isn't it sold out? | 0:04:16 | 0:04:18 | |
Well, I've already thought of that, there's this radio show, | 0:04:18 | 0:04:20 | |
-The Brick... -Yeah, yeah! I've heard of that! | 0:04:20 | 0:04:23 | |
-If you're the 40th caller, you get tickets to concerts, right? -Exactly. | 0:04:23 | 0:04:27 | |
And today's concert is Scott Hellman! | 0:04:27 | 0:04:30 | |
So, if we stay here all day and wait until we hear the song, | 0:04:30 | 0:04:33 | |
-we could totally win tickets. -Yeah, sounds fun. -Yeah! | 0:04:33 | 0:04:37 | |
'It's going to be nice to spend the day with Maggie.' | 0:04:37 | 0:04:40 | |
I need to stop dwelling on what happened with Leia. It's time for... | 0:04:40 | 0:04:43 | |
new beginnings. | 0:04:43 | 0:04:45 | |
AMBIENT RINGTONE | 0:04:53 | 0:04:56 | |
Aren't you going to answer your phone? | 0:04:56 | 0:04:58 | |
No way, man. I'm vibing to this ringtone. | 0:04:58 | 0:05:03 | |
Bro, if you were a song, this would be it. | 0:05:03 | 0:05:06 | |
-Like, slow, kind of annoying... -Oh, yeah... | 0:05:06 | 0:05:09 | |
-ANNABELLE: -And sweet! | 0:05:09 | 0:05:11 | |
'Theo's ringtone is just weird.' | 0:05:11 | 0:05:13 | |
It's perfect for him. | 0:05:13 | 0:05:14 | |
-Where did you get it, man? -Nate made it for me. | 0:05:14 | 0:05:18 | |
-Really? -Yeah. | 0:05:18 | 0:05:19 | |
Nate can somehow see your soul and then ringtone it. | 0:05:19 | 0:05:24 | |
-I want one. -Yo, Nate! -Yo! | 0:05:24 | 0:05:28 | |
-Did you make that ringtone with Theo? -Why? You guys need some? | 0:05:30 | 0:05:34 | |
-Yeah, need a quarter dozen. -So, three then? -Yeah! | 0:05:34 | 0:05:38 | |
'I don't want to be left out.' | 0:05:39 | 0:05:41 | |
I really want Nate to make me a ring tone. | 0:05:41 | 0:05:43 | |
-NATE: -Cool. Get out of here. -Nate, I... | 0:05:43 | 0:05:48 | |
-THEO: -Let the master work his work. He is in the tone zone. | 0:05:48 | 0:05:53 | |
Walk away slowly... | 0:05:53 | 0:05:55 | |
Don't look at him. | 0:05:55 | 0:05:58 | |
'Nate is quiet, but underneath all that' | 0:05:58 | 0:05:59 | |
there's a genius. Just mad genius. | 0:05:59 | 0:06:03 | |
-Hey, Nate. Do you think you can write me a ringtone too? -For sure. | 0:06:04 | 0:06:09 | |
OK, awesome, thank you! | 0:06:09 | 0:06:11 | |
'I can't wait to hear the essence of my personality in a ring tone.' | 0:06:11 | 0:06:15 | |
I bet it's going to sound amazing. | 0:06:15 | 0:06:18 | |
# I can give you what you want I could find the words... # | 0:06:18 | 0:06:23 | |
-Mary! -Hey! -I heard the good news. Congrats. -Oh, thank you! | 0:06:23 | 0:06:29 | |
-An A&R rep is coming to see YOU! This is huge! -Thanks. | 0:06:29 | 0:06:32 | |
MESSAGE ALERT CHIMES | 0:06:32 | 0:06:35 | |
I got a text from Tully. He wants to meet. | 0:06:37 | 0:06:41 | |
Mary, don't you remember what happened in the green room? | 0:06:41 | 0:06:44 | |
He was a monster. Don't go, delete the text. | 0:06:44 | 0:06:46 | |
'I've been waiting to hear from Tully.' | 0:06:46 | 0:06:48 | |
I can't ignore his texts. I need to find out what happened. | 0:06:48 | 0:06:52 | |
Look, he didn't get a chance to explain himself and I need | 0:06:52 | 0:06:55 | |
-answers after what happened. -It's not worth it. | 0:06:55 | 0:06:58 | |
Look, I have to go. I'll see you soon but trust me on this, OK? | 0:06:59 | 0:07:03 | |
I've got this. | 0:07:03 | 0:07:05 | |
'I'm really worried for Mary.' | 0:07:06 | 0:07:09 | |
Last time she saw Tully, he was really rough with her. | 0:07:09 | 0:07:12 | |
I hope she's going to be OK. | 0:07:12 | 0:07:14 | |
-RACHEL: -Is this him? -Um, no. It's not. | 0:07:20 | 0:07:23 | |
Oh, Scott Hellman gets so ripped off. | 0:07:23 | 0:07:26 | |
I know, right? | 0:07:26 | 0:07:28 | |
'I'm trying to help Rachel get her mind off the drama with Leia.' | 0:07:28 | 0:07:31 | |
Also, I want to get to know her better. | 0:07:31 | 0:07:34 | |
OK, well, we might be here for a while. | 0:07:34 | 0:07:36 | |
Yeah, we should, like, play a game. | 0:07:36 | 0:07:38 | |
Hmm, like ask each other deep, probing questions. | 0:07:38 | 0:07:42 | |
-Who is your crush? -SHE GIGGLES | 0:07:43 | 0:07:46 | |
-What? -Have you seen the guys who go here? -Mm-hm. -Not dating material. | 0:07:46 | 0:07:51 | |
-OK. -You? | 0:07:51 | 0:07:54 | |
-Well, um, I mean... -Still Luke, really? | 0:07:54 | 0:07:58 | |
But he's so good-looking and he's got that voice and his mouth and... | 0:07:58 | 0:08:02 | |
I've never gotten the Luke thing. | 0:08:02 | 0:08:05 | |
Besides, you have a truce with Leia. You can't go after him. | 0:08:05 | 0:08:09 | |
But technically, Leia's not in the band any more, so I actually... | 0:08:09 | 0:08:12 | |
No, just stop. I've watched Luke drive Leia crazy for years. | 0:08:12 | 0:08:17 | |
I've seen her cry over him way too many times. | 0:08:17 | 0:08:20 | |
And I can't do it any more. | 0:08:20 | 0:08:22 | |
If you're really my friend, you'll just stay away from him. | 0:08:23 | 0:08:27 | |
-OK, for you. I'll stay away. -Promise? -Yes, I promise. | 0:08:31 | 0:08:35 | |
'Rachel still cares about Leia and I care about Rachel, | 0:08:35 | 0:08:38 | |
'which means I guess I care about Leia too.' | 0:08:38 | 0:08:40 | |
So, I'll put Luke on the back burner. For now. | 0:08:40 | 0:08:43 | |
'I went to meet Tully but he stood me up. I don't know what's going on. | 0:08:46 | 0:08:50 | |
'Now, I'll never be able to focus on this audition.' | 0:08:50 | 0:08:53 | |
Hey! | 0:08:53 | 0:08:54 | |
What's wrong? | 0:08:56 | 0:08:59 | |
He didn't show. I should've known. | 0:08:59 | 0:09:02 | |
I'm really sorry about that. But... you have to forget about Tully. | 0:09:06 | 0:09:11 | |
Your audition is in an hour! | 0:09:11 | 0:09:13 | |
You think I care about this stupid audition? | 0:09:13 | 0:09:15 | |
Mary, you're one of the most talented people here. | 0:09:15 | 0:09:18 | |
This is huge, you can't just waste this on some guy that doesn't | 0:09:18 | 0:09:21 | |
even care about you. | 0:09:21 | 0:09:22 | |
You don't even know you're talking about. Have you ever been in love? | 0:09:22 | 0:09:26 | |
No, never. | 0:09:26 | 0:09:28 | |
'Eva doesn't get it at all.' | 0:09:28 | 0:09:29 | |
She has no idea how I feel. | 0:09:29 | 0:09:31 | |
'I may not know about love but I do know that Tully is bad news.' | 0:09:33 | 0:09:38 | |
She can't just let this chance pass her by. | 0:09:38 | 0:09:41 | |
-Hey, I'm calling you. -All right. -Ready? -Yeah. | 0:09:52 | 0:09:55 | |
GENTLE GUITAR RINGTONE | 0:09:56 | 0:09:59 | |
-Whoa, that's gloomy! -Yeah, don't start crying, bud. | 0:09:59 | 0:10:01 | |
-THEY LAUGH -Hey! I'm calling you, ready? | 0:10:01 | 0:10:04 | |
-TECHNO RINGTONE Ooh! -Yeah! -Hey! Get it! | 0:10:05 | 0:10:09 | |
THEY LAUGH | 0:10:09 | 0:10:11 | |
-OK, now, somebody has to call me. -All right, I got this. | 0:10:11 | 0:10:14 | |
JAUNTY SYNTH RINGTONE | 0:10:16 | 0:10:19 | |
THEY LAUGH | 0:10:19 | 0:10:23 | |
-Are you kidding me? -Come on! | 0:10:23 | 0:10:25 | |
That should be like her vlog or something. | 0:10:25 | 0:10:27 | |
-Annabelle reporting live! -Ha-ha! | 0:10:27 | 0:10:30 | |
'Is this really who everyone thinks I am?' | 0:10:30 | 0:10:32 | |
Everyone's laughing at me. | 0:10:32 | 0:10:34 | |
For the first time in my life, I don't want any of you guys | 0:10:34 | 0:10:36 | |
-to call me. -Call you? | 0:10:36 | 0:10:37 | |
-Are you kidding me? -RINGTONE PLAYS | 0:10:37 | 0:10:40 | |
'I've never been wrong about a ring tone. | 0:10:40 | 0:10:43 | |
'I don't understand why Annabelle doesn't like it.' | 0:10:43 | 0:10:46 | |
I'm going to do something that I've never done before. | 0:10:46 | 0:10:49 | |
I'm going to try to write another ringtone for Annabelle. | 0:10:49 | 0:10:53 | |
This song reminds me of my friend back home. | 0:10:55 | 0:10:58 | |
-I bet you really miss your friends. -Yeah, I do. | 0:10:58 | 0:11:02 | |
I kind of know how that feels right now. | 0:11:02 | 0:11:04 | |
'I've never had a friendship like Leia and Rachel's.' | 0:11:04 | 0:11:07 | |
I thought once I came here, I'd make lots of friends, but actually, | 0:11:07 | 0:11:11 | |
I've been having a lot of trouble making friends. | 0:11:11 | 0:11:14 | |
Have you talked to Leia since the whole band break-up drama? | 0:11:14 | 0:11:17 | |
I mean, it's hard but I'm still really mad at her for what she did. | 0:11:19 | 0:11:25 | |
Aren't you? | 0:11:25 | 0:11:27 | |
Yeah, I mean, what she did was crazy and idiotic. | 0:11:27 | 0:11:31 | |
But I haven't been friends with her for as long as you have. | 0:11:31 | 0:11:34 | |
'Maybe Maggie's right.' | 0:11:34 | 0:11:38 | |
Just because Leia and I aren't still in a band together any more, | 0:11:38 | 0:11:42 | |
doesn't mean we can't be friends. | 0:11:42 | 0:11:44 | |
# I can't get enough of your dandelion love | 0:11:45 | 0:11:48 | |
# Oh, I can see a sailboat in the sky. # | 0:11:48 | 0:11:51 | |
So, needless to say, it's been quite a week. | 0:11:54 | 0:11:56 | |
I mean, I'm just glad it's over. The girl band's been crazy lately. | 0:11:56 | 0:11:59 | |
'I'm doing a vlog post right now just to sort of get my mind off' | 0:11:59 | 0:12:02 | |
everything because I'm still sort of upset about my ringtone. | 0:12:02 | 0:12:06 | |
Oh, hey, Nate. Are you here to give me another bad ringtone? | 0:12:06 | 0:12:11 | |
Yeah, sorry about that. | 0:12:11 | 0:12:12 | |
-Um, I'm actually here to ask you a couple of questions. -OK, what about? | 0:12:12 | 0:12:16 | |
-First question, cake or pie? -Cake, obviously. | 0:12:16 | 0:12:20 | |
-Chocolate or vanilla? -Chocolate. -Milk or dark? -Milk. | 0:12:20 | 0:12:24 | |
Dark chocolate's disgusting. | 0:12:24 | 0:12:26 | |
-Cow or goat? -What? | 0:12:26 | 0:12:30 | |
-That's all I needed to know. -But I didn't answer. | 0:12:31 | 0:12:34 | |
'I got the answers I was looking for.' | 0:12:34 | 0:12:36 | |
I know exactly what I have to do for Annabelle. | 0:12:36 | 0:12:39 | |
I have the perfect ringtone in mind. | 0:12:39 | 0:12:41 | |
-This is it! This is the song! -OK! Going for a call. | 0:12:43 | 0:12:47 | |
Hanging out with Rachel has been a lot of fun. | 0:12:47 | 0:12:50 | |
I'm happy we're getting to know each other better. | 0:12:50 | 0:12:53 | |
-DIAL TONE -Hello? | 0:12:53 | 0:12:56 | |
-MAN: -Hey! We got caller number 40 on the line! | 0:12:56 | 0:12:58 | |
-Who am I talking to? -Rachel. -And Maggie. | 0:12:58 | 0:13:01 | |
Rachel and Maggie! | 0:13:01 | 0:13:03 | |
For two front row tickets to the Scott Hellman concert, | 0:13:03 | 0:13:06 | |
how old was Scott Hellman when he signed his first record contract? | 0:13:06 | 0:13:09 | |
Oh, that's a tough one. | 0:13:09 | 0:13:11 | |
-I know he was 19 when he released his first album. -10 seconds... | 0:13:11 | 0:13:14 | |
-We can assume he was signed before then, so... -Yeah... Um... | 0:13:14 | 0:13:18 | |
-OK, just one second. -Just one second! | 0:13:18 | 0:13:20 | |
-We're figuring it out. -LEIA: 15. | 0:13:20 | 0:13:23 | |
-Five...four...three... -That's the answer? | 0:13:23 | 0:13:26 | |
Gee, I don't know, why don't you find out? | 0:13:26 | 0:13:28 | |
I need an answer! Two...one... | 0:13:30 | 0:13:33 | |
-15. -That's right! | 0:13:33 | 0:13:35 | |
You've just won two tickets to tonight's concert! | 0:13:35 | 0:13:38 | |
Congratulations! | 0:13:38 | 0:13:40 | |
-That was really nice of Leia. -Yeah... | 0:13:43 | 0:13:45 | |
Um, so, when should we pick up the tickets? | 0:13:45 | 0:13:48 | |
Actually, you go pick them up and give one to Leia. | 0:13:50 | 0:13:53 | |
Are you sure? | 0:13:53 | 0:13:56 | |
'I want to see Rachel happy and I think' | 0:13:56 | 0:13:59 | |
making up with Leia would make Rachel really happy. | 0:13:59 | 0:14:02 | |
Yeah, you guys should be best friends again. Have fun, OK? | 0:14:02 | 0:14:08 | |
'It was really nice of Leia to help us out and maybe it means things' | 0:14:11 | 0:14:14 | |
aren't as rocky between us as I thought. | 0:14:14 | 0:14:17 | |
So, the drive in was OK from the airport? | 0:14:20 | 0:14:22 | |
Right now, I'm stalling the agent because Mary is late. | 0:14:22 | 0:14:25 | |
She doesn't understand that this could be a huge break for her. | 0:14:25 | 0:14:29 | |
-Oh, there she is. -Hey, I'm Mary. -Nice to meet you. | 0:14:29 | 0:14:34 | |
Great to meet you. Thank you for this opportunity, it means a lot. | 0:14:34 | 0:14:37 | |
Hey, the pleasure's all mine. I'm just excited to hear you sing. | 0:14:37 | 0:14:39 | |
-Are you ready? -Yeah! -All right... | 0:14:39 | 0:14:41 | |
'I've given it a lot of thought and Eva was right. | 0:14:41 | 0:14:44 | |
'I'm not going to let Tully ruin this for me.' | 0:14:44 | 0:14:47 | |
I'm going to make this happen. | 0:14:47 | 0:14:49 | |
SHE PLAYS PIANO INTRO | 0:14:50 | 0:14:53 | |
# I can give you what you want... # | 0:14:57 | 0:14:59 | |
Hold up, hold up, Mary. That's not the song I came to hear. | 0:14:59 | 0:15:03 | |
Then what did you come to hear? | 0:15:03 | 0:15:05 | |
I came to hear Hit My Heart, Mary. | 0:15:05 | 0:15:08 | |
Someone gave me a new mix tape and your track on that | 0:15:08 | 0:15:11 | |
was incredible. I had to come down here and see you for myself. | 0:15:11 | 0:15:15 | |
'Hit My Heart is a song that Tully and I wrote together.' | 0:15:15 | 0:15:18 | |
But it's the last thing I want to sing right now. | 0:15:18 | 0:15:21 | |
So, um, can you sing that one for me? | 0:15:23 | 0:15:26 | |
-Sure. Yeah. -OK. | 0:15:27 | 0:15:31 | |
# I hear what they say | 0:15:38 | 0:15:43 | |
# How can a girl say no I can't reverse, no... | 0:15:43 | 0:15:48 | |
# Look where I'm at | 0:15:48 | 0:15:52 | |
TEARFULLY: # You hit my heart | 0:15:52 | 0:15:56 | |
SHE SOBS # Take me right out... # | 0:15:56 | 0:16:00 | |
DISTORTED MIC FEEDBACK I can't do this. | 0:16:02 | 0:16:06 | |
'I never should have listened to Eva. How am I ever going to be OK?' | 0:16:08 | 0:16:12 | |
I don't understand. | 0:16:12 | 0:16:14 | |
Are you OK? | 0:16:33 | 0:16:35 | |
No. | 0:16:38 | 0:16:40 | |
Nothing's working out for me any more. Everything is just crumbling. | 0:16:42 | 0:16:47 | |
I know this is going to sound weird but you're actually lucky to | 0:16:48 | 0:16:52 | |
have gone through what you did. Love is a beautiful thing, | 0:16:52 | 0:16:56 | |
even when it fall apart. And you've experienced it. | 0:16:56 | 0:16:59 | |
My family does this thing every night before dinner, we say | 0:17:01 | 0:17:06 | |
three things that we're grateful for and it always cheers me up. | 0:17:06 | 0:17:09 | |
You should try it. | 0:17:09 | 0:17:12 | |
-Why? -Well, it might make you feel better. | 0:17:13 | 0:17:17 | |
OK... | 0:17:20 | 0:17:22 | |
Three things that I'm grateful for... | 0:17:22 | 0:17:26 | |
..my family... | 0:17:28 | 0:17:29 | |
..my voice... | 0:17:31 | 0:17:33 | |
..and you. | 0:17:35 | 0:17:37 | |
-I mean, I got third place. -MARY LAUGHS | 0:17:42 | 0:17:45 | |
'I still have a lot of good things in my life and | 0:17:45 | 0:17:48 | |
'Eva's one of them.' | 0:17:48 | 0:17:50 | |
-So, have you got my ringtone? -You bet I do! -Really? | 0:18:00 | 0:18:04 | |
And it may be my best one yet. | 0:18:04 | 0:18:06 | |
But how did you get that off of cake and pie? | 0:18:06 | 0:18:08 | |
And don't forget your ungulate dilemma. But never mind. | 0:18:08 | 0:18:11 | |
You chose cake immediately, making you decisive. | 0:18:11 | 0:18:14 | |
You chose milk chocolate over dark, indicating sweetness. | 0:18:14 | 0:18:17 | |
-Yet you struggled over chocolate or vanilla. -What does that mean? | 0:18:17 | 0:18:22 | |
-It means you're sensitive. Evaluating all the options. -OK. | 0:18:22 | 0:18:27 | |
You're...this. | 0:18:27 | 0:18:30 | |
GENTLE MELODY PLAYS | 0:18:30 | 0:18:33 | |
Ah! I love it! It's amazing. | 0:18:33 | 0:18:36 | |
I am sensitive and complex and delicate. | 0:18:36 | 0:18:40 | |
I'm glad that Nate sees it. | 0:18:40 | 0:18:41 | |
-I'll e-mail it to you. -OK, thanks, bud. See ya. | 0:18:41 | 0:18:45 | |
'Those questions meant nothing.' | 0:18:45 | 0:18:47 | |
This is actually a ringtone I wrote for Rachel. | 0:18:47 | 0:18:49 | |
But I don't think I'd ever have the nerve to give it to her. | 0:18:49 | 0:18:55 | |
'The song is called Miss You. | 0:19:01 | 0:19:04 | |
'It's going to be impossible to let Tully go.' | 0:19:04 | 0:19:07 | |
But I'm going to have to try. | 0:19:07 | 0:19:10 | |
# You say that you gotta go | 0:19:10 | 0:19:14 | |
# Gotta be You say... # | 0:19:14 | 0:19:18 | |
Hey, Leia. | 0:19:19 | 0:19:22 | |
-Maggie and I won the tickets, all thanks to you. -No kidding. | 0:19:22 | 0:19:27 | |
And we also decided that it would be best if | 0:19:28 | 0:19:34 | |
you and I went to the concert together. | 0:19:34 | 0:19:37 | |
-Oh, you and Maggie decided that. -Yeah. | 0:19:37 | 0:19:41 | |
Look... Leia, I miss you, OK? | 0:19:43 | 0:19:46 | |
# So I'll set you free | 0:19:51 | 0:19:53 | |
# Like a bird in the breeze | 0:19:53 | 0:19:57 | |
# And I'll set you free | 0:19:57 | 0:20:01 | |
# Fly away, spread your wings | 0:20:01 | 0:20:05 | |
# If you love somebody, let them go | 0:20:05 | 0:20:09 | |
# If they come back home, that's how you know | 0:20:09 | 0:20:11 | |
# I'm gonna miss you Really, really miss you | 0:20:11 | 0:20:15 | |
# So, I'll let go and set you free and hope that you come back to me | 0:20:15 | 0:20:19 | |
# I'm gonna miss you Really, really miss you | 0:20:19 | 0:20:23 | |
# I miss your face Photographs aren't the same | 0:20:23 | 0:20:30 | |
# I miss the sound | 0:20:30 | 0:20:34 | |
# Of your laugh every day... # | 0:20:34 | 0:20:39 | |
Just because we're not in the band together any more | 0:20:39 | 0:20:42 | |
doesn't mean you're not still my best friend. | 0:20:42 | 0:20:45 | |
Listen... What's happened between us has really hurt me | 0:20:48 | 0:20:54 | |
and I don't know if I can get over it. | 0:20:54 | 0:20:58 | |
We'll just go to the concert together, it'll be fun! | 0:20:58 | 0:21:01 | |
No, thanks. | 0:21:01 | 0:21:04 | |
# I'll set you free Like a bird in the breeze | 0:21:06 | 0:21:12 | |
# And I'll set you free | 0:21:12 | 0:21:15 | |
# Fly away, spread your wings | 0:21:15 | 0:21:19 | |
# If you love somebody, let them go | 0:21:20 | 0:21:23 | |
# If they come back home, that's how you know | 0:21:23 | 0:21:27 | |
# I'm gonna miss you. Really, really miss you. # | 0:21:27 | 0:21:31 | |
# Who-o-oa, oh, oh Who-o-oa, oh, oh | 0:21:39 | 0:21:42 | |
# Whoa, o-o-oh | 0:21:42 | 0:21:44 | |
# We are the lost And the found | 0:21:44 | 0:21:47 | |
# Don't know where we stand but it's solid ground | 0:21:47 | 0:21:49 | |
# It's your shot Let's see what you got | 0:21:49 | 0:21:53 | |
# Only your true light shines as bright as you | 0:21:53 | 0:21:56 | |
# Who-o-oa, oh, oh Who-o-oa, oh, oh | 0:21:56 | 0:21:59 | |
# Whoa, o-o-o-oh | 0:21:59 | 0:22:02 | |
# Who-o-oa, oh, oh Who-o-oa, oh, oh | 0:22:02 | 0:22:06 | |
# Whoa, o-o-o-oh. # | 0:22:06 | 0:22:09 |