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Previously on Lost And Found... | 0:00:02 | 0:00:03 | |
-I want to do my version. -What? | 0:00:03 | 0:00:05 | |
So I spoke to Opal and they're going to shelve the song. | 0:00:05 | 0:00:08 | |
'I was authentically me' | 0:00:08 | 0:00:09 | |
but it wasn't good enough for Opal. | 0:00:09 | 0:00:11 | |
It wasn't your song. It was our song. | 0:00:11 | 0:00:13 | |
I wasn't taking it over, I was making it better. | 0:00:13 | 0:00:16 | |
I'm no expert, but I think Clara might still be feeling | 0:00:16 | 0:00:19 | |
a lot of stress here. | 0:00:19 | 0:00:20 | |
This isn't easy for me to watch, | 0:00:20 | 0:00:22 | |
but at least I know Luke has feelings for me now. | 0:00:22 | 0:00:25 | |
Everything just feels so complicated | 0:00:25 | 0:00:27 | |
and I just hope Leia is OK with waiting until I figure it out. | 0:00:27 | 0:00:30 | |
# Oh, yeah, it's a bad time... # | 0:00:33 | 0:00:35 | |
SONG CONTINUES | 0:00:35 | 0:00:41 | |
'I've been working a lot on my own music lately' | 0:00:44 | 0:00:46 | |
and I feel like I've grown a lot as a musician and a performer. | 0:00:46 | 0:00:50 | |
# ..to know... | 0:00:50 | 0:00:52 | |
-# Do you want to know... # -'Annabelle is killing it.' | 0:00:52 | 0:00:55 | |
She's really been upping her game lately. | 0:00:55 | 0:00:57 | |
I feel like this demo song really represents who I am as a performer. | 0:00:58 | 0:01:02 | |
I just need to find a way to get it out there. | 0:01:02 | 0:01:04 | |
-# Hey, hey, come on -# Oh-oh-oh-oh | 0:01:06 | 0:01:08 | |
# Hey, hey | 0:01:08 | 0:01:09 | |
# Oh-oh-oh-oh. # | 0:01:09 | 0:01:14 | |
SHE LAUGHS | 0:01:14 | 0:01:16 | |
-I like that. -Yes! -I like that. | 0:01:16 | 0:01:18 | |
# We are the lost and the found | 0:01:18 | 0:01:21 | |
# Don't know where we stand but it's solid ground | 0:01:21 | 0:01:25 | |
# It's your shot | 0:01:25 | 0:01:26 | |
# Let's see what you got | 0:01:26 | 0:01:27 | |
# Only your true light shines as bright as you | 0:01:27 | 0:01:31 | |
# Whoa-oh-oh, oh, oh | 0:01:31 | 0:01:33 | |
# Whoa-oh-oh, oh, oh | 0:01:33 | 0:01:34 | |
# Whoa-OH-oh-oh. # | 0:01:34 | 0:01:37 | |
Who is this guy? | 0:01:50 | 0:01:51 | |
See those dice over there? | 0:01:51 | 0:01:53 | |
-That actually came with the van. We were... -GIRLS: -Ohh! | 0:01:53 | 0:01:56 | |
Yeah, I know. It's actually pretty sick. | 0:01:56 | 0:01:58 | |
Yes, I feel you. | 0:01:58 | 0:02:00 | |
Like, just look how he works it. | 0:02:02 | 0:02:03 | |
Cha-cha-cha-cha-cha! | 0:02:03 | 0:02:06 | |
That guy should write a book. | 0:02:06 | 0:02:08 | |
Seriously, ever since I got the van painted pink, | 0:02:08 | 0:02:11 | |
Luke's been getting all this attention | 0:02:11 | 0:02:12 | |
from all these random girls. | 0:02:12 | 0:02:15 | |
The guy at the gas station that was pumping the gas said, | 0:02:15 | 0:02:18 | |
"Wow, that is pretty..." | 0:02:18 | 0:02:20 | |
THEY LAUGH | 0:02:20 | 0:02:23 | |
Having that pink van is almost like having a cute little dog | 0:02:23 | 0:02:26 | |
with a kerchief around its neck. | 0:02:26 | 0:02:28 | |
I've got to admit, though, | 0:02:28 | 0:02:30 | |
even if he was riding a bicycle, all the ladies would still be on him. | 0:02:30 | 0:02:34 | |
That guy is just so cute. | 0:02:34 | 0:02:35 | |
If I had 10% of his cuteness, | 0:02:37 | 0:02:39 | |
I would not be sitting here talking to you and peeling an orange. | 0:02:39 | 0:02:42 | |
I'd be out in the world, advancing my cuteness. | 0:02:42 | 0:02:45 | |
Probably. | 0:02:46 | 0:02:48 | |
You know what you're suffering from? A big bowl of jealousy. | 0:02:49 | 0:02:53 | |
You think? | 0:02:54 | 0:02:56 | |
All you need to do is just give him that same bowl. | 0:02:56 | 0:02:58 | |
-Take a big spoon of envy and shove it down his throat. -But how? | 0:02:58 | 0:03:02 | |
I don't know, maybe date another guy. | 0:03:02 | 0:03:04 | |
No. No, no, no, no, no, not me. | 0:03:08 | 0:03:11 | |
Yes, you! Come on! | 0:03:11 | 0:03:13 | |
-At least let me finish my orange. -No! Eat it on the way. You really... | 0:03:13 | 0:03:16 | |
-You're going to need that vitamin C. Come on. -OK. | 0:03:16 | 0:03:19 | |
'Making Luke jealous' | 0:03:19 | 0:03:20 | |
is a great idea. | 0:03:20 | 0:03:22 | |
I don't know why I didn't think of that first. | 0:03:22 | 0:03:25 | |
-Guess what? -What? | 0:03:29 | 0:03:31 | |
So, you know how I uploaded your song into my blog like you asked? | 0:03:31 | 0:03:34 | |
-Hm. -It's blowing up. | 0:03:34 | 0:03:36 | |
No way! | 0:03:36 | 0:03:38 | |
Even though I ended up getting to record the song the way I wanted to, | 0:03:38 | 0:03:41 | |
the label ended up shelving it. | 0:03:41 | 0:03:43 | |
I decided I wanted people to hear my song, | 0:03:43 | 0:03:45 | |
so I asked Annabelle to put it up on her blog. | 0:03:45 | 0:03:47 | |
-It's going viral. -This is so cool. | 0:03:47 | 0:03:50 | |
-I know, right? -Rachel, can I speak to you? | 0:03:50 | 0:03:53 | |
Yeah. | 0:03:53 | 0:03:54 | |
-Alone. -Oh, sorry. | 0:03:54 | 0:03:57 | |
I'll see you in Java Junction. | 0:03:57 | 0:03:58 | |
-What's up? -I've seen your song online. | 0:03:58 | 0:04:01 | |
-It's pretty exciting, right? -Does the label know? | 0:04:01 | 0:04:04 | |
Why would they care? | 0:04:04 | 0:04:05 | |
I mean, they weren't going to do anything with it anyways. | 0:04:05 | 0:04:08 | |
For starters, they own it. | 0:04:08 | 0:04:11 | |
You leaking the song is like you stealing from them. | 0:04:11 | 0:04:14 | |
-But I wrote it. -But they bought it. | 0:04:15 | 0:04:19 | |
If you had anything to do with leaking the song, | 0:04:19 | 0:04:21 | |
this could be very bad for you. | 0:04:21 | 0:04:23 | |
'I had no idea this could be an issue.' | 0:04:24 | 0:04:26 | |
I just hope the label doesn't find out. | 0:04:26 | 0:04:29 | |
I've been spending a lot of time in the recording studio lately | 0:04:40 | 0:04:43 | |
and I couldn't resist listening to one of the songs on the system. | 0:04:43 | 0:04:46 | |
Wow, Clara's rocking out to our song. | 0:04:49 | 0:04:52 | |
-Sorry. -Don't be sorry. What do you think? | 0:04:52 | 0:04:54 | |
It's really good. I really like it. | 0:04:55 | 0:04:58 | |
Do you have any feedback or anything? | 0:04:58 | 0:04:59 | |
Well, I think that the lead vocal should be turned up. | 0:05:01 | 0:05:05 | |
And there should be more harmony on the chorus, but... | 0:05:06 | 0:05:09 | |
I agree with everything you're saying. | 0:05:10 | 0:05:12 | |
And I think that the kick drum should be turned up in the mix. | 0:05:12 | 0:05:15 | |
-Yeah, OK. I can live with that. -Yeah. | 0:05:15 | 0:05:18 | |
-Who is this girl? I love her! -SHE GIGGLES | 0:05:18 | 0:05:21 | |
Clara had a lot of nice things to say about our music. | 0:05:21 | 0:05:24 | |
It's good to get an outside perspective on it. | 0:05:24 | 0:05:26 | |
Would you maybe want to help us with this? | 0:05:26 | 0:05:28 | |
-Yeah, yeah. -Awesome. | 0:05:30 | 0:05:32 | |
-Awesome. -Yeah. -OK. -Let's do it. -Let's do it. | 0:05:32 | 0:05:35 | |
'I can't believe it. | 0:05:35 | 0:05:36 | |
'I get to help the band work on one of their songs.' | 0:05:36 | 0:05:38 | |
I'll be like one of their producers. | 0:05:38 | 0:05:41 | |
So, how dating are we? | 0:05:48 | 0:05:49 | |
Hand-in-hand? Arm-in-arm? Pet names? | 0:05:49 | 0:05:53 | |
If I'm going to give Leia the whole Jude experience, | 0:05:53 | 0:05:55 | |
we need to figure out what to do to make this relationship | 0:05:55 | 0:05:58 | |
as legit as possible. | 0:05:58 | 0:05:59 | |
-Have we even met each other's parents? -I don't know. | 0:05:59 | 0:06:01 | |
Just put your arm around me | 0:06:01 | 0:06:02 | |
and whisper things in my ear occasionally. | 0:06:02 | 0:06:04 | |
-What do I whisper, though? -Do I have to tell you everything? | 0:06:04 | 0:06:07 | |
No, I got you. | 0:06:07 | 0:06:09 | |
-Yeah, yeah! -SHE GIGGLES | 0:06:09 | 0:06:11 | |
-Oh, hey, Luke. -Do you want a drink? | 0:06:11 | 0:06:13 | |
Oh, I'd love one, sunshine! | 0:06:13 | 0:06:15 | |
I got you on your favourite - some papaya juice - my moonbeam. | 0:06:15 | 0:06:18 | |
-Oh, you're so sweet! -Moonbeam? | 0:06:18 | 0:06:19 | |
Can I have two papyaya juices, please. | 0:06:19 | 0:06:21 | |
One for myself and one for my moonbeam. | 0:06:21 | 0:06:23 | |
'Leia is dating Jude?' | 0:06:24 | 0:06:25 | |
Have I been living under a rock? When did this happen? | 0:06:25 | 0:06:28 | |
'This is totally working.' | 0:06:28 | 0:06:30 | |
I'm definitely teaching Luke a lesson. | 0:06:30 | 0:06:32 | |
SHE GIGGLES | 0:06:32 | 0:06:34 | |
'Leia and Jude.' | 0:06:34 | 0:06:36 | |
Leia and Jude. Jude, Leia. | 0:06:36 | 0:06:38 | |
I... What? | 0:06:39 | 0:06:42 | |
You crack me up, sunshine. | 0:06:42 | 0:06:45 | |
-Did you see that? -Yeah, could they be any more obvious? -Obvious? | 0:06:45 | 0:06:49 | |
That they're just pretending to date to make you jealous. | 0:06:49 | 0:06:52 | |
-They are? -Yeah. | 0:06:53 | 0:06:56 | |
This is textbook Leia manoeuvring. | 0:06:56 | 0:06:58 | |
Poor Luke is so blind. | 0:06:58 | 0:07:00 | |
And you know what? | 0:07:00 | 0:07:01 | |
Maybe Leia could use a little bit of her own medicine. | 0:07:01 | 0:07:04 | |
-She could? -Hm. | 0:07:04 | 0:07:05 | |
Like, we could pretend to date and make HER jealous. | 0:07:05 | 0:07:09 | |
-You would do that? -Yeah. I would love to be your girlfriend. | 0:07:10 | 0:07:13 | |
-OK. -OK. | 0:07:13 | 0:07:15 | |
'This plan has everything -' | 0:07:15 | 0:07:16 | |
make Leia jealous, get closer to Luke. | 0:07:16 | 0:07:20 | |
I love it. | 0:07:20 | 0:07:21 | |
-BOTH: -# Don't feel like yourself today | 0:07:33 | 0:07:35 | |
# I can see how you want to get away... # | 0:07:35 | 0:07:37 | |
'We're finishing up new vocal tracks for this tune.' | 0:07:37 | 0:07:41 | |
Clara might be a genius. | 0:07:41 | 0:07:42 | |
# Talking never got you anywhere. | 0:07:44 | 0:07:46 | |
# Speaking truth just got you scared | 0:07:46 | 0:07:49 | |
# Don't feel like yourself today | 0:07:49 | 0:07:51 | |
# You're out the door anyway. # | 0:07:51 | 0:07:54 | |
OK, awesome, guys. I got everything. Thanks. | 0:07:55 | 0:07:58 | |
-Awesome. -Great. | 0:07:58 | 0:07:59 | |
'I'm having the best time.' | 0:07:59 | 0:08:01 | |
My mind is exploding with ideas | 0:08:01 | 0:08:03 | |
and I can't wait to show the guys their track. | 0:08:03 | 0:08:04 | |
Clara has really impressed us. | 0:08:04 | 0:08:06 | |
I can't wait to see what she does with the song. | 0:08:06 | 0:08:08 | |
All right, y'all, I got a date with Riley, so I've got to go. | 0:08:08 | 0:08:10 | |
-You guys killed that. Thanks. -No problem. See you later. | 0:08:10 | 0:08:13 | |
I've got a guitar lesson with Britney too, | 0:08:13 | 0:08:15 | |
so thanks for everything. | 0:08:15 | 0:08:16 | |
-Have fun. -Yeah, thank you. | 0:08:16 | 0:08:18 | |
-You good? You need anything? -I'm good, yeah. | 0:08:18 | 0:08:20 | |
-All right, I'm going to go get a sandwich. -OK, bye. -see you. | 0:08:20 | 0:08:24 | |
'It's all in my hands now.' | 0:08:25 | 0:08:27 | |
This is going to be amazing. | 0:08:27 | 0:08:28 | |
Rachel, have a seat. | 0:08:30 | 0:08:32 | |
'Not only did the label find out I leaked the song' | 0:08:32 | 0:08:35 | |
but now Opal is here, personally, to talk to me. | 0:08:35 | 0:08:38 | |
I didn't mean to leak the song. | 0:08:38 | 0:08:40 | |
I didn't know that it wasn't mine any more | 0:08:40 | 0:08:42 | |
and I just wanted to show some of my friends | 0:08:42 | 0:08:44 | |
and I didn't know it would get so popular. | 0:08:44 | 0:08:46 | |
Please don't take me to the police! | 0:08:46 | 0:08:48 | |
No, Rachel, the success of the song was... | 0:08:48 | 0:08:51 | |
..a very pleasant surprise for all of us. | 0:08:52 | 0:08:55 | |
I'm here to talk about resurrecting your career at the label. | 0:08:55 | 0:08:58 | |
We are trying to broaden our roster, | 0:08:58 | 0:09:00 | |
and we'd like to incorporate some new fresh sounds, | 0:09:00 | 0:09:02 | |
if you're interested? | 0:09:02 | 0:09:04 | |
She'll think about it. | 0:09:05 | 0:09:07 | |
-Yeah, I'll give it a shot. -Great. All right, well, to new beginnings. | 0:09:07 | 0:09:10 | |
OK, well, that happened. Right, see you, ladies. | 0:09:13 | 0:09:17 | |
-THEY SHRIEK -This is so great! | 0:09:19 | 0:09:21 | |
Did you hear what she said about expanding the roster? | 0:09:21 | 0:09:23 | |
That means I could give her my demo and then she could sign me | 0:09:23 | 0:09:26 | |
and then we'd both be on the same label. | 0:09:26 | 0:09:28 | |
-It would be the best! -I know! | 0:09:28 | 0:09:30 | |
'This is perfect. | 0:09:30 | 0:09:31 | |
'I'll give Opal my demo' | 0:09:31 | 0:09:32 | |
and then I'll be on the road to success, just like Rachel. | 0:09:32 | 0:09:35 | |
We could play songs from our actual, like, album. | 0:09:35 | 0:09:39 | |
-Albums! -With our faces on it. -Faces on it?! | 0:09:39 | 0:09:42 | |
Oh, my God! That's crazy! OK, I have to go make my demo right now. | 0:09:42 | 0:09:45 | |
I think this time's going to be so much different with the label. | 0:09:47 | 0:09:50 | |
Not only am I not in trouble, but I get to do my music, my way. | 0:09:50 | 0:09:54 | |
So what are we going to do next? | 0:10:01 | 0:10:03 | |
We have to take our relationship to the next level, somehow. | 0:10:03 | 0:10:06 | |
Yeah, yeah. What do you have in mind? | 0:10:06 | 0:10:09 | |
We should get into our first fight. | 0:10:09 | 0:10:11 | |
-What? -Yeah. -No, that's stupid. | 0:10:11 | 0:10:14 | |
-OK. -You cool? -So cool. All right. | 0:10:14 | 0:10:17 | |
-Hey, Leia. -Hey. | 0:10:23 | 0:10:25 | |
After you. | 0:10:25 | 0:10:26 | |
'I cannot believe it. | 0:10:26 | 0:10:27 | |
'I turn my back for one second' | 0:10:27 | 0:10:28 | |
and, bam, Luke's dating Maggie. | 0:10:28 | 0:10:31 | |
So... How's it going? | 0:10:31 | 0:10:34 | |
So good. | 0:10:35 | 0:10:37 | |
We just got over our first fight. | 0:10:37 | 0:10:39 | |
Ye...yeah. | 0:10:39 | 0:10:41 | |
-And it was so fierce. -So fierce. -She gave me those eyes. -Oh, the eyes. | 0:10:41 | 0:10:45 | |
Give him the eyes. | 0:10:45 | 0:10:47 | |
I know you're scared. And we got over it. You know why? | 0:10:47 | 0:10:51 | |
-Because we have affection for each other. -That's awesome. | 0:10:51 | 0:10:55 | |
-Good for you guys. -Yeah. -Thank you. -You're welcome. | 0:10:55 | 0:10:58 | |
How long have you two been, you know...? | 0:10:58 | 0:11:01 | |
-A couple. -Recently. -Yeah, really, really recently, actually. | 0:11:01 | 0:11:05 | |
But it's felt like forever. | 0:11:05 | 0:11:07 | |
Yeah, it's felt like it's always been this way. | 0:11:07 | 0:11:09 | |
I think I'm jealous of somebody. | 0:11:09 | 0:11:11 | |
I'm not sure of who...or why, | 0:11:11 | 0:11:13 | |
but I know I'm jealous right now. | 0:11:13 | 0:11:16 | |
So, sweetheart, what are we going to do tomorrow? | 0:11:16 | 0:11:19 | |
-We should really figure that out. -Yeah, something romantic. | 0:11:19 | 0:11:22 | |
You know what? | 0:11:22 | 0:11:23 | |
We should go on a double date. | 0:11:23 | 0:11:26 | |
-What do you think, sunshine? -WHISPERS: -Say yes, say yes. | 0:11:26 | 0:11:28 | |
Er... Sure, moonbeam. | 0:11:28 | 0:11:31 | |
Sounds awesome. | 0:11:31 | 0:11:33 | |
-Deal. -Deal. | 0:11:33 | 0:11:35 | |
Looks like we're going on a double date. | 0:11:42 | 0:11:44 | |
Awesome(!) | 0:11:44 | 0:11:45 | |
I'm going to have to take this game to the next level. | 0:11:45 | 0:11:48 | |
POP MUSIC | 0:11:55 | 0:11:58 | |
I'm totally in the zone right now. I don't want to stop. | 0:12:03 | 0:12:06 | |
MUSIC CONTINUES | 0:12:08 | 0:12:10 | |
The band is counting on me to produce something great | 0:12:13 | 0:12:16 | |
and I'm not going to let them down. | 0:12:16 | 0:12:17 | |
-All right, do you want to give it a go? -Yeah, let's do this. -OK, great. | 0:12:26 | 0:12:29 | |
Hey, Opal, I was just wondering. | 0:12:29 | 0:12:31 | |
I made a demo and I really would like for you to hear it. | 0:12:31 | 0:12:34 | |
Yeah, Annabelle, I'm not sure how to say this, sweetie, | 0:12:34 | 0:12:36 | |
but...you're not exactly the right fit for the label. | 0:12:36 | 0:12:42 | |
But you haven't heard my demo yet. | 0:12:43 | 0:12:45 | |
I don't need to hear it to know that you're not the right fit, OK?, | 0:12:45 | 0:12:48 | |
Now I need you to get back to work with Rachel. | 0:12:48 | 0:12:50 | |
# What is there to say? | 0:12:50 | 0:12:52 | |
-# Can't even look you in the face.... # -OK. | 0:12:52 | 0:12:54 | |
# You didn't have to play me Thought you were my best friend... # | 0:12:54 | 0:12:57 | |
'I think I know what's going on. She won't even listen to my music.' | 0:12:57 | 0:13:00 | |
She wants someone who looks a certain way and that's just not me. | 0:13:00 | 0:13:03 | |
# With your phone face down I caught you out | 0:13:05 | 0:13:07 | |
# Now every time that I see you around | 0:13:07 | 0:13:10 | |
# We act like we're strangers | 0:13:10 | 0:13:12 | |
# Ever since the break-up... # | 0:13:12 | 0:13:14 | |
'I don't know where Annabelle went, but she seemed kind of upset.' | 0:13:14 | 0:13:16 | |
I hope everything's OK. | 0:13:16 | 0:13:18 | |
It's been 15 minutes of awkward silence so far. | 0:13:27 | 0:13:30 | |
Maybe this is a bad idea. | 0:13:31 | 0:13:33 | |
'Leia and Maggie have been fighting ever since the girls | 0:13:33 | 0:13:35 | |
'kicked Leia out of the band.' | 0:13:35 | 0:13:36 | |
This date is going to be weird. | 0:13:38 | 0:13:40 | |
Tapas. What's tapas? | 0:13:41 | 0:13:43 | |
I've not even heard of that. | 0:13:43 | 0:13:44 | |
It's small portions. | 0:13:44 | 0:13:46 | |
But isn't that hors d'oeuvres? | 0:13:48 | 0:13:49 | |
When did they change it from hors d'oeuvre? | 0:13:49 | 0:13:51 | |
I don't know. Do you see anything you want to eat or...? | 0:13:51 | 0:13:54 | |
'I've had about enough of this.' | 0:13:54 | 0:13:55 | |
I'm furious at Maggie and Luke and just about everyone. | 0:13:55 | 0:13:59 | |
So, Maggie, have you ever made an agreement with someone | 0:14:01 | 0:14:04 | |
and not kept it? | 0:14:04 | 0:14:06 | |
Have you ever turned your back on your best friend for a guy? | 0:14:06 | 0:14:09 | |
I wonder what it would feel like to kick an amazing musician | 0:14:10 | 0:14:13 | |
out of a band. | 0:14:13 | 0:14:14 | |
I think you know exactly how that feels. | 0:14:14 | 0:14:16 | |
Luke! Why would you date her? | 0:14:18 | 0:14:20 | |
Wow! Would you look at the time. | 0:14:20 | 0:14:24 | |
I'll see you guys later. | 0:14:25 | 0:14:26 | |
My plan completely backfired. | 0:14:26 | 0:14:30 | |
I'm farther away from Luke than I ever have been. | 0:14:30 | 0:14:33 | |
I've been up all night and I'm not even tired. | 0:14:46 | 0:14:48 | |
I'm so excited for the boys to hear what I've done to their song. | 0:14:48 | 0:14:51 | |
-Clara? -Hey! Oh, my gosh, I'm so excited you're here. | 0:14:55 | 0:14:57 | |
-I have so many things to show you. -So many things? | 0:14:57 | 0:15:00 | |
Yeah, well, I didn't know which direction to go with, | 0:15:00 | 0:15:02 | |
-so I made three. -Three? -Three? -Yeah. | 0:15:02 | 0:15:04 | |
They're all really good. | 0:15:04 | 0:15:05 | |
I don't think you're going to be able to decide. | 0:15:05 | 0:15:07 | |
Oh, and can someone make me a sandwich? | 0:15:07 | 0:15:09 | |
Actually, don't worry about that, it's fine. | 0:15:09 | 0:15:10 | |
-But do you want to hear them? -Hold on, when did you do that? | 0:15:10 | 0:15:13 | |
Oh, well, I've been working since yesterday. | 0:15:13 | 0:15:15 | |
-So you haven't slept? -Oh, no, I don't need sleep. I'm fine. | 0:15:16 | 0:15:19 | |
I'm fine. Do you want to sit down? | 0:15:19 | 0:15:21 | |
Clara mixed our song three times. | 0:15:21 | 0:15:24 | |
She didn't need to do that. | 0:15:24 | 0:15:25 | |
I think she needs to chill out a little bit. | 0:15:25 | 0:15:28 | |
Are you sure you don't want to, like, go home and rest or something? | 0:15:28 | 0:15:31 | |
No, did you just hear me? I have a lot of energy right now. | 0:15:31 | 0:15:34 | |
It's frightening. | 0:15:34 | 0:15:35 | |
Yeah, do you want to sit down and hear them? They're so good. | 0:15:35 | 0:15:38 | |
-Yeah. -Yay, OK. | 0:15:38 | 0:15:39 | |
So do you want to start with track three or one or two... | 0:15:39 | 0:15:44 | |
Three's the best. | 0:15:44 | 0:15:45 | |
'Wow, Clara did a ton of work, but...' | 0:15:45 | 0:15:49 | |
I hope she's taking care of herself. | 0:15:49 | 0:15:51 | |
Hey, are you OK? What happened earlier with Opal? | 0:15:55 | 0:15:59 | |
'I can't believe what Opal did to me.' | 0:15:59 | 0:16:02 | |
I would have been fine if she didn't like my music, | 0:16:02 | 0:16:05 | |
but that's not what this is about at all. | 0:16:05 | 0:16:07 | |
-She said I was too ugly to be on the label. -That's not what she said. | 0:16:08 | 0:16:11 | |
It is. She said I wasn't the right fit. What do you think she meant? | 0:16:12 | 0:16:16 | |
You don't understand how I feel. | 0:16:16 | 0:16:18 | |
You're so perfect and gorgeous and you could never get it. | 0:16:18 | 0:16:23 | |
Remember how I wasn't good enough for Opal? | 0:16:23 | 0:16:26 | |
How she made me wear that dress and sing that song | 0:16:26 | 0:16:29 | |
and change myself to be what she wanted? | 0:16:29 | 0:16:31 | |
And look what happened. | 0:16:33 | 0:16:34 | |
Because of what you did for me, I get another chance. | 0:16:34 | 0:16:38 | |
When I first signed with the label, | 0:16:38 | 0:16:40 | |
Opal tried to make me be someone I'm not. | 0:16:40 | 0:16:42 | |
I shouldn't have forgiven her so easily. | 0:16:42 | 0:16:45 | |
Don't ever let anyone tell you that you're not pretty enough | 0:16:45 | 0:16:49 | |
or smart enough or good enough, because you are | 0:16:49 | 0:16:53 | |
and Opal's an idiot if she doesn't see that. | 0:16:53 | 0:16:55 | |
We don't need her, because we have each other. | 0:16:56 | 0:16:59 | |
'My heart really goes out to Annabelle | 0:16:59 | 0:17:01 | |
'and she's making me see that' | 0:17:01 | 0:17:03 | |
I need to be not only true to myself but to my friends | 0:17:03 | 0:17:06 | |
and that's why I need to talk to Opal. | 0:17:06 | 0:17:08 | |
-Hey, Johnny. -Hey. | 0:17:18 | 0:17:20 | |
What's up? | 0:17:20 | 0:17:22 | |
-What's going on? -How are you feeling? -Good. | 0:17:25 | 0:17:28 | |
-Yeah, fine. -It's OK not to be good. | 0:17:28 | 0:17:32 | |
What are you talking about? Good is good. | 0:17:33 | 0:17:36 | |
'Clara's acting really strangely' | 0:17:36 | 0:17:38 | |
and it's worrying me. I don't think she's taking care of herself | 0:17:38 | 0:17:41 | |
and I think she just needs to slow down | 0:17:41 | 0:17:43 | |
and just get things under control. | 0:17:43 | 0:17:45 | |
I used to know someone and you remind me a lot of her. | 0:17:45 | 0:17:50 | |
She used to have so much energy sometimes. | 0:17:51 | 0:17:54 | |
That's good, right? | 0:17:54 | 0:17:56 | |
Yeah, it can be good, but staying up late and working all night, | 0:17:56 | 0:18:00 | |
it can grind you down. | 0:18:00 | 0:18:01 | |
I don't understand. Did you not like the song? | 0:18:02 | 0:18:06 | |
No, no, I loved it, I loved it. I did. | 0:18:06 | 0:18:08 | |
And I think we should work together more often. | 0:18:08 | 0:18:11 | |
OK, cool. | 0:18:11 | 0:18:12 | |
I just want you to know that, if you need anything, | 0:18:14 | 0:18:16 | |
or anyone to talk to, I'm here. | 0:18:16 | 0:18:18 | |
Right. | 0:18:23 | 0:18:25 | |
-Bye. -Bye. | 0:18:26 | 0:18:28 | |
'It's nice of John to worry about me, but I feel great. | 0:18:31 | 0:18:34 | |
'There's nothing for John to worry about.' | 0:18:34 | 0:18:36 | |
All right, everything's all set. | 0:18:40 | 0:18:41 | |
I've got the studio booked for Tuesday at seven. | 0:18:41 | 0:18:43 | |
I assume you are free? | 0:18:43 | 0:18:45 | |
-RACHEL CLEARS THROAT -Actually... | 0:18:45 | 0:18:47 | |
..I can't record on Tuesday. | 0:18:48 | 0:18:50 | |
OK, why is that? | 0:18:51 | 0:18:52 | |
I would like to be released from my contract with the label. | 0:18:54 | 0:18:57 | |
Would you care to elaborate, Rachel? | 0:18:59 | 0:19:01 | |
SHE CLEARS THROAT | 0:19:04 | 0:19:06 | |
Ever since the way you treated Annabelle, | 0:19:06 | 0:19:09 | |
I see that nothing's changed. | 0:19:09 | 0:19:11 | |
You don't care about music at all. All you care about is image. | 0:19:11 | 0:19:15 | |
Look, I did your friend, Annabelle, a favour by letting her know | 0:19:16 | 0:19:19 | |
that she will never make it in the industry. | 0:19:19 | 0:19:21 | |
I am saving her years of heartbreak. | 0:19:21 | 0:19:23 | |
You don't know who's going to make it and who's not. | 0:19:23 | 0:19:25 | |
No-one knows. | 0:19:25 | 0:19:27 | |
But you don't get to stand in the way. | 0:19:28 | 0:19:29 | |
All right. | 0:19:31 | 0:19:32 | |
Well, you can keep on dreaming, Rachel, | 0:19:32 | 0:19:34 | |
but my lawyers will be in contact with you shortly. | 0:19:34 | 0:19:37 | |
I know I'm giving up a lot | 0:19:45 | 0:19:46 | |
but I also know that, if I stayed on Opal's label, | 0:19:46 | 0:19:49 | |
I'd be giving up a lot more. | 0:19:49 | 0:19:51 | |
-Hey. -Hey. | 0:19:59 | 0:20:01 | |
'I'm tired of these games.' | 0:20:07 | 0:20:10 | |
I need to figure out what's really going on. | 0:20:10 | 0:20:12 | |
Luke, just admit you were trying to play me. | 0:20:13 | 0:20:16 | |
Well, yeah, because you started it. | 0:20:16 | 0:20:17 | |
I told you I liked you and you didn't say anything back. | 0:20:19 | 0:20:21 | |
I didn't know what to say. | 0:20:21 | 0:20:23 | |
Because? | 0:20:24 | 0:20:26 | |
When you say the things that you're thinking | 0:20:26 | 0:20:28 | |
and you put that stuff out into the world, | 0:20:28 | 0:20:30 | |
it's followed by other stuff, big stuff. | 0:20:30 | 0:20:33 | |
-You know what I mean? -Yeah. | 0:20:33 | 0:20:36 | |
You mean the... | 0:20:36 | 0:20:37 | |
-..what we do about it stuff? -Yeah. | 0:20:38 | 0:20:42 | |
So what are we going to do? Just go around not talking to each other. | 0:20:43 | 0:20:48 | |
Maybe that's our only option. | 0:20:48 | 0:20:50 | |
Well, there is another option. | 0:20:51 | 0:20:55 | |
We could know the stuff, the big stuff, and just not say it. | 0:20:56 | 0:21:03 | |
But we can think it? | 0:21:04 | 0:21:06 | |
Yeah. | 0:21:06 | 0:21:08 | |
OK. | 0:21:09 | 0:21:11 | |
I know it. | 0:21:12 | 0:21:14 | |
I know it too. | 0:21:14 | 0:21:16 | |
And... | 0:21:16 | 0:21:18 | |
Just so we're 100% clear... | 0:21:18 | 0:21:20 | |
..when I'm thinking about it... | 0:21:21 | 0:21:22 | |
..I'm thinking about the fact that I like you. | 0:21:24 | 0:21:26 | |
Ditto. | 0:21:29 | 0:21:30 | |
'It's only a matter of time' | 0:21:30 | 0:21:32 | |
before Luke and I finally become an official couple. | 0:21:32 | 0:21:35 | |
I can't wait. | 0:21:36 | 0:21:38 | |
# Whoa-oh-oh, oh, oh # Whoa-oh-oh, oh, oh | 0:21:42 | 0:21:45 | |
# Whoa-OH-oh-oh | 0:21:45 | 0:21:47 | |
# We are the lost and the found | 0:21:47 | 0:21:50 | |
# Don't know where we stand | 0:21:50 | 0:21:52 | |
# But it's solid ground | 0:21:52 | 0:21:53 | |
# It's your shot | 0:21:53 | 0:21:55 | |
# Let's see what you've got | 0:21:55 | 0:21:56 | |
# Only your true light shines as bright as you | 0:21:56 | 0:22:00 | |
# Whoa-oh-oh, oh, oh | 0:22:00 | 0:22:01 | |
# Whoa-oh-oh, oh, oh | 0:22:01 | 0:22:03 | |
# Whoa-OH-oh-oh | 0:22:03 | 0:22:06 | |
# Whoa-oh-oh, oh, oh | 0:22:06 | 0:22:07 | |
# Whoa-oh-oh, oh, oh | 0:22:07 | 0:22:09 | |
# Whoa-OH-oh-oh. # | 0:22:09 | 0:22:12 |