Browse content similar to One Flew Over the Budgie's Cage. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hyperia, get the team down into the main bunker. | 0:00:24 | 0:00:26 | |
I'll take the control room. | 0:00:26 | 0:00:28 | |
Follow me! | 0:00:28 | 0:00:29 | |
Lower hub locked down. | 0:00:46 | 0:00:48 | |
The Master Mind and Crime Minister are trapped. | 0:00:48 | 0:00:50 | |
Move in and prepare for arrest. | 0:00:50 | 0:00:52 | |
'Proceed with caution. The area will be heavily defended.' | 0:00:56 | 0:00:58 | |
COMPUTER: 'Missile launch in 40 seconds.' | 0:01:01 | 0:01:03 | |
Keep going. Find them! | 0:01:06 | 0:01:07 | |
Frank, this is bad. | 0:01:10 | 0:01:12 | |
There's a long-range missile warming up. | 0:01:12 | 0:01:15 | |
'Missile launch in 30 seconds.' | 0:01:15 | 0:01:17 | |
Destination, London. | 0:01:17 | 0:01:18 | |
Frank, what's happening? | 0:01:25 | 0:01:26 | |
Hyperia, there is a way to prevent the launch. | 0:01:30 | 0:01:33 | |
The only way is to lock the blast doors and contain the explosion. | 0:01:33 | 0:01:36 | |
I'm sorry, Hyperia. | 0:01:36 | 0:01:38 | |
'20 seconds.' | 0:01:38 | 0:01:39 | |
'What? No! Frank, they'll never get out in time!' | 0:01:39 | 0:01:42 | |
'They'll all be incinerated!' | 0:01:43 | 0:01:45 | |
Along with the Master Mind and the Crime Minister. | 0:01:45 | 0:01:47 | |
I can't risk that missile hitting London! | 0:01:47 | 0:01:49 | |
You're in charge. It's your choice, sir. | 0:01:51 | 0:01:54 | |
It's for the greater good. | 0:02:06 | 0:02:07 | |
'Missile launch in ten seconds.' | 0:02:10 | 0:02:12 | |
'Nine.' | 0:02:14 | 0:02:15 | |
-Frank, what are you doing!? -'Eight.' | 0:02:15 | 0:02:17 | |
'Seven.' | 0:02:19 | 0:02:20 | |
'Six.' | 0:02:21 | 0:02:24 | |
'Five.' | 0:02:24 | 0:02:25 | |
'Four.' | 0:02:27 | 0:02:28 | |
'Three.' | 0:02:29 | 0:02:30 | |
'Two.' | 0:02:32 | 0:02:33 | |
No! | 0:02:33 | 0:02:35 | |
'One.' | 0:02:35 | 0:02:36 | |
Frank? | 0:02:36 | 0:02:38 | |
Frank, you're sleepwalking. | 0:02:41 | 0:02:44 | |
You wandered into the school and tripped the alarm. | 0:02:44 | 0:02:47 | |
You were shouting about missiles and secret agents and all sorts. | 0:02:47 | 0:02:53 | |
That's not good. | 0:02:58 | 0:02:59 | |
The 21st century faces a new kind of threat, | 0:03:04 | 0:03:07 | |
and MI9 must create a new breed of skilled undercover agent. | 0:03:07 | 0:03:11 | |
Hidden in a place no villain will think to look, | 0:03:26 | 0:03:28 | |
welcome to MI High. | 0:03:28 | 0:03:29 | |
So, after all these years, the nightmares are back. | 0:03:34 | 0:03:37 | |
Just a bad dream. We all get them. | 0:03:37 | 0:03:39 | |
True. But how many of us wander around in the dead of night | 0:03:39 | 0:03:42 | |
blabbing state secrets? | 0:03:42 | 0:03:44 | |
It won't happen again. | 0:03:44 | 0:03:46 | |
Possibly. | 0:03:46 | 0:03:47 | |
But you realise we need to make sure. | 0:03:47 | 0:03:49 | |
You can't stand me down! | 0:03:53 | 0:03:54 | |
It's for your own good, Frank. | 0:03:54 | 0:03:55 | |
The Cranium Institute has a first-class reputation. | 0:03:55 | 0:03:58 | |
They'll get you over these nightmares. | 0:03:58 | 0:03:59 | |
Please, Stella. Give me another chance. | 0:03:59 | 0:04:02 | |
I'm sorry, Frank. | 0:04:02 | 0:04:03 | |
The greater good always outweighs the individual concern. | 0:04:03 | 0:04:06 | |
That's why I have to ask you for your MI9 pass. | 0:04:07 | 0:04:10 | |
You might as well take this, too. | 0:04:18 | 0:04:20 | |
This doesn't look good. We'd better find out what's going on with Frank. | 0:04:44 | 0:04:48 | |
That means getting out of here. | 0:04:48 | 0:04:49 | |
Calm down. There's no need for tears. Pull yourself together. | 0:04:49 | 0:04:54 | |
I'm sorry, Mr McNab. | 0:04:54 | 0:04:56 | |
It's just that I don't like seeing Frank looking so vulnerable. | 0:04:56 | 0:05:01 | |
I do hope this "Institute" is going to look after him. | 0:05:01 | 0:05:05 | |
Ugh, OK. | 0:05:05 | 0:05:06 | |
OK. OK. Blubbing over. This is not a funeral parlour. Back to your desks. | 0:05:07 | 0:05:12 | |
A moment please, Mr McNab. After a shock like this, | 0:05:12 | 0:05:16 | |
we really should give the children a chance to explore their feelings. | 0:05:16 | 0:05:19 | |
We're doing feelings today, are we? | 0:05:19 | 0:05:22 | |
Do let me know when we move on to more serious stuff. | 0:05:22 | 0:05:25 | |
You know, like fluffy bunnies, etc. | 0:05:25 | 0:05:28 | |
Right. | 0:05:28 | 0:05:29 | |
Here we are. Nightmares are repressed fears. | 0:05:30 | 0:05:34 | |
So all we have to is identify our fears, | 0:05:35 | 0:05:37 | |
and this book will give us projects to overcome them. | 0:05:37 | 0:05:41 | |
Oh, I know. | 0:05:41 | 0:05:42 | |
Sometimes I get this dream where my legs feel like concrete. | 0:05:42 | 0:05:45 | |
Ah, yes, now, that is quite common. | 0:05:45 | 0:05:48 | |
Yes, here we are. Your first project, | 0:05:48 | 0:05:50 | |
You need to be more active. | 0:05:50 | 0:05:52 | |
I'll go for a run round the school. | 0:05:52 | 0:05:54 | |
Now? | 0:05:55 | 0:05:56 | |
It'll help me sleep better tonight. | 0:05:56 | 0:05:58 | |
I get that dream too, sir. | 0:05:58 | 0:06:00 | |
And me. | 0:06:00 | 0:06:01 | |
What? | 0:06:02 | 0:06:03 | |
Yes, well, I suppose we should respond to your needs. | 0:06:03 | 0:06:07 | |
As the book says, | 0:06:07 | 0:06:08 | |
"Face your fears by day and the nightmares will blow away." | 0:06:08 | 0:06:13 | |
Come on! | 0:06:13 | 0:06:14 | |
What? | 0:06:14 | 0:06:15 | |
What's going on? | 0:06:15 | 0:06:16 | |
SIREN BLARES | 0:06:18 | 0:06:20 | |
Nice cover story. So where's Frank? Secret mission? | 0:06:38 | 0:06:41 | |
No, nothing like that. We've sent him for a rest. | 0:06:41 | 0:06:44 | |
Doctor Retentive is an expert in Nightmare Therapy. | 0:06:44 | 0:06:46 | |
You sent him? Against his will? | 0:06:46 | 0:06:48 | |
Trust me, it's the best place for him. | 0:06:48 | 0:06:51 | |
Anyway, now you're here, I need your help. | 0:06:51 | 0:06:55 | |
Give me a hand to get this place organised. | 0:06:56 | 0:06:58 | |
It looks like a bomb went off in it. I mean, what is this? | 0:06:58 | 0:07:01 | |
Spectrum analyser. | 0:07:01 | 0:07:03 | |
That makes the tea. | 0:07:03 | 0:07:05 | |
Get them properly labelled. | 0:07:05 | 0:07:07 | |
Now, who's ready for some scrubbing? | 0:07:07 | 0:07:09 | |
Become a spy, they said. | 0:07:11 | 0:07:12 | |
Fight crime, save the world and get lots of chances to tidy up. | 0:07:12 | 0:07:15 | |
Mr London? Come in, come in. | 0:07:38 | 0:07:39 | |
House rules, Mr London. No keys, money, or mobile phones. | 0:07:47 | 0:07:52 | |
All contact with the outside world must be minimised. | 0:07:52 | 0:07:55 | |
Tough regime you're running here. | 0:07:57 | 0:07:58 | |
Rule two, only a single visit per week. Make it a good one. | 0:08:00 | 0:08:04 | |
Now, these nightmares. Sleepwalking? | 0:08:06 | 0:08:09 | |
Talking in your sleep about... "military activities"? | 0:08:10 | 0:08:14 | |
I used to be a soldier. | 0:08:14 | 0:08:16 | |
I see. | 0:08:16 | 0:08:17 | |
I suppose I had nightmares when I was little... | 0:08:19 | 0:08:21 | |
I don't do words, Mr London. I work directly with the brain. | 0:08:21 | 0:08:23 | |
Yours will tell me all I need to know. | 0:08:23 | 0:08:25 | |
Wait, wait! | 0:08:33 | 0:08:34 | |
Bland? | 0:08:39 | 0:08:41 | |
George Bland! | 0:08:41 | 0:08:42 | |
Who are you? | 0:08:42 | 0:08:43 | |
Don't interrupt. It's my move. | 0:08:44 | 0:08:46 | |
George, it's me, Frank. | 0:08:46 | 0:08:48 | |
MI9. | 0:08:49 | 0:08:51 | |
How did you end up here? | 0:08:51 | 0:08:52 | |
Last time I saw you, you took out a SKUL base single-handed. | 0:08:52 | 0:08:55 | |
I've got something to tell you. | 0:08:56 | 0:08:58 | |
The doctor takes them. | 0:08:59 | 0:09:01 | |
What, George? What does the doctor take? | 0:09:01 | 0:09:03 | |
We won't survive. The Budgie's in flight. | 0:09:03 | 0:09:06 | |
Fly, little budgie! | 0:09:06 | 0:09:07 | |
Don't go in the cage! | 0:09:11 | 0:09:13 | |
Mr London? It's time for your first session. | 0:09:15 | 0:09:17 | |
'MI9, Medal for Bravery, Frank London.' | 0:09:30 | 0:09:33 | |
Did it slip your mind to tell us that Frank was a hero? | 0:09:36 | 0:09:38 | |
At the moment, he's more of a security risk. | 0:09:38 | 0:09:41 | |
Counting down. | 0:09:46 | 0:09:48 | |
Three, two, one. | 0:09:48 | 0:09:52 | |
What do you see? | 0:09:54 | 0:09:55 | |
A bunny rabbit. | 0:09:57 | 0:09:58 | |
A childhood pet? | 0:09:58 | 0:09:59 | |
No. | 0:09:59 | 0:10:00 | |
It's the General. | 0:10:02 | 0:10:03 | |
Flopsy. | 0:10:06 | 0:10:07 | |
He's in our underground MI9 spy headquarters. | 0:10:09 | 0:10:14 | |
Lie there for a minute. | 0:10:15 | 0:10:17 | |
I've left the rabbit... I mean, the kettle on. | 0:10:17 | 0:10:19 | |
COMPUTER: 'Head of NEOKORTEX signing in.' | 0:10:49 | 0:10:52 | |
Doctor Retentive. What news from our Ministry of Psychological Warfare? | 0:10:53 | 0:10:57 | |
We're in luck, Crime Minister. | 0:10:57 | 0:10:58 | |
Another MI9 agent has just walked through the door. | 0:10:58 | 0:11:01 | |
Excellent. Embedding you in the Cranium Institute | 0:11:01 | 0:11:03 | |
has turned into one of my finest ideas. | 0:11:03 | 0:11:05 | |
He mentioned "The General". | 0:11:05 | 0:11:07 | |
Flopsy? | 0:11:07 | 0:11:08 | |
And does this bunny-master have a name? | 0:11:10 | 0:11:12 | |
Frank London. | 0:11:12 | 0:11:13 | |
London! | 0:11:13 | 0:11:15 | |
Nice catch. | 0:11:15 | 0:11:17 | |
Mine this one for every secret he's got. | 0:11:17 | 0:11:20 | |
Squeeze him like a ripe lemon. | 0:11:20 | 0:11:23 | |
PHONE RINGS | 0:11:24 | 0:11:26 | |
Hello? | 0:11:28 | 0:11:29 | |
Give me that. | 0:11:29 | 0:11:31 | |
Security code, please! | 0:11:31 | 0:11:32 | |
-Sorry to use the old system, Stella. -Frank! | 0:11:32 | 0:11:34 | |
There's something going on at the institute. | 0:11:34 | 0:11:36 | |
What do you know about George Bland? | 0:11:36 | 0:11:38 | |
'Top-Dog George? Haven't seen him for a while.' | 0:11:38 | 0:11:40 | |
That's because he's here. | 0:11:40 | 0:11:41 | |
And he's messed up, Stella, can't seem to focus. | 0:11:41 | 0:11:43 | |
That doesn't sound like George. | 0:11:43 | 0:11:44 | |
He's obsessed with a budgie. Very agitated. I don't like it, Stella. | 0:11:44 | 0:11:47 | |
What do you think's happening? | 0:11:47 | 0:11:48 | |
The Institute. | 0:11:48 | 0:11:49 | |
It could be some kind of front for, I don't know, brainwashing. | 0:11:49 | 0:11:52 | |
Stealing secrets. The doctor tried to hypnotise me. | 0:11:52 | 0:11:55 | |
Slow down, Frank. Take it easy. | 0:11:55 | 0:11:56 | |
Listen. you're seeing bad guys everywhere at the moment. | 0:11:56 | 0:11:59 | |
Believe me, Stella, Dr Retentive is not quite what she seems. | 0:11:59 | 0:12:02 | |
When I mentioned Flopsy, she flipped. | 0:12:02 | 0:12:04 | |
She's coming back. | 0:12:04 | 0:12:05 | |
Listen, find out about this Budgie, and get the team over here now. | 0:12:05 | 0:12:08 | |
Got to go! | 0:12:08 | 0:12:09 | |
Mission on. | 0:12:09 | 0:12:11 | |
Hold on! | 0:12:11 | 0:12:12 | |
Not so fast. | 0:12:13 | 0:12:15 | |
None of this adds up. | 0:12:15 | 0:12:16 | |
Since when did we start doubting Frank? | 0:12:16 | 0:12:18 | |
How about since when he turned up for work in his jim-jams? | 0:12:18 | 0:12:21 | |
Anybody know what a Code Zero is? | 0:12:21 | 0:12:23 | |
HE SNORES | 0:12:32 | 0:12:34 | |
Three, two, one, awake. | 0:12:36 | 0:12:39 | |
I think in your case we'll need more rigorous therapy. | 0:12:41 | 0:12:44 | |
I'll prepare the machine. | 0:12:46 | 0:12:48 | |
PHONE RINGS | 0:12:48 | 0:12:50 | |
Yes? | 0:12:50 | 0:12:51 | |
But first, it seems you have visitors. | 0:12:54 | 0:12:57 | |
Young people. | 0:12:57 | 0:12:59 | |
Young people? | 0:12:59 | 0:13:00 | |
Quick work, team. | 0:13:01 | 0:13:02 | |
Frank! The students were so sad that you're cooped up here, | 0:13:04 | 0:13:08 | |
they wanted to come and cheer you up. | 0:13:08 | 0:13:10 | |
Sorry, a bad time? | 0:13:12 | 0:13:14 | |
It's a protection code. | 0:13:17 | 0:13:19 | |
Used very rarely for high-level threats. | 0:13:19 | 0:13:21 | |
Code Zero agents keep their intel to themselves, report to no-one, | 0:13:21 | 0:13:24 | |
not even MI9. | 0:13:24 | 0:13:25 | |
What sort of missions? | 0:13:25 | 0:13:27 | |
The worst kind. Mass incidents. Germ warfare. Nuclear attack. | 0:13:27 | 0:13:31 | |
No pressure, then(!) | 0:13:31 | 0:13:32 | |
If Bland has been intercepted during a Code Zero, | 0:13:32 | 0:13:35 | |
we're headed for disaster. | 0:13:35 | 0:13:36 | |
So, what you're saying is Frank's right? | 0:13:36 | 0:13:38 | |
Mission on. Infiltrate the Institute. Zoe, cover Bland. | 0:13:41 | 0:13:46 | |
Aneisha, check Frank. Dan, look into what Retentive is up to. | 0:13:46 | 0:13:49 | |
And stay undercover. | 0:13:49 | 0:13:50 | |
Whoever took down George Bland is dangerous. | 0:13:50 | 0:13:52 | |
All right, love? Delivery. Where do you want it? | 0:14:01 | 0:14:04 | |
I don't remember ordering anything. | 0:14:04 | 0:14:05 | |
We're in. | 0:14:14 | 0:14:15 | |
Creating delivery organisation. | 0:14:16 | 0:14:18 | |
Oh. Here it is. Just through here. | 0:14:23 | 0:14:26 | |
WHISTLES | 0:14:29 | 0:14:30 | |
Corner all right for you, love? | 0:14:32 | 0:14:34 | |
Lovely. | 0:14:38 | 0:14:39 | |
Next time I'm the delivery guy. | 0:14:47 | 0:14:48 | |
-PHONE RINGS -I'd better get that. | 0:14:54 | 0:14:56 | |
Right love. I'll see myself out then. | 0:14:56 | 0:14:58 | |
Hello, Cranium Institute. | 0:14:58 | 0:15:01 | |
Hello? Hello? | 0:15:01 | 0:15:02 | |
And first, Roland will thrill us with his newly-perfected skill. | 0:15:05 | 0:15:10 | |
It's not exactly perfected just yet, sir. | 0:15:10 | 0:15:12 | |
I seen it on TV last night. | 0:15:12 | 0:15:14 | |
Oh. | 0:15:16 | 0:15:17 | |
CRASH | 0:15:21 | 0:15:23 | |
'Tracker active. Frank's room is at the end of the corridor.' | 0:15:23 | 0:15:27 | |
You, stop! | 0:15:27 | 0:15:28 | |
Go and help Doctor Retentive prepare the Happy Chair. | 0:15:30 | 0:15:34 | |
Did you get that? | 0:15:34 | 0:15:35 | |
'Happy Chair? What's that?' | 0:15:35 | 0:15:36 | |
'Oh, here it is. The file says it's in Room X, in the basement.' | 0:15:36 | 0:15:40 | |
No, no, you stay there, Frank. | 0:15:42 | 0:15:44 | |
It just needs a little bit more practice, Roland. | 0:15:45 | 0:15:47 | |
Hey! | 0:15:47 | 0:15:48 | |
Don't worry about it. | 0:15:48 | 0:15:49 | |
Clear this up. | 0:15:59 | 0:16:00 | |
Tom, I've located Bland. | 0:16:00 | 0:16:02 | |
Always something missing. | 0:16:02 | 0:16:04 | |
Some of your pieces are in the wrong place. If you move this... | 0:16:07 | 0:16:12 | |
Hey! Put that back! | 0:16:12 | 0:16:14 | |
This isn't a game! | 0:16:14 | 0:16:15 | |
So this is not chess? | 0:16:16 | 0:16:17 | |
Budgies can't play... | 0:16:17 | 0:16:20 | |
..chess. | 0:16:20 | 0:16:21 | |
I think I've found something. | 0:16:26 | 0:16:28 | |
His chess game, it's a code. | 0:16:28 | 0:16:30 | |
It hasn't been used since the Cold War. | 0:16:30 | 0:16:32 | |
OK. I'm not even going to ask how you know that. | 0:16:32 | 0:16:34 | |
There's a bit of his mind that's still active. | 0:16:34 | 0:16:37 | |
I think he's trying to get a message out. | 0:16:37 | 0:16:39 | |
I can give you the sequence but you'll have to decode it. | 0:16:39 | 0:16:41 | |
Do it. | 0:16:41 | 0:16:42 | |
White, Nf3. | 0:16:42 | 0:16:46 | |
Black, Kd8. | 0:16:46 | 0:16:48 | |
'Be fair, cried the spirit dream. And still our broken brow.' | 0:16:48 | 0:16:54 | |
'For in this search for peace, there is nothing left but now.' | 0:16:54 | 0:16:58 | |
Thank you, Melissa. | 0:16:58 | 0:16:59 | |
Verse 15, The Sleep of Reason. | 0:17:00 | 0:17:04 | |
Oh, dear. | 0:17:04 | 0:17:06 | |
Visiting time over. | 0:17:06 | 0:17:07 | |
Leave. Second door on the left. | 0:17:14 | 0:17:17 | |
Shame. The rest of the children were just outside, | 0:17:17 | 0:17:20 | |
waiting to show you their dance routine. | 0:17:20 | 0:17:22 | |
Nothing painful, Mr London. Try it for comfort. | 0:17:28 | 0:17:32 | |
No, thank you, Doctor. I'm allergic to leather. | 0:17:32 | 0:17:36 | |
Very well. Look this way, please. | 0:17:36 | 0:17:38 | |
Black, Be6. | 0:17:43 | 0:17:48 | |
White, Rxd1. | 0:17:48 | 0:17:50 | |
That's it. | 0:17:50 | 0:17:52 | |
OK. Two seconds. | 0:17:52 | 0:17:54 | |
Well? | 0:17:54 | 0:17:56 | |
Unless what? | 0:18:01 | 0:18:02 | |
I don't know, that's it. | 0:18:02 | 0:18:03 | |
Zoe. Get Bland to play the game again. | 0:18:03 | 0:18:06 | |
Find the end of that sentence. | 0:18:06 | 0:18:07 | |
Where's Frank? | 0:18:09 | 0:18:10 | |
KNOCK AT DOOR | 0:18:14 | 0:18:16 | |
Ah. About time. | 0:18:16 | 0:18:17 | |
Sterilise those electrodes. | 0:18:17 | 0:18:19 | |
'Aneisha, don't tell me. Retentive's got Frank in the Happy Chair?' | 0:18:19 | 0:18:22 | |
Yes. | 0:18:22 | 0:18:23 | |
'Still trying to figure out what it does, | 0:18:23 | 0:18:25 | |
'but it can't be good. We need to get Frank out of there.' | 0:18:25 | 0:18:28 | |
'No, don't blow your cover. We'll try to create a distraction.' | 0:18:28 | 0:18:32 | |
Dan? Are you receiving me? | 0:18:32 | 0:18:34 | |
Yeah, I'm nearly there. I'm on it. | 0:18:34 | 0:18:37 | |
'End of the corridor, turn right.' | 0:18:37 | 0:18:39 | |
Don't worry, I'm sure we'll find a way out soon. | 0:18:39 | 0:18:41 | |
Did any of you just see..? | 0:18:46 | 0:18:48 | |
No. | 0:18:49 | 0:18:51 | |
No. Right, this way. | 0:18:51 | 0:18:53 | |
No history of heart trouble? | 0:18:53 | 0:18:55 | |
No high blood pressure? | 0:18:55 | 0:18:57 | |
Not wearing anything metal? | 0:18:57 | 0:18:59 | |
Hurry up, Dan! | 0:19:03 | 0:19:04 | |
Good night, Mr London. | 0:19:08 | 0:19:10 | |
POWER CUTS OUT | 0:19:12 | 0:19:13 | |
Unusual. | 0:19:21 | 0:19:23 | |
'Aneisha, you need to plant your watch tracker on Dr Retentive.' | 0:19:23 | 0:19:26 | |
Done it. | 0:19:30 | 0:19:31 | |
Dan, Retentive's on her way. Turn the power back on and skedaddle. | 0:19:34 | 0:19:37 | |
Skedaddling now. | 0:19:37 | 0:19:38 | |
You were right about the budgie, Frank. | 0:19:40 | 0:19:42 | |
Operation Budgie is something to do with a nuclear launch at 5pm. | 0:19:42 | 0:19:45 | |
-Where? -We don't know. | 0:19:45 | 0:19:46 | |
Bland's subconscious has been trying to get a message to us, | 0:19:46 | 0:19:49 | |
but it's like his brain's been scrambled. | 0:19:49 | 0:19:50 | |
This has got KORPS written all over it. | 0:19:50 | 0:19:52 | |
She said the second door on the left. | 0:19:54 | 0:19:56 | |
Yes, but we were facing the other way then, Roland. | 0:19:56 | 0:19:59 | |
There must be a way out through here somewhere. | 0:19:59 | 0:20:02 | |
Oh, dear. | 0:20:05 | 0:20:06 | |
Wrong again. Everybody back out. | 0:20:07 | 0:20:09 | |
Erm... | 0:20:12 | 0:20:14 | |
The Happy Chair. What have you got? | 0:20:14 | 0:20:16 | |
It puts synaptic impulses into digital information. | 0:20:16 | 0:20:19 | |
Downloading memories? | 0:20:19 | 0:20:20 | |
Just the ones people try to keep hidden - secrets. | 0:20:20 | 0:20:22 | |
No wonder Bland's got a messed-up head. | 0:20:22 | 0:20:24 | |
They're stealing big chunks of his past. | 0:20:24 | 0:20:25 | |
Can we reverse the process? Give Bland his memory back? | 0:20:25 | 0:20:28 | |
I think so. But there's a problem. | 0:20:28 | 0:20:30 | |
The chair uses a neural decoder to split synaptic... | 0:20:30 | 0:20:32 | |
Cut to the problem. | 0:20:32 | 0:20:33 | |
What's the point in having a massive brain | 0:20:33 | 0:20:35 | |
if I never get to explain anything? | 0:20:35 | 0:20:37 | |
The problem is we need to see the chair working | 0:20:37 | 0:20:39 | |
before I can give Bland his memories back. | 0:20:39 | 0:20:41 | |
Hmmm. Strange. | 0:20:47 | 0:20:50 | |
All working? | 0:20:50 | 0:20:51 | |
Just trying to find the way out. | 0:20:52 | 0:20:55 | |
I could recommend a good locksmith. | 0:21:01 | 0:21:03 | |
Just a thought. | 0:21:04 | 0:21:06 | |
'Get the chair ready. We need a test subject.' | 0:21:08 | 0:21:10 | |
What's going on? | 0:21:10 | 0:21:11 | |
We need to put someone in the chair. | 0:21:11 | 0:21:13 | |
Now? | 0:21:13 | 0:21:14 | |
Tom's found a way of reversing the process. | 0:21:14 | 0:21:17 | |
We need to give Bland his memories back by 5pm | 0:21:17 | 0:21:19 | |
or millions of people could be killed. | 0:21:19 | 0:21:21 | |
But there's a catch. The neural... you tell him. | 0:21:21 | 0:21:24 | |
We've only got enough bandwidth for one set of data. | 0:21:24 | 0:21:26 | |
I can find out how to reverse the chair, but whoever's in it | 0:21:26 | 0:21:29 | |
at the time will be wiped and all their secrets will be lost forever. | 0:21:29 | 0:21:32 | |
For ever? | 0:21:32 | 0:21:33 | |
Why don't we zap the doc? We'll be doing her a favour. | 0:21:33 | 0:21:35 | |
She'll forget her evil side. | 0:21:35 | 0:21:36 | |
Hold on. We can't blow our cover. | 0:21:36 | 0:21:38 | |
If KORPS think something's wrong, they'll launch their weapon now. | 0:21:38 | 0:21:41 | |
We've seen them do it before, Stella. | 0:21:41 | 0:21:42 | |
Running out of time. | 0:21:42 | 0:21:44 | |
We need someone in that chair or we could face nuclear wipe-out. | 0:21:44 | 0:21:47 | |
Then it has to be me. | 0:21:49 | 0:21:50 | |
OK, stay back. | 0:21:55 | 0:21:58 | |
Now that's what I call impatient. | 0:22:09 | 0:22:11 | |
Frank, I'm not leaving you here to get your head minced. | 0:22:13 | 0:22:16 | |
Aneisha, we're MI9. | 0:22:18 | 0:22:20 | |
The world puts its trust in us to make the right decisions. | 0:22:20 | 0:22:23 | |
If we're going to stop KORPS, we have to think big and act bigger. | 0:22:23 | 0:22:28 | |
But I didn't join up to watch you being zapped. You're coming with me! | 0:22:28 | 0:22:31 | |
Stella? You're in charge. It's your call. | 0:22:31 | 0:22:33 | |
My head's with you, but my heart's with Aneisha. | 0:22:39 | 0:22:42 | |
If I say yes, we'll lose the real you. | 0:22:42 | 0:22:45 | |
If you say no, we'll lose everything. | 0:22:45 | 0:22:47 | |
Stella, listen. I'll still be Frank, just a new Frank. | 0:22:49 | 0:22:55 | |
I liked the old Frank. | 0:22:55 | 0:22:57 | |
Retentive's coming back. | 0:22:58 | 0:23:00 | |
Zoe? Any luck with Bland? | 0:23:06 | 0:23:09 | |
He's playing the same game over and over. Same result. | 0:23:09 | 0:23:13 | |
Aneisha. Get Frank back in the straps. That's an order. | 0:23:17 | 0:23:21 | |
I feel I should be saying goodbye or something. | 0:23:29 | 0:23:31 | |
I'll still be me. | 0:23:31 | 0:23:33 | |
We can hang out, brush the yard together. | 0:23:33 | 0:23:35 | |
Where did you get that old thing? | 0:23:37 | 0:23:39 | |
Good luck, hero. | 0:23:43 | 0:23:44 | |
What's this? | 0:23:47 | 0:23:48 | |
I told you not to wake him. | 0:23:48 | 0:23:50 | |
Get back to work. I'll speak to you later. | 0:23:50 | 0:23:53 | |
This place could do with sprucing up a bit. | 0:24:23 | 0:24:26 | |
Don't mind if I do. | 0:24:28 | 0:24:29 | |
Got it. Found the reversal codes. | 0:24:30 | 0:24:32 | |
Accessing data vaults, and we're in. | 0:24:33 | 0:24:36 | |
Where's Frank? | 0:24:39 | 0:24:41 | |
Stay focused, Aneisha. | 0:24:41 | 0:24:43 | |
Retentive's headed away. | 0:24:43 | 0:24:44 | |
Get Bland in that chair while you have the chance. | 0:24:44 | 0:24:47 | |
Time for your treatment, Mr Bland. | 0:24:47 | 0:24:49 | |
Oh. Are we going to the Happy Chair. Find Budgie? | 0:24:49 | 0:24:52 | |
That's right. | 0:24:52 | 0:24:53 | |
'Aneisha, come on, it's almost 5pm. We need to get Bland's memories back | 0:24:59 | 0:25:02 | |
'so we can find out how to stop the launch.' | 0:25:02 | 0:25:04 | |
I knew there was something odd about you. Get him off that chair, now! | 0:25:07 | 0:25:12 | |
Frank! It's me. Back up, please! | 0:25:12 | 0:25:13 | |
You poor little idiot. Frank doesn't care about your problems. | 0:25:15 | 0:25:19 | |
He's a simple caretaker now. | 0:25:19 | 0:25:20 | |
Frank! You're OK! | 0:25:29 | 0:25:31 | |
That's one from MI9. Do it, Aneisha! | 0:25:33 | 0:25:35 | |
Just got to find Bland's data. | 0:25:40 | 0:25:43 | |
Bingo. OK, George. Time to make some memories. | 0:25:43 | 0:25:46 | |
What going on? | 0:25:58 | 0:25:59 | |
Frank! What's happening? | 0:26:00 | 0:26:04 | |
What do you know about Operation Budgie? | 0:26:04 | 0:26:06 | |
Budgie? | 0:26:06 | 0:26:07 | |
Frank, I can't. Code Zero. | 0:26:07 | 0:26:09 | |
A nuclear launch, 5pm? | 0:26:09 | 0:26:10 | |
The UK's nuclear launch codes. | 0:26:15 | 0:26:17 | |
If KORPS get them, | 0:26:17 | 0:26:18 | |
they'll be able to launch every nuclear missile in the country. | 0:26:18 | 0:26:21 | |
-Only two people have it. -The Prime Minister. | 0:26:21 | 0:26:23 | |
And Sir Bufton Bird, Head of Nuclear Intelligence. | 0:26:23 | 0:26:27 | |
KORPS have installed new high-tech Happy Chairs | 0:26:27 | 0:26:30 | |
at 10 Downing Street to get the codes. | 0:26:30 | 0:26:32 | |
You've got to stop them! | 0:26:32 | 0:26:34 | |
Did you get that? 5pm, Downing Street. | 0:26:34 | 0:26:37 | |
Ah, Budgie, how are you? | 0:26:42 | 0:26:43 | |
You made it, Frank. | 0:27:24 | 0:27:25 | |
How? | 0:27:25 | 0:27:26 | |
It seems the Happy Chair's microwaves don't like metal. | 0:27:26 | 0:27:31 | |
It drives them crazy. | 0:27:31 | 0:27:33 | |
I thought we'd never get out of there. | 0:27:33 | 0:27:35 | |
That place is an absolute maze. | 0:27:35 | 0:27:37 | |
Quite extraordinary. Frank! | 0:27:41 | 0:27:43 | |
Great news, the nightmares are over. Mr F, I'm coming home. | 0:27:45 | 0:27:48 | |
Oh, tip-top, Frank. Let's get back to the school, eh? | 0:27:50 | 0:27:52 | |
I wonder if you can get therapy for seeing things? | 0:28:01 | 0:28:05 | |
Subtitles by Red Bee Media | 0:28:05 | 0:28:08 |