Browse content similar to The Problem Probe. Check below for episodes and series from the same categories and more!
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Dear Katie. Thank you for your letter. | 0:00:02 | 0:00:04 | |
I wouldn't worry about boys at your age. | 0:00:04 | 0:00:07 | |
Kissing them can cause your nose to fall off | 0:00:07 | 0:00:10 | |
and temporary colour blindness. | 0:00:10 | 0:00:13 | |
Not to mention the fact that they pong! | 0:00:13 | 0:00:17 | |
KNOCK AT DOOR | 0:00:17 | 0:00:18 | |
Oh, my ten o'clock. Please come in, door's open. | 0:00:18 | 0:00:21 | |
Pop your bot on the chair, treasure, be with you in a mo'. | 0:00:21 | 0:00:25 | |
Mandy! Oh! | 0:00:25 | 0:00:30 | |
Now, what seems to be the problem? | 0:00:30 | 0:00:34 | |
Well, I just can't seem to stop kidnapping people. | 0:00:34 | 0:00:37 | |
DRAMATIC MUSIC | 0:00:37 | 0:00:39 | |
SHE LAUGHS | 0:00:44 | 0:00:46 | |
The 21st Century faces a new kind of threat. | 0:00:49 | 0:00:52 | |
And M.I. High must create a new breed of skilled, undercover agent. | 0:00:52 | 0:00:55 | |
Hidden in a place no villain will think to look, welcome to M.I. High. | 0:01:10 | 0:01:14 | |
Urgent... | 0:01:20 | 0:01:21 | |
Oh-ho-ho! Morris Dancing Monthly! | 0:01:21 | 0:01:25 | |
Wonder what my Morriscope is. | 0:01:25 | 0:01:27 | |
Hmm. | 0:01:27 | 0:01:28 | |
Co...? Co...?! | 0:01:32 | 0:01:34 | |
Cocoa time already? | 0:01:34 | 0:01:36 | |
It's a little early, but I'll fill the kettle and you get the biscuits. | 0:01:36 | 0:01:41 | |
Com, com... | 0:01:41 | 0:01:42 | |
Competition. You've won a competition? | 0:01:42 | 0:01:44 | |
Complaint?! | 0:01:44 | 0:01:45 | |
I've got a complaint! | 0:01:48 | 0:01:49 | |
NOISY HUBBUB | 0:01:50 | 0:01:52 | |
THEY RAP | 0:01:55 | 0:01:57 | |
SILENCE! | 0:01:57 | 0:01:59 | |
Someone has taken it upon themselves to write a letter. | 0:02:09 | 0:02:13 | |
Aneisha, what on earth is that in your hair? | 0:02:16 | 0:02:19 | |
I'm Dame A, v2, party of Lady Jane's Crew, and I'm trying something... | 0:02:19 | 0:02:24 | |
New? | 0:02:24 | 0:02:25 | |
You're Aneisha, actually, | 0:02:27 | 0:02:29 | |
and THAT is a breach of school rules. | 0:02:29 | 0:02:32 | |
So remove it, immediately! | 0:02:32 | 0:02:35 | |
Dame A! Don't you be backing down to the Babylon! | 0:02:35 | 0:02:39 | |
Now. | 0:02:39 | 0:02:41 | |
One of you has written an anonymous letter to the education minister. | 0:02:41 | 0:02:46 | |
Complaining that we never listen to your problems. | 0:02:46 | 0:02:50 | |
Now. | 0:02:50 | 0:02:52 | |
I just want to know... | 0:02:52 | 0:02:54 | |
BOOM | 0:02:54 | 0:02:55 | |
..who was it? | 0:02:55 | 0:02:57 | |
Miss King, we must act immediately. | 0:02:57 | 0:03:00 | |
Agreed, Mr Flatley. | 0:03:00 | 0:03:01 | |
-Please draw up a list of appointments. -Sir. | 0:03:01 | 0:03:04 | |
Lessons are suspended. | 0:03:04 | 0:03:05 | |
CHEERING | 0:03:05 | 0:03:07 | |
Excellent! We will grill each suspect, one by one. | 0:03:07 | 0:03:11 | |
Until somebody squeaks. | 0:03:11 | 0:03:13 | |
We are going to have a series of Saint Heart's heart-to-hearts! | 0:03:13 | 0:03:18 | |
DISAPPROVING MURMURS | 0:03:18 | 0:03:19 | |
Everyone will be seen and no topic is off-limits. | 0:03:19 | 0:03:24 | |
Team. Mandy Pluckley, the country's top agony aunt, | 0:03:48 | 0:03:51 | |
was abducted this morning. | 0:03:51 | 0:03:52 | |
Mandy is the sworn confidante of our Prime Minister | 0:03:52 | 0:03:55 | |
and, without her guidance, he's, well, see for yourselves. | 0:03:55 | 0:03:58 | |
I quite agree, Lord Oxley. | 0:04:00 | 0:04:03 | |
We should replace all our missiles with fruit and nut! | 0:04:03 | 0:04:07 | |
If you're going to go off the rails, you might as well go off in style. | 0:04:07 | 0:04:11 | |
He's totally dependent on Mandy's advice to keep him stable. | 0:04:11 | 0:04:15 | |
In her absence, he's started making unusual decisions. | 0:04:15 | 0:04:18 | |
Hamish is at Number Ten now, trying to get him out of his panic corner. | 0:04:18 | 0:04:21 | |
-They should leave him in there. -They can't. In three hours, | 0:04:21 | 0:04:24 | |
the British Government is hosting the Unity Summit. | 0:04:24 | 0:04:26 | |
It's going to put every country's defences under a single system. | 0:04:26 | 0:04:29 | |
-Only one aide is cleared to accompany the PM. -Let me guess. Mandy? -Right. | 0:04:29 | 0:04:34 | |
Each world leader will be given a sealed envelope | 0:04:34 | 0:04:36 | |
containing their own access code to the new system. | 0:04:36 | 0:04:38 | |
They'll be given ten seconds to memorise it before it's destroyed. | 0:04:38 | 0:04:41 | |
Given the state he's in, our PM can't memorise anything. | 0:04:41 | 0:04:44 | |
Instead of the Unity system protecting our country, we could | 0:04:44 | 0:04:47 | |
end up being the only ones without any control over our own offences. | 0:04:47 | 0:04:50 | |
-We would be sitting ducks. -So we've got to get Mandy back, ASAP? | 0:04:50 | 0:04:53 | |
And do something about her fashion sense. | 0:04:53 | 0:04:56 | |
Her top? Hel-lo?! | 0:04:57 | 0:04:59 | |
Now, Roland. | 0:05:09 | 0:05:10 | |
This is your chance to talk about | 0:05:10 | 0:05:12 | |
anything, anything at all, which is worrying you. | 0:05:12 | 0:05:15 | |
Well, there is one thing. | 0:05:16 | 0:05:18 | |
I knew it! | 0:05:18 | 0:05:19 | |
Suspect is about to confess of his own free will. | 0:05:21 | 0:05:26 | |
Mrs King, please! | 0:05:26 | 0:05:28 | |
Go on, Roland. | 0:05:35 | 0:05:37 | |
Well, last night, me mum made me this horrible dinner, | 0:05:37 | 0:05:41 | |
and when she went out the room, I fed it to the cat. | 0:05:41 | 0:05:45 | |
But then the cat sicked it back up on me plate. | 0:05:45 | 0:05:49 | |
And then me mum came back in! | 0:05:49 | 0:05:51 | |
Perhaps we could stop there. | 0:05:51 | 0:05:53 | |
She told me to finish it! | 0:05:53 | 0:05:55 | |
Time's up, Roland. | 0:05:55 | 0:05:57 | |
Keri, check the crime scene | 0:06:00 | 0:06:01 | |
for any clues that can tell us where Mandy's gone. | 0:06:01 | 0:06:03 | |
She gets some well weird letters. | 0:06:06 | 0:06:08 | |
Someone here says they're allergic to floors. | 0:06:08 | 0:06:12 | |
You'd have to walk around on stilts! | 0:06:12 | 0:06:13 | |
Mandy's motto was, "You can trust me". | 0:06:13 | 0:06:15 | |
How you do think she'd feel if she knew we'd broken that trust? | 0:06:15 | 0:06:19 | |
How do you think these people feel? | 0:06:20 | 0:06:22 | |
Aneisha's right. Focus, team. | 0:06:22 | 0:06:24 | |
Look for clues. | 0:06:24 | 0:06:25 | |
Here... | 0:06:27 | 0:06:29 | |
Tom, check this out. | 0:06:33 | 0:06:34 | |
Hold that for a moment, Dan. | 0:06:34 | 0:06:36 | |
If I access a high-res weather satellite and use a program | 0:06:36 | 0:06:39 | |
to scan for all footprints in the area surrounding that office... | 0:06:39 | 0:06:42 | |
We can isolate the kidnappers' boot prints and see where it went. | 0:06:42 | 0:06:45 | |
It could tell us where they've taken her. | 0:06:45 | 0:06:47 | |
SHE GROANS AND PANTS | 0:06:55 | 0:06:57 | |
What do you want? | 0:07:00 | 0:07:02 | |
What's going on?! | 0:07:02 | 0:07:03 | |
I dare say | 0:07:05 | 0:07:07 | |
the Prime Minister's shared all kinds of secrets with you. | 0:07:07 | 0:07:10 | |
Any secrets inside my head STAY inside my head! | 0:07:12 | 0:07:15 | |
Oh, I'm sure I could tease them out. | 0:07:15 | 0:07:19 | |
Do you mean "tease" or do you really mean torture? | 0:07:19 | 0:07:22 | |
Oh, now, let me think. | 0:07:22 | 0:07:24 | |
The second one. | 0:07:24 | 0:07:26 | |
Do you know something? | 0:07:26 | 0:07:27 | |
Underneath all that glamour and "Grrr" I can see a little girl | 0:07:27 | 0:07:32 | |
crying out for help. | 0:07:32 | 0:07:34 | |
-GRUFFLY: -What? Don't be ridiculous! | 0:07:34 | 0:07:36 | |
Bullied as a kid, were you? | 0:07:37 | 0:07:39 | |
Shut up! | 0:07:39 | 0:07:40 | |
Activate the probe! | 0:07:41 | 0:07:42 | |
What's this? | 0:07:46 | 0:07:48 | |
Enough! | 0:07:48 | 0:07:50 | |
What's going on? | 0:07:51 | 0:07:53 | |
What's it doing back there? | 0:07:53 | 0:07:55 | |
What is that thing?! | 0:07:55 | 0:07:57 | |
Got it! These boot prints were left in the past week or so. | 0:07:57 | 0:08:00 | |
All I have to do is write a pattern recognition protocol | 0:08:00 | 0:08:03 | |
to isolate the one belonging to Mandy's kidnapper. | 0:08:03 | 0:08:05 | |
The Unity Summit starts in two hours. | 0:08:05 | 0:08:07 | |
We're running out of time, and the PM's just introduced legislation | 0:08:07 | 0:08:11 | |
to imprison anyone who misuses the apostrophe. | 0:08:11 | 0:08:14 | |
Well, that's half the school stuffed. | 0:08:14 | 0:08:16 | |
-Can you speed up the scan? -No, sorry. | 0:08:16 | 0:08:18 | |
Well, we've got something else that we've got to do | 0:08:18 | 0:08:20 | |
-for the next half an hour anyway. -And what's that? | 0:08:20 | 0:08:22 | |
Well, I guess my biggest problem is that I can't get | 0:08:34 | 0:08:36 | |
to the next level of this game, Iron Glove. | 0:08:36 | 0:08:38 | |
Ah, yes. How to get to next level in the game of love. | 0:08:38 | 0:08:43 | |
No, n-no, glove. Iron Glove. | 0:08:43 | 0:08:47 | |
I don't really have any problems, sir. | 0:08:47 | 0:08:49 | |
So you wouldn't have felt it necessary to write a letter, then? | 0:08:49 | 0:08:53 | |
HE CLEARS HIS THROAT | 0:08:56 | 0:08:58 | |
To think I was like, "Keri, you are SO into him!" | 0:08:58 | 0:09:01 | |
And I was like, "I'm SO not!" | 0:09:01 | 0:09:03 | |
And she was like, "You SO are!" So I was like... | 0:09:03 | 0:09:06 | |
I'm so not? | 0:09:06 | 0:09:07 | |
Were you there, Miss? | 0:09:07 | 0:09:09 | |
You never listen to me! | 0:09:11 | 0:09:13 | |
-I'm listening now. -Talking. | 0:09:13 | 0:09:15 | |
-Listening! -Talking! -I'm listening! | 0:09:15 | 0:09:17 | |
Perhaps we could pioneer a new form of communication called | 0:09:17 | 0:09:22 | |
"liste-talking?" | 0:09:22 | 0:09:24 | |
Sorry, sir, I'm having a problem understanding what you mean. | 0:09:25 | 0:09:29 | |
You see? Now we're getting somewhere! | 0:09:29 | 0:09:32 | |
So I was like, "I'm into him a little bit" | 0:09:37 | 0:09:39 | |
and she was like, "You're SO not into him a little bit, | 0:09:39 | 0:09:41 | |
"you're into him a lot." I was like, wevsy. | 0:09:41 | 0:09:44 | |
And it kept going. | 0:09:44 | 0:09:46 | |
-And she was saying about how I was so into him... -Wevsy?! | 0:09:46 | 0:09:48 | |
..and I didn't really know how to reply to that, you know? | 0:09:48 | 0:09:51 | |
Because she just wouldn't shut up about it! | 0:09:51 | 0:09:53 | |
You're still not listening! | 0:09:53 | 0:09:54 | |
All I want to listen to is you telling me | 0:09:54 | 0:09:56 | |
whether or not you've written a letter in the past week! | 0:09:56 | 0:09:59 | |
I'm not going to answer that. | 0:09:59 | 0:10:01 | |
Ha! | 0:10:01 | 0:10:03 | |
No, not "love" - glove. | 0:10:05 | 0:10:07 | |
You must learn about the ancient art of woo. | 0:10:07 | 0:10:11 | |
-Is that some kind of martial art? -Oh, far from it, Thomas. | 0:10:11 | 0:10:15 | |
If it's a rare skill, | 0:10:15 | 0:10:16 | |
but luckily for you | 0:10:16 | 0:10:18 | |
I am a woo master. | 0:10:18 | 0:10:21 | |
You look ill. | 0:10:32 | 0:10:34 | |
I just had a lecture in woo. | 0:10:34 | 0:10:36 | |
-Is that some kind of martial art? -Team... | 0:10:36 | 0:10:39 | |
Tom's programme has tracked Mandy's kidnapper to an abandoned hospital. | 0:10:39 | 0:10:42 | |
Could that be where they're holding her? | 0:10:42 | 0:10:44 | |
That's what you need to find out. Take this - a ventriloquiser. | 0:10:44 | 0:10:47 | |
It automatically records every voice within a 10m radius, | 0:10:47 | 0:10:50 | |
allowing you to speak with any one of them. | 0:10:50 | 0:10:52 | |
What use is that to us? | 0:10:52 | 0:10:53 | |
IN ANEISHA'S VOICE: Useful for distraction and misdirection. | 0:10:53 | 0:10:57 | |
IN TOM'S VOICE: Cool. | 0:10:57 | 0:10:59 | |
Ah, Frank. | 0:11:00 | 0:11:02 | |
All right, Mr F? | 0:11:02 | 0:11:03 | |
Time for your heart-to-heart. | 0:11:03 | 0:11:05 | |
(Do not ask him about woo.) | 0:11:05 | 0:11:09 | |
AS FRANK: I'm really looking forward to that, Mr F. | 0:11:09 | 0:11:12 | |
Splendid, Frank. Splendid. | 0:11:12 | 0:11:13 | |
After you. | 0:11:15 | 0:11:16 | |
-Tom, we're in. -'See if you can pick up the abductor's boot print.' | 0:11:17 | 0:11:21 | |
This place gives me the creeps. | 0:11:25 | 0:11:28 | |
'Follow the trail.' | 0:11:30 | 0:11:31 | |
If Mandy's there, we need to find her. | 0:11:31 | 0:11:33 | |
XETROK? | 0:11:36 | 0:11:38 | |
-What's that? -Nothing, it's just a computer glitch. Hurry guys. | 0:11:38 | 0:11:42 | |
RECORDING PLAYS: 'Entry-hall hat stand is tall.' | 0:11:46 | 0:11:48 | |
Mandy?! | 0:11:48 | 0:11:51 | |
-They're torturing her. -Wait. | 0:11:51 | 0:11:53 | |
'..this type is intended for temporary storage | 0:11:53 | 0:11:56 | |
-'of head ornaments for arriving guests.' -No way. | 0:11:56 | 0:11:59 | |
Since when did the Crime Minister need an agony aunt? | 0:11:59 | 0:12:03 | |
Since she realised THAT agony aunt knows all kinds of state secrets. | 0:12:03 | 0:12:06 | |
Three hours of listening to Hat Stands: The Definitive Study | 0:12:06 | 0:12:09 | |
hasn't loosened your tongue? | 0:12:09 | 0:12:11 | |
No, you'll spill your secrets soon enough. | 0:12:11 | 0:12:15 | |
As an agony aunt, it's time you experience some real agony. | 0:12:15 | 0:12:18 | |
You'll now be subjected to | 0:12:18 | 0:12:20 | |
Great Tap Drips Of The 20th Century. | 0:12:20 | 0:12:24 | |
Even I can't endure that. | 0:12:24 | 0:12:26 | |
Now, now. | 0:12:30 | 0:12:32 | |
Oh, dear. | 0:12:54 | 0:12:55 | |
ALARM WAILS | 0:12:55 | 0:12:58 | |
Get Mandy out of here! | 0:13:03 | 0:13:05 | |
Dan! | 0:13:14 | 0:13:16 | |
Here we are, sir. The Unity Summit. | 0:13:21 | 0:13:24 | |
In 45 minutes you'll be given a sealed envelope | 0:13:24 | 0:13:27 | |
containing the defence code. You must memorise it, OK? | 0:13:27 | 0:13:30 | |
Of course. | 0:13:30 | 0:13:32 | |
What's my name again? | 0:13:32 | 0:13:33 | |
-You're the Prime Minister, sir. -And you are? | 0:13:33 | 0:13:36 | |
Hamish Campbell, MI9, sir. | 0:13:36 | 0:13:39 | |
We've got you some shoes. You remember shoes? | 0:13:39 | 0:13:42 | |
I think I remember what chocolate looks like, Brenda. | 0:13:42 | 0:13:45 | |
Just... | 0:13:46 | 0:13:48 | |
hang in there, sir. | 0:13:48 | 0:13:49 | |
ALARM WAILS | 0:13:54 | 0:13:57 | |
-AS CRIME MINISTER: -I'm down the corridor to your left, idiots! | 0:13:57 | 0:14:00 | |
Wow, this thing's cool. | 0:14:00 | 0:14:02 | |
-AS CRIME MINISTER: -I mean hurry. That's an order. | 0:14:02 | 0:14:05 | |
I meant to say thanks, by the way. I'm Aneisha. Aneisha Jones. | 0:14:09 | 0:14:15 | |
Oh, good. | 0:14:15 | 0:14:16 | |
I thought you remember the names of everyone who writes to you. | 0:14:16 | 0:14:19 | |
Of course I do, Aneisha Jones. | 0:14:19 | 0:14:22 | |
And you wrote to me about? | 0:14:22 | 0:14:24 | |
-Not feeling very self-confident sometimes. -Yes. | 0:14:24 | 0:14:27 | |
And I told you to... | 0:14:27 | 0:14:29 | |
Try loads of new things. | 0:14:29 | 0:14:31 | |
That's it. Well done. | 0:14:31 | 0:14:34 | |
I've been using marmalade as moisturiser just like you said. | 0:14:34 | 0:14:37 | |
Good girl. Marmalade. Lovely. | 0:14:37 | 0:14:40 | |
And permanent marker pen instead of eyeliner. | 0:14:40 | 0:14:44 | |
Good, good. | 0:14:44 | 0:14:46 | |
Who are you? | 0:14:47 | 0:14:48 | |
Mandy. | 0:14:48 | 0:14:49 | |
I don't think so. | 0:14:49 | 0:14:51 | |
Who are you? | 0:14:54 | 0:14:56 | |
Hello? | 0:15:11 | 0:15:12 | |
Mandy?! What's going on? | 0:15:12 | 0:15:15 | |
We can't move fast enough. | 0:15:25 | 0:15:26 | |
I'll be all right in a minute, you have to go without me. | 0:15:26 | 0:15:29 | |
I'm not leaving you. | 0:15:29 | 0:15:30 | |
Keri, what's the point in both of us getting caught? | 0:15:30 | 0:15:32 | |
Who says we're getting caught? | 0:15:34 | 0:15:36 | |
-VOICE OF ANEISHA: -'Guys, I had to draw some guards away from Mandy, | 0:15:38 | 0:15:40 | |
-'I've left her by the entrance.' -We'll come and get you! | 0:15:40 | 0:15:43 | |
-AS ANEISHA: -There's no time. I'll make my own way back. | 0:15:43 | 0:15:45 | |
Just get Mandy to the Prime Minister. | 0:15:45 | 0:15:47 | |
Whoa! | 0:15:51 | 0:15:53 | |
Come on! Mandy, hurry up! | 0:15:54 | 0:15:57 | |
They've got Mandy. | 0:15:59 | 0:16:01 | |
Aneisha's been delayed but she's on her way. | 0:16:01 | 0:16:04 | |
I'll notify Hamish. | 0:16:04 | 0:16:05 | |
What's wrong with the computers? | 0:16:05 | 0:16:08 | |
Some kind of virus. | 0:16:08 | 0:16:09 | |
-We've been compromised? -Well, it doesn't seem to be doing any harm, | 0:16:09 | 0:16:12 | |
-it's just renaming all of our files. -XETROK? What does that mean? | 0:16:12 | 0:16:16 | |
At first I didn't understand it either, but then I started thinking | 0:16:16 | 0:16:20 | |
we read left-to-right, but computers read code right-to-left. | 0:16:20 | 0:16:24 | |
If we look at it from inside the system... | 0:16:24 | 0:16:26 | |
KORTEX. | 0:16:26 | 0:16:28 | |
And what's KORTEX? | 0:16:29 | 0:16:31 | |
Tim feels that people ignore him because he's just a flower, | 0:16:33 | 0:16:36 | |
but he has feelings, Mr Flatley. | 0:16:36 | 0:16:39 | |
HE SPEAKS GOBBLEDYGOOK | 0:16:39 | 0:16:42 | |
And we want to hear all about Tim's feelings. | 0:16:42 | 0:16:45 | |
Well, yes, he has written a poem. | 0:16:45 | 0:16:47 | |
Ah, wonderful. | 0:16:47 | 0:16:49 | |
Hey, this is the answer. | 0:16:49 | 0:16:51 | |
Personal expression is always the answer, Mrs King. | 0:16:51 | 0:16:54 | |
Handwriting. I'll collect in all the exercise books | 0:16:54 | 0:16:58 | |
and compare the handwriting to the letter. | 0:16:58 | 0:17:01 | |
Then I'll really give the culprits something to complain about. | 0:17:01 | 0:17:05 | |
Buptick pop-cheeck! | 0:17:09 | 0:17:10 | |
-Who are you? -I might ask you the same question. | 0:17:17 | 0:17:20 | |
Aneisha Jones, MI9. | 0:17:20 | 0:17:23 | |
The same Aneisha Jones who had trouble with her self-confidence? | 0:17:23 | 0:17:26 | |
-You remember me? -Oh, of course I do! | 0:17:26 | 0:17:29 | |
I remember everybody that writes to me. | 0:17:29 | 0:17:31 | |
I suppose even spies have trouble with confidence sometimes. | 0:17:31 | 0:17:34 | |
-Hey, how d'you get on with me advice? -Good. | 0:17:34 | 0:17:38 | |
Made some new friends, party invites. | 0:17:38 | 0:17:41 | |
Sorry, what's going on? Who was that in the corridor? | 0:17:41 | 0:17:44 | |
Oh, not who. What. | 0:17:44 | 0:17:46 | |
All of this has been a setup to get to the Prime Minister. | 0:17:46 | 0:17:49 | |
KORPS want the access code to the Unity System | 0:17:49 | 0:17:52 | |
so KORPS kidnapped me and made a copy. | 0:17:52 | 0:17:55 | |
Some kind of an android. | 0:17:55 | 0:17:57 | |
That's what the machine we saw does, makes androids? | 0:17:57 | 0:18:00 | |
Exactly. KORPS tricked you into rescuing the android instead of me. | 0:18:00 | 0:18:04 | |
So when all the world leaders open their envelopes, | 0:18:04 | 0:18:07 | |
the android will see the Prime Minister's code | 0:18:07 | 0:18:10 | |
and transmit it back to KORPS. | 0:18:10 | 0:18:11 | |
They'll have total control of the country's defence system! | 0:18:11 | 0:18:16 | |
Ladies and gentlemen, | 0:18:16 | 0:18:18 | |
welcome to the Unity Summit. | 0:18:18 | 0:18:21 | |
This is a momentous day, | 0:18:21 | 0:18:22 | |
as we unite from all corners of the globe against our enemy. | 0:18:22 | 0:18:25 | |
Prime Minister, look. | 0:18:29 | 0:18:31 | |
Mandy, thank goodness! | 0:18:31 | 0:18:34 | |
Campbell...my shoes. | 0:18:41 | 0:18:43 | |
You...chewed them, sir. | 0:18:43 | 0:18:46 | |
Did I? Hmm... | 0:18:46 | 0:18:49 | |
When are we memorising this code? | 0:18:49 | 0:18:53 | |
20 minutes. Come on. | 0:18:53 | 0:18:54 | |
Well done, team. You've just saved us from complete disaster. | 0:18:57 | 0:19:01 | |
-All part of the service. -You should be the ones | 0:19:01 | 0:19:03 | |
to distribute the envelopes. It's important the Prime Minister sees | 0:19:03 | 0:19:06 | |
what you've done to help achieve this. | 0:19:06 | 0:19:08 | |
Frank, we've delivered Mandy back to the PM. Is Aneisha at the spy base? | 0:19:09 | 0:19:14 | |
No. Tom, try her communicator. | 0:19:14 | 0:19:16 | |
Neish, are you there? Aneisha? | 0:19:16 | 0:19:19 | |
According to my scan | 0:19:22 | 0:19:23 | |
her communicator's still at the hospital. | 0:19:23 | 0:19:25 | |
-They should go back for her, Frank. -On our way. -No. Stay where you are | 0:19:25 | 0:19:28 | |
in case KORPS make another attempt to get Mandy. | 0:19:28 | 0:19:31 | |
But we're your only field agents. | 0:19:31 | 0:19:33 | |
What? | 0:19:37 | 0:19:38 | |
It's bolted from the other side. | 0:19:41 | 0:19:43 | |
You're the one who said there's a solution to every problem. | 0:19:43 | 0:19:46 | |
There's no way we can get through that door. | 0:19:46 | 0:19:49 | |
-Then we get them to open it for us. -How? | 0:19:49 | 0:19:52 | |
MANDY: 'Hello? I've changed me mind, you've broken me. I'll talk! | 0:19:54 | 0:20:00 | |
'I'll tell you all the Prime Minister's secrets!' | 0:20:00 | 0:20:03 | |
OK, let's get to the summit before that thing gives the code to KORPS. | 0:20:11 | 0:20:14 | |
Tom?! | 0:20:14 | 0:20:15 | |
-I've got to get my friend first. -We don't have time! | 0:20:17 | 0:20:20 | |
He must have come here for me. I can't leave here without him. | 0:20:20 | 0:20:23 | |
Course you can't. Come on, let's go! | 0:20:23 | 0:20:25 | |
We'll shortly bring round the envelopes | 0:20:28 | 0:20:30 | |
containing your personal access codes. | 0:20:30 | 0:20:33 | |
You'll be given 10 seconds to open the envelope | 0:20:33 | 0:20:36 | |
and memorise the code within. | 0:20:36 | 0:20:38 | |
After that, all evidence will be destroyed. | 0:20:38 | 0:20:41 | |
(Neish, are you in here?) | 0:20:51 | 0:20:53 | |
Molecular echo probe? | 0:20:58 | 0:21:00 | |
Thanks to those gullible fools from MI nine, | 0:21:02 | 0:21:05 | |
the android will be transmitting the code in five minutes. | 0:21:05 | 0:21:09 | |
We'll control the entire country's defence system. | 0:21:09 | 0:21:12 | |
Dismantle this facility. Let's get out of here. | 0:21:12 | 0:21:15 | |
-What are you doing here? -What's she doing here? -Long story. | 0:21:24 | 0:21:28 | |
Dad, the Mandy you took to the summit isn't Mandy. | 0:21:28 | 0:21:31 | |
'It's an android!' | 0:21:31 | 0:21:33 | |
What? | 0:21:33 | 0:21:34 | |
'You can't let the PM open that envelope. | 0:21:34 | 0:21:36 | |
'If you do, you'll be playing right into KORPS' hands.' | 0:21:36 | 0:21:40 | |
-Are you sure about this? -Take my advice, love - listen to her. | 0:21:40 | 0:21:44 | |
-You're under arrest. -What's the meaning of this? | 0:21:52 | 0:21:55 | |
This isn't the real Mandy, it's a Mandy droid! | 0:21:55 | 0:21:59 | |
-Campbell? -Dan, what are you doing? -Aneisha's got the real Mandy. | 0:21:59 | 0:22:04 | |
What? This is nonsense. I've known Mandy my entire life | 0:22:04 | 0:22:07 | |
and this is the real her. | 0:22:07 | 0:22:09 | |
No, Hamish, we have to trust Aneisha. | 0:22:09 | 0:22:11 | |
-Campbell, arrest your agents. -Sir? | 0:22:11 | 0:22:14 | |
-Arrest them! -Hamish! | 0:22:14 | 0:22:15 | |
I'm sorry, Dan, orders are orders. | 0:22:18 | 0:22:20 | |
Guys! | 0:22:26 | 0:22:27 | |
-I don't want to fight him. -I've always wanted to use one of these! | 0:22:29 | 0:22:33 | |
Tom, what are you doing? Why are you making another one? | 0:22:33 | 0:22:37 | |
-Oh, no, now there's two of them! -How does this make things better for us? | 0:22:39 | 0:22:44 | |
-I should be able to control it. -What?! | 0:22:44 | 0:22:47 | |
All right! So they can fight each other? | 0:22:51 | 0:22:54 | |
Cool! Tom, get back to base. | 0:23:07 | 0:23:09 | |
I need to take Mandy to the Unity Summit. | 0:23:09 | 0:23:11 | |
It's the only way to convince the Prime Minister that the other | 0:23:11 | 0:23:14 | |
-Mandy is fake. -Can I keep this guy? -No! -But look, he's dancing. Look! | 0:23:14 | 0:23:18 | |
See? Look! Look! He's dancing! | 0:23:18 | 0:23:21 | |
Felicity! You know full well that running in the corridor is forbidden. | 0:23:29 | 0:23:33 | |
They're trying to arrest me! | 0:23:33 | 0:23:36 | |
What offence could a pupil of mine have possibly committed? | 0:23:36 | 0:23:40 | |
She was using an apostrophe in a letter to the Education Minister. | 0:23:40 | 0:23:43 | |
She did...? | 0:23:43 | 0:23:45 | |
YOU complained about me! | 0:23:45 | 0:23:48 | |
Lock her up and throw away the key. | 0:23:50 | 0:23:52 | |
You all have an envelope in front of you. | 0:24:00 | 0:24:03 | |
You hold the safety of the entire world in your hands. | 0:24:03 | 0:24:06 | |
Prepare to open in five... | 0:24:08 | 0:24:11 | |
..four...three...two... | 0:24:12 | 0:24:18 | |
-..one... -Stop! | 0:24:19 | 0:24:21 | |
Another of your incompetent agents, Campbell. Arrest her! | 0:24:22 | 0:24:26 | |
-That's an android sent here by KORPS. -Not this again! | 0:24:26 | 0:24:31 | |
If I have to listen to any more of this ridicu... | 0:24:31 | 0:24:33 | |
Who are you? | 0:24:38 | 0:24:40 | |
-I'm Mandy. -No, I'm Mandy. | 0:24:40 | 0:24:42 | |
-No, I'm Mandy. -No, I'm Mandy. | 0:24:42 | 0:24:46 | |
-Give it here! -No, I'm Mandy. -No, I'm Mandy. | 0:24:52 | 0:24:55 | |
-No, I'm Mandy. Get off! -I'm the real Mandy! | 0:24:55 | 0:25:00 | |
Stop it, both of you! | 0:25:03 | 0:25:05 | |
I can't tell the difference. | 0:25:09 | 0:25:11 | |
Well, I can. | 0:25:14 | 0:25:15 | |
I've got a question for the Mandys. What did I write to you about? | 0:25:15 | 0:25:19 | |
-Your self-confidence. -Right answer. | 0:25:24 | 0:25:27 | |
-Arrest the other one. -No! | 0:25:27 | 0:25:30 | |
That one. | 0:25:30 | 0:25:32 | |
The real Mandy would never have answered that question | 0:25:32 | 0:25:35 | |
in front of everybody. | 0:25:35 | 0:25:36 | |
THEY GASP | 0:25:42 | 0:25:44 | |
I'm rather impressed with you, Aneisha. | 0:25:55 | 0:25:58 | |
You're a very confident young lady. | 0:25:58 | 0:26:00 | |
So my crew, yeah? | 0:26:03 | 0:26:05 | |
We're tight but they just don't always get me. | 0:26:05 | 0:26:10 | |
They just don't know what it's like to be out there, representin', | 0:26:10 | 0:26:13 | |
you know? | 0:26:13 | 0:26:15 | |
I'm not sure how much more I can take of this. | 0:26:15 | 0:26:18 | |
As much as you have to, Mrs King. You promised the Education Minister | 0:26:18 | 0:26:22 | |
that when Felicity was released, you'd listen to all her problems. | 0:26:22 | 0:26:26 | |
-Cup of tea, Felicity? -That's a man with a plan, yo! Right cha! | 0:26:26 | 0:26:31 | |
-Two sugars, Mrs King? -And bring some biscuits, cha feel? | 0:26:33 | 0:26:37 | |
-Ha-ha! They arrested Lady J? -She was released without charge. | 0:26:42 | 0:26:46 | |
It seems all the Prime Minister's weird decisions have been reversed. | 0:26:46 | 0:26:50 | |
So, Hamish, are we getting knighthoods for this or what? | 0:26:50 | 0:26:53 | |
First we need to investigate this KORTEX anomaly. | 0:26:53 | 0:26:55 | |
-It's inside our systems. -There will be no investigation. -What? Why not? | 0:26:55 | 0:27:00 | |
Please understand that, for me, this has been your finest hour, | 0:27:00 | 0:27:04 | |
but as far as the Prime Minister is concerned, you played | 0:27:04 | 0:27:06 | |
right into KORPS' hands, putting an android by his side. | 0:27:06 | 0:27:09 | |
-We saved the day. -Only just. | 0:27:09 | 0:27:12 | |
The PM believes this has been a massive security breach | 0:27:12 | 0:27:15 | |
and it can never, ever happen again. | 0:27:15 | 0:27:17 | |
-It won't, you have my word. -Frank, you don't understand. | 0:27:17 | 0:27:20 | |
Keri, Dan, Tom, Aneisha... | 0:27:22 | 0:27:24 | |
..as of this moment you're no longer spies. | 0:27:26 | 0:27:28 | |
You've been shut down. | 0:27:30 | 0:27:32 | |
The M.I. High project is dead. | 0:27:32 | 0:27:34 |