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Hi, I'm Millie Macdonald. Nah, just kidding. | 0:00:31 | 0:00:35 | |
I'm Millie Innes and I play Millie MacDonald in Millie Inbetween. | 0:00:35 | 0:00:39 | |
So, that's the series over, I cannot believe it. | 0:00:39 | 0:00:43 | |
Filming Millie Inbetween was the best summer ever. | 0:00:43 | 0:00:47 | |
Hiya. | 0:00:52 | 0:00:54 | |
Action. | 0:00:54 | 0:00:56 | |
CHILDREN SCREAM | 0:00:56 | 0:00:58 | |
LAUGHTER | 0:01:01 | 0:01:02 | |
Cut. | 0:01:05 | 0:01:06 | |
So, a third of us don't live with both our parents. | 0:01:06 | 0:01:09 | |
So, that means either you don't or you have a friend who doesn't. | 0:01:09 | 0:01:12 | |
We wanted to make a show about how there is no such thing | 0:01:12 | 0:01:15 | |
as a normal family any more. Or, as Millie says... | 0:01:15 | 0:01:18 | |
Maybe weird's the new normal. Round here it is anyway. | 0:01:18 | 0:01:22 | |
One of the best things for me was watching the characters come to life | 0:01:22 | 0:01:25 | |
from the script to the screen. | 0:01:25 | 0:01:28 | |
So, the family... There is Millie's mum and dad. | 0:01:28 | 0:01:31 | |
They're both really nice people but they just don't get on. | 0:01:31 | 0:01:35 | |
It's like when you have two friends who can't stand each other, | 0:01:35 | 0:01:37 | |
tricky, isn't it? | 0:01:37 | 0:01:39 | |
You like them both but they can't be together or...boom. | 0:01:39 | 0:01:42 | |
Tony... Come on, clean the bathroom. | 0:01:44 | 0:01:47 | |
What if I put my back out and walk around like a chimp? | 0:01:47 | 0:01:50 | |
Well, that would make sense. | 0:01:50 | 0:01:52 | |
-You are the only furry one that clogs up the drain. -Oh, gross. | 0:01:52 | 0:01:55 | |
-That is so chimp-ist and I am not. -Oh, yeah? What is this? | 0:01:55 | 0:01:59 | |
LAUREN SCREAMS | 0:01:59 | 0:02:01 | |
The turkey's totally dried up. Do you know what it looks like? | 0:02:01 | 0:02:03 | |
-Your mum's face? -Tony. | 0:02:03 | 0:02:05 | |
"Our Colin would never expose his family to electricals." | 0:02:05 | 0:02:08 | |
She got a shock off the loo seat. | 0:02:08 | 0:02:10 | |
Yeah, that was the static from her fluffy slippers. | 0:02:10 | 0:02:12 | |
Next time, you can get Mr Muscles to mend your fuse box. | 0:02:12 | 0:02:15 | |
You didn't fix it, you broke it. | 0:02:15 | 0:02:17 | |
You do know she dyes her hair? | 0:02:17 | 0:02:20 | |
Next, there's Millie's big sister Lauren. | 0:02:21 | 0:02:24 | |
Almost ready. | 0:02:24 | 0:02:26 | |
She's played by the terrific Tallulah Greive. | 0:02:26 | 0:02:29 | |
That's what I call her, anyway. But not to her face | 0:02:29 | 0:02:31 | |
or she'd get a big head. | 0:02:31 | 0:02:33 | |
LAUREN GASPS MILLIE! | 0:02:33 | 0:02:35 | |
In this show, Lauren doesn't only fight with Millie, | 0:02:35 | 0:02:38 | |
she fights with everyone. She's a teenager, of course. | 0:02:38 | 0:02:42 | |
She probably fights with herself in the mirror. | 0:02:42 | 0:02:44 | |
CRAIG! | 0:02:46 | 0:02:48 | |
Why does my hair smell like bacon? | 0:02:48 | 0:02:49 | |
Why can't you compromise and do what I want? | 0:02:49 | 0:02:51 | |
Because what you want is crazy and impractical. | 0:02:51 | 0:02:54 | |
But you're crazy and impractical. | 0:02:54 | 0:02:56 | |
I HATE YOU. Ungh. | 0:02:56 | 0:02:59 | |
That's right, have a go at me the second I walk in the door. | 0:02:59 | 0:03:02 | |
It's not fair... | 0:03:05 | 0:03:07 | |
Right, Mum. She is very different from Dad, but just as funny. | 0:03:07 | 0:03:12 | |
Nice funny. | 0:03:12 | 0:03:14 | |
Mum's played by Hannah Jane Fox. Oh, she's well lovely. | 0:03:14 | 0:03:17 | |
And did you know Hannah is an amazing singer? | 0:03:17 | 0:03:20 | |
She's been in proper musicals and everything. I am in awe. | 0:03:20 | 0:03:24 | |
Here are some of the funniest scenes | 0:03:24 | 0:03:26 | |
that just happened to have Mum in them. | 0:03:26 | 0:03:29 | |
Whoo! Ooh, sick move. | 0:03:29 | 0:03:32 | |
Oh, no, they've done it again, haven't they? | 0:03:32 | 0:03:34 | |
You fall for it every time. | 0:03:34 | 0:03:36 | |
Oh, come on. Anyone? | 0:03:36 | 0:03:39 | |
You know I can't get stressed in my condition. | 0:03:41 | 0:03:44 | |
SHE LAUGHS | 0:03:44 | 0:03:46 | |
Ow. O-o-w. | 0:03:47 | 0:03:50 | |
Oh, I'll just let it cool down. | 0:03:50 | 0:03:53 | |
Mum, shouldn't you be honest and tell Mike you can't do the race? | 0:03:53 | 0:03:57 | |
What, and admit that I haven't been doing his training programme? | 0:03:57 | 0:04:00 | |
-That I lied to him? -Aren't you sort of lying now? | 0:04:00 | 0:04:03 | |
Isn't that the doorbell? | 0:04:03 | 0:04:05 | |
DOORBELL RINGS | 0:04:05 | 0:04:06 | |
It IS the doorbell. Ugh-Ugh... | 0:04:06 | 0:04:11 | |
Oh, you get that. | 0:04:11 | 0:04:12 | |
Mum, it's Mike. Have you got a date or something? | 0:04:14 | 0:04:17 | |
-Not till Thursday. -It is Thursday | 0:04:17 | 0:04:20 | |
Poo! | 0:04:20 | 0:04:21 | |
Dad is sort of brilliantly useless... | 0:04:24 | 0:04:27 | |
Hi... | 0:04:27 | 0:04:29 | |
..like a chair made from cake. | 0:04:29 | 0:04:30 | |
I'm coming! | 0:04:30 | 0:04:32 | |
Here's some of my favourite scenes of Dad in action, | 0:04:32 | 0:04:35 | |
played by the fantastic James Bachman. | 0:04:35 | 0:04:38 | |
MUSIC: Should I Stay Or Should I Go? by The Clash | 0:04:38 | 0:04:42 | |
This is going to be wicked. | 0:04:42 | 0:04:44 | |
Pleased to meet you, anyway. | 0:04:44 | 0:04:46 | |
-ELECTRICITY CRACKLES -Ow! -Oh! | 0:04:46 | 0:04:48 | |
This jacket is smoking. | 0:04:49 | 0:04:52 | |
Hey, girls, who wants a lemonade float with a daft paper umbrella? | 0:04:52 | 0:04:56 | |
-Yay. -Oh, what are they for anyway? | 0:04:56 | 0:04:58 | |
Like it's going to rain in your drink. | 0:04:58 | 0:05:01 | |
Dug this out, thought we could belt out some old classics. | 0:05:02 | 0:05:05 | |
-FEEDBACK ECHOES -# I'm on me way from misery | 0:05:05 | 0:05:08 | |
# to happiness today | 0:05:08 | 0:05:11 | |
# Uh-ha, uh-ha, uh-huh, uh-ha. # | 0:05:11 | 0:05:13 | |
Well, someone's been hit with the happy stick. | 0:05:13 | 0:05:15 | |
Yeah, we thought you'd be totally gutted. | 0:05:15 | 0:05:17 | |
-Gutted? Why would I be gutted? -Mum and Mike. | 0:05:17 | 0:05:20 | |
Mike? Mike. | 0:05:20 | 0:05:23 | |
Oh, Mike. Him. | 0:05:23 | 0:05:25 | |
So, this was the basic not-so-happy family. | 0:05:26 | 0:05:30 | |
And as you saw, just as they were getting used to everything | 0:05:30 | 0:05:33 | |
it all changed. | 0:05:33 | 0:05:35 | |
Cue Mum's not so secret boyfriend, played by Jeremy Edwards... | 0:05:35 | 0:05:38 | |
Remember me? | 0:05:38 | 0:05:40 | |
..who's called... Wait, what's he called again? | 0:05:40 | 0:05:43 | |
Mike. | 0:05:43 | 0:05:45 | |
Mike. | 0:05:45 | 0:05:47 | |
Mike? | 0:05:47 | 0:05:49 | |
-This is Mike...he thinks. -Hiya. | 0:05:49 | 0:05:52 | |
So, it's bad enough your parents split up, | 0:05:52 | 0:05:55 | |
without them bringing home a random person. | 0:05:55 | 0:05:57 | |
What if that random person has a kid? | 0:05:57 | 0:06:00 | |
Now, they could be all right or they could be a teenage boy. | 0:06:00 | 0:06:05 | |
-TINNY MUSIC THROUGH HEADPHONES -Yo. | 0:06:05 | 0:06:07 | |
He's a bit shy, but he's great once you get to know him. | 0:06:07 | 0:06:09 | |
'The first time Millie and Lauren met Craig, it did not go well.' | 0:06:09 | 0:06:13 | |
-He's a bit in the way, isn't he? -We could just cover him with a blanket. | 0:06:13 | 0:06:16 | |
-Snackage for the baby-sitter, sweet. -Er, no. That's... | 0:06:16 | 0:06:20 | |
I can tell we are going to get on just fine. | 0:06:20 | 0:06:22 | |
Chuck this in for us, will you? | 0:06:22 | 0:06:23 | |
Sorry, but we're watching The Boy Over The Road, | 0:06:23 | 0:06:26 | |
not Mega Truck Rally volume five. | 0:06:26 | 0:06:29 | |
And the snacks are for us, we're having a pamper party. Girls only. | 0:06:29 | 0:06:32 | |
But you can go hang out in the kitchen. | 0:06:32 | 0:06:33 | |
-Except during our pizza break. -Yo, ladies. | 0:06:33 | 0:06:36 | |
Let's get a few things straight, yeah. | 0:06:36 | 0:06:38 | |
I'm the baby-sitter, you're the babies. I'm in charge. | 0:06:38 | 0:06:41 | |
Therefore what I say goes. | 0:06:41 | 0:06:44 | |
And I'm watching this, so pamper yourself somewhere else. | 0:06:44 | 0:06:47 | |
Any questions? Nah. Good. | 0:06:47 | 0:06:49 | |
To be fair, not all teenage boys are quite as bad as Craig. | 0:06:50 | 0:06:54 | |
And you know, Craig is actually quite clever. | 0:06:54 | 0:06:57 | |
Let's just say he hides it well. | 0:06:57 | 0:07:00 | |
-I've been expecting you. -Aw, is that a cuddly toy? | 0:07:00 | 0:07:04 | |
Let me guess. You want my expert skills | 0:07:04 | 0:07:07 | |
-to get you out of the holiday from hell. -How do you know? | 0:07:07 | 0:07:10 | |
Because I'm a psychic genius. | 0:07:10 | 0:07:12 | |
A psychic genius who still plays with teddies. | 0:07:12 | 0:07:15 | |
A little less sneering, little more begging. | 0:07:15 | 0:07:17 | |
Tell Mike and Mum that we can stay with you. | 0:07:19 | 0:07:22 | |
-Say that you don't mind looking after us. -What's it worth? | 0:07:22 | 0:07:26 | |
-OK, name your price. -Mm...I do need my toenails clipped. | 0:07:26 | 0:07:31 | |
Haven't done them in months. | 0:07:31 | 0:07:34 | |
If you look at things from Craig's point of view, | 0:07:35 | 0:07:37 | |
which I don't really like to do, | 0:07:37 | 0:07:39 | |
he's forced to live with his dad's girlfriend | 0:07:39 | 0:07:42 | |
and her two super-annoying girls. | 0:07:42 | 0:07:44 | |
I've never met such a mean, big-headed, annoying, rude boy. | 0:07:44 | 0:07:48 | |
That's just because you've not been in secondary school long enough yet. | 0:07:48 | 0:07:52 | |
You just need to speak to them in their language. | 0:07:52 | 0:07:54 | |
I'm sorry, but I don't speak Grunt. | 0:07:54 | 0:07:57 | |
'But in Mike's eyes Craig can do no wrong.' | 0:07:57 | 0:07:59 | |
-Let me give you a big man hug. -All right, get off. Get off. | 0:07:59 | 0:08:02 | |
-Ahhh, you're a diamond, son. -Get off. | 0:08:02 | 0:08:05 | |
-Awesome. -Thanks. | 0:08:05 | 0:08:07 | |
Zombies four, kids nil. Huh. | 0:08:07 | 0:08:10 | |
'Soon, Mike realises it's much harder being a step-dad.' | 0:08:10 | 0:08:14 | |
-Sorry, what are you talking about? -That. | 0:08:14 | 0:08:17 | |
Oh, my phone? Oh, I know, it's great. Thank you. | 0:08:17 | 0:08:21 | |
Yeah, um, no problem. But, um... | 0:08:21 | 0:08:23 | |
No, it's-it's...the noise, the texts, the calls... | 0:08:23 | 0:08:26 | |
It's all a bit much. | 0:08:26 | 0:08:28 | |
-Wait, are you telling me off? -No. No-no-no. Sort of. Yes. | 0:08:28 | 0:08:32 | |
-It's a phone. That's what it's for. -Yeah, but you were told | 0:08:32 | 0:08:35 | |
-you weren't allowed to use it in bed. -Teagan called me, | 0:08:35 | 0:08:38 | |
-I couldn't not answer, that would be rude. -Um, hand it over. | 0:08:38 | 0:08:41 | |
What? That's like a violation of my human rights. | 0:08:41 | 0:08:44 | |
-Give me the phone. -You can't tell me what to do, you're not my dad. | 0:08:44 | 0:08:48 | |
Whilst we are coping with that lot, Dad goes out and gets himself | 0:08:48 | 0:08:51 | |
a trendy new girlfriend. | 0:08:51 | 0:08:53 | |
Here's some of my fave highlights of Jaye Jacobs, | 0:08:53 | 0:08:55 | |
the motorcycling midwife. | 0:08:55 | 0:08:58 | |
Let's see your moves, Mr DJ. | 0:09:00 | 0:09:02 | |
I bet they don't even know who's got the best lips. | 0:09:03 | 0:09:06 | |
Is that my T-shirt? | 0:09:06 | 0:09:08 | |
And on their first date, Mike and Mum were in the same restaurant. | 0:09:08 | 0:09:12 | |
Cringe! | 0:09:12 | 0:09:13 | |
-Oh, I'm so sorry I'm late. -That's OK. | 0:09:13 | 0:09:15 | |
Oh, and I'm not like a leather nut or anything, | 0:09:15 | 0:09:17 | |
-I came on my bike, so... -Oh, right. -Oh, and, er... | 0:09:17 | 0:09:20 | |
-I brought it with me so... -Er... | 0:09:20 | 0:09:23 | |
Oh! | 0:09:23 | 0:09:24 | |
-Was that a bit weird? -Not at all. | 0:09:25 | 0:09:27 | |
I like living alone. My life feels very centred at the moment. | 0:09:27 | 0:09:30 | |
Centred around the telly. | 0:09:30 | 0:09:32 | |
SHE GASPS | 0:09:33 | 0:09:35 | |
Now, don't react. You're better than that. | 0:09:35 | 0:09:37 | |
OK, OK. Well, now you're even. | 0:09:39 | 0:09:41 | |
Let it go! | 0:09:43 | 0:09:45 | |
That was meant for him, I'm sorry. | 0:09:47 | 0:09:49 | |
-I made that mistake. They're not for eating. -No? | 0:09:52 | 0:09:55 | |
OK, then. Oh, o-o-oh. | 0:09:55 | 0:10:00 | |
Amber has two kids. | 0:10:00 | 0:10:03 | |
-Haaghhh! -Ho-ho! | 0:10:03 | 0:10:05 | |
Tony, Lauren and Millie, these are my two wee beasties, Fran and Jake. | 0:10:05 | 0:10:08 | |
First, there's Jake. He was played by Marley Lockhart. | 0:10:08 | 0:10:12 | |
I hate bedtime, I like doughnuts. | 0:10:12 | 0:10:14 | |
Then there's Fran, played by Mya-Lecia Naylor. | 0:10:14 | 0:10:17 | |
Ready, and with my super-hearing, I can sense my surroundings | 0:10:17 | 0:10:20 | |
in microscopic detail. | 0:10:20 | 0:10:22 | |
Ow. | 0:10:22 | 0:10:24 | |
She's an odd-ball, all right. But a really lovable one! | 0:10:24 | 0:10:27 | |
Sometimes the weirdest weirdos are the funniest people to be around. | 0:10:27 | 0:10:31 | |
-Can I cram my duck into the chicken? -No. -No. | 0:10:31 | 0:10:34 | |
-Oh. -That looks extremely disturbing. I'll get the camera. | 0:10:34 | 0:10:37 | |
-Argh! -It's a spider pinata. | 0:10:37 | 0:10:41 | |
Mum met a tribe in South America who believed in a giant spider | 0:10:41 | 0:10:44 | |
who came out of the jungle once a year and gave sweets to everyone. | 0:10:44 | 0:10:48 | |
-I might have made that up. -Mum! -Mum! | 0:10:48 | 0:10:50 | |
Close your eyes and whack the Spider. | 0:10:50 | 0:10:53 | |
BOTH: Whack the spider, whack the spider, whack the spider. | 0:10:53 | 0:10:58 | |
-Go on. -Big and hairy. -Go on! -WHACK IT. | 0:10:58 | 0:11:03 | |
THEY SCREAM | 0:11:03 | 0:11:05 | |
SCREAMING ON TV | 0:11:07 | 0:11:10 | |
So, guys, I have been joined by these two. | 0:11:10 | 0:11:13 | |
Hi, there. I'm Theo and I play Craig in Millie Inbetween. | 0:11:13 | 0:11:16 | |
Hi, I'm Tallulah and I play Lauren in Millie Inbetween. | 0:11:16 | 0:11:19 | |
And it's a good thing they've joined me | 0:11:19 | 0:11:21 | |
because CBBC thought you guys would like to know a bit about us | 0:11:21 | 0:11:24 | |
and a bit about filming Millie Inbetween. | 0:11:24 | 0:11:28 | |
So, what was everyone's favourite scene and why did you choose it? | 0:11:28 | 0:11:32 | |
My ultimate favourite scene has got to be the day where Sharon... | 0:11:32 | 0:11:36 | |
Well, Craig calls her Sharon, your mum in the show. | 0:11:36 | 0:11:39 | |
...is trying to impress Craig and get to know him | 0:11:39 | 0:11:42 | |
and see what he's about. | 0:11:42 | 0:11:43 | |
What's your strategy? | 0:11:43 | 0:11:45 | |
Decapitate the aliens before they eat my face. | 0:11:45 | 0:11:48 | |
Oh, lovely. How's that going for you, Craig? | 0:11:48 | 0:11:52 | |
Not well, Sharon. | 0:11:52 | 0:11:53 | |
We might put on a family movie later, if you fancy it? | 0:11:53 | 0:11:56 | |
No, you're all right. I'll just, erm, watch something upstairs. | 0:11:56 | 0:12:00 | |
Oh, Craig. Wait. | 0:12:00 | 0:12:03 | |
Whoo-hoo...Craig. Why not come and hang with me at the park? | 0:12:05 | 0:12:09 | |
Cos I don't do rain. | 0:12:09 | 0:12:12 | |
Next thing, you'll be on about a family fun day. | 0:12:12 | 0:12:15 | |
Cool idea. | 0:12:15 | 0:12:17 | |
They have a day playing those fun games | 0:12:17 | 0:12:19 | |
and having a bit of competition time. | 0:12:19 | 0:12:21 | |
Am I evil? | 0:12:21 | 0:12:23 | |
-Yes. -OK. | 0:12:23 | 0:12:25 | |
Am I trying to destroy the life of an innocent young boy? | 0:12:25 | 0:12:29 | |
Yes. | 0:12:29 | 0:12:30 | |
I've got it. | 0:12:32 | 0:12:34 | |
-I'm you. -Hah! Craig. | 0:12:34 | 0:12:37 | |
And so we did a bit of dancing in front of the TV on the mats, | 0:12:38 | 0:12:41 | |
I really enjoyed that. | 0:12:41 | 0:12:43 | |
And with THAT, she wins again. | 0:12:52 | 0:12:54 | |
Yes! Yes! Yes! | 0:12:54 | 0:12:57 | |
-How? How did you do that? -My hips don't lie. | 0:12:57 | 0:13:01 | |
Yeah, you got to admit it, she did thrash us. | 0:13:01 | 0:13:03 | |
-But well played though, Craigmeister. -In your face. | 0:13:03 | 0:13:06 | |
-OK, let's leave it at that point, I think. -What? | 0:13:06 | 0:13:09 | |
Genius. | 0:13:09 | 0:13:10 | |
-T? -My favourite scene was when I go to Dad's | 0:13:10 | 0:13:13 | |
and Amber gets stuck in the bathroom and I have to help Chloe, | 0:13:13 | 0:13:17 | |
who is played by Kirstie Steele, give birth. | 0:13:17 | 0:13:19 | |
-I'm Tony, this is Lauren. -Hi. -Hi. | 0:13:19 | 0:13:21 | |
-Actually, Lauren's got a few questions for... -Aaaaaghhhh. | 0:13:21 | 0:13:24 | |
-Aagghhh. Ooh-ooh. -It can wait. | 0:13:24 | 0:13:28 | |
Let's get you comfy while I sort out an ambulance, OK? | 0:13:28 | 0:13:32 | |
See, that was a lady pain. | 0:13:32 | 0:13:34 | |
Dad, it's called a contraction. | 0:13:34 | 0:13:37 | |
OK, this baby wants out. There's no time to move her, I'm afraid. | 0:13:39 | 0:13:42 | |
-I've called a colleague for backup. -You've called a midwife. | 0:13:42 | 0:13:45 | |
-Wait! Here? She's going to have the baby here? -It's OK. | 0:13:45 | 0:13:48 | |
There's no complications and I've got all my kit. I'm sorry... | 0:13:48 | 0:13:51 | |
-No, no, it's fine. -Ugghhhh... -Hang in there, Chloe! | 0:13:51 | 0:13:53 | |
-Is there anything that we can do? -Thank you, Lauren. | 0:13:53 | 0:13:55 | |
I need some hot water and clean towels. | 0:13:55 | 0:13:58 | |
-Is this really happening? -You heard her, | 0:14:00 | 0:14:02 | |
-we need clean water and hot towels. -Dad, we need to stay absolutely calm. | 0:14:02 | 0:14:06 | |
-HE PANTS. -I'm calm, totally calm. | 0:14:06 | 0:14:10 | |
-HE PANTS FASTER -Are you calm? | 0:14:10 | 0:14:13 | |
-Yes, I'm totally calm. -Tony, the door's stuck. | 0:14:13 | 0:14:16 | |
-Aaaaaghhh. -Aaagggh. | 0:14:16 | 0:14:18 | |
-I'm not so calm any more! -Uunnggh. | 0:14:18 | 0:14:21 | |
And I think the great bit about that scene | 0:14:21 | 0:14:24 | |
is that Lauren's being really supportive | 0:14:24 | 0:14:26 | |
until Chloe starts to squeeze her hand | 0:14:26 | 0:14:29 | |
and she ends up screaming more than Chloe. It's pretty good. | 0:14:29 | 0:14:32 | |
Can I get you anything? A pillow, another glass of water? | 0:14:32 | 0:14:34 | |
-Don't panic, everyone. -Ear muffs to block out our panicking dad? | 0:14:34 | 0:14:38 | |
-Could you just hold my hand? -Yes, sure. | 0:14:38 | 0:14:41 | |
-Oh, actually, can I get a pen and paper and... -Hold my hand, please. | 0:14:41 | 0:14:45 | |
-Uunnghh. -THEY BOTH SCREAM | 0:14:45 | 0:14:48 | |
But the most fun scene was in the boy band episode with Amber | 0:14:48 | 0:14:52 | |
and I am teaching her all about my favourite band, the Temper Hearts. | 0:14:52 | 0:14:56 | |
And I get to teach her a dance routine, that was really fun. | 0:14:56 | 0:14:59 | |
-OK, stand up, you need plenty of room. -OK. | 0:14:59 | 0:15:02 | |
Temper heart, heart. | 0:15:02 | 0:15:04 | |
-Temper heart, heart. -Temper heart, heart. | 0:15:04 | 0:15:08 | |
Slide bop, slide bop, slide bop, slide bop. | 0:15:08 | 0:15:12 | |
Knee, knee. Double knee. Knee, knee. Heart, heart. | 0:15:12 | 0:15:17 | |
Temper heart, heart. | 0:15:17 | 0:15:19 | |
OK, now you go. Five, six, seven, eight! | 0:15:20 | 0:15:24 | |
Temper heart, temper heart. Temper heart, temper heart. | 0:15:24 | 0:15:27 | |
-Knee, knee, double knee. Knee, knee, double knee. -Whoa! | 0:15:27 | 0:15:30 | |
Yes. The Temper Hearts, Temper Hearts. Temper... Ow! | 0:15:30 | 0:15:33 | |
-Bah-bah, b-a-a-h, bah! -Let's try it again. | 0:15:33 | 0:15:37 | |
My favourite scene would have to be this scene with the three of us. | 0:15:37 | 0:15:42 | |
-Seriously, are you OK? -OK, just shut your eyes. | 0:15:42 | 0:15:45 | |
-What are you going to do? -No, nothing, I swear. | 0:15:45 | 0:15:47 | |
Just shut your eyes. | 0:15:47 | 0:15:49 | |
-LAUREN SIGHS -Just go with it. | 0:15:49 | 0:15:52 | |
Now picture it... | 0:15:56 | 0:15:58 | |
After a long day surfing, you're looking up at the stars, | 0:15:58 | 0:16:01 | |
the breeze is warm. | 0:16:01 | 0:16:03 | |
HAIRDRYER BLOWS | 0:16:03 | 0:16:05 | |
Oh, yeah. You are sipping a refreshing mango smoothie... | 0:16:05 | 0:16:10 | |
as the music drifts in from the beach. | 0:16:10 | 0:16:14 | |
STEEL PAN MUSIC PLAYS | 0:16:14 | 0:16:16 | |
They're having a barbecue. | 0:16:16 | 0:16:19 | |
Yes, I know, again. | 0:16:19 | 0:16:22 | |
You wiggle your toes in the warm sand | 0:16:26 | 0:16:30 | |
and you breathe in.. | 0:16:30 | 0:16:32 | |
and the air smells... | 0:16:32 | 0:16:34 | |
-HAIRDRYER SPEED INCREASES -..of tropical flowers. | 0:16:34 | 0:16:38 | |
Oops. | 0:16:41 | 0:16:43 | |
The day we filmed the titles I just felt a bit emotional | 0:16:43 | 0:16:46 | |
because it was the first time I realised, | 0:16:46 | 0:16:49 | |
"Wow, this is actually happening and this is going to be on the TV." | 0:16:49 | 0:16:53 | |
We are filming the titles for the Millie show. | 0:16:55 | 0:16:58 | |
-Let's go, guys. We have to go. -Bye. | 0:17:05 | 0:17:07 | |
-Rolling... -Action. | 0:17:10 | 0:17:12 | |
Cut. | 0:17:21 | 0:17:23 | |
-There were some pretty special costumes. -Yeah, definitely. | 0:17:23 | 0:17:26 | |
And you got more costumes than everyone else. | 0:17:26 | 0:17:28 | |
Hence why I brought it up. | 0:17:28 | 0:17:29 | |
-Hunh. -Ahhhh! | 0:17:29 | 0:17:31 | |
HOOTER SQUEAKS | 0:17:31 | 0:17:32 | |
Agh! | 0:17:32 | 0:17:34 | |
-What was your favourite? -Craig on one day, in fact, | 0:17:34 | 0:17:36 | |
dressed up as an angel, | 0:17:36 | 0:17:38 | |
as well as a school boy, | 0:17:38 | 0:17:40 | |
a school girl with freckles and everything, | 0:17:40 | 0:17:43 | |
but out of all, my favourite's got to be the devil. | 0:17:43 | 0:17:46 | |
I'm talking...red face, horns, trident... | 0:17:46 | 0:17:49 | |
I even went with the fangs, just to top it up. | 0:17:49 | 0:17:52 | |
-T? -My favourite costume...probably the '60s girl costume. | 0:17:52 | 0:17:56 | |
-Cover your eyes. -OK. | 0:17:56 | 0:17:58 | |
-Ta-da! -Yay! Oh, wonderful. | 0:18:00 | 0:18:03 | |
-You look fab. -I do, don't I? -Yeah. Oh, I am so pleased, | 0:18:03 | 0:18:07 | |
it really suits you. You remind me of me when I was your age. | 0:18:07 | 0:18:11 | |
-Dad! -Yeah? | 0:18:11 | 0:18:13 | |
-No way you're going out dressed like that. -Why not? | 0:18:14 | 0:18:17 | |
Because there's not enough of it, that's why not. | 0:18:17 | 0:18:20 | |
I got to put on a wig and some boots and a nice dress. | 0:18:20 | 0:18:24 | |
I loved that costume so much. | 0:18:24 | 0:18:26 | |
Fine, I'll wear something else, then. | 0:18:26 | 0:18:28 | |
How about a bin bag or some stitched-together hessian sacks? | 0:18:28 | 0:18:32 | |
Now, my favourite costume is obviously the pumpkin costume. | 0:18:32 | 0:18:36 | |
I've been waiting for this all week, just to be a pumpkin. | 0:18:36 | 0:18:39 | |
OK, I'll bite. Why are you dressed as a basketball? | 0:18:48 | 0:18:51 | |
I'm not, I'm a pumpkin. | 0:18:51 | 0:18:53 | |
All units, we have a pumpkin down. | 0:18:54 | 0:18:57 | |
That was worth it, yeah. Good. | 0:18:59 | 0:19:03 | |
Lunchtime, bye. | 0:19:03 | 0:19:06 | |
Now, obviously Millie Inbetween is very funny | 0:19:06 | 0:19:09 | |
and there's a lot of really nice comedy scenes. | 0:19:09 | 0:19:12 | |
But, as you know, this show is based on something real, | 0:19:12 | 0:19:16 | |
so it has to be a bit emotional. | 0:19:16 | 0:19:18 | |
Now, what was the most emotional scene for yous and why? | 0:19:18 | 0:19:21 | |
The most emotional scene for Craig has got to be with you, Millie, | 0:19:21 | 0:19:25 | |
um, where I'm explaining how he doesn't want anyone | 0:19:25 | 0:19:29 | |
to take his dad away from him because that's all he's got. | 0:19:29 | 0:19:33 | |
Erm, which is exactly how I think you would feel, | 0:19:33 | 0:19:36 | |
if your parents are divorced | 0:19:36 | 0:19:38 | |
and you are forced to live with a new family. It's a tough move. | 0:19:38 | 0:19:44 | |
I'm sick of this, I'm sick of you. | 0:19:44 | 0:19:47 | |
Lauren, your mum, my dad, you think you're one big happy family? | 0:19:47 | 0:19:52 | |
You even eat in sync, it's freaky. | 0:19:52 | 0:19:55 | |
-You're jealous. -I'm not jealous, Shorty. | 0:19:56 | 0:20:00 | |
Yeah, because we all get along. Me, Lauren, Mum and your dad, | 0:20:00 | 0:20:05 | |
we all have a laugh together, but you're not a part of it. | 0:20:05 | 0:20:10 | |
Yeah, you're right. | 0:20:10 | 0:20:11 | |
Well done, Sherlock. You've got your sister and your mum. | 0:20:12 | 0:20:17 | |
Your dad and that other really weird family. | 0:20:18 | 0:20:22 | |
All I've got's my dad... | 0:20:22 | 0:20:23 | |
..and you're not having him. | 0:20:25 | 0:20:27 | |
In terms of Craig's emotion, that was probably, you know, | 0:20:27 | 0:20:31 | |
the most he'd ever share the world. | 0:20:31 | 0:20:33 | |
Craig definitely let out his inner feelings for the first time. | 0:20:33 | 0:20:36 | |
What was the hardest part about filming Millie Inbetween? | 0:20:36 | 0:20:41 | |
The hardest thing about filming Millie Inbetween has got to be... | 0:20:41 | 0:20:44 | |
You do a really good take and then you forget | 0:20:44 | 0:20:48 | |
you've got to do it from another angle | 0:20:48 | 0:20:50 | |
and you have to give the exact same performance. | 0:20:50 | 0:20:53 | |
-'Lauren comes down and Millie comes back.' -Whoa! -'That's great.' -Whoa. | 0:20:53 | 0:20:57 | |
And you have to hit the same mark and do the same move | 0:20:57 | 0:21:00 | |
and get your line exactly the same and I always found that really hard. | 0:21:00 | 0:21:04 | |
We had to film something on a tiny bike and I practised for ages... | 0:21:04 | 0:21:09 | |
42, take one, A camera only. | 0:21:09 | 0:21:11 | |
SHE LAUGHS | 0:21:15 | 0:21:17 | |
Then we came to do it, I couldn't do it. | 0:21:17 | 0:21:19 | |
SHE LAUGHS Can we go again? | 0:21:19 | 0:21:23 | |
-Why was that? -Because riding on a tiny bike is really hard. OK, Theo. | 0:21:23 | 0:21:27 | |
-OK. -It's really challenging. | 0:21:27 | 0:21:29 | |
Oh, please let me buy you a new bike, Lauren. | 0:21:29 | 0:21:33 | |
And ride it outside. | 0:21:33 | 0:21:35 | |
CRASH | 0:21:35 | 0:21:36 | |
The hardest thing for me making Millie Inbetween, erm, | 0:21:36 | 0:21:41 | |
was actually more of a personal goal | 0:21:41 | 0:21:44 | |
that I one day hoped I would achieve, | 0:21:44 | 0:21:47 | |
and that's managing to get out of bed on time | 0:21:47 | 0:21:50 | |
and responding to an alarm clock | 0:21:50 | 0:21:52 | |
and getting out of bed first thing in the morning. | 0:21:52 | 0:21:54 | |
I wouldn't even class five in the morning as the morning. | 0:21:54 | 0:21:58 | |
So, that was quite... I was proud of myself. | 0:21:58 | 0:22:00 | |
Because it was actually my first time staying away from home alone. | 0:22:00 | 0:22:04 | |
-Being on your own. -On my own, yeah. | 0:22:04 | 0:22:06 | |
Because this time you didn't have to have a chaperone, which was lucky. | 0:22:06 | 0:22:10 | |
And basically, a chaperone is someone who looks after you | 0:22:10 | 0:22:13 | |
if you are under the age of 16, but also you have to do school work. | 0:22:13 | 0:22:17 | |
-So, I had to do school work every single day. -And I didn't. | 0:22:17 | 0:22:22 | |
I had to have someone follow me about all the time. | 0:22:22 | 0:22:26 | |
-But it was all right, it was good. -MIMICS MILLIE: -Was it all right? | 0:22:26 | 0:22:29 | |
-It was all right. -I didn't have to do any of that. | 0:22:29 | 0:22:32 | |
All right, don't rub it in. | 0:22:32 | 0:22:34 | |
Well, the hardest part for me | 0:22:34 | 0:22:37 | |
would have to be the hottest day of the year. | 0:22:37 | 0:22:40 | |
-Merry Christmas! -Hiya! -It's not even Christmas, it's July. | 0:22:40 | 0:22:44 | |
And I am sweltering. | 0:22:44 | 0:22:46 | |
We were filming the Christmas episode, it was what, 30 degrees? | 0:22:46 | 0:22:51 | |
-Plus. -Plus. 30 degrees plus. | 0:22:51 | 0:22:54 | |
And we were wearing so many layers of woolly clothes, | 0:22:54 | 0:22:59 | |
woolly jumpers, Christmas jumpers. I just found it really hard | 0:22:59 | 0:23:02 | |
-to film in the heat. Really hard. -It was challenging. | 0:23:02 | 0:23:05 | |
-ALL: Happy Christmas. -Yay! | 0:23:05 | 0:23:09 | |
For me, the most emotional scene would have to be... | 0:23:09 | 0:23:13 | |
in Christmas when Lauren was really upset that Mum and Dad | 0:23:13 | 0:23:17 | |
were really not getting back together. | 0:23:17 | 0:23:20 | |
It was so nice to have that relationship on screen, | 0:23:20 | 0:23:23 | |
it was really lovely, but she finally realises it. | 0:23:23 | 0:23:27 | |
I can't help it, I am trying but... | 0:23:29 | 0:23:33 | |
I just want everything to be how it was | 0:23:34 | 0:23:37 | |
and I just really, really miss Dad. | 0:23:37 | 0:23:40 | |
I miss Dad, too. | 0:23:45 | 0:23:46 | |
-Really? -Yeah, of course. | 0:23:47 | 0:23:51 | |
We didn't ask for everything to be different, things just are. | 0:23:51 | 0:23:55 | |
So, I'm just trying to go with it. | 0:23:55 | 0:23:58 | |
You've always been really, really good at that. | 0:23:58 | 0:24:02 | |
-You're as annoying as anything, but you're good at that. -Thanks. | 0:24:02 | 0:24:06 | |
I think it really shows that it's this really gradual process. | 0:24:06 | 0:24:10 | |
You don't just become OK about it overnight | 0:24:10 | 0:24:12 | |
and I think it's really lovely that the sisters support each other. | 0:24:12 | 0:24:15 | |
Millie was trying to cheer Lauren up, as she always does. | 0:24:15 | 0:24:18 | |
She always tries to stick everyone back together. | 0:24:18 | 0:24:21 | |
-Millie is the glue of Millie Inbetween. -Yeah, she's my rock. | 0:24:21 | 0:24:24 | |
-So, that's us now, guys. I think it's time to wrap this... -Hold on. | 0:24:26 | 0:24:30 | |
What about this super-secret behind-the-scenes footage? | 0:24:30 | 0:24:32 | |
MUSIC: Sing by Ed Sheeran | 0:24:32 | 0:24:35 | |
-Run the VT. -THEY ALL LAUGH | 0:24:35 | 0:24:38 | |
-I am actually filming now. -I know. | 0:24:38 | 0:24:41 | |
People often wonder what the sound and camera department get up to. | 0:24:41 | 0:24:44 | |
This is what they do. | 0:24:44 | 0:24:47 | |
She's running from me. | 0:24:49 | 0:24:50 | |
So, the show's about a girl called Millie, that's me. | 0:24:50 | 0:24:54 | |
-And, erm... -Wait. What's your name in real life? -Millie. | 0:24:54 | 0:24:57 | |
-Wait, and what's your character's name? -Millie. -What?! -Yeah. | 0:24:57 | 0:25:00 | |
-This is not the end, though. -I'm quite full of lunch. | 0:25:00 | 0:25:04 | |
-Say, "Hi, Neil." -Hi, Neil. | 0:25:04 | 0:25:07 | |
The best thing for me about being in Millie Inbetween | 0:25:07 | 0:25:09 | |
has just got to be the people that I was working with. | 0:25:09 | 0:25:12 | |
Erm, everyone got on really well and they're all such legends. | 0:25:12 | 0:25:15 | |
So, that's why we all had such a fun time. | 0:25:15 | 0:25:18 | |
And I hope YOU had as much fun watching it as we did making it. | 0:25:18 | 0:25:22 | |
And I just want to say a big thank you to everyone | 0:25:22 | 0:25:24 | |
who helped make the show. Here they are. Cue the credits. | 0:25:24 | 0:25:28 | |
-The camera crew. -There's camera. | 0:25:28 | 0:25:32 | |
-And sound. -Oh, there's you. -There's myself playing Craig | 0:25:32 | 0:25:35 | |
-Costume, make-up. -There's the cast, us lot. Director, producer. | 0:25:35 | 0:25:40 | |
-A few chaperones there. -Design. -Ah, there's all the production team. | 0:25:40 | 0:25:44 | |
Night, Mum. | 0:25:46 | 0:25:48 | |
Night. | 0:25:50 | 0:25:52 |