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PHONE RINGS | 0:00:02 | 0:00:03 | |
Here at the Ministry of Curious Stuff, | 0:00:06 | 0:00:08 | |
we seek to answer any question you may ask. | 0:00:08 | 0:00:12 | |
No question is too ridiculous. | 0:00:12 | 0:00:14 | |
On-call are our highly curious researchers, | 0:00:14 | 0:00:17 | |
Lovett, Wannamaker, Frazernagle, | 0:00:17 | 0:00:20 | |
Teaparty and of course, Captain Length-Width. | 0:00:20 | 0:00:24 | |
The Ministry is a thinking facility that helps US | 0:00:24 | 0:00:27 | |
to find YOU an answer. | 0:00:27 | 0:00:30 | |
'The working day will commence in 10 seconds. | 0:00:30 | 0:00:34 | |
'Don't be late.' | 0:00:36 | 0:00:38 | |
'Attention, Mr Reeves is entering the building.' | 0:00:45 | 0:00:49 | |
'Welcome to the Ministry of Curious Stuff.' | 0:00:50 | 0:00:54 | |
Morning, everybody. | 0:00:54 | 0:00:56 | |
-Good morning, Mr Reeves. -Good morning! | 0:00:56 | 0:00:59 | |
Captain Length-Width, what have you got there? | 0:00:59 | 0:01:03 | |
It's beautiful! | 0:01:03 | 0:01:05 | |
Isn't it most gorgeous thing you've ever seen? | 0:01:05 | 0:01:08 | |
Astonishing, dazzling, startling, beautiful! | 0:01:08 | 0:01:10 | |
Where did you get it? | 0:01:12 | 0:01:13 | |
-Just look at the size and the shape of it. -It's gorgeous. | 0:01:13 | 0:01:18 | |
-Not that. This! -It's a cardboard box. | 0:01:18 | 0:01:20 | |
No, it's an ancient tribal drum from the Fragile tribe of the Amazon. | 0:01:20 | 0:01:25 | |
Listen to it play. | 0:01:25 | 0:01:27 | |
DRUMMING | 0:01:27 | 0:01:29 | |
-Beautiful. -Wonderful. -And what a sound, what an incredible sound! | 0:01:38 | 0:01:42 | |
-What will you do with this? -I don't want it. | 0:01:42 | 0:01:45 | |
-If you don't want it, I'll eat it. -OK. | 0:01:45 | 0:01:47 | |
-What's it like? -A bit tough. | 0:01:49 | 0:01:52 | |
-Save me some. -Frazernagle, how are the switchboards looking? | 0:01:52 | 0:01:56 | |
They're looking very attractive today. | 0:01:56 | 0:01:59 | |
-I've got a caller through on line one. -Thank you very much indeed. | 0:01:59 | 0:02:03 | |
Hello, this is Vic Reeves at the Ministry of Curious Stuff. | 0:02:03 | 0:02:07 | |
-How can I be of assistance today? -My name is Faisal. | 0:02:07 | 0:02:11 | |
I wanted to ask what is the most expensive piece of art? | 0:02:11 | 0:02:14 | |
What's the most expensive piece of art? | 0:02:14 | 0:02:17 | |
Being a bit of an art buff, I like me art expensive, | 0:02:23 | 0:02:27 | |
and if I'm paying top dollar, I want to see a lot of art. | 0:02:27 | 0:02:31 | |
-If you would care to take a look, Mr Reeves. -Yes. | 0:02:31 | 0:02:34 | |
Some of the biggest art has been made by the artist Christo | 0:02:34 | 0:02:38 | |
who wraps massive structures, and even sometimes islands, | 0:02:38 | 0:02:41 | |
in silk and calls it art. | 0:02:41 | 0:02:43 | |
You know what? I would like to meet this Crusty. | 0:02:44 | 0:02:47 | |
Something arty loading in D7. | 0:02:47 | 0:02:49 | |
'Christo loading in D7.' | 0:02:49 | 0:02:52 | |
-Yo, man, I'm Christo. -I thought you might be. -What up? -How do you do? | 0:02:54 | 0:02:59 | |
-Very good. -Whatever, man. | 0:03:01 | 0:03:03 | |
Well, Christo, how would you describe your art? | 0:03:03 | 0:03:06 | |
Yeah, I just like to wrap stuff up. I make it look amazing. | 0:03:06 | 0:03:10 | |
I make it look blazing. | 0:03:10 | 0:03:11 | |
I see something massive, I just got w-w-wrap it. | 0:03:11 | 0:03:15 | |
-Is this Captain Length-Width? -Yeah, sorry about that. | 0:03:15 | 0:03:17 | |
I saw him on the way in, sitting there looking massive | 0:03:17 | 0:03:20 | |
and I just had to w-w-wrap it. | 0:03:20 | 0:03:23 | |
-I can't help it, that's how I do. -Are you OK? | 0:03:23 | 0:03:25 | |
Not exactly, Mr Reeves, it was rather forced upon me by Christian. | 0:03:25 | 0:03:30 | |
-It's Christo, Popeye! -Yes, super stuff. | 0:03:30 | 0:03:33 | |
-Respect is due, touch, touch, touch. -Whatever, man. | 0:03:33 | 0:03:36 | |
Don't touch him. | 0:03:36 | 0:03:38 | |
-Well, I must say, Christo, Christi... -Christo, fool. | 0:03:38 | 0:03:43 | |
Yes, Christo, I did enjoy the art that I saw earlier on | 0:03:43 | 0:03:47 | |
-with the buildings wrapped up. -No, that ain't no art, | 0:03:47 | 0:03:51 | |
that's a birthday present for my wife. | 0:03:51 | 0:03:53 | |
I gots to get her something extra special | 0:03:53 | 0:03:55 | |
because she's still mad at me for wrapping up her mother. | 0:03:55 | 0:03:58 | |
Nice. That's thoughtful, buying a building and wrapping it up. | 0:03:58 | 0:04:03 | |
No, man, I didn't buy it, I just wrapped it up! | 0:04:03 | 0:04:07 | |
You can't do that! | 0:04:07 | 0:04:08 | |
I can do whatever I like, I'm Christo, I wrap stuff up. | 0:04:08 | 0:04:11 | |
You can't do that! | 0:04:11 | 0:04:13 | |
-I wrap it, that's how I do. -I'm not having any of that bizzle. | 0:04:13 | 0:04:17 | |
What you talk about?! That's what I do, I see something massive, | 0:04:17 | 0:04:21 | |
I got to w-w-wrap it up. Nuff said. | 0:04:21 | 0:04:23 | |
You can't go around wrapping willy nilly. | 0:04:23 | 0:04:26 | |
-What have you done to my desk? -You like it? | 0:04:26 | 0:04:28 | |
No, I don't like it. You can't go around wrapping stuff up | 0:04:28 | 0:04:31 | |
-around the Ministry. Get out. Go on, get out. -Get your hands off me! | 0:04:31 | 0:04:36 | |
-You're crazy, get off me! -Get out. -I'm gon' call my mother! | 0:04:36 | 0:04:40 | |
We don't want your sort around here. Get out! | 0:04:40 | 0:04:43 | |
Don't touch me, you crazy man! | 0:04:43 | 0:04:46 | |
There! Clear off and don't come back! | 0:04:46 | 0:04:50 | |
That one was rather cheesing me off, Mr Reeves. My hero. | 0:04:50 | 0:04:53 | |
-Yes, I am rather good at boxing. -I can tell. -Anyway, where were we? | 0:04:53 | 0:04:57 | |
-The most expensive piece of art? -What about the smallest piece? | 0:04:57 | 0:05:02 | |
An English artist, Willard Wigan, | 0:05:02 | 0:05:05 | |
makes tiny sculptures of landmarks, like the Statue of Liberty, | 0:05:05 | 0:05:09 | |
and they're small enough to fit in the head of a pin? | 0:05:09 | 0:05:11 | |
-Really? -Something's rumbling in X5 down there. | 0:05:11 | 0:05:15 | |
'Willard Wigan loading in X5.' | 0:05:15 | 0:05:18 | |
-Hello, who's this, then? -Hello. | 0:05:18 | 0:05:20 | |
Hello. | 0:05:20 | 0:05:22 | |
-I am the artist Willard Wigan. -Hello. | 0:05:22 | 0:05:25 | |
What a lovely handshake(!) | 0:05:25 | 0:05:27 | |
VIC CLEARS HIS THROAT | 0:05:27 | 0:05:29 | |
So, Willard Wigan, | 0:05:29 | 0:05:32 | |
may I ask, do you come from Wigan? | 0:05:32 | 0:05:35 | |
HE LAUGHS | 0:05:35 | 0:05:38 | |
-No, I'm from Birmingham. -Right, that's the small talk over, then. | 0:05:43 | 0:05:47 | |
So, what do you do? | 0:05:47 | 0:05:49 | |
Well, I've taught myself how to enter a meditative state, | 0:05:49 | 0:05:53 | |
slowing my heart rate down, | 0:05:53 | 0:05:55 | |
and breathing so I can keep very still. | 0:05:55 | 0:05:59 | |
The work is very difficult. | 0:05:59 | 0:06:01 | |
-No, it's not. -What? | 0:06:01 | 0:06:03 | |
No, it's not difficult, it's easy. Easy peasy. | 0:06:03 | 0:06:05 | |
WILLARD SCOFFS | 0:06:05 | 0:06:07 | |
I can assure you it's not. | 0:06:07 | 0:06:10 | |
Oh, it is. | 0:06:10 | 0:06:12 | |
You see, I do it myself, I make tiny art myself, | 0:06:12 | 0:06:16 | |
although I choose not to blow my own trumpet... | 0:06:16 | 0:06:19 | |
TRUMPET BLOWS | 0:06:19 | 0:06:20 | |
..about it. Would you like to see some? | 0:06:20 | 0:06:23 | |
Take a look at this. | 0:06:23 | 0:06:25 | |
That there | 0:06:26 | 0:06:28 | |
is Beyonce carved into a breakfast loop. | 0:06:28 | 0:06:34 | |
-# All the single ladies -All the single ladies. -# | 0:06:34 | 0:06:36 | |
What you think of that? | 0:06:36 | 0:06:38 | |
It's all right, I suppose. | 0:06:39 | 0:06:42 | |
Yes, it's magnificent, and that's not even my best. | 0:06:42 | 0:06:45 | |
I've done the whole cast of Eastenders in breakfast cereal. | 0:06:45 | 0:06:48 | |
They're around here somewhere. | 0:06:48 | 0:06:51 | |
They were here. Captain Length-Width, | 0:06:51 | 0:06:54 | |
where did you get that cereal? | 0:06:54 | 0:06:56 | |
It came from outer space. | 0:06:58 | 0:06:59 | |
-Where did you get that cereal? -Off your desk. | 0:06:59 | 0:07:03 | |
-Off my desk. -Yes. -As I suspected. | 0:07:03 | 0:07:07 | |
You've eaten the entire cast of Eastenders, | 0:07:07 | 0:07:11 | |
and not only that, you've embarrassed me in front of Willy... | 0:07:11 | 0:07:16 | |
-Gone. -He's gone. | 0:07:16 | 0:07:18 | |
Do you know what, I can never forgive you for this. Never! | 0:07:18 | 0:07:21 | |
I can never forgive you! | 0:07:21 | 0:07:23 | |
Never ever in a million lifetimes can I ever forgive you | 0:07:23 | 0:07:26 | |
for what you have just done! | 0:07:26 | 0:07:29 | |
-What if I gave you £2? -Yes, all right, then. Thank you. | 0:07:29 | 0:07:33 | |
-Going to tuck into a bit of Pat Butcher now. -Good. | 0:07:33 | 0:07:36 | |
We've seen big art, small art, but what's the most expensive art? | 0:07:38 | 0:07:43 | |
Well, here's a curious artefact. | 0:07:43 | 0:07:45 | |
In 2007 a French woman was charged | 0:07:45 | 0:07:48 | |
with criminal damage after kissing a painting worth 2 million. | 0:07:48 | 0:07:51 | |
She said he was overcome with passion and couldn't help herself. | 0:07:51 | 0:07:55 | |
She sounds absolutely stark-staring, hairdryer, monkey legs... | 0:07:55 | 0:07:59 | |
-Bonkers. -Bonkers, thank you. | 0:07:59 | 0:08:01 | |
'Rindy Sam loading in G1.' | 0:08:01 | 0:08:05 | |
Look at you, Mr Vicky Reeves, you are beautiful, | 0:08:06 | 0:08:10 | |
like a work of art or something. | 0:08:10 | 0:08:12 | |
Come here. Mwah! | 0:08:12 | 0:08:15 | |
Oh, get off! Get off me! | 0:08:15 | 0:08:18 | |
Captain, get this kissy, French- art-kissing woman away from me! | 0:08:18 | 0:08:22 | |
Like to kiss art, hey? | 0:08:22 | 0:08:24 | |
Bonjour, Mademoiselle. | 0:08:25 | 0:08:27 | |
Holy mackerel! Come 'ere, you walking piece of hunky art, you. | 0:08:27 | 0:08:33 | |
KISSING SOUNDS | 0:08:36 | 0:08:37 | |
Pack it in, there are animals present. Hoot, hoot. | 0:08:37 | 0:08:40 | |
Don't look, Scott. Hoot, hoot, hoot, hoot! | 0:08:40 | 0:08:43 | |
-Quick, quick, we need another art fact. -What about this, Mr Reeves? | 0:08:43 | 0:08:47 | |
What about the artist Tim Knowles? | 0:08:47 | 0:08:49 | |
Behold, Tim Knowles, the artist. | 0:08:51 | 0:08:55 | |
His rather odd technique is to attach pens | 0:08:55 | 0:08:58 | |
to the branches of trees | 0:08:58 | 0:09:00 | |
and let the wind do the work. | 0:09:00 | 0:09:02 | |
Darling, what do you think? | 0:09:04 | 0:09:07 | |
Doo-doo! | 0:09:07 | 0:09:09 | |
Hmmm... | 0:09:09 | 0:09:11 | |
Top-notch. It looks just like me. | 0:09:11 | 0:09:14 | |
I thank you. | 0:09:14 | 0:09:15 | |
So he just ties Biros to the bottom of a tree | 0:09:17 | 0:09:20 | |
and lets the tree do the work? To me, that's just lazy art. | 0:09:20 | 0:09:24 | |
And we still haven't found the answer to Faisal's question, | 0:09:24 | 0:09:29 | |
what is the most expensive art in the world? | 0:09:29 | 0:09:32 | |
I've found it, Mr Reeves. | 0:09:32 | 0:09:34 | |
The most expensive piece of art was by the artist Jackson Pollock. | 0:09:34 | 0:09:39 | |
The piece was called Number 5 and was allegedly sold for 140 million. | 0:09:39 | 0:09:44 | |
If you would care to take a look. | 0:09:44 | 0:09:46 | |
Wow. That's what the most expensive painting in the world looks like. | 0:09:48 | 0:09:52 | |
Oh, Number 5, you are beautiful. | 0:09:56 | 0:09:59 | |
Come here, you big hunky piece of art, you. | 0:09:59 | 0:10:03 | |
Oi, steady on, love, that's worth 140 million! | 0:10:03 | 0:10:07 | |
Don't slobber all over it, | 0:10:07 | 0:10:10 | |
-although it looks like you might have already. -Do you mind? -Oh! | 0:10:10 | 0:10:14 | |
So, there we are, Jackson Pollock's painting, Number 5, | 0:10:16 | 0:10:21 | |
is the most expensive painting in the world. | 0:10:21 | 0:10:23 | |
Get that information off to Faisal pronto. Thank you, Miss Teapot. | 0:10:23 | 0:10:29 | |
-Party. -Party. -Right away, Mr Reeves. | 0:10:29 | 0:10:33 | |
'Attention, attention, Flying Postal Services entering the Ministry. | 0:10:33 | 0:10:37 | |
'Please have your post prepared for the postal personnel upon arrival. | 0:10:40 | 0:10:43 | |
'Postal person descending. | 0:10:46 | 0:10:48 | |
'Postal person descending. Please stand back. | 0:10:48 | 0:10:52 | |
'Postal service reaching its destination in three, two, one.' | 0:10:52 | 0:10:57 | |
'Postal services departing, stand clear. | 0:11:03 | 0:11:07 | |
'Post will be delivered in approximately | 0:11:07 | 0:11:10 | |
'two minutes and 32 seconds. | 0:11:10 | 0:11:14 | |
'Thank you for using Flying Postal Services.' | 0:11:17 | 0:11:21 | |
Farewell, postal mistress. | 0:11:21 | 0:11:22 | |
Time for another question. What have we got, Mr Frazernagle? | 0:11:22 | 0:11:26 | |
-The switchboards are block-a-chock. -Chock-a-block. -Chopping block? | 0:11:26 | 0:11:31 | |
Never mind. | 0:11:31 | 0:11:32 | |
Anyway, I've got a caller on line two. I'll put you through. | 0:11:32 | 0:11:35 | |
Thank you, if you could be so kind. | 0:11:35 | 0:11:38 | |
Hello. This is Vic Reeves at the Ministry of Curious Stuff. | 0:11:38 | 0:11:44 | |
How might I be of insistence? | 0:11:44 | 0:11:46 | |
Hello, I'm Lucy and I want to know, what is so great about babies? | 0:11:46 | 0:11:51 | |
Thank you, Lucy. Good day. | 0:11:51 | 0:11:54 | |
Right, so, what's so great about babies? | 0:11:54 | 0:11:59 | |
I tell you what would be good, | 0:12:02 | 0:12:05 | |
if we could actually speak to a newborn baby, | 0:12:05 | 0:12:08 | |
who could actually speak. Wouldn't that be marvellous? | 0:12:08 | 0:12:12 | |
Be careful what you wish for. I've got a big man baby coming through. | 0:12:12 | 0:12:17 | |
'Man baby loading in H3. | 0:12:17 | 0:12:20 | |
-Hello. -Hello, strange man. | 0:12:20 | 0:12:23 | |
-I'm known in both circles as Simon. -Hello, giant man baby Simon. | 0:12:23 | 0:12:29 | |
-Perhaps you could help us. -Did you see what I just did? | 0:12:29 | 0:12:33 | |
-I tried to put my foot in my mouth. What is that all about? -I've no idea. | 0:12:33 | 0:12:37 | |
I just decided it was the best thing to do at the time. | 0:12:37 | 0:12:41 | |
Maybe you can answer...? | 0:12:41 | 0:12:43 | |
I'm bored! Entertain me or I shall cause a fuss, | 0:12:43 | 0:12:46 | |
and trust me I can make quite a racket. | 0:12:46 | 0:12:48 | |
There will be screaming, and quite probably some snot involved. | 0:12:48 | 0:12:51 | |
Good, but what I want to know... | 0:12:51 | 0:12:53 | |
I just decided to pull the head off my teddy bear. What spontaneity! | 0:12:53 | 0:12:59 | |
Yes. Could you tell us...? | 0:12:59 | 0:13:02 | |
Why did I do that? My beloved teddy. | 0:13:02 | 0:13:05 | |
-I wholeheartedly regret my actions! -You should. | 0:13:05 | 0:13:09 | |
It seemed like such a good idea at the time! | 0:13:09 | 0:13:14 | |
Now then... | 0:13:15 | 0:13:17 | |
The question is what's so great about babies? | 0:13:17 | 0:13:23 | |
-Guess what? -What? -I've just messed my nappy so the real question is... | 0:13:23 | 0:13:28 | |
Well, I didn't really get anywhere there, Miss Tea Towel. | 0:13:31 | 0:13:36 | |
Party. | 0:13:36 | 0:13:37 | |
Yes, Towel, Party. Miss Teaparty. | 0:13:37 | 0:13:40 | |
Well, I have a very curious fact, Mr Reeves. | 0:13:40 | 0:13:42 | |
Did you know that babies can't actually cry? | 0:13:42 | 0:13:47 | |
-Well, giant man baby Simon just cried. -Oh! | 0:13:47 | 0:13:51 | |
Yes, well, technically he didn't as there were no real tears. | 0:13:51 | 0:13:56 | |
They can scream for all they need, but technically babies | 0:13:56 | 0:13:59 | |
can't produce real tears until they're three weeks old. | 0:13:59 | 0:14:03 | |
Let's ask him - giant man baby Simon, can you cry? | 0:14:03 | 0:14:07 | |
What? Me, cry? | 0:14:07 | 0:14:09 | |
Don't be ridiculous. Did you listen to a word the young lady said? | 0:14:09 | 0:14:12 | |
I'm two weeks old, I can't cry, no! No, you stupid, stupid man. | 0:14:12 | 0:14:19 | |
I've never been more indignant in my life. This is ridiculous. | 0:14:19 | 0:14:22 | |
Come on, any more facts? | 0:14:22 | 0:14:25 | |
Mr Reeves, this is amazing! | 0:14:25 | 0:14:28 | |
I've found a woman who has had the most unbelievable number of babies! | 0:14:28 | 0:14:33 | |
Extraordinary. | 0:14:33 | 0:14:35 | |
According to the 2004 Guinness Book of Records, | 0:14:38 | 0:14:41 | |
a Russian wife, Feodor Vassilyev, | 0:14:41 | 0:14:44 | |
reportedly gave birth to 69 children in the 18th century. | 0:14:44 | 0:14:48 | |
She allegedly gave birth to 16 sets of twins... | 0:14:49 | 0:14:53 | |
..seven sets of triplets... | 0:14:55 | 0:14:57 | |
..and four sets of quadruplets! | 0:14:59 | 0:15:02 | |
Now that is a lot of babies. | 0:15:04 | 0:15:07 | |
CRYING | 0:15:07 | 0:15:10 | |
Will you kids just shut up?! | 0:15:11 | 0:15:14 | |
We still haven't answered Lucy's question, | 0:15:16 | 0:15:18 | |
-what's so great about babies? -Well, I do have an idea. | 0:15:18 | 0:15:21 | |
Maybe we should turn our attention to the animal world, | 0:15:21 | 0:15:24 | |
because some animals do have really great babies. | 0:15:24 | 0:15:27 | |
Oh, I have a very curious fact here! | 0:15:27 | 0:15:30 | |
Did you know that as soon as a baby giraffe is born, | 0:15:30 | 0:15:34 | |
it immediately falls six feet towards the ground head first? | 0:15:34 | 0:15:38 | |
The impact is what causes the baby giraffe to take its first breath. | 0:15:38 | 0:15:42 | |
-Imagine that. -THUD | 0:15:42 | 0:15:45 | |
Whoops, how embarrassing! | 0:15:45 | 0:15:48 | |
-Is everything all right down there? -Yes, it's fine. | 0:15:48 | 0:15:51 | |
I'm pleased to announce that you've given birth to, uh, | 0:15:51 | 0:15:54 | |
a giraffe. | 0:15:54 | 0:15:56 | |
Right, get in there. All right. Good luck. | 0:15:57 | 0:16:01 | |
Hmm, this is curious. | 0:16:01 | 0:16:03 | |
Did you know that all shrimp are born male then grow up to be female? | 0:16:03 | 0:16:08 | |
-No, I didn't. -We appear to have some shrimp in Z13. | 0:16:08 | 0:16:12 | |
'Baby shrimp loading in Z13.' | 0:16:12 | 0:16:15 | |
Look, there they are. | 0:16:15 | 0:16:17 | |
-Could you tell me how many amongst you are female? -What? | 0:16:17 | 0:16:22 | |
-No, mate, no. -No girls allowed! | 0:16:22 | 0:16:25 | |
This is a no girl-zone. | 0:16:25 | 0:16:27 | |
THEY LAUGH | 0:16:27 | 0:16:29 | |
Well, I'll just make a note of that - no girls allowed. | 0:16:29 | 0:16:33 | |
So, why do you not allow girls in your gang? | 0:16:34 | 0:16:37 | |
What? | 0:16:37 | 0:16:39 | |
-We ARE girls? -Silly! | 0:16:39 | 0:16:42 | |
Girl hater! | 0:16:42 | 0:16:44 | |
It seems that you were right, Lovett. Oh! | 0:16:44 | 0:16:48 | |
I'm bored! Entertain me. | 0:16:48 | 0:16:51 | |
Or feed me! | 0:16:51 | 0:16:52 | |
I'm hungry. | 0:16:54 | 0:16:56 | |
Here's something that might be of use. | 0:16:56 | 0:16:59 | |
In the early 1900s, they invented baby cages. | 0:16:59 | 0:17:03 | |
-Baby cages? -Mm-hm. The baby cage was a curious invention, | 0:17:03 | 0:17:06 | |
-if you'd care to take a look. -Yes. | 0:17:06 | 0:17:08 | |
It was designed so your baby | 0:17:09 | 0:17:11 | |
could get fresh air even if you lived in a high-rise flat. | 0:17:11 | 0:17:14 | |
The baby would sit in a cage that was then precariously tied | 0:17:14 | 0:17:18 | |
to the outside of a high window. | 0:17:18 | 0:17:20 | |
But it just didn't take off. | 0:17:20 | 0:17:22 | |
Perhaps we should reintroduce baby cages for man baby Simon. | 0:17:22 | 0:17:26 | |
-Already taken care of, Mr Reeves. -What's going on? | 0:17:26 | 0:17:30 | |
This is preposterous. I'm in a cage. | 0:17:30 | 0:17:33 | |
Although I must say the air at this altitude is much fresher. | 0:17:33 | 0:17:36 | |
There we are, problem solved. | 0:17:36 | 0:17:38 | |
In answer to Lucy's question, what's so great about babies, | 0:17:38 | 0:17:42 | |
well, remember the baby giraffe, | 0:17:42 | 0:17:45 | |
remember the baby shrimps. | 0:17:45 | 0:17:48 | |
I think we can safely say that babies, both animal and human, | 0:17:48 | 0:17:52 | |
are pretty amazing | 0:17:52 | 0:17:54 | |
and well worth looking after. | 0:17:54 | 0:17:56 | |
So, can you get those findings off to Lucy, please, Miss Teaparty? | 0:17:58 | 0:18:03 | |
Right away, Mr Reeves. | 0:18:03 | 0:18:05 | |
'Attention,, attention, | 0:18:05 | 0:18:07 | |
'Flying Postal Services has arrived. | 0:18:07 | 0:18:10 | |
'Post prepared for postal personnel. | 0:18:11 | 0:18:14 | |
'Thank you for using Flying Postal Services, | 0:18:16 | 0:18:19 | |
'Your number one aerial courier.' | 0:18:19 | 0:18:22 | |
Goodbye, my postal angel. | 0:18:23 | 0:18:24 | |
Frazernagle, what are you doing this weekend? | 0:18:24 | 0:18:27 | |
-Well, Mr Reeves, I'm going whaling. -Really? | 0:18:27 | 0:18:30 | |
-Do you want to hear a bit? -If you like. | 0:18:30 | 0:18:33 | |
HE WAILS | 0:18:33 | 0:18:36 | |
Hmm. Time for one final question. | 0:18:36 | 0:18:39 | |
I've got a brilliant caller with a great question on line four. | 0:18:39 | 0:18:44 | |
Hello, this is Vic Reeves here at the Ministry of Curious Stuff. | 0:18:44 | 0:18:47 | |
How might I help you? | 0:18:47 | 0:18:50 | |
Hello, my name is Sunny and my question is, | 0:18:50 | 0:18:53 | |
can you buy a pet from a vending machine? | 0:18:53 | 0:18:55 | |
Thank you, goodbye. | 0:18:55 | 0:18:57 | |
Can you buy a pet from a vending machine? | 0:19:02 | 0:19:07 | |
I've never in my life heard anything more ridiculous or preposterous! | 0:19:07 | 0:19:11 | |
The only thing you can get from a vending machine | 0:19:11 | 0:19:14 | |
is crisps, pop, chocolate, and maybe a cheeky little biscuit. | 0:19:14 | 0:19:19 | |
Remember when we shared that cheeky little biscuit | 0:19:19 | 0:19:21 | |
at the top of Mount Everest? | 0:19:21 | 0:19:23 | |
No, that was a cheeky little biscuit on the top of the bins | 0:19:23 | 0:19:27 | |
-round the back of the supermarket. -Yes, you're right. | 0:19:27 | 0:19:30 | |
My mistake, so sorry, my bad. | 0:19:30 | 0:19:33 | |
An easy mistake to make. Whoa, would you look at that?! | 0:19:34 | 0:19:39 | |
Take a look at this little beauty. Do you know what I'm going to do? | 0:19:39 | 0:19:44 | |
-I'm going to use my £2... -Nice one! | 0:19:44 | 0:19:48 | |
..and buy myself a packet of cheese and onion and onion crisps. | 0:19:48 | 0:19:55 | |
Come on. | 0:19:55 | 0:19:56 | |
-HE GROANS -Would you look at that? | 0:19:56 | 0:20:00 | |
The cheese and onion and onion crisps are stuck. Modern technology! | 0:20:00 | 0:20:04 | |
Actually, Mr Reeves, it's really not that modern. It says here that | 0:20:04 | 0:20:08 | |
the first vending machine was invented rather a long time ago. | 0:20:08 | 0:20:12 | |
Really? | 0:20:12 | 0:20:13 | |
The very first vending machine is thought to have been | 0:20:15 | 0:20:18 | |
invented in Greece over 2,000 years ago. | 0:20:18 | 0:20:21 | |
It worked in the usual way - a customer would put money | 0:20:22 | 0:20:25 | |
in the slot and a drink would be dispensed. | 0:20:25 | 0:20:28 | |
But it wasn't fizzy pop, no. | 0:20:28 | 0:20:30 | |
This machine sold holy water. | 0:20:30 | 0:20:34 | |
Holy water? Heavenly! | 0:20:34 | 0:20:37 | |
That's very clever. Any other vending machine facts? | 0:20:40 | 0:20:43 | |
Well, this one is brilliant. | 0:20:43 | 0:20:46 | |
In 2010, a new vending machine was invented | 0:20:46 | 0:20:49 | |
that gives you free ice cream, but only if you're smiling enough. | 0:20:49 | 0:20:53 | |
It's currently being tested in Singapore and France. | 0:20:53 | 0:20:57 | |
That's fantastic. Better than this hunk of junk, | 0:20:57 | 0:21:00 | |
-and also rather curious. -RUMBLING | 0:21:00 | 0:21:04 | |
Stations, everyone! | 0:21:04 | 0:21:05 | |
Brace yourselves. | 0:21:07 | 0:21:09 | |
-Where's the ice cream? -'Smile for ice cream.' | 0:21:28 | 0:21:31 | |
-What? -'Smile for ice cream.' | 0:21:33 | 0:21:36 | |
OK. | 0:21:36 | 0:21:37 | |
'Smile not recognised.' | 0:21:39 | 0:21:41 | |
'Smile not recognised.' | 0:21:43 | 0:21:45 | |
'Smile not recognised.' | 0:21:46 | 0:21:48 | |
-'Smile not recognised.' -Stupid thing! | 0:21:48 | 0:21:52 | |
I don't think it works quite like that, Mr Reeves. | 0:22:04 | 0:22:07 | |
That's because the only thing you should get out of a vending | 0:22:07 | 0:22:10 | |
machine is crisps, and mine are trapped within this brute! | 0:22:10 | 0:22:14 | |
I'm going in to get them. Come out. | 0:22:14 | 0:22:18 | |
I know you're in there! Don't think I won't find you. | 0:22:18 | 0:22:21 | |
I can smell you! | 0:22:21 | 0:22:23 | |
They're in here somewhere! | 0:22:23 | 0:22:25 | |
How curious. | 0:22:25 | 0:22:27 | |
Some of the strange things you can buy from a vending machine | 0:22:27 | 0:22:30 | |
-include umbrellas. -Umbrella? I need one of those. | 0:22:30 | 0:22:34 | |
You can get eggs. | 0:22:35 | 0:22:37 | |
Eggs? Everyone loves a good egg. | 0:22:37 | 0:22:40 | |
-Footballs. -Football, let's have a kickaround! | 0:22:42 | 0:22:45 | |
Ties. You can even get trainers. | 0:22:46 | 0:22:49 | |
Ties and trainers? I'd look proper smart. | 0:22:49 | 0:22:52 | |
I'm going to get me some of that. | 0:22:52 | 0:22:54 | |
And if you're still peckish, apparently you can even get a pizza! | 0:22:56 | 0:23:00 | |
You look different, Mr Reeves. Have you done something to your hair? | 0:23:07 | 0:23:11 | |
All I wanted was my flaming crisps, is that too much to ask?! | 0:23:11 | 0:23:15 | |
Now, where are my crisps? | 0:23:18 | 0:23:20 | |
SNAPPING, HE GROANS | 0:23:20 | 0:23:23 | |
-What's he doing in there? -There are vending machines | 0:23:25 | 0:23:28 | |
in Japan that dispense live lobsters for cooking. | 0:23:28 | 0:23:31 | |
-A live lobster? -I know what you're thinking, Mr Reeves! | 0:23:31 | 0:23:36 | |
So, if I don't eat him, I can keep him as a pet? | 0:23:36 | 0:23:40 | |
Not only as a pet, but a lifelong companion. A true friend. | 0:23:40 | 0:23:45 | |
Oh, ain't that sweet? | 0:23:45 | 0:23:48 | |
You and me, Steve, are going away | 0:23:48 | 0:23:51 | |
to the Camber rock'n'roll weekend! | 0:23:51 | 0:23:54 | |
Lucky Steve. THEY LAUGH | 0:23:54 | 0:23:57 | |
# Some people have dogs for friends | 0:24:00 | 0:24:02 | |
# Some people keep horses Some people keep hens | 0:24:02 | 0:24:05 | |
# But I've got a pet that I recommend | 0:24:05 | 0:24:08 | |
# He's a rock'n'roll crustacean | 0:24:08 | 0:24:11 | |
# I'm a lobster, that's what I am | 0:24:11 | 0:24:13 | |
-# He's a lobster -I'm a lobster | 0:24:13 | 0:24:15 | |
-# He's a lobster -I'm a lobster | 0:24:15 | 0:24:18 | |
# A lobster, that's what I am | 0:24:18 | 0:24:20 | |
# Some people keep a bird in a cage | 0:24:27 | 0:24:29 | |
# Some people think a mouse is all the rage | 0:24:29 | 0:24:32 | |
# Horses have hooves and dogs have paws | 0:24:32 | 0:24:34 | |
# But this little baby's got a pair of claws | 0:24:34 | 0:24:37 | |
-# I'm a lobster, that's what I am -He's a lobster | 0:24:37 | 0:24:40 | |
-# I'm a lobster -He's a lobster | 0:24:40 | 0:24:43 | |
-# I'm a lobster -A lobster, that's what he am | 0:24:43 | 0:24:46 | |
# A lobster, that's what he am. # | 0:24:46 | 0:24:49 | |
So the answer's yes, you can get a pet from a vending machine, | 0:24:50 | 0:24:55 | |
as long as it's a lobster and you live in Japan. | 0:24:55 | 0:24:57 | |
You know the drill, Miss Teaparty, | 0:24:57 | 0:24:59 | |
get those findings off to Sunny as quickly as possible. | 0:24:59 | 0:25:03 | |
Thank you. | 0:25:03 | 0:25:05 | |
'Attention, ministry. The working day is over.' | 0:25:07 | 0:25:10 | |
What an exciting day! | 0:25:10 | 0:25:12 | |
Yes, and before I go off on my rockabilly weekend with Steve, | 0:25:14 | 0:25:17 | |
I'd like to say what a terrific day we've had. | 0:25:17 | 0:25:20 | |
'Reassessing curious stuff.' | 0:25:20 | 0:25:22 | |
Faisal asked what's the most expensive piece of art? | 0:25:22 | 0:25:26 | |
We met Christo who wraps things up and calls it art. | 0:25:26 | 0:25:29 | |
I see something massive, I just got w-w-wra it. | 0:25:29 | 0:25:32 | |
Willard Wigan who makes tiny art. | 0:25:32 | 0:25:34 | |
-What do think of that? -It's all right, I suppose. | 0:25:34 | 0:25:37 | |
And Rindy Sam who loves art so much she kissed it. | 0:25:37 | 0:25:40 | |
Today, the most expensive piece of art | 0:25:43 | 0:25:45 | |
is Jackson Pollock's Number 5. It sold for 140 million! | 0:25:45 | 0:25:50 | |
Lucy wanted to know what's the point in babies? | 0:25:50 | 0:25:53 | |
Baby giraffes fall six feet when they're born. | 0:25:53 | 0:25:56 | |
-Is everything all right? -Baby shrimp change from being boys to girls. | 0:25:56 | 0:26:00 | |
-Why do you not allow girls in your gang? -We ARE girls, silly! | 0:26:00 | 0:26:05 | |
-A lady in Russia is said to have had 69 babies! -Kids, shut up! | 0:26:05 | 0:26:10 | |
All in all, babies can do pretty amazing things. | 0:26:10 | 0:26:14 | |
Sunny wanted to know, could you buy a pet from a vending machine? | 0:26:14 | 0:26:18 | |
We found out that vending machines have been around since Ancient | 0:26:18 | 0:26:22 | |
Greece, and in Japan you can buy lobsters from vending machines! | 0:26:22 | 0:26:26 | |
What's he doing in there? | 0:26:26 | 0:26:29 | |
To answer Sunny's question, you CAN get a pet from a vending machine. | 0:26:29 | 0:26:32 | |
If you want a pet lobster like me. | 0:26:32 | 0:26:36 | |
So, goodbye everybody, goodbye. | 0:26:36 | 0:26:38 | |
'End of the day. Transportation ready for Mr Reeves.' | 0:26:38 | 0:26:42 | |
-Goodbye, Mr Reeves. -Goodbye, Mr Reeves. | 0:26:42 | 0:26:45 | |
-Goodbye. -Goodbye, Mr Reeves. | 0:26:45 | 0:26:48 | |
Stand back, everyone. | 0:26:48 | 0:26:50 | |
I'm going home for me tea! | 0:26:52 | 0:26:55 | |
Subtitles by Red Bee Media Ltd | 0:27:20 | 0:27:24 |