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Welcome to my Nightmares of Nature. | 0:00:02 | 0:00:04 | |
I'm Naomi Wilkinson. | 0:00:06 | 0:00:08 | |
SHE SCREAMS Oh, my goodness! | 0:00:08 | 0:00:10 | |
And I'm coming face-to-face with the nightmares of the animal world... | 0:00:10 | 0:00:14 | |
SNAKE HISSES Oh! | 0:00:14 | 0:00:16 | |
..the ones that make your spine tingle... | 0:00:16 | 0:00:18 | |
..your heart beat faster.... | 0:00:20 | 0:00:21 | |
There it is, there it is! | 0:00:23 | 0:00:25 | |
..and your blood run cold. | 0:00:25 | 0:00:27 | |
Are they truly terrifying? | 0:00:28 | 0:00:30 | |
LION ROARS | 0:00:30 | 0:00:32 | |
Or is there a twist in the tale? | 0:00:32 | 0:00:33 | |
Come with me as I shine a light on wildlife's deepest, darkest secrets. | 0:00:35 | 0:00:40 | |
And see if you can guess which will be my worst nightmare. | 0:00:41 | 0:00:45 | |
Shh. | 0:00:47 | 0:00:49 | |
Welcome to the voice-over booth. | 0:00:49 | 0:00:50 | |
Just about to start my commentary. | 0:00:50 | 0:00:52 | |
-Are you ready to go? -Yeah, ready, Rick. | 0:00:52 | 0:00:54 | |
Here goes! | 0:00:54 | 0:00:55 | |
We've travelled all over the world in search of things | 0:00:59 | 0:01:04 | |
to keep you awake at night. | 0:01:04 | 0:01:06 | |
SHE SCREECHES | 0:01:06 | 0:01:09 | |
But to get this show on the air requires nightmares | 0:01:09 | 0:01:12 | |
not just of the animal variety... | 0:01:12 | 0:01:14 | |
Oh! | 0:01:14 | 0:01:16 | |
..but of the film-making variety too. | 0:01:16 | 0:01:19 | |
Watch out! | 0:01:19 | 0:01:21 | |
So in this very special show with a twist, | 0:01:21 | 0:01:25 | |
I'm going to give you a VIP, access-all-areas, | 0:01:25 | 0:01:29 | |
behind-the-scenes taste of what it really takes to make... | 0:01:29 | 0:01:34 | |
Oh, hang on a minute, what shall we call this episode? | 0:01:35 | 0:01:38 | |
Oh, I know. | 0:01:38 | 0:01:39 | |
Rick, can you give me a very dramatic-sounding voice, please? | 0:01:39 | 0:01:42 | |
What it really takes to make Naomi's Nightmares of Nature... | 0:01:42 | 0:01:47 | |
..(DEEP VOICE) Behind the Screams. | 0:01:47 | 0:01:50 | |
Can I have my normal voice back, please? | 0:01:50 | 0:01:52 | |
(SQUEAKY VOICE) We've got serious programme making to do! | 0:01:52 | 0:01:57 | |
'From the Middle East... | 0:01:57 | 0:01:59 | |
Doesn't want to go up a hill! | 0:01:59 | 0:02:00 | |
'..to the Americas. | 0:02:00 | 0:02:02 | |
Or is there a twist, in the tale?! | 0:02:02 | 0:02:05 | |
'New Zealand... | 0:02:05 | 0:02:06 | |
A friend has joined us for lunch! | 0:02:06 | 0:02:08 | |
'..to here at home.' | 0:02:08 | 0:02:10 | |
A ladybird! | 0:02:11 | 0:02:12 | |
Frankly, we've had a giggle this series. | 0:02:12 | 0:02:16 | |
But, before any of these fun and games could begin, | 0:02:16 | 0:02:19 | |
first we had to get there. | 0:02:19 | 0:02:21 | |
And when it comes to travel, | 0:02:23 | 0:02:24 | |
the buzzword on this series is surely...glamour! | 0:02:24 | 0:02:29 | |
The glamour of airports. | 0:02:32 | 0:02:34 | |
The glamour of having far too much luggage. | 0:02:38 | 0:02:43 | |
Cheers for your help, guys! | 0:02:43 | 0:02:44 | |
And the glamour of our transport. | 0:02:45 | 0:02:49 | |
For all installations, repairs and maintenance... | 0:02:49 | 0:02:52 | |
..this is your trusty engineer. | 0:02:54 | 0:02:56 | |
That's the air con! | 0:02:56 | 0:02:59 | |
The sun roof is leaking a little bit at the moment, | 0:02:59 | 0:03:02 | |
but it's all doable, not a problem. | 0:03:02 | 0:03:06 | |
And finally, we're off! | 0:03:07 | 0:03:09 | |
THEY CHUCKLE | 0:03:11 | 0:03:13 | |
..Iceland motorway? | 0:03:15 | 0:03:16 | |
-Whoa. -Whoa! | 0:03:16 | 0:03:20 | |
Oops! We'll leave that one there, shall we? | 0:03:20 | 0:03:23 | |
At least when we finally arrived, | 0:03:27 | 0:03:29 | |
we can look forward to a good night's sleep | 0:03:29 | 0:03:31 | |
in glorious surroundings. | 0:03:31 | 0:03:32 | |
Most of the time. | 0:03:34 | 0:03:36 | |
For this show we travel around a lot, | 0:03:36 | 0:03:38 | |
and we go quite off the beaten track, | 0:03:38 | 0:03:40 | |
stay in quite remote places. | 0:03:40 | 0:03:41 | |
So sometimes our accommodation is a little unusual. | 0:03:41 | 0:03:44 | |
Come on into our underwater lair! | 0:03:44 | 0:03:47 | |
Hi, Rich. | 0:03:47 | 0:03:48 | |
So, one of our particular highlights is this dolphin here, | 0:03:48 | 0:03:51 | |
with a mermaid and the little mermaid baby. | 0:03:51 | 0:03:54 | |
What else have we got? | 0:03:54 | 0:03:55 | |
Come and see in my bedroom, who was staring at me all night. | 0:03:55 | 0:03:58 | |
These two lovely mermaids were watching me while I slept. | 0:03:58 | 0:04:03 | |
That was not at all unnerving! | 0:04:03 | 0:04:05 | |
So, the generator on the whole island went off last night, | 0:04:06 | 0:04:09 | |
so we've had no air conditioning, so we're all a bit sweaty and hot. | 0:04:09 | 0:04:12 | |
No lights, so getting ready in the dark was quite funny. | 0:04:12 | 0:04:15 | |
SHE GIGGLES | 0:04:15 | 0:04:17 | |
-Unusual, isn't it? -It is quite unusual. -Quite unusual! | 0:04:17 | 0:04:20 | |
Oh, well, now that we are on location, | 0:04:22 | 0:04:24 | |
we can at last get on with some filming. | 0:04:24 | 0:04:26 | |
It might seem like things happen really quickly on-screen. | 0:04:26 | 0:04:30 | |
Like this. Guys, where's the camera kit? | 0:04:30 | 0:04:32 | |
But that's just the magic of telly! | 0:04:34 | 0:04:36 | |
If only things happen that quickly on location. | 0:04:36 | 0:04:39 | |
Sadly, it's often a waiting game. | 0:04:39 | 0:04:43 | |
Waiting for nature, for example. | 0:04:44 | 0:04:47 | |
It's party time! | 0:04:47 | 0:04:49 | |
'Perfect timing, would you look at that!' | 0:04:49 | 0:04:52 | |
Welcome to Iceland! | 0:04:52 | 0:04:55 | |
'And again, as if by magic!' | 0:04:55 | 0:04:58 | |
'If only. | 0:04:58 | 0:04:59 | |
'In reality, it went something more like this...' | 0:04:59 | 0:05:03 | |
So I say, "Welcome to Iceland," as it happens? | 0:05:05 | 0:05:08 | |
Yes. So we're rolling. | 0:05:08 | 0:05:11 | |
So now we're just waiting for the geyser to blow, | 0:05:11 | 0:05:14 | |
and we don't know when that will happen! | 0:05:14 | 0:05:17 | |
Now the pressure! | 0:05:22 | 0:05:24 | |
Literally, face is frozen. | 0:05:28 | 0:05:31 | |
Welcome to Iceland! | 0:05:41 | 0:05:44 | |
Woohoo! | 0:05:45 | 0:05:46 | |
Did that work? | 0:05:46 | 0:05:48 | |
It worked. But none of us could feel our toes any more. | 0:05:48 | 0:05:51 | |
Safely back on the road with our epic shot in the can, | 0:05:52 | 0:05:56 | |
nature started to act a lot more quickly. | 0:05:56 | 0:05:58 | |
CAR HORN HONKS Basically, the boys are in that car, | 0:05:58 | 0:06:02 | |
and they've driven through the river there, | 0:06:02 | 0:06:05 | |
and as the water splashed on their windscreen it froze, | 0:06:05 | 0:06:07 | |
it's that cold here. | 0:06:07 | 0:06:09 | |
Us to the rescue! | 0:06:09 | 0:06:10 | |
Are you all right? | 0:06:13 | 0:06:15 | |
Well done, team! | 0:06:16 | 0:06:18 | |
-It's all for the cause. -It's all for Nightmares Of Nature! | 0:06:18 | 0:06:21 | |
This series, however, the cold was the least of our weather challenges. | 0:06:22 | 0:06:27 | |
Generally, waiting for nature, meant waiting for the rain to stop. | 0:06:27 | 0:06:32 | |
I love Rio! | 0:06:41 | 0:06:42 | |
"Come to Brazil," they said. | 0:06:44 | 0:06:46 | |
"It's always sunny in Brazil!" | 0:06:46 | 0:06:49 | |
Day one. | 0:06:50 | 0:06:52 | |
Ta-dah! | 0:06:52 | 0:06:54 | |
My photo of the famous view of Rio from the top of Sugarloaf Mountain. | 0:06:54 | 0:06:58 | |
Day two. | 0:06:58 | 0:07:00 | |
Look at it. Look at that mountain. | 0:07:03 | 0:07:05 | |
I'm supposed to be hang-gliding off that. | 0:07:05 | 0:07:08 | |
One, take two. | 0:07:08 | 0:07:11 | |
Well, I can't take off when we can't see. | 0:07:11 | 0:07:13 | |
Abort, mission abort! | 0:07:13 | 0:07:15 | |
Day three. | 0:07:15 | 0:07:17 | |
You get the picture! | 0:07:18 | 0:07:20 | |
Oh, and don't get excited about Tuesday. | 0:07:20 | 0:07:22 | |
We were leaving on Tuesday. | 0:07:22 | 0:07:24 | |
SHE GROWLS | 0:07:24 | 0:07:26 | |
So, when it doesn't stop raining, | 0:07:26 | 0:07:28 | |
you just have to stop waiting, and start filming. | 0:07:28 | 0:07:33 | |
-RINGS BELL -# Why does it always rain on me? # | 0:07:33 | 0:07:37 | |
The dog's got a matching raincoat. | 0:07:37 | 0:07:40 | |
And the rain followed us from Rio... | 0:07:40 | 0:07:42 | |
..to the Caribbean... | 0:07:43 | 0:07:45 | |
We are now flooding! | 0:07:49 | 0:07:51 | |
..and into the South African desert. | 0:07:51 | 0:07:54 | |
Yes, desert! | 0:07:54 | 0:07:56 | |
Oh, my gosh, this is so grim. | 0:07:56 | 0:07:58 | |
It's going well. | 0:07:58 | 0:07:59 | |
But it wasn't over. | 0:07:59 | 0:08:01 | |
Then, in came... | 0:08:01 | 0:08:04 | |
..the wind! Oh! | 0:08:04 | 0:08:06 | |
Sound man Gary. You're loving it, because it's very difficult | 0:08:08 | 0:08:11 | |
to not make everything sound like this... | 0:08:11 | 0:08:13 | |
SHE WHOOSHES | 0:08:13 | 0:08:15 | |
So, flamingos... SHE WHOOSHES | 0:08:15 | 0:08:17 | |
What do flamingos look like? | 0:08:17 | 0:08:19 | |
-You're having a lovely time, aren't you? -I'm loving it, Naomi! | 0:08:19 | 0:08:22 | |
The height of summer in Brazil again. | 0:08:22 | 0:08:24 | |
But don't worry, the sun did eventually show its face. | 0:08:24 | 0:08:28 | |
It's hot. I'm so hot! | 0:08:28 | 0:08:30 | |
There is just no pleasing some people. | 0:08:31 | 0:08:34 | |
Did you hear her, Naomi? | 0:08:34 | 0:08:35 | |
Anyway, once we're done waiting for nature, | 0:08:37 | 0:08:40 | |
we then have to wait for sound. | 0:08:40 | 0:08:42 | |
You see, we can't film anything until it's really, really quiet... | 0:08:44 | 0:08:49 | |
..which is almost never. | 0:08:49 | 0:08:50 | |
Helicopter, dog barking, car siren. | 0:08:51 | 0:08:55 | |
It's all right, we're not trying to film anything! | 0:08:57 | 0:08:59 | |
I've heard of nest boxes for birds. BIRD SCREECHES | 0:08:59 | 0:09:02 | |
Shh! | 0:09:02 | 0:09:03 | |
We're trying to shoot the end part of the programme, | 0:09:04 | 0:09:06 | |
and as you can see we're in the desert with a camel. | 0:09:06 | 0:09:10 | |
Behind us, a road sweeper! | 0:09:10 | 0:09:12 | |
Oh, no! Not another helicopter! | 0:09:19 | 0:09:23 | |
Oh, hang on, I'm in that one! | 0:09:23 | 0:09:24 | |
So, waiting for sound or should I say waiting for the soundie? | 0:09:26 | 0:09:31 | |
You all right there, Rich? | 0:09:31 | 0:09:32 | |
Having fun, are you? | 0:09:32 | 0:09:34 | |
Oops! | 0:09:37 | 0:09:38 | |
'It's OK, he was fine. | 0:09:38 | 0:09:40 | |
'Meerkats make sound man Rich happy. | 0:09:40 | 0:09:43 | |
'But unwanted noise makes sound man Rich very not happy.' | 0:09:43 | 0:09:48 | |
So here we are on this absolutely gorgeous, tranquil beach, | 0:09:48 | 0:09:51 | |
about to record a piece to camera about the jellyfish, | 0:09:51 | 0:09:53 | |
and then up rocks a tourist boat, | 0:09:53 | 0:09:55 | |
with loads of tourists who are going to come snorkelling | 0:09:55 | 0:09:58 | |
for the next half an hour. | 0:09:58 | 0:09:59 | |
Ah! | 0:09:59 | 0:10:00 | |
Bother! | 0:10:00 | 0:10:02 | |
So that's going to help you out no end, isn't it? | 0:10:02 | 0:10:05 | |
SAD VIOLIN MUSIC PLAYS | 0:10:05 | 0:10:07 | |
I hate holiday-makers. | 0:10:07 | 0:10:08 | |
I hate anybody that looks like | 0:10:08 | 0:10:10 | |
they're enjoying themselves | 0:10:10 | 0:10:11 | |
when we're trying to be working. | 0:10:11 | 0:10:13 | |
Look at them, they're having a good time. | 0:10:14 | 0:10:16 | |
I mean, what are they thinking? | 0:10:16 | 0:10:18 | |
Off-camera, everyone's having a great time. | 0:10:18 | 0:10:21 | |
Everyone's having a great time, and I'm not, because of the music. | 0:10:21 | 0:10:25 | |
-Brilliant. -Oh, poor Rich! | 0:10:25 | 0:10:27 | |
Party, party, ooh, ooh! | 0:10:27 | 0:10:30 | |
Eventually, though, Rich gets his turn to be happy. | 0:10:36 | 0:10:39 | |
And you know when sound is finally ready for filming, | 0:10:39 | 0:10:42 | |
cos he'll get nice and comfy. | 0:10:42 | 0:10:45 | |
Ah! | 0:10:45 | 0:10:47 | |
Where does Rich sit? | 0:10:47 | 0:10:49 | |
Rich, are you all right? | 0:10:55 | 0:10:57 | |
-What? -Is this heavy? -It's hard work, what we do. | 0:11:05 | 0:11:08 | |
And now and again you have to sit down! | 0:11:08 | 0:11:10 | |
The fact that it's only 8am has got nothing to do with it. | 0:11:10 | 0:11:14 | |
You don't see us sitting down. | 0:11:14 | 0:11:17 | |
Oh, well, I suppose that's better than a sleeping cameraman. | 0:11:17 | 0:11:20 | |
So, the sky is quiet, Rich is sitting comfortably, | 0:11:25 | 0:11:29 | |
nature is playing ball. | 0:11:29 | 0:11:31 | |
SHE GIGGLES Or not. | 0:11:31 | 0:11:33 | |
Now all we need on set are the stars. | 0:11:35 | 0:11:39 | |
The animals. | 0:11:39 | 0:11:40 | |
Yeah, easy! | 0:11:40 | 0:11:42 | |
Filming animals doesn't always go to plan. | 0:11:43 | 0:11:46 | |
But, as this is behind-the-scenes, | 0:11:46 | 0:11:48 | |
let's reveal what happened when I looked | 0:11:48 | 0:11:50 | |
for my ultimate Californian nightmare. | 0:11:50 | 0:11:53 | |
It's the fourth series of this show, | 0:11:53 | 0:11:56 | |
so you might think by now, | 0:11:56 | 0:11:57 | |
I've met pretty much every nightmare of nature out there. | 0:11:57 | 0:12:00 | |
But, there is one particular nightmare that all this time | 0:12:00 | 0:12:04 | |
I have been avoiding. | 0:12:04 | 0:12:05 | |
Because it's my ultimate fear. | 0:12:05 | 0:12:07 | |
The big one. | 0:12:07 | 0:12:08 | |
It's great, it's white | 0:12:08 | 0:12:10 | |
and it's a shark. | 0:12:10 | 0:12:12 | |
There was me thinking I'd got away with it. | 0:12:12 | 0:12:14 | |
The great white shark needs no introduction. | 0:12:19 | 0:12:23 | |
It is simply the world's biggest and most-famous predatory fish. | 0:12:23 | 0:12:28 | |
With a reputation, well, for biting people. | 0:12:28 | 0:12:32 | |
But, does it deserve its bad boy image? | 0:12:32 | 0:12:36 | |
You guessed it, the only way to find out | 0:12:36 | 0:12:38 | |
was for me to try and see one for myself. | 0:12:38 | 0:12:42 | |
So, shark biologist Chris agreed to take me out | 0:12:42 | 0:12:46 | |
just off the beaches of Los Angeles, | 0:12:46 | 0:12:48 | |
where these pointy-toothed predators | 0:12:48 | 0:12:50 | |
had been spotted swimming with surfers. | 0:12:50 | 0:12:54 | |
Eek! | 0:12:54 | 0:12:55 | |
I never thought I'd be looking for this shark, that's for sure. | 0:12:56 | 0:12:59 | |
So Chris, how many sharks might we see? | 0:13:03 | 0:13:05 | |
Well, I mean the most we've seen are maybe 13 in an area | 0:13:05 | 0:13:08 | |
maybe the size of a football field. | 0:13:08 | 0:13:11 | |
-That's loads. -Yeah. | 0:13:11 | 0:13:13 | |
-Ah! -But these are babies. | 0:13:15 | 0:13:18 | |
-Oh, they're babies! -They're babies. | 0:13:18 | 0:13:20 | |
-We're not seeing the adults? -I hope not! -Phew! Weight lifts! | 0:13:20 | 0:13:25 | |
The babies come to this bay to learn to be great white sharks. | 0:13:27 | 0:13:32 | |
Mom gives birth to them and they're on their own. | 0:13:32 | 0:13:34 | |
There are born to be scared of everything. | 0:13:34 | 0:13:37 | |
Even as great white sharks? | 0:13:37 | 0:13:38 | |
They don't know they're a great white, yet. | 0:13:38 | 0:13:41 | |
Aww, that's kind of sweet. | 0:13:42 | 0:13:44 | |
The trouble is, baby great white sharks | 0:13:44 | 0:13:47 | |
are still pretty shark-like. | 0:13:47 | 0:13:50 | |
Yep, these are the babies. | 0:13:50 | 0:13:52 | |
-They're born at about 1.25 metres. -Oh! | 0:13:52 | 0:13:55 | |
So they're not little babies like this? | 0:13:55 | 0:13:58 | |
No, they're little babies like this! | 0:13:58 | 0:13:59 | |
-When they're born, they're that big? -When they're born, yeah. | 0:13:59 | 0:14:02 | |
Shark teeth? Lots of teeth? | 0:14:02 | 0:14:04 | |
Lots of teeth, yeah, they're born ready to eat. | 0:14:04 | 0:14:07 | |
Even at just over a metre, | 0:14:07 | 0:14:09 | |
they were still big enough to keep me on my toes. | 0:14:09 | 0:14:12 | |
And we had finally arrived at the spot where they should be. | 0:14:12 | 0:14:15 | |
If you keep watching anywhere around here, | 0:14:17 | 0:14:19 | |
you're liable to see one. | 0:14:19 | 0:14:21 | |
Let's just look out for a great white shark. | 0:14:21 | 0:14:24 | |
A familiar feeling of uneasiness in my stomach! | 0:14:24 | 0:14:28 | |
Now, this is the point where a shark should have started | 0:14:33 | 0:14:36 | |
circling the boat and I'd have been terrified. | 0:14:36 | 0:14:39 | |
But this is the behind-the-scenes show after all. | 0:14:39 | 0:14:42 | |
So instead, what happened was this. | 0:14:42 | 0:14:45 | |
-There's a fin. That's dolphins. -Those are dolphins. | 0:14:46 | 0:14:50 | |
Oh, it's dolphins. No sharks, yet. | 0:14:50 | 0:14:53 | |
Right, come on then, sharks, where are you? | 0:14:57 | 0:15:00 | |
I have to say, I never, ever thought I'd hear you say that, ever. | 0:15:01 | 0:15:05 | |
I know. | 0:15:05 | 0:15:06 | |
Especially with a great white. | 0:15:06 | 0:15:09 | |
How times have changed. | 0:15:09 | 0:15:10 | |
Well, Naomi, I think we're out of luck. | 0:15:10 | 0:15:13 | |
-I'm actually really disappointed. -Me too. | 0:15:14 | 0:15:17 | |
Not so much as a sniff of a shark. | 0:15:17 | 0:15:19 | |
And, yes, I really was actually disappointed to not see | 0:15:21 | 0:15:25 | |
a great white shark. | 0:15:25 | 0:15:28 | |
Just don't tell the crew, or they'll make me go looking for one again! | 0:15:28 | 0:15:31 | |
There's not much we can do about a shark no-show. | 0:15:36 | 0:15:39 | |
But, you'd think something as common as great British head lice | 0:15:39 | 0:15:42 | |
would be easy to find. | 0:15:42 | 0:15:43 | |
Right? | 0:15:43 | 0:15:45 | |
-Are you ready to have a look at them? -Yeah. | 0:15:45 | 0:15:46 | |
-Sure? -Yeah. | 0:15:46 | 0:15:48 | |
-Right, can you see that? It's moving. -Urgh! | 0:15:48 | 0:15:54 | |
Well, no. | 0:15:54 | 0:15:55 | |
Getting hold of them for filming was harder than you might think. | 0:15:55 | 0:16:00 | |
First we had to pay a visit to lice buster Sophie, | 0:16:00 | 0:16:03 | |
who separates these crawling critters | 0:16:03 | 0:16:06 | |
from their unfortunate victims. | 0:16:06 | 0:16:09 | |
I'm not taking any chances. | 0:16:09 | 0:16:11 | |
I knew lice couldn't jump, but I didn't trust them. | 0:16:13 | 0:16:16 | |
How many can you get on one head? | 0:16:16 | 0:16:18 | |
My most has been about 1,000. | 0:16:18 | 0:16:20 | |
Rather my job than yours, Sophie! | 0:16:22 | 0:16:24 | |
Right, so Naomi, I've got a present for you. | 0:16:26 | 0:16:29 | |
Oh, lovely, thank you very much. | 0:16:29 | 0:16:30 | |
Look at these, look! | 0:16:30 | 0:16:32 | |
There was just one problem. | 0:16:33 | 0:16:35 | |
The lice wouldn't survive until our filming appointment | 0:16:35 | 0:16:38 | |
at the school unless they fed on one of us. | 0:16:38 | 0:16:43 | |
So, any volunteers anyone? Anyone? | 0:16:43 | 0:16:45 | |
-Good on you, Diz. -Sorry, what? -Cheers. | 0:16:47 | 0:16:50 | |
"Work in television," they said. | 0:16:54 | 0:16:56 | |
"It'll be fun," they said. | 0:16:56 | 0:16:57 | |
-Glamorous! -"Work with wildlife." | 0:16:57 | 0:16:59 | |
You've done it now. | 0:17:03 | 0:17:05 | |
They'd prefer to be on the head, | 0:17:05 | 0:17:07 | |
but I'm not suggesting you put them on your head. | 0:17:07 | 0:17:09 | |
Shall we just put loads of tape all around the edge? | 0:17:09 | 0:17:12 | |
You can feel them going between the hairs. | 0:17:12 | 0:17:15 | |
Thanks for nominating me, Naomi. | 0:17:15 | 0:17:17 | |
Pleasure! | 0:17:17 | 0:17:18 | |
-Hello, lice cam. -Lice cam. | 0:17:18 | 0:17:21 | |
-Right. Let's get these going. -Have a safe journey! | 0:17:21 | 0:17:24 | |
I bet you're all wondering what happened | 0:17:24 | 0:17:27 | |
when we took them off his arm? | 0:17:27 | 0:17:28 | |
Well, it went like this. | 0:17:28 | 0:17:30 | |
-Go for it. -Ready? -Ah! | 0:17:34 | 0:17:37 | |
Suffering for the cause, Diz, well done! | 0:17:37 | 0:17:40 | |
-Oh, no, that's horrible! -Ow! | 0:17:42 | 0:17:45 | |
Urgh! So much for getting them off your arm! | 0:17:45 | 0:17:48 | |
That one's escaping. | 0:17:49 | 0:17:50 | |
Don't worry, we safely extracted the lice from his arm hairs. | 0:17:52 | 0:17:55 | |
And got them to the school live and well, | 0:17:55 | 0:17:58 | |
where their presence spurred a host of intriguing questions. | 0:17:58 | 0:18:02 | |
Can the actual nits catch diseases? | 0:18:02 | 0:18:05 | |
When you spray, like, hairspray on your hair, doesn't the hairspray, | 0:18:05 | 0:18:09 | |
like, affect them? | 0:18:09 | 0:18:11 | |
How many heads would an average lice go on in its lifetime? | 0:18:11 | 0:18:15 | |
Hold on, let me just check. | 0:18:15 | 0:18:17 | |
Will they get sunburnt? | 0:18:17 | 0:18:19 | |
How do they evolve in the first place? | 0:18:19 | 0:18:21 | |
Do the lice have special talents? | 0:18:21 | 0:18:22 | |
Crikey, your questions are very hard. | 0:18:22 | 0:18:25 | |
Cos they're like vampires, could you ward them off with garlic? | 0:18:25 | 0:18:28 | |
How long have head lice been around for? | 0:18:28 | 0:18:31 | |
Does anyone know? | 0:18:34 | 0:18:36 | |
Capturing all these amazing animals on camera | 0:18:39 | 0:18:41 | |
simply wouldn't be possible | 0:18:41 | 0:18:43 | |
without some weird, wonderful and super-smart technology. | 0:18:43 | 0:18:48 | |
BLOWS RASPBERRY Ay, ay, ay, ay, ay, ay. | 0:18:48 | 0:18:51 | |
Infrared cameras. | 0:18:51 | 0:18:53 | |
Night-time cameras. | 0:18:53 | 0:18:55 | |
Thermal cameras. | 0:18:55 | 0:18:57 | |
Slow-mo cameras. | 0:18:57 | 0:19:00 | |
Everything's fine! | 0:19:02 | 0:19:03 | |
Too fast for you, am I, Steve? | 0:19:03 | 0:19:05 | |
Oh, boom pole. | 0:19:05 | 0:19:08 | |
Really handy...for skateboarding! | 0:19:08 | 0:19:11 | |
And then there's the special equipment... | 0:19:11 | 0:19:13 | |
..for filming in the water. | 0:19:14 | 0:19:15 | |
No, not that. | 0:19:17 | 0:19:19 | |
This. | 0:19:19 | 0:19:20 | |
Bertha, the big blue bucket, | 0:19:21 | 0:19:24 | |
whose job it was to keep all our gadgets nice and dry. | 0:19:24 | 0:19:27 | |
For sound man Rich, it was love at first sight. | 0:19:27 | 0:19:30 | |
WOLF-WHISTLES | 0:19:30 | 0:19:33 | |
HUMS TO TRUE BY SPANDAU BALLET | 0:19:33 | 0:19:37 | |
You sometimes have to exercise blue tubs. | 0:19:42 | 0:19:45 | |
Make sure they're well taken care of. | 0:19:45 | 0:19:48 | |
Come on. Off we go. | 0:19:48 | 0:19:50 | |
She even kept Rich afloat. | 0:19:53 | 0:19:56 | |
Where's Rich? | 0:19:56 | 0:19:57 | |
That's all right. There he is. | 0:19:57 | 0:19:59 | |
When it came to getting beneath the waves, though, | 0:20:00 | 0:20:03 | |
there was no room for Bertha. | 0:20:03 | 0:20:05 | |
And one of our biggest underwater challenges | 0:20:05 | 0:20:07 | |
was the Bahamas submarine scooter. | 0:20:07 | 0:20:10 | |
Greetings, air breathers. | 0:20:10 | 0:20:13 | |
This time I'm searching for the nightmares beneath the waves. | 0:20:13 | 0:20:17 | |
But don't be fooled by the clear water and the colourful fish. | 0:20:17 | 0:20:20 | |
SHE GIGGLES This is the domain of sea monsters. | 0:20:20 | 0:20:24 | |
Looks effortless, but not so behind-the-scenes. | 0:20:25 | 0:20:29 | |
It took three cameras... | 0:20:31 | 0:20:33 | |
..plenty of rehearsing... | 0:20:36 | 0:20:38 | |
..and some meticulous miking up of the bubble by Rich... | 0:20:39 | 0:20:43 | |
..and we're all set. | 0:20:45 | 0:20:46 | |
Oh, so much for the perfectly-placed microphone. | 0:20:48 | 0:20:51 | |
That's just fallen off. | 0:20:51 | 0:20:53 | |
Better start again, Rich. | 0:20:53 | 0:20:56 | |
-Good to go. -Good luck. -And you. -Good luck, Naomi. | 0:20:57 | 0:21:01 | |
This time, we really were good to go. | 0:21:01 | 0:21:04 | |
See you later. | 0:21:07 | 0:21:09 | |
It was all worth the effort in the end, though, | 0:21:13 | 0:21:15 | |
cos it picked up perfect sound... | 0:21:15 | 0:21:18 | |
Oh, I feel a bit sick in here. | 0:21:18 | 0:21:20 | |
..of me suppressing the urge to vomit. | 0:21:20 | 0:21:23 | |
I'm feeling a bit sick. | 0:21:23 | 0:21:25 | |
-There you go! -Thank you. | 0:21:30 | 0:21:33 | |
Honestly, it's amazing in there. | 0:21:33 | 0:21:35 | |
I don't know whether it was because I was just bobbin around, | 0:21:37 | 0:21:39 | |
but in the middle I thought I was just going to chuck up. | 0:21:39 | 0:21:42 | |
I felt completely green. | 0:21:42 | 0:21:43 | |
I think I got all sea sick but it's an amazing sight down there. | 0:21:43 | 0:21:48 | |
Whoo! | 0:21:48 | 0:21:49 | |
To get a really close-up view of the animals, though, | 0:21:51 | 0:21:54 | |
the secret weapons in our armoury are these. | 0:21:54 | 0:21:58 | |
Teeny, tiny, tiny, weeny, little cameras. | 0:21:58 | 0:22:02 | |
So itty-bitty. Hello. | 0:22:02 | 0:22:04 | |
Used in the right way, | 0:22:04 | 0:22:06 | |
they can make you feel part of the animal action. | 0:22:06 | 0:22:09 | |
Sometimes, though, the animals are so unfazed by our camo cameras | 0:22:11 | 0:22:16 | |
that we get a little more than we bargained for. | 0:22:16 | 0:22:19 | |
To get a really good shot we're going to try | 0:22:20 | 0:22:22 | |
and put the camera right in with the agouti. | 0:22:22 | 0:22:25 | |
This could be funny because they might think it's a big nut. | 0:22:25 | 0:22:28 | |
But it turns out they didn't want to eat it, just sit on it. | 0:22:28 | 0:22:33 | |
Hey, agouti, your bum's flashing red. | 0:22:33 | 0:22:36 | |
Question is, who's going to get it out? | 0:22:36 | 0:22:39 | |
Urgh! | 0:22:39 | 0:22:41 | |
Ah! That microphone pole comes in handy again. | 0:22:41 | 0:22:44 | |
Urgh! Agouti bum fingers. | 0:22:44 | 0:22:46 | |
Anyone got a wipe? | 0:22:46 | 0:22:48 | |
The other special view our little cameras give us is of our crew. | 0:22:50 | 0:22:55 | |
Getting them up and running can sometimes be a bit tricky. | 0:22:55 | 0:22:58 | |
Is this thing running? | 0:22:58 | 0:23:00 | |
Now there's a very technical term for this expression, | 0:23:00 | 0:23:03 | |
but we don't have any idea what it is, | 0:23:03 | 0:23:05 | |
so we just call it gurney warp face. | 0:23:05 | 0:23:07 | |
But in fact, it's not gurning. | 0:23:09 | 0:23:11 | |
No. It's a language of its own. | 0:23:11 | 0:23:13 | |
Each expression means something. | 0:23:13 | 0:23:16 | |
Let me translate for you. | 0:23:16 | 0:23:17 | |
Plus, of course, the crew being, well, the crew. | 0:23:31 | 0:23:34 | |
Yeah, fantastic. | 0:23:38 | 0:23:40 | |
Even with the best kit and most well-behaved animals, | 0:23:41 | 0:23:44 | |
there's always scope for, um, human error, isn't there, crew? | 0:23:44 | 0:23:49 | |
We are brilliant by the way. | 0:23:52 | 0:23:54 | |
Are you sure about that, Rich? | 0:23:54 | 0:23:56 | |
This time on Nightmares Of Nature, | 0:23:56 | 0:23:58 | |
I'm taking you on a tour of the creepy critters collecting | 0:23:58 | 0:24:02 | |
in the corners of this hideous haunted house. | 0:24:02 | 0:24:05 | |
THEY LAUGH | 0:24:06 | 0:24:12 | |
Sorry! | 0:24:12 | 0:24:14 | |
Come on, guys, this is serious stuff. | 0:24:14 | 0:24:16 | |
Even more, I think I would make a very good flamingo. | 0:24:18 | 0:24:23 | |
What was that about? | 0:24:23 | 0:24:24 | |
I'm just the director. I don't know what's going on! | 0:24:24 | 0:24:27 | |
Bit of a long pause! | 0:24:34 | 0:24:37 | |
-How did it go? -Just got a lot of spikes up my bum! | 0:24:37 | 0:24:40 | |
Are you OK? | 0:24:40 | 0:24:41 | |
Ow! | 0:24:44 | 0:24:46 | |
Good grief! | 0:24:46 | 0:24:48 | |
Naomi, that says... | 0:24:48 | 0:24:50 | |
I've forgotten what I'm supposed to say. | 0:24:51 | 0:24:53 | |
NAOMI LAUGHS, CREW GROAN | 0:24:53 | 0:24:55 | |
It's actually written there. You just read it. | 0:24:55 | 0:24:58 | |
Useless, the lot of them. | 0:24:58 | 0:25:00 | |
Oh, no. | 0:25:04 | 0:25:05 | |
I thought we said we weren't showing these bits. | 0:25:05 | 0:25:08 | |
Well, that is just about it for our California coastal trip. | 0:25:08 | 0:25:10 | |
Just leaves me to... | 0:25:10 | 0:25:12 | |
Just leaves me to decide... | 0:25:13 | 0:25:14 | |
The giant Pacific... THEY LAUGH | 0:25:17 | 0:25:22 | |
BLOWS RASPBERRY | 0:25:22 | 0:25:25 | |
Arggh! | 0:25:26 | 0:25:28 | |
Special... BLOWS RASPBERRY | 0:25:28 | 0:25:30 | |
Ah! Ah! | 0:25:30 | 0:25:32 | |
Right, come on, Naomi. | 0:25:32 | 0:25:33 | |
SHE FAKE SOBS I can't get these words in my head. | 0:25:33 | 0:25:37 | |
BLOWS RASPBERRY | 0:25:37 | 0:25:39 | |
My next nightmare animal is... I've forgotten. | 0:25:40 | 0:25:43 | |
I can't even remember what it is. | 0:25:43 | 0:25:45 | |
I can't do it. I can't remember the words. | 0:25:45 | 0:25:47 | |
I'm too cold and wet. | 0:25:47 | 0:25:49 | |
-Can we go home now? -Let's go home. -Yeah! -Let's go home to bed. | 0:25:49 | 0:25:52 | |
The director has allowed me to say at this point that normally | 0:25:52 | 0:25:56 | |
I am a one-take wonder. Honest. | 0:25:56 | 0:25:58 | |
So I thought... HORN SOUNDS, THEY LAUGH | 0:25:58 | 0:26:02 | |
OK, heads, it's caterpillar, tails, it's the frog. | 0:26:02 | 0:26:05 | |
Is there one on my head? | 0:26:11 | 0:26:12 | |
-Boo! -Don't, you're so mean, you're so mean! | 0:26:12 | 0:26:16 | |
Hey, crew, you're scared of the animals as well. | 0:26:16 | 0:26:19 | |
Look what happened when you lot | 0:26:19 | 0:26:21 | |
tried to get one of those house spiders out of its box. | 0:26:21 | 0:26:25 | |
So now the funny thing about filming spiders | 0:26:25 | 0:26:27 | |
is I'm not the only one in the crew who is not overly keen | 0:26:27 | 0:26:30 | |
and now we've got to put the spider into the bath. | 0:26:30 | 0:26:33 | |
The problem is that there's nobody in the crew who's overly keen. | 0:26:33 | 0:26:36 | |
Oh, Rich is all right. | 0:26:36 | 0:26:37 | |
Well, Rich can't come, he's sat down. | 0:26:37 | 0:26:38 | |
-You do it. -How come I get the short straw? | 0:26:38 | 0:26:41 | |
Genuinely, this isn't faked. | 0:26:43 | 0:26:45 | |
You're slowing my job. Right, go. | 0:26:45 | 0:26:47 | |
THEY ALL SCREAM | 0:26:47 | 0:26:51 | |
It freaks me out! | 0:26:51 | 0:26:52 | |
Come on, let's be brave. Come on. | 0:26:52 | 0:26:54 | |
-Where is it? -I'm tipping it. | 0:26:54 | 0:26:56 | |
-That's how you casually release a spider. -It's easy, isn't it? | 0:26:56 | 0:26:58 | |
-Easy. -Easy as that, like, there's nothing to it. | 0:26:58 | 0:27:03 | |
-It's fine. -Note, I was the brave one there. | 0:27:03 | 0:27:06 | |
So brave, in fact, that I now choose to hold spiders. | 0:27:06 | 0:27:09 | |
I want to hold it before we put it back in the box. | 0:27:09 | 0:27:11 | |
-Naomi, you want to hold it? -I want to hold it, yeah. | 0:27:11 | 0:27:13 | |
It's like a personal... | 0:27:13 | 0:27:15 | |
-OK, well here we go. -Hey. It's all right. | 0:27:15 | 0:27:19 | |
Ha-ha, see? Not a wuss any more. | 0:27:21 | 0:27:23 | |
So, that's the end of our behind-the-screams tour | 0:27:28 | 0:27:31 | |
of the Nightmares Of Nature worldwide studio. | 0:27:31 | 0:27:35 | |
I just have one last crucial bit of advice for surviving | 0:27:35 | 0:27:39 | |
a Nightmare shoot. | 0:27:39 | 0:27:41 | |
And that is - don't forget your dancing shoes! | 0:27:41 | 0:27:44 |