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Welcome to my Nightmares Of Nature. | 0:00:02 | 0:00:04 | |
I'm Naomi Wilkinson... | 0:00:06 | 0:00:08 | |
Ah! Oh, my goodness! | 0:00:08 | 0:00:10 | |
..and I'm coming face-to-face | 0:00:10 | 0:00:12 | |
with the nightmares of the animal world... | 0:00:12 | 0:00:14 | |
Ooh! | 0:00:14 | 0:00:15 | |
..the ones that make your spine tingle... | 0:00:15 | 0:00:18 | |
..your heart beat faster... | 0:00:19 | 0:00:21 | |
SHE SCREAMS | 0:00:21 | 0:00:23 | |
There it is, there it is! | 0:00:23 | 0:00:25 | |
..and your blood run cold. | 0:00:25 | 0:00:27 | |
Are they truly terrifying? | 0:00:28 | 0:00:30 | |
Or is there a twist in the tale? | 0:00:32 | 0:00:34 | |
Come with me as I shine a light on wildlife's deepest, darkest secrets. | 0:00:36 | 0:00:41 | |
And see if you can guess which will be my worst nightmare. | 0:00:41 | 0:00:45 | |
76,000 miles. | 0:00:51 | 0:00:53 | |
55 nightmare contenders. | 0:00:56 | 0:00:59 | |
12 worst nightmares. | 0:01:03 | 0:01:06 | |
I'm home! | 0:01:11 | 0:01:12 | |
Yes! | 0:01:14 | 0:01:15 | |
I'm back! | 0:01:16 | 0:01:18 | |
Water from the tap. | 0:01:18 | 0:01:20 | |
Cheers. Coffee! | 0:01:20 | 0:01:22 | |
My pillow! | 0:01:22 | 0:01:23 | |
With no spiders. | 0:01:24 | 0:01:26 | |
So, my nightmare hunting may be over, | 0:01:31 | 0:01:33 | |
but I still have one big choice to make. | 0:01:33 | 0:01:36 | |
Obviously, at the end of each episode, | 0:01:36 | 0:01:38 | |
I decide on my worst nightmare. | 0:01:38 | 0:01:40 | |
Giant hammerhead. Hibernation. | 0:01:40 | 0:01:41 | |
The tarpon. My worst nightmare. | 0:01:41 | 0:01:44 | |
CAMEL GRUNTS | 0:01:44 | 0:01:45 | |
Like that. But as this is the end the series... | 0:01:45 | 0:01:48 | |
SHE SOBS THEATRICALLY | 0:01:50 | 0:01:52 | |
Why? | 0:01:53 | 0:01:55 | |
Why? Why?! | 0:01:55 | 0:01:57 | |
..I have to decide on my Ultimate Nightmare from the whole series. | 0:02:01 | 0:02:07 | |
Yes, out of 55 nightmares. | 0:02:07 | 0:02:10 | |
Er, 55, guys. | 0:02:12 | 0:02:13 | |
Thank you. | 0:02:16 | 0:02:17 | |
I must choose one... | 0:02:17 | 0:02:20 | |
One. So what will it be? | 0:02:20 | 0:02:22 | |
How am I going to decide? | 0:02:22 | 0:02:24 | |
I have met some pretty heinous horrors | 0:02:24 | 0:02:26 | |
on my search for nature's nasties. | 0:02:26 | 0:02:28 | |
No! | 0:02:30 | 0:02:31 | |
'I've taken to the skies...' | 0:02:32 | 0:02:34 | |
Ah! | 0:02:34 | 0:02:35 | |
'..and plunged to the depths... | 0:02:36 | 0:02:38 | |
'..all to bring you the very best... | 0:02:39 | 0:02:41 | |
SHE SHRIEKS | 0:02:41 | 0:02:43 | |
'..of the very worst that nature has to offer.' | 0:02:43 | 0:02:47 | |
'Let's hear it for the freaks, geeks and monsters | 0:02:49 | 0:02:54 | |
'of the animal world.' | 0:02:54 | 0:02:56 | |
Hey, maybe my Ultimate Nightmare could be a monster. | 0:02:56 | 0:02:59 | |
Or a dragon! | 0:02:59 | 0:03:00 | |
I've met a fair few of those. | 0:03:01 | 0:03:03 | |
Like that blue-skinned, red-eyed | 0:03:05 | 0:03:08 | |
monster of the Cayman Islands. | 0:03:08 | 0:03:09 | |
Wow. | 0:03:09 | 0:03:11 | |
I actually quite liked them. | 0:03:11 | 0:03:13 | |
Or those monsters of the deep in the Bahamas. | 0:03:13 | 0:03:16 | |
VOICE DISTORTED BY SNORKEL | 0:03:16 | 0:03:18 | |
DISTORTED WORDS | 0:03:18 | 0:03:21 | |
Super-sized super-shark. | 0:03:21 | 0:03:23 | |
But my ultimate monster title | 0:03:23 | 0:03:25 | |
and surely the strongest contender so far | 0:03:25 | 0:03:28 | |
has to go to that clingy cephalopod | 0:03:28 | 0:03:30 | |
I met in California. | 0:03:30 | 0:03:32 | |
It's got three hearts, nine brains | 0:03:34 | 0:03:36 | |
and can measure eight metres across. | 0:03:36 | 0:03:39 | |
The Giant Pacific Octopus is a nightmare to behold. | 0:03:39 | 0:03:42 | |
They are formidable predators | 0:03:43 | 0:03:45 | |
who come out at night to hunt and have been | 0:03:45 | 0:03:48 | |
known to eat birds and even sharks. | 0:03:48 | 0:03:51 | |
I've come to Monterey Bay Aquarium | 0:03:52 | 0:03:54 | |
to meet octopus expert Alicia | 0:03:54 | 0:03:57 | |
and one very special resident. | 0:03:57 | 0:03:59 | |
Let's see if she wants to come over. | 0:04:00 | 0:04:02 | |
Really? OK. | 0:04:02 | 0:04:03 | |
I'm going to just tempt her over with a little piece of shrimp here. | 0:04:03 | 0:04:07 | |
-Is that her favourite food? -Uh-huh. | 0:04:07 | 0:04:09 | |
She's got hold of you. | 0:04:09 | 0:04:11 | |
It's like one of those mats you put in the bath. | 0:04:11 | 0:04:15 | |
-Exactly. -How many suckers have they got? | 0:04:15 | 0:04:18 | |
About 2,000. | 0:04:18 | 0:04:20 | |
Wow! | 0:04:20 | 0:04:21 | |
Oh, it's a bit alarming how quickly they can capture you. | 0:04:21 | 0:04:26 | |
So they've got a mouth somewhere in there, have they? | 0:04:26 | 0:04:29 | |
The mouth is in the middle here. | 0:04:29 | 0:04:30 | |
There goes the shrimp that we gave her. | 0:04:31 | 0:04:34 | |
-And is that quite dangerous? -Mm. | 0:04:34 | 0:04:37 | |
It's the only hard part that they have in their entire body. | 0:04:37 | 0:04:40 | |
But it's used to open clams and crabs, | 0:04:40 | 0:04:43 | |
and so... | 0:04:43 | 0:04:45 | |
it could definitely cut through bone. | 0:04:45 | 0:04:47 | |
So you want to stay away from the beak. | 0:04:47 | 0:04:50 | |
Yeah, I guess, if it can eat a crab... | 0:04:50 | 0:04:51 | |
-Yeah. -That's a pretty strong mouth part. -Uh-huh. | 0:04:51 | 0:04:55 | |
Uh-oh! | 0:04:55 | 0:04:56 | |
-Are you OK? Do you need any help? -I'm fine. | 0:04:56 | 0:04:59 | |
I'm not sure I'd know what to do to help, to be honest. | 0:04:59 | 0:05:01 | |
I'm offering to help, but I don't know how. | 0:05:01 | 0:05:03 | |
What does that mean, when it does a massive, wide open... | 0:05:04 | 0:05:06 | |
HOLLOW GURGLE | 0:05:06 | 0:05:08 | |
That's what it means! | 0:05:08 | 0:05:10 | |
It's taking in the water, is it? | 0:05:11 | 0:05:13 | |
-Yep. -Oh! | 0:05:13 | 0:05:15 | |
This is the weirdest creature ever. | 0:05:17 | 0:05:19 | |
Would you like to pet her? | 0:05:20 | 0:05:22 | |
Er... | 0:05:22 | 0:05:24 | |
Yes? | 0:05:24 | 0:05:25 | |
Look at this. | 0:05:27 | 0:05:28 | |
It's an absolutely brilliant strategy, isn't it, | 0:05:31 | 0:05:34 | |
to capture their prey? | 0:05:34 | 0:05:36 | |
My goodness. Just to suck it in towards you. | 0:05:36 | 0:05:40 | |
I mean, imagine if all these arms were on you. | 0:05:40 | 0:05:42 | |
You wouldn't be able to get away. | 0:05:42 | 0:05:44 | |
Imagine a small animal. | 0:05:44 | 0:05:46 | |
-Doesn't stand a chance. -Mm-mm. | 0:05:46 | 0:05:47 | |
It's really pulling me in. | 0:05:49 | 0:05:50 | |
There's being friendly and then there's being very, very clingy. | 0:05:50 | 0:05:53 | |
Can I just say, that octopus | 0:05:55 | 0:05:56 | |
actually left sucker marks on my hand? | 0:05:56 | 0:05:59 | |
Hm. Evidence. | 0:05:59 | 0:06:00 | |
Admittedly, the light wasn't very good when I took the photo. | 0:06:00 | 0:06:03 | |
It's quite hard to see how red it was. | 0:06:03 | 0:06:05 | |
It was really red, angry and sore for... | 0:06:05 | 0:06:07 | |
It's only just gone away, really. Anyway, shall we carry on? | 0:06:08 | 0:06:12 | |
They wouldn't ever go for a human, would they? | 0:06:12 | 0:06:15 | |
No. I mean, it's never happened. | 0:06:15 | 0:06:18 | |
Till today! | 0:06:19 | 0:06:21 | |
It's not every day you get to meet an eight-limbed sea creature with | 0:06:22 | 0:06:27 | |
a fondness for arm wrestling. | 0:06:27 | 0:06:29 | |
Can I have my arm back now, please? | 0:06:29 | 0:06:30 | |
I think that might be octopus for "no". | 0:06:34 | 0:06:37 | |
True monster. | 0:06:37 | 0:06:38 | |
Could definitely be a contender for my worst nightmare. | 0:06:38 | 0:06:41 | |
But I don't want to be a sucker, and go for the first option. | 0:06:41 | 0:06:44 | |
Get it? Like the octopus's suckers. | 0:06:44 | 0:06:47 | |
Anyway... | 0:06:47 | 0:06:48 | |
Being home from my nightmare adventures | 0:06:50 | 0:06:53 | |
does have its drawbacks, though. | 0:06:53 | 0:06:54 | |
All those time zones. | 0:06:54 | 0:06:56 | |
I never know if it's breakfast... | 0:06:56 | 0:06:58 | |
Ooh, whoops. | 0:06:59 | 0:07:01 | |
Dinner... | 0:07:01 | 0:07:03 | |
Middle of the night... | 0:07:03 | 0:07:05 | |
Morning! | 0:07:07 | 0:07:08 | |
And if I can't sleep, I just count nightmares. | 0:07:11 | 0:07:15 | |
Rodents. | 0:07:17 | 0:07:18 | |
It's a horse. | 0:07:20 | 0:07:22 | |
Head lice. | 0:07:25 | 0:07:27 | |
Pigeon poo. | 0:07:27 | 0:07:28 | |
Camel spider. | 0:07:30 | 0:07:31 | |
Well, that's not helping me sleep, | 0:07:32 | 0:07:35 | |
especially the camel spider. | 0:07:35 | 0:07:36 | |
Ow! What was that? | 0:07:37 | 0:07:39 | |
Aha! | 0:07:39 | 0:07:41 | |
Come with me. | 0:07:41 | 0:07:42 | |
Come and have a look at this. | 0:07:44 | 0:07:46 | |
So, when I get back from my travels, | 0:07:46 | 0:07:48 | |
I like to put a pin on a map. | 0:07:48 | 0:07:51 | |
This is where I've been before. | 0:07:51 | 0:07:54 | |
Now, for series four. | 0:07:54 | 0:07:56 | |
Brazil! | 0:07:57 | 0:07:59 | |
British Columbia in Canada. | 0:08:00 | 0:08:02 | |
California. | 0:08:02 | 0:08:04 | |
The Bahamas. | 0:08:04 | 0:08:07 | |
Oh, the Cayman Islands! | 0:08:07 | 0:08:09 | |
New Zealand. | 0:08:09 | 0:08:11 | |
The Arabian desert. | 0:08:12 | 0:08:14 | |
Kalahari safari. | 0:08:15 | 0:08:17 | |
Rio de Janeiro! | 0:08:19 | 0:08:20 | |
Welcome to Iceland. | 0:08:22 | 0:08:25 | |
My house of horrors... Come in. | 0:08:26 | 0:08:29 | |
So how do I fathom out my Ultimate Nightmare? | 0:08:31 | 0:08:34 | |
Haven't got a clue. | 0:08:34 | 0:08:37 | |
Clues! Maybe that's it. | 0:08:37 | 0:08:39 | |
I have had to turn detective | 0:08:39 | 0:08:40 | |
on quite a few of my nightmare encounters. | 0:08:40 | 0:08:43 | |
Like in the Cayman Islands, | 0:08:49 | 0:08:51 | |
working out what was causing that ghostly glow. | 0:08:51 | 0:08:55 | |
SHE GIGGLES ANXIOUSLY | 0:08:55 | 0:08:56 | |
It turned out to be a magic soup | 0:08:58 | 0:09:01 | |
of tiny twinkly plankton. | 0:09:01 | 0:09:03 | |
It's incredible! | 0:09:04 | 0:09:06 | |
It's like my toes are casting a magic spell. | 0:09:07 | 0:09:10 | |
Or in the Arabian desert, | 0:09:12 | 0:09:13 | |
what was that nightmare hiding | 0:09:13 | 0:09:15 | |
in the burrow of the spiny-tailed lizard? | 0:09:15 | 0:09:18 | |
Oh, my goodness. Oh! | 0:09:20 | 0:09:21 | |
But my detective skills were tested | 0:09:23 | 0:09:25 | |
to the max by those mystery monsters in the Bahamas. | 0:09:25 | 0:09:29 | |
My first job was to build up an image of the creature. | 0:09:31 | 0:09:35 | |
And like any good detective, | 0:09:35 | 0:09:37 | |
I appealed to the general public for help. | 0:09:37 | 0:09:40 | |
I've been told there are monsters lurking around here. | 0:09:41 | 0:09:44 | |
-Oh, yeah! -Could you tell me, what do they look like? | 0:09:44 | 0:09:47 | |
Teeth in the front, and these teeth down here, | 0:09:47 | 0:09:50 | |
and they have a great big snout that looks like a snorkel. | 0:09:50 | 0:09:54 | |
Let's ask these guys, cos they look a lot friendlier than my picture | 0:09:54 | 0:09:56 | |
so far. What are their eyes like? | 0:09:56 | 0:09:59 | |
Eyes? Pretty squinty. | 0:09:59 | 0:10:01 | |
Squinty eyes. | 0:10:01 | 0:10:03 | |
Nasty-looking teeth. | 0:10:03 | 0:10:05 | |
Nasty-looking teeth? | 0:10:05 | 0:10:06 | |
-Yeah! -Big and nasty! | 0:10:06 | 0:10:07 | |
With my sketch complete, our mystery monster can be revealed. | 0:10:08 | 0:10:14 | |
So THIS is our culprit. | 0:10:14 | 0:10:16 | |
A...monster indeed! | 0:10:16 | 0:10:19 | |
A true nightmare of nature! | 0:10:19 | 0:10:21 | |
50 years ago, these beasts were introduced to an island. | 0:10:25 | 0:10:29 | |
It's believed the man who brought them here | 0:10:30 | 0:10:33 | |
had hoped to return and eat them. | 0:10:33 | 0:10:36 | |
But...they changed. | 0:10:36 | 0:10:39 | |
They grew. | 0:10:39 | 0:10:40 | |
They became clever and resourceful, | 0:10:40 | 0:10:43 | |
and now demand food from the very people who put them there. | 0:10:43 | 0:10:47 | |
It's time to meet this monster face-to-face. | 0:10:47 | 0:10:51 | |
We come in peace! | 0:10:59 | 0:11:00 | |
Oh, there! There, there, there! | 0:11:02 | 0:11:05 | |
Gosh, that's big. | 0:11:05 | 0:11:06 | |
What? | 0:11:08 | 0:11:09 | |
I don't believe it. It's a pig! | 0:11:09 | 0:11:11 | |
It's all right, though, cos we're on the boat, they're on land. | 0:11:12 | 0:11:15 | |
So we can figure out what we're going to do next. | 0:11:15 | 0:11:18 | |
What? It's swimming? | 0:11:19 | 0:11:21 | |
It's a swimming pig. | 0:11:21 | 0:11:23 | |
What? | 0:11:23 | 0:11:24 | |
They're really good swimmers, aren't they? | 0:11:24 | 0:11:27 | |
Oh, hello. You're not scary. | 0:11:27 | 0:11:30 | |
Look at your big snout poking out the water. | 0:11:31 | 0:11:34 | |
And big ears! | 0:11:34 | 0:11:35 | |
How hilarious is this? | 0:11:35 | 0:11:38 | |
And we brought them a little offering. | 0:11:38 | 0:11:41 | |
Yum, apple. | 0:11:41 | 0:11:42 | |
Mmm! | 0:11:42 | 0:11:43 | |
His little curly tail! | 0:11:44 | 0:11:46 | |
But it's not just food these pigs are after. | 0:11:47 | 0:11:50 | |
Oh, that one opened its mouth! | 0:11:50 | 0:11:52 | |
Fresh water is at a premium on this desert island. | 0:11:54 | 0:11:58 | |
The only reason they can survive here | 0:11:58 | 0:12:00 | |
is cos there's a fresh spring on the island. | 0:12:00 | 0:12:03 | |
But, as you can imagine, | 0:12:03 | 0:12:05 | |
they are always... PIG GRUNTS LOUDLY | 0:12:05 | 0:12:07 | |
..keen to enjoy... | 0:12:07 | 0:12:09 | |
So the island mystery may have been solved. | 0:12:12 | 0:12:15 | |
But, before I left, there was one more thing I had to do. | 0:12:15 | 0:12:19 | |
I'm going in! | 0:12:21 | 0:12:22 | |
How often do you get to say you've been swimming with pigs? | 0:12:22 | 0:12:26 | |
Play nice, OK? I haven't got any apple. | 0:12:26 | 0:12:28 | |
It's quite cold. | 0:12:31 | 0:12:33 | |
Not doggy paddle, it's piggy paddle. | 0:12:35 | 0:12:37 | |
Hello. | 0:12:37 | 0:12:39 | |
These pigs may have been introduced to the island as a source of food. | 0:12:39 | 0:12:43 | |
But my porky pals now so popular with visitors that they are well | 0:12:43 | 0:12:48 | |
and truly here to stay. | 0:12:48 | 0:12:49 | |
It's actually not that surprising that pigs swim. | 0:12:51 | 0:12:54 | |
They've got to cool down somehow and, unlike us, | 0:12:54 | 0:12:56 | |
they don't have sweat glands, | 0:12:56 | 0:12:58 | |
so getting in the water is their best option. | 0:12:58 | 0:13:01 | |
Backstroke! | 0:13:03 | 0:13:06 | |
Breaststroke! | 0:13:07 | 0:13:09 | |
You make it look so easy. | 0:13:09 | 0:13:11 | |
Look at you. But I can't possibly call a swimming pig | 0:13:13 | 0:13:16 | |
my Ultimate Nightmare. | 0:13:16 | 0:13:19 | |
Hmm. | 0:13:19 | 0:13:20 | |
Back to the drawing board. | 0:13:20 | 0:13:21 | |
Now, THIS is my idea of a great creature. | 0:13:24 | 0:13:29 | |
Hello, Wiggles. | 0:13:29 | 0:13:30 | |
Did you miss me? Did you? | 0:13:30 | 0:13:33 | |
You're not a nightmare, are you? | 0:13:33 | 0:13:35 | |
No! But actually I have met quite a few animals that didn't look like | 0:13:35 | 0:13:39 | |
a nightmare, but were hiding some pretty terrifying traits. | 0:13:39 | 0:13:43 | |
ELECTRONIC ZAPPING | 0:13:43 | 0:13:47 | |
How did you just do that with your eyes? | 0:13:47 | 0:13:49 | |
Maybe one of those could be my ultimate series nightmare, eh? | 0:13:49 | 0:13:52 | |
Sweet...or sinister? | 0:13:52 | 0:13:54 | |
I'm going to put you back now | 0:13:54 | 0:13:56 | |
just in case you're hiding a terrifying side. | 0:13:56 | 0:13:59 | |
Like the lovable dolphins, | 0:14:05 | 0:14:07 | |
who are prone to bully-boy tactics. | 0:14:07 | 0:14:10 | |
One just jumped over my head! | 0:14:12 | 0:14:14 | |
Fighting hummingbirds in Brazil. | 0:14:15 | 0:14:17 | |
That is one brawl I would not want to be in the middle of. | 0:14:18 | 0:14:21 | |
Or those desperately cute meerkats that turned out to be murderers. | 0:14:22 | 0:14:27 | |
And it didn't end there. | 0:14:30 | 0:14:32 | |
Ladybirds who eat their brothers and sisters. | 0:14:32 | 0:14:34 | |
SQUEAKY VOICE: Everybody loves me. | 0:14:34 | 0:14:36 | |
I'm shiny and spotty. | 0:14:36 | 0:14:39 | |
Yes, but we do squirt blood from our knees. | 0:14:39 | 0:14:43 | |
To be honest, | 0:14:46 | 0:14:47 | |
if you are nightmarish, I'd rather you just came straight out with it. | 0:14:47 | 0:14:51 | |
Perhaps I could give my series nightmare title to one of these? | 0:14:51 | 0:14:54 | |
Maybe...head lice? | 0:14:56 | 0:14:57 | |
ALL: Eurgh! | 0:14:57 | 0:15:00 | |
That camel spider? | 0:15:02 | 0:15:03 | |
Or the worm-munching sharp-toothed snail | 0:15:05 | 0:15:09 | |
in New Zealand. | 0:15:09 | 0:15:10 | |
BUT my very worst nightmare and-we-know-it crown | 0:15:15 | 0:15:19 | |
has got to go to that predator of the New Zealand undergrowth... | 0:15:19 | 0:15:24 | |
the velvet worm. | 0:15:24 | 0:15:26 | |
I joined Steve for the lowdown on this squirty squirmer. | 0:15:27 | 0:15:31 | |
-Heading into the bush. -There we are, this is the bush. | 0:15:31 | 0:15:34 | |
This worm had better be worth it! | 0:15:34 | 0:15:35 | |
HE LAUGHS | 0:15:35 | 0:15:37 | |
It's quite a climb! | 0:15:37 | 0:15:38 | |
Ooh! | 0:15:41 | 0:15:43 | |
We're coming, we're coming. | 0:15:43 | 0:15:45 | |
I know there's one in there. Let's just lift of this bit of... | 0:15:46 | 0:15:50 | |
It's still stuck on. | 0:15:50 | 0:15:51 | |
Actually, that is a monster. | 0:15:51 | 0:15:54 | |
Oh, wow. | 0:15:54 | 0:15:56 | |
-That's really blue. -That's about as big as they get | 0:15:56 | 0:15:58 | |
for these North Island ones. | 0:15:58 | 0:16:00 | |
Look at their funny stubby legs. | 0:16:00 | 0:16:01 | |
They're called lobopods | 0:16:01 | 0:16:02 | |
and they're specialised legs that are just filled with fluid. | 0:16:02 | 0:16:05 | |
I tell you what, we'll just give it a bit of stimulus. | 0:16:05 | 0:16:07 | |
I'm just going to gently touch its antennae... | 0:16:07 | 0:16:09 | |
-Oh! -Ah! | 0:16:09 | 0:16:11 | |
Did you see, it really fired, didn't it? | 0:16:11 | 0:16:13 | |
-What's it doing? -It's on my finger. It's fired its glue guns. | 0:16:13 | 0:16:16 | |
-It shoots slime. -Why does it do that? | 0:16:16 | 0:16:18 | |
To hunt, to catch its prey. | 0:16:18 | 0:16:20 | |
Cos it's just a soft-bodied animal. | 0:16:20 | 0:16:22 | |
But it hunts animals, it hunts other little animals. | 0:16:22 | 0:16:25 | |
Yep, the velvet worm shoots slime. | 0:16:25 | 0:16:29 | |
On each side of its head are slime-firing pistols. | 0:16:29 | 0:16:32 | |
Like a super sharp-shooter, | 0:16:32 | 0:16:34 | |
it launches lassoes of goo at its target. | 0:16:34 | 0:16:37 | |
Splat! | 0:16:37 | 0:16:39 | |
The sticky substance traps its victim so it can't get away. | 0:16:39 | 0:16:43 | |
Actually, having a set of firing glue guns | 0:16:48 | 0:16:50 | |
could come in pretty handy. | 0:16:50 | 0:16:52 | |
I've put this off long enough. | 0:17:22 | 0:17:24 | |
Dirty washing explosion! | 0:17:26 | 0:17:28 | |
Stuff it all in. | 0:17:29 | 0:17:31 | |
Oh, better not put that in. | 0:17:34 | 0:17:37 | |
The last time I saw THAT | 0:17:37 | 0:17:39 | |
I was painting a giant insect called a weta, | 0:17:39 | 0:17:42 | |
so Steve could keep track of it. | 0:17:42 | 0:17:45 | |
SHE SHRIEKS | 0:17:47 | 0:17:48 | |
There you go, Pinky. | 0:17:51 | 0:17:52 | |
Fantastic colour. | 0:17:52 | 0:17:54 | |
Yeah, a much better weta(!) | 0:17:54 | 0:17:57 | |
And that's not the only animal | 0:17:57 | 0:17:58 | |
that's been beautified on my nightmare journey. | 0:17:58 | 0:18:02 | |
There was that super fluffy baby sea otter. | 0:18:02 | 0:18:06 | |
Play it again! | 0:18:06 | 0:18:07 | |
Oh, play it AGAIN! | 0:18:12 | 0:18:14 | |
Play it again! I LOVE THAT OTTER! | 0:18:18 | 0:18:23 | |
The creature that wins the best use of lotions and potions has to be | 0:18:23 | 0:18:26 | |
that large leviathan, the elephant seal. | 0:18:26 | 0:18:30 | |
Little did I know, to study elephant seals, | 0:18:34 | 0:18:37 | |
you need a pot of hair dye. | 0:18:37 | 0:18:40 | |
Oh, and a seal scientist called Patrick. | 0:18:40 | 0:18:43 | |
I found myself as his trusty assistant | 0:18:45 | 0:18:48 | |
in giving a seal its very own name badge. | 0:18:48 | 0:18:52 | |
So what we're going to do now is walk around the colony here, | 0:18:52 | 0:18:55 | |
look for those flipper tags - | 0:18:55 | 0:18:56 | |
if we see one, we're going to put out a dye mark | 0:18:56 | 0:18:59 | |
using this stamping tool here. | 0:18:59 | 0:19:01 | |
We'll write backwards on the face of it and then stamp it on the side | 0:19:01 | 0:19:03 | |
of the seal to give them a nice mark. | 0:19:03 | 0:19:06 | |
-You use hair dye? -We do, | 0:19:06 | 0:19:07 | |
the same that your mother would use. | 0:19:07 | 0:19:09 | |
No way. And how long will that last? | 0:19:09 | 0:19:11 | |
Just shy of a year, actually. | 0:19:11 | 0:19:12 | |
Until they moult. They last quite a long time. | 0:19:12 | 0:19:15 | |
-So we're going to have to get quite close to do that. -We are, yeah. | 0:19:15 | 0:19:18 | |
It's one of the excuses we have to work quite closely with these guys. | 0:19:18 | 0:19:21 | |
Well, what could possibly go wrong? Let's do it. | 0:19:21 | 0:19:23 | |
Elephant seals can grow up to four metres in length | 0:19:24 | 0:19:28 | |
and weigh up to 2,000 kg. | 0:19:28 | 0:19:31 | |
That's longer and bigger than most cars. | 0:19:31 | 0:19:34 | |
And they don't take kindly to strangers. | 0:19:36 | 0:19:39 | |
This is very strange. I've got a lot of eyes on me. | 0:19:45 | 0:19:48 | |
Right, we've found one that we can mark. | 0:19:52 | 0:19:55 | |
Just get the... | 0:19:55 | 0:19:57 | |
..hair dye ready. 'With the dye mixed, | 0:19:58 | 0:20:00 | |
'the number written on backwards and my not-so-hi-tech marking device, | 0:20:00 | 0:20:04 | |
'we are ready to go.' | 0:20:04 | 0:20:06 | |
9404, we're coming to get you. | 0:20:06 | 0:20:09 | |
With this many seals and the tide high, | 0:20:14 | 0:20:17 | |
there's not much room for manoeuvre. | 0:20:17 | 0:20:20 | |
One false move could land me in serious trouble. | 0:20:21 | 0:20:25 | |
Patrick will distract the seal, and then it's up to me. | 0:20:28 | 0:20:31 | |
It's now or never. | 0:20:36 | 0:20:38 | |
-My heart! -That was great! | 0:21:33 | 0:21:35 | |
That's really scary. | 0:21:37 | 0:21:39 | |
I was more worried about this little one. | 0:21:39 | 0:21:41 | |
I need a really strong, sweet cup of tea. | 0:21:44 | 0:21:46 | |
I think we can jump out of here | 0:21:46 | 0:21:48 | |
and get away from these guys. | 0:21:48 | 0:21:50 | |
Yeah, let's get away. | 0:21:50 | 0:21:52 | |
Ooh! | 0:21:55 | 0:21:56 | |
My messages. Let's see who's been calling me while I've been away. | 0:21:56 | 0:22:00 | |
Oh, it's Ed! | 0:22:00 | 0:22:01 | |
Hey, welcome home, Naomi. | 0:22:01 | 0:22:04 | |
Welcome home. | 0:22:04 | 0:22:05 | |
Now, I hear you're choosing your Ultimate Nightmare | 0:22:05 | 0:22:08 | |
for the whole series. | 0:22:08 | 0:22:09 | |
Tricky choice. Really tricky choice. | 0:22:09 | 0:22:11 | |
But it's got to be the spider, hasn't it? | 0:22:11 | 0:22:13 | |
Yeah? I mean, nothing can come close to THAT. | 0:22:13 | 0:22:16 | |
Anyway, looking forward to hearing what you choose. | 0:22:16 | 0:22:18 | |
Spider! Laters. Spider. | 0:22:18 | 0:22:21 | |
Yeah, thank you, Ed. | 0:22:22 | 0:22:24 | |
I didn't think the spider was too bad. | 0:22:24 | 0:22:27 | |
Nightmare for Ed, maybe. | 0:22:27 | 0:22:28 | |
He's a little bit tickly, isn't he? | 0:22:28 | 0:22:30 | |
Not for me. | 0:22:30 | 0:22:32 | |
But it's time to make my decision. | 0:22:32 | 0:22:34 | |
So what is my worst nightmare? | 0:22:34 | 0:22:37 | |
This is NOT an easy choice! | 0:22:38 | 0:22:40 | |
I have been inundated with nightmare contenders. | 0:22:43 | 0:22:46 | |
But can only choose one. | 0:22:48 | 0:22:50 | |
BLEATING | 0:22:55 | 0:22:56 | |
SQUAWKING | 0:22:56 | 0:22:57 | |
DING! | 0:23:00 | 0:23:01 | |
My Ultimate Nightmare has got to be my night in the Kalahari, | 0:23:01 | 0:23:06 | |
in the pitch black, with a pride of hunting lions. | 0:23:06 | 0:23:11 | |
I don't think anything could top that for sheer fear. | 0:23:11 | 0:23:14 | |
Oh, my God, I see one! | 0:23:18 | 0:23:21 | |
I met up with safari guide Dylan | 0:23:21 | 0:23:23 | |
and a pride of hungry lions, | 0:23:23 | 0:23:26 | |
with the aim of seeing their transformation | 0:23:26 | 0:23:28 | |
into nightmare hunters. | 0:23:28 | 0:23:30 | |
In the pitch blackness, | 0:23:31 | 0:23:34 | |
THIS is what I can actually see. | 0:23:34 | 0:23:36 | |
A big, fat nothing. | 0:23:36 | 0:23:38 | |
But that's not the case for lions. | 0:23:41 | 0:23:45 | |
THEY can see in the dark. | 0:23:45 | 0:23:47 | |
Their eyesight is six times better | 0:23:49 | 0:23:51 | |
than ours at night, | 0:23:51 | 0:23:53 | |
allowing them to bring down prey | 0:23:53 | 0:23:55 | |
as large as an elephant. | 0:23:55 | 0:23:56 | |
To keep track of these petrifying predators, | 0:23:58 | 0:24:01 | |
we have to use some special kit. | 0:24:01 | 0:24:03 | |
We're switching our cameras to infrared. | 0:24:04 | 0:24:07 | |
And we've put some red filters on our lights | 0:24:07 | 0:24:10 | |
so that we won't disturb the lions. | 0:24:10 | 0:24:12 | |
Then hopefully, this will all give us a secret view into their | 0:24:12 | 0:24:15 | |
night-time antics. | 0:24:15 | 0:24:17 | |
I literally cannot see the lions now, can you? | 0:24:18 | 0:24:21 | |
-No. -'But I KNOW we're surrounded by a pride of deadly predators. | 0:24:21 | 0:24:27 | |
'And they're hungry.' | 0:24:27 | 0:24:29 | |
What you can't see can't hurt you. | 0:24:29 | 0:24:31 | |
Er, that's not true. | 0:24:33 | 0:24:34 | |
Until it's on top of you! | 0:24:34 | 0:24:37 | |
LION SNARLS | 0:24:37 | 0:24:39 | |
-See those eyes shining? -Oh, gosh. This is terrifying. | 0:24:43 | 0:24:45 | |
'The lions' hunger is making them more active, | 0:24:45 | 0:24:49 | |
'and they're coming closer and closer to our vehicle.' | 0:24:49 | 0:24:53 | |
The cats are now holding all the cards. | 0:24:53 | 0:24:56 | |
It makes you feel part of the food chain. | 0:24:56 | 0:25:00 | |
I don't want to feel part of the food chain tonight! | 0:25:00 | 0:25:03 | |
LION GRUNTS | 0:25:03 | 0:25:04 | |
Oh, my gosh. That made me jump. | 0:25:04 | 0:25:08 | |
'These cats could easily kill a human | 0:25:08 | 0:25:11 | |
'and I'm starting to feel like | 0:25:11 | 0:25:12 | |
'they're eyeing us as potential prey.' | 0:25:12 | 0:25:16 | |
Oh, goodness. I feel sick. | 0:25:16 | 0:25:18 | |
(She's coming straight towards us. | 0:25:21 | 0:25:22 | |
-(Should we go? -No. | 0:25:22 | 0:25:24 | |
(Are you sure we shouldn't move away? | 0:25:24 | 0:25:27 | |
(She saw me move then. | 0:25:27 | 0:25:28 | |
-(I'm terrified. I'm really scared. -OK. -) | 0:25:30 | 0:25:33 | |
Oh, she's going to come by me. | 0:25:34 | 0:25:36 | |
It's OK, just sit still, she won't do anything. | 0:25:36 | 0:25:39 | |
It's absolutely fine. Absolutely fine. | 0:25:39 | 0:25:42 | |
You're doing well. | 0:25:42 | 0:25:44 | |
You can see she's not interested at all. | 0:25:45 | 0:25:47 | |
LOW GRUNT | 0:25:47 | 0:25:49 | |
-She is. -That's a contact call. She's now calling for her cubs. | 0:25:49 | 0:25:54 | |
She wants to go hunting. | 0:25:54 | 0:25:56 | |
But not for us. | 0:25:56 | 0:25:58 | |
'And drawn in by her calls, the rest of the pride come running.' | 0:26:00 | 0:26:04 | |
Beautiful, look. | 0:26:05 | 0:26:08 | |
Wow. | 0:26:11 | 0:26:12 | |
'A deadly team of hunters is assembled. | 0:26:15 | 0:26:18 | |
'And there's nothing between me and them. | 0:26:18 | 0:26:21 | |
'One leap and they could be inside our vehicle.' | 0:26:22 | 0:26:26 | |
-Are you sure we shouldn't go? -No, don't worry. | 0:26:26 | 0:26:28 | |
'We start the engine. | 0:26:30 | 0:26:31 | |
'The lions turn and melt into the darkness.' | 0:26:33 | 0:26:37 | |
What an experience. I was sweating so much! | 0:26:42 | 0:26:46 | |
Shaking like a leaf. That is going to take me about a week to get over, | 0:26:46 | 0:26:50 | |
the feeling of that! | 0:26:50 | 0:26:52 | |
I don't think I've ever been that frightened. | 0:26:52 | 0:26:54 | |
Ever. | 0:26:55 | 0:26:57 | |
And that is why lions at night | 0:26:57 | 0:27:00 | |
take my Ultimate Series Nightmare crown. | 0:27:00 | 0:27:03 | |
Decision made. | 0:27:06 | 0:27:09 | |
So... | 0:27:09 | 0:27:10 | |
I've FINISHED nightmare hunting now. | 0:27:15 | 0:27:18 | |
Or have I? | 0:27:21 | 0:27:22 | |
DING! | 0:27:22 | 0:27:23 | |
But before I declare this gargantuan nightmare adventure over... | 0:27:23 | 0:27:28 | |
Thank you! | 0:27:28 | 0:27:29 | |
..there is just one last decision I need to make. | 0:27:29 | 0:27:32 | |
After the titles, of course. | 0:27:32 | 0:27:34 | |
Oh, I've gone to the wrong house! | 0:27:39 | 0:27:41 | |
She's gone to the wrong house. | 0:27:41 | 0:27:42 | |
It's the wrong house! | 0:27:42 | 0:27:44 | |
Right, hold on. Let me just... | 0:27:44 | 0:27:46 | |
She's just gone to the wrong house, everyone! | 0:27:46 | 0:27:48 | |
Sorry, went to the wrong house. | 0:27:48 | 0:27:50 |