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|---|---|---|---|
Time to get my ninja on. | 0:00:05 | 0:00:06 | |
And my clothes. | 0:00:06 | 0:00:08 | |
Wow. I love this flat! It's so bright. | 0:00:26 | 0:00:30 | |
Ninja murals, my trusty art table. | 0:00:30 | 0:00:34 | |
This place is a part of me. I never leave it. | 0:00:34 | 0:00:38 | |
It's what gives me my ninja skills. | 0:00:38 | 0:00:41 | |
Hmm. What's this? | 0:00:41 | 0:00:42 | |
Property for sale! | 0:00:44 | 0:00:46 | |
Perfect art studio in the heart of Bristol. | 0:00:46 | 0:00:48 | |
Well, can't hurt to have a look... just out of interest. | 0:00:48 | 0:00:52 | |
Hey, look. | 0:00:52 | 0:00:54 | |
Trendy sofa, lovely kitchen, and... | 0:00:54 | 0:00:57 | |
Hang on a minute, that's my flat! | 0:00:57 | 0:01:00 | |
The landlord's selling my flat. He can't do this to me! | 0:01:00 | 0:01:04 | |
DIALS PHONE NUMBER | 0:01:04 | 0:01:05 | |
BEEP BEEP Oh, he's not in. | 0:01:05 | 0:01:07 | |
He's probably out selling flats without telling people. | 0:01:07 | 0:01:10 | |
I'll leave a message. Hi, Landlord, it's Ricky. | 0:01:10 | 0:01:14 | |
You need to come over here immediately. Love you! | 0:01:14 | 0:01:17 | |
No, I mean... No, bye! | 0:01:17 | 0:01:20 | |
The idea of this flat being sold makes me want to scream like this... | 0:01:20 | 0:01:23 | |
HE SCREAMS | 0:01:23 | 0:01:27 | |
I feel like my head is going to pop off. | 0:01:27 | 0:01:29 | |
POP POP POP | 0:01:29 | 0:01:31 | |
That does give me an idea to do some pop art! | 0:01:31 | 0:01:34 | |
Selfie! HE SCREAMS | 0:01:34 | 0:01:37 | |
Here we go. I'll just print that out. | 0:01:37 | 0:01:40 | |
Like a ninja! | 0:01:40 | 0:01:41 | |
I've got some acetate back here | 0:01:43 | 0:01:45 | |
and I'm going to lay that sheet over my photograph | 0:01:45 | 0:01:48 | |
and with a marker pen, draw my main facial features. | 0:01:48 | 0:01:51 | |
Start with my glasses. | 0:01:51 | 0:01:53 | |
You need to use a permanent marker to draw onto acetate, | 0:01:55 | 0:01:58 | |
otherwise your pen marks might smudge. | 0:01:58 | 0:02:01 | |
Just colouring in the glasses. | 0:02:01 | 0:02:03 | |
Here we go. | 0:02:03 | 0:02:04 | |
Look at that. It's already looking really pop arty. | 0:02:06 | 0:02:10 | |
To turn myself into pop art, I'm going to need some dots. | 0:02:10 | 0:02:13 | |
So I'm going to need a hole punch to help me. | 0:02:13 | 0:02:16 | |
A couple more. | 0:02:16 | 0:02:18 | |
I'm just going to empty those dots out. Look at that. | 0:02:18 | 0:02:22 | |
If I stick these red dots onto my acetate outline, | 0:02:22 | 0:02:25 | |
I'll transform myself into a Roy Lichtenstein inspired picture. | 0:02:25 | 0:02:29 | |
WHAM! It's me, Roy Lichtenstein! | 0:02:31 | 0:02:33 | |
You scared me there, Roy. | 0:02:33 | 0:02:35 | |
Ha-ha! I do like to pop art on people. Pop art? Get it? | 0:02:35 | 0:02:41 | |
I used thick outlines, bold colours and I love drawing comic strips. | 0:02:41 | 0:02:45 | |
I also used dots called Ben Day Dots based on printing techniques | 0:02:45 | 0:02:50 | |
from the 19th century. | 0:02:50 | 0:02:52 | |
My work looks like it was created by photographic reproduction | 0:02:52 | 0:02:55 | |
and my work itself continues | 0:02:55 | 0:02:57 | |
to be reproduced and copied to this day. | 0:02:57 | 0:03:00 | |
So you won't mind if I make a homage to your work here then, Roy. | 0:03:00 | 0:03:03 | |
Here's to you. | 0:03:03 | 0:03:05 | |
-Hey! -Sorry, Roy! | 0:03:07 | 0:03:10 | |
OK, I've got some gridded paper | 0:03:10 | 0:03:12 | |
under here and I'm going to put my acetate outline onto it. | 0:03:12 | 0:03:15 | |
That will help me lay out my dots. | 0:03:15 | 0:03:16 | |
Now I'm going to turn my acetate over so that when I put the dots on | 0:03:16 | 0:03:20 | |
I don't have to redraw the lines, | 0:03:20 | 0:03:21 | |
and I'm going to angle it ever so slightly diagonally | 0:03:21 | 0:03:24 | |
because it's more in keeping with the way that Roy did his work. | 0:03:24 | 0:03:27 | |
Now I'm going to start sticking them on. | 0:03:27 | 0:03:30 | |
I'm using a cocktail stick because it can get | 0:03:30 | 0:03:32 | |
a little bit fiddly and it gives me a lot more control. | 0:03:32 | 0:03:35 | |
And I'm positioning these dots | 0:03:35 | 0:03:38 | |
one square unit of the grid paper apart. | 0:03:38 | 0:03:41 | |
PVA glue is good because it dries transparent. | 0:03:41 | 0:03:44 | |
HIYAH-HA! | 0:03:46 | 0:03:47 | |
That's the last dot done. Quick peek. | 0:03:47 | 0:03:50 | |
Now I'm going to move on to some painting. | 0:03:50 | 0:03:52 | |
And I'm using some bright primary colours just like Lichtenstein. | 0:03:52 | 0:03:56 | |
A bit of red for my top. I've got some yellow. That's for my hair. | 0:03:56 | 0:03:59 | |
And a bit of blue for the top of my shirt. | 0:04:00 | 0:04:03 | |
All right, I'll start with the yellow. | 0:04:03 | 0:04:05 | |
I'm using acrylic paint because it sticks better to acetate. | 0:04:05 | 0:04:08 | |
Remember, I'm painting on the back here | 0:04:09 | 0:04:12 | |
so it doesn't matter if I go over the lines. | 0:04:12 | 0:04:14 | |
Now a bit of blue for my shirt. You don't have to use paint. | 0:04:15 | 0:04:18 | |
You could use coloured markers. Finally, some red. | 0:04:18 | 0:04:21 | |
I'm painting the acetate on top of some white paper. | 0:04:22 | 0:04:25 | |
It's just easier to see where I'm painting. | 0:04:25 | 0:04:28 | |
I think that's done. Let's check it out. | 0:04:28 | 0:04:31 | |
Time for another selfie! | 0:04:34 | 0:04:36 | |
I look a bit dotty. | 0:04:38 | 0:04:40 | |
I'll just print that out. | 0:04:40 | 0:04:42 | |
Ninja skills. | 0:04:42 | 0:04:43 | |
Well worth a frame. | 0:04:43 | 0:04:45 | |
There you go. A perfect pop art portrait. | 0:04:45 | 0:04:48 | |
# Art Ninja! # | 0:04:54 | 0:04:56 | |
KNOCK AT DOOR | 0:04:56 | 0:04:58 | |
I think you're going to love this place. | 0:04:58 | 0:05:00 | |
Just let yourselves in, why don't you(?) | 0:05:00 | 0:05:02 | |
As the advert says, it's bijou | 0:05:02 | 0:05:04 | |
but as you can see it's exciting and full of potential. | 0:05:04 | 0:05:07 | |
This is the living room - perfect for living in. | 0:05:07 | 0:05:10 | |
THEY LAUGH | 0:05:10 | 0:05:11 | |
I could really see myself living here. It's very me. | 0:05:11 | 0:05:14 | |
Who are you guys? | 0:05:14 | 0:05:16 | |
They look strangely familiar. | 0:05:16 | 0:05:18 | |
This old table. | 0:05:18 | 0:05:19 | |
You're going to want to get rid of this monstrosity. | 0:05:19 | 0:05:21 | |
Ew, simply ghastly. | 0:05:21 | 0:05:23 | |
-Yes, one will definitely be putting an offer in. -Splendid. | 0:05:24 | 0:05:28 | |
Ricky, Ricky, Ricky! | 0:05:30 | 0:05:32 | |
Ah! Some future ninjas. | 0:05:32 | 0:05:34 | |
Ricky, can you make art with an egg whisk? | 0:05:34 | 0:05:37 | |
Not right now, my brain's a bit scrambled. | 0:05:37 | 0:05:39 | |
AWW! | 0:05:39 | 0:05:41 | |
BOTH: Hi, Ricky! | 0:05:41 | 0:05:43 | |
Can you make art with sandpaper? | 0:05:43 | 0:05:46 | |
All right. I choose you. | 0:05:46 | 0:05:48 | |
BOTH: Yay! | 0:05:48 | 0:05:49 | |
-What're your names? -I'm Nia. -I'm Mia. | 0:05:49 | 0:05:52 | |
-And where're you guys from? -London. -London. Awesome. | 0:05:52 | 0:05:55 | |
Using sandpaper, I'm going to make a smooth picture | 0:05:55 | 0:05:57 | |
of a rough looking Viking. | 0:05:57 | 0:05:59 | |
I've got some oil pastels and my sandpaper. | 0:06:00 | 0:06:03 | |
I'm going to start off by drawing his Viking face | 0:06:03 | 0:06:06 | |
and I'm going to give him a helmet. | 0:06:06 | 0:06:09 | |
I've got a time travel app today. | 0:06:09 | 0:06:11 | |
If you could travel anywhere in time, where would you go? | 0:06:11 | 0:06:15 | |
-I'd go to the 3080s. -3080. Why there then? | 0:06:15 | 0:06:18 | |
To see if there's actually flying cars. | 0:06:18 | 0:06:20 | |
Do you know what, I was there earlier. | 0:06:20 | 0:06:22 | |
There's flying cars all over the place. | 0:06:22 | 0:06:25 | |
I'm making sure I'm making very thick lines on the page | 0:06:25 | 0:06:28 | |
with the oil pastels and getting a very thick cover. | 0:06:28 | 0:06:31 | |
And I'm blending in the colours | 0:06:31 | 0:06:34 | |
just so it flows nicely from dark to light. | 0:06:34 | 0:06:36 | |
Give him some horns on his helmet so he's a proper Viking. | 0:06:36 | 0:06:39 | |
Just putting some highlights. | 0:06:39 | 0:06:41 | |
I'm going to go back in with some black | 0:06:41 | 0:06:44 | |
and put in a bit of detail now. | 0:06:44 | 0:06:46 | |
Here's how he's looking. BOTH: Wow! | 0:06:49 | 0:06:52 | |
And now I'm going to do something | 0:06:52 | 0:06:54 | |
that's going to make it look super old and mega-cool. | 0:06:54 | 0:06:56 | |
I've got some baking paper here and I'm going to lay it down | 0:06:56 | 0:06:59 | |
with the non-shiny side up, pop my picture on it... | 0:06:59 | 0:07:03 | |
And here's the cool bit, believe it or not, | 0:07:04 | 0:07:07 | |
because I'm going to go and do a spot of ironing. | 0:07:07 | 0:07:09 | |
So I've got an iron set to medium heat. | 0:07:09 | 0:07:11 | |
You need to be careful with irons | 0:07:11 | 0:07:13 | |
so get an adult to help you or supervise. | 0:07:13 | 0:07:16 | |
I'm going to put a tea towel over and that's to protect the iron | 0:07:16 | 0:07:18 | |
and to make the heat disperse evenly across the picture. | 0:07:18 | 0:07:21 | |
Slow and steady wins the race with this one. | 0:07:21 | 0:07:24 | |
Now the heat will melt the oil pastel | 0:07:24 | 0:07:27 | |
and transfer the picture to the baking paper. | 0:07:27 | 0:07:30 | |
Just give it a little check to make sure it's transferring | 0:07:30 | 0:07:33 | |
because it might need some more ironing. | 0:07:33 | 0:07:35 | |
Oh, wow! Look at that. | 0:07:36 | 0:07:38 | |
I'll just turn the iron off and let it cool down. | 0:07:38 | 0:07:41 | |
Let's go and show those guys. | 0:07:44 | 0:07:46 | |
OK so I've ironed my picture. | 0:07:46 | 0:07:48 | |
Time to peel it off. | 0:07:48 | 0:07:50 | |
Oh, yes. It looks super old and worn. | 0:07:54 | 0:07:57 | |
-Do you want to check it out? -Yes, please. | 0:07:57 | 0:08:00 | |
What do you make of that? | 0:08:00 | 0:08:01 | |
BOTH: Wow! | 0:08:01 | 0:08:03 | |
What would you score it? | 0:08:03 | 0:08:06 | |
-10 out of 10. -I think it deserves a frame. | 0:08:06 | 0:08:08 | |
Look at that. It looks ancient. Great suggestion, guys. | 0:08:11 | 0:08:14 | |
Thanks very much. ALL: Bye! | 0:08:14 | 0:08:17 | |
# Art Ninja! # | 0:08:26 | 0:08:28 | |
KNOCK AT DOOR | 0:08:28 | 0:08:30 | |
That better not be more people coming to view the flat. | 0:08:30 | 0:08:33 | |
Oh, you again. Come to show some more people around, I suppose? | 0:08:33 | 0:08:37 | |
Fooled you, Ricky. It's me, Gavin. | 0:08:37 | 0:08:40 | |
I was just pretending to be an estate agent. | 0:08:40 | 0:08:43 | |
You mean what I think you mean? | 0:08:43 | 0:08:44 | |
Yeah, the flat's not for sale. Only kidding, mate. | 0:08:44 | 0:08:47 | |
Just my little joke. | 0:08:47 | 0:08:49 | |
-HE LAUGHS -Your face! | 0:08:49 | 0:08:50 | |
Very funny, Gavin. Now get out, you big practical joker. | 0:08:50 | 0:08:55 | |
No more from you. | 0:08:55 | 0:08:56 | |
Now go to the website and get your ninja on. | 0:08:58 | 0:09:01 | |
Art Ninja! | 0:09:04 | 0:09:06 |