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Time to get my ninja on. | 0:00:05 | 0:00:07 | |
And my clothes. | 0:00:07 | 0:00:08 | |
Hiiyaa! | 0:00:08 | 0:00:10 | |
KA-CHING! | 0:00:13 | 0:00:15 | |
WOOSH! | 0:00:15 | 0:00:17 | |
WOOSH! | 0:00:17 | 0:00:18 | |
BOING! | 0:00:19 | 0:00:21 | |
An art ninja is particularly effective at night. | 0:00:24 | 0:00:28 | |
OWL HOOTS | 0:00:28 | 0:00:29 | |
It's still dark outside. | 0:00:29 | 0:00:32 | |
Only the light of the moon. | 0:00:32 | 0:00:34 | |
WOLF HOWLS | 0:00:34 | 0:00:35 | |
Which gives me an idea! | 0:00:35 | 0:00:37 | |
While I'm awake, I'm going to make a moon catcher, | 0:00:37 | 0:00:39 | |
inspired by artist Andy Goldsworthy. | 0:00:39 | 0:00:42 | |
First, I need to forage. | 0:00:42 | 0:00:44 | |
Got some lovely leaves there that I've got from outside. | 0:00:46 | 0:00:48 | |
Some beautiful greens, some yellows and even some reds and oranges. | 0:00:48 | 0:00:52 | |
I'm going to need a tray. | 0:00:52 | 0:00:54 | |
And some water. | 0:00:54 | 0:00:55 | |
And a mug. | 0:00:57 | 0:00:58 | |
-Hi, Ricky. -Who are you? | 0:01:00 | 0:01:03 | |
I'm Andy Goldsworthy, I weave natural materials into sculpture. | 0:01:03 | 0:01:08 | |
My art has included flowers, leaves, mud, pine cones, snow and icicles. | 0:01:08 | 0:01:14 | |
You do know you're meant to avoid yellow snow, right? | 0:01:14 | 0:01:17 | |
I do. | 0:01:17 | 0:01:19 | |
But my work often changes colour as the natural materials I use decay | 0:01:19 | 0:01:23 | |
so I use photography to capture it. | 0:01:23 | 0:01:27 | |
Well, bye then! | 0:01:27 | 0:01:28 | |
Andy was on a leaf, but now he's left. | 0:01:28 | 0:01:31 | |
I'm going to start by putting my cup on my tray, | 0:01:31 | 0:01:34 | |
and then pouring in some water. | 0:01:34 | 0:01:36 | |
I want it to be about a centimetre deep. | 0:01:36 | 0:01:39 | |
Now, my moon catcher is going to be frozen. | 0:01:39 | 0:01:41 | |
There we go. So the mug | 0:01:41 | 0:01:43 | |
is making a hole so that when it's frozen, I can hang it up. | 0:01:43 | 0:01:48 | |
I don't want to put it too close to the edge, | 0:01:48 | 0:01:50 | |
otherwise the ice will be too weak and it will just break. | 0:01:50 | 0:01:53 | |
Now, I'm going to freeze these leaves inside my moon catcher. | 0:01:53 | 0:01:56 | |
So I'm going to start arranging them. | 0:01:56 | 0:01:58 | |
I'm going to start with the nice dark greens, right at the beginning, | 0:01:58 | 0:02:02 | |
and have them blend into lighter greens. | 0:02:02 | 0:02:04 | |
It's easier to put the water in first | 0:02:04 | 0:02:05 | |
and then push the leaves down into it | 0:02:05 | 0:02:07 | |
because if you put all your leaves down | 0:02:07 | 0:02:09 | |
and then pour the water in, they kind of just float everywhere | 0:02:09 | 0:02:12 | |
and it might ruin your design. | 0:02:12 | 0:02:14 | |
I'm fading through into the yellow leaves now. | 0:02:14 | 0:02:17 | |
I've picked fallen leaves for my moon catcher, | 0:02:17 | 0:02:19 | |
because it means I get a nice cross-section | 0:02:19 | 0:02:21 | |
of different colours and shapes and sizes. | 0:02:21 | 0:02:23 | |
But you can use whatever you want. | 0:02:23 | 0:02:24 | |
You can use grass, sticks, even acorns. | 0:02:24 | 0:02:27 | |
I'm going to start fading it through now into the orange. | 0:02:27 | 0:02:30 | |
That's a nice one. | 0:02:32 | 0:02:33 | |
And finally, the red. | 0:02:35 | 0:02:37 | |
And check the back of some of the leaves because they might have | 0:02:37 | 0:02:40 | |
more of a vivid colour on the back than they do on the front. | 0:02:40 | 0:02:42 | |
There you go. I think that already looks beautiful, | 0:02:46 | 0:02:48 | |
but it will look even better once it's frozen. | 0:02:48 | 0:02:51 | |
So I'm going to pop it in the freezer. | 0:02:51 | 0:02:53 | |
Hang on. I don't wait for water to freeze. | 0:02:57 | 0:03:00 | |
I wait for no-one! I'm the art ninja. | 0:03:00 | 0:03:02 | |
Hiiyaa! | 0:03:02 | 0:03:03 | |
GONG! | 0:03:03 | 0:03:05 | |
Check that out. Beautiful. | 0:03:05 | 0:03:07 | |
Now I need to get this cup out, | 0:03:07 | 0:03:09 | |
and that will loosen with a little bit of warm water. | 0:03:09 | 0:03:12 | |
There we go. | 0:03:16 | 0:03:17 | |
And now carefully, need to get it out. | 0:03:17 | 0:03:20 | |
Wow! Look at that! | 0:03:24 | 0:03:27 | |
That is beautiful. | 0:03:27 | 0:03:28 | |
I'm going to tie a bit of ribbon around it so I can hang it up. | 0:03:30 | 0:03:35 | |
Now, the art doesn't stop there. | 0:03:35 | 0:03:36 | |
Just like Andy Goldsworthy, it involves photography. | 0:03:36 | 0:03:40 | |
I'm going to hang it up in the moonlight, | 0:03:46 | 0:03:48 | |
film it melting on my phone, | 0:03:48 | 0:03:50 | |
and play it in reverse as video art. | 0:03:50 | 0:03:52 | |
ELECTRONIC MUSIC PLAYS | 0:03:56 | 0:03:59 | |
Awesome! That's amazing! | 0:04:11 | 0:04:13 | |
Maybe I can make my own version of a photogram picture. | 0:04:16 | 0:04:20 | |
Don't worry, all will become clear. | 0:04:20 | 0:04:21 | |
Let me just grab some interesting objects. | 0:04:21 | 0:04:25 | |
Right. So I've got myself a watch, | 0:04:25 | 0:04:28 | |
some headphones, | 0:04:28 | 0:04:30 | |
a pen, some keys, | 0:04:30 | 0:04:32 | |
an old phone charger, | 0:04:32 | 0:04:34 | |
a banana and some cool shades. | 0:04:34 | 0:04:37 | |
I'm going to get some nice coloured paper | 0:04:39 | 0:04:41 | |
and I'm going to draw around these items. | 0:04:41 | 0:04:43 | |
Start with yellow. | 0:04:43 | 0:04:45 | |
And I'm going to start by drawing around the banana, | 0:04:45 | 0:04:47 | |
seeing as I've got the yellow out. | 0:04:47 | 0:04:48 | |
Now, a photogram is a form of art made popular by | 0:04:48 | 0:04:51 | |
American artist Man Ray. | 0:04:51 | 0:04:53 | |
Did somebody call my name? | 0:04:55 | 0:04:56 | |
-Hey, Man! -Man Ray, to be precise. | 0:04:56 | 0:05:00 | |
I beg your pardon, Ray. | 0:05:00 | 0:05:02 | |
I'm actually appearing as a photogram, one of my favourite forms | 0:05:02 | 0:05:05 | |
of art. It's a photo made without a camera. | 0:05:05 | 0:05:09 | |
I put objects onto photographic paper, | 0:05:09 | 0:05:11 | |
and then expose them to light. | 0:05:11 | 0:05:13 | |
It makes a negative shadow. | 0:05:13 | 0:05:15 | |
Now, would you mind disappearing into the shadows so I can have a go | 0:05:15 | 0:05:18 | |
at making my own version? | 0:05:18 | 0:05:19 | |
It's becoming very transparent that I'm not needed here! | 0:05:19 | 0:05:23 | |
See you later, Man...Ray. | 0:05:23 | 0:05:26 | |
So, Man Ray liked to call his photograms Rayographs | 0:05:28 | 0:05:32 | |
but I'm going to have a go at my very own Rickograph. | 0:05:32 | 0:05:35 | |
I'm not going to be using photographic paper, though, | 0:05:35 | 0:05:37 | |
so I'm going full colour. | 0:05:37 | 0:05:39 | |
Cool, banana's done. | 0:05:39 | 0:05:41 | |
I think I'm going to use this cable next. | 0:05:41 | 0:05:43 | |
Now, remember, you can draw around whatever you like. | 0:05:45 | 0:05:48 | |
That's cool. Move on to the green. | 0:05:48 | 0:05:49 | |
The reason I'm using a mechanical pencil is because you can click the | 0:05:52 | 0:05:55 | |
lead out so that it's a long, thin piece and then use it to get in all | 0:05:55 | 0:05:58 | |
the nooks and crannies on smaller items like keys. | 0:05:58 | 0:06:01 | |
Once I've drawn all around these objects, | 0:06:07 | 0:06:09 | |
I'm going to cut them out and make a picture | 0:06:09 | 0:06:10 | |
that would cheer up even Man Ray. | 0:06:10 | 0:06:12 | |
I'm going to start by cutting out the banana. | 0:06:15 | 0:06:18 | |
There you go, nice banana cut-out. | 0:06:20 | 0:06:21 | |
Now, you'll need to cut the rest out. | 0:06:21 | 0:06:23 | |
But not me, because I'm a ninja. | 0:06:23 | 0:06:24 | |
Hiiyaa! | 0:06:24 | 0:06:26 | |
There we are, good stuff. | 0:06:26 | 0:06:27 | |
Let me grab myself a piece of black card, | 0:06:27 | 0:06:30 | |
because it will give the colours great contrast | 0:06:30 | 0:06:33 | |
and they'll really pop out. | 0:06:33 | 0:06:34 | |
And now I'm going to arrange them into a | 0:06:34 | 0:06:36 | |
composition that I'm happy with. | 0:06:36 | 0:06:38 | |
I want this pen pointing back into the centre. | 0:06:40 | 0:06:43 | |
Now I'm going to stick them down. | 0:06:43 | 0:06:45 | |
ELECTRONIC MUSIC PLAYS | 0:06:45 | 0:06:48 | |
This is looking good, but to finish it off, | 0:06:54 | 0:06:56 | |
I'm going to give it a nice frame. | 0:06:56 | 0:06:58 | |
Awesome! My very own Rickograph! | 0:06:59 | 0:07:02 | |
Remember, when you do your photogram, | 0:07:10 | 0:07:12 | |
you can use any colour and draw around any objects you like! | 0:07:12 | 0:07:15 | |
Here's a quick art tip of how to add a shadow to your drawing. | 0:07:25 | 0:07:29 | |
So I've got a drawing here, | 0:07:29 | 0:07:30 | |
with a little wolf man wandering the streets. | 0:07:30 | 0:07:32 | |
And the first thing you need to do is decide where the light's | 0:07:32 | 0:07:35 | |
coming from. So I think mine will come from the lower right here | 0:07:35 | 0:07:38 | |
so I can project the shadow onto the wall behind him. | 0:07:38 | 0:07:41 | |
So, I can start doing a rough outline of the character again, | 0:07:41 | 0:07:45 | |
just back here. | 0:07:45 | 0:07:46 | |
And I'm going to exaggerate his features a bit, | 0:07:46 | 0:07:49 | |
making them longer and thinner. | 0:07:49 | 0:07:51 | |
It's also good if the shadow overlaps a little bit with your | 0:07:53 | 0:07:56 | |
character, going behind it. | 0:07:56 | 0:07:57 | |
And the shadow does tend to get bigger | 0:07:59 | 0:08:02 | |
when it's projected away from your character. | 0:08:02 | 0:08:04 | |
Now, I'm going to connect my shadow to my character. | 0:08:04 | 0:08:07 | |
And now I can start filling it in. | 0:08:10 | 0:08:12 | |
Just with a rough scribble. | 0:08:13 | 0:08:15 | |
And the last little finishing touch is a little bit of shading on the | 0:08:20 | 0:08:24 | |
back of the character, away from where the light's coming from. | 0:08:24 | 0:08:28 | |
There you go! A quick art tip. | 0:08:29 | 0:08:31 | |
-GROWL! GROWL! -Arrgh! | 0:08:39 | 0:08:41 | |
-SQUEAK SQUEAK SQUEAK! -He-he-he! | 0:08:41 | 0:08:44 | |
Now go to the website and get your ninja on! | 0:08:47 | 0:08:50 | |
Art ninja! | 0:08:53 | 0:08:55 |