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You cast a spell to get me magic and you got stuck nowhere. | 0:00:02 | 0:00:05 | |
It would be different this time. I know how to do it. | 0:00:05 | 0:00:07 | |
If I said yes, how would it work? | 0:00:07 | 0:00:09 | |
Ley lines are invisible lines around the world... | 0:00:09 | 0:00:12 | |
Of mystical significance - exactly. | 0:00:12 | 0:00:14 | |
They all disappeared along this ley line. | 0:00:14 | 0:00:16 | |
Roland saw Oscar running. He knows about magic. | 0:00:16 | 0:00:19 | |
We need help with a memory-wiping spell. | 0:00:19 | 0:00:21 | |
You gave them my tablet. | 0:00:21 | 0:00:23 | |
We can't risk Roland asking more questions. | 0:00:23 | 0:00:25 | |
And what if the kids do more than wipe his memory? | 0:00:25 | 0:00:28 | |
Erase and quell for ever. | 0:00:28 | 0:00:29 | |
Sam, get out of the circle! | 0:00:29 | 0:00:31 | |
Hey! | 0:00:39 | 0:00:41 | |
Dudes! | 0:00:41 | 0:00:42 | |
Are you OK? | 0:01:36 | 0:01:37 | |
I... I don't know. | 0:01:37 | 0:01:40 | |
That was intense. | 0:01:41 | 0:01:42 | |
Why didn't you tell me doing magic was so full-on? | 0:01:42 | 0:01:45 | |
-Did the spell affect you? -What spell? | 0:01:45 | 0:01:47 | |
Why would Roland have all this stuff about ley lines? | 0:01:47 | 0:01:50 | |
All of you...stop. | 0:01:50 | 0:01:52 | |
Tell me exactly what is going on. | 0:01:52 | 0:01:54 | |
-PHOEBE: -Oi. | 0:01:54 | 0:01:55 | |
Deed is done. Give it back. | 0:01:57 | 0:01:59 | |
What are you doing here? | 0:02:04 | 0:02:05 | |
This is a one-time-only deal. | 0:02:05 | 0:02:07 | |
-What are you doing here? -This is a one-time-only deal. | 0:02:07 | 0:02:10 | |
-You can't give it to Alice. -I have to. It's hers. | 0:02:10 | 0:02:13 | |
-She'll use it to stop... -She made me promise. | 0:02:13 | 0:02:15 | |
No. No, no, no, no, no. | 0:02:17 | 0:02:19 | |
W-What have you done? | 0:02:19 | 0:02:21 | |
You sure the spell worked? | 0:02:21 | 0:02:22 | |
Just the way we planned. | 0:02:22 | 0:02:24 | |
What did you do? How did you do this? | 0:02:24 | 0:02:26 | |
Calm down. It's OK. | 0:02:26 | 0:02:27 | |
Do you remember the spell? | 0:02:27 | 0:02:28 | |
What spell? What are you talking about? | 0:02:28 | 0:02:31 | |
I think you got too close to Roland. | 0:02:31 | 0:02:33 | |
Roland? | 0:02:33 | 0:02:34 | |
What are you talking about? | 0:02:34 | 0:02:36 | |
I think we wiped your memory too. | 0:02:36 | 0:02:38 | |
Come on. I need to find a way to fix this. | 0:02:39 | 0:02:42 | |
What? Hairy fingers? Dad shoes? | 0:02:50 | 0:02:55 | |
Oh, no. "Roland Victor Murphy. Date of birth - 1969!" | 0:02:55 | 0:02:59 | |
Oh, no, no, no. | 0:02:59 | 0:03:00 | |
HE YELLS | 0:03:03 | 0:03:05 | |
You are SO old! | 0:03:09 | 0:03:12 | |
Could we get the tablet back? | 0:03:12 | 0:03:14 | |
You heard Phoebe. I don't think so. | 0:03:14 | 0:03:15 | |
But we can't reverse the spell without it. | 0:03:15 | 0:03:18 | |
Couldn't we just tell Sam what he needs to know? | 0:03:19 | 0:03:22 | |
Fill in the blanks. | 0:03:22 | 0:03:23 | |
Hey... | 0:03:25 | 0:03:27 | |
where is Sam? | 0:03:27 | 0:03:29 | |
PHONE RINGS | 0:03:29 | 0:03:31 | |
Roberts. | 0:03:31 | 0:03:32 | |
-Roberts, you have to help me. -'Who is this?' | 0:03:32 | 0:03:35 | |
It's me. Detective Sergeant Murphy. | 0:03:35 | 0:03:37 | |
-Sam! -Prank calling the police station | 0:03:37 | 0:03:40 | |
might not be the smartest thing to do, young man. | 0:03:40 | 0:03:42 | |
I'm not. I'm... They think I'm ... | 0:03:42 | 0:03:46 | |
'Hang on a minute.' | 0:03:46 | 0:03:47 | |
Long story short - this is an opportunity. | 0:03:48 | 0:03:52 | |
Are you all right? | 0:03:52 | 0:03:53 | |
Um... | 0:03:55 | 0:03:57 | |
I don't know. Why don't you tell me? | 0:03:57 | 0:04:00 | |
Guys? | 0:04:00 | 0:04:02 | |
Dudes. | 0:04:03 | 0:04:04 | |
Felix! | 0:04:07 | 0:04:08 | |
Felix! Seriously, dude. | 0:04:14 | 0:04:17 | |
This is SO not funny. | 0:04:24 | 0:04:26 | |
Felix? | 0:04:28 | 0:04:30 | |
So what's the last thing you remember? | 0:04:31 | 0:04:33 | |
The party. | 0:04:37 | 0:04:39 | |
Andy running off. | 0:04:39 | 0:04:40 | |
You don't remember anything after that? | 0:04:40 | 0:04:42 | |
Not a thing. | 0:04:42 | 0:04:44 | |
You remember the alternate universe, though, right? | 0:04:44 | 0:04:47 | |
I could use a precis. | 0:04:47 | 0:04:48 | |
Precis? | 0:04:49 | 0:04:50 | |
It means 'recap'. | 0:04:50 | 0:04:52 | |
I know what it means. Since when does Sam? | 0:04:52 | 0:04:55 | |
Dudes, I have a dictionary... | 0:04:58 | 0:05:00 | |
on my phone. | 0:05:00 | 0:05:03 | |
Anyway, back to the alternate universe stuff you mentioned. | 0:05:05 | 0:05:09 | |
Guys...tell me more about that. | 0:05:09 | 0:05:12 | |
You remember the school excursion? | 0:05:12 | 0:05:15 | |
Felix! | 0:05:18 | 0:05:20 | |
Felix! | 0:05:24 | 0:05:25 | |
Can I ask what you're doing? | 0:05:25 | 0:05:27 | |
Oh, Mrs Ferne. Hi. | 0:05:27 | 0:05:29 | |
Haven't you harassed my son enough? | 0:05:29 | 0:05:31 | |
No? | 0:05:31 | 0:05:33 | |
I'd appreciate it if you left now. | 0:05:33 | 0:05:35 | |
Um, if you see Felix, can you tell him I said... | 0:05:35 | 0:05:40 | |
"hi" and that I-I need to see him. | 0:05:40 | 0:05:44 | |
It's super-urgent. | 0:05:46 | 0:05:48 | |
You look ridiculous, by the way. | 0:05:48 | 0:05:50 | |
-With the baseball cap. -Oh. | 0:05:50 | 0:05:53 | |
Who do you think you are, the hip-hop police? | 0:05:53 | 0:05:56 | |
Oh. | 0:05:56 | 0:05:58 | |
Hey, watch it! | 0:06:03 | 0:06:05 | |
Oh, sorry, Detective. | 0:06:05 | 0:06:06 | |
Detective? | 0:06:06 | 0:06:08 | |
Oh, yeah, yeah, right. That's me, Detec... Detective. | 0:06:08 | 0:06:11 | |
Oi. | 0:06:12 | 0:06:14 | |
Stop right there. | 0:06:14 | 0:06:15 | |
Er, yes? | 0:06:15 | 0:06:17 | |
Are we doing something wrong, Detective? | 0:06:17 | 0:06:20 | |
-Yes, you are, Mia. -Such as? | 0:06:21 | 0:06:23 | |
Well, you... You know. | 0:06:24 | 0:06:26 | |
No, I don't. | 0:06:26 | 0:06:27 | |
Well, you could do so much better than this...clown. | 0:06:29 | 0:06:32 | |
Give me your skateboard. | 0:06:34 | 0:06:35 | |
Why? | 0:06:35 | 0:06:37 | |
I'm confiscating it. | 0:06:37 | 0:06:38 | |
-Why? -Hey, you want a fine, too? | 0:06:38 | 0:06:41 | |
Yeah, I can fine you. I'm a detective. | 0:06:42 | 0:06:44 | |
-No, I... -Maybe a little jail time? | 0:06:44 | 0:06:46 | |
For what? | 0:06:46 | 0:06:48 | |
Just try me. | 0:06:48 | 0:06:49 | |
And the helmet. | 0:06:53 | 0:06:54 | |
Good. | 0:06:57 | 0:06:59 | |
Now get out of here. | 0:06:59 | 0:07:01 | |
Mia! | 0:07:02 | 0:07:04 | |
You know I'm right, Mia. | 0:07:06 | 0:07:08 | |
What was that all about? | 0:07:17 | 0:07:19 | |
So maybe Andy's in another universe with dinosaurs or something? | 0:07:19 | 0:07:23 | |
Without a talisman, we have no way of contacting him again. | 0:07:23 | 0:07:27 | |
Right. Talisman. Where did that come from again? | 0:07:27 | 0:07:32 | |
The other universe. It was Alice's. She doesn't have one here. | 0:07:32 | 0:07:35 | |
Which she should, shouldn't she? | 0:07:38 | 0:07:41 | |
There were two necklaces. | 0:07:41 | 0:07:42 | |
-Two versions of you... -And two Garys. | 0:07:42 | 0:07:45 | |
I... I'm confused. | 0:07:45 | 0:07:46 | |
He's back. | 0:07:46 | 0:07:47 | |
But Alice doesn't have a talisman here. | 0:07:47 | 0:07:50 | |
That's why she was after yours. | 0:07:50 | 0:07:52 | |
Which means for some reason, she never had it here. | 0:07:52 | 0:07:55 | |
-We could still find it. -A second talisman. | 0:07:55 | 0:07:57 | |
If there is a second talisman, where would we find it? | 0:07:57 | 0:08:00 | |
Could be anywhere. | 0:08:00 | 0:08:01 | |
Good thing we have Oscar. | 0:08:01 | 0:08:04 | |
Oscar. | 0:08:04 | 0:08:06 | |
Oh! | 0:08:16 | 0:08:17 | |
Detective Sergeant Murphy. | 0:08:17 | 0:08:19 | |
So instead of looking for Andy Lau, you're learning to skateboard? | 0:08:19 | 0:08:22 | |
No. I already know how to skateboard. | 0:08:22 | 0:08:25 | |
What do you say to the accusations | 0:08:28 | 0:08:30 | |
that your investigation has been incompetent? | 0:08:30 | 0:08:32 | |
Oh, um... | 0:08:32 | 0:08:34 | |
Sorry. | 0:08:35 | 0:08:37 | |
That's not an answer. | 0:08:37 | 0:08:39 | |
-Sorry. Yes, it is. -Hey, what are you doing? | 0:08:39 | 0:08:41 | |
-What? -What are you doing? -You're in shot, Sergeant. | 0:08:41 | 0:08:44 | |
Yeah, and you're out of line. | 0:08:44 | 0:08:45 | |
We're doing everything we can to find Andy Lau. | 0:08:45 | 0:08:48 | |
-Yeah, yeah. Yeah, you tell her, Sarge. -Really? | 0:08:48 | 0:08:51 | |
So what progress have you made? | 0:08:51 | 0:08:53 | |
-Well... -Hmm. | 0:08:53 | 0:08:54 | |
Well, yeah, for your information, | 0:08:56 | 0:08:58 | |
we are, like, this close to getting Andy back. | 0:08:58 | 0:09:01 | |
You are? | 0:09:02 | 0:09:04 | |
-We are? -Yeah. Aren't we? | 0:09:04 | 0:09:05 | |
Hmm. | 0:09:07 | 0:09:08 | |
Are you keeping information from the public? From the Lau family? | 0:09:11 | 0:09:15 | |
HE CHUCKLES Do you know where Andy Lau is? | 0:09:15 | 0:09:18 | |
Oh, now, I never said that... | 0:09:18 | 0:09:19 | |
You said that you were "this close". What did you mean? | 0:09:19 | 0:09:22 | |
Yeah, what did you mean? | 0:09:22 | 0:09:25 | |
What did I mean? | 0:09:25 | 0:09:27 | |
What I meant is that... | 0:09:27 | 0:09:30 | |
being a detective is not easy. | 0:09:30 | 0:09:33 | |
I've got hair growing out of my ears | 0:09:33 | 0:09:36 | |
and my back hurts for no reason. | 0:09:36 | 0:09:39 | |
And what I... What I need now is just to talk to Felix. | 0:09:39 | 0:09:43 | |
OK? | 0:09:43 | 0:09:45 | |
So if that's, er, that's everything, thank you very much. | 0:09:46 | 0:09:51 | |
Dude! | 0:10:13 | 0:10:14 | |
So, according to this, it's all to do with the ley lines. | 0:10:14 | 0:10:17 | |
The disappearances in the forest, the strange events, the magic. | 0:10:17 | 0:10:20 | |
Where are these ley lines? I've never seen any. | 0:10:20 | 0:10:23 | |
They're kind of like the equator. You can't see that, either. | 0:10:23 | 0:10:26 | |
PHONE RINGS | 0:10:26 | 0:10:28 | |
-Who is it? -No idea. | 0:10:28 | 0:10:30 | |
'Hey, this is Felix. Speak now or for ever hold your peace.' | 0:10:35 | 0:10:38 | |
Come on, Felix. I can't be Roland for ever. | 0:10:38 | 0:10:41 | |
PHONE RINGS | 0:10:44 | 0:10:46 | |
"Station"? | 0:10:46 | 0:10:47 | |
Hello? | 0:10:49 | 0:10:51 | |
Are you...me? | 0:10:51 | 0:10:53 | |
-What are you doing at the station? -Just put Felix on. | 0:10:53 | 0:10:56 | |
Do not open your mouth. | 0:10:56 | 0:10:58 | |
Whoops. Too late. | 0:10:58 | 0:10:59 | |
What do you mean? | 0:10:59 | 0:11:01 | |
I only saved your bacon with that reporter chick. | 0:11:01 | 0:11:04 | |
You talked to the press? | 0:11:04 | 0:11:06 | |
Chillax, dude. I totally rocked it. | 0:11:06 | 0:11:09 | |
I highly doubt you rocked anything. | 0:11:09 | 0:11:12 | |
Whatever. Just tell Felix he needs to change us back, like, now. | 0:11:12 | 0:11:15 | |
You coming? | 0:11:15 | 0:11:17 | |
Stay right where you are. Don't move. | 0:11:21 | 0:11:23 | |
RUMBLING | 0:11:26 | 0:11:28 | |
Oh. | 0:11:35 | 0:11:36 | |
Oh, I'm starved. See ya. | 0:11:36 | 0:11:38 | |
I have to go. Later, gang. Yo. | 0:11:45 | 0:11:47 | |
What did you just say? | 0:11:47 | 0:11:48 | |
We're looking for the talisman. We need you. | 0:11:48 | 0:11:51 | |
Er, yes, of course. | 0:11:51 | 0:11:53 | |
Right. Just, er... | 0:11:53 | 0:11:55 | |
I've just got an errand to run. | 0:11:55 | 0:11:57 | |
Errand? | 0:11:57 | 0:11:58 | |
Is this about Mia? | 0:11:58 | 0:11:59 | |
Now's not the time. | 0:11:59 | 0:12:01 | |
Er, yes, Mia. Exactly. | 0:12:01 | 0:12:03 | |
-I won't be long. -Sam! | 0:12:03 | 0:12:05 | |
Chillax, dudes. Totally rocking this. | 0:12:05 | 0:12:07 | |
What? | 0:12:07 | 0:12:09 | |
Meet back at my place! | 0:12:09 | 0:12:11 | |
What did you put in that spell? | 0:12:13 | 0:12:14 | |
You. | 0:12:21 | 0:12:22 | |
Stay away from me. | 0:12:22 | 0:12:24 | |
-What? -I know what you're capable of. | 0:12:24 | 0:12:26 | |
What's wrong with you? | 0:12:26 | 0:12:28 | |
What's wrong with me? As if you don't know. | 0:12:28 | 0:12:30 | |
Er, I don't. | 0:12:31 | 0:12:32 | |
When this is all over, you will be needing your lawyer, Ms Hartley. | 0:12:34 | 0:12:37 | |
Well, I'll need something connected to the talisman. | 0:12:44 | 0:12:47 | |
We don't have anything. Could you just try anyway? | 0:12:47 | 0:12:50 | |
It's worth a shot, right? | 0:12:50 | 0:12:51 | |
HE LAUGHS AWKWARDLY | 0:13:00 | 0:13:02 | |
No pressure. | 0:13:10 | 0:13:11 | |
I can't do it with all you watching. | 0:13:11 | 0:13:13 | |
OK. We'll be over here. | 0:13:13 | 0:13:15 | |
Why are you always looking at that stuff? | 0:13:23 | 0:13:25 | |
Ley lines are lines of powerful magic. | 0:13:25 | 0:13:28 | |
The places where they intersect are the most powerful of all. | 0:13:28 | 0:13:31 | |
What is it, Osky? | 0:13:41 | 0:13:42 | |
Sorry. All I've done is draw the talisman again. | 0:13:43 | 0:13:46 | |
The lines on the talisman - | 0:13:50 | 0:13:52 | |
they're the same pattern as the ley lines. | 0:13:52 | 0:13:54 | |
-What does that mean? -Hang on. Let me try something. | 0:13:54 | 0:13:57 | |
The talisman and the ley lines are connected. | 0:14:05 | 0:14:08 | |
How? | 0:14:08 | 0:14:09 | |
All we have to do is line them up. | 0:14:09 | 0:14:11 | |
They're a map. | 0:14:13 | 0:14:15 | |
That's the altar in the forest. That's what made the unmaking spell | 0:14:15 | 0:14:18 | |
-work that first time. -That's the school. -And what's this one? | 0:14:18 | 0:14:21 | |
Dudes, skating here... | 0:14:23 | 0:14:26 | |
took for ever. | 0:14:26 | 0:14:27 | |
Roberts, where's Murphy? | 0:14:32 | 0:14:34 | |
-Excuse me? -I need to see him now. | 0:14:34 | 0:14:36 | |
First off, you need a lesson in how to address a police officer. | 0:14:36 | 0:14:40 | |
Get over it, Roberts. This is an emergency. | 0:14:40 | 0:14:42 | |
What sort of emergency, exactly? | 0:14:42 | 0:14:44 | |
I am Murphy. | 0:14:44 | 0:14:45 | |
I mean, I'm Murphy, stuck in this kid's body. | 0:14:45 | 0:14:48 | |
-That was you on the phone. -That's what I'm trying to tell you. | 0:14:48 | 0:14:51 | |
Pretending to be Detective Murphy. | 0:14:51 | 0:14:53 | |
I'm not pretending, I... | 0:14:53 | 0:14:54 | |
Look, long story short - is he here or not? | 0:14:54 | 0:14:57 | |
Why do you keep saying that? | 0:14:57 | 0:14:59 | |
Saying what? | 0:14:59 | 0:15:00 | |
It's annoying enough when Detective Murphy says it. | 0:15:00 | 0:15:03 | |
It is? | 0:15:03 | 0:15:04 | |
Take a seat. | 0:15:04 | 0:15:07 | |
I'll make a call. | 0:15:07 | 0:15:08 | |
Dudes, I am telling you, I'm Sam. | 0:15:15 | 0:15:19 | |
Inside this saggy, wrinkly, really unbelievably gross body, I am Sam. | 0:15:19 | 0:15:26 | |
Prove it. | 0:15:26 | 0:15:27 | |
Ask me anything. Something only Sam would know. | 0:15:27 | 0:15:31 | |
What does Sam know? | 0:15:31 | 0:15:32 | |
I know plenty! I know that when we were in the other universe, | 0:15:32 | 0:15:35 | |
your mum was married to Bates, you were in love with Andy | 0:15:35 | 0:15:38 | |
and you refused to wash. | 0:15:38 | 0:15:40 | |
So we didn't erase your memory? | 0:15:41 | 0:15:43 | |
No! You swapped us. | 0:15:43 | 0:15:45 | |
This is not good. | 0:15:47 | 0:15:48 | |
Oh, finally! | 0:15:48 | 0:15:50 | |
If you're Sam and Sam is Roland, | 0:15:52 | 0:15:56 | |
then we just told Roland everything. | 0:15:56 | 0:15:58 | |
Your mum is coming to get you as soon as she can. | 0:16:02 | 0:16:05 | |
My mum? | 0:16:05 | 0:16:07 | |
Roberts, this is ridiculous. I'm a grown man. | 0:16:09 | 0:16:11 | |
I thought I knew everything when I was your age, too. | 0:16:11 | 0:16:14 | |
I'm older than you! | 0:16:14 | 0:16:16 | |
What happened to you boys... | 0:16:17 | 0:16:19 | |
when you went missing? | 0:16:19 | 0:16:21 | |
Is that what's causing all this? | 0:16:21 | 0:16:23 | |
That is what I am this close to finding out. | 0:16:23 | 0:16:26 | |
RUMBLING | 0:16:26 | 0:16:28 | |
CRASHING ALARM WAILS | 0:16:28 | 0:16:30 | |
Wait here. | 0:16:32 | 0:16:33 | |
Sam! I mean, Roland. | 0:16:39 | 0:16:41 | |
Let's go now, before Roberts comes back. | 0:16:42 | 0:16:45 | |
This is... | 0:17:02 | 0:17:03 | |
Weird? | 0:17:05 | 0:17:06 | |
This is freakier than when I saw the alternate universe me. | 0:17:07 | 0:17:11 | |
Why are you wearing that stupid hat? | 0:17:12 | 0:17:15 | |
Cos it looks good. | 0:17:15 | 0:17:17 | |
Everything we told you, about magic, what we can do... | 0:17:17 | 0:17:20 | |
Are you going to tell people? | 0:17:20 | 0:17:21 | |
Because if you do, we could make Roland here walk through town | 0:17:21 | 0:17:24 | |
with his underpants on his head. | 0:17:24 | 0:17:26 | |
Yeah. | 0:17:26 | 0:17:28 | |
I could do that. | 0:17:28 | 0:17:29 | |
Then it's "goodbye, career". | 0:17:29 | 0:17:31 | |
I won't tell... | 0:17:34 | 0:17:36 | |
..if you fix this. | 0:17:37 | 0:17:39 | |
Yeah, we're working on that. | 0:17:40 | 0:17:42 | |
The talisman is most likely to be at a place of magical power. | 0:17:44 | 0:17:47 | |
Detective! | 0:17:47 | 0:17:49 | |
It's Viv. Ellen, put the map away. | 0:17:49 | 0:17:51 | |
Yes, Vivian? | 0:17:51 | 0:17:53 | |
Not you. | 0:17:53 | 0:17:55 | |
-Go on. -Oh. Yeah. | 0:17:55 | 0:17:57 | |
Er...h-hi, Viv. | 0:17:57 | 0:17:59 | |
What are you doing here, with them? | 0:17:59 | 0:18:02 | |
Well, I... | 0:18:02 | 0:18:03 | |
You gave them my research? | 0:18:03 | 0:18:05 | |
No, no, it... It wasn't me. | 0:18:05 | 0:18:07 | |
Why are you lying? | 0:18:07 | 0:18:09 | |
-Viv... -You? Don't talk to me. | 0:18:09 | 0:18:11 | |
I can't believe you're on their side. | 0:18:11 | 0:18:14 | |
We have to tell her the truth. | 0:18:17 | 0:18:18 | |
We get her brother back. That'll be better than the truth. | 0:18:18 | 0:18:22 | |
You know this is trespassing, right? | 0:18:29 | 0:18:31 | |
I'm an officer of the law. | 0:18:31 | 0:18:33 | |
-Er, technically I am. -Either way. | 0:18:33 | 0:18:36 | |
Do you want your bodies back or don't you? | 0:18:36 | 0:18:38 | |
-BOTH: Yes. -Trespass it is. | 0:18:38 | 0:18:41 | |
Bates! | 0:18:43 | 0:18:44 | |
What's he doing here? | 0:18:47 | 0:18:48 | |
Weekend science club. It starts in an hour. | 0:18:48 | 0:18:51 | |
I used to go... | 0:18:53 | 0:18:55 | |
to meet girls. | 0:18:55 | 0:18:56 | |
All right, let's check the plans. | 0:18:59 | 0:19:01 | |
Great idea, dude. | 0:19:01 | 0:19:03 | |
-Don't tell me you're BFFs now. -So what are we looking for? | 0:19:05 | 0:19:08 | |
I don't know exactly. A hiding place for the talisman. | 0:19:08 | 0:19:11 | |
That tracing you made. | 0:19:11 | 0:19:13 | |
Doesn't work. | 0:19:15 | 0:19:17 | |
But this one might. | 0:19:21 | 0:19:22 | |
I will not ever get used to this. | 0:19:24 | 0:19:26 | |
What? | 0:19:26 | 0:19:27 | |
Smart Sam. | 0:19:27 | 0:19:29 | |
Standing right here! | 0:19:29 | 0:19:30 | |
It fits perfectly. | 0:19:33 | 0:19:34 | |
Which makes the intersection the woodwork room. | 0:19:36 | 0:19:39 | |
I spent two years in this room. I never saw any talisman. | 0:19:40 | 0:19:44 | |
Two years? You failed woodwork? | 0:19:44 | 0:19:47 | |
Shelves are tricky. | 0:19:47 | 0:19:49 | |
Let's stay on task, shall we? | 0:19:49 | 0:19:51 | |
If I were a talisman... | 0:20:01 | 0:20:03 | |
where would I hide? | 0:20:03 | 0:20:05 | |
Is there anything that doesn't belong? | 0:20:05 | 0:20:08 | |
Anything out of place? | 0:20:08 | 0:20:10 | |
Everything's out of place. It's a mess. | 0:20:10 | 0:20:13 | |
Check this. | 0:20:13 | 0:20:14 | |
No-one used this thing, not once in two years. | 0:20:14 | 0:20:17 | |
Don't even know what it does. | 0:20:17 | 0:20:18 | |
It's a hand drill. | 0:20:18 | 0:20:20 | |
So why is it stuck to the wall? | 0:20:20 | 0:20:22 | |
Try twisting it. | 0:20:22 | 0:20:23 | |
Do it again. | 0:20:30 | 0:20:31 | |
I'm so taking woodwork next year. | 0:20:41 | 0:20:43 | |
Dust. Cobwebs. | 0:21:56 | 0:21:58 | |
I don't think anyone's been here for a while. | 0:21:58 | 0:22:01 | |
These books are filled with magic I've never even heard of. | 0:22:09 | 0:22:12 | |
Hey, don't nerd out on me now, dude. | 0:22:12 | 0:22:14 | |
Somebody at this school was a very powerful witch. | 0:22:17 | 0:22:20 | |
And they know about ley lines. | 0:22:22 | 0:22:23 | |
Look all over - could be anywhere. | 0:22:27 | 0:22:29 | |
Is this meaningful? | 0:22:35 | 0:22:36 | |
It's an altar, same as the forest. | 0:22:39 | 0:22:42 | |
Why here? | 0:22:51 | 0:22:52 | |
The scrying pool doesn't lie. | 0:22:52 | 0:22:54 | |
What are they looking for? | 0:22:56 | 0:22:58 | |
Another talisman. | 0:22:58 | 0:23:00 | |
Isn't that a bad thing? | 0:23:00 | 0:23:02 | |
No. | 0:23:03 | 0:23:04 | |
It's an opportunity. | 0:23:06 | 0:23:07 | |
The talisman's close. | 0:23:11 | 0:23:12 | |
I can feel it. | 0:23:14 | 0:23:15 | |
Ba-bow! | 0:23:28 | 0:23:29 | |
Dude! This is it. | 0:23:40 | 0:23:43 | |
So we can swap back to our old bodies with that thing? | 0:23:44 | 0:23:47 | |
Yes! Goodbye, floppy underarm bits. | 0:23:47 | 0:23:50 | |
Listen, I'm a bit tired of the old-man gags. | 0:23:50 | 0:23:53 | |
Hello! And I'm not tired of BEING the old man? | 0:23:53 | 0:23:56 | |
This has got to stop. | 0:23:56 | 0:23:58 | |
First we have to activate it. | 0:23:58 | 0:24:00 | |
Elements we call together. | 0:24:12 | 0:24:14 | |
Erase and quell for ever. | 0:24:14 | 0:24:16 | |
Elements we call together. | 0:24:20 | 0:24:23 | |
Erase and quell for ever. | 0:24:23 | 0:24:25 | |
HE CHUCKLES I'm me! | 0:24:28 | 0:24:30 | |
And I am most certainly not you. | 0:24:31 | 0:24:33 | |
What...What have you been doing to me? | 0:24:33 | 0:24:35 | |
RUMBLING | 0:24:35 | 0:24:37 | |
Oh, I'm starving. Didn't you feed me? | 0:24:37 | 0:24:40 | |
Do you think we can use the talisman to talk to Andy? | 0:24:51 | 0:24:54 | |
With this altar... | 0:24:57 | 0:24:58 | |
..we might be able to bring him home. | 0:25:01 | 0:25:03 | |
Elements in flux. | 0:25:05 | 0:25:07 | |
Elements unite. | 0:25:07 | 0:25:08 | |
Elements in flux. | 0:25:08 | 0:25:10 | |
Elements unite. | 0:25:10 | 0:25:11 | |
We need to find another tear so that we can find a way to get me home. | 0:25:16 | 0:25:20 | |
What's happening? | 0:25:20 | 0:25:21 | |
You did this! | 0:25:21 | 0:25:23 | |
-Can you slow Alice down? Get the cops onto her? -Leave it with me. | 0:25:23 | 0:25:26 | |
-Hey! -We use the altar to boost the communication spell | 0:25:30 | 0:25:33 | |
-that turns a window into a door. -That's brilliant. | 0:25:33 | 0:25:35 | |
-Do you guys feel that? -Alice knows about the second talisman. | 0:25:35 | 0:25:38 | |
-What's she doing? -Trying to stop us reaching Andy, | 0:25:38 | 0:25:41 | |
like she did last time. | 0:25:41 | 0:25:43 | |
No! | 0:25:43 | 0:25:44 |