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-He's Dr Chris. -He's Dr Xand. | 0:00:23 | 0:00:26 | |
-And we're... BOTH: -Identical twins. | 0:00:26 | 0:00:29 | |
Well, we were until you grew your beard. | 0:00:29 | 0:00:31 | |
In this series, we're taking over one of the biggest | 0:00:31 | 0:00:34 | |
children's hospitals in Europe, the amazing Alder Hey in Liverpool. | 0:00:34 | 0:00:37 | |
We'll go head-to-head as we take on some of our hospital's | 0:00:38 | 0:00:42 | |
most important jobs. | 0:00:42 | 0:00:43 | |
This isn't going well. | 0:00:43 | 0:00:46 | |
Ouch & About hits the wards for more medical mysteries. | 0:00:46 | 0:00:49 | |
-That is a hole going inside your stomach. -Yeah. | 0:00:49 | 0:00:52 | |
WHISTLE BLOWS | 0:00:52 | 0:00:53 | |
And we'll be catching up with our extraordinary Ouch patients | 0:00:53 | 0:00:56 | |
who come in for regular treatment. | 0:00:56 | 0:00:58 | |
Hello! | 0:00:58 | 0:00:59 | |
We've hidden our lab in a top-secret location... | 0:00:59 | 0:01:02 | |
'And our experiments just...' | 0:01:02 | 0:01:04 | |
ARGH! | 0:01:04 | 0:01:05 | |
-'..got...' -Ugh! | 0:01:05 | 0:01:07 | |
'..BIGGER!' | 0:01:07 | 0:01:08 | |
-Ooh! -You guys are cray-zy. | 0:01:08 | 0:01:11 | |
So get ready to join us, it's going to be out of this world! | 0:01:11 | 0:01:15 | |
As... HE SPLUTTERS | 0:01:15 | 0:01:17 | |
What are you doing?! | 0:01:17 | 0:01:18 | |
Coming up today on... | 0:01:18 | 0:01:20 | |
..Operation Ouch! | 0:01:22 | 0:01:24 | |
We take a driving test with a difference. | 0:01:27 | 0:01:30 | |
Are you all right? | 0:01:30 | 0:01:31 | |
What's wrong with this little fella? | 0:01:31 | 0:01:33 | |
Meow, meow. | 0:01:33 | 0:01:35 | |
And it gets explosive in the lab. | 0:01:35 | 0:01:38 | |
-BOTH: -Arghhh! | 0:01:38 | 0:01:40 | |
But first... | 0:01:40 | 0:01:42 | |
What started out as a normal day for our next patient | 0:01:42 | 0:01:44 | |
has ended with a trip to the emergency department. | 0:01:44 | 0:01:47 | |
-Luckily, they've come to the right place. -BOTH: -Phew! | 0:01:47 | 0:01:51 | |
Phee-uw! Pheeeee... Agh! | 0:01:51 | 0:01:55 | |
In the waiting room, seven-year-old Sophie | 0:01:57 | 0:02:00 | |
has come in with Mum and Dad and a cut hand. | 0:02:00 | 0:02:02 | |
-Who's that, Chris? -That's Tab. | 0:02:03 | 0:02:06 | |
Oh, hi, Tab. So, how did Sophie hurt her hand? | 0:02:08 | 0:02:11 | |
On a sharp knife. | 0:02:11 | 0:02:14 | |
A sharp knife? Ouch! | 0:02:14 | 0:02:17 | |
-Sophie was in her bedroom doing some arts and crafts. -Cool! | 0:02:17 | 0:02:21 | |
Was she making paper aeroplanes? | 0:02:21 | 0:02:24 | |
-I dunno, Xand. -Well, was she making a selfie portrait, then? | 0:02:24 | 0:02:28 | |
It doesn't matter what she was making, Xand, | 0:02:28 | 0:02:30 | |
the point is she decided she needed something sharp. | 0:02:30 | 0:02:33 | |
Sharp? Sounds dangerous. | 0:02:33 | 0:02:35 | |
So, off she went to fetch a knife WITHOUT asking Mum or Dad. | 0:02:36 | 0:02:40 | |
-Oh, no! -And as she was using it, the knife slipped and cut her thumb. | 0:02:40 | 0:02:44 | |
-BOTH: -Ouch! | 0:02:44 | 0:02:46 | |
Was Tab there? | 0:02:46 | 0:02:47 | |
She was downstairs. | 0:02:47 | 0:02:49 | |
So Tab couldn't help, but consultant Matt Rotheram can, | 0:02:49 | 0:02:53 | |
and he's going to take a closer look. | 0:02:53 | 0:02:55 | |
Ooh, that looks like a deep cut. | 0:02:55 | 0:02:58 | |
First the doc checks the movement and sensation in Sophie's hand. | 0:02:58 | 0:03:02 | |
-Can you wiggle your thumb? -Mm. -Really good. | 0:03:02 | 0:03:05 | |
Can you feel me touching your thumb on that side? | 0:03:05 | 0:03:08 | |
Looking for damage to the veins and the nerves and the tendons | 0:03:08 | 0:03:11 | |
that control movement. | 0:03:11 | 0:03:13 | |
Your hand contains nerves that give you feeling | 0:03:13 | 0:03:16 | |
and tendons which allow it to move. | 0:03:16 | 0:03:18 | |
Some tendons and nerves are very close to the surface | 0:03:18 | 0:03:21 | |
of your skin, and a deep cut like Sophie's can easily damage them. | 0:03:21 | 0:03:24 | |
It could mean you lose feeling or you're unable to move | 0:03:24 | 0:03:27 | |
your hand properly, which is why | 0:03:27 | 0:03:30 | |
a bad cut often needs surgery to fix it. | 0:03:30 | 0:03:32 | |
Can you bend your thumb at the end, like that? | 0:03:32 | 0:03:35 | |
The doc's checking that Sophie can move her thumb properly. | 0:03:35 | 0:03:38 | |
You're not bending... | 0:03:38 | 0:03:40 | |
She could straighten her thumb | 0:03:40 | 0:03:41 | |
but she didn't seem to be able to bend it. | 0:03:41 | 0:03:43 | |
We have to take that seriously and assume that it could be due | 0:03:43 | 0:03:46 | |
to the injury, so I'm going to get the plastics team to... OK? | 0:03:46 | 0:03:50 | |
I've had to refer her to a specialist. | 0:03:50 | 0:03:51 | |
They can decide whether they need to have | 0:03:51 | 0:03:54 | |
a look at that wound under an anaesthetic. | 0:03:54 | 0:03:56 | |
In the meantime, Sophie's cut is cleaned and patched up | 0:03:56 | 0:04:00 | |
with butterfly stitches, and we'll find out later if she needs surgery. | 0:04:00 | 0:04:04 | |
Ouch! | 0:04:04 | 0:04:06 | |
In hospital, it's not just the doctors and nurses | 0:04:08 | 0:04:11 | |
who help to get you fixed. | 0:04:11 | 0:04:12 | |
There are lots of other heroes working behind the scenes. | 0:04:12 | 0:04:17 | |
-Ah, yes! -What will happen when we have a go at their amazing jobs? | 0:04:17 | 0:04:20 | |
I'm going to make your eardrums burst. | 0:04:20 | 0:04:22 | |
-BOTH: -Useless. | 0:04:22 | 0:04:24 | |
This is Operation Takeover. | 0:04:24 | 0:04:27 | |
Today's hospital heroes are ambulance crew Dave and Gemma. | 0:04:27 | 0:04:32 | |
These trained professionals have the skills to get patients | 0:04:32 | 0:04:35 | |
to hospital quickly and safely. | 0:04:35 | 0:04:37 | |
We need to get to the patient in good time. | 0:04:37 | 0:04:40 | |
For serious injuries, we need to be there within eight minutes. | 0:04:40 | 0:04:44 | |
Whilst we do need to drive quickly, | 0:04:44 | 0:04:46 | |
we need to be safe whilst we're doing it. | 0:04:46 | 0:04:48 | |
When we're going to a job, we've got oncoming traffic to think about, | 0:04:48 | 0:04:51 | |
you've also got pedestrians and other road users. | 0:04:51 | 0:04:54 | |
Despite the busy roads, Dave needs to make sure the ride | 0:04:54 | 0:04:57 | |
is silky smooth for the patient and medical team in the back. | 0:04:57 | 0:05:00 | |
With our driving skills, | 0:05:00 | 0:05:02 | |
a lot of the time on the way to hospital, | 0:05:02 | 0:05:04 | |
I forget that we're moving. | 0:05:04 | 0:05:05 | |
To see just how smooth Dave is behind the wheel, | 0:05:05 | 0:05:08 | |
watch this glass of water. | 0:05:08 | 0:05:09 | |
Gemma, Dave's driving, | 0:05:09 | 0:05:10 | |
you really think he's not going to spill this cup of water? | 0:05:10 | 0:05:13 | |
I'd like to hope so. | 0:05:13 | 0:05:14 | |
'Well, let's see how he does.' | 0:05:14 | 0:05:16 | |
It's quite a good visual, because when you're driving, | 0:05:16 | 0:05:19 | |
you are thinking about that cup, thinking about, | 0:05:19 | 0:05:21 | |
"Am I going to spill it, am I going to spill it?" | 0:05:21 | 0:05:23 | |
Still dry back there, Dave. | 0:05:23 | 0:05:25 | |
'Even with a super-smooth driver, | 0:05:25 | 0:05:27 | |
'it still takes lots of skill to treat a patient | 0:05:27 | 0:05:29 | |
'in a fast-moving ambulance, especially since, to do this, | 0:05:29 | 0:05:32 | |
'the seatbelts have to be unbuckled.' | 0:05:32 | 0:05:35 | |
Whoa. Wow, wow, wow. This is very difficult indeed. | 0:05:35 | 0:05:38 | |
-'Steady on, Xand.' -You're not crashing into everything. | 0:05:38 | 0:05:41 | |
I'm just leaning on the wall now, OK. | 0:05:41 | 0:05:43 | |
So you've got to make your legs as far apart as possible. | 0:05:43 | 0:05:45 | |
-It's surfing, right? -It is. | 0:05:45 | 0:05:47 | |
That's what you're trying to do, is surfing. | 0:05:47 | 0:05:48 | |
It's like surfing but also you're trying to save someone's life | 0:05:48 | 0:05:51 | |
-while you do it. -Yeah, yeah. | 0:05:51 | 0:05:53 | |
'And not a drop spilled. Brilliantly done, Dave.' | 0:05:53 | 0:05:57 | |
We've seen how important the driving skills of the ambulance team | 0:05:57 | 0:05:59 | |
are to the running of a big hospital. | 0:05:59 | 0:06:02 | |
But will we have the DRIVE to succeed when we do it for ourselves, | 0:06:02 | 0:06:04 | |
or will our driving just be a little TIRED? | 0:06:04 | 0:06:08 | |
Get it, like the tyre, on a wheel, of an ambulance? | 0:06:08 | 0:06:10 | |
Enough, Xand. | 0:06:10 | 0:06:11 | |
Today's challenge is no joking matter, | 0:06:11 | 0:06:14 | |
especially since I have to wear green. | 0:06:14 | 0:06:16 | |
So, Dave, what have you got for us? | 0:06:16 | 0:06:19 | |
Well, guys, today I've designed a bit of | 0:06:19 | 0:06:21 | |
a driving obstacle course for you. | 0:06:21 | 0:06:23 | |
Yikes, that's not going to be easy. | 0:06:23 | 0:06:25 | |
We're going to have to drive the ambulance forwards | 0:06:25 | 0:06:27 | |
and backwards through some cones... TYRES SCREECH | 0:06:27 | 0:06:30 | |
..then up an alleyway. | 0:06:30 | 0:06:31 | |
We'll even have to be careful of magically moving pedestrians. | 0:06:31 | 0:06:36 | |
And finally, go round | 0:06:36 | 0:06:37 | |
in a loop before coming to a stop! | 0:06:37 | 0:06:39 | |
I'm going to time you, | 0:06:39 | 0:06:40 | |
any obstacles that you hit | 0:06:40 | 0:06:42 | |
will be a ten-second time penalty. | 0:06:42 | 0:06:45 | |
You're going to have me in the front of the vehicle, | 0:06:45 | 0:06:47 | |
and then in the back you're going to have a patient and a paramedic. | 0:06:47 | 0:06:50 | |
And they'll be judging us on | 0:06:50 | 0:06:52 | |
the smoothness of the journey. | 0:06:52 | 0:06:54 | |
Controlled, smooth, safe. | 0:06:54 | 0:06:56 | |
-Absolutely. -Speedy. | 0:06:56 | 0:06:58 | |
'Time for a nice smooth, relaxing journey. My patient will love it.' | 0:06:58 | 0:07:03 | |
'Let's get the patient to hospital quickly, that's what I'd want.' | 0:07:03 | 0:07:07 | |
'So, Chris' first task is the cone slalom. | 0:07:08 | 0:07:11 | |
'He'll soon be on a collision course with disaster - I hope.' | 0:07:11 | 0:07:14 | |
I think we can fairly say that you're going to hit that one, | 0:07:14 | 0:07:17 | |
so that's ten seconds. | 0:07:17 | 0:07:18 | |
'First penalty against Chris - bring it on.' | 0:07:18 | 0:07:22 | |
-Oh. -'Yes, and another!' | 0:07:22 | 0:07:24 | |
It's a bit... | 0:07:24 | 0:07:27 | |
'I doubt if Xand can do any better than me.' | 0:07:27 | 0:07:29 | |
OK, am I going to make this cone? Come on. | 0:07:29 | 0:07:31 | |
-Come on! -'He makes it, but he's SO slow.' | 0:07:31 | 0:07:35 | |
How close was I? Argh... | 0:07:35 | 0:07:37 | |
'Huh, penalty points!' | 0:07:37 | 0:07:39 | |
-REVERSE ALARM BLEEPS -Did Chris have to reverse at all? | 0:07:39 | 0:07:42 | |
-I can't say anything, yet. -'Good man, Dave. | 0:07:42 | 0:07:45 | |
'Now, just like real ambulance drivers, we have to reverse.' | 0:07:45 | 0:07:48 | |
'I bet Chris thinks he's pretty good at this.' | 0:07:48 | 0:07:51 | |
Precision driving. | 0:07:51 | 0:07:53 | |
-Well done, and now we're going to go through the barriers. -Oh, sorry! | 0:07:53 | 0:07:56 | |
You all right back there? | 0:07:56 | 0:07:57 | |
Yeah, we're all right. | 0:07:57 | 0:07:58 | |
'Can Xand handle going in reverse?' | 0:07:58 | 0:08:01 | |
What is interesting is, | 0:08:01 | 0:08:02 | |
I've totally forgotten there's a patient in the back. | 0:08:02 | 0:08:05 | |
Oh, no, no, no. | 0:08:07 | 0:08:08 | |
'Yes - penalty point for Xand.' | 0:08:08 | 0:08:11 | |
Can you really do this? | 0:08:11 | 0:08:12 | |
Like, is it possible? | 0:08:12 | 0:08:13 | |
'Now Chris has to be super-careful. | 0:08:13 | 0:08:15 | |
'It's time for pedestrian alley, | 0:08:15 | 0:08:17 | |
'and just look at how small those kids are. | 0:08:17 | 0:08:20 | |
'"Hiya!" "Oi, watch out!" "Oh, hello!" | 0:08:20 | 0:08:24 | |
'Speedily done, Chris, but I'll be smoother.' | 0:08:24 | 0:08:27 | |
'You're quite steady, Xand, but remember, | 0:08:27 | 0:08:29 | |
'you've got to get patients to the hospital quickly.' | 0:08:29 | 0:08:32 | |
This doesn't feel very professional. | 0:08:32 | 0:08:35 | |
It's like, I don't think you ever | 0:08:35 | 0:08:37 | |
see a paramedic driving like this. | 0:08:37 | 0:08:40 | |
'Watch out for pedestrians, Xand.' | 0:08:40 | 0:08:42 | |
Come on, mate, get out of the way! | 0:08:42 | 0:08:44 | |
'Surely that's going to cost him? And Xand's done.' | 0:08:44 | 0:08:47 | |
-OK, now loop? -'Easy does it, Chris. | 0:08:47 | 0:08:49 | |
'Keep your patient in one piece!' | 0:08:49 | 0:08:52 | |
It's a good job there's no sick in here. | 0:08:52 | 0:08:54 | |
'And then it's full steam ahead to the finish line.' | 0:08:54 | 0:08:57 | |
Stop. | 0:08:57 | 0:08:59 | |
BANG | 0:08:59 | 0:09:00 | |
SHE LAUGHS | 0:09:00 | 0:09:01 | |
'Chris! What are you doing?' | 0:09:01 | 0:09:02 | |
-'Sorry, I thought something ran out in front of me.' -Are you all right? | 0:09:02 | 0:09:06 | |
Yeah, I'm fine. | 0:09:06 | 0:09:07 | |
'Xand's turn on the loop. Come on, you have to get to the hospital!' | 0:09:08 | 0:09:11 | |
Arrrrgh! | 0:09:11 | 0:09:14 | |
'I hope his patient's OK.' | 0:09:15 | 0:09:16 | |
How's everyone back there? | 0:09:16 | 0:09:18 | |
-Took a little while. -Sorry, madam. | 0:09:18 | 0:09:20 | |
Just quicker next time, OK? | 0:09:20 | 0:09:21 | |
OK, so what's the verdict, by how much did I beat Dr Xand? | 0:09:24 | 0:09:28 | |
Chris, you got... | 0:09:28 | 0:09:30 | |
That's including two penalty points. | 0:09:30 | 0:09:32 | |
Xand, your time was... | 0:09:32 | 0:09:34 | |
-..which includes two penalty points. -I didn't feel that slow. | 0:09:36 | 0:09:40 | |
-I didn't have this beard when I started the course. -Yeah. | 0:09:40 | 0:09:43 | |
So, Chris wins part one for speed, | 0:09:43 | 0:09:45 | |
but what about part two - smoothness? | 0:09:45 | 0:09:47 | |
The smoother drive was Xand. | 0:09:49 | 0:09:52 | |
-Yes! -So, it's one apiece, who then has won the challenge? | 0:09:52 | 0:09:56 | |
Let's see the vote. | 0:09:56 | 0:09:57 | |
YES! | 0:09:57 | 0:09:58 | |
'Slow and steady wins the race. | 0:09:58 | 0:10:01 | |
'Xand, your patient would have been quicker walking to hospital. | 0:10:01 | 0:10:04 | |
'Don't be a sore loser, Chris.' | 0:10:04 | 0:10:06 | |
Well, Xand, I think we've learned how important the driving | 0:10:06 | 0:10:09 | |
skills of the ambulance team really are. | 0:10:09 | 0:10:11 | |
And it's time we handed back the keys. Thank you, Dave. | 0:10:11 | 0:10:14 | |
-Thank you, Gemma. -Thanks. -Thank you, Emily. | 0:10:14 | 0:10:17 | |
ALARM BLARES | 0:10:17 | 0:10:19 | |
I'm hitting the wards with my Ouch Bleeper, because we've brought | 0:10:22 | 0:10:26 | |
Ouch & About inside the hospital. | 0:10:26 | 0:10:28 | |
Wow. | 0:10:28 | 0:10:29 | |
Dr Xand, Dr Xand! | 0:10:29 | 0:10:31 | |
And I'm hitting the streets to answer your medical mysteries. | 0:10:31 | 0:10:35 | |
In the hospital, Chris is performing a very tricky operation. | 0:10:36 | 0:10:39 | |
Almost there... | 0:10:39 | 0:10:41 | |
BLEEPER CHIMES Ugh! | 0:10:41 | 0:10:42 | |
A question. | 0:10:42 | 0:10:44 | |
And he's off to see Alex, who's just had an operation on his oesophagus. | 0:10:44 | 0:10:49 | |
Hi, Alex. I got your bleep. What's your question? | 0:10:49 | 0:10:51 | |
-Why can't you eat or drink before surgery? -What's the diagnosis, Doc? | 0:10:51 | 0:10:56 | |
Sounds like a case of... | 0:10:56 | 0:10:57 | |
This question's making me hungry. | 0:10:59 | 0:11:01 | |
Well, I think I can answer the question. | 0:11:01 | 0:11:03 | |
Before you have ANY operation, | 0:11:03 | 0:11:05 | |
the reason you can't eat is because when you've lying down | 0:11:05 | 0:11:08 | |
and you've had an anaesthetic, you can't cough, | 0:11:08 | 0:11:10 | |
and so if food comes back up from your stomach and goes into | 0:11:10 | 0:11:14 | |
your windpipe, your trachea, it can then get into your lungs, | 0:11:14 | 0:11:17 | |
and that'll be really bad, | 0:11:17 | 0:11:18 | |
because you can't then breathe and you'll get pneumonia. | 0:11:18 | 0:11:21 | |
Once you had your operation, | 0:11:21 | 0:11:22 | |
how long was it before you could eat? | 0:11:22 | 0:11:24 | |
-Four hours. -OK, so what did you eat? | 0:11:24 | 0:11:26 | |
I had two rounds of toast, and then another two rounds, | 0:11:26 | 0:11:29 | |
four chicken goujons, a couple of chips and a bit of salad, | 0:11:29 | 0:11:33 | |
and then after that I had a yoghurt. | 0:11:33 | 0:11:35 | |
Wow, you must have been super-hungry! | 0:11:35 | 0:11:37 | |
You have earned yourself a sticker. I think we should probably try | 0:11:37 | 0:11:40 | |
and put it on your oesophagus, shouldn't we? | 0:11:40 | 0:11:42 | |
-Cheers, Alex. -Thank you. -See you soon. -Bye. | 0:11:42 | 0:11:44 | |
I'm Ouch & About on the street, | 0:11:46 | 0:11:48 | |
and I think someone has a question for me. | 0:11:48 | 0:11:50 | |
-Dr Xand, Dr Xand! -What? -I've got a question. | 0:11:50 | 0:11:53 | |
Ah, Heidi, what's your question? | 0:11:53 | 0:11:55 | |
Well, you know when you do this and you point to your finger | 0:11:55 | 0:11:57 | |
without touching it? | 0:11:57 | 0:11:58 | |
OK, try and move this finger. | 0:11:58 | 0:12:01 | |
-You moved the wrong one. -Why can't I lift the right one? | 0:12:01 | 0:12:03 | |
What's happening is your brain | 0:12:03 | 0:12:05 | |
is getting two different bits of information. | 0:12:05 | 0:12:07 | |
If you do that and you look, | 0:12:07 | 0:12:09 | |
the visual information your brain's getting is very confusing. | 0:12:09 | 0:12:12 | |
You've just got a whole mess of fingers and you can't tell which one | 0:12:12 | 0:12:14 | |
is which. You don't know which finger to send the message to. | 0:12:14 | 0:12:17 | |
But if I touch it, that's easy then, right? | 0:12:17 | 0:12:21 | |
So if you touch the finger, there's a wire, effectively | 0:12:21 | 0:12:25 | |
a nerve, carrying the message exactly to the right bit of | 0:12:25 | 0:12:27 | |
your brain and then your brain knows what to do. Does that make sense? | 0:12:27 | 0:12:30 | |
-Yeah. -It's a very complicated question, | 0:12:30 | 0:12:33 | |
but a very important one. Thank you. | 0:12:33 | 0:12:36 | |
Back in the hospital, Chris has been bleeped by Amelia. | 0:12:36 | 0:12:40 | |
-Hi, Amelia. What's your question? -What is a tracheostomy? | 0:12:40 | 0:12:43 | |
What's the diagnosis, doc? | 0:12:43 | 0:12:45 | |
Sounds like a classic case of | 0:12:45 | 0:12:47 | |
I-want-to-know-what- a-tracheostomy-is-itis. | 0:12:47 | 0:12:50 | |
That's easy for you to say! | 0:12:50 | 0:12:51 | |
Why are you interested in what a tracheostomy is? | 0:12:51 | 0:12:54 | |
Because I narrowly avoided getting one. | 0:12:54 | 0:12:57 | |
I was in intensive care for about five weeks with | 0:12:57 | 0:13:01 | |
a really bad lung infection but on the day when I was supposed | 0:13:01 | 0:13:06 | |
to get the tracheostomy, I just started breathing again. | 0:13:06 | 0:13:09 | |
When you were on the intensive care unit, | 0:13:09 | 0:13:10 | |
were you on a thing called a ventilator? | 0:13:10 | 0:13:13 | |
Yeah, a big tube down my throat. | 0:13:13 | 0:13:15 | |
And it blows air in and out of your lungs. | 0:13:15 | 0:13:19 | |
But if you have a tube going through your mouth and into your trachea, | 0:13:19 | 0:13:23 | |
your windpipe, for too long, it does a lot of damage. | 0:13:23 | 0:13:27 | |
So doctors can perform something called a tracheostomy. | 0:13:27 | 0:13:31 | |
Now, any ostomy is a hole between an organ and the skin | 0:13:31 | 0:13:35 | |
so a tracheostomy is when there's a hole between the trachea, | 0:13:35 | 0:13:39 | |
the windpipe, and the skin. | 0:13:39 | 0:13:41 | |
So if you make a little hole in that, | 0:13:41 | 0:13:43 | |
you can put in a tube that someone can then breathe in and out of | 0:13:43 | 0:13:46 | |
or that can be connected to a ventilator. | 0:13:46 | 0:13:48 | |
-Have I answered your question? -Yes. | 0:13:48 | 0:13:50 | |
-I'll leave you... -Oh, yeah, I get a sticker. | 0:13:50 | 0:13:52 | |
-All right? -You can put it on the teddy bear. -Teddy can get it. | 0:13:52 | 0:13:55 | |
-Thanks, Amelia. -Thank you, Dr Chris. -Cheers, Amelia. | 0:13:55 | 0:13:58 | |
-Hope you get better soon. -Bye. | 0:13:58 | 0:14:00 | |
Job done for today. Clinic closed. | 0:14:00 | 0:14:02 | |
Chris, I wonder how our patient | 0:14:07 | 0:14:08 | |
in the emergency department is getting on? | 0:14:08 | 0:14:11 | |
Well, you're in luck, Xand, | 0:14:11 | 0:14:12 | |
because this is the bit we get to find out. | 0:14:12 | 0:14:14 | |
Oh, it's one of my favourite bits. | 0:14:14 | 0:14:16 | |
Earlier, we met Sophie with her cut thumb in A&E. | 0:14:18 | 0:14:21 | |
Sophie was in her bedroom doing some arts and crafts when she cut | 0:14:21 | 0:14:25 | |
her hand on a sharp knife. | 0:14:25 | 0:14:27 | |
-BOTH: -Ouch! | 0:14:27 | 0:14:28 | |
Because this may have affected the movement of her hand, | 0:14:28 | 0:14:30 | |
she's here to see a specialist doctor. | 0:14:30 | 0:14:33 | |
Examining the dodgy digit this morning is Dr Helen Richards. | 0:14:33 | 0:14:37 | |
I believe you've had a little accident. Is it very sore? | 0:14:37 | 0:14:40 | |
Worst case scenario, what we'd be looking for is whether | 0:14:40 | 0:14:43 | |
she's damaged one of the tendons. | 0:14:43 | 0:14:44 | |
There's also the possibility of injuring one of the nerves. | 0:14:44 | 0:14:47 | |
And that could mean she needs an operation. | 0:14:47 | 0:14:50 | |
Dr Helen checks how Sophie's thumb is moving today. | 0:14:50 | 0:14:53 | |
Can you wriggle this little thumb? You can? | 0:14:53 | 0:14:55 | |
Now that it's not so sore, it's much better than yesterday. | 0:14:57 | 0:15:00 | |
She could move her thumb fully so that means her tendon's intact. | 0:15:00 | 0:15:03 | |
She's not injured any tendons in there | 0:15:03 | 0:15:05 | |
-so we don't need to do an operation. -Brilliant. -Phew! That's good news. | 0:15:05 | 0:15:09 | |
And looking at the scratching, it looks quite superficial. | 0:15:09 | 0:15:11 | |
And Sophie gets a brand-new bandage. | 0:15:11 | 0:15:13 | |
You'll be glad to hear we don't need to see you back here again. | 0:15:13 | 0:15:15 | |
-I'm all better. -Great. Bye, Sophie! | 0:15:15 | 0:15:18 | |
Bye, Tab. | 0:15:18 | 0:15:19 | |
Still to come... | 0:15:21 | 0:15:23 | |
Rude noises. PARP | 0:15:23 | 0:15:24 | |
Ooh! | 0:15:24 | 0:15:25 | |
See-through swallowing. | 0:15:25 | 0:15:27 | |
We're making an X-ray movie. | 0:15:27 | 0:15:29 | |
And... | 0:15:29 | 0:15:30 | |
My jaw's dislocated again. | 0:15:30 | 0:15:32 | |
Hang on, haven't we met this patient before? | 0:15:32 | 0:15:34 | |
Now, did you know your body can produce | 0:15:35 | 0:15:38 | |
nearly two litres of gas every day? | 0:15:38 | 0:15:40 | |
And this comes out either by burping or farting. | 0:15:40 | 0:15:43 | |
And now to our lab, | 0:15:48 | 0:15:49 | |
but this time we've hidden it in a top-secret location. | 0:15:49 | 0:15:53 | |
So secret that even Xand doesn't know where it is. | 0:15:53 | 0:15:56 | |
HE SPLUTTERS | 0:15:56 | 0:15:58 | |
What are you doing?! | 0:15:58 | 0:15:59 | |
It's time for some amazing experiments. | 0:15:59 | 0:16:02 | |
Just don't try anything you see here at home. | 0:16:02 | 0:16:05 | |
Today, we're finding out what happens when you burp. | 0:16:05 | 0:16:08 | |
HE BURPS | 0:16:16 | 0:16:17 | |
-Oh. -Xand, what are you doing? | 0:16:17 | 0:16:18 | |
You know I've expressly forbidden you from burping in the lab. | 0:16:18 | 0:16:21 | |
No, Chris! | 0:16:21 | 0:16:23 | |
Today, I am allowed to burp because today's lab is all about burping. | 0:16:23 | 0:16:27 | |
Burping is something we all do, no matter who you are, | 0:16:27 | 0:16:30 | |
and there's even a medical name for it... | 0:16:30 | 0:16:32 | |
Burping is a very important bodily function. | 0:16:33 | 0:16:36 | |
All burps are made of gas that your body wants to get rid of. | 0:16:36 | 0:16:39 | |
It might be because you've swallowed air, | 0:16:39 | 0:16:41 | |
because you gobble your lunch too fast like Xand, | 0:16:41 | 0:16:43 | |
or it might be carbon dioxide from chemical reactions in your stomach | 0:16:43 | 0:16:47 | |
or from the bubbles in a fizzy drink like this. | 0:16:47 | 0:16:50 | |
HE BELCHES | 0:16:50 | 0:16:51 | |
Now, the rumbling sound of a burp is caused when gas escapes | 0:16:51 | 0:16:54 | |
through your oesophagus or food pipe. Now, the internet says | 0:16:54 | 0:16:58 | |
that the sound actually comes from | 0:16:58 | 0:16:59 | |
when it passes over a very important body part | 0:16:59 | 0:17:02 | |
just here in your throat called the epiglottis. | 0:17:02 | 0:17:04 | |
This stops food from going into your windpipe when you swallow. | 0:17:04 | 0:17:07 | |
But we don't think that the internet is actually correct, | 0:17:07 | 0:17:11 | |
so we want to find out, | 0:17:11 | 0:17:12 | |
where does the noise of a burp actually come from | 0:17:12 | 0:17:14 | |
and what would happen if you didn't burp at all? | 0:17:14 | 0:17:16 | |
Let's find out. | 0:17:16 | 0:17:18 | |
To show you where a burp comes from, | 0:17:19 | 0:17:21 | |
we're going to film an actual burp from the inside. | 0:17:21 | 0:17:24 | |
BURP! | 0:17:24 | 0:17:26 | |
Pardon you! | 0:17:26 | 0:17:27 | |
Never in all of human history | 0:17:27 | 0:17:29 | |
-has anyone ever filmed a burp from the inside. -Really? | 0:17:29 | 0:17:33 | |
Yes, that really is true. | 0:17:33 | 0:17:34 | |
We're going to use a special camera to look down my throat, | 0:17:34 | 0:17:38 | |
but don't you go sticking anything down your throat. | 0:17:38 | 0:17:40 | |
We can only do this because we're doctors. | 0:17:40 | 0:17:42 | |
Away we go. | 0:17:42 | 0:17:44 | |
So now we can see inside Xand's mouth and then as we go back, | 0:17:45 | 0:17:48 | |
you can see the dangly bits at the back of Xand's mouth, the uvula, | 0:17:48 | 0:17:53 | |
and this little flap of tissue here is Xand's epiglottis. | 0:17:53 | 0:17:57 | |
-Hello, Xand's epiglottis. -Ah-oh! | 0:17:57 | 0:18:00 | |
Now keep your eye on the opening of the oesophagus. | 0:18:00 | 0:18:02 | |
XAND BURPS | 0:18:02 | 0:18:04 | |
And there it is! A burp! | 0:18:04 | 0:18:07 | |
A world first! A burp on camera. | 0:18:07 | 0:18:09 | |
As the air burps out, the soft tissue at the top of the oesophagus | 0:18:09 | 0:18:13 | |
is flapping while the epiglottis does nothing. | 0:18:13 | 0:18:17 | |
So we have proven burping is not the epiglottis flapping, | 0:18:17 | 0:18:20 | |
it's the soft tissues at the top of the oesophagus. | 0:18:20 | 0:18:23 | |
Take that, intranet! You're wrong. | 0:18:23 | 0:18:26 | |
But we're not stopping there. | 0:18:26 | 0:18:27 | |
Remember, burping is a perfectly natural body function | 0:18:27 | 0:18:31 | |
although it's not polite to burp loudly like Xand is doing | 0:18:31 | 0:18:34 | |
in this experiment, but what would happen if you didn't burp at all? | 0:18:34 | 0:18:38 | |
Well, Chris, put these on and I'll show you. | 0:18:38 | 0:18:41 | |
Because I am about to introduce you to a fearsome new machine. | 0:18:41 | 0:18:45 | |
Meet Dr Xand's amazing eructation machines. Ta-da! | 0:18:45 | 0:18:50 | |
Well, show me how it works. | 0:18:50 | 0:18:52 | |
Here we have kitchen vinegar. | 0:18:52 | 0:18:54 | |
We're going to take this and pour it through here. | 0:18:54 | 0:18:57 | |
Now, in the model, this bit represents the back of your throat | 0:18:57 | 0:19:00 | |
and the food is going to flow down the oesophagus, the food pipe, | 0:19:00 | 0:19:05 | |
into our stomachs. | 0:19:05 | 0:19:07 | |
These balloons contain bicarbonate of soda, which will react | 0:19:07 | 0:19:10 | |
with the vinegar and produce gas and we will get burping! | 0:19:10 | 0:19:15 | |
-So how does it work? -Let me show you. | 0:19:15 | 0:19:18 | |
The liquid goes down the throat into the oesophagus. | 0:19:18 | 0:19:20 | |
And this is what happens when you drink. | 0:19:20 | 0:19:23 | |
Your oesophagus fills up. | 0:19:23 | 0:19:24 | |
We'll close that valve at the top. It's what happens when you swallow. | 0:19:24 | 0:19:27 | |
And then we open this valve, the oesophageal sphincter, | 0:19:27 | 0:19:30 | |
and we let the food into the stomach. | 0:19:30 | 0:19:33 | |
And then we can see it already, gas bubbling up, | 0:19:33 | 0:19:35 | |
the chemicals in the food reacting with the chemicals in the stomach. | 0:19:35 | 0:19:38 | |
You can feel a bit of rumbling. You can feel a burp coming. | 0:19:38 | 0:19:42 | |
You relax this valve at the top, | 0:19:42 | 0:19:44 | |
which is the cricopharyngeus muscle, and... | 0:19:44 | 0:19:47 | |
GAS NOISILY ESCAPES | 0:19:47 | 0:19:49 | |
Ooh! | 0:19:49 | 0:19:50 | |
That is excellent! | 0:19:51 | 0:19:52 | |
But you asked me what would happen if you couldn't burp, | 0:19:52 | 0:19:56 | |
and now we're about to find out. | 0:19:56 | 0:19:58 | |
So get your vinegar and pour it in the top. | 0:19:58 | 0:20:01 | |
Now let the food into the stomach. We can see the gas. | 0:20:01 | 0:20:04 | |
Gas is coming out of the stomach | 0:20:04 | 0:20:06 | |
but it can't escape the closed valve at the top of the oesophagus. | 0:20:06 | 0:20:10 | |
If you can't burp, it means that none of the gas can escape upwards | 0:20:10 | 0:20:14 | |
and so it builds up in the stomach. | 0:20:14 | 0:20:16 | |
You would be getting very uncomfortable right now | 0:20:16 | 0:20:18 | |
if that was your real stomach. | 0:20:18 | 0:20:19 | |
Xand, I'm going to add more blue vinegar. | 0:20:19 | 0:20:21 | |
Chris, it wasn't designed to withstand this kind of pressure! | 0:20:21 | 0:20:25 | |
More gas means more pressure. | 0:20:25 | 0:20:27 | |
Here goes. Oh, Xand! | 0:20:27 | 0:20:29 | |
Oh, here we go! | 0:20:29 | 0:20:30 | |
It's going to go! No-o-o! | 0:20:30 | 0:20:33 | |
BOTH: Argh! | 0:20:34 | 0:20:36 | |
Wow! | 0:20:36 | 0:20:37 | |
That was amazing! | 0:20:37 | 0:20:39 | |
So we've shown you where the burping noise comes from | 0:20:42 | 0:20:45 | |
and how important burps are for getting rid of unwanted gases. | 0:20:45 | 0:20:49 | |
Now, my fake stomach here has exploded, but don't worry. | 0:20:51 | 0:20:54 | |
If you don't burp, you won't actually explode. | 0:20:54 | 0:20:57 | |
You might feel a bit bloated and uncomfortable but eventually | 0:20:57 | 0:21:00 | |
the gas goes through your intestines and you pass it out the other end. | 0:21:00 | 0:21:03 | |
XAND FARTS | 0:21:03 | 0:21:05 | |
Walls can be really annoying sometimes | 0:21:10 | 0:21:13 | |
and make you wish you could see over them or through them. | 0:21:13 | 0:21:16 | |
Xand, you're not eating my cake, are you? | 0:21:16 | 0:21:18 | |
No, no, no cake here, no. | 0:21:18 | 0:21:20 | |
Good. Now, your skin can be a little bit like a wall. | 0:21:20 | 0:21:23 | |
When you get a medical problem on the outside it's easy to see it, | 0:21:23 | 0:21:26 | |
treat it and watch it heal, | 0:21:26 | 0:21:27 | |
but when you get medical mysteries going on inside the body, | 0:21:27 | 0:21:31 | |
there's one hospital department you need to turn to for help - | 0:21:31 | 0:21:34 | |
the radiology department, | 0:21:34 | 0:21:35 | |
because they've got all kinds of cool kit that can actually see | 0:21:35 | 0:21:39 | |
inside the body, a bit like this periscope lets me see over the wall. | 0:21:39 | 0:21:43 | |
Xand! | 0:21:44 | 0:21:45 | |
The new radiology department at Alder Hey | 0:21:46 | 0:21:49 | |
cost a whopping £7 million. | 0:21:49 | 0:21:51 | |
This department X-rays 75,000 patients a year | 0:21:51 | 0:21:55 | |
and more than half of those have their snaps taken on this, | 0:21:55 | 0:21:58 | |
a plain film X-ray machine. | 0:21:58 | 0:22:00 | |
X-rays let doctors look at your bones. | 0:22:00 | 0:22:04 | |
They're like a super powerful version of ordinary light | 0:22:04 | 0:22:07 | |
which can pass through your skin. | 0:22:07 | 0:22:09 | |
When they meet bones, X-rays stop dead in their tracks | 0:22:09 | 0:22:12 | |
and the perfect picture can be taken. | 0:22:12 | 0:22:14 | |
It's not just bones that show up in an X-ray, though. | 0:22:15 | 0:22:18 | |
I'm heading to another part of the radiology department to see | 0:22:18 | 0:22:21 | |
a different type of X-ray machine. | 0:22:21 | 0:22:23 | |
This one is used to study people who have problems swallowing. | 0:22:23 | 0:22:27 | |
Nine-year-old Isabelle is currently fed through a tube in her stomach | 0:22:27 | 0:22:30 | |
as a result of having an operation. | 0:22:30 | 0:22:32 | |
She's come to the radiology department today | 0:22:32 | 0:22:35 | |
for a video fluoroscopy test | 0:22:35 | 0:22:36 | |
to see if it's now safe for her to eat and drink normally. | 0:22:36 | 0:22:40 | |
So I'm wearing this apron and it is very heavy because it's made of lead | 0:22:40 | 0:22:44 | |
and that protects me from radiation. | 0:22:44 | 0:22:46 | |
Radiation isn't dangerous for the patients but if you get a little bit | 0:22:46 | 0:22:49 | |
every day, that could be dangerous so you wear a bit of protection. | 0:22:49 | 0:22:52 | |
I'd have preferred a green one. | 0:22:52 | 0:22:54 | |
We're going to give you some yoghurt to eat, OK? | 0:22:54 | 0:22:56 | |
Isabelle's dad feeds her some special liquid | 0:22:56 | 0:22:59 | |
which X-rays can't pass through, so it shows up black on the image. | 0:22:59 | 0:23:02 | |
Can you see it? | 0:23:02 | 0:23:03 | |
What's amazing is that you're making, if you like, an X-ray movie, | 0:23:03 | 0:23:07 | |
so we can see the liquid going down her throat. | 0:23:07 | 0:23:09 | |
That's a video and that means we can make sure that it's safe for her to | 0:23:09 | 0:23:13 | |
keep swallowing and that none of the food is going down the wrong way. | 0:23:13 | 0:23:16 | |
So Isabelle's oesophagus is working fine. | 0:23:16 | 0:23:19 | |
The fluoroscopy has shown the doctors that it's safe | 0:23:19 | 0:23:22 | |
for her to start eating again. Isn't that amazing? | 0:23:22 | 0:23:24 | |
After a whole year of being fed through a tube. | 0:23:24 | 0:23:27 | |
It's busy in the radiology department today. | 0:23:27 | 0:23:30 | |
Down the corridor, nine-year-old Neve is having another sort of | 0:23:30 | 0:23:33 | |
picture taken called an ultrasound for a mystery swelling in her foot. | 0:23:33 | 0:23:37 | |
Here to do that is... | 0:23:37 | 0:23:39 | |
The way the ultrasound machine is working is it's using | 0:23:41 | 0:23:44 | |
a probe which emits a very, very high frequency noise, | 0:23:44 | 0:23:47 | |
such a high pitch that you can't hear it and those sound waves | 0:23:47 | 0:23:50 | |
bounce back differently depending on whether they hit bone or | 0:23:50 | 0:23:53 | |
whether they hit muscle or different things, and it's listening | 0:23:53 | 0:23:56 | |
for the echoes coming back and then putting those echoes into an image. | 0:23:56 | 0:24:00 | |
This area which looks darker than the normal tissues around the bone, | 0:24:01 | 0:24:06 | |
so bone is here. | 0:24:06 | 0:24:08 | |
So there's something, possibly a splinter, | 0:24:08 | 0:24:10 | |
irritating Neve's foot that will require further investigation. | 0:24:10 | 0:24:13 | |
Have you given it a name? | 0:24:13 | 0:24:15 | |
-Jeff. -That's a great name. | 0:24:15 | 0:24:16 | |
Bye. Bye, Jeff. "Bye, Xand!" | 0:24:19 | 0:24:21 | |
Without the amazing radiology department at Alder Hey Hospital, | 0:24:21 | 0:24:24 | |
the doctors and other experts would have to spend a lot more time | 0:24:24 | 0:24:28 | |
guessing about diagnosing people's conditions, | 0:24:28 | 0:24:30 | |
but these machines are so powerful, they can see deep inside your body. | 0:24:30 | 0:24:34 | |
They could even see a piece of cake inside your stomach. | 0:24:34 | 0:24:38 | |
Don't tell Dr Chris! | 0:24:38 | 0:24:39 | |
The doctors and nurses in A&E are ready for the next patient. | 0:24:44 | 0:24:47 | |
-I wonder who it's going to be. -Could be anyone at all. | 0:24:47 | 0:24:50 | |
-Probably a total stranger, someone we've never seen before. -Probably. | 0:24:50 | 0:24:54 | |
Waiting in the emergency department with her mum is 14-year-old Carmen. | 0:24:56 | 0:25:00 | |
My jaw's dislocated again. | 0:25:00 | 0:25:02 | |
Hang on, she looks familiar! | 0:25:02 | 0:25:03 | |
Yeah, I was on Operation Ouch last year. | 0:25:03 | 0:25:06 | |
Oh, I thought I recognised you. And it's happened again? | 0:25:06 | 0:25:10 | |
It's happened about 50 times now. | 0:25:10 | 0:25:13 | |
Did Carmen say 50? Wow. | 0:25:13 | 0:25:15 | |
So what happened this time? | 0:25:15 | 0:25:17 | |
Carmen was in dance rehearsal for the end of the year school show. | 0:25:17 | 0:25:21 | |
Ooh, was she tap-dancing? | 0:25:21 | 0:25:22 | |
-No, it was a big Beyonce number. -I love Beyonce! | 0:25:22 | 0:25:26 | |
# If you like it then you should have put a ring on it | 0:25:26 | 0:25:29 | |
# If you like it then you should have put a ring on it... # | 0:25:29 | 0:25:32 | |
-Very tuneful, Xand(!) -Thanks, Chris. | 0:25:32 | 0:25:34 | |
Anyway, Carmen was really busting some moves, | 0:25:34 | 0:25:37 | |
but when the class finished, her face felt funny. | 0:25:37 | 0:25:40 | |
She looked in the mirror and saw her jaw had dislocated again. Ouch! | 0:25:40 | 0:25:45 | |
Sometimes I'm able to get it back in by pulling my jaw down myself. | 0:25:45 | 0:25:49 | |
Well, now you're here, let's get a professional to take a look. | 0:25:49 | 0:25:53 | |
Meet Dr Naomi Simmons, who's going to check out those chops. | 0:25:53 | 0:25:57 | |
-Can you open your jaw at all at the moment? -No. | 0:25:57 | 0:26:00 | |
It's the temporomandibular joint which dislocates in the jaw, | 0:26:00 | 0:26:04 | |
which is right up there. | 0:26:04 | 0:26:06 | |
Inside your head are 20 bones which make up the skull. | 0:26:06 | 0:26:09 | |
Two of them are in your jaw. | 0:26:09 | 0:26:11 | |
There's the mandible, which is one of the strongest bones in the body. | 0:26:11 | 0:26:15 | |
And the maxilla. They're linked together by a hinge | 0:26:15 | 0:26:18 | |
which allows you to open and close your mouth. | 0:26:18 | 0:26:20 | |
And this time Carmen's right hinge has become unhinged. | 0:26:20 | 0:26:23 | |
So, I'm going to pop and get some Entonox. | 0:26:25 | 0:26:28 | |
The Entonox is laughing gas, so it will help relax my jaw. | 0:26:28 | 0:26:31 | |
I'm getting quite an expert on this now! | 0:26:31 | 0:26:34 | |
Yes, you are. Dr Naomi brings in the Entonox to our expert. | 0:26:34 | 0:26:39 | |
She also brings tongue depressors that she'll use to straighten that | 0:26:39 | 0:26:42 | |
sore jaw, but once the Entonox kicks in, Carmen has other ideas. | 0:26:42 | 0:26:47 | |
Try, like... | 0:26:47 | 0:26:49 | |
Because this has happened so many times, | 0:26:49 | 0:26:51 | |
Carmen's mum has become really good at popping it back. | 0:26:51 | 0:26:55 | |
She uses the tongue depressors to help ease Carmen's jaw back | 0:26:55 | 0:26:59 | |
to where it should be. | 0:26:59 | 0:27:01 | |
-Is it back in place? -Uh-huh. | 0:27:01 | 0:27:02 | |
-Is that right? -I think it is. | 0:27:02 | 0:27:04 | |
Well, it looks right to me. Let's ask our expert. | 0:27:04 | 0:27:07 | |
Yeah, it's back in place now. | 0:27:07 | 0:27:09 | |
-She can talk! -Good work, Mum! | 0:27:09 | 0:27:12 | |
You know the score from here, really, don't you? | 0:27:12 | 0:27:14 | |
Try to remember not to have any big movements of your jaw... | 0:27:14 | 0:27:18 | |
No more Beyonce boogying for you, Carmen. | 0:27:18 | 0:27:21 | |
I think I'm going to go back to dance right now. | 0:27:21 | 0:27:24 | |
We can't stop you from dancing, can we? | 0:27:24 | 0:27:27 | |
CHRIS AND XAND: Bye! | 0:27:27 | 0:27:28 | |
Next time on Operation Ouch: Hospital Takeover, we do the mail... | 0:27:30 | 0:27:34 | |
-When you do it, does quite a lot end up on the floor? -No, not really. | 0:27:34 | 0:27:38 | |
..Xand gets jabbed... | 0:27:38 | 0:27:40 | |
Ow! What are you doing? | 0:27:40 | 0:27:41 | |
..and I'm feeling the heat. | 0:27:41 | 0:27:43 | |
Wow! That is very, very hot. | 0:27:43 | 0:27:46 | |
SIREN WAILS | 0:27:46 | 0:27:47 | |
So we'll see you next time for more Operation Ouch. | 0:27:47 | 0:27:51 | |
What? Is it over? | 0:27:51 | 0:27:53 | |
I was really enjoying that. | 0:27:53 | 0:27:54 | |
We're into the unknown of | 0:27:54 | 0:27:56 | |
what can possibly be known about | 0:27:56 | 0:27:58 | |
the science of human burping. | 0:27:58 | 0:28:00 | |
HE BURPS | 0:28:00 | 0:28:02 | |
The absolute end of possible... | 0:28:02 | 0:28:05 | |
HE LAUGHS | 0:28:05 | 0:28:07 | |
Do you think I'll get an OBE for this? | 0:28:07 | 0:28:09 | |
You'll get a No-B-E for this. | 0:28:09 | 0:28:11 |