Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
(Operation ouch.) | 0:00:19 | 0:00:21 | |
'He's Dr Chris. | 0:00:23 | 0:00:25 | |
'And he's Dr Xand. Yes, we're twins. | 0:00:27 | 0:00:30 | |
'Do you know just how brilliant your body really is? | 0:00:30 | 0:00:34 | |
'Well, now's the time to find out. | 0:00:34 | 0:00:36 | |
'We'll be uncovering the ins and outs of what you're made of.' | 0:00:36 | 0:00:39 | |
I've got a big hole in my head. | 0:00:39 | 0:00:43 | |
'We'll be doing awesome experiments...' | 0:00:43 | 0:00:46 | |
HIGH PITCHED: You sound ridiculous. | 0:00:46 | 0:00:47 | |
-LOW PITCHED: -I can't speak. | 0:00:47 | 0:00:49 | |
THEY LAUGH | 0:00:49 | 0:00:51 | |
-'..as we push our own bodies to the limits...' -OK, here we go. | 0:00:51 | 0:00:55 | |
Oh, oh... | 0:00:55 | 0:00:56 | |
'..to show you all the incredible things your body can do. | 0:00:56 | 0:01:01 | |
Oh, no! | 0:01:01 | 0:01:02 | |
Hang around, because this is going to be fun. | 0:01:04 | 0:01:07 | |
-Coming up today. -On Operation Ouch... | 0:01:07 | 0:01:10 | |
'Olivia and Rees come in to accident and emergency, | 0:01:13 | 0:01:16 | |
'but the team are ready to fix them. | 0:01:16 | 0:01:17 | |
'There's shock and horror in the streets, | 0:01:17 | 0:01:20 | |
'as we take a peek at this man's amazing body.' | 0:01:20 | 0:01:22 | |
SHE SCREAMS | 0:01:22 | 0:01:23 | |
'We're going to show you a real human brain and look inside it too. | 0:01:23 | 0:01:28 | |
'And I join an emergency rescue team | 0:01:28 | 0:01:30 | |
'as they race to the scene of an accident.' | 0:01:30 | 0:01:32 | |
Just keep breathing. Every time you feel pain, | 0:01:32 | 0:01:34 | |
take a really nice deep breath. | 0:01:34 | 0:01:36 | |
(Ouch.) | 0:01:37 | 0:01:38 | |
Hospital doctors and nurses always expect the unexpected. | 0:01:38 | 0:01:42 | |
Let's see how they fix our first patient. | 0:01:42 | 0:01:44 | |
'This one's a bit gory, injury fans. | 0:01:44 | 0:01:46 | |
'We're in A&E at Alder Hey Hospital in Liverpool, | 0:01:46 | 0:01:49 | |
'where 11 year-old Olivia has come in with a metal hook | 0:01:49 | 0:01:52 | |
'from her dinner pass stuck in her hand. | 0:01:52 | 0:01:54 | |
'Like I told you, gory.' | 0:01:54 | 0:01:56 | |
'I had hold of it and then my mate', | 0:01:56 | 0:01:58 | |
he pulled it off my neck, because he went, can I have it? And I went, no. | 0:01:58 | 0:02:01 | |
-'Right, OK'. -I said no. And then he pulled it... -'Right.' | 0:02:01 | 0:02:04 | |
-I went, ow! -'Er, yes.' | 0:02:04 | 0:02:06 | |
-All everybody could do was... -'Er, OK.' | 0:02:06 | 0:02:10 | |
-That's not real... -'Hold on. Take a breather, Olivia'. -What? | 0:02:10 | 0:02:13 | |
'Let's start again, shall we? | 0:02:13 | 0:02:15 | |
'It was lunchtime at school and Olivia was in the food queue. | 0:02:15 | 0:02:19 | |
'She was wearing her dinner passed around her neck | 0:02:19 | 0:02:22 | |
'and contemplating the sausages, | 0:02:22 | 0:02:24 | |
'when her schoolmates started larking about. | 0:02:24 | 0:02:26 | |
'He said, "Can I borrow your pass?" She said, "No, you can't." | 0:02:26 | 0:02:30 | |
'So he pulled her pass really hard. | 0:02:30 | 0:02:32 | |
'Olivia tried to hold onto it, he pulled, | 0:02:32 | 0:02:35 | |
'she pulled and the next minute, the hook went into her hand. | 0:02:35 | 0:02:37 | |
'Ouch. | 0:02:37 | 0:02:39 | |
'That looks nasty.' | 0:02:39 | 0:02:41 | |
-Hiya! -'Not that Olivia seems too down about it. | 0:02:41 | 0:02:45 | |
'Still, mum, dad and brother George have arrived for some moral support. | 0:02:45 | 0:02:49 | |
'So, what do you think of your sister's wound then, George? | 0:02:49 | 0:02:52 | |
-It looks like a pomegranate. -'A pome what?' -A pomegranate, | 0:02:52 | 0:02:55 | |
that's got stuck in there, with a hook. | 0:02:55 | 0:02:57 | |
It's a blood clot, | 0:02:57 | 0:02:59 | |
because if that wasn't there, then all the blood would just whoosh. | 0:02:59 | 0:03:02 | |
Let's see what nurse Laura makes of it. | 0:03:02 | 0:03:05 | |
We need to have a little an X-ray | 0:03:05 | 0:03:07 | |
so we can see how deep it's gone and how we're going to get it out. | 0:03:07 | 0:03:10 | |
'But Olivia's mum raises another problem. | 0:03:10 | 0:03:13 | |
'Olivia is due to take part in her school play TONIGHT.' | 0:03:13 | 0:03:17 | |
She's supposed to be in the Bugsy Malone drama production | 0:03:17 | 0:03:19 | |
and she's wanting to still be in the show. | 0:03:19 | 0:03:22 | |
-Is it a practice tonight? -No, it's proper like. | 0:03:22 | 0:03:25 | |
She's been practising since October. | 0:03:25 | 0:03:27 | |
'Only three hours to go till the play starts, | 0:03:27 | 0:03:29 | |
'but will Olivia make it on stage?' | 0:03:29 | 0:03:32 | |
It just depends, I need to see how deep it's gone in first. | 0:03:32 | 0:03:37 | |
'With the clock ticking, let's get those X-rays done. | 0:03:37 | 0:03:40 | |
'If the hook turned out to be too close to the bone, | 0:03:40 | 0:03:44 | |
'Olivia may need an operation.' | 0:03:44 | 0:03:46 | |
Ah. | 0:03:46 | 0:03:47 | |
'We'll be back later to find out | 0:03:47 | 0:03:50 | |
'if Olivia can be de-hooked in time for that play.' | 0:03:50 | 0:03:52 | |
(Ouch.) | 0:03:54 | 0:03:55 | |
'This is our lab, | 0:03:57 | 0:03:58 | |
'where we're going to do some incredible body experiments.' | 0:03:58 | 0:04:01 | |
Ow, that really hurt. | 0:04:01 | 0:04:03 | |
'Just don't try anything you see here at home.' | 0:04:03 | 0:04:06 | |
Today, we're sneezing. | 0:04:07 | 0:04:08 | |
I'm going to show you something about sneezing that you won't know | 0:04:08 | 0:04:11 | |
and Xand, I'm pretty sure even as a doctor, you won't know this either. | 0:04:11 | 0:04:15 | |
'First of all, I need to get Xand to sneeze.' | 0:04:15 | 0:04:18 | |
Try rolling up the corner of this piece of tissue paper | 0:04:18 | 0:04:21 | |
-and stick it in your nose. -Really? | 0:04:21 | 0:04:23 | |
HE SNEEZES LOUDLY | 0:04:28 | 0:04:30 | |
'Xand! Cover your mouth.' | 0:04:30 | 0:04:32 | |
I'm covered in spit. So, what happened there? | 0:04:32 | 0:04:35 | |
I put something up my nose and my body just blew it out, | 0:04:35 | 0:04:38 | |
because it didn't like it. | 0:04:38 | 0:04:39 | |
How does it clear your nose? | 0:04:39 | 0:04:41 | |
You sort of go... like that and just blow everything out of your nose. | 0:04:41 | 0:04:44 | |
That's what you think happens? | 0:04:44 | 0:04:46 | |
This is really good, so even doctors | 0:04:46 | 0:04:48 | |
honestly think this happens when you sneeze | 0:04:48 | 0:04:51 | |
and that is completely wrong. | 0:04:51 | 0:04:53 | |
You don't blow anything out your nose when you sneeze. | 0:04:53 | 0:04:55 | |
Everything comes out your mouth. | 0:04:55 | 0:04:57 | |
We can prove it to you if you look at this video of me sneezing. | 0:04:57 | 0:05:00 | |
'OK, here we go. I'm going... I'm going... I've gone.' | 0:05:00 | 0:05:06 | |
'That's all saliva that was in my mouth, | 0:05:06 | 0:05:08 | |
'but nothing is coming out of my nose. | 0:05:08 | 0:05:11 | |
'It's only after I sneeze that my body will create mucus | 0:05:11 | 0:05:15 | |
'to flush out whatever irritated my nose in the first place | 0:05:15 | 0:05:18 | |
'and that's when snot will come out of my nostrils.' | 0:05:18 | 0:05:21 | |
So we've shown you that when you sneeze, | 0:05:21 | 0:05:23 | |
the spray only comes out your mouth. | 0:05:23 | 0:05:25 | |
But imagine if Chris had been ill when he sneezed. | 0:05:25 | 0:05:27 | |
Every single one of those droplets | 0:05:27 | 0:05:29 | |
could have contained disease-spreading germs. | 0:05:29 | 0:05:32 | |
And that's why it's so important to cover your mouth. | 0:05:32 | 0:05:36 | |
Now we're going to show you just how big and powerful a sneeze can be. | 0:05:36 | 0:05:39 | |
We're going to create our own work of art. | 0:05:42 | 0:05:45 | |
We'll both drink different coloured liquids, | 0:05:45 | 0:05:47 | |
then get a sneeze going to create our masterpiece. | 0:05:47 | 0:05:50 | |
Get ready for germ art! | 0:05:50 | 0:05:52 | |
OK, so are you going to go first? | 0:05:56 | 0:05:58 | |
HE SNEEZES THEY GIGGLE | 0:06:02 | 0:06:05 | |
That's really good! | 0:06:07 | 0:06:09 | |
'Thanks! Now you'll notice an amazing splatter effect, | 0:06:09 | 0:06:13 | |
'and that's all down to the speed our sneezes are travelling. | 0:06:13 | 0:06:17 | |
'100kmph, to be precise.' | 0:06:17 | 0:06:19 | |
'And remember, if we were ill, that would all be germs.' | 0:06:19 | 0:06:23 | |
I really like what you've done there, though. You've really drawn... | 0:06:23 | 0:06:26 | |
I've got the nose right. | 0:06:26 | 0:06:27 | |
I don't know why everyone doesn't paint this way! | 0:06:29 | 0:06:31 | |
Now, with all this sneezing, look what's started to happen. | 0:06:31 | 0:06:34 | |
Yep, snot. And that's the mucus our bodies have created | 0:06:34 | 0:06:37 | |
to flush out what was making us sneeze. | 0:06:37 | 0:06:40 | |
I hope we've painted for you a clear picture of why it's so important | 0:06:40 | 0:06:44 | |
to cover your mouth when you sneeze, | 0:06:44 | 0:06:46 | |
use a tissue, or do it into your elbow. | 0:06:46 | 0:06:48 | |
You've got a little snot... | 0:06:48 | 0:06:51 | |
In the UK, there are hundreds | 0:06:54 | 0:06:55 | |
of rapid response medical teams on standby. | 0:06:55 | 0:06:58 | |
And they need to be on the scene of an emergency in minutes. | 0:06:58 | 0:07:01 | |
We're going on call with the UK's emergency services, | 0:07:03 | 0:07:06 | |
heading into the thick of the action to help save lives. | 0:07:06 | 0:07:08 | |
Now it's Xand's turn on the front line. | 0:07:08 | 0:07:11 | |
This is the West Midlands Ambulance Service | 0:07:11 | 0:07:14 | |
rapid response vehicle, | 0:07:14 | 0:07:15 | |
and the paramedics who drive these are on call 24-7, | 0:07:15 | 0:07:18 | |
so that they're always ready to deal with medical emergencies. | 0:07:18 | 0:07:22 | |
-Jan, can I hit the lights? -Go on, then! | 0:07:22 | 0:07:24 | |
SIRENS WAIL Yes! | 0:07:24 | 0:07:28 | |
This fast medical service takes thousands of 999 calls every day. | 0:07:28 | 0:07:33 | |
If you had an accident, | 0:07:33 | 0:07:34 | |
they're the people you'd want to come to your rescue. | 0:07:34 | 0:07:37 | |
On call with me today is paramedic, Jan Vann. | 0:07:37 | 0:07:40 | |
We're on a 999 call to see an 18-year-old girl | 0:07:43 | 0:07:46 | |
who's fallen and hurt her shoulder. | 0:07:46 | 0:07:48 | |
We don't know anything more than that. | 0:07:48 | 0:07:50 | |
In the call centre, they're putting information into the computer, | 0:07:50 | 0:07:53 | |
and that's coming up on screen. | 0:07:53 | 0:07:55 | |
We can see she's got a hurt shoulder. She is breathing, she's conscious. | 0:07:55 | 0:07:58 | |
So when you phone 999, the ambulance can be heading towards you | 0:07:58 | 0:08:01 | |
even as you're giving more information. | 0:08:01 | 0:08:03 | |
It's only five minutes since the call came in. | 0:08:03 | 0:08:06 | |
We're almost at the scene, and I've got my camera ready, | 0:08:06 | 0:08:08 | |
so you'll be able to see exactly what's going on. | 0:08:08 | 0:08:11 | |
-Hiya! -Hi! | 0:08:12 | 0:08:13 | |
The patient is called Saffron, | 0:08:13 | 0:08:14 | |
and her shoulder's clearly giving her a lot of pain. | 0:08:14 | 0:08:18 | |
I've got gas and air that I'm going to give you. | 0:08:18 | 0:08:20 | |
Put it in your mouth and breathe in. | 0:08:20 | 0:08:21 | |
After a few puffs on the gas and air, | 0:08:21 | 0:08:24 | |
Jan can get a chance to examine Saffron. | 0:08:24 | 0:08:26 | |
-You weren't knocked out, at all, were you? -No. | 0:08:26 | 0:08:29 | |
What Jan's doing now is giving her gas and air. | 0:08:29 | 0:08:31 | |
It should make her much more comfortable. | 0:08:31 | 0:08:33 | |
Then we can look at the shoulder. | 0:08:33 | 0:08:35 | |
-SHE CRIES OUT -Sorry! | 0:08:35 | 0:08:36 | |
I think she's broken her collarbone. | 0:08:36 | 0:08:38 | |
When you try and feel for the hard bone, | 0:08:38 | 0:08:40 | |
there's a bit of a gap there and it disappears, | 0:08:40 | 0:08:43 | |
and she's in quite a lot of pain. | 0:08:43 | 0:08:44 | |
What I'm going to do is I'm going to put a sling on your arm. | 0:08:44 | 0:08:47 | |
That's going to support it for you, so you can let go of it, OK? | 0:08:47 | 0:08:50 | |
Jan's been able to see that | 0:08:50 | 0:08:51 | |
she's probably got a broken collarbone. | 0:08:51 | 0:08:53 | |
Very painful, but not life-threatening, which is good. | 0:08:53 | 0:08:55 | |
All right? | 0:08:55 | 0:08:57 | |
So if you take really big, lungfuls of gas. | 0:08:57 | 0:08:59 | |
Just keep breathing. | 0:08:59 | 0:09:00 | |
Every time feel pain, | 0:09:00 | 0:09:01 | |
take a really nice, deep breath. | 0:09:01 | 0:09:03 | |
That's really good. | 0:09:03 | 0:09:05 | |
Deep breaths, love. | 0:09:05 | 0:09:06 | |
You can see how much pain affects people. | 0:09:06 | 0:09:08 | |
She's really sweaty, | 0:09:08 | 0:09:11 | |
she's not really able to speak. | 0:09:11 | 0:09:13 | |
That bone there feels OK, yeah? | 0:09:13 | 0:09:15 | |
Though we think she's just got a broken collarbone, | 0:09:15 | 0:09:17 | |
which isn't that serious an injury, | 0:09:17 | 0:09:19 | |
we've got the ECG, the monitors, we're taking blood pressure, | 0:09:19 | 0:09:22 | |
we're looking at her heart, at her breathing. | 0:09:22 | 0:09:24 | |
All of that's to make sure she hasn't got any other injuries, | 0:09:24 | 0:09:27 | |
or underlying problems. | 0:09:27 | 0:09:28 | |
-Is the gas making you feel better? -Yeah. | 0:09:28 | 0:09:30 | |
Keep breathing it in, then, OK? | 0:09:30 | 0:09:32 | |
You're doing brilliantly now. | 0:09:32 | 0:09:34 | |
You'll notice how much better Saffron looks | 0:09:34 | 0:09:37 | |
with the gas and air and with the sling. | 0:09:37 | 0:09:38 | |
Her arm's immobilised | 0:09:38 | 0:09:39 | |
so the bones aren't grinding, | 0:09:39 | 0:09:41 | |
and the colour's come back to her cheeks. | 0:09:41 | 0:09:42 | |
She's looking much better. She still needs to go to hospital, | 0:09:42 | 0:09:45 | |
but you can see how much of a difference it makes | 0:09:45 | 0:09:47 | |
having Jan here quickly. | 0:09:47 | 0:09:49 | |
An ambulance has arrived | 0:09:49 | 0:09:51 | |
to take Saffron to hospital for further treatment. | 0:09:51 | 0:09:53 | |
So, with our job here done, we head back to the car, | 0:09:56 | 0:09:59 | |
ready for when the next call comes in. | 0:09:59 | 0:10:02 | |
It's thanks to paramedics like Jan who can get to a scene fast | 0:10:05 | 0:10:07 | |
that means that, in an emergency, | 0:10:07 | 0:10:10 | |
you'll never be more than a few minutes away from medical care. | 0:10:10 | 0:10:12 | |
Still to come, Xand hits the hospital wards, | 0:10:14 | 0:10:17 | |
and takes on a plaster cast challenge. | 0:10:17 | 0:10:20 | |
Can you stop your friends from standing up with one finger? | 0:10:20 | 0:10:24 | |
We'll show you how to do it. | 0:10:24 | 0:10:25 | |
And I'm going to show you the insides of a real human brain. | 0:10:25 | 0:10:29 | |
The brain inside your head is soft and squishy. | 0:10:29 | 0:10:32 | |
Wow, that's amazing! And so's this. | 0:10:39 | 0:10:41 | |
An ordinary high-street in an ordinary town, | 0:10:41 | 0:10:44 | |
full of ordinary people. | 0:10:44 | 0:10:47 | |
But one man here has an extraordinary power. | 0:10:47 | 0:10:50 | |
Is it the ability to get away with wearing a lilac shirt? | 0:10:50 | 0:10:55 | |
No. Although he does do that as well. | 0:10:55 | 0:10:56 | |
No, his extraordinary power lies behind those sunglasses. | 0:10:56 | 0:11:01 | |
Take that! | 0:11:01 | 0:11:02 | |
-THEY SQUEAL -And that! | 0:11:02 | 0:11:04 | |
-THEY SCREAM AND LAUGH -How do you do that? | 0:11:04 | 0:11:07 | |
Oh, are you serious?! | 0:11:08 | 0:11:10 | |
HE LAUGHS CHILD SCREAMS | 0:11:10 | 0:11:12 | |
No, I can't look! | 0:11:12 | 0:11:14 | |
Wondering what all the fuss is about? | 0:11:14 | 0:11:16 | |
-Oh, my God! -Well, check this out. | 0:11:16 | 0:11:18 | |
This is Antonio "Popeye" Francis. | 0:11:20 | 0:11:22 | |
I can't imagine where he got that nickname from! | 0:11:22 | 0:11:25 | |
But you may have seen him on Britain's Got Talent. | 0:11:25 | 0:11:27 | |
Antonio first discovered he could pop his eyes out | 0:11:27 | 0:11:30 | |
when he was seven years old. | 0:11:30 | 0:11:32 | |
I was combing my hair. I had a big Afro. | 0:11:32 | 0:11:34 | |
As I pulled the comb, it got stuck in my hair. | 0:11:34 | 0:11:36 | |
And as I pulled it, my left eye just popped out on its own. | 0:11:36 | 0:11:40 | |
So how does Antonio's amazing body do this? | 0:11:43 | 0:11:46 | |
Behind our eyes lie six muscles | 0:11:46 | 0:11:48 | |
controlling the movement of our eyeballs. | 0:11:48 | 0:11:51 | |
Antonio has the amazing ability to contract these muscles, | 0:11:51 | 0:11:55 | |
pushing his eyeballs out. | 0:11:55 | 0:11:57 | |
He can do it up to 200 times without needing a rest, | 0:11:57 | 0:12:01 | |
and he reckons they come out a whopping 12.3 mm! | 0:12:01 | 0:12:06 | |
Now that's amazing! | 0:12:08 | 0:12:10 | |
It's nothing like Antonio. | 0:12:16 | 0:12:18 | |
Let's head back to Accident and Emergency | 0:12:18 | 0:12:20 | |
to see where we're at with our patient. | 0:12:20 | 0:12:22 | |
Back in Liverpool, 11-year-old Olivia's in hospital | 0:12:28 | 0:12:31 | |
with a horrid hand injury. | 0:12:31 | 0:12:33 | |
Her mate was trying to pull her dinner pass from around her neck, | 0:12:33 | 0:12:36 | |
when the metal hook got stuck in her thumb. | 0:12:36 | 0:12:39 | |
Due to perform the school play tonight, | 0:12:39 | 0:12:42 | |
she's been anxiously awaiting | 0:12:42 | 0:12:44 | |
her X-ray results to find out if she'll need surgery. | 0:12:44 | 0:12:46 | |
Olivia's X-ray shows that | 0:12:46 | 0:12:47 | |
she has got the clip stuck within the soft tissue. | 0:12:47 | 0:12:50 | |
It's not touching bone, so that's really good. | 0:12:50 | 0:12:54 | |
So hopefully, she'll be able to | 0:12:54 | 0:12:55 | |
have that removed in A&E without any surgery. | 0:12:55 | 0:12:57 | |
That's good news. The hook may be lying close to the bone, | 0:12:57 | 0:13:00 | |
but it isn't touching it. | 0:13:00 | 0:13:03 | |
-'With a bit of luck, then, tonight's show might go on!' -Thank you. | 0:13:03 | 0:13:06 | |
Meet nurse practitioner, Julia Maxted. | 0:13:07 | 0:13:09 | |
She'll be the one hoping to unhook that hook. | 0:13:09 | 0:13:11 | |
But first... | 0:13:11 | 0:13:13 | |
Pop your lips round that, and take nice, deep breaths. | 0:13:13 | 0:13:15 | |
And it'll make a funny noise. That's it. | 0:13:15 | 0:13:18 | |
Although Olivia doesn't need surgery, | 0:13:18 | 0:13:20 | |
removing the hook will still be painful, | 0:13:20 | 0:13:22 | |
so to numb the pain, nurse Julia gives our patient some gas and air. | 0:13:22 | 0:13:26 | |
It's often called laughing gas, and you can see why. | 0:13:26 | 0:13:28 | |
-SHE GIGGLES -This is boss! | 0:13:28 | 0:13:31 | |
Laughing gas is a mixture of nitrous oxide and oxygen. | 0:13:31 | 0:13:35 | |
As you breathe it in, the gas numbs the pain receptors in your brain, | 0:13:35 | 0:13:39 | |
making things hurt less and giving you a giggle along the way. | 0:13:39 | 0:13:43 | |
With Olivia looking relaxed, | 0:13:43 | 0:13:45 | |
it's time to tell the hook to sling its hook. | 0:13:45 | 0:13:48 | |
You're being brilliant. | 0:13:48 | 0:13:50 | |
-SHE GIGGLES -Is that making you laugh? | 0:13:50 | 0:13:52 | |
-Ow! -Sorry! | 0:13:52 | 0:13:54 | |
That's not, though! | 0:13:54 | 0:13:55 | |
If it hurts, keep puffing on that. | 0:13:55 | 0:13:56 | |
Nurse Julia is carefully trying to ease the hook out. | 0:13:56 | 0:13:59 | |
It's nearly there. | 0:14:01 | 0:14:03 | |
All done. | 0:14:04 | 0:14:05 | |
Yes, it's out! | 0:14:07 | 0:14:10 | |
The trickiest thing was opening it up. | 0:14:10 | 0:14:12 | |
The clamp bit was quite stiff. | 0:14:12 | 0:14:13 | |
Have another puff, keep puffing. | 0:14:13 | 0:14:15 | |
You're all right! It's done! | 0:14:15 | 0:14:17 | |
And doing it without moving it, because that's when it hurts. | 0:14:17 | 0:14:20 | |
So actually, it's just actually pushing it in | 0:14:20 | 0:14:22 | |
and then pulling it without her really noticing what you were doing. | 0:14:22 | 0:14:25 | |
GEORGE: How did she get on with the laughing gas? | 0:14:25 | 0:14:29 | |
I started laughing! | 0:14:29 | 0:14:30 | |
Can have some? | 0:14:30 | 0:14:32 | |
No, George, you can't have any! | 0:14:32 | 0:14:34 | |
That horrible hook's only just out, | 0:14:34 | 0:14:35 | |
but Olivia's already got bigger things on her mind. | 0:14:35 | 0:14:38 | |
Can I do my show, then? | 0:14:38 | 0:14:39 | |
SHE LAUGHS | 0:14:39 | 0:14:41 | |
Well, that's dedication for you! | 0:14:41 | 0:14:43 | |
We'll see how you are in an hour. | 0:14:43 | 0:14:45 | |
Well, that was a pretty big hook! | 0:14:45 | 0:14:48 | |
Good job getting it out! | 0:14:48 | 0:14:49 | |
Unhooked and happy, | 0:14:49 | 0:14:50 | |
Olivia is ready to star in her play at last. | 0:14:50 | 0:14:53 | |
We've got some incredible body tricks to show you. | 0:14:57 | 0:15:00 | |
Want to find out how to stop your friends moving with just one finger? | 0:15:00 | 0:15:04 | |
OK, come and stand in a ring - at arm's length. | 0:15:04 | 0:15:08 | |
Cos I don't like the way you all smell. | 0:15:08 | 0:15:11 | |
-I'm going to stop you from standing up with one finger. -No, you're not. | 0:15:11 | 0:15:14 | |
OK, sit down. Now put your head against the wall. | 0:15:14 | 0:15:18 | |
And I'm going to stop you standing up with just one finger there. | 0:15:18 | 0:15:21 | |
OK, now try to stand up. | 0:15:21 | 0:15:23 | |
Stand up. All you've got to do is make sure your hands on your knees. | 0:15:25 | 0:15:29 | |
-Do you think one of you could stop him from standing up? -Yes! | 0:15:31 | 0:15:34 | |
Who's the smallest? Come forward and point your finger like that. | 0:15:34 | 0:15:38 | |
-You'll never stop me. -Now, ready? | 0:15:38 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:43 | |
It's not just Xand that can't stand up. | 0:15:44 | 0:15:47 | |
No-one can. | 0:15:47 | 0:15:49 | |
I can't do it! | 0:15:49 | 0:15:52 | |
You're not going to hurt me, Solomon. You'll never keep me down! | 0:15:54 | 0:15:58 | |
You don't really have to be super strong to make this trick work. | 0:15:58 | 0:16:01 | |
It's more about balance. Watch what happens when Xand stands up. | 0:16:01 | 0:16:05 | |
He leans forward, and now he can stand up. | 0:16:05 | 0:16:08 | |
So you have to move all your weight over your feet. Sit down. | 0:16:08 | 0:16:11 | |
Now stand up. If you stop him moving forward, then he can't do anything. | 0:16:11 | 0:16:16 | |
Because he can't stand up like that or he'll fall over backwards. | 0:16:16 | 0:16:19 | |
Stop it! | 0:16:19 | 0:16:21 | |
Try it yourself, and see how you can be a superhero with just one finger. | 0:16:21 | 0:16:25 | |
Now it's time for us to hit the hospitals and show you what goes on. | 0:16:29 | 0:16:33 | |
Today, Xand is on duty in the plaster room. | 0:16:33 | 0:16:38 | |
If you break a bone, you'll come here to get it plastered. | 0:16:38 | 0:16:41 | |
Plastering broken limbs is a technique that has been | 0:16:43 | 0:16:46 | |
used for over 200 years. | 0:16:46 | 0:16:48 | |
This team sees hundreds of patients each week, | 0:16:48 | 0:16:51 | |
so they need to work fast. | 0:16:51 | 0:16:53 | |
A plaster cast keeps a broken bone in place | 0:16:56 | 0:16:58 | |
so that it can heal in the correct position. | 0:16:58 | 0:17:01 | |
-Can you tell me what happened? -I've broken my thumb. | 0:17:01 | 0:17:05 | |
-Tripped and it snapped. This bit here. -Right in the joint. | 0:17:05 | 0:17:09 | |
When you get a cast like Jack, | 0:17:09 | 0:17:11 | |
first, a sock goes on to stop the cast itching. | 0:17:11 | 0:17:14 | |
Then, a layer of cotton wool padding, | 0:17:14 | 0:17:17 | |
and finally a layer of plaster which sets superquick into a hard shell. | 0:17:17 | 0:17:22 | |
So you're just going to look like, "Yeah, Jack is here, yes to this." | 0:17:22 | 0:17:25 | |
Everyone who gets a cast on obviously has to have it taken off. | 0:17:25 | 0:17:29 | |
-Like Jordan here. -What did you do? -I broke my ankle. -How did you do that? | 0:17:31 | 0:17:36 | |
-I was playing rugby. -"Love and kisses?" | 0:17:36 | 0:17:38 | |
Looks like it might all have been worth it! | 0:17:38 | 0:17:41 | |
THEY LAUGH | 0:17:41 | 0:17:43 | |
To get that cast off requires a saw, but not just any saw. | 0:17:45 | 0:17:49 | |
Check this out. | 0:17:49 | 0:17:50 | |
What this saw can do is distinguish between hard and soft things. | 0:17:50 | 0:17:53 | |
So it can cut through things like wood or plaster cast, | 0:17:58 | 0:18:01 | |
but it won't damage anything soft like your skin. | 0:18:01 | 0:18:04 | |
Let me show you on your hands. | 0:18:04 | 0:18:06 | |
That's amazing, it just tickles. | 0:18:11 | 0:18:13 | |
That's because it has a special vibrating blade. | 0:18:13 | 0:18:16 | |
When used by an expert, it means your cast can be off quickly | 0:18:16 | 0:18:20 | |
and without hurting you. | 0:18:20 | 0:18:22 | |
Anyway, time to meet our next patient. | 0:18:22 | 0:18:25 | |
-Hang on, I recognise that person. -What have you done? | 0:18:25 | 0:18:29 | |
-I broke my leg, what do you think I did. -Did you come off your swing? | 0:18:29 | 0:18:33 | |
-Come off your trampoline? -Yes. | 0:18:33 | 0:18:34 | |
Actually, the reason I'm here is because I'm going to get Xand | 0:18:34 | 0:18:37 | |
to race Julie to see who can get the cast off quicker. | 0:18:37 | 0:18:41 | |
'On one arm will be specialist orthopaedic practitioner Julie. | 0:18:42 | 0:18:45 | |
'With 17 years' experience. | 0:18:45 | 0:18:47 | |
'On the other will be Dr Xand, who has been on the ward | 0:18:47 | 0:18:50 | |
'for just one day.' | 0:18:50 | 0:18:52 | |
On your marks, set, go! | 0:18:52 | 0:18:54 | |
'This ward sees hundreds of patients a week, | 0:18:57 | 0:19:00 | |
'so the team have to be able to get cast on and off quickly. | 0:19:00 | 0:19:04 | |
'The question is, is Xand up to the job? | 0:19:04 | 0:19:07 | |
'Julie is already on the inside. Come on, Xand, what are you doing? | 0:19:08 | 0:19:13 | |
'A quick snip with the scissors and I think we have a winner! | 0:19:15 | 0:19:19 | |
'Somebody is still going, though.' | 0:19:19 | 0:19:22 | |
-Am I winning? -Let me think about that. No. | 0:19:28 | 0:19:32 | |
Oh, my goodness. Is he ever going to finish? | 0:19:34 | 0:19:38 | |
-Yes! -About time too. -What was the margin? | 0:19:40 | 0:19:44 | |
Julie, you finished in an impressive 51 seconds. | 0:19:44 | 0:19:47 | |
Xand, you took just under five minutes. | 0:19:47 | 0:19:50 | |
If you worked here, which would be ridiculous, | 0:19:50 | 0:19:53 | |
Julie would see five times as many people as you. | 0:19:53 | 0:19:55 | |
'That just goes to how skilled experts like Julie are. | 0:19:55 | 0:19:59 | |
'So if you break a bone, you'll be in safe hands - quite literally.' | 0:19:59 | 0:20:03 | |
Believe it or not, the answer is B. | 0:20:22 | 0:20:25 | |
Your brain really does perform 10 quadrillion calculations a second. | 0:20:25 | 0:20:30 | |
Which means your brain is the most complicated computer on the planet. | 0:20:30 | 0:20:34 | |
-So why is it so wrinkly? -This is a case for Investigation Ouch. | 0:20:34 | 0:20:38 | |
I'm here at the Brain Cut Room at University College London, | 0:20:39 | 0:20:43 | |
and I'm about to get really close to a human brain. | 0:20:43 | 0:20:46 | |
This is not for the squeamish. | 0:20:46 | 0:20:49 | |
We've got exclusive access to this human brain to show you | 0:20:49 | 0:20:54 | |
all its inner workings. | 0:20:54 | 0:20:55 | |
This organ controls every single thing you do. | 0:20:55 | 0:20:58 | |
Even now, your brain is busy sending messages all over your body. | 0:20:58 | 0:21:02 | |
This brain feels rubbery because it has been preserved. | 0:21:02 | 0:21:06 | |
But the brain inside your head right now is soft and squishy. | 0:21:06 | 0:21:10 | |
That's because our brains are made up of 75 percent water. | 0:21:11 | 0:21:15 | |
The rest is mostly fat. | 0:21:15 | 0:21:17 | |
The average adult brain weighs 1.5 kilos. | 0:21:22 | 0:21:25 | |
That's as much as three tins of baked beans. | 0:21:25 | 0:21:27 | |
Try picking them up and you will see how much weight a neck has to carry. | 0:21:27 | 0:21:31 | |
But there's more to find out then that, | 0:21:31 | 0:21:34 | |
so let's pick the brains of a specialist. | 0:21:34 | 0:21:37 | |
Meet Dr Helen Ling, a brain doctor, or neurologist. | 0:21:37 | 0:21:41 | |
So why does the brain look like this? Why is it wrinkly? | 0:21:41 | 0:21:45 | |
The surface of our brain is actually folded. | 0:21:45 | 0:21:47 | |
These bumps and grooves increase the surface area of our brain. | 0:21:47 | 0:21:51 | |
So if we unfolded all of this, it would be enormous. | 0:21:51 | 0:21:54 | |
We would need a head the size of a surfboard. | 0:21:55 | 0:21:58 | |
How does the brain sit inside the skull, | 0:21:58 | 0:22:01 | |
is it just resting gently on the bones? | 0:22:01 | 0:22:04 | |
Our brain is surrounded by a clear, | 0:22:04 | 0:22:07 | |
colourless fluid, which acts as a cushion which protects the brain. | 0:22:07 | 0:22:10 | |
When you're at the swimming pool and you feel weightless on a lilo, | 0:22:10 | 0:22:13 | |
that's the same thing your brain is doing. | 0:22:13 | 0:22:15 | |
It's just chilling out on this fluid inside your skull. | 0:22:15 | 0:22:19 | |
Hey, baby! | 0:22:19 | 0:22:21 | |
But it does a lot more than just chill out. | 0:22:21 | 0:22:24 | |
This big, wrinkly structure is controlling your body 24/7. | 0:22:24 | 0:22:28 | |
Yes, even when you're asleep. | 0:22:28 | 0:22:30 | |
There are different sections in charge of different jobs, | 0:22:30 | 0:22:34 | |
but which bit does what? | 0:22:34 | 0:22:36 | |
Well, towards the front is the motor cortex. | 0:22:36 | 0:22:38 | |
This tells you when to move | 0:22:38 | 0:22:40 | |
by sending signals down your spinal-cord. | 0:22:40 | 0:22:42 | |
When I'm hungry and my stomach is gurgling, which bit is doing that? | 0:22:45 | 0:22:50 | |
-It would be the hypothalamus. -This bit right in the middle. | 0:22:50 | 0:22:53 | |
-Right here. -So when I'm hungry, | 0:22:53 | 0:22:56 | |
this bit right in the middle sends out chemicals that tell me to eat. | 0:22:56 | 0:22:59 | |
And when I've eaten, it sends out chemicals telling me | 0:22:59 | 0:23:02 | |
I can stop eating. | 0:23:02 | 0:23:03 | |
What about memories, where are they kept? | 0:23:05 | 0:23:08 | |
The new memories are kept in the hippocampus, | 0:23:08 | 0:23:10 | |
which is right inside here. | 0:23:10 | 0:23:12 | |
You can actually see it over here. | 0:23:12 | 0:23:15 | |
The hippocampus is like a temporary drive in the computer, | 0:23:15 | 0:23:18 | |
so new memory is kept there. | 0:23:18 | 0:23:21 | |
But when we're asleep, the hippocampus backs up new memories | 0:23:21 | 0:23:25 | |
so you can remember them years later. | 0:23:25 | 0:23:27 | |
So although the brain is full of fat and water, | 0:23:27 | 0:23:31 | |
it is actually one of the most amazing computers on earth. | 0:23:31 | 0:23:35 | |
Not bad for something that looks like a sponge. | 0:23:35 | 0:23:38 | |
It's time to meet another patient in the emergency department. | 0:23:40 | 0:23:44 | |
The staff may think they've seen it all, | 0:23:44 | 0:23:46 | |
but they won't be expecting this. | 0:23:46 | 0:23:49 | |
Accident and Emergency. Here, lives are saved. | 0:23:49 | 0:23:53 | |
Doctors battle with serious injuries, terrible accidents, | 0:23:53 | 0:23:56 | |
life and death traumas. | 0:23:56 | 0:23:59 | |
So what terrifying problem has 13-year-old Rhys brought with him? | 0:23:59 | 0:24:02 | |
-Basically, I was watching television last night with my nan. -Go on. | 0:24:02 | 0:24:06 | |
-And I was scratching my toenail and I picked it off. -No way, you didn't! | 0:24:08 | 0:24:12 | |
And I went to scratch my nose and the toenail went right up my nose. | 0:24:12 | 0:24:17 | |
I'm sorry, what? He thinks he's got a toenail up his nose?! Apparently. | 0:24:17 | 0:24:22 | |
Rhys was watching TV with his nan, chilling out, | 0:24:23 | 0:24:26 | |
picking his toenails, as you do. | 0:24:26 | 0:24:29 | |
-I most certainly do not! -When he pulled off a biggie - | 0:24:29 | 0:24:33 | |
a right naily corker. | 0:24:33 | 0:24:34 | |
But then his nose started itching. He wanted to scratch. | 0:24:34 | 0:24:37 | |
And with that cheesy nail still on his finger, he went for it. | 0:24:37 | 0:24:41 | |
Both nail and finger went up the hooter, | 0:24:41 | 0:24:43 | |
but only his finger came out. | 0:24:43 | 0:24:45 | |
Rhys reckons that bit of toenail is still up there. Ouch! | 0:24:45 | 0:24:47 | |
It's just a silly thing that's happened, | 0:24:49 | 0:24:51 | |
but I'm going to get laughed at at school tomorrow. | 0:24:51 | 0:24:53 | |
Well, don't be hard on yourself, there's a first time for everything. | 0:24:53 | 0:24:57 | |
I got my fingernail stuck in my eye once. | 0:24:57 | 0:25:00 | |
-Right, so not the first time then. What is this, a hobby? -Top that. | 0:25:00 | 0:25:05 | |
Enter Dr Colin Campbell. Let's hope he's up to the challenge. | 0:25:06 | 0:25:10 | |
So what brought you into hospital today? | 0:25:10 | 0:25:12 | |
I was picking my toenail, and I went to scratch my nose, | 0:25:12 | 0:25:15 | |
not realising the nail was still on my finger. | 0:25:15 | 0:25:18 | |
-And it went up my nose and I sniffed it up. -OK. | 0:25:18 | 0:25:23 | |
He looks as bemused as me. | 0:25:23 | 0:25:25 | |
I don't get told that very often. | 0:25:25 | 0:25:28 | |
-Very embarrassing. -Which side of your nose has it gone up? | 0:25:28 | 0:25:31 | |
It's gone right up. | 0:25:31 | 0:25:32 | |
First, Dr Colin tries to see if he can spot the chewed off nail. | 0:25:32 | 0:25:36 | |
It must be a pretty sight up there. Hope you're enjoying the view. | 0:25:36 | 0:25:40 | |
I can't see the nail. | 0:25:40 | 0:25:41 | |
So what I want you to do is just block that right nostril | 0:25:41 | 0:25:45 | |
and as hard as you can, just blow out of your left one. | 0:25:45 | 0:25:48 | |
This is the important bit. | 0:25:48 | 0:25:50 | |
When you breathe back in again, | 0:25:50 | 0:25:52 | |
don't breathe in through your nose, breathe back into your mouth. | 0:25:52 | 0:25:55 | |
So going to do something like this, OK? | 0:25:55 | 0:25:58 | |
Off you go then. | 0:26:01 | 0:26:03 | |
Keep going. | 0:26:05 | 0:26:07 | |
-Blow as hard as you can. -We could be here a while. | 0:26:07 | 0:26:10 | |
As you saw when we were sneezing, your nose and mouth are connected. | 0:26:11 | 0:26:15 | |
It is a maze of passages and cavities, linking | 0:26:15 | 0:26:18 | |
your nostrils to each other and your ears to your nose and throat. | 0:26:18 | 0:26:21 | |
That's why when you're sick, | 0:26:21 | 0:26:23 | |
sometimes a bit comes out of your nose. | 0:26:23 | 0:26:26 | |
Gross. | 0:26:26 | 0:26:28 | |
Meanwhile, back with Rhys, there's still no sign of that nail. | 0:26:28 | 0:26:32 | |
As hard as you can. That's it. Keep going. | 0:26:32 | 0:26:36 | |
I never thought I'd be doing this when I came to work this morning. | 0:26:39 | 0:26:43 | |
Surely it must be out by now. You'd have thought so. | 0:26:43 | 0:26:46 | |
-Hang fire, we might have success. -It's gone. -You sure? | 0:26:47 | 0:26:51 | |
-It's made a runner. -Yes, the nail has been nailed. | 0:26:51 | 0:26:54 | |
Let's get another look up there just to be sure. | 0:26:54 | 0:26:58 | |
-I can't see anything in his nose. Can you feel anything? -No, I can't. | 0:26:58 | 0:27:03 | |
Sometimes if you've scratched your nose on the inside you can get | 0:27:03 | 0:27:07 | |
a sensation that feels like there is something actually inside your nose. | 0:27:07 | 0:27:11 | |
-You've not got that sensation now? -No, no, it's gone. | 0:27:11 | 0:27:14 | |
There you have it. | 0:27:14 | 0:27:16 | |
As for the whereabouts of the missing toenail, nobody knows. | 0:27:16 | 0:27:20 | |
I'm just happy that I can't feel it, and it should be gone. | 0:27:20 | 0:27:23 | |
The moral of the story is, don't pick your toenails | 0:27:23 | 0:27:26 | |
and don't put them up your nose! | 0:27:26 | 0:27:28 | |
Next time: there's a jaw that's been dislocated. | 0:27:31 | 0:27:36 | |
I let a bloodsucking leech feed on my arm. | 0:27:36 | 0:27:39 | |
And which of these two have the largest tonsils? | 0:27:39 | 0:27:41 | |
We'll find out after surgery. Join us for another Operation Ouch! | 0:27:41 | 0:27:47 | |
Subtitles by Red Bee Media Ltd | 0:28:03 | 0:28:06 |