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'He's Dr Chris. | 0:00:23 | 0:00:25 | |
'And he's Dr Xand. | 0:00:25 | 0:00:28 | |
'Yep, we're twins. | 0:00:28 | 0:00:30 | |
'Your body is amazing and we're going to prove it.' | 0:00:30 | 0:00:33 | |
SCREAMING AND LAUGHTER | 0:00:33 | 0:00:36 | |
'We'll show you what happens when we push our bodies to the limit.' | 0:00:36 | 0:00:39 | |
OK, here we go. | 0:00:39 | 0:00:42 | |
Oh... | 0:00:43 | 0:00:45 | |
'Show how the strangest of injuries get fixed...' | 0:00:45 | 0:00:49 | |
It's harder to speak. | 0:00:49 | 0:00:51 | |
'Uncover the secrets behind the most amazing bodies.' | 0:00:51 | 0:00:55 | |
'And experiment on each other | 0:00:55 | 0:00:57 | |
'to show you just how your body works.' | 0:00:57 | 0:01:01 | |
Oh, no! | 0:01:01 | 0:01:02 | |
BOTH: Coming up today on Operation Ouch... | 0:01:02 | 0:01:06 | |
'This man reveals his amazing body. | 0:01:06 | 0:01:09 | |
'I join paramedics at the scene of an emergency | 0:01:09 | 0:01:12 | |
'and find out what we're whisking up.' | 0:01:12 | 0:01:15 | |
It looks like a blood smoothie. | 0:01:15 | 0:01:17 | |
'But first... | 0:01:17 | 0:01:18 | |
'Hospital doctors and nurses always expect the unexpected. | 0:01:18 | 0:01:22 | |
'Let's see how they fix our first patient.' | 0:01:22 | 0:01:24 | |
In Manchester, the emergency department have a new admission - | 0:01:28 | 0:01:31 | |
13-year-old Rhys, who's come in with a badly battered face. | 0:01:31 | 0:01:35 | |
I damaged my forehead, and my nose and my lip there. | 0:01:35 | 0:01:40 | |
You can say that again. I'm amazed you can even speak. | 0:01:40 | 0:01:43 | |
It's hard to smile, | 0:01:43 | 0:01:44 | |
because my lips are, like, swollen and I can't move it... | 0:01:44 | 0:01:49 | |
I'd just keep a straight face, Rhys. | 0:01:49 | 0:01:52 | |
So how on earth did you end up like that? | 0:01:52 | 0:01:55 | |
Well, what happened was... lovely balloons... | 0:01:55 | 0:01:58 | |
Rhys was celebrating his cousin's birthday party | 0:01:58 | 0:02:00 | |
at the local bike park. | 0:02:00 | 0:02:02 | |
He was on a half pipe, doing his thing. | 0:02:02 | 0:02:04 | |
The crowd were loving it, so he set off for the big one. | 0:02:04 | 0:02:09 | |
Er, that's a steep slope. | 0:02:09 | 0:02:11 | |
Nice big stadium too. No pressure, Rhys. | 0:02:11 | 0:02:13 | |
He set off, but the slope was so steep and Rhys tried to stop... | 0:02:13 | 0:02:17 | |
He pulled on his brake, but he did it too hard | 0:02:17 | 0:02:20 | |
and next thing he knew, he flew over the handlebars. | 0:02:20 | 0:02:22 | |
Oh, dear. No more bike. | 0:02:22 | 0:02:24 | |
Yep, he went flying through the air until he landed smack on his face. | 0:02:27 | 0:02:30 | |
Ouch! | 0:02:30 | 0:02:32 | |
Luckily, Rhys was wearing a helmet | 0:02:33 | 0:02:36 | |
and his injuries aren't as bad as they look, | 0:02:36 | 0:02:38 | |
but it's still pretty uncomfortable. | 0:02:38 | 0:02:40 | |
I find it very hard to eat... cos my tongue's all swollen. | 0:02:40 | 0:02:44 | |
There's no chance of getting your mouth around a burger, for sure. | 0:02:44 | 0:02:48 | |
Rhys was treated just after the accident, | 0:02:48 | 0:02:51 | |
but now he's back in hospital to get his wounds checked out | 0:02:51 | 0:02:54 | |
and find out if he'll need any more treatment. | 0:02:54 | 0:02:58 | |
And the man doing the finding out is Professor Kevin Macway Jones. | 0:02:58 | 0:03:03 | |
We need to take the dressings down, | 0:03:03 | 0:03:05 | |
have a good look at his wound, make sure they're not infected, | 0:03:05 | 0:03:08 | |
then we need to decide what dressings need to be put on there | 0:03:08 | 0:03:11 | |
and whether any surgery needs to be done immediately, | 0:03:11 | 0:03:14 | |
or whether that can wait for later if it's needed at all. | 0:03:14 | 0:03:16 | |
First things first. Nurse Michael needs to get those dressings off. | 0:03:16 | 0:03:20 | |
I'm going to take the dressings off | 0:03:20 | 0:03:22 | |
and see what everything looks like underneath. Is that OK? | 0:03:22 | 0:03:25 | |
Although it looks nasty, swelling is part of the body's healing process. | 0:03:25 | 0:03:30 | |
When you're injured, | 0:03:32 | 0:03:33 | |
chemicals are released which cause our blood vessels to widen. | 0:03:33 | 0:03:37 | |
This allows more blood and infection-fighting cells | 0:03:37 | 0:03:40 | |
to get to the injured area, but some leak into the surrounding tissue, | 0:03:40 | 0:03:43 | |
causing the whole area to swell up. | 0:03:43 | 0:03:46 | |
Just like Rhys' lip. | 0:03:48 | 0:03:50 | |
So with the dressing off, how's it looking? | 0:03:50 | 0:03:53 | |
The one at the top is healing well. | 0:03:53 | 0:03:56 | |
The one over your nose is healing well, | 0:03:56 | 0:03:58 | |
the one above your lip, OK, that's a little bit deeper. | 0:03:58 | 0:04:01 | |
So what I think we need to do is re-dress it, | 0:04:01 | 0:04:03 | |
we'll bring you back to clinic to see how it's doing | 0:04:03 | 0:04:05 | |
and we'll make a decision when you come back to clinic next time. | 0:04:05 | 0:04:09 | |
Although his nose and forehead can be left dressing-free, | 0:04:10 | 0:04:13 | |
Rhys' lip still needs to be covered | 0:04:13 | 0:04:15 | |
and he'll have to come back in two weeks' time | 0:04:15 | 0:04:17 | |
when the swelling's gone down to see if surgery is necessary. | 0:04:17 | 0:04:21 | |
I just can't wait to get back to normal, | 0:04:21 | 0:04:24 | |
cos I need to get back eating again. | 0:04:24 | 0:04:26 | |
Fingers crossed some decent food will be on the cards soon, mate. | 0:04:26 | 0:04:29 | |
We'll be back to find out what happens with Rhys' lip later on. | 0:04:29 | 0:04:32 | |
I think I can hear his stomach rumbling. | 0:04:32 | 0:04:35 | |
'And now to our lab where we put our bodies to the test | 0:04:40 | 0:04:43 | |
'to show you how your body works.' | 0:04:43 | 0:04:45 | |
Ow, that really hurts. | 0:04:46 | 0:04:48 | |
'Just don't try anything like this at home. | 0:04:48 | 0:04:50 | |
'Today, we're looking at our blood.' | 0:04:50 | 0:04:52 | |
This is blood. | 0:04:52 | 0:04:54 | |
It's not human blood, but it's almost exactly the same. | 0:04:54 | 0:04:57 | |
And without blood, you'd be dead. | 0:04:57 | 0:04:59 | |
That's because your organs need blood | 0:04:59 | 0:05:01 | |
every second of the day to keep them working. | 0:05:01 | 0:05:03 | |
If someone's had an accident, | 0:05:03 | 0:05:04 | |
the most important thing to do is stop the bleeding. | 0:05:04 | 0:05:06 | |
Blood isn't just a liquid. It's actually full of red blood cells. | 0:05:06 | 0:05:10 | |
Your body makes two million new red blood cells every second. | 0:05:10 | 0:05:14 | |
'And all these blood cells have a really important job. | 0:05:14 | 0:05:17 | |
'They carry oxygen from your lungs to all the cells in your body. | 0:05:17 | 0:05:22 | |
'When you breathe in air, it goes straight to your lungs | 0:05:22 | 0:05:25 | |
'and travels through little sacs, called alveoli | 0:05:25 | 0:05:27 | |
'and it's their job to transfer all the oxygen to your blood.' | 0:05:27 | 0:05:30 | |
When it goes into the lungs, | 0:05:30 | 0:05:33 | |
it's this very dark, almost black reddish colour. | 0:05:33 | 0:05:36 | |
When it leaves the lungs, it changes colour | 0:05:36 | 0:05:38 | |
and becomes a very bright red. | 0:05:38 | 0:05:40 | |
'Look at this vein in my hand. It looks blueish | 0:05:40 | 0:05:44 | |
'because it's full of dark-coloured blood | 0:05:44 | 0:05:46 | |
'that hasn't been to the lungs yet.' | 0:05:46 | 0:05:49 | |
I can show you the direction of flow in these veins. | 0:05:49 | 0:05:51 | |
If I squeeze the blood out of this one, | 0:05:51 | 0:05:53 | |
you see I've made it disappear? | 0:05:53 | 0:05:54 | |
Then you can watch it refill from this end. | 0:05:54 | 0:05:57 | |
And now it's on its way to get oxygen from the lungs, | 0:05:57 | 0:06:00 | |
where it will change colour. | 0:06:00 | 0:06:02 | |
Nice, isn't it? I can do exactly the same thing and you notice... | 0:06:02 | 0:06:05 | |
you see how quickly it refills, | 0:06:05 | 0:06:07 | |
-so if you imagine the blood fills up like that... -Pumping into that. | 0:06:07 | 0:06:10 | |
..the red blood cells starting there | 0:06:10 | 0:06:11 | |
would be back in my lungs really quickly. | 0:06:11 | 0:06:14 | |
'To show you what happens when your blood visits your lungs, | 0:06:16 | 0:06:19 | |
'we've got a piece of really high-tech equipment.' | 0:06:19 | 0:06:22 | |
-We're going to use this blender... -That's my blender. | 0:06:22 | 0:06:24 | |
We're going to use Chris' blender to whisk oxygen into the blood. | 0:06:24 | 0:06:29 | |
Let's see what happens. | 0:06:29 | 0:06:31 | |
This blood is starting to form clots, | 0:06:31 | 0:06:33 | |
so it's thick and lumpy cos it's outside the body. | 0:06:33 | 0:06:37 | |
'That's what happens to your blood when you get a cut. | 0:06:37 | 0:06:39 | |
'It reacts with the air to form a clot, | 0:06:39 | 0:06:41 | |
'which glues the wound together, eventually becoming a scab.' | 0:06:41 | 0:06:45 | |
Now let's make a bloodshake. | 0:06:45 | 0:06:46 | |
'By swirling it around quickly, | 0:06:50 | 0:06:52 | |
'the blender is putting oxygen into the blood.' | 0:06:52 | 0:06:55 | |
This is what happens when you take a deep breath! | 0:06:55 | 0:06:59 | |
The oxygen is put directly into the blood | 0:06:59 | 0:07:02 | |
and it makes it go a bright red colour. | 0:07:02 | 0:07:05 | |
It looks like a blood smoothie. | 0:07:06 | 0:07:09 | |
There's no such thing as a blood smoothie, a strawberry smoothie. | 0:07:09 | 0:07:11 | |
-It's still your blender. -Yeah, thanks for that. | 0:07:11 | 0:07:14 | |
'So we've shown you the way that blood goes dark red | 0:07:14 | 0:07:18 | |
'with no oxygen in it to bright red and oxygenated.' | 0:07:18 | 0:07:22 | |
'And that's what's happening in your body right now. | 0:07:22 | 0:07:25 | |
'All the new red blood cells | 0:07:25 | 0:07:26 | |
'are collecting oxygen from your lungs as you breathe | 0:07:26 | 0:07:29 | |
'and delivering it to every cell in your body.' | 0:07:29 | 0:07:32 | |
In the UK, there are hundreds | 0:07:35 | 0:07:37 | |
of rapid response medical teams on standby. | 0:07:37 | 0:07:40 | |
And they need to be on the scene of an emergency in minutes. | 0:07:40 | 0:07:43 | |
'We're going on call with the UK's emergency services, | 0:07:43 | 0:07:46 | |
'heading into the thick of the action to help save lives. | 0:07:46 | 0:07:49 | |
'Now it's Chris' turn on the front line.' | 0:07:49 | 0:07:52 | |
This is a rapid response vehicle and it's designed to get | 0:07:53 | 0:07:56 | |
a paramedic to the scene of an emergency within minutes. | 0:07:56 | 0:07:59 | |
On call with me today is paramedic, Ben White... | 0:08:04 | 0:08:06 | |
..and we've just had a new call come in. | 0:08:09 | 0:08:13 | |
We've been called to a lady | 0:08:13 | 0:08:14 | |
who's fallen over and may have dislocated her shoulder. | 0:08:14 | 0:08:17 | |
We have blood vessels and nerves in the armpit. | 0:08:17 | 0:08:19 | |
If the bone at the top of the arm pops out of the socket, | 0:08:19 | 0:08:22 | |
it can damage all those structures. | 0:08:22 | 0:08:24 | |
I've got my camera, | 0:08:24 | 0:08:26 | |
so I'm going to take you as close as I can to the action. | 0:08:26 | 0:08:29 | |
We arrive on the scene in under three-and-a-half minutes | 0:08:29 | 0:08:32 | |
and we find Maxine on her bathroom floor. | 0:08:32 | 0:08:37 | |
So, what happened this morning? | 0:08:37 | 0:08:38 | |
Having my shower, just finished, turned off, | 0:08:38 | 0:08:40 | |
stepped out the shower - whoops! - on the floor. | 0:08:40 | 0:08:44 | |
-Is it constant pain or only when you move it? -Constant. | 0:08:44 | 0:08:47 | |
Is it down here? | 0:08:47 | 0:08:48 | |
-It's all my shoulder, really. -All your shoulder? | 0:08:49 | 0:08:51 | |
Ben's assessing her to see if he thinks it's bruised or broken | 0:08:51 | 0:08:55 | |
or if she's dislocated the joint. | 0:08:55 | 0:08:56 | |
If this bone at the top of the arm has actually come away | 0:08:56 | 0:08:59 | |
from the other bone in the shoulder, it's in the wrong position. | 0:08:59 | 0:09:03 | |
If that's the case, they can take her to hospital | 0:09:03 | 0:09:05 | |
and pop it back in with some painkillers. | 0:09:05 | 0:09:08 | |
What we'll do, is get some pain relief out for you. | 0:09:08 | 0:09:11 | |
We'll see how we go on gas and air. | 0:09:11 | 0:09:12 | |
Might pop a needle in your hand, give you something stronger. | 0:09:12 | 0:09:16 | |
If you hold that, take deep breaths for us. | 0:09:16 | 0:09:19 | |
Take nice deep breaths. | 0:09:19 | 0:09:21 | |
Gas and air numbs the pain to make Maxine more comfortable | 0:09:21 | 0:09:24 | |
while Ben checks her blood pressure. | 0:09:24 | 0:09:26 | |
But she's still in a lot of pain, | 0:09:28 | 0:09:30 | |
so Ben decides that Maxine needs to go to hospital for further checks. | 0:09:30 | 0:09:33 | |
In the meantime, he gives her some stronger painkillers | 0:09:33 | 0:09:36 | |
through an injection. | 0:09:36 | 0:09:38 | |
What's really good about this, | 0:09:38 | 0:09:40 | |
is it's not just going to make life nicer for Max, | 0:09:40 | 0:09:43 | |
it's also going to help the doctors at the hospital, | 0:09:43 | 0:09:45 | |
because reducing the pain reduces all the spasm in the shoulder | 0:09:45 | 0:09:49 | |
and that'll make it easier for them to treat Maxine. | 0:09:49 | 0:09:51 | |
We can get Maxine down on the ambulance where | 0:09:51 | 0:09:54 | |
we can make her comfortable. | 0:09:54 | 0:09:56 | |
A trip up to the hospital to get it X-rayed and get it sorted. | 0:09:56 | 0:10:00 | |
The medical team has arrived and the crew make sure Maxine | 0:10:00 | 0:10:03 | |
moves as little as possible as she makes her way to the ambulance. | 0:10:03 | 0:10:07 | |
Max is on her way to hospital and Ben arriving really quickly | 0:10:08 | 0:10:11 | |
and giving really good pain relief | 0:10:11 | 0:10:13 | |
will make it much easier for the doctors to treat. | 0:10:13 | 0:10:16 | |
With our job done here, we get ready for the next callout. | 0:10:16 | 0:10:19 | |
There are rapid response teams like this all over the UK | 0:10:21 | 0:10:24 | |
which means that expert medical care can be with you | 0:10:24 | 0:10:27 | |
within minutes of a serious emergency. | 0:10:27 | 0:10:30 | |
Still to come, Xand finds out what's wrong with these body bits... | 0:10:32 | 0:10:37 | |
It's the size of a melon! | 0:10:37 | 0:10:38 | |
..we show you a trick that'll fool your friends... | 0:10:38 | 0:10:41 | |
..and I'm in theatre for some eye-opening surgery. | 0:10:42 | 0:10:46 | |
Now I'm going to open the skin on the surface of the eye. | 0:10:46 | 0:10:50 | |
..when you become an adult? | 0:10:54 | 0:10:56 | |
It's called your clavicle | 0:10:56 | 0:10:57 | |
and it'll stop growing | 0:10:57 | 0:10:59 | |
when you're about 25. | 0:10:59 | 0:11:00 | |
That's amazing and so is this. | 0:11:02 | 0:11:04 | |
Lunchtime in an ordinary street, in an ordinary town, | 0:11:05 | 0:11:08 | |
but in this town lives an extraordinary person. | 0:11:08 | 0:11:13 | |
This man's name is Neil. Can you guess why he's amazing? | 0:11:13 | 0:11:16 | |
Does he have the loudest yodel in England? No. | 0:11:16 | 0:11:20 | |
Have a look at him, well, maybe with other people. | 0:11:20 | 0:11:23 | |
You see, Neil's the tallest man in the UK. | 0:11:23 | 0:11:27 | |
He's 232.6cm tall. | 0:11:27 | 0:11:31 | |
That's half a metre taller than your average British man. | 0:11:31 | 0:11:34 | |
He wears size 15 shoes and weighs 159 kilos. | 0:11:34 | 0:11:39 | |
Being tall makes Neil very popular. | 0:11:39 | 0:11:41 | |
Look at all these people, see how happy they are. | 0:11:41 | 0:11:46 | |
Even the traffic wardens want to be his friend. | 0:11:46 | 0:11:48 | |
No parking tickets for Neil. | 0:11:48 | 0:11:50 | |
My brother's 6 ft 9, my sister's 6 ft 3. | 0:11:51 | 0:11:54 | |
My grandfather, back in the old days was 6 ft 7. | 0:11:56 | 0:11:59 | |
So, it runs in the family. | 0:12:00 | 0:12:02 | |
Hang on, these window cleaners need some help. | 0:12:02 | 0:12:04 | |
I'm just naturally tall. | 0:12:04 | 0:12:06 | |
The top of that window has never been so clean | 0:12:07 | 0:12:10 | |
and he didn't even break a sweat. | 0:12:10 | 0:12:12 | |
Oh, mind your head. | 0:12:13 | 0:12:15 | |
Neil is unique, but as you grow, | 0:12:15 | 0:12:17 | |
it's the bones in your legs that will make the most difference | 0:12:17 | 0:12:20 | |
to your height as an adult. | 0:12:20 | 0:12:21 | |
They will grow at each end and your individual DNA will tell them | 0:12:21 | 0:12:25 | |
how long to grow. | 0:12:25 | 0:12:27 | |
It's nice to be different and if you use your differences | 0:12:27 | 0:12:30 | |
to be an advantage, the sky's the limit. | 0:12:30 | 0:12:32 | |
And Neil should know. | 0:12:32 | 0:12:34 | |
He's a lot nearer the sky than we are. | 0:12:34 | 0:12:37 | |
Now that's amazing. Ouch! | 0:12:37 | 0:12:40 | |
Xand, no-one's going to believe you're taller than Neil. | 0:12:40 | 0:12:43 | |
Let's head back to the emergency department | 0:12:43 | 0:12:45 | |
to see how our patient is getting on. | 0:12:45 | 0:12:50 | |
Back in Accident & Emergency, | 0:12:52 | 0:12:54 | |
13-year-old Rhys came into hospital | 0:12:54 | 0:12:56 | |
with a bashed-up face after a biking accident. | 0:12:56 | 0:12:59 | |
I damaged my forehead, my nose and my lip there. | 0:12:59 | 0:13:03 | |
He'd been at a party trying out some bike tricks, | 0:13:05 | 0:13:08 | |
but a big slope, a really, really big slope, caught him out | 0:13:08 | 0:13:12 | |
and he ended up flying over his handlebars onto his face. | 0:13:12 | 0:13:15 | |
Although it wasn't as bad as it looked, | 0:13:16 | 0:13:18 | |
Rhys couldn't wait for the swelling in his lip to go down. | 0:13:18 | 0:13:22 | |
I find it very hard to eat cos my tongue's very swollen. | 0:13:22 | 0:13:26 | |
And the doctors were also waiting so they could decide | 0:13:26 | 0:13:29 | |
if he'd need any plastic surgery. | 0:13:29 | 0:13:31 | |
Two weeks later and Rhys is back for his check-up. | 0:13:32 | 0:13:35 | |
I'm pleased to see his face is looking pretty transformed. | 0:13:35 | 0:13:38 | |
The swelling has gone down a lot and I can eat my favourite food | 0:13:40 | 0:13:44 | |
and everything. | 0:13:44 | 0:13:45 | |
Thank goodness. I was worried you were wasting away there for a while. | 0:13:45 | 0:13:49 | |
Well, with the important news out of the way, | 0:13:49 | 0:13:51 | |
let's meet Professor Simon Carley | 0:13:51 | 0:13:53 | |
and find out if we're going to need that surgery or not. | 0:13:53 | 0:13:57 | |
I think that's starting to heal quite nicely. | 0:13:57 | 0:13:59 | |
The bits on your forehead, almost completely healed. | 0:13:59 | 0:14:02 | |
His best chance is for his body to do all the work, | 0:14:02 | 0:14:05 | |
to do the job that it's designed to do. | 0:14:05 | 0:14:07 | |
Your skin needs to be a tough barrier so it can protect you | 0:14:07 | 0:14:10 | |
and it's designed to repair itself constantly. | 0:14:10 | 0:14:14 | |
All the time, new skin cells are working their way up | 0:14:14 | 0:14:16 | |
from the bottom layer to the top, | 0:14:16 | 0:14:18 | |
which usually takes about a month. | 0:14:18 | 0:14:20 | |
But because Rhys' injury is severe and his skin is healing, | 0:14:20 | 0:14:23 | |
it's going to take a bit longer. | 0:14:23 | 0:14:24 | |
The bits down here, they're doing pretty well as well. | 0:14:27 | 0:14:30 | |
To know what it's eventually going to completely look like | 0:14:30 | 0:14:33 | |
will probably be about six months. | 0:14:33 | 0:14:36 | |
Six months might sound like ages, but every skin cell contains pigment | 0:14:36 | 0:14:40 | |
which is what gives your skin its colour. | 0:14:40 | 0:14:42 | |
It's going to take a while for all of Rhys' cells | 0:14:42 | 0:14:45 | |
to reach the top layer and his skin colour to return to normal. | 0:14:45 | 0:14:48 | |
I think you can already see just on that patch on the forehead, | 0:14:48 | 0:14:51 | |
if you look in the middle part, can you see how some of the pigment | 0:14:51 | 0:14:55 | |
is already starting to come through on the inside? | 0:14:55 | 0:14:57 | |
I suspect that when you first did that, that looked completely pink | 0:14:57 | 0:15:01 | |
and now you're already seeing some of the pigment cells coming through. | 0:15:01 | 0:15:04 | |
The other doctor said that it's OK and it's healing properly, | 0:15:04 | 0:15:08 | |
that he could see my skin tone developing underneath. | 0:15:08 | 0:15:11 | |
With Rhys' skin healing well, | 0:15:12 | 0:15:14 | |
he might not need that surgery after all. | 0:15:14 | 0:15:17 | |
I know there was talk about plastic surgery and stuff like that. | 0:15:17 | 0:15:20 | |
I think at this stage, I don't think that's going to be necessary. | 0:15:20 | 0:15:24 | |
I'm amazed it's healed so well, actually. | 0:15:24 | 0:15:27 | |
The body's a pretty remarkable thing. | 0:15:27 | 0:15:29 | |
I'm just relieved cos I won't have to go into surgery. | 0:15:29 | 0:15:32 | |
To be honest, you can get back on your bike pretty soon, as well. | 0:15:32 | 0:15:36 | |
It's a good result for Rhys, but just go steady on that bike. | 0:15:36 | 0:15:39 | |
We've got some amazing body tricks to show you. | 0:15:43 | 0:15:47 | |
Want to find out how to shrink someone's arm? | 0:15:47 | 0:15:50 | |
Xand, I want you to put your fingertips together | 0:15:50 | 0:15:53 | |
and push your arms out as far as you can in front of you like that. | 0:15:53 | 0:15:55 | |
This is a great trick. | 0:15:55 | 0:15:57 | |
OK, now I want you to take that hand | 0:15:57 | 0:15:59 | |
and rub it as hard as you can on this elbow. | 0:15:59 | 0:16:01 | |
Tell your mate while they're doing this, | 0:16:01 | 0:16:03 | |
that you're going to use magic powers to shorten that arm. | 0:16:03 | 0:16:06 | |
Ohhh, I'm using my arm-shortening magic powers, ohhh! | 0:16:06 | 0:16:10 | |
Not too much magic. | 0:16:10 | 0:16:12 | |
OK, now straighten. | 0:16:15 | 0:16:17 | |
-You've shortened my arm. -Exactly. Now to get them the same length, | 0:16:17 | 0:16:21 | |
you simply do the opposite and rub this hand on that arm. | 0:16:21 | 0:16:24 | |
More magic, more magic and straighten. | 0:16:25 | 0:16:28 | |
-Yeah, that's better. -You want to try that again? | 0:16:28 | 0:16:31 | |
No, I won't be able to get my hands in my pockets. | 0:16:31 | 0:16:33 | |
'Don't be ridiculous, Xand.' | 0:16:33 | 0:16:35 | |
So, this trick works | 0:16:35 | 0:16:37 | |
because as you rub your left arm, the muscles in your right shoulder | 0:16:37 | 0:16:40 | |
tighten up, making your right arm look shorter. | 0:16:40 | 0:16:44 | |
Your left arm is relaxed and completely untensed | 0:16:44 | 0:16:48 | |
so it looks longer. | 0:16:48 | 0:16:49 | |
To get things back to normal, just give everything a shake. | 0:16:49 | 0:16:52 | |
Give it a try and see if you can fool your friends. | 0:16:52 | 0:16:56 | |
Now, we're going our separate ways to show you two amazing places, | 0:16:56 | 0:17:00 | |
starting here in Manchester with Chris. | 0:17:00 | 0:17:03 | |
Right now, I'm bringing the cameras in to show you | 0:17:03 | 0:17:06 | |
some eye surgery that is so amazing, even I've never seen it before. | 0:17:06 | 0:17:10 | |
You blink 17,000 times a day. | 0:17:10 | 0:17:13 | |
When you read a book, | 0:17:13 | 0:17:14 | |
your eye muscles move almost 170 times a minute | 0:17:14 | 0:17:17 | |
and the muscles you use to blink are the fastest in your body. | 0:17:17 | 0:17:21 | |
You've got seven muscles in your eye | 0:17:21 | 0:17:23 | |
and that's what we're focusing on today. | 0:17:23 | 0:17:25 | |
As we've seen on Operation Ouch!, | 0:17:26 | 0:17:28 | |
there are surgeons who specialise in everything to do with the body. | 0:17:28 | 0:17:31 | |
This is Dr Jane Ashworth and she's an eye specialist. | 0:17:31 | 0:17:35 | |
Is operating on the eye different to other parts of the body? | 0:17:35 | 0:17:38 | |
It is because the structures of the eye are small and delicate | 0:17:38 | 0:17:41 | |
so you have to use very, very fine instruments, | 0:17:41 | 0:17:44 | |
very fine needles and threads. | 0:17:44 | 0:17:46 | |
Often you have to magnify the image. | 0:17:46 | 0:17:48 | |
This is Josh who's having eye surgery today. | 0:17:48 | 0:17:51 | |
He's had problems with his sight from birth | 0:17:51 | 0:17:54 | |
and has had various treatments to help him see. | 0:17:54 | 0:17:56 | |
He's had eye patches for about a year, | 0:17:56 | 0:17:59 | |
which brought his sight back. | 0:17:59 | 0:18:01 | |
Joshua lost sight in his eye at first, he only had 20% sight. | 0:18:01 | 0:18:05 | |
Then he had the glasses to try and bring his sight back | 0:18:05 | 0:18:08 | |
which have brought it back. | 0:18:08 | 0:18:09 | |
He's now left...I think it's about 80% sight now. | 0:18:09 | 0:18:12 | |
But the doctors want to correct something else. | 0:18:13 | 0:18:16 | |
Josh has a squint and in his case, this is making his eyes | 0:18:16 | 0:18:19 | |
move too closely together when he looks down. | 0:18:19 | 0:18:22 | |
If you look on this model here, these are the muscles of the eye | 0:18:22 | 0:18:25 | |
that move the eye in different directions. | 0:18:25 | 0:18:28 | |
This muscle here, close to the nose, | 0:18:28 | 0:18:30 | |
is working too well, so we're going to weaken it | 0:18:30 | 0:18:33 | |
by moving it backwards on the eye and moving its position downwards. | 0:18:33 | 0:18:37 | |
Someone in your class may have a squint. | 0:18:38 | 0:18:40 | |
You may have one yourself and, most of the time, glasses can correct it. | 0:18:40 | 0:18:44 | |
But in Josh's case, glasses and other treatments won't work, | 0:18:44 | 0:18:48 | |
so surgery is the only option to repair the muscle around his eyes. | 0:18:48 | 0:18:52 | |
Even though Josh's eyes are open, | 0:18:52 | 0:18:54 | |
he is actually asleep and he can't see or feel a thing. | 0:18:54 | 0:18:58 | |
To me, this is very exciting. | 0:18:58 | 0:18:59 | |
I never saw this kind of surgery because it's so specialist - | 0:18:59 | 0:19:02 | |
as a medical student, I didn't see it. | 0:19:02 | 0:19:04 | |
Look away if you're a bit squeamish. | 0:19:04 | 0:19:06 | |
These first stitches that Jane's put in | 0:19:06 | 0:19:08 | |
are so she can move the eyeball into the position | 0:19:08 | 0:19:11 | |
so that this muscle is exposed here. | 0:19:11 | 0:19:15 | |
And now I'm going to open the skin on the surface of the eye | 0:19:15 | 0:19:18 | |
in order to find the muscle. | 0:19:18 | 0:19:20 | |
The skin on your eyeball can heal like any other skin? | 0:19:20 | 0:19:23 | |
Yeah, it heals very quickly. | 0:19:23 | 0:19:24 | |
We're just putting some stitches in | 0:19:26 | 0:19:28 | |
to sew the muscle into a new position on the eye. | 0:19:28 | 0:19:31 | |
The problem Josh had is that the muscle was too strong | 0:19:31 | 0:19:33 | |
moving the eye inwards and downwards | 0:19:33 | 0:19:35 | |
so what Jane's done is effectively make the muscle weaker. | 0:19:35 | 0:19:39 | |
In just 20 minutes, the first eye is done | 0:19:39 | 0:19:42 | |
and now Dr Jane moves on to the next eye muscle. | 0:19:42 | 0:19:45 | |
Using these stitches to put the muscle into a new position now. | 0:19:45 | 0:19:48 | |
Co-ordinating your eyes together is really important | 0:19:48 | 0:19:51 | |
so humans have seven muscles moving the eye | 0:19:51 | 0:19:53 | |
and that means you can move your eye in any direction at all. | 0:19:53 | 0:19:57 | |
So Jane's now just sewing the skin back around the eyeball, | 0:20:00 | 0:20:04 | |
covering the muscle | 0:20:04 | 0:20:06 | |
and then we're done. | 0:20:06 | 0:20:07 | |
And in 40 minutes, Josh returns back to the hospital ward to recover. | 0:20:07 | 0:20:11 | |
I'm absolutely astounded at how quick this surgery happens. | 0:20:11 | 0:20:15 | |
So, back on the ward and Josh can't open his eyes yet | 0:20:16 | 0:20:19 | |
but a few weeks later and he's back to meet Dr Jane | 0:20:19 | 0:20:22 | |
for a check-up. | 0:20:22 | 0:20:23 | |
The eyes are healing up absolutely fine, so he's done really well. | 0:20:23 | 0:20:26 | |
That's much better, isn't it? Before, his eyes turned right in. | 0:20:26 | 0:20:30 | |
Yeah, that's much better. | 0:20:30 | 0:20:31 | |
It's much better than it was. | 0:20:31 | 0:20:33 | |
'There's been a real improvement in Josh's squint after the surgery, | 0:20:33 | 0:20:36 | |
'which is great news.' | 0:20:36 | 0:20:38 | |
So how do you feel after all that? | 0:20:38 | 0:20:40 | |
You didn't want to open your eyes afterwards in hospital, did you? | 0:20:40 | 0:20:42 | |
-No. -And then, did you open your eyes that night? | 0:20:42 | 0:20:45 | |
No, I opened them the next day. | 0:20:45 | 0:20:47 | |
Josh found it a bit uncomfortable after the operation | 0:20:47 | 0:20:50 | |
but now he's had this amazing surgery, | 0:20:50 | 0:20:52 | |
he's well on the road to recovery | 0:20:52 | 0:20:54 | |
and it means now that when he looks down, | 0:20:54 | 0:20:57 | |
his eye muscles won't be pulling his eyes together toward his nose. | 0:20:57 | 0:21:01 | |
In fact, the answer is B. | 0:21:18 | 0:21:20 | |
It would stretch as high | 0:21:20 | 0:21:21 | |
as a three-storey building. | 0:21:21 | 0:21:22 | |
That's nine metres of innards | 0:21:22 | 0:21:24 | |
all coiled up inside your body. | 0:21:24 | 0:21:27 | |
Now Xand brings you something completely different. | 0:21:27 | 0:21:30 | |
I'm in a top secret location | 0:21:30 | 0:21:33 | |
and it's so top secret, I'm not even allowed to mention its name | 0:21:33 | 0:21:37 | |
but in here is a special medical collection of human body parts | 0:21:37 | 0:21:42 | |
and I've been allowed exclusive access | 0:21:42 | 0:21:45 | |
to show you some of the ways the human body can go wrong. | 0:21:45 | 0:21:49 | |
These two things are human hearts. | 0:21:49 | 0:21:52 | |
This one is a normal human heart. | 0:21:52 | 0:21:54 | |
Now, it's been opened up | 0:21:54 | 0:21:56 | |
so that you can see inside | 0:21:56 | 0:21:58 | |
but if you put it back together, | 0:21:58 | 0:21:59 | |
it would be about the size of a large apple. | 0:21:59 | 0:22:02 | |
That's what's inside me and you | 0:22:02 | 0:22:05 | |
but this heart is much bigger. | 0:22:05 | 0:22:08 | |
Now, the man who this heart belonged to had a rare disease | 0:22:08 | 0:22:11 | |
which made some of the tissues in his body weaker | 0:22:11 | 0:22:13 | |
so they stretched, like his heart and his blood vessels | 0:22:13 | 0:22:17 | |
and that's why his heart got so big. | 0:22:17 | 0:22:19 | |
Imagine having this inside your chest. It's the size of a melon! | 0:22:19 | 0:22:24 | |
You'd definitely notice it. | 0:22:24 | 0:22:26 | |
This guy would have had a pounding heartbeat. | 0:22:26 | 0:22:29 | |
Boom, boom, boom! | 0:22:29 | 0:22:30 | |
You'd actually be able to see his chest wall moving | 0:22:30 | 0:22:34 | |
with each massive beat. | 0:22:34 | 0:22:36 | |
You'd probably have been able to see the blood washing up into his neck | 0:22:36 | 0:22:40 | |
so his neck would have been expanding and almost flapping | 0:22:40 | 0:22:43 | |
with each heartbeat and in the end, this man's heart getting so big | 0:22:43 | 0:22:47 | |
and his blood vessels got so weak - that's what killed him. | 0:22:47 | 0:22:50 | |
This is another organ that's gone wrong. | 0:22:50 | 0:22:53 | |
It's a human liver, and there's something very strange about it. | 0:22:53 | 0:22:57 | |
What do you think these are? | 0:22:57 | 0:22:59 | |
Hmm? Hmm? | 0:22:59 | 0:23:01 | |
They're worms - | 0:23:01 | 0:23:03 | |
giant intestinal roundworms | 0:23:03 | 0:23:05 | |
and they were living in this person's body when they died. | 0:23:05 | 0:23:09 | |
The person that this liver belonged to would have been ill. | 0:23:09 | 0:23:12 | |
They'd have been bright yellow, for a start, | 0:23:12 | 0:23:15 | |
because their liver was all blocked up. | 0:23:15 | 0:23:17 | |
In fact, there might have been so many worms | 0:23:17 | 0:23:19 | |
that they blocked their gut. They'd have lost weight, and ultimately | 0:23:19 | 0:23:22 | |
this infection probably would have killed them. | 0:23:22 | 0:23:25 | |
But bones can go wrong too. | 0:23:25 | 0:23:27 | |
In the lower half of your leg, you've got two bones - | 0:23:27 | 0:23:30 | |
the tibia, which is here. That's your shin bone, | 0:23:30 | 0:23:32 | |
and then a smaller bone off to the side, the fibula - that one there. | 0:23:32 | 0:23:36 | |
It's easy to break these and it's quite common. | 0:23:36 | 0:23:38 | |
Footballers and skiers do it. You probably know someone who's done it. | 0:23:38 | 0:23:41 | |
It's also quite easy to fix this, usually. | 0:23:41 | 0:23:44 | |
Doctors will pull the leg straight, put it in a plaster cast | 0:23:44 | 0:23:47 | |
and you can be almost as good as new in a few weeks. | 0:23:47 | 0:23:50 | |
But what happens | 0:23:50 | 0:23:52 | |
if you don't have a plaster cast? | 0:23:52 | 0:23:54 | |
Take a look at this. | 0:23:57 | 0:23:59 | |
This person broke their leg 200 years ago | 0:24:01 | 0:24:05 | |
and they didn't see a doctor. | 0:24:05 | 0:24:06 | |
Now, it's a terrible break. He would have been in terrible pain | 0:24:06 | 0:24:10 | |
and he would have had a very bad limp | 0:24:10 | 0:24:12 | |
but what's incredible about this | 0:24:12 | 0:24:15 | |
is the bone's actually regrown and tried to fix itself, | 0:24:15 | 0:24:18 | |
so we know from that | 0:24:18 | 0:24:20 | |
that this guy lived, probably for several years after his injury. | 0:24:20 | 0:24:24 | |
Amazing. | 0:24:24 | 0:24:26 | |
In the Accident & Emergency department, | 0:24:29 | 0:24:31 | |
-the team are ready for their next case. -Let's meet him. | 0:24:31 | 0:24:34 | |
Six-year-old Rio has come to Accident & Emergency | 0:24:37 | 0:24:39 | |
with a little problem on his hands. | 0:24:39 | 0:24:41 | |
I've got a poorly finger. | 0:24:41 | 0:24:44 | |
Ooh, yeah, that is a problem. | 0:24:44 | 0:24:46 | |
It's a bit strange. | 0:24:46 | 0:24:48 | |
It does look pretty odd. | 0:24:48 | 0:24:50 | |
So how on earth did that finger end up like that? | 0:24:50 | 0:24:52 | |
Rio has lots of hobbies. That's him Thai boxing | 0:24:54 | 0:24:57 | |
but as well as the usual activities, | 0:24:57 | 0:24:59 | |
he has another favourite pastime - | 0:24:59 | 0:25:02 | |
picking the skin around his nails. | 0:25:02 | 0:25:04 | |
He picks in the morning, | 0:25:04 | 0:25:05 | |
he picks in the evening, | 0:25:05 | 0:25:08 | |
he even picks in the bathtub | 0:25:08 | 0:25:10 | |
but as he's been picking away, germs have crept in under the skin. | 0:25:10 | 0:25:14 | |
That's those green things. | 0:25:14 | 0:25:16 | |
Lots of them, aren't there? | 0:25:16 | 0:25:17 | |
Yep, and so his finger became infected and it swelled up. Ouch. | 0:25:17 | 0:25:21 | |
It comes all white when you pick it a bit more. | 0:25:22 | 0:25:26 | |
Time to stop picking at it, Rio. | 0:25:26 | 0:25:28 | |
Let's get Professor Simon Carley in to get to the bottom of it. | 0:25:28 | 0:25:32 | |
Follow this way. Let's follow the finger. | 0:25:32 | 0:25:34 | |
Well, there goes the finger. Rio's just going to have to follow. | 0:25:34 | 0:25:38 | |
Can I have a quick look? | 0:25:38 | 0:25:40 | |
Do you bite your nails? | 0:25:40 | 0:25:41 | |
-No, I pick them. -You pick them? | 0:25:41 | 0:25:43 | |
-He certainly does. -You see all this yellow stuff? | 0:25:43 | 0:25:46 | |
That's where it's got a little infection there | 0:25:46 | 0:25:49 | |
so you're going to make it sore. | 0:25:49 | 0:25:51 | |
I think we can make that a bit better for you | 0:25:51 | 0:25:53 | |
by letting some of that out. Would that be all right? | 0:25:53 | 0:25:56 | |
-'Cut it out, doctor! -That's a bit rude. | 0:25:56 | 0:25:58 | |
'No, really, cut it out. Let the pus out. | 0:25:58 | 0:26:01 | |
'Sounds drastic, but that pus needs removing. | 0:26:01 | 0:26:04 | |
'But first, let's give him some of this.' | 0:26:04 | 0:26:06 | |
Gas and air - it's made up of a mixture of oxygen and nitrous oxide. | 0:26:07 | 0:26:12 | |
As you breathe it in, the gas numbs the pain receptors in your brain, | 0:26:12 | 0:26:16 | |
meaning things hurt less, | 0:26:16 | 0:26:17 | |
and gives you a laugh along the way. | 0:26:17 | 0:26:19 | |
Have you got the giggles? | 0:26:19 | 0:26:21 | |
RIO AND SIMON LAUGH | 0:26:21 | 0:26:22 | |
With Rio looking nice and relaxed, Professor Simon can get to work. | 0:26:22 | 0:26:26 | |
Now, if you're squeamish, get ready to look away | 0:26:26 | 0:26:29 | |
because we're going to release the pus! | 0:26:29 | 0:26:31 | |
And look away now. OK, here we go. | 0:26:31 | 0:26:35 | |
And he's in! | 0:26:35 | 0:26:36 | |
Eugh! There goes some pus. | 0:26:36 | 0:26:38 | |
OK, all clear. | 0:26:38 | 0:26:40 | |
This might all seem a bit grim, but if Rio's abscess was left untreated | 0:26:40 | 0:26:44 | |
it could get worse and worse, and could burst | 0:26:44 | 0:26:47 | |
or even damage the bone. | 0:26:47 | 0:26:49 | |
So what we've got there is all that pus that was trapped. | 0:26:49 | 0:26:54 | |
And now it's out, Professor Simon removes that infected skin. | 0:26:54 | 0:26:57 | |
All that badness now, which was underneath here, is out | 0:26:57 | 0:27:01 | |
so all we do now is give that a clean, put a dressing on it | 0:27:01 | 0:27:04 | |
and it will heal up really nicely. | 0:27:04 | 0:27:06 | |
Rio, are you better? | 0:27:06 | 0:27:09 | |
-Not yet. -You better? | 0:27:09 | 0:27:10 | |
-Not yet. -He said, "Not yet," Reggie! | 0:27:10 | 0:27:13 | |
But one rather large bandage later, and he's on his way home. | 0:27:13 | 0:27:16 | |
And what's the moral of the story? I can't quite put my finger on it! | 0:27:16 | 0:27:20 | |
Oh, dear. Rio? | 0:27:20 | 0:27:22 | |
Don't pick your nails or your fingers. | 0:27:22 | 0:27:26 | |
Bingo. | 0:27:26 | 0:27:27 | |
-Bye-bye. -Yep, bye. | 0:27:27 | 0:27:30 | |
Time to go, Rio. | 0:27:30 | 0:27:32 | |
Next time... | 0:27:33 | 0:27:35 | |
find out what this man can do with a hot water bottle. | 0:27:35 | 0:27:38 | |
Chris tests out his surgical skills. | 0:27:38 | 0:27:41 | |
And we take a journey through my guts with a special camera pill. | 0:27:41 | 0:27:45 | |
This is like tomorrow's poo in here. | 0:27:45 | 0:27:48 | |
So we'll see you next time on Operation Ouch! | 0:27:48 | 0:27:51 | |
Subtitles by Red Bee Media Ltd | 0:28:05 | 0:28:08 |