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'He's Dr Chris.' | 0:00:24 | 0:00:26 | |
'And he's Dr Xand.' | 0:00:26 | 0:00:28 | |
'Yup, we're twins.' | 0:00:28 | 0:00:30 | |
'Do you know just how brilliant your body really is? | 0:00:30 | 0:00:34 | |
'Well, now's the time to find out.' | 0:00:34 | 0:00:36 | |
'We'll be uncovering the ins and outs of what you're made of.' | 0:00:36 | 0:00:40 | |
It's harder to speak. | 0:00:40 | 0:00:42 | |
'We'll be doing awesome experiments...' | 0:00:42 | 0:00:45 | |
HIGH PITCHED VOICE: You sound ridiculous. | 0:00:45 | 0:00:47 | |
LOW VOICE: Pipe down, Squeaky. | 0:00:47 | 0:00:48 | |
'..as we push our own bodies to the limits...' | 0:00:50 | 0:00:53 | |
OK, here we go. | 0:00:53 | 0:00:54 | |
'..to show you all the incredible things your body can do.' | 0:00:57 | 0:01:01 | |
Oh, no! | 0:01:01 | 0:01:03 | |
Hang around cos this is going to be fun. | 0:01:04 | 0:01:06 | |
Coming up today... | 0:01:07 | 0:01:10 | |
on Operation Ouch. | 0:01:09 | 0:01:10 | |
'What's this man going to do with this hot water bottle? | 0:01:12 | 0:01:15 | |
'We take an amazing journey through Chris' guts.' | 0:01:15 | 0:01:19 | |
That feels very private | 0:01:19 | 0:01:20 | |
-to look inside your stomach and see your sweets. -Yeah! | 0:01:20 | 0:01:23 | |
'And I take on a surgical challenge.' | 0:01:23 | 0:01:26 | |
It's wet and it's covered in blood and it looks very, | 0:01:26 | 0:01:29 | |
it looks very serious. | 0:01:29 | 0:01:30 | |
'Don't worry, those organs aren't real. But first...' | 0:01:30 | 0:01:33 | |
In the UK, over five million people | 0:01:35 | 0:01:37 | |
have to visit the Emergency department every year. | 0:01:37 | 0:01:40 | |
But some cases are more complicated than others. | 0:01:40 | 0:01:43 | |
'At Royal Manchester Children's hospital, 10-year-old Yasim | 0:01:43 | 0:01:46 | |
'was rushed to Accident & Emergency | 0:01:46 | 0:01:48 | |
'after he slipped and landed on his elbow.' | 0:01:48 | 0:01:51 | |
After I fell, my elbow looked swollen. | 0:01:51 | 0:01:54 | |
'This is the good elbow, and this is the swollen elbow. | 0:01:55 | 0:01:59 | |
'Now, how did this happen? | 0:01:59 | 0:02:01 | |
'It was break time, and Yasim was racing | 0:02:01 | 0:02:04 | |
'with his friend and his twin brother. | 0:02:04 | 0:02:05 | |
'Yasim sped toward the finish line. He could see the ribbon approaching. | 0:02:05 | 0:02:10 | |
'He dreamt of winning, nice trophy, bit big, | 0:02:12 | 0:02:15 | |
'when suddenly he skidded, flew through the air | 0:02:15 | 0:02:18 | |
'and landed on his elbow. | 0:02:18 | 0:02:19 | |
'The race to the hospital was on.' | 0:02:19 | 0:02:21 | |
'Ouch. And what about the other race, the one with your friends?' | 0:02:21 | 0:02:25 | |
They said we could finish it off when I get better. | 0:02:25 | 0:02:28 | |
'Or they could just say you won that one, don't you think?' | 0:02:28 | 0:02:31 | |
'First stop is the X-ray department where radiographer takes some X-rays | 0:02:31 | 0:02:35 | |
'to see what's going on with Yasim's troublesome elbow.' | 0:02:35 | 0:02:38 | |
OK, that's all done. | 0:02:40 | 0:02:42 | |
'Enter Dr Ibrar Majid. He's here with the results. | 0:02:42 | 0:02:46 | |
'What's the verdict, Dr Ibrar?' | 0:02:46 | 0:02:48 | |
This is your X-ray. You've broken your elbow | 0:02:48 | 0:02:50 | |
and you need an operation, I think, to fix this. | 0:02:50 | 0:02:53 | |
'Oh, dear. Yasim won't be lifting a trophy for a while. | 0:02:53 | 0:02:56 | |
'He needs an operation | 0:02:56 | 0:02:57 | |
'because part of his bone has come away from where it's supposed to be.' | 0:02:57 | 0:03:00 | |
The reason why it's moved off it is because there's lots of muscles | 0:03:00 | 0:03:04 | |
that are attached to this bone which pulled the bone away. | 0:03:04 | 0:03:10 | |
'Look at that. That's a bit of loose bone!' | 0:03:10 | 0:03:13 | |
Tomorrow, we'll do an operation | 0:03:13 | 0:03:15 | |
where we'll push the bit of the bone that's broken back, | 0:03:15 | 0:03:17 | |
and with some wires fix it. | 0:03:17 | 0:03:18 | |
It's really important that we fix this because if we don't fix it | 0:03:18 | 0:03:22 | |
there's a risk that he can lose some function around his elbow. | 0:03:22 | 0:03:25 | |
-'So, ARMED with this information...' -'Terrible joke!' -'..fair enough, | 0:03:25 | 0:03:30 | |
'Yasim goes back to the ward and gets a visit from his family. | 0:03:30 | 0:03:33 | |
'But his brother, Hudafer, | 0:03:33 | 0:03:34 | |
'is particularly worried about the operation.' | 0:03:34 | 0:03:37 | |
I might feel it cos he is my twin brother. | 0:03:37 | 0:03:40 | |
'Ah yes, some twins think they can feel the other's pain.' | 0:03:40 | 0:03:44 | |
'I think you'll be all right, | 0:03:44 | 0:03:46 | |
'because Yasim will be fast asleep during his operation.' | 0:03:46 | 0:03:50 | |
'Speaking of sleep, I think it's about time | 0:03:50 | 0:03:52 | |
'your brothers and sisters left you to get some rest.' | 0:03:52 | 0:03:55 | |
Good luck, Yasim. Stay brave for tomorrow, yeah? | 0:03:55 | 0:03:59 | |
'We'll be back later to find out how Yasim's operation goes.' | 0:03:59 | 0:04:02 | |
'This is our lab, where we're going to put our bodies to the test | 0:04:07 | 0:04:10 | |
'to show you how your body works.' | 0:04:10 | 0:04:12 | |
Ow, that really hurt! | 0:04:14 | 0:04:15 | |
'Just don't try anything you see here at home.' | 0:04:15 | 0:04:18 | |
'Today we're looking at digestion.' | 0:04:18 | 0:04:20 | |
We're going to follow the journey that food makes through Chris' body, | 0:04:20 | 0:04:23 | |
and in order to do this I need to get Chris to swallow a camera. | 0:04:23 | 0:04:27 | |
This camera. It's a mini camera pill, and Chris is going to eat it. | 0:04:28 | 0:04:33 | |
And it's not just a camera. There's lights, | 0:04:33 | 0:04:35 | |
a battery and a radio transmitter in here. | 0:04:35 | 0:04:38 | |
And what flavour is it? | 0:04:38 | 0:04:39 | |
-Camera flavour. -My favourite. | 0:04:39 | 0:04:41 | |
It's a new bit of kit that doctors use | 0:04:41 | 0:04:43 | |
to look at problems with people's insides. | 0:04:43 | 0:04:45 | |
So we're going to go on a journey from my mouth | 0:04:45 | 0:04:48 | |
all the way through my digestive tract. | 0:04:48 | 0:04:50 | |
Let's go! | 0:04:50 | 0:04:52 | |
'It's going to take approximately eight hours for the pill | 0:04:52 | 0:04:55 | |
'to make its way from Chris' mouth, through his body, | 0:04:55 | 0:04:57 | |
'until it comes out in his poo.' | 0:04:57 | 0:04:59 | |
'And the first phase of the journey is getting into the stomach, | 0:04:59 | 0:05:03 | |
'and this only takes seven seconds.' | 0:05:03 | 0:05:05 | |
It's amazing how quickly it's gone into your stomach, isn't it? | 0:05:07 | 0:05:09 | |
Yeah, it goes like that, doesn't it? | 0:05:09 | 0:05:11 | |
And you can feel that, when you drink cold water | 0:05:11 | 0:05:13 | |
-you can feel it go cold in your stomach. -Yeah. | 0:05:13 | 0:05:16 | |
'Here are live pictures from the inside of my stomach. | 0:05:16 | 0:05:19 | |
'The ridges you can see are muscle. | 0:05:19 | 0:05:21 | |
'That's what pushes the food you eat through your digestive system.' | 0:05:21 | 0:05:25 | |
So there's lots of space in your stomach. It's basically | 0:05:25 | 0:05:28 | |
a muscular bag where food is stored while it's cleaned by stomach acid. | 0:05:28 | 0:05:33 | |
Chris, now I want you to eat some sweets, | 0:05:33 | 0:05:35 | |
and we'll be able to see them in your stomach. Here's some water. | 0:05:35 | 0:05:38 | |
'These sweets will now make their way down to my stomach. | 0:05:38 | 0:05:40 | |
'Here they'll spend a couple of hours being swished around | 0:05:40 | 0:05:43 | |
'and washed clean. It's a bit like a washing machine.' | 0:05:43 | 0:05:46 | |
That's the reason you have acid in your stomach. | 0:05:46 | 0:05:49 | |
It's not to break down food, | 0:05:49 | 0:05:50 | |
it's to kill bacteria that might cause disease. | 0:05:50 | 0:05:52 | |
And you might think it's a bit dangerous to have | 0:05:52 | 0:05:54 | |
a bag full of strong acid in the middle of your body, | 0:05:54 | 0:05:57 | |
but actually the stomach is coated with kind of thick protective mucus | 0:05:57 | 0:06:01 | |
and that stops the acid attacking the stomach. | 0:06:01 | 0:06:03 | |
'So let's see if we can spot those sweets.' | 0:06:03 | 0:06:05 | |
Yay! Ha-ha! | 0:06:05 | 0:06:07 | |
'There we go. Two of them, side by side.' | 0:06:08 | 0:06:11 | |
That feels very private | 0:06:11 | 0:06:12 | |
to look inside your stomach and see your sweets. | 0:06:12 | 0:06:14 | |
Yeah! | 0:06:14 | 0:06:15 | |
So the sweets and the camera will now be cleaned in Chris' stomach acid | 0:06:15 | 0:06:19 | |
before being pushed out of the stomach through the sphincter muscle. | 0:06:19 | 0:06:23 | |
'The next stop in my digestive system is the small intestine.' | 0:06:23 | 0:06:27 | |
This is where the action really happens. | 0:06:27 | 0:06:29 | |
'There are the sweets from earlier, | 0:06:29 | 0:06:31 | |
'and you can see the furry lining of Chris' small intestine. | 0:06:31 | 0:06:35 | |
'It's made up of tiny finger-like things | 0:06:35 | 0:06:37 | |
'that help to break down food.' | 0:06:37 | 0:06:39 | |
The small intestine's where food gets digested, | 0:06:39 | 0:06:42 | |
and it gets mixed up with chemicals called enzymes that digest the food. | 0:06:42 | 0:06:47 | |
'And that's what we can see from these live pictures inside Chris. | 0:06:47 | 0:06:51 | |
'All that yellow liquid is the mixture of food, bile and mucus, | 0:06:51 | 0:06:55 | |
'and you can also see the blood vessels | 0:06:55 | 0:06:57 | |
'on the walls of the small intestine.' | 0:06:57 | 0:06:59 | |
The reason the blood supply's so good here is because | 0:06:59 | 0:07:01 | |
this is where your body gets what it needs out of the food. It gets all | 0:07:01 | 0:07:05 | |
the nutrients and it gets all the protein, the fat, the carbohydrates. | 0:07:05 | 0:07:09 | |
And then this sort of sludge here | 0:07:09 | 0:07:12 | |
is a mixture of bile and the food that you can't digest | 0:07:12 | 0:07:15 | |
and the mucus will go into the large intestine. | 0:07:15 | 0:07:18 | |
That's where it gets turned into poo. | 0:07:18 | 0:07:20 | |
This is like tomorrow's poo. | 0:07:20 | 0:07:21 | |
'On to the final destination for the camera pill, | 0:07:23 | 0:07:26 | |
'the large intestine. And that means it's poo time.' | 0:07:26 | 0:07:30 | |
The large intestine is the final bit of your intestines. | 0:07:30 | 0:07:32 | |
It runs like this along here, out here and out your bum. | 0:07:32 | 0:07:36 | |
The camera is now in much thicker liquid | 0:07:36 | 0:07:38 | |
and the main function of the large intestine | 0:07:38 | 0:07:41 | |
is to take the liquid out of this and make a solid poo. | 0:07:41 | 0:07:44 | |
It's still quite liquid, isn't it? | 0:07:44 | 0:07:46 | |
But there are much more solid bits in it now. | 0:07:46 | 0:07:48 | |
In fact, I think the camera is now kind of up against the next poo | 0:07:48 | 0:07:53 | |
that I'm going to have and it's going to become part of that. | 0:07:53 | 0:07:57 | |
It's a very high tech way of looking at your poo. | 0:07:57 | 0:07:59 | |
Yes, I think it would be much easier to wait till it came out, | 0:07:59 | 0:08:02 | |
but then we wouldn't get to see my lovely healthy gut. | 0:08:02 | 0:08:04 | |
'Hmm. Lovely isn't quite the word that springs to mind | 0:08:04 | 0:08:08 | |
'but seeing live images from the inside of Chris' guts | 0:08:08 | 0:08:11 | |
'has been pretty amazing.' | 0:08:11 | 0:08:13 | |
'From the moment you swallow your food, just like the camera pill, | 0:08:14 | 0:08:18 | |
'it will take eight hours to travel a total distance of nine metres | 0:08:18 | 0:08:21 | |
'from your mouth to your stomach, then from your small intestine | 0:08:21 | 0:08:25 | |
'to your large intestine, until it's ready to be pushed out as poo | 0:08:25 | 0:08:28 | |
'and ending up in the loo, which is where that camera pill is headed.' | 0:08:28 | 0:08:31 | |
'Did you know?' | 0:08:35 | 0:08:36 | |
'Wow, that's amazing and so is this.' | 0:08:40 | 0:08:43 | |
'An ordinary gym, with ordinary weights | 0:08:45 | 0:08:48 | |
'and ordinary people lifting them.' | 0:08:48 | 0:08:50 | |
'Well, except one person.' | 0:08:51 | 0:08:53 | |
'This man may hold the world record | 0:08:55 | 0:08:57 | |
'for the most weight squat-lifted in 24 hours, | 0:08:57 | 0:09:00 | |
'but he's also got an even more amazing body skill than that.' | 0:09:00 | 0:09:04 | |
'Erm, is that a hot water bottle?' | 0:09:06 | 0:09:07 | |
'Yep, and just wait to see what he can do with it.' | 0:09:07 | 0:09:10 | |
'This is Shaun Jones, and he's mastered the unusual art | 0:09:12 | 0:09:16 | |
'of blowing up hot water bottles until they... | 0:09:16 | 0:09:18 | |
'..explode. | 0:09:23 | 0:09:25 | |
-'That is one powerful set of lungs.' -'It certainly is.' | 0:09:25 | 0:09:30 | |
'Shaun holds the world's record for the fastest hot water bottle burst.' | 0:09:30 | 0:09:33 | |
'But why does he do it?' | 0:09:33 | 0:09:35 | |
I first started to do the hot water bottle burst | 0:09:35 | 0:09:38 | |
in a training programme to enhance my training power. | 0:09:38 | 0:09:42 | |
'Blowing up a thick plastic hot water bottle | 0:09:42 | 0:09:44 | |
'is 50 times more difficult than blowing up a party balloon. | 0:09:44 | 0:09:48 | |
'So, how does Shaun's amazing body do this?' | 0:09:48 | 0:09:52 | |
'Well, although he makes it look easy, | 0:09:52 | 0:09:54 | |
'Shaun has the incredible ability | 0:09:54 | 0:09:56 | |
'to expand his lungs more than the average person, | 0:09:56 | 0:09:58 | |
'filling them with loads more air. | 0:09:58 | 0:10:01 | |
'And then the super-strong muscles in his chest, diaphragm and tummy | 0:10:01 | 0:10:06 | |
'means that he can blow out air with so much force he can do this...' | 0:10:06 | 0:10:09 | |
'And it's taken years of training to get this quick at it.' | 0:10:11 | 0:10:14 | |
Usually we train twice a day, morning and night, | 0:10:14 | 0:10:17 | |
and we usually do about three or four hot water bottles per day. | 0:10:17 | 0:10:20 | |
'People who have a large lung capacity like Shaun | 0:10:20 | 0:10:23 | |
'can get more oxygen into their body faster.' | 0:10:23 | 0:10:26 | |
'But don't try this yourself. It's best left to the experts.' | 0:10:26 | 0:10:30 | |
'Now that's amazing.' | 0:10:30 | 0:10:31 | |
'Still to come...' | 0:10:32 | 0:10:34 | |
'Xand shows you what's inside some real bones...' | 0:10:34 | 0:10:37 | |
So it looks like rock, | 0:10:37 | 0:10:38 | |
but actually, your bones are as alive as any other part of your body. | 0:10:38 | 0:10:42 | |
'We show you a trick to amaze your friends.' | 0:10:42 | 0:10:45 | |
'And I get stuck in with a team of surgeons.' | 0:10:46 | 0:10:48 | |
It's wet and it's covered in blood and it looks very serious. | 0:10:48 | 0:10:52 | |
'It's OK, though, it's just a dummy. But now...' | 0:10:52 | 0:10:55 | |
Let's head down to the Accident & Emergency department | 0:10:55 | 0:10:58 | |
to see how our patient is doing. | 0:10:58 | 0:11:00 | |
'Back at Manchester it's time to check in with Yasim | 0:11:01 | 0:11:04 | |
'and his broken elbow.' | 0:11:04 | 0:11:06 | |
'He'd been running races at school | 0:11:06 | 0:11:08 | |
'when he tripped and fell on his elbow.' | 0:11:08 | 0:11:10 | |
'X-rays showed that part of one of the bones in his elbow | 0:11:10 | 0:11:13 | |
'had broken loose and he's got to have an operation | 0:11:13 | 0:11:15 | |
'to put it back in place.' | 0:11:15 | 0:11:17 | |
'So how are you this morning, Yasim?' | 0:11:17 | 0:11:18 | |
I'm feeling scared of the operation. I think it might hurt. | 0:11:18 | 0:11:22 | |
'Don't worry because you'll be getting some special gas | 0:11:22 | 0:11:25 | |
'that will make you sleep through the whole thing.' | 0:11:25 | 0:11:27 | |
So, we'll start off with strawberries. | 0:11:29 | 0:11:31 | |
'Strawberries? This is no time for a picnic.' | 0:11:31 | 0:11:34 | |
'Xand, he's talking about strawberry-flavoured sleeping gas.' | 0:11:34 | 0:11:38 | |
I want you to take some nice deep breaths through that. | 0:11:38 | 0:11:41 | |
'Anyway, as Yasim settles in for a snooze, | 0:11:41 | 0:11:43 | |
'the operating team start work.' | 0:11:43 | 0:11:45 | |
'First, the doctors have to put the bone back. | 0:11:45 | 0:11:49 | |
'To make sure the bone doesn't move, | 0:11:49 | 0:11:51 | |
'the wires are inserted into the elbow.' | 0:11:51 | 0:11:53 | |
'Now prepare yourself, cos this could look a bit icky. | 0:11:53 | 0:11:56 | |
'Told you.' | 0:11:56 | 0:11:57 | |
'After checking everything's in place...' | 0:11:57 | 0:12:00 | |
It looks good, actually. | 0:12:00 | 0:12:01 | |
'..the doctors replace the wires with temporary screws.' | 0:12:01 | 0:12:04 | |
'More blood shots coming up...' | 0:12:04 | 0:12:07 | |
'The screws will make sure Yasim's elbow sets | 0:12:07 | 0:12:09 | |
'in the correct position and will be removed once everything has healed. | 0:12:09 | 0:12:14 | |
'All that's needed now is a few stitches.' | 0:12:14 | 0:12:17 | |
'The operation's been a success, and a couple of hours later, | 0:12:17 | 0:12:21 | |
'Yasim's awake and he can't remember a thing.' | 0:12:21 | 0:12:23 | |
I feel happy because, erm, before it I was a bit scared. | 0:12:23 | 0:12:29 | |
'Don't worry. It's all behind you now. | 0:12:29 | 0:12:32 | |
'But what about that brother of yours? | 0:12:32 | 0:12:34 | |
'He was worried HE'D feel the pain. It's a twin thing. | 0:12:34 | 0:12:38 | |
'So, did he?' | 0:12:38 | 0:12:39 | |
I had a headache and my leg started to wobble. | 0:12:39 | 0:12:43 | |
'Your leg started to wobble? | 0:12:43 | 0:12:45 | |
-'Did you feel any pain in your elbow, though?' -No. | 0:12:45 | 0:12:48 | |
'Oh, OK. So what about the racing, Yasim?' | 0:12:48 | 0:12:51 | |
I'm going to stop running for a while | 0:12:51 | 0:12:54 | |
and watch my friends run instead. | 0:12:54 | 0:12:56 | |
'Good plan, although from that top it doesn't look like your twin's | 0:12:56 | 0:13:00 | |
'ready to hang his running shoes up just yet.' | 0:13:00 | 0:13:03 | |
'But after a bit of TLC from everyone, | 0:13:03 | 0:13:05 | |
'Yasim is ready to go home.' | 0:13:05 | 0:13:06 | |
'We've got loads of amazing body tricks to show you, | 0:13:12 | 0:13:15 | |
'and with this one, your friends won't believe how strong you are.' | 0:13:15 | 0:13:18 | |
-What are you doing? -I've got my hand on my head. | 0:13:22 | 0:13:25 | |
-Take it off. -Make me. | 0:13:25 | 0:13:26 | |
XAND GROANS | 0:13:29 | 0:13:32 | |
-Is it glued? -I'll show you. It's very easy. -Ohh... | 0:13:32 | 0:13:36 | |
OK, I'll get it off. | 0:13:39 | 0:13:41 | |
This is a really great trick that you can do too on anyone, | 0:13:42 | 0:13:44 | |
no matter how strong they are. | 0:13:44 | 0:13:46 | |
You simply put your fingers on top of your head and press down. | 0:13:46 | 0:13:49 | |
'It's simple. Your bicep muscle is so strong it locks into position, | 0:14:02 | 0:14:06 | |
'and no-one can move it until you decide to relax it.' | 0:14:06 | 0:14:09 | |
I know what it is. | 0:14:14 | 0:14:16 | |
My brother has developed superhuman strength. | 0:14:17 | 0:14:21 | |
'Now it's time for us to hit the hospitals to show you what goes on.' | 0:14:29 | 0:14:33 | |
'On Operation Ouch, we've seen loads of different surgeries. | 0:14:34 | 0:14:38 | |
'If you've ever had an operation, | 0:14:38 | 0:14:39 | |
'you'll know that surgeons are the highly skilled doctors | 0:14:39 | 0:14:42 | |
'who work in operating theatres, | 0:14:42 | 0:14:44 | |
'fixing things that go wrong with the body.' | 0:14:44 | 0:14:47 | |
So how do surgeons know what to do? Well, just like everyone else, | 0:14:47 | 0:14:50 | |
they need to practise, but they can't do that on real people, | 0:14:50 | 0:14:53 | |
so they practise their surgical skills on dummies. | 0:14:53 | 0:14:56 | |
That's plastic models, not dummies like Xand. | 0:14:56 | 0:14:59 | |
'I'm going to get hands on with a training surgery | 0:14:59 | 0:15:02 | |
'in this special pop-up operating theatre, | 0:15:02 | 0:15:04 | |
'designed to look and sound like the real thing. | 0:15:04 | 0:15:07 | |
'The man in charge of it all, | 0:15:07 | 0:15:09 | |
'and with the perfect name for the job, is Professor Roger Kneebone.' | 0:15:09 | 0:15:13 | |
So what do you think I can expect when I go in there? | 0:15:13 | 0:15:15 | |
When you go in there you're going to be going into an operation | 0:15:15 | 0:15:18 | |
that's already started and I think what will happen is that you'll find | 0:15:18 | 0:15:21 | |
because you've gotta do stuff because you've gotta do | 0:15:21 | 0:15:24 | |
surgical stuff and you've gotta focus on doing that, | 0:15:24 | 0:15:27 | |
that's where your attention will be | 0:15:27 | 0:15:28 | |
and you'll pretty quickly lose sight of the fact that it's a simulation | 0:15:28 | 0:15:32 | |
and you'll think it's real. | 0:15:32 | 0:15:33 | |
So I'm very curious to find out if that is true. At the moment | 0:15:33 | 0:15:36 | |
I feel like, I know it's a silicon dummy, I know it's fake blood, | 0:15:36 | 0:15:39 | |
I know there isn't a life at stake, | 0:15:39 | 0:15:41 | |
and I'm just not expecting to get all that worried about it, | 0:15:41 | 0:15:44 | |
but maybe, as you say, I will sort of buy in. | 0:15:44 | 0:15:47 | |
We'll see. | 0:15:47 | 0:15:49 | |
'So I'm going to be operating on these fake organs, | 0:15:49 | 0:15:52 | |
'but how well will I work as a surgeon under pressure? | 0:15:52 | 0:15:55 | |
'With all this equipment and a proper surgical team | 0:15:55 | 0:15:58 | |
'this is going to be a real test. | 0:15:58 | 0:16:00 | |
'And the woman who'll be assessing my surgical skills | 0:16:01 | 0:16:04 | |
is experienced surgeon | 0:16:04 | 0:16:06 | |
Dr Laura Coates.' | 0:16:06 | 0:16:08 | |
So Laura, what am I going to be doing today? | 0:16:10 | 0:16:12 | |
We're going to get you into theatre, | 0:16:12 | 0:16:14 | |
you're going to be doing the operation | 0:16:14 | 0:16:16 | |
and the dummy is a 13-year-old boy that's had a handlebar injury | 0:16:16 | 0:16:19 | |
to his tummy and he's come into A&E with lots and lots of pain. | 0:16:19 | 0:16:22 | |
He's had a scan that shows that | 0:16:22 | 0:16:23 | |
there might be some mischief going on inside his belly | 0:16:23 | 0:16:25 | |
and we want to find out what that mischief is. | 0:16:25 | 0:16:28 | |
So you're going to be assessing me. | 0:16:28 | 0:16:29 | |
What are you going to be looking for? | 0:16:29 | 0:16:31 | |
You need to take the lead on looking for the problem in a systematic way | 0:16:31 | 0:16:34 | |
and then finding the problem | 0:16:34 | 0:16:36 | |
and dealing with it in a calm, controlled manner. | 0:16:36 | 0:16:39 | |
'No pressure, then. | 0:16:39 | 0:16:41 | |
'First things first, I need to get scrubbed up. | 0:16:41 | 0:16:44 | |
'This is a vital part of preparing for surgery, | 0:16:44 | 0:16:46 | |
'to make sure the operating theatre, including me, | 0:16:46 | 0:16:49 | |
'is completely bacteria free, | 0:16:49 | 0:16:51 | |
'so I don't pass on any germs to the patient. | 0:16:51 | 0:16:53 | |
'So, here we go. Let's see how I get on.' | 0:16:53 | 0:16:55 | |
I'm not used to this position, | 0:16:55 | 0:16:57 | |
this is the lead surgeon position, isn't it? OK. | 0:16:57 | 0:17:00 | |
Yeah, absolutely. You're taking charge. | 0:17:00 | 0:17:03 | |
This is extremely realistic, isn't it? | 0:17:03 | 0:17:05 | |
Yeah, have a feel of it. | 0:17:05 | 0:17:06 | |
'Although this is a dummy, the organs are surprisingly real.' | 0:17:06 | 0:17:10 | |
It feels a lot like real human tissue, it's really extraordinary. | 0:17:10 | 0:17:13 | |
It's wet and it's covered in blood and it looks very serious. | 0:17:13 | 0:17:17 | |
You know, if this was a real person we opened up the abdomen | 0:17:17 | 0:17:20 | |
and this is what we saw, it'd be very worrying, wouldn't it? | 0:17:20 | 0:17:24 | |
'If the patient was well, there wouldn't be this much blood, | 0:17:24 | 0:17:27 | |
'so I need to work quickly to check if any of the organs in the abdomen | 0:17:27 | 0:17:30 | |
'have been damaged and find out where all the blood is coming from.' | 0:17:30 | 0:17:35 | |
So I'm going to divide the abdomen into the four quadrants. | 0:17:35 | 0:17:38 | |
-I'm going to start in the top left quadrant. -Absolutely. | 0:17:38 | 0:17:41 | |
So this is the spleen I'm feeling. The top of the spleen feels intact. | 0:17:41 | 0:17:46 | |
OK, so move on down to the bottom. | 0:17:46 | 0:17:48 | |
'Now I've given the all clear on the spleen, | 0:17:48 | 0:17:50 | |
'I need to move quickly onto the liver and then the bowels.' | 0:17:50 | 0:17:53 | |
Can we have a large swab, please? | 0:17:53 | 0:17:55 | |
Quite a lot of blood coming up from here. | 0:17:55 | 0:17:57 | |
'I still haven't found the source of the bleeding, | 0:17:57 | 0:17:59 | |
'and the patient is losing a lot of blood. | 0:17:59 | 0:18:01 | |
'If this was a real surgical situation it would be very serious. | 0:18:01 | 0:18:05 | |
'So I need to find where the blood is coming from and stop it fast.' | 0:18:05 | 0:18:08 | |
This patient is losing a huge amount of blood. | 0:18:10 | 0:18:12 | |
'Oh, there it is, I've found it. It's in the lower bowel. | 0:18:12 | 0:18:15 | |
'So this instrument that looks like a pair of scissors | 0:18:15 | 0:18:18 | |
'is actually a metal clip that's grabbed the blood vessel | 0:18:18 | 0:18:21 | |
'and stops it bleeding temporarily.' | 0:18:21 | 0:18:23 | |
Excellent - well done. | 0:18:24 | 0:18:25 | |
Having found the artery and clipped it, we can't leave this | 0:18:25 | 0:18:28 | |
big metal clip inside the patient, | 0:18:28 | 0:18:30 | |
so we need to tie off the artery. | 0:18:30 | 0:18:33 | |
Now I have to tighten these knots to make sure | 0:18:33 | 0:18:35 | |
we've stopped the bleeding permanently. | 0:18:35 | 0:18:38 | |
OK, the knot's not quite tight enough. | 0:18:38 | 0:18:40 | |
My surgical tie. No, that's come off. OK. | 0:18:40 | 0:18:43 | |
So although I know this is a dummy, the force of habit of seeing | 0:18:45 | 0:18:48 | |
that much blood, which looks very real squirting out of the patient, | 0:18:48 | 0:18:51 | |
is very exciting. I don't know if you get used to it, | 0:18:51 | 0:18:54 | |
but that was - I had a real sense of urgency about having to | 0:18:54 | 0:18:57 | |
quickly do something and also that slight sense of, | 0:18:57 | 0:19:00 | |
cos I'm not a surgeon, of not really knowing exactly what I'm doing. | 0:19:00 | 0:19:04 | |
But I'm pleased to say my 13-year-old dummy | 0:19:04 | 0:19:06 | |
has made a perfect recovery. | 0:19:06 | 0:19:08 | |
Phew. | 0:19:08 | 0:19:10 | |
'And I'm glad you were working on a dummy too, Chris. | 0:19:10 | 0:19:12 | |
'Best to leave the real life-saving operations to the trained experts.' | 0:19:12 | 0:19:16 | |
What I was amazed at how realistic it felt, | 0:19:16 | 0:19:18 | |
so I was very stressed while we were looking for the bleeding, | 0:19:18 | 0:19:21 | |
and then when we clipped it off, I just felt this big sense of relief. | 0:19:21 | 0:19:24 | |
I really bought into - | 0:19:24 | 0:19:26 | |
this wasn't a dummy, this was a real patient and we needed to stop it. | 0:19:26 | 0:19:30 | |
So overall, how did I do? | 0:19:30 | 0:19:32 | |
The things you did well were the systematic approach, | 0:19:32 | 0:19:35 | |
you did things in order, very logically, | 0:19:35 | 0:19:38 | |
and you did things very thoroughly, | 0:19:38 | 0:19:39 | |
looking for a problem in one quarter, | 0:19:39 | 0:19:41 | |
then another, then another and then you found where the bleed was. | 0:19:41 | 0:19:44 | |
Anything I didn't do right? | 0:19:44 | 0:19:46 | |
It did take you a little while to stop the bleeding once you found it | 0:19:46 | 0:19:49 | |
but you did get there eventually, and I think with | 0:19:49 | 0:19:51 | |
more practising here, you'd do that really quickly in real life. | 0:19:51 | 0:19:54 | |
So that's the point of training somewhere like this is that | 0:19:54 | 0:19:57 | |
you build up a bank of experience without doing it on the patients. | 0:19:57 | 0:20:00 | |
For new surgeons, the opportunity to experience a realistic operation | 0:20:00 | 0:20:04 | |
like that is a brilliant way of preparing to operate | 0:20:04 | 0:20:06 | |
on real people and save lives. | 0:20:06 | 0:20:08 | |
How much does the average adult skeleton weigh? | 0:20:13 | 0:20:15 | |
Is it as much as - one car tyre? | 0:20:16 | 0:20:19 | |
Five BMX bikes? Or 15 bricks? | 0:20:20 | 0:20:23 | |
The answer is - one car tyre. | 0:20:25 | 0:20:27 | |
Our skeleton only makes up about 15% of our overall body weight. | 0:20:27 | 0:20:31 | |
The rest is our muscles, guts and blood. | 0:20:31 | 0:20:34 | |
And talking of skeletons, now it's time for Investigation Ouch! | 0:20:34 | 0:20:38 | |
So what do you think the inside of a bone looks like? | 0:20:38 | 0:20:40 | |
This is an animal's thigh bone and I'm going to cut it in half | 0:20:40 | 0:20:44 | |
and show you. | 0:20:44 | 0:20:45 | |
And you can see how amazingly strong bone is by the fact that | 0:20:47 | 0:20:51 | |
I have to use a saw to cut through it. | 0:20:51 | 0:20:53 | |
Aw! There we go. Now look at that, that's perfect. | 0:20:55 | 0:20:58 | |
So it looks like rock | 0:20:58 | 0:21:00 | |
but actually your bones are as alive as any other part of your body. | 0:21:00 | 0:21:04 | |
Inside the bone is a web of fibres, | 0:21:04 | 0:21:06 | |
and that's what gives bones their amazing strength. | 0:21:06 | 0:21:09 | |
These spongy fibres can absorb lots of pressure, | 0:21:09 | 0:21:12 | |
meaning our skeleton is one of the toughest parts of our body. | 0:21:12 | 0:21:15 | |
So bones are incredible but they're also incredibly complex | 0:21:15 | 0:21:20 | |
and in here, engineers are growing them. | 0:21:20 | 0:21:23 | |
Meet engineering expert Dr Michelle Oyen. | 0:21:25 | 0:21:28 | |
She's so interested in the structure of bones that she's built these | 0:21:28 | 0:21:31 | |
robots made out of Lego so they can make artificial bones in a lab. | 0:21:31 | 0:21:35 | |
Michelle, why are bones so amazing? | 0:21:37 | 0:21:39 | |
Bone itself has really fantastic physical properties, | 0:21:39 | 0:21:42 | |
especially for something of its weight or density. | 0:21:42 | 0:21:45 | |
It's really stiff, it's really strong and it's really tough - | 0:21:45 | 0:21:49 | |
resistant to breaking. | 0:21:49 | 0:21:51 | |
So Michelle, what are you doing here? | 0:21:51 | 0:21:53 | |
We're dipping a screw into four different beakers, | 0:21:53 | 0:21:57 | |
two of them just have water, | 0:21:57 | 0:21:59 | |
and the other two have some protein from your body and also some calcium | 0:21:59 | 0:22:05 | |
in one jar and in the other jar, we have some chemicals called phosphate. | 0:22:05 | 0:22:09 | |
So the little piece of metal there is being dipped in these liquids | 0:22:09 | 0:22:12 | |
but you're getting a solid bone out of it? | 0:22:12 | 0:22:14 | |
Yeah, it's forming, it's growing itself as we dip, | 0:22:14 | 0:22:17 | |
so we go over and over and over again and the layer gets thicker | 0:22:17 | 0:22:21 | |
and thicker and thicker. | 0:22:21 | 0:22:22 | |
So why are you doing this? | 0:22:22 | 0:22:23 | |
For surgeries, you could take a screw which are used in surgeries | 0:22:23 | 0:22:28 | |
when you have broken bones to hold your bones together, | 0:22:28 | 0:22:31 | |
but the biological cells in your body don't really like the metal, | 0:22:31 | 0:22:35 | |
and so if you put a bone coating on the screw, | 0:22:35 | 0:22:38 | |
then those cells would basically not see the metal. | 0:22:38 | 0:22:41 | |
But Michelle is an engineer and thinks she can take her | 0:22:41 | 0:22:45 | |
home-grown bones and make something much more spectacular. | 0:22:45 | 0:22:48 | |
We're interested in building things and so we think it's got | 0:22:48 | 0:22:51 | |
a lot of applications for maybe making skyscrapers. | 0:22:51 | 0:22:55 | |
That's amazing - you're actually taking the inspiration from | 0:22:55 | 0:22:58 | |
the human skeleton to do something completely different with it. | 0:22:58 | 0:23:01 | |
Absolutely, and it makes sense | 0:23:01 | 0:23:03 | |
because we've evolved over millions of years | 0:23:03 | 0:23:05 | |
and this is the structural material that holds us up, | 0:23:05 | 0:23:08 | |
so it absolutely makes perfect sense | 0:23:08 | 0:23:10 | |
that we might be able to make new things where it's holding them up. | 0:23:10 | 0:23:14 | |
In fact, remember the web-like pattern of fibres | 0:23:14 | 0:23:17 | |
we saw inside the bone earlier? | 0:23:17 | 0:23:19 | |
Well it's this same pattern which was the inspiration behind the | 0:23:19 | 0:23:22 | |
structure of a very famous landmark - the Eiffel Tower in Paris. | 0:23:22 | 0:23:27 | |
Isn't it amazing to think that one day, | 0:23:29 | 0:23:31 | |
we could actually be living in buildings made out of bone! | 0:23:31 | 0:23:35 | |
But these are small beginnings and after 24 hours, | 0:23:35 | 0:23:38 | |
this is the result of the robot's work in the lab. | 0:23:38 | 0:23:41 | |
So it really looks like a real bone, doesn't it? | 0:23:41 | 0:23:43 | |
Yep, because it's made of the same stuff. | 0:23:43 | 0:23:45 | |
This tiny bone is the final product | 0:23:45 | 0:23:48 | |
and it's almost exactly the same as the bones in your body, | 0:23:48 | 0:23:51 | |
but there's one crucial difference - it's not alive - it's inanimate. | 0:23:51 | 0:23:55 | |
The bones in your body have living cells in them that allow them | 0:23:55 | 0:23:59 | |
to grow and mend if you break them. | 0:23:59 | 0:24:01 | |
Yeah, man! | 0:24:01 | 0:24:02 | |
Medical teams always expect the unexpected. | 0:24:06 | 0:24:08 | |
Let's see how they deal with this patient. | 0:24:08 | 0:24:11 | |
14-year-old Chloe has come into Accident & Emergency | 0:24:14 | 0:24:17 | |
with an irritated eye. | 0:24:17 | 0:24:19 | |
I got something sharp in my eye. My vision's all blurred. | 0:24:19 | 0:24:21 | |
I can't see anything at all. | 0:24:21 | 0:24:23 | |
Can't see anything at all - how on earth did this happen? | 0:24:23 | 0:24:26 | |
Chloe was minding her own business, walking to class, | 0:24:29 | 0:24:32 | |
head in the clouds... There they are - nice. | 0:24:32 | 0:24:35 | |
When a massive tornado crashed through the walls | 0:24:35 | 0:24:38 | |
and made its way towards her. | 0:24:38 | 0:24:40 | |
Really? | 0:24:40 | 0:24:41 | |
Not exactly, Chris, there was a gust of wind, | 0:24:41 | 0:24:44 | |
but it was strong enough to blow something sharp into her eye. | 0:24:44 | 0:24:48 | |
Ooh, there it goes. | 0:24:48 | 0:24:50 | |
Now that has to hurt. Ouch. | 0:24:50 | 0:24:53 | |
If there's something in your eye, you could go blind, couldn't you? | 0:24:53 | 0:24:56 | |
Well, maybe not blind, Mum. | 0:24:56 | 0:24:58 | |
Let's get Professor Simon Carley in to take a look. | 0:24:58 | 0:25:02 | |
Look up to the sky if you can. | 0:25:02 | 0:25:04 | |
OK. Does it feel like there's something in there? | 0:25:04 | 0:25:07 | |
Yeah, at the top. | 0:25:07 | 0:25:08 | |
Chloe's eye is so sore that it keeps closing, | 0:25:08 | 0:25:11 | |
so Professor Simon puts some special drips in to numb it, | 0:25:11 | 0:25:14 | |
which means she can keep her eye open and he can take a closer look. | 0:25:14 | 0:25:18 | |
If you look with a normal light, this all looks actually pretty good. | 0:25:19 | 0:25:22 | |
I can't see any bits and bobs in there at the moment. | 0:25:22 | 0:25:25 | |
No bits and no bobs. That's always good. | 0:25:25 | 0:25:27 | |
But if there is anything in there, the eye's got a little sneaky | 0:25:27 | 0:25:30 | |
habit of trapping it under your top lid and every time you blink, | 0:25:30 | 0:25:33 | |
it scrapes the front of your eye and drives you nuts. | 0:25:33 | 0:25:36 | |
So what I'd like to do is flip the eyelid inside out, | 0:25:36 | 0:25:39 | |
and have a look on the inside. | 0:25:39 | 0:25:41 | |
Not for the squeamish but it's the only way to get under that lid. | 0:25:41 | 0:25:44 | |
Told you - time for some eyelid peeling. | 0:25:46 | 0:25:48 | |
Professor Simon holds up the eyelid and in the twinkling of an eye, | 0:25:48 | 0:25:52 | |
or at least a bit of a flick from side to side, he finds... | 0:25:52 | 0:25:55 | |
Looking at underneath here, I can't see anything | 0:25:55 | 0:25:57 | |
..nothing. | 0:25:57 | 0:25:58 | |
There's probably nothing stuck in there | 0:25:58 | 0:26:00 | |
but you've still got the sensation something's there, | 0:26:00 | 0:26:02 | |
and that usually means there's a scratch. | 0:26:02 | 0:26:04 | |
Your eyes might be small | 0:26:04 | 0:26:06 | |
but they're actually one of the most complicated parts of your body. | 0:26:06 | 0:26:09 | |
To protect them, your eyeballs are covered in a thin see-through | 0:26:09 | 0:26:12 | |
layer of skin called the cornea. | 0:26:12 | 0:26:15 | |
When you get something in your eye, | 0:26:15 | 0:26:16 | |
sometimes the cornea can get scratched. | 0:26:16 | 0:26:18 | |
And this is what Professor Simon thinks has happened to Chloe. | 0:26:18 | 0:26:23 | |
But just to be sure, he wants to do one more test. | 0:26:23 | 0:26:26 | |
He puts a special drop into Chloe's eye which means that under | 0:26:27 | 0:26:30 | |
an ultraviolet light, any scratches on the cornea will show. | 0:26:30 | 0:26:34 | |
Argh, that's scary! Turn the lights back on. | 0:26:34 | 0:26:36 | |
Xand, you're such a baby. | 0:26:36 | 0:26:37 | |
It's a good thing I'm here to keep an eye on you. | 0:26:37 | 0:26:40 | |
We could leave that to Chloe, I suppose. | 0:26:40 | 0:26:42 | |
What you can see through the microscope is | 0:26:42 | 0:26:44 | |
something's been trapped underneath the eyelid, | 0:26:44 | 0:26:46 | |
and it's been scratching the surface of the eye. | 0:26:46 | 0:26:48 | |
So it's good news that there's no major damage to Chloe's eye, | 0:26:48 | 0:26:52 | |
but Professor Simon has got some treatment to make | 0:26:52 | 0:26:55 | |
the irritation more comfortable. | 0:26:55 | 0:26:56 | |
We'll give you a cream for your eye. Your body will heal that | 0:26:56 | 0:27:00 | |
in a matter of days, it will be fantastic, | 0:27:00 | 0:27:03 | |
and it will just get better and will look fine. | 0:27:03 | 0:27:06 | |
It will function fine and you'll be fine. | 0:27:06 | 0:27:08 | |
So Chloe will be back to normal in no time, | 0:27:10 | 0:27:12 | |
which means she can head home. | 0:27:12 | 0:27:14 | |
Bye, Chloe... Bye? | 0:27:14 | 0:27:17 | |
Next time - we take a look at our poo. | 0:27:18 | 0:27:22 | |
Oh, Chris, that's awful. | 0:27:22 | 0:27:24 | |
It does smell bad. | 0:27:24 | 0:27:25 | |
Chris joins an air ambulance rescue team. | 0:27:25 | 0:27:29 | |
And Xand gives blood and finds out where it goes. | 0:27:29 | 0:27:32 | |
Behind me are 800 bags of live human blood. | 0:27:32 | 0:27:37 | |
So we'll see you next time on Operation Ouch! | 0:27:37 | 0:27:39 | |
Subtitling by Red Bee Media Ltd | 0:27:51 | 0:27:54 |