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'He's Dr Chris.' | 0:00:23 | 0:00:24 | |
'He's Dr Xand.' | 0:00:25 | 0:00:27 | |
'And, yes, we're twins.' | 0:00:27 | 0:00:29 | |
'Do you know how brilliant your body REALLY is?' | 0:00:30 | 0:00:33 | |
I'm getting better. | 0:00:33 | 0:00:35 | |
'Well, we're going to show you.' | 0:00:35 | 0:00:36 | |
Ooh, there you go. | 0:00:36 | 0:00:38 | |
'In this series we'll be pushing our bodies to their limits...' | 0:00:38 | 0:00:41 | |
Hello? | 0:00:41 | 0:00:43 | |
'..by doing extraordinary experiments on each other...' | 0:00:43 | 0:00:45 | |
This is my sick. | 0:00:45 | 0:00:47 | |
'..to uncover what goes on inside...' | 0:00:47 | 0:00:50 | |
Ew! That just came out of my ear! | 0:00:50 | 0:00:52 | |
'..and out.' | 0:00:52 | 0:00:53 | |
Wow, that's amazing. | 0:00:53 | 0:00:55 | |
'From the bizarre...' | 0:00:55 | 0:00:56 | |
-Could we get a sample of your snot? -Oh! | 0:00:56 | 0:00:59 | |
-'..to the incredible.' -So now I'm seeing things. | 0:00:59 | 0:01:01 | |
'It's time to find out what you're made of.' | 0:01:01 | 0:01:04 | |
Chris? Chris? Chris? | 0:01:04 | 0:01:07 | |
-Coming up today on... BOTH: -..Operation Ouch! | 0:01:08 | 0:01:11 | |
We've got another awesome body trick for you to try. | 0:01:15 | 0:01:18 | |
Now try and stand up. | 0:01:18 | 0:01:20 | |
Oh, I'm stuck. | 0:01:20 | 0:01:22 | |
And we're going to look back at some of our best bits from Ouch! | 0:01:24 | 0:01:27 | |
'We show you what really happens when you sneeze.' | 0:01:29 | 0:01:32 | |
Xand, I'm pretty sure that even as a doctor you won't know this either. | 0:01:32 | 0:01:36 | |
'Then, create some germ art.' | 0:01:36 | 0:01:39 | |
I don't know why everyone doesn't paint this way. | 0:01:39 | 0:01:41 | |
And what's this woman going to do with this box? | 0:01:41 | 0:01:44 | |
All will be revealed very soon. | 0:01:44 | 0:01:45 | |
But first... | 0:01:47 | 0:01:49 | |
Here's one of our favourite hospital cases. | 0:01:49 | 0:01:51 | |
The team in Accident and Emergency thought they'd seen everything. | 0:01:51 | 0:01:54 | |
And then Sam turned up. | 0:01:54 | 0:01:56 | |
In Accident and Emergency is 15-year-old Sam, a budding boxer | 0:01:58 | 0:02:01 | |
suffering with sharp pains in his stomach. | 0:02:01 | 0:02:04 | |
I've had this pain for quite a few weeks. | 0:02:04 | 0:02:06 | |
A stabby, fiery pain. | 0:02:06 | 0:02:08 | |
That must've been quite a fight. | 0:02:08 | 0:02:10 | |
Who delivered the killer punch? Amir Khan?! | 0:02:10 | 0:02:12 | |
Nope, it didn't happen in a fight. It happened in his sleep. | 0:02:12 | 0:02:16 | |
Right. | 0:02:16 | 0:02:17 | |
It was night time and Sam was in bed. | 0:02:17 | 0:02:19 | |
He was fast asleep, dreaming of boxing. | 0:02:19 | 0:02:22 | |
That's why he's punching, then. | 0:02:22 | 0:02:23 | |
Yes. But inside his stomach another battle was brewing. | 0:02:23 | 0:02:27 | |
I can see what's coming. | 0:02:27 | 0:02:28 | |
'In the red corner, we have the cramps.' | 0:02:28 | 0:02:31 | |
They look tough. | 0:02:31 | 0:02:32 | |
'And in the blue corner, it's the stabbing pains.' | 0:02:32 | 0:02:35 | |
Nice goatee. | 0:02:35 | 0:02:36 | |
This could be a close fight. | 0:02:38 | 0:02:40 | |
It was, and it was making Sam pretty uncomfortable. | 0:02:40 | 0:02:43 | |
He doesn't look too good. | 0:02:43 | 0:02:44 | |
The longer the fight went on, the worse the pain got | 0:02:44 | 0:02:48 | |
until it was too much and he woke up. | 0:02:48 | 0:02:50 | |
Ouch! Off to hospital for Sam. | 0:02:50 | 0:02:52 | |
I don't want it to get in the way of my next fight. | 0:02:52 | 0:02:55 | |
Your next fight might have to wait, Sam. | 0:02:55 | 0:02:58 | |
First, you've got to overcome the battle in your belly. | 0:02:58 | 0:03:01 | |
Meet Dr Eni Folaranmi. He'll check our patient out. | 0:03:01 | 0:03:04 | |
Does it hurt here? | 0:03:05 | 0:03:07 | |
Or does it hurt here? So that's... This is one and this is two. | 0:03:07 | 0:03:11 | |
-Two. -Two. OK. | 0:03:11 | 0:03:13 | |
Number two, remember that. Bit of a clue. | 0:03:13 | 0:03:16 | |
To find out what's going on, Dr Eni sends Sam for an X-ray. | 0:03:17 | 0:03:20 | |
And, after a quick snapshot, the results are in. | 0:03:21 | 0:03:24 | |
Looking at it, he's got lots of faeces, poo, in his colon. | 0:03:24 | 0:03:28 | |
Poo?! | 0:03:28 | 0:03:30 | |
And in his rectum. | 0:03:30 | 0:03:32 | |
Yep, all these areas are full of poo. | 0:03:32 | 0:03:34 | |
Sam is severely constipated so he really needs to go to the loo. | 0:03:34 | 0:03:39 | |
-You're really bunged up. -And he doesn't mean your nose. | 0:03:39 | 0:03:41 | |
You've got poo all over your colon. | 0:03:41 | 0:03:43 | |
Your discomfort might be coming from the fact that you're constipated. | 0:03:43 | 0:03:46 | |
I can't believe it's poo! | 0:03:46 | 0:03:48 | |
You'd better believe it, Mum. | 0:03:48 | 0:03:50 | |
In fact, constipation is one of the most common causes | 0:03:50 | 0:03:52 | |
of a sore stomach. | 0:03:52 | 0:03:54 | |
To get rid of the pain, we need to get rid of that poo. | 0:03:54 | 0:03:56 | |
Time for the world champion of poo-fighting medicine - the enema. | 0:03:56 | 0:04:00 | |
An enema flushes fluid into Sam's large intestine to soften up | 0:04:02 | 0:04:05 | |
the blockage and help Sam have a heavyweight poo. | 0:04:05 | 0:04:08 | |
Let's hope this gets things moving. | 0:04:10 | 0:04:12 | |
Well, after a night in hospital, have we had any success? | 0:04:14 | 0:04:18 | |
He managed to go to the toilet | 0:04:18 | 0:04:19 | |
but the pain in his tummy is still very severe. | 0:04:19 | 0:04:22 | |
I've been up most of the night. | 0:04:22 | 0:04:24 | |
That stabbing and fiery pain came back. | 0:04:24 | 0:04:26 | |
It looks like there'll be more treatment on the cards | 0:04:26 | 0:04:29 | |
so we'll be back for round two of Sam versus the poo later on. | 0:04:29 | 0:04:33 | |
And now to our lab, where we do incredible experiments... | 0:04:37 | 0:04:42 | |
Urgh! Looks disgusting! | 0:04:42 | 0:04:43 | |
..to show you how your body works. | 0:04:43 | 0:04:46 | |
Just don't try anything you see here at home. | 0:04:46 | 0:04:49 | |
I'm going to show you something about sneezing that you won't know. | 0:04:49 | 0:04:52 | |
And, Xand, I'm pretty sure that even as a doctor, | 0:04:52 | 0:04:54 | |
you won't know this either. | 0:04:54 | 0:04:56 | |
'First of all' I need to Xand to sneeze.' | 0:04:56 | 0:04:59 | |
So why don't you try rolling up the corner of this piece of tissue paper | 0:04:59 | 0:05:02 | |
-and stick it in your nose. -Really? | 0:05:02 | 0:05:04 | |
-HE SNEEZES -Oh! | 0:05:09 | 0:05:11 | |
'Xand, cover your mouth!' | 0:05:11 | 0:05:13 | |
Oh, I'm covered in spit. So what happened there? | 0:05:13 | 0:05:16 | |
I put something up my nose | 0:05:16 | 0:05:17 | |
and my body just blew it out cos it didn't like it. | 0:05:17 | 0:05:20 | |
How does it clear your nose? | 0:05:20 | 0:05:21 | |
Like, you sort of go, "pfffft", like that | 0:05:21 | 0:05:23 | |
and just blow everything out your nose. | 0:05:23 | 0:05:25 | |
-That's what you think happens? -Yes. | 0:05:25 | 0:05:27 | |
This is really good. So even doctors honestly think this happens | 0:05:27 | 0:05:31 | |
when you sneeze, and that is completely wrong. | 0:05:31 | 0:05:33 | |
So you don't blow anything out your nose when you sneeze. | 0:05:33 | 0:05:36 | |
Everything comes out your mouth. | 0:05:36 | 0:05:38 | |
And we can prove it to you if you look at this video of me sneezing. | 0:05:38 | 0:05:42 | |
'OK, here we go. I'm going...I'm going...I've gone! | 0:05:42 | 0:05:47 | |
'That's all saliva that was in my mouth | 0:05:47 | 0:05:49 | |
'but nothing is coming out of my nose. | 0:05:49 | 0:05:52 | |
'It's only after I sneeze that my body will create mucus to | 0:05:52 | 0:05:56 | |
'flush out whatever irritated my nose in the first place, and that's | 0:05:56 | 0:05:59 | |
'when snot will come out of my nostrils.' | 0:05:59 | 0:06:01 | |
So we've shown you that | 0:06:01 | 0:06:03 | |
when you sneeze, the spray only comes out your mouth. | 0:06:03 | 0:06:06 | |
But imagine if Chris had been ill when he sneezed. | 0:06:06 | 0:06:08 | |
'Every single one of those droplets could have contained | 0:06:08 | 0:06:11 | |
'disease-spreading germs, and that's why it's so important | 0:06:11 | 0:06:14 | |
'to cover your mouth.' | 0:06:14 | 0:06:17 | |
Now we're going to show you just how big and powerful a sneeze can be. | 0:06:17 | 0:06:20 | |
'We're going to create our own work of art. | 0:06:23 | 0:06:26 | |
'We'll both drink different coloured liquids then get a sneeze going | 0:06:26 | 0:06:29 | |
'to create our masterpiece. | 0:06:29 | 0:06:31 | |
'Get ready for germ art.' | 0:06:31 | 0:06:33 | |
OK, so are you going to go first? | 0:06:36 | 0:06:38 | |
THEY LAUGH | 0:06:44 | 0:06:47 | |
That's really good. | 0:06:48 | 0:06:50 | |
'Thanks. | 0:06:50 | 0:06:52 | |
'Now you'll notice an amazing splatter effect and that's | 0:06:52 | 0:06:54 | |
'all down to the speed our sneezes are travelling. | 0:06:54 | 0:06:57 | |
'100km an hour to be precise. | 0:06:57 | 0:06:59 | |
'And, remember, if we were ill, that would all be germs.' | 0:06:59 | 0:07:03 | |
I really like what you've done there though, you've really...drawn... | 0:07:03 | 0:07:06 | |
I've got the nose right. | 0:07:06 | 0:07:08 | |
I don't know why everyone doesn't paint this way. | 0:07:10 | 0:07:12 | |
'Now, with all this sneezing, look what's started to happen.' | 0:07:12 | 0:07:15 | |
'Yep, snot. And that's the mucus our bodies have created to flush out | 0:07:15 | 0:07:20 | |
'what was making us sneeze.' | 0:07:20 | 0:07:21 | |
I hope we've painted for you a clear picture of why it's | 0:07:21 | 0:07:24 | |
so important to cover your mouth when you sneeze. | 0:07:24 | 0:07:26 | |
Use a tissue or do it into your elbow. | 0:07:26 | 0:07:28 | |
You've got a little snot. | 0:07:29 | 0:07:31 | |
We've got some incredible body tricks for you to show your friends. | 0:07:35 | 0:07:38 | |
Want to find out how you can stop your mates | 0:07:38 | 0:07:41 | |
from standing up straight? | 0:07:41 | 0:07:42 | |
Well, we're going to show you. | 0:07:42 | 0:07:44 | |
I have an amazing trick to show you. Who wants to see it? | 0:07:44 | 0:07:48 | |
-ALL: -Me! | 0:07:48 | 0:07:49 | |
Brilliant. OK. Chris, you ready? | 0:07:49 | 0:07:52 | |
Yeah, really ready. | 0:07:52 | 0:07:53 | |
-Right, what I want you to do is go and stand and face that wall. -OK. | 0:07:53 | 0:07:56 | |
OK? Face the wall. Cross your arms across your chest. | 0:07:56 | 0:08:00 | |
And then bend over so that your head's touching the wall. | 0:08:00 | 0:08:03 | |
Brilliant. OK? And now, try and stand up again. | 0:08:03 | 0:08:07 | |
That was rubbish. That was easy. | 0:08:07 | 0:08:08 | |
Even these guys are going to be able to do that. | 0:08:08 | 0:08:11 | |
-Chris, I haven't finished the trick. -Oh. | 0:08:11 | 0:08:12 | |
OK. Bend down. Fold your arms. Bend over. | 0:08:12 | 0:08:16 | |
Touch your head against the wall. And now just take one step back... | 0:08:16 | 0:08:19 | |
Now try and stand up. | 0:08:21 | 0:08:22 | |
Oh, I'm stuck. | 0:08:22 | 0:08:24 | |
Because I moved my feet back, I just can't stand up at all. | 0:08:24 | 0:08:27 | |
-Who thinks they can do a better job than Chris? -Me. | 0:08:30 | 0:08:33 | |
Oh, you all think you can do it, can you? | 0:08:33 | 0:08:35 | |
-ALL: -Yes! | 0:08:35 | 0:08:36 | |
-'Let's see, shall we?' -One, two, three, go. | 0:08:36 | 0:08:39 | |
'Epic fail.' | 0:08:39 | 0:08:42 | |
-Come on! -'She can't do it.' | 0:08:42 | 0:08:44 | |
Right. | 0:08:46 | 0:08:47 | |
'Neither can he! Good effort, though.' | 0:08:47 | 0:08:50 | |
'Nearly.' | 0:08:51 | 0:08:52 | |
'So why is it that no-one can simply stand up straight? | 0:08:56 | 0:09:00 | |
'Even I can't do it and it was my idea.' | 0:09:00 | 0:09:02 | |
Who can tell me why it was so difficult to do? Jessica. | 0:09:03 | 0:09:07 | |
Cos when you're bending and you take a step back, | 0:09:07 | 0:09:10 | |
like, there's less weight here and because you're | 0:09:10 | 0:09:12 | |
leaning on the wall, like, more of your weight goes over there. | 0:09:12 | 0:09:15 | |
Lovely. Who else has got a nice explanation, then? Ella? | 0:09:15 | 0:09:19 | |
It's hard as well because you're leaning back on your tiptoes | 0:09:19 | 0:09:22 | |
and your muscles are stretched and you can't really stand up | 0:09:22 | 0:09:26 | |
while your muscles are that stretched when you're bending down. | 0:09:26 | 0:09:29 | |
'Well, Jessica and Ella are both right in a way. | 0:09:29 | 0:09:32 | |
'Look at Chris. | 0:09:32 | 0:09:34 | |
'When he first bends over, all his weight is in his feet | 0:09:34 | 0:09:37 | |
'and he can straighten up easily. | 0:09:37 | 0:09:39 | |
'But when he takes a step back, his centre of gravity shifts | 0:09:39 | 0:09:43 | |
'and some of the weight moves to his head. | 0:09:43 | 0:09:45 | |
'This means his tummy muscles | 0:09:45 | 0:09:47 | |
'aren't strong enough to straighten himself up.' | 0:09:47 | 0:09:49 | |
Chris is still stuck. Shall we let him up? | 0:09:49 | 0:09:51 | |
-ALL: -No! | 0:09:51 | 0:09:52 | |
Xand! | 0:09:52 | 0:09:54 | |
I've got a much better idea. | 0:09:54 | 0:09:55 | |
Why don't we just use Chris as a nice new book shelf? | 0:09:57 | 0:10:00 | |
Oh! I can't even read the books. | 0:10:00 | 0:10:02 | |
That's brilliant. If anyone needs a book, they're over there. | 0:10:02 | 0:10:07 | |
This is really embarrassing. | 0:10:07 | 0:10:09 | |
Earlier, we saw Sam in Accident and Emergency. | 0:10:12 | 0:10:15 | |
I wonder if he's had a poo? | 0:10:15 | 0:10:17 | |
Mm. Let's find out. | 0:10:17 | 0:10:20 | |
Back in Manchester, budding boxer Sam is in hospital | 0:10:20 | 0:10:23 | |
with a troublesome tummy. | 0:10:23 | 0:10:25 | |
He'd been fast asleep, dreaming of a boxing victory. | 0:10:25 | 0:10:28 | |
Watch out for his fists. | 0:10:28 | 0:10:29 | |
But a battle was brewing in his belly. | 0:10:29 | 0:10:32 | |
I wouldn't mess with them. | 0:10:32 | 0:10:33 | |
As the stabbing pains took hold, | 0:10:33 | 0:10:35 | |
Sam woke up with a seriously sore stomach. | 0:10:35 | 0:10:37 | |
X-rays revealed Sam was severely constipated - | 0:10:37 | 0:10:41 | |
basically needed a big poo. | 0:10:41 | 0:10:42 | |
He's managed to have one but a second X-ray shows there's | 0:10:42 | 0:10:46 | |
still plenty of poo to come out. | 0:10:46 | 0:10:49 | |
They've cleared the left side | 0:10:49 | 0:10:51 | |
but now there's a load of poo on the right side. | 0:10:51 | 0:10:53 | |
Enter Dr Alex Turner, | 0:10:53 | 0:10:55 | |
a man with a plan to banish that blockage for good. | 0:10:55 | 0:10:58 | |
I'm just going to insert a nasogastric tube. | 0:10:58 | 0:11:01 | |
So that's a tube that's going to pass down the nose | 0:11:01 | 0:11:05 | |
and into the stomach so we can administer a special medicine. | 0:11:05 | 0:11:09 | |
This tube means the medicine can get straight to the poo, | 0:11:09 | 0:11:12 | |
soften it up and hopefully help Sam go to the loo. | 0:11:12 | 0:11:15 | |
So, with the medicine making its way to the pile-up, | 0:11:15 | 0:11:18 | |
there's only one thing left to do - wait. | 0:11:18 | 0:11:20 | |
Any luck? | 0:11:21 | 0:11:23 | |
No so much as a sniff. | 0:11:23 | 0:11:24 | |
Any joy? | 0:11:26 | 0:11:27 | |
No, I think we might be here a while. | 0:11:27 | 0:11:29 | |
Come on, Sam! Still nothing? | 0:11:29 | 0:11:32 | |
-Nope. -How many times has he tried to go? | 0:11:32 | 0:11:35 | |
I've lost count. | 0:11:35 | 0:11:37 | |
Several toilet trips later, do we have a result? | 0:11:37 | 0:11:40 | |
Thank goodness for that. | 0:11:40 | 0:11:42 | |
Hooray! It's a knockout. | 0:11:42 | 0:11:43 | |
The poo has come at last. The big poo! | 0:11:43 | 0:11:47 | |
I feel great. Finally it's... The poo's just come out. | 0:11:47 | 0:11:51 | |
I bet you do. It was one big blockage. | 0:11:51 | 0:11:53 | |
Got to really watch now what Sam eats. | 0:11:53 | 0:11:55 | |
I mean, like, he's got to cut down on his sweets and, you know, | 0:11:55 | 0:11:58 | |
the fizzy pop that he drinks. Pizzas, burgers, cheeseburgers. | 0:11:58 | 0:12:02 | |
Yep, and drink plenty of water. | 0:12:02 | 0:12:04 | |
So, remember, if you want to do do-do, | 0:12:04 | 0:12:06 | |
don't, don't, don't eat too much junk. | 0:12:06 | 0:12:08 | |
I just can't wait to get back to boxing. | 0:12:08 | 0:12:11 | |
Still to come, something scratches the unluckiest kid's eye, but | 0:12:16 | 0:12:20 | |
don't worry, we'll show you how your body deals with it. | 0:12:20 | 0:12:23 | |
Things get nippy when I enter a room colder than anywhere on Earth. | 0:12:23 | 0:12:28 | |
-What's it going to feel like? -Chilly. | 0:12:28 | 0:12:30 | |
HE LAUGHS | 0:12:30 | 0:12:32 | |
And Ryan comes into Accident and Emergency to get fixed after | 0:12:32 | 0:12:36 | |
an unusual accident. | 0:12:36 | 0:12:38 | |
Hope I didn't, like, fracture anything. | 0:12:38 | 0:12:40 | |
I want to get back to playing cricket. | 0:12:40 | 0:12:42 | |
Now, did you know there are up to 400 joints in your body? | 0:12:45 | 0:12:49 | |
They sit between your bones and without them you'd only be | 0:12:49 | 0:12:53 | |
able to move your eyebrows and your tongue. | 0:12:53 | 0:12:55 | |
That's amazing! And so's this. | 0:12:55 | 0:12:59 | |
An ordinary warehouse, full of boxes. | 0:12:59 | 0:13:01 | |
I can see that, Chris. | 0:13:01 | 0:13:03 | |
And this is a clear, plastic box. | 0:13:03 | 0:13:06 | |
Again, I can see that. | 0:13:06 | 0:13:07 | |
But what's it doing here? And who's this? | 0:13:07 | 0:13:10 | |
You'll see. She's hiding an amazing body skill. | 0:13:10 | 0:13:13 | |
She's very bendy. | 0:13:13 | 0:13:15 | |
She is indeed and you're about to find out what she can do. | 0:13:15 | 0:13:19 | |
Now, you'll notice she's a lot bigger than that box. | 0:13:19 | 0:13:22 | |
Ooh... Is she going to...? No, she's not, is she? | 0:13:22 | 0:13:25 | |
Yes, she is. | 0:13:25 | 0:13:26 | |
This is Delia Du Sol and she's a contortionist - | 0:13:27 | 0:13:31 | |
a professional acrobatic performer who's trained herself to fit | 0:13:31 | 0:13:34 | |
into unbelievably small spaces. | 0:13:34 | 0:13:37 | |
So how does Delia's amazing body do this? | 0:13:38 | 0:13:42 | |
Well, inside Delia's limbs, she has super stretchy ligaments. | 0:13:42 | 0:13:46 | |
That's the soft tissue that holds our bones together. | 0:13:46 | 0:13:49 | |
Although she was born this way, Delia trains hard every day | 0:13:49 | 0:13:52 | |
to make sure her ligaments remains flexible. | 0:13:52 | 0:13:55 | |
But this isn't something to try at home. | 0:13:55 | 0:13:57 | |
It's fine to practise flexible moves at home | 0:13:57 | 0:14:00 | |
but I wouldn't recommend squeezing yourself into small spaces. | 0:14:00 | 0:14:05 | |
That's because if you get it wrong, you can get stuck | 0:14:05 | 0:14:08 | |
and seriously injure yourself. | 0:14:08 | 0:14:10 | |
In fact, there are very few people in the world | 0:14:10 | 0:14:12 | |
able to bend their bodies this way. | 0:14:12 | 0:14:14 | |
And it takes years of training and practice | 0:14:14 | 0:14:17 | |
to achieve a body skill like this. | 0:14:17 | 0:14:19 | |
Now that's amazing! | 0:14:19 | 0:14:21 | |
We're in the park - the perfect place to spend an afternoon. | 0:14:24 | 0:14:27 | |
Whether you're sitting, having a picnic... | 0:14:27 | 0:14:29 | |
..walking with friends... | 0:14:31 | 0:14:32 | |
..or playing football. | 0:14:34 | 0:14:37 | |
-ALL: -Oi! | 0:14:37 | 0:14:39 | |
Sorry! | 0:14:39 | 0:14:40 | |
But a day in the park can also be a day of danger. | 0:14:40 | 0:14:44 | |
You could fall asleep without sun cream and get sun burnt. | 0:14:46 | 0:14:49 | |
'Ooh, dangerous.' | 0:14:49 | 0:14:51 | |
Ow! | 0:14:51 | 0:14:53 | |
You could get lost and stumble into a forest full of hungry bears? | 0:14:53 | 0:14:56 | |
ROAR! | 0:14:56 | 0:14:58 | |
Ah... | 0:14:58 | 0:14:59 | |
Phew, danger averted. | 0:14:59 | 0:15:01 | |
Or you could accidentally forget your money for ice cream | 0:15:01 | 0:15:04 | |
and have to watch other people enjoying theirs. | 0:15:04 | 0:15:07 | |
Shall we play football, then? | 0:15:10 | 0:15:12 | |
Yeah, all right, let's do penalties. | 0:15:12 | 0:15:15 | |
Ooh, hang on, I have got some money after all. | 0:15:15 | 0:15:18 | |
I'll race you to the ice cream van. | 0:15:18 | 0:15:19 | |
Ow! | 0:15:21 | 0:15:22 | |
Ooh! A minor injury. | 0:15:28 | 0:15:31 | |
So what should you do if you sprain your ankle? | 0:15:34 | 0:15:37 | |
A - roll around on the grass crying, "I'll never compete again?" | 0:15:37 | 0:15:42 | |
B - apply something cold to the injury | 0:15:42 | 0:15:43 | |
for no longer than ten minutes? | 0:15:43 | 0:15:46 | |
Or C - buy the Ankle De-sprainer 2000 and...hope it works? | 0:15:46 | 0:15:50 | |
The correct answer is B. | 0:15:55 | 0:15:57 | |
We need to reduce the pain and the swelling with a cold compress. | 0:15:57 | 0:16:00 | |
How's that, Xand? | 0:16:00 | 0:16:01 | |
Well, it's better but I'm still not happy. | 0:16:01 | 0:16:04 | |
I know something that'll cheer you up. Come with me. | 0:16:04 | 0:16:07 | |
Aah. | 0:16:07 | 0:16:10 | |
Oh! | 0:16:11 | 0:16:13 | |
My ice cream! | 0:16:13 | 0:16:14 | |
My clothes! Hey! | 0:16:14 | 0:16:16 | |
'So, remember, if you sprain your ankle then put something cold on it | 0:16:21 | 0:16:25 | |
'for no longer than ten minutes and if you're worried, tell an adult. | 0:16:25 | 0:16:30 | |
'In fact, lots of injuries can be helped | 0:16:30 | 0:16:32 | |
'by putting something cold on them. | 0:16:32 | 0:16:34 | |
'It's particularly useful for sprains, strains and pulled muscles. | 0:16:34 | 0:16:38 | |
'This is because it reduces inflammation, stops swelling | 0:16:38 | 0:16:41 | |
'and can help with pain. | 0:16:41 | 0:16:42 | |
'So don't forget this cool fact. | 0:16:42 | 0:16:44 | |
'Nice one, Xand.' | 0:16:44 | 0:16:46 | |
When you get injured, your body is brilliant at mending itself. | 0:16:50 | 0:16:53 | |
This next boy should know. He's always having accidents. | 0:16:53 | 0:16:57 | |
# If there's a bone to break he'll break it | 0:16:57 | 0:17:00 | |
# If there's a knee to graze he'll graze it | 0:17:00 | 0:17:02 | |
# If there's an ankle to sprain he'll sprain it | 0:17:02 | 0:17:05 | |
# He's the unluckiest kid. # | 0:17:05 | 0:17:07 | |
Your eyelashes and eyelids protect your eyeballs but sometimes | 0:17:11 | 0:17:15 | |
little things can blow into your eye and can scratch the surface. | 0:17:15 | 0:17:20 | |
Immediately, the area around your eye gets to work. | 0:17:20 | 0:17:23 | |
The tear ducts open up and tears rush in to flush out the debris. | 0:17:23 | 0:17:27 | |
And your eye blinks furiously, spreading the liquid about. | 0:17:27 | 0:17:30 | |
Then, your body injects something called lysozyme into your tears. | 0:17:30 | 0:17:34 | |
This acts like a disinfectant to keep infection out. | 0:17:34 | 0:17:38 | |
The offending article is usually pushed out. | 0:17:38 | 0:17:42 | |
And then your eye gets on with mending the scratch left behind. | 0:17:42 | 0:17:46 | |
Fresh cells fill up the injury and, in just 24 hours, | 0:17:46 | 0:17:49 | |
your eye's left as good as new. | 0:17:49 | 0:17:51 | |
BOTH: Oh, dear. | 0:17:54 | 0:17:56 | |
# He's the unluckiest kid. # | 0:17:56 | 0:17:58 | |
What is the body's largest organ? | 0:18:00 | 0:18:02 | |
Is it A - your heart? | 0:18:03 | 0:18:05 | |
B - your lungs? Or C - your skin? | 0:18:05 | 0:18:08 | |
The answer is C - your skin. | 0:18:08 | 0:18:10 | |
And when you're cold, it gets covered in goose bumps, but why? | 0:18:10 | 0:18:14 | |
Sounds like a case for Investigation Ouch! | 0:18:14 | 0:18:17 | |
Behind this glass it's colder than the freezer in your kitchen. | 0:18:19 | 0:18:23 | |
It's actually colder than the North Pole. | 0:18:23 | 0:18:25 | |
In fact, it's colder in here than the coldest place on Earth. | 0:18:25 | 0:18:29 | |
That's Antarctica. | 0:18:29 | 0:18:31 | |
This is called a cryogenic chamber and I'm about to get inside. | 0:18:31 | 0:18:36 | |
That actually sounds like a terrible idea. | 0:18:36 | 0:18:39 | |
A cryogenic chamber is a freezing cold room used to treat | 0:18:42 | 0:18:46 | |
common health conditions and help top athletes recover from injury, | 0:18:46 | 0:18:49 | |
helping to repair their muscles. | 0:18:49 | 0:18:52 | |
But today, I'm using it to find out how our bodies react | 0:18:52 | 0:18:56 | |
in extreme cold. | 0:18:56 | 0:18:57 | |
That room is minus 60 degrees | 0:18:57 | 0:18:59 | |
and the room behind me is minus 135 degrees. | 0:18:59 | 0:19:04 | |
That's five times colder than the coldest day ever recorded in the UK. | 0:19:04 | 0:19:08 | |
-What's it going to feel like? -Chilly. | 0:19:08 | 0:19:10 | |
HE LAUGHS | 0:19:10 | 0:19:13 | |
This is Renata Zejer and she'll be monitoring me to keep me safe | 0:19:13 | 0:19:17 | |
when I'm in the cryogenic chamber. | 0:19:17 | 0:19:19 | |
So clearly I'm going to need a very warm coat to go in there. | 0:19:19 | 0:19:22 | |
No, just very, very small clothes. Not very warm clothes. | 0:19:22 | 0:19:26 | |
-This is it? This is all I get? -This is only that. | 0:19:26 | 0:19:29 | |
Perfect. What do I mean perfect? | 0:19:29 | 0:19:31 | |
This doesn't look like nearly enough clothes. | 0:19:31 | 0:19:34 | |
I might be cold but at least I'm going to look stylish. | 0:19:34 | 0:19:37 | |
'Headband, vest, shorts, two pairs of socks, clogs, face mask, gloves.' | 0:19:37 | 0:19:44 | |
I told you I'd be looking good. | 0:19:44 | 0:19:46 | |
So I've got James with me filming but James can't come in with | 0:19:46 | 0:19:50 | |
that camera so I've got a special camera with me | 0:19:50 | 0:19:52 | |
which I can take in there. So I'm not going alone - you're coming with me. | 0:19:52 | 0:19:56 | |
Here we go. | 0:19:56 | 0:19:57 | |
'And it'll be so cold in there that I need the face mask to stop my | 0:19:57 | 0:20:01 | |
'snot and saliva from freezing!' | 0:20:01 | 0:20:03 | |
Whoa! | 0:20:05 | 0:20:06 | |
Oh! OK. | 0:20:08 | 0:20:11 | |
It's very... | 0:20:11 | 0:20:12 | |
It is very cold but it's quite manageable because it's very dry. | 0:20:12 | 0:20:15 | |
It's also very... It's almost sort of foggy in here. | 0:20:15 | 0:20:18 | |
So the room I'm in at the moment is as cold as the coldest | 0:20:18 | 0:20:21 | |
temperature ever recorded on Earth. | 0:20:21 | 0:20:22 | |
'But this room is just preparing my body for the next room, | 0:20:22 | 0:20:26 | |
'which is twice as cold. | 0:20:26 | 0:20:28 | |
'Minus 135 here I come!' | 0:20:28 | 0:20:31 | |
Oh! OK. Um... | 0:20:31 | 0:20:34 | |
'It's so cold in here that I can only stay in for three minutes and | 0:20:34 | 0:20:38 | |
'Renata will be monitoring me the whole time to make sure I'm safe.' | 0:20:38 | 0:20:41 | |
It's very hard to describe quite how cold this is. | 0:20:41 | 0:20:44 | |
The closer I get to the floor... Whoa! Whoa! Whoa! | 0:20:44 | 0:20:49 | |
This is now very, very, very cold. | 0:20:49 | 0:20:51 | |
It's very hard to think, it's so cold, actually. | 0:20:51 | 0:20:54 | |
'The shock to my body is making it hard to control my breathing.' | 0:20:54 | 0:20:58 | |
I'm getting goose bumps all over my arm and you can see | 0:20:58 | 0:21:00 | |
every single hair on my arm is standing straight up | 0:21:00 | 0:21:04 | |
and the reason that's happening is that | 0:21:04 | 0:21:07 | |
my body is trying to trap a layer of air, very close to my skin and... | 0:21:07 | 0:21:12 | |
er...I'm shaking a lot. | 0:21:12 | 0:21:15 | |
'Shivering like this is my body getting my muscles moving to | 0:21:15 | 0:21:18 | |
'generate heat and keep me warm.' | 0:21:18 | 0:21:20 | |
As my hand gets cold you can see all the blood goes out of my skin | 0:21:21 | 0:21:25 | |
and now my fingertips are going absolutely white. | 0:21:25 | 0:21:28 | |
Very, very cold indeed. | 0:21:28 | 0:21:30 | |
'That's because as my body gets colder it's making a choice. | 0:21:30 | 0:21:34 | |
'It's taking the blood away from the parts of my body it can do | 0:21:34 | 0:21:37 | |
'without, like my fingers and toes, and putting it into the centre of | 0:21:37 | 0:21:40 | |
'my body to keep vital organs like my heart and brain alive.' | 0:21:40 | 0:21:44 | |
I'm now coming up to almost three minutes. | 0:21:45 | 0:21:48 | |
I will be very pleased to come out. | 0:21:48 | 0:21:50 | |
Whoa! Oh! | 0:21:52 | 0:21:54 | |
That's so much better. This is like walking into an oven. | 0:21:59 | 0:22:02 | |
'But when you're cold you get goose bumps and that's your skin | 0:22:02 | 0:22:05 | |
'trying to trap a layer of warm air around your body.' | 0:22:05 | 0:22:08 | |
So what you can see from that is how important your skin is | 0:22:08 | 0:22:11 | |
in regulating your body temperature. | 0:22:11 | 0:22:13 | |
'And when you get extremely cold, your body starts making choices | 0:22:13 | 0:22:16 | |
'about what it wants to keep going.' | 0:22:16 | 0:22:19 | |
Very, very, very quickly, my body takes the warm blood | 0:22:19 | 0:22:21 | |
from my skin, brings it into the middle of my body to keep | 0:22:21 | 0:22:24 | |
my organs warm, my brain going - all of these things. | 0:22:24 | 0:22:27 | |
When I come out into the warm, my body immediately releases | 0:22:27 | 0:22:30 | |
that blood and you see it all going to my skin. | 0:22:30 | 0:22:33 | |
'And there's a very good reason | 0:22:33 | 0:22:35 | |
'why our bodies react like this in the cold.' | 0:22:35 | 0:22:37 | |
If my core body temperature - that's the temperature in the middle | 0:22:37 | 0:22:40 | |
of my body - had dropped by even four degrees it could've been fatal. | 0:22:40 | 0:22:43 | |
What's so interesting about being in a room that cold | 0:22:43 | 0:22:46 | |
is that you can see all the incredible things your body does | 0:22:46 | 0:22:50 | |
to keep you at exactly the right temperature. | 0:22:50 | 0:22:52 | |
It's time to meet our next patient. | 0:22:56 | 0:22:59 | |
Let's see how the team deals with this. | 0:22:59 | 0:23:01 | |
SIREN WAILS | 0:23:01 | 0:23:04 | |
In Manchester, 12-year-old Ryan has come in by ambulance with | 0:23:06 | 0:23:09 | |
a nasty neck injury after an attempt to jump like James Bond went wrong. | 0:23:09 | 0:23:14 | |
It was, like, a karate kick. I thought I broke my neck but | 0:23:14 | 0:23:17 | |
if I broke my neck I would've been, like, dead. | 0:23:17 | 0:23:20 | |
Well, luckily you're not. | 0:23:20 | 0:23:21 | |
But I'm not sure he'll be the next 007 either. | 0:23:21 | 0:23:24 | |
So how did this happen? | 0:23:24 | 0:23:25 | |
MUSIC: James Bond Theme | 0:23:25 | 0:23:28 | |
It was just another ordinary day at school. | 0:23:28 | 0:23:30 | |
It was lunchtime, and Ryan, being a secret agent, | 0:23:30 | 0:23:33 | |
was on a top-secret mission. | 0:23:33 | 0:23:35 | |
He's a secret agent? | 0:23:35 | 0:23:36 | |
OK, he was pretending to be a secret agent. | 0:23:36 | 0:23:39 | |
Cool, calm and collected, | 0:23:39 | 0:23:40 | |
Double-O-Ryan stepped from the shadows. | 0:23:40 | 0:23:43 | |
In one swift movement, he unleashed his killer karate kick... | 0:23:45 | 0:23:49 | |
When, suddenly, his mate grabbed his foot and Ryan dropped on his head. | 0:23:49 | 0:23:53 | |
Ouch! | 0:23:53 | 0:23:55 | |
After such a serious accident, Ryan is on a fixed board | 0:23:55 | 0:23:58 | |
with support pads to prevent his neck and spine from moving. | 0:23:58 | 0:24:01 | |
Enter Dr Craig Ferguson. | 0:24:04 | 0:24:06 | |
He'll check out our wannabe 007. | 0:24:06 | 0:24:08 | |
-Any pain in your back or is it just your neck? -My neck. | 0:24:08 | 0:24:11 | |
Head injuries and neck injuries are common. | 0:24:11 | 0:24:13 | |
The James Bond theme is less common. | 0:24:13 | 0:24:15 | |
But he's got neck pain so we have to take it seriously. | 0:24:15 | 0:24:18 | |
Dr Craig needs to find out if Ryan has broken any bones | 0:24:18 | 0:24:21 | |
but to do that, the team have to move him in a special way - | 0:24:21 | 0:24:24 | |
keeping his head and body in line. | 0:24:24 | 0:24:27 | |
That's because the bones in your neck and back protect the important | 0:24:27 | 0:24:31 | |
nerves that run from the brain into the body through your spinal cord. | 0:24:31 | 0:24:35 | |
And can we touch all the way down? | 0:24:35 | 0:24:37 | |
It's not sore anywhere, is that right, Ryan? | 0:24:37 | 0:24:39 | |
I want to get some X-rays to make sure the bones are intact. | 0:24:39 | 0:24:42 | |
If the bones are intact it means that it's much less likely | 0:24:42 | 0:24:44 | |
that he's suffered any nerve injury. | 0:24:44 | 0:24:47 | |
Fingers crossed. Get ready for your close-up, Ryan. | 0:24:47 | 0:24:49 | |
There are seven small bones in the neck and getting shots | 0:24:52 | 0:24:55 | |
of them all can be tricky. First, his teeth are in the way. | 0:24:55 | 0:24:58 | |
I suppose they could take them all out. | 0:24:58 | 0:25:00 | |
What we're going to ask you to do is open your mouth a little bit for us. | 0:25:00 | 0:25:03 | |
Yeah, that's probably a better idea. | 0:25:03 | 0:25:06 | |
With his mouth open, the X-ray can see the bones in his neck. | 0:25:06 | 0:25:10 | |
OK, as wide as you can. Wide as you can. | 0:25:10 | 0:25:12 | |
That's it, brilliant. And relax your mouth again. | 0:25:12 | 0:25:15 | |
And now, his shoulders are in the way. | 0:25:15 | 0:25:17 | |
They could cut them off. | 0:25:17 | 0:25:18 | |
Pull down so you feel like you're trying to touch your toes. | 0:25:18 | 0:25:21 | |
Yeah, that's probably better. | 0:25:21 | 0:25:23 | |
Keep pulling down to your toes. | 0:25:23 | 0:25:25 | |
Lovely. And relax. | 0:25:26 | 0:25:28 | |
Yeah, that's brilliant. | 0:25:28 | 0:25:29 | |
I hope I didn't, like, fracture anything. | 0:25:29 | 0:25:31 | |
I want to get back to playing cricket. | 0:25:31 | 0:25:34 | |
OK, let's just check out your X-rays first, | 0:25:34 | 0:25:36 | |
then you can get on with winning the Ashes. | 0:25:36 | 0:25:38 | |
I'm making sure the bones are aligned and I'm making sure | 0:25:38 | 0:25:41 | |
there's no breaks in any of the bones I can see. | 0:25:41 | 0:25:44 | |
I think there might be good news for Ryan. | 0:25:44 | 0:25:46 | |
Ryan, I've had a look at all your pictures. | 0:25:46 | 0:25:48 | |
They all look fine. I don't see any broken bones or... | 0:25:48 | 0:25:51 | |
Everything looks where it's supposed to be | 0:25:51 | 0:25:53 | |
so I think you're going to be a bit stiff and sore for the next few days | 0:25:53 | 0:25:55 | |
but I think it's going to gradually get a bit better after that. | 0:25:55 | 0:25:58 | |
It's been a lucky escape for Ryan. | 0:25:58 | 0:26:00 | |
It feels like a relief because I don't want to break my neck. | 0:26:00 | 0:26:03 | |
Who would? | 0:26:03 | 0:26:05 | |
You can go back to school tomorrow | 0:26:05 | 0:26:06 | |
-but no more James Bond moves, please. -Mm. -OK. | 0:26:06 | 0:26:08 | |
MUSIC: James Bond Theme | 0:26:08 | 0:26:14 | |
'On this series, of Operation Ouch! | 0:26:21 | 0:26:24 | |
'we've been on a medical mission to show you how your body works.' | 0:26:24 | 0:26:28 | |
-You look really funny. -You look funny. | 0:26:28 | 0:26:30 | |
'We've had operations.' | 0:26:30 | 0:26:32 | |
This is really satisfying, watching this. | 0:26:32 | 0:26:34 | |
I'm really, really enjoying this. | 0:26:34 | 0:26:36 | |
'We've seen stitches and glue... | 0:26:36 | 0:26:38 | |
'..and some pretty unusual things.' | 0:26:39 | 0:26:42 | |
There you go, out it comes. | 0:26:42 | 0:26:44 | |
That was in my nose. | 0:26:44 | 0:26:47 | |
'We've been on investigations...' | 0:26:47 | 0:26:49 | |
We've got to get the blood where it's needed as quickly as possible. | 0:26:49 | 0:26:53 | |
I really don't like it in here. | 0:26:54 | 0:26:56 | |
-We want a sample of your snot. -What?! | 0:26:56 | 0:26:58 | |
Ooh, there's a couple of nice ones on there. | 0:26:58 | 0:27:00 | |
'..and we've pushed ourselves to the limit...' | 0:27:00 | 0:27:03 | |
Now it is quite painful. It stings. | 0:27:03 | 0:27:05 | |
Xand said he'd do this. | 0:27:05 | 0:27:07 | |
Ooh, that just came out of my ear! | 0:27:07 | 0:27:09 | |
'..to show you just how amazing your body really is.' | 0:27:09 | 0:27:13 | |
Look at this. Wow! | 0:27:13 | 0:27:15 | |
Whoa, that's really good. Whoa! | 0:27:15 | 0:27:18 | |
Three, two, one... | 0:27:18 | 0:27:21 | |
THEY LAUGH | 0:27:23 | 0:27:26 | |
So look after yourself. | 0:27:26 | 0:27:27 | |
And that brilliant body of yours. Bye! | 0:27:27 | 0:27:30 | |
Subtitles by Red Bee Media Ltd | 0:27:37 | 0:27:40 |