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He's Dr Chris... | 0:00:23 | 0:00:24 | |
He's Dr Xand... | 0:00:26 | 0:00:27 | |
and, yes, we're twins. | 0:00:27 | 0:00:29 | |
Do you know how brilliant your body really is? | 0:00:31 | 0:00:34 | |
My finger's got yellow pus in it. | 0:00:34 | 0:00:36 | |
Well, we're going to show you. | 0:00:36 | 0:00:38 | |
-Yay! -In this series, we'll be pushing our bodies to their limits. | 0:00:38 | 0:00:42 | |
I like the sound of this. | 0:00:42 | 0:00:43 | |
By doing extraordinary experiments on each other. | 0:00:43 | 0:00:46 | |
This is my sick. | 0:00:46 | 0:00:48 | |
To uncover what goes on inside... | 0:00:48 | 0:00:51 | |
Urgh! | 0:00:51 | 0:00:52 | |
..and out. | 0:00:52 | 0:00:54 | |
Wow, that's amazing. | 0:00:54 | 0:00:55 | |
From the bizarre... | 0:00:55 | 0:00:56 | |
..to the incredible. | 0:00:57 | 0:00:59 | |
So, now I'm seeing things. | 0:00:59 | 0:01:00 | |
It's time to find out what you're made of. | 0:01:00 | 0:01:03 | |
Chris... Chris? Chris! | 0:01:03 | 0:01:05 | |
Coming up today... | 0:01:07 | 0:01:08 | |
On Operation Ouch... | 0:01:08 | 0:01:10 | |
I meet someone who fakes wounds for a living. | 0:01:13 | 0:01:16 | |
I'm hoping this is going to be the least painful burn I've ever had. | 0:01:16 | 0:01:19 | |
Max's face needs fixing... | 0:01:19 | 0:01:22 | |
and we meet Dr Dog. | 0:01:22 | 0:01:24 | |
-Ha! -It smells like doggy snacks. | 0:01:24 | 0:01:26 | |
The team from accident and emergency | 0:01:29 | 0:01:31 | |
is ready for our first patient. | 0:01:31 | 0:01:33 | |
Let's meet him. | 0:01:33 | 0:01:34 | |
At Sheffield Children's Hospital, four-year-old Max has come in | 0:01:38 | 0:01:42 | |
with a peculiarly puffy face. | 0:01:42 | 0:01:44 | |
I fell down | 0:01:44 | 0:01:46 | |
and hurt my cheek. | 0:01:46 | 0:01:48 | |
Yeah, you did. | 0:01:48 | 0:01:50 | |
So where were you? | 0:01:50 | 0:01:51 | |
In the living room | 0:01:51 | 0:01:53 | |
on the wooden floor... | 0:01:53 | 0:01:55 | |
..near the wooden table. | 0:01:56 | 0:01:59 | |
-You "wooden't" believe it, would you, Xand? -Hmm. | 0:01:59 | 0:02:02 | |
So, how on earth did this happen? | 0:02:02 | 0:02:05 | |
Well, a couple of days ago, Max was at home | 0:02:05 | 0:02:08 | |
watching his favourite monster film on TV. | 0:02:08 | 0:02:10 | |
Oh, I love a good monster film. | 0:02:10 | 0:02:13 | |
Me too. | 0:02:13 | 0:02:14 | |
Anyway, Max was really getting into the film - | 0:02:14 | 0:02:17 | |
running about like the monsters... | 0:02:17 | 0:02:19 | |
..when, all of a sudden, he tripped. | 0:02:22 | 0:02:24 | |
He flew through the air and landed with a bump on the wooden floor, | 0:02:24 | 0:02:27 | |
cutting his cheek on the wooden table. | 0:02:27 | 0:02:30 | |
Ow! | 0:02:30 | 0:02:31 | |
Yes, and it didn't stop there. | 0:02:31 | 0:02:33 | |
Over the next couple of days, Max's face swelled up, | 0:02:33 | 0:02:37 | |
causing his left eye to start closing. | 0:02:37 | 0:02:40 | |
Ouch. | 0:02:40 | 0:02:41 | |
So, his mum and nan have brought him straight to hospital. | 0:02:43 | 0:02:46 | |
His face is very swollen and red. | 0:02:46 | 0:02:49 | |
Enter Dr Oladayo Oladipo. | 0:02:51 | 0:02:55 | |
He'll check out our monster-loving friend. | 0:02:55 | 0:02:58 | |
-Hello, Max, how are you? -I'm not too bad. | 0:02:58 | 0:03:01 | |
Good, I'm going to examine you now. | 0:03:01 | 0:03:02 | |
-Is that all right? -Hmm. -OK. | 0:03:02 | 0:03:05 | |
The doctor needs to give Max a thorough examination | 0:03:05 | 0:03:08 | |
and make sure he hasn't broken any of his facial bones. | 0:03:08 | 0:03:11 | |
And there's a bit of... | 0:03:11 | 0:03:13 | |
swelling around that area. | 0:03:13 | 0:03:15 | |
It looks like it's infected and is going around the face, OK? | 0:03:15 | 0:03:21 | |
Max has an infection of his skin called cellulitis. | 0:03:24 | 0:03:28 | |
It happens when your skin is broken by a cut or insect bite | 0:03:28 | 0:03:32 | |
and bacteria get in. | 0:03:32 | 0:03:34 | |
Sometimes the infection stays near the surface, | 0:03:35 | 0:03:38 | |
but sometimes the bacteria infect the deeper layer, | 0:03:38 | 0:03:41 | |
like with Max, causing the whole area | 0:03:41 | 0:03:43 | |
to go red and swell up | 0:03:43 | 0:03:45 | |
and this is cellulitis. | 0:03:45 | 0:03:47 | |
Because Max has cellulitis around his eye, | 0:03:49 | 0:03:52 | |
it could cause bigger problems if it continues to spread. | 0:03:52 | 0:03:55 | |
With the spread of the infection, | 0:03:56 | 0:03:58 | |
there's a chance that his brain function will be affected, | 0:03:58 | 0:04:01 | |
his sight will be affected, his breathing could also be affected. | 0:04:01 | 0:04:04 | |
So we need to control that infection quite quickly. | 0:04:04 | 0:04:07 | |
To do this, Max is being given antibiotics | 0:04:08 | 0:04:11 | |
straight into the veins | 0:04:11 | 0:04:12 | |
through the back of his hand, and this way | 0:04:12 | 0:04:15 | |
the medicine works much faster than swallowing tablets. | 0:04:15 | 0:04:18 | |
He'll have to stay in hospital until the medicine starts to work, | 0:04:19 | 0:04:22 | |
but he doesn't look too unhappy about it. | 0:04:22 | 0:04:24 | |
We'll be back later to see how he's getting on. | 0:04:24 | 0:04:27 | |
-And now to our lab... -Wow! | 0:04:31 | 0:04:33 | |
..where we do incredible experiments... | 0:04:33 | 0:04:35 | |
Oh, it's disgusting. | 0:04:35 | 0:04:37 | |
..to show YOU how your body works. | 0:04:37 | 0:04:39 | |
So watch this. | 0:04:39 | 0:04:40 | |
To kick off today's lab, we're using this machine | 0:04:43 | 0:04:46 | |
to see what's in our breath. | 0:04:46 | 0:04:47 | |
Your breath has lots of gases in it. | 0:04:49 | 0:04:51 | |
Some are smelly, like hydrogen sulphide. | 0:04:51 | 0:04:53 | |
It's made by the bacteria that live in your mouth | 0:04:53 | 0:04:56 | |
and it's what makes the bad smell when you let one rip. | 0:04:56 | 0:05:00 | |
When it's mixed with the food and drink you've eaten, | 0:05:00 | 0:05:02 | |
it can make your breath honk. | 0:05:02 | 0:05:05 | |
Let's look at Chris' results. | 0:05:05 | 0:05:07 | |
Chris, you have detectable levels | 0:05:07 | 0:05:09 | |
of fishy cabbage smell in your breath. | 0:05:09 | 0:05:11 | |
Not nice. Thanks, Xand. | 0:05:12 | 0:05:14 | |
But actually your breath can tell you much more | 0:05:14 | 0:05:16 | |
than what you've had for dinner, as we're going to show you. | 0:05:16 | 0:05:19 | |
What's going on? Who's this? | 0:05:19 | 0:05:21 | |
-This is Daisy. -Am I being replaced? What are your qualifications? | 0:05:21 | 0:05:24 | |
You're not being replaced. | 0:05:24 | 0:05:26 | |
Daisy's here to help us with today's experiment | 0:05:26 | 0:05:28 | |
because your breath can reveal a huge amount about you. | 0:05:28 | 0:05:31 | |
It can be the first sign of many illnesses | 0:05:31 | 0:05:33 | |
and, like your fingerprints, your breath is unique. | 0:05:33 | 0:05:36 | |
No-one else has the same breath. | 0:05:36 | 0:05:39 | |
Haa! | 0:05:39 | 0:05:40 | |
-It smells like doggy snacks. -No. | 0:05:40 | 0:05:43 | |
But I did find some lovely biscuits on the floor on the way in. | 0:05:43 | 0:05:46 | |
-Were they in a bowl? -Yes. | 0:05:46 | 0:05:47 | |
Did the bowl say "Daisy" on it? | 0:05:47 | 0:05:50 | |
-Yes. -Oh. | 0:05:50 | 0:05:51 | |
Now, everyone has bad breath at some point, even Daisy. | 0:05:51 | 0:05:54 | |
But even if your breath isn't bad, it still has a smell | 0:05:56 | 0:05:59 | |
and it's the smell | 0:05:59 | 0:06:00 | |
that contains information about you and your health. | 0:06:00 | 0:06:04 | |
So, if you have asthma, even though you can't smell asthma, | 0:06:04 | 0:06:07 | |
your breath will have more nitric oxide in it, which you can detect. | 0:06:07 | 0:06:12 | |
Or if you have diabetes, your breath may have | 0:06:12 | 0:06:14 | |
more of a compound called acetone in it. | 0:06:14 | 0:06:17 | |
It's the same chemical that's in nail varnish remover. | 0:06:17 | 0:06:20 | |
In fact, there's a whole range of medical conditions | 0:06:20 | 0:06:23 | |
that can be detected on your breath. | 0:06:23 | 0:06:25 | |
But not by us, even though we're doctors, | 0:06:25 | 0:06:27 | |
not by specialist medical researchers, | 0:06:27 | 0:06:29 | |
not even by complicated equipment. | 0:06:29 | 0:06:32 | |
That's why Daisy is here. | 0:06:32 | 0:06:34 | |
She's a specially-trained smell "dogtor". | 0:06:35 | 0:06:38 | |
Daisy's been trained by Claire to detect serious illnesses, | 0:06:40 | 0:06:43 | |
like cancer, in a person's breath. | 0:06:43 | 0:06:46 | |
So, Claire, how does Daisy do it? | 0:06:46 | 0:06:48 | |
Well, when people are unwell, they smell different, | 0:06:48 | 0:06:51 | |
so some people have kindly donated | 0:06:51 | 0:06:53 | |
their breath samples onto this tube. | 0:06:53 | 0:06:56 | |
So, they breathe in that and then the smelly molecules | 0:06:56 | 0:06:58 | |
in their breath stick inside this sponge here. | 0:06:58 | 0:07:00 | |
Absolutely, and then in training, | 0:07:00 | 0:07:03 | |
we show this sponge to Daisy and we've been able | 0:07:03 | 0:07:05 | |
to train her to tell us if somebody has a very serious disease. | 0:07:05 | 0:07:11 | |
Time to see Daisy in action. | 0:07:11 | 0:07:13 | |
Now, we've laid out three samples of breath | 0:07:13 | 0:07:15 | |
and one of the samples is from a patient with a serious illness. | 0:07:15 | 0:07:19 | |
Now, the one from the patient with the illness... | 0:07:19 | 0:07:22 | |
Chris! You can't say in front of Daisy, she'll hear. | 0:07:22 | 0:07:24 | |
She's going to find it herself. | 0:07:24 | 0:07:27 | |
Xand, she's a dog, she doesn't speak English. | 0:07:27 | 0:07:29 | |
It's sample A. | 0:07:29 | 0:07:30 | |
Now, Claire, shall we set off Daisy and see if she can find it? | 0:07:31 | 0:07:35 | |
Daisy. Seek, seek. | 0:07:35 | 0:07:37 | |
She's done it. | 0:07:43 | 0:07:46 | |
And unbelievably, it took her just six seconds. | 0:07:46 | 0:07:50 | |
That's amazing. There was no debate, | 0:07:50 | 0:07:52 | |
she didn't even have to check one of the samples, she knew. | 0:07:52 | 0:07:55 | |
As soon as she smelt that odour, | 0:07:55 | 0:07:57 | |
she sits down and tells us she's found it. | 0:07:57 | 0:07:59 | |
So, while Daisy is special, she's not actually got | 0:07:59 | 0:08:03 | |
any more smell receptors than any other dog. | 0:08:03 | 0:08:05 | |
Take Sooty and Spike here. | 0:08:05 | 0:08:07 | |
Although they might be better | 0:08:07 | 0:08:09 | |
at sniffing out where their ball is | 0:08:09 | 0:08:10 | |
than detecting illness, inside their noses | 0:08:10 | 0:08:13 | |
they have 220 million smell receptors, | 0:08:13 | 0:08:16 | |
whereas we only have 5 million. | 0:08:16 | 0:08:18 | |
And there are other dogs like Daisy who've been trained to sniff out | 0:08:18 | 0:08:22 | |
different medical conditions. | 0:08:22 | 0:08:23 | |
So, if someone has diabetes, for instance, | 0:08:23 | 0:08:25 | |
and they have the wrong level of sugar in their blood, | 0:08:25 | 0:08:28 | |
the dog can actually detect that | 0:08:28 | 0:08:30 | |
and warn them to take their medication. | 0:08:30 | 0:08:32 | |
-Ha... -So, although your breath can sometimes smell bad, | 0:08:32 | 0:08:36 | |
its smell can also reveal vital information about your health. | 0:08:36 | 0:08:39 | |
Claire, that was brilliant, thank you so much for coming in. | 0:08:41 | 0:08:44 | |
And, Daisy, you did such a good job! | 0:08:44 | 0:08:46 | |
You understand, don't you? Yes, you do. | 0:08:46 | 0:08:48 | |
The hallway - it's the last room in the house you leave | 0:08:52 | 0:08:54 | |
and the first you come back to. | 0:08:54 | 0:08:56 | |
It's the part of the house that says, | 0:08:56 | 0:08:58 | |
"Hey, I'm going out somewhere" | 0:08:58 | 0:09:00 | |
and, "Hey, I'm back." | 0:09:00 | 0:09:02 | |
-But the hallway can also be a place of danger. -Wuh! | 0:09:02 | 0:09:06 | |
You could hit your head on one of the coat hooks. | 0:09:08 | 0:09:10 | |
Ow! | 0:09:10 | 0:09:13 | |
You could trip over the shoes | 0:09:13 | 0:09:14 | |
you've carelessly left lying around. | 0:09:14 | 0:09:16 | |
Argh! Ooh. Ouch. | 0:09:16 | 0:09:19 | |
Or you could forget to take your muddy shoes off | 0:09:19 | 0:09:22 | |
and start walking upstairs, leaving footprints everywhere, | 0:09:22 | 0:09:25 | |
-which will make your mother furious. -Oh. | 0:09:25 | 0:09:27 | |
If you look out for THOSE dangers, you should be fine. | 0:09:27 | 0:09:31 | |
-Oh, Xand, can you get the door? -Sure. | 0:09:31 | 0:09:33 | |
Argh! My finger. | 0:09:35 | 0:09:37 | |
Ooh. | 0:09:38 | 0:09:39 | |
Yep, I've got a minor injury. | 0:09:39 | 0:09:42 | |
So, what should you do if you hurt your finger? | 0:09:45 | 0:09:47 | |
The answer is C. | 0:10:03 | 0:10:05 | |
Apply something cold and hold it there for no more than ten minutes. | 0:10:06 | 0:10:10 | |
CLOCK TICKS | 0:10:11 | 0:10:13 | |
Right, let's go to the park. Where's the football? | 0:10:27 | 0:10:29 | |
It's right in the hallway just by my shoes, next to my... | 0:10:29 | 0:10:32 | |
Argh! GLASS SMASHES | 0:10:32 | 0:10:35 | |
..skateboard. | 0:10:35 | 0:10:38 | |
So, if you hurt your finger, then put something cold on it | 0:10:38 | 0:10:41 | |
for no more than ten minutes or until the pain has gone away. | 0:10:41 | 0:10:45 | |
We've got some incredible body tricks | 0:10:50 | 0:10:53 | |
for you to show your friends. | 0:10:53 | 0:10:56 | |
Want to make your arms float all by themselves? | 0:10:56 | 0:10:59 | |
Well, that's what this lot are trying to do. | 0:10:59 | 0:11:01 | |
Come on, Paul, push harder. | 0:11:01 | 0:11:03 | |
Believe it or not, their arms are rising up completely on their own. | 0:11:07 | 0:11:10 | |
They just, like, go, "hey". | 0:11:10 | 0:11:12 | |
It's making my hands move. | 0:11:12 | 0:11:15 | |
When I go like this, it rises. | 0:11:15 | 0:11:17 | |
I actually feel like my hands are rising up. | 0:11:17 | 0:11:21 | |
That's quite weird. | 0:11:21 | 0:11:23 | |
So, how is this possible and what do we do to make it happen? | 0:11:23 | 0:11:25 | |
First, you need to push your hands against each other like this. | 0:11:27 | 0:11:31 | |
With the person on the inside pushing out | 0:11:31 | 0:11:34 | |
and the person on the outside pushing in. | 0:11:34 | 0:11:36 | |
Do this really hard against each other for as long as you can. | 0:11:36 | 0:11:39 | |
Then let go and the person with the arms on the inside | 0:11:39 | 0:11:42 | |
needs to relax and then see what happens. | 0:11:42 | 0:11:45 | |
Who thinks they can explain why it worked? | 0:11:45 | 0:11:48 | |
If the person's putting pressure, | 0:11:48 | 0:11:50 | |
like, is pushing, | 0:11:50 | 0:11:51 | |
and then you're pushing really hard back, | 0:11:51 | 0:11:54 | |
if they let go, like, really quickly and you're still pushing, | 0:11:54 | 0:11:57 | |
your arms will just go, like, bounce and they'll go up. | 0:11:57 | 0:12:00 | |
Well, Lorenzo is right. | 0:12:00 | 0:12:02 | |
Because your arms are pushing so hard against your partner's, | 0:12:02 | 0:12:05 | |
when you stop, it takes your arms a little time to relax | 0:12:05 | 0:12:08 | |
and realise that the force has gone | 0:12:08 | 0:12:10 | |
and this is what makes your arms float. | 0:12:10 | 0:12:12 | |
Right, so what happens is you're tensing all your muscles | 0:12:13 | 0:12:16 | |
and then when you relax, | 0:12:16 | 0:12:18 | |
the muscles that were tense are still pulling your arms up. | 0:12:18 | 0:12:22 | |
So, all these muscles that have been tense, | 0:12:22 | 0:12:25 | |
you're relaxing the push in | 0:12:25 | 0:12:27 | |
and the muscles that are on the outside of your arms | 0:12:27 | 0:12:29 | |
are still quite tense | 0:12:29 | 0:12:30 | |
and they're just making it feel like your arms are lifting up. | 0:12:30 | 0:12:33 | |
Who thinks Lorenzo's explanation was better? | 0:12:33 | 0:12:36 | |
OK, you're right, Lorenzo was better. | 0:12:39 | 0:12:42 | |
Earlier, Max had to take a trip to accident and emergency. | 0:12:46 | 0:12:49 | |
Let's see if he's getting better. | 0:12:49 | 0:12:50 | |
Back in Sheffield, four-year-old Max is being treated | 0:12:55 | 0:12:58 | |
with antibiotics for cellulitis, an infection of the skin | 0:12:58 | 0:13:02 | |
that causes redness and swelling. | 0:13:02 | 0:13:04 | |
It all started a couple of days ago | 0:13:07 | 0:13:09 | |
when Max was watching his favourite monster film on TV. | 0:13:09 | 0:13:13 | |
He was running about, joining in with the fun, | 0:13:13 | 0:13:15 | |
when he tripped and cut his cheek on the table. | 0:13:15 | 0:13:20 | |
Max's mum treated the wound at the time and it looked like | 0:13:20 | 0:13:23 | |
it was healing, but underneath, an infection was spreading. | 0:13:23 | 0:13:26 | |
So, with a lot of swelling around his eye, | 0:13:26 | 0:13:28 | |
we need to make sure that | 0:13:28 | 0:13:30 | |
his eyesight isn't affected by the cellulitis infection. | 0:13:30 | 0:13:34 | |
Over to eye specialist Dr Imran Haq to see what he can see. | 0:13:35 | 0:13:41 | |
I need to have a look at your eye. | 0:13:41 | 0:13:43 | |
Is that OK? | 0:13:43 | 0:13:45 | |
-Mmm. -Yeah? | 0:13:45 | 0:13:46 | |
The layers of the skin, if they become inflamed, | 0:13:46 | 0:13:49 | |
that's basically what cellulitis is. | 0:13:49 | 0:13:51 | |
In his case we're worried if it's orbital cellulitis - | 0:13:51 | 0:13:53 | |
that's when it involves the actual area where the eye is. | 0:13:53 | 0:13:57 | |
If that's involved, | 0:13:57 | 0:13:58 | |
then it can sometimes not only damage the eye, | 0:13:58 | 0:14:01 | |
but track back into the brain itself and that can cause problems. | 0:14:01 | 0:14:04 | |
So, Dr Imran makes sure Max's eye is moving normally | 0:14:04 | 0:14:08 | |
and then he gets out a nifty bit of headgear. | 0:14:08 | 0:14:10 | |
This lets him look right into the back of Max's eyeball | 0:14:13 | 0:14:16 | |
and it'll show if the infection | 0:14:16 | 0:14:18 | |
has spread from Max's face into his eye. | 0:14:18 | 0:14:21 | |
I spy with my big eye. | 0:14:21 | 0:14:24 | |
With this, I wanted to really look at the back of the eye | 0:14:24 | 0:14:27 | |
and see if there's pressure on the optic nerve. | 0:14:27 | 0:14:29 | |
That's the nerve that leaves the back of the eye | 0:14:29 | 0:14:31 | |
to go to the brain. | 0:14:31 | 0:14:33 | |
In his case, the infection hasn't spread that far | 0:14:33 | 0:14:35 | |
and it's only limited to the skin itself, not involving the eye. | 0:14:35 | 0:14:38 | |
So, I think Max will be absolutely fine, | 0:14:38 | 0:14:40 | |
as long as he gets antibiotics. | 0:14:40 | 0:14:41 | |
He'll probably be home in a couple of days. | 0:14:41 | 0:14:43 | |
With his eye given the all clear, | 0:14:45 | 0:14:47 | |
now Max just has to wait for the antibiotics | 0:14:47 | 0:14:49 | |
to tackle his skin infection and get the swelling down in his face. | 0:14:49 | 0:14:53 | |
Day two and it's time for an update. | 0:14:55 | 0:14:58 | |
I'm getting better. | 0:14:58 | 0:14:59 | |
That's good. | 0:14:59 | 0:15:01 | |
His eye has gone down considerably, | 0:15:01 | 0:15:03 | |
but he's still inflamed underneath his eye. | 0:15:03 | 0:15:07 | |
It's quite a difference from day one, | 0:15:07 | 0:15:09 | |
although he's not ready to go home yet. | 0:15:09 | 0:15:11 | |
Oh, no! | 0:15:11 | 0:15:13 | |
Max has to stay in hospital for another night, | 0:15:13 | 0:15:15 | |
to get more antibiotics into his system. | 0:15:15 | 0:15:18 | |
But the next day, there's good news. | 0:15:20 | 0:15:23 | |
Yes, a lot better. | 0:15:23 | 0:15:24 | |
He does look much less swollen now. | 0:15:26 | 0:15:28 | |
Now that he's had antibiotics for two days, | 0:15:28 | 0:15:31 | |
Max has improved dramatically. | 0:15:31 | 0:15:33 | |
The cellulitis has been curtailed | 0:15:33 | 0:15:37 | |
and we're happy for him to go home. | 0:15:37 | 0:15:40 | |
Any by the looks of it, Max can't wait. | 0:15:40 | 0:15:42 | |
Maybe that monster movie's on the telly again. | 0:15:42 | 0:15:45 | |
-MAX: -Bye. | 0:15:45 | 0:15:46 | |
BOTH TWINS: Bye, Max. | 0:15:46 | 0:15:48 | |
Still to come, the Unluckiest Kid catches a cold, | 0:15:50 | 0:15:53 | |
but we tell you how your body deals with it. | 0:15:53 | 0:15:56 | |
Harrison turns up in the emergency department | 0:15:56 | 0:15:58 | |
with something stuck in his ear. | 0:15:58 | 0:16:01 | |
And I meet someone who makes fake injuries for a living. | 0:16:01 | 0:16:04 | |
That patient would obviously be in a lot of pain. | 0:16:04 | 0:16:06 | |
Did you know that the bones in your body aren't white at all? | 0:16:08 | 0:16:11 | |
They're actually beige. | 0:16:11 | 0:16:13 | |
They only become white if they're cleaned and boiled. | 0:16:14 | 0:16:17 | |
That's amazing. So is this. | 0:16:17 | 0:16:18 | |
An ordinary boxing club, | 0:16:21 | 0:16:24 | |
with ordinary people working out. | 0:16:24 | 0:16:26 | |
This man's hard at it. | 0:16:26 | 0:16:28 | |
Is he a boxer? | 0:16:28 | 0:16:30 | |
No, Xand. | 0:16:30 | 0:16:31 | |
Is he a wrestler? | 0:16:31 | 0:16:33 | |
He certainly is. | 0:16:33 | 0:16:35 | |
Oh, he looks very angry. | 0:16:35 | 0:16:37 | |
Hang on a minute. Why is he sitting down? | 0:16:37 | 0:16:40 | |
He's getting "ready to rumble"! | 0:16:40 | 0:16:43 | |
Meet Alan "Nasty" Nash | 0:16:43 | 0:16:45 | |
and he's the world champion toe wrestler. | 0:16:45 | 0:16:48 | |
It's just like arm wrestling, but with your toes. | 0:16:48 | 0:16:51 | |
You have to lock toes and then push your opponent's foot | 0:16:51 | 0:16:53 | |
to the side. | 0:16:53 | 0:16:55 | |
Alan's so good at it, he's won the world title eight times. | 0:16:55 | 0:16:59 | |
Do you have to pull that face when you're toe wrestling? | 0:16:59 | 0:17:02 | |
What an amazing "feet". | 0:17:02 | 0:17:03 | |
How does he do it? | 0:17:03 | 0:17:05 | |
Alan's mighty moves aren't just down to his twinkling toes. | 0:17:05 | 0:17:09 | |
His strength comes from his legs. | 0:17:09 | 0:17:12 | |
Alan trains at the gym three times a week to build up massive muscles. | 0:17:12 | 0:17:16 | |
Grr, there's that mean face again. | 0:17:16 | 0:17:19 | |
Power is then transferred into Alan's short, stumpy toes... | 0:17:19 | 0:17:22 | |
Oi! | 0:17:22 | 0:17:23 | |
..through his massive flexor hallucis longus, | 0:17:23 | 0:17:26 | |
that's the big toe muscle to you and me, which runs from his calf | 0:17:26 | 0:17:29 | |
down his ankle and into the big toe. | 0:17:29 | 0:17:33 | |
With all that power, Alan's toes take a real battering in matches. | 0:17:33 | 0:17:36 | |
Over the years he's broken nine of them. | 0:17:36 | 0:17:39 | |
It's a dangerous sport, so best not try it yourself. | 0:17:39 | 0:17:42 | |
I've had an injury that was so bad I had to have the toe taken off, | 0:17:42 | 0:17:45 | |
the bone ground down and then the toe put back on again. | 0:17:45 | 0:17:48 | |
RECORD SCRATCHES What? | 0:17:48 | 0:17:50 | |
I had to have the toe taken off, | 0:17:50 | 0:17:52 | |
the bone ground down and then the toe put back on again. | 0:17:52 | 0:17:54 | |
That's what I thought he said. | 0:17:54 | 0:17:56 | |
Loser! | 0:17:56 | 0:17:57 | |
That's amazing. | 0:17:57 | 0:17:59 | |
This next boy may be accident-prone, | 0:18:03 | 0:18:05 | |
but his body is brilliant at mending itself. | 0:18:05 | 0:18:08 | |
Just like yours. | 0:18:08 | 0:18:10 | |
# If there's a bone to break He'll break it. | 0:18:10 | 0:18:13 | |
# If there's a knee to graze He'll graze it. | 0:18:13 | 0:18:16 | |
# If there's an ankle to sprain He'll sprain it. | 0:18:16 | 0:18:18 | |
# He's the Unluckiest Kid. # | 0:18:18 | 0:18:20 | |
Atchoo! | 0:18:22 | 0:18:24 | |
Colds are caused by viruses and enter your body | 0:18:24 | 0:18:26 | |
through your mouth or nose. | 0:18:26 | 0:18:28 | |
Once inside, they start reprogramming your cells | 0:18:28 | 0:18:31 | |
to make more and more viruses, | 0:18:31 | 0:18:33 | |
but luckily, your immune system is on the case. | 0:18:33 | 0:18:36 | |
First, it makes loads of snot that traps some of the germs, | 0:18:36 | 0:18:40 | |
so you can blow them out. | 0:18:40 | 0:18:41 | |
But there's still work to do with the rest. | 0:18:41 | 0:18:44 | |
You can throw the tissue away now, Unluckiest Kid. | 0:18:44 | 0:18:46 | |
T-cells grab the virus intruders so they can't get away. | 0:18:46 | 0:18:50 | |
Then B-cells flood the area with antibodies, | 0:18:50 | 0:18:52 | |
which make the viruses stick together, | 0:18:52 | 0:18:54 | |
so they're easier to fight. | 0:18:54 | 0:18:56 | |
And then macrophages eat the viruses, killing them instantly. | 0:18:56 | 0:19:00 | |
Mmm, delicious. | 0:19:00 | 0:19:02 | |
In about a week you'll be feeling better, | 0:19:02 | 0:19:04 | |
but try to sneeze into your elbow, so you don't spread germs. | 0:19:04 | 0:19:07 | |
Oh, dear, here we go again. | 0:19:07 | 0:19:10 | |
# He's the unluckiest kid. # | 0:19:10 | 0:19:13 | |
On today's Investigation Ouch, I'm going behind the scenes | 0:19:13 | 0:19:16 | |
of one of the most famous hospital drama series around. | 0:19:16 | 0:19:20 | |
MUSIC: Theme from Casualty | 0:19:20 | 0:19:22 | |
Casualty has been running for nearly 30 years | 0:19:22 | 0:19:25 | |
and is based around the fictional Holby City hospital. | 0:19:25 | 0:19:28 | |
Everyone on the show is an actor... | 0:19:31 | 0:19:33 | |
IV access and bloods please. | 0:19:33 | 0:19:35 | |
And pretend doctors have to treat pretend patients | 0:19:35 | 0:19:38 | |
with almost every type of pretend condition. | 0:19:38 | 0:19:40 | |
The good news is, there doesn't appear to be a fracture, | 0:19:40 | 0:19:43 | |
but you may have torn a ligament. | 0:19:43 | 0:19:44 | |
I've come to Cardiff's Roath Lock Studios, | 0:19:44 | 0:19:47 | |
where Casualty is made, | 0:19:47 | 0:19:48 | |
to have a look around the set and see what goes on. | 0:19:48 | 0:19:51 | |
So obviously, as a doctor, I'm really used to being in a hospital, | 0:19:53 | 0:19:56 | |
but standing here on the set, it is totally convincing. | 0:19:56 | 0:19:59 | |
All the details are right. | 0:19:59 | 0:20:01 | |
There's a heart monitor there, there's the ultrasound machine, | 0:20:01 | 0:20:04 | |
the beds are correct, all the details, | 0:20:04 | 0:20:06 | |
even the notes on the nurses' desk are right. | 0:20:06 | 0:20:09 | |
This is Kirstie Stanway, head of the prosthetics department. | 0:20:09 | 0:20:14 | |
She's a make-up magician, who can create pretty much any injury, | 0:20:14 | 0:20:17 | |
in what has to be one of the most gruesome offices ever. | 0:20:17 | 0:20:21 | |
So, Kirstie, what kind of injuries have we got here? | 0:20:21 | 0:20:24 | |
We've got a heart operation here, with a heart that beats | 0:20:24 | 0:20:27 | |
and a lung that inflates. | 0:20:27 | 0:20:29 | |
You actually do stuff inside the body as well? | 0:20:29 | 0:20:31 | |
Sometimes, yeah. | 0:20:31 | 0:20:32 | |
Even though it's not full of blood, it looks very realistic. | 0:20:32 | 0:20:36 | |
Yeah, we try and make it look as realistic as we can. | 0:20:36 | 0:20:39 | |
So, there's some stuff that's inside the body | 0:20:39 | 0:20:41 | |
and then you're also obviously able to do skin really beautifully. | 0:20:41 | 0:20:44 | |
Yeah. So, all the skins are made out of silicone. | 0:20:44 | 0:20:47 | |
So, this is a guy that had a stab wound, | 0:20:47 | 0:20:49 | |
so this has just been stitched. | 0:20:49 | 0:20:51 | |
So, how does this work? Do you put this on an actor? | 0:20:51 | 0:20:55 | |
Yes, and then just hide all the joins. | 0:20:55 | 0:20:58 | |
I mean, that is a very convincing cut and tummy, isn't it? | 0:20:58 | 0:21:00 | |
Yes, I think so. | 0:21:00 | 0:21:02 | |
So, although some rubbery bits of body | 0:21:02 | 0:21:04 | |
are wrapped around the stomach, | 0:21:04 | 0:21:06 | |
a fake leg like this is placed on the hospital bed | 0:21:06 | 0:21:08 | |
and the actor hides his real leg underneath. | 0:21:08 | 0:21:11 | |
This leg is quite amazing, isn't it? | 0:21:11 | 0:21:13 | |
The top of the leg looks like it's in the normal position | 0:21:13 | 0:21:15 | |
and the foot is turned in a position | 0:21:15 | 0:21:17 | |
you could never normally turn it into | 0:21:17 | 0:21:19 | |
without having a very bad break. We know there's a bad break, | 0:21:19 | 0:21:21 | |
cos we've got bone poking through the skin. | 0:21:21 | 0:21:23 | |
That patient would obviously be in a lot of pain. | 0:21:23 | 0:21:26 | |
All these fake injuries wouldn't be complete without some fake blood. | 0:21:26 | 0:21:29 | |
So, here's our blood cupboard | 0:21:29 | 0:21:31 | |
and we have lots of different types of blood here. | 0:21:31 | 0:21:33 | |
Like AB positive, O negative, | 0:21:33 | 0:21:35 | |
A positive, B negative? | 0:21:35 | 0:21:37 | |
No, no, not quite like that. | 0:21:37 | 0:21:39 | |
We have our fresh blood here and here. | 0:21:39 | 0:21:42 | |
-Oh, so you have blood that looks different? -Yes. | 0:21:42 | 0:21:45 | |
OK. So this is...? | 0:21:45 | 0:21:47 | |
-This is our fresh blood here. -Let's have a look. | 0:21:47 | 0:21:49 | |
-That's fresh. -Yeah, and that's bright red, isn't it? | 0:21:49 | 0:21:53 | |
Yeah, then we have dark blood here. | 0:21:53 | 0:21:56 | |
Really nice. | 0:21:56 | 0:21:57 | |
What else? | 0:21:57 | 0:21:59 | |
And then we have a congealed here, which is thicker. | 0:21:59 | 0:22:01 | |
Oh, with blobs in it. | 0:22:02 | 0:22:04 | |
Yeah, that's really good, isn't it? | 0:22:04 | 0:22:06 | |
This blood is fake, | 0:22:06 | 0:22:07 | |
but different blood has different characteristics. | 0:22:07 | 0:22:09 | |
This fresh blood is bright red | 0:22:09 | 0:22:11 | |
and that's because it's got oxygen in it | 0:22:11 | 0:22:13 | |
and that's when you cut yourself or you have a nosebleed | 0:22:13 | 0:22:16 | |
and the blood's bright red. | 0:22:16 | 0:22:18 | |
This dark blood, you might see in an operation if you cut a vein. | 0:22:18 | 0:22:21 | |
Veins don't have oxygen in their blood, so that would look darker. | 0:22:21 | 0:22:25 | |
Then this stuff here, it's somewhere between red and dark | 0:22:25 | 0:22:28 | |
and it's got big lumps in it and that's clots forming, is it? | 0:22:28 | 0:22:30 | |
-Yes. -So, it looks real, | 0:22:30 | 0:22:32 | |
but actually it's just sugar water with food colouring. | 0:22:32 | 0:22:35 | |
So, my hand's looking quite ill now. | 0:22:35 | 0:22:37 | |
Can you give me a bigger injury? | 0:22:37 | 0:22:39 | |
Yeah, would you like a burn or something like that? | 0:22:39 | 0:22:41 | |
Yeah. A burn, let's give me a burn. | 0:22:41 | 0:22:43 | |
Only I would get that excited about a burn. | 0:22:43 | 0:22:45 | |
Kirstie starts by sticking on | 0:22:47 | 0:22:49 | |
some pre-made wounds from silicone moulds. | 0:22:49 | 0:22:52 | |
So already it's obvious there's something very wrong with my hand. | 0:22:54 | 0:22:58 | |
She applies some special blister gel and sprays it with red paint... | 0:22:58 | 0:23:01 | |
..and then adds some more fluid. | 0:23:04 | 0:23:06 | |
And the burn is finished off with black paint. | 0:23:06 | 0:23:08 | |
OK, so there's your burn. | 0:23:08 | 0:23:10 | |
So, looking at this as a doctor, | 0:23:10 | 0:23:12 | |
this is a very realistic and serious burn. | 0:23:12 | 0:23:15 | |
The skin's all puckered up. | 0:23:15 | 0:23:16 | |
There's fluid oozing out of it, because of the inflammation. | 0:23:16 | 0:23:19 | |
You can see the redness from the increased blood flow | 0:23:19 | 0:23:22 | |
and, of course, the charring from the burn itself. | 0:23:22 | 0:23:25 | |
-Kirstie, that is amazing. Thank you very much indeed. -You're welcome. | 0:23:25 | 0:23:28 | |
I've had SUCH a great day here at Casualty | 0:23:30 | 0:23:32 | |
and I'm really impressed with all the effort | 0:23:32 | 0:23:35 | |
that goes into making the show as realistic as possible, | 0:23:35 | 0:23:37 | |
especially my burn. I'm going to go and show it to Xand. | 0:23:37 | 0:23:39 | |
I don't think he'll be fooled, though. | 0:23:39 | 0:23:41 | |
Of course not, Chris, I'm a real doctor. | 0:23:41 | 0:23:43 | |
Our next patient was expecting a normal day. | 0:23:45 | 0:23:47 | |
But he's ended up in hospital. | 0:23:47 | 0:23:49 | |
This is definitely an unusual accident. | 0:23:49 | 0:23:52 | |
In the hospital waiting room | 0:23:56 | 0:23:57 | |
is five-year-old Harrison with his mum. | 0:23:57 | 0:24:00 | |
He's here because... | 0:24:00 | 0:24:01 | |
Is he too tall? | 0:24:01 | 0:24:03 | |
-No. -OK, why, then? | 0:24:03 | 0:24:05 | |
Because I have something in my ear. | 0:24:05 | 0:24:09 | |
Oh! Do you know what it is? | 0:24:09 | 0:24:11 | |
No. | 0:24:11 | 0:24:12 | |
Are you sure? | 0:24:12 | 0:24:13 | |
A chickpea. | 0:24:13 | 0:24:15 | |
A chickpea? OK. | 0:24:15 | 0:24:16 | |
How on earth did it end up in your ear? | 0:24:16 | 0:24:18 | |
Harrison was at school inspecting a new display, the animal corner. | 0:24:22 | 0:24:26 | |
Ooh, look at the cutesy-wootsy piggies. | 0:24:26 | 0:24:29 | |
Ah, chickens! | 0:24:29 | 0:24:30 | |
No, it was an African Savanna, Xand. | 0:24:30 | 0:24:33 | |
Really? What, with elephants and zebras, in school? | 0:24:33 | 0:24:37 | |
Yeah, that's right, Xand. | 0:24:37 | 0:24:38 | |
Real elephants and zebras in Harrison's school(!) | 0:24:38 | 0:24:41 | |
Duh, it was a model. | 0:24:41 | 0:24:44 | |
Anyway, Harrison was busy checking it out | 0:24:44 | 0:24:46 | |
when he noticed the desert sand was made out of chickpeas. | 0:24:46 | 0:24:50 | |
He had an idea and picked one up. | 0:24:50 | 0:24:52 | |
Don't do it. | 0:24:52 | 0:24:54 | |
And he put it in his lughole. | 0:24:54 | 0:24:56 | |
Ouch! | 0:24:56 | 0:24:58 | |
Rolling upside down isn't going to get it out, Harrison. | 0:24:58 | 0:25:01 | |
Over to you, Dr Catherine Rimmer. | 0:25:03 | 0:25:05 | |
So, what's happened to you today? | 0:25:07 | 0:25:09 | |
I have a... | 0:25:09 | 0:25:10 | |
Come on, spill the beans. | 0:25:10 | 0:25:12 | |
You mean peas. | 0:25:12 | 0:25:14 | |
..a chickpea in my ear. | 0:25:14 | 0:25:16 | |
Yep, he did say a chickpea. | 0:25:16 | 0:25:18 | |
Let's have a little look, shall we? | 0:25:18 | 0:25:19 | |
Dr Catherine uses a medical torch to look into Harrison's lughole. | 0:25:19 | 0:25:24 | |
Let's have a look inside. Oh, it's still there. | 0:25:24 | 0:25:27 | |
So, shall we take it out for you? | 0:25:27 | 0:25:28 | |
That would be a good idea, wouldn't it? | 0:25:28 | 0:25:30 | |
So, if you hang on a minute, | 0:25:30 | 0:25:32 | |
I'm going to get a special tool to get it out of your ear. | 0:25:32 | 0:25:34 | |
-A hoover? -No, Xand. | 0:25:34 | 0:25:36 | |
It's called a chickpea remover. | 0:25:36 | 0:25:38 | |
We have them in our special store cupboard. | 0:25:38 | 0:25:40 | |
Oh, of course, the famous chickpea remover(!) | 0:25:40 | 0:25:43 | |
Home to the smallest bone in your whole body, | 0:25:45 | 0:25:48 | |
your ears are divided up into three parts - | 0:25:48 | 0:25:50 | |
the inner, middle and outer ear, | 0:25:50 | 0:25:52 | |
connected by the ear canal. | 0:25:52 | 0:25:54 | |
And that's where Harrison's chickpea is stuck. | 0:25:55 | 0:25:58 | |
If it's left in there, it could cause an infection, | 0:25:58 | 0:26:00 | |
so we need to get it out. | 0:26:00 | 0:26:03 | |
Now then, what's going to happen, Harrison, | 0:26:03 | 0:26:06 | |
it's going to be a little bit tickly, but it shouldn't be | 0:26:06 | 0:26:08 | |
too uncomfortable, OK, | 0:26:08 | 0:26:10 | |
and we'll get this chickpea out for you. | 0:26:10 | 0:26:12 | |
So, with the special chickpea remover in hand, | 0:26:12 | 0:26:14 | |
the doctor gets to work. | 0:26:14 | 0:26:16 | |
So, nice and still for me, Harrison. | 0:26:16 | 0:26:18 | |
And "ear" we go. | 0:26:19 | 0:26:22 | |
The chickpea's appeared to say hello. | 0:26:22 | 0:26:24 | |
Oh, there we go, there it is! | 0:26:24 | 0:26:26 | |
Oh, well done. | 0:26:27 | 0:26:30 | |
That's a bit of a big thing in your little ear. | 0:26:30 | 0:26:32 | |
Now, there's only half of one in there. | 0:26:34 | 0:26:36 | |
I want to have a look inside and make sure | 0:26:36 | 0:26:38 | |
there's nothing else inside. | 0:26:38 | 0:26:39 | |
Dr Catherine has another "peer in his ear" | 0:26:39 | 0:26:41 | |
to make sure it's all clear. | 0:26:41 | 0:26:44 | |
No, it's just caused a little bit of bleeding, Mum, | 0:26:44 | 0:26:46 | |
-on the inside of the ear. -OK. | 0:26:46 | 0:26:48 | |
But there's no more chickpeas inside, so it was only a half one. | 0:26:48 | 0:26:52 | |
-Are you going to have chickpea for tea? -No! | 0:26:52 | 0:26:55 | |
With his ear food-free at last, Harrison can head home, | 0:26:55 | 0:26:58 | |
but leave your paws off the pulses in future, eh? | 0:26:58 | 0:27:01 | |
Bye. | 0:27:01 | 0:27:02 | |
Bye! | 0:27:02 | 0:27:05 | |
Next time on Operation Ouch... | 0:27:05 | 0:27:07 | |
We've got another awesome body trick for you to try. | 0:27:09 | 0:27:11 | |
Now try and stand up. | 0:27:11 | 0:27:13 | |
I'm stuck. | 0:27:13 | 0:27:14 | |
And we're going to look at some of our best bits from Ouch. | 0:27:17 | 0:27:22 | |
I don't know why everyone doesn't paint this way. | 0:27:24 | 0:27:27 | |
We'll see you next time for more... | 0:27:28 | 0:27:30 | |
Operation Ouch! | 0:27:30 | 0:27:31 | |
Subtitles by Red Bee Media Ltd | 0:27:46 | 0:27:49 |