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He's Dr Chris. | 0:00:23 | 0:00:24 | |
And he's Dr Xand. | 0:00:24 | 0:00:26 | |
And, yes, we're identical twins. | 0:00:26 | 0:00:29 | |
Do you know, your body does heaps of amazing things | 0:00:29 | 0:00:32 | |
every single day? | 0:00:32 | 0:00:33 | |
That is incredible. | 0:00:33 | 0:00:35 | |
And we're going to show you how. | 0:00:35 | 0:00:37 | |
Oh! You've cut him in half. | 0:00:37 | 0:00:39 | |
We've got incredible experiments... | 0:00:39 | 0:00:41 | |
-Huh...! -BOTH: -Wow! | 0:00:41 | 0:00:43 | |
And real-life medical emergencies. | 0:00:43 | 0:00:45 | |
There's a big chunk of my leg missing. | 0:00:45 | 0:00:47 | |
Ouch! | 0:00:47 | 0:00:48 | |
We'll be turning our bodies inside out... | 0:00:48 | 0:00:50 | |
Oh! Yuk! | 0:00:50 | 0:00:53 | |
To show you what you're made of. | 0:00:53 | 0:00:55 | |
You should see a doctor. | 0:00:55 | 0:00:57 | |
Better go find one. | 0:00:57 | 0:00:59 | |
HE CLEARS HIS THROAT | 0:00:59 | 0:01:01 | |
Dr Xand, mm? | 0:01:01 | 0:01:03 | |
HE SIGHS | 0:01:03 | 0:01:05 | |
-Coming up today on Operation... -Ouch! | 0:01:06 | 0:01:09 | |
'We find out why Chris is having afternoon tea in the lab.' | 0:01:12 | 0:01:16 | |
That's delicious, tea is my absolute favourite thing. | 0:01:16 | 0:01:20 | |
'Our portable clinic is open for business.' | 0:01:20 | 0:01:22 | |
Can I have the next patient, please? | 0:01:22 | 0:01:24 | |
'And we take you to the front line with paramedics saving lives.' | 0:01:24 | 0:01:28 | |
We need to get there as quick as possible. | 0:01:28 | 0:01:30 | |
'But first...' | 0:01:30 | 0:01:31 | |
In the emergency department, | 0:01:33 | 0:01:34 | |
the team are ready for their first patient. | 0:01:34 | 0:01:36 | |
Let's meet him. | 0:01:36 | 0:01:37 | |
At the Royal Manchester Children's Hospital, Jack is in with his | 0:01:37 | 0:01:41 | |
mum and dad, but it's no ordinary day for him. | 0:01:41 | 0:01:43 | |
It's my birthday today and I'm nine. | 0:01:43 | 0:01:46 | |
Well, happy birthday, fella. | 0:01:46 | 0:01:48 | |
But what's brought you into hospital on your special day? | 0:01:48 | 0:01:51 | |
A sausage finger. | 0:01:51 | 0:01:52 | |
Ooh, I love sausages. | 0:01:52 | 0:01:54 | |
Not this kind, Xand. | 0:01:54 | 0:01:55 | |
Look away now if you're squeamish, because that's a photo of | 0:01:55 | 0:01:58 | |
Jack's finger on his mum's phone. | 0:01:58 | 0:02:01 | |
Eugh! | 0:02:01 | 0:02:02 | |
Not your ordinary sausage. | 0:02:02 | 0:02:04 | |
Let's find out how the birthday boy's digit got damaged. | 0:02:04 | 0:02:07 | |
It was an ordinary Saturday... | 0:02:07 | 0:02:10 | |
Hang on, Xand, I thought it was Jack's birthday. | 0:02:10 | 0:02:13 | |
Oh, yeah, it was the most special day of the year. | 0:02:13 | 0:02:16 | |
That's more like it. | 0:02:16 | 0:02:17 | |
Jack received some money for his birthday, and the plan was to | 0:02:17 | 0:02:21 | |
buy a special toy. | 0:02:21 | 0:02:22 | |
-A flying dinosaur, perhaps. -Awesome! | 0:02:23 | 0:02:25 | |
So Jack hopped in the car and headed straight to the toy shop. | 0:02:25 | 0:02:30 | |
Sounds harmless. Where's this story going, Xand? | 0:02:30 | 0:02:32 | |
To the toy shop, Chris. | 0:02:32 | 0:02:35 | |
Whoa! Did you see that? | 0:02:35 | 0:02:36 | |
But when he arrived, Jack got out of the car, and in the excitement, | 0:02:36 | 0:02:40 | |
he closed the door on his finger! | 0:02:40 | 0:02:42 | |
Ouch! But what about Jack's birthday party, Mum? | 0:02:42 | 0:02:45 | |
We can't celebrate the birthday today, so we're going to have | 0:02:45 | 0:02:49 | |
to have another one when his finger's better. | 0:02:49 | 0:02:51 | |
Two birthdays. Result! | 0:02:51 | 0:02:53 | |
On hand to mend Jack's mitt is Dr Anne Markey. | 0:02:53 | 0:02:58 | |
Right, shall we have a look at this finger, then? | 0:02:58 | 0:03:00 | |
-Tell the lady what we call your finger. -Sausage finger. | 0:03:00 | 0:03:03 | |
SHE LAUGHS He calls it sausage finger. | 0:03:03 | 0:03:05 | |
-He won't be having sausages for birthday tea, then? -No. | 0:03:05 | 0:03:09 | |
That's Mum's dinner plans out the window. | 0:03:09 | 0:03:11 | |
You can say you've been fighting crocodiles. | 0:03:11 | 0:03:13 | |
'Crocodiles?' | 0:03:13 | 0:03:15 | |
There's well-known crocodiles in Manchester. | 0:03:15 | 0:03:17 | |
-I had no idea! -She's just kidding, Xand. | 0:03:17 | 0:03:20 | |
Phew! But how is Dr Anne going to fix the damaged digit? | 0:03:20 | 0:03:24 | |
We'll take that nail off. | 0:03:24 | 0:03:26 | |
Underneath the nail where you can see the bruise, it's likely | 0:03:26 | 0:03:30 | |
that there's a laceration there, a cut in the nail bed. | 0:03:30 | 0:03:33 | |
So we'll put some stitches in. | 0:03:33 | 0:03:35 | |
We'll probably put the nail back on, | 0:03:35 | 0:03:37 | |
but it's not there to retake or re-grow, it's just there to protect. | 0:03:37 | 0:03:42 | |
All that will happen in operation tomorrow. | 0:03:42 | 0:03:45 | |
In the meantime, to stop any infection, Jack's having his | 0:03:45 | 0:03:48 | |
whole hand bandaged up. | 0:03:48 | 0:03:50 | |
-That's more like a sandwich. -A sausage butty. | 0:03:50 | 0:03:53 | |
A sausage butty! | 0:03:53 | 0:03:55 | |
Hmm, I love a sausage butty too. | 0:03:55 | 0:03:57 | |
Well, that's the hard work done for today. | 0:03:57 | 0:04:00 | |
And then we'll let you go home for some special birthday tea. | 0:04:00 | 0:04:04 | |
Ooh, can we come? | 0:04:04 | 0:04:06 | |
We'll see you tomorrow. | 0:04:06 | 0:04:07 | |
We'll see you before your operation. | 0:04:07 | 0:04:09 | |
And now to our lab for some amazing body experiments. | 0:04:14 | 0:04:18 | |
-Eugh! -Whoa! | 0:04:18 | 0:04:20 | |
Just don't try anything you see here at home. | 0:04:20 | 0:04:23 | |
Cup of tea, Chris? | 0:04:24 | 0:04:26 | |
-Ooh, I'd love a cup of tea. Is this for me? -Yeah. -Hmm. | 0:04:26 | 0:04:29 | |
Made it specially. | 0:04:29 | 0:04:30 | |
Hmm, that's delicious, tea is my absolute favourite thing. | 0:04:30 | 0:04:34 | |
Are you having one? | 0:04:34 | 0:04:35 | |
No, no, all for you. | 0:04:35 | 0:04:37 | |
'I'm purposely making Chris drink lots of tea. | 0:04:37 | 0:04:40 | |
'Shh, don't tell him, you'll find out the reason later.' | 0:04:40 | 0:04:43 | |
Now, today in the lab, we're going to be looking at the bit | 0:04:43 | 0:04:46 | |
of your body which holds your wee, or urine - your bladder. | 0:04:46 | 0:04:50 | |
Now, over here we've got a pig's bladder from the butcher's, | 0:04:50 | 0:04:53 | |
but it's almost exactly the same as a human one. | 0:04:53 | 0:04:56 | |
Your body needs liquid, and it takes it out of everything you eat | 0:04:56 | 0:05:00 | |
and drink, along with lots of nutrients. | 0:05:00 | 0:05:02 | |
-Drink up, Chris, don't let your tea go cold. -Mmm! | 0:05:02 | 0:05:05 | |
But there's always a bit of waste liquid left over | 0:05:05 | 0:05:07 | |
that isn't needed, and that's sent to your bladder as wee. | 0:05:07 | 0:05:10 | |
'This is what happens when your bladder is full of wee. | 0:05:10 | 0:05:14 | |
'It can actually hold up to a litre of liquid. | 0:05:14 | 0:05:17 | |
'That's almost the same as two pints of milk.' | 0:05:17 | 0:05:19 | |
There we go. | 0:05:19 | 0:05:21 | |
If I use the torch, you can see just how full the bladder is. | 0:05:21 | 0:05:25 | |
And if you think of how small it was when we started, | 0:05:25 | 0:05:28 | |
it's pretty amazing. | 0:05:28 | 0:05:29 | |
In the wall of the bladder, there are lots of fibres, | 0:05:29 | 0:05:32 | |
and some of these fibres are muscle fibres. | 0:05:32 | 0:05:34 | |
That's right, you can actually see the muscle fibres all over | 0:05:34 | 0:05:37 | |
the wall of the bladder here, and what that means is that the bladder | 0:05:37 | 0:05:41 | |
can withstand the force of more and more tea, I mean wee, filling it up. | 0:05:41 | 0:05:46 | |
'As your bladder fills it stretches, and sensors in the muscle | 0:05:46 | 0:05:49 | |
'wall tell your brain you need to go to the loo.' | 0:05:49 | 0:05:52 | |
Right, now you're sure I can't get you another cup of tea? | 0:05:52 | 0:05:55 | |
I've got Earl Grey, lemon, herbal? | 0:05:55 | 0:05:57 | |
Absolutely not, my bladder is sending lots of signals to my brain | 0:05:57 | 0:06:01 | |
telling me to go to the toilet, and I do feel like I'm going to burst. | 0:06:01 | 0:06:04 | |
Perfect, that's exactly what I wanted. | 0:06:04 | 0:06:07 | |
Hang on a minute. | 0:06:07 | 0:06:08 | |
Have you been giving me all this tea for an experiment? | 0:06:08 | 0:06:11 | |
How can I put this? | 0:06:11 | 0:06:13 | |
Yes. | 0:06:13 | 0:06:14 | |
'I've been giving Chris lots of tea because I want to use his | 0:06:15 | 0:06:19 | |
'bladder to show you what happens when we empty it. | 0:06:19 | 0:06:22 | |
'I'm going to use an ultrasound so that we can see what Chris's | 0:06:23 | 0:06:27 | |
'bladder looks like now that it's full.' | 0:06:27 | 0:06:29 | |
Now, what you're looking at here, | 0:06:29 | 0:06:31 | |
these top layers are Chris's tummy muscles | 0:06:31 | 0:06:34 | |
and then below here, this big black blob, that's all of Chris's bladder. | 0:06:34 | 0:06:38 | |
It's full of clear liquid, which is urine. | 0:06:38 | 0:06:40 | |
Now the reason Chris needs to go so badly is because the sensors in | 0:06:40 | 0:06:44 | |
his bladder wall are detecting all the stretching, and this is known as | 0:06:44 | 0:06:49 | |
the micturition reflex, the point at | 0:06:49 | 0:06:50 | |
which you really, really have to go. | 0:06:50 | 0:06:53 | |
I think, pretty confidently, | 0:06:53 | 0:06:54 | |
I can say that I'm about to feel the micturition reflex. | 0:06:54 | 0:06:58 | |
All right, go ahead then. | 0:06:58 | 0:07:00 | |
What, here in the lab? | 0:07:00 | 0:07:01 | |
Just this once, on one occasion, | 0:07:01 | 0:07:03 | |
you're allowed to pee in the lab, Chris. | 0:07:03 | 0:07:05 | |
I think I'd better | 0:07:05 | 0:07:06 | |
cos I don't think I'm going to make it to the toilet. | 0:07:06 | 0:07:10 | |
'I'm going to hold the ultrasound scanner against my bladder | 0:07:10 | 0:07:13 | |
'While I'm weeing, so you can see it shrinking as I go to the loo.' | 0:07:13 | 0:07:16 | |
'OK, Chris, let your micturition reflex go. | 0:07:18 | 0:07:22 | |
'We can see on the ultrasound that Chris's bladder is shrinking, | 0:07:24 | 0:07:27 | |
'and that's because the muscle fibres are pressing on the bladder, | 0:07:27 | 0:07:30 | |
'forcing the wee out.' | 0:07:30 | 0:07:32 | |
God, that's great. | 0:07:32 | 0:07:33 | |
And you can't see his bladder anymore at all. | 0:07:33 | 0:07:36 | |
Completely empty. So how much did you go? | 0:07:36 | 0:07:39 | |
-Do you want to see? -Yeah. | 0:07:39 | 0:07:41 | |
Wow, so how much is that? | 0:07:41 | 0:07:43 | |
-About a litre. -That's quite a lot. | 0:07:43 | 0:07:45 | |
So, the amazing thing is that my bladder's gone from being | 0:07:45 | 0:07:48 | |
this size... to so small that we can hardly see it on the ultrasound. | 0:07:48 | 0:07:54 | |
'And it's those muscle fibres | 0:07:54 | 0:07:56 | |
'in the bladder that force all the urine out. | 0:07:56 | 0:07:58 | |
'But be warned, if you hold in | 0:07:58 | 0:08:00 | |
'your wee for too long, the muscles | 0:08:00 | 0:08:01 | |
'in the bladder can weaken, | 0:08:01 | 0:08:03 | |
'making it harder for it to empty itself.' | 0:08:03 | 0:08:05 | |
So, when the call of nature comes, it's absolutely vital that | 0:08:05 | 0:08:08 | |
you answer it. | 0:08:08 | 0:08:09 | |
You know, Chris, I really feel like a cup of tea. | 0:08:09 | 0:08:12 | |
I think it's your turn to make it. | 0:08:12 | 0:08:14 | |
Now, don't forget to warm the pot. And what I'd like... I feel | 0:08:14 | 0:08:17 | |
like Earl Grey, maybe jasmine. I think we've got some of that. | 0:08:17 | 0:08:20 | |
Now we're getting ouch and about with our mobile clinic. | 0:08:22 | 0:08:25 | |
Today, we're at a theme park to help solve your medical mysteries. | 0:08:26 | 0:08:30 | |
If you're anxious about an ailment, | 0:08:30 | 0:08:32 | |
or curious about a condition, | 0:08:32 | 0:08:34 | |
then the Ouchmobile is the place for you. | 0:08:34 | 0:08:37 | |
That is incredible. | 0:08:37 | 0:08:38 | |
Xand is preparing the clinic ready for his first patient. | 0:08:38 | 0:08:41 | |
And Chris is out in the park to answer your burning questions. | 0:08:41 | 0:08:45 | |
The clinic is now open for business. | 0:08:45 | 0:08:47 | |
Could I have the next patient, please? | 0:08:47 | 0:08:49 | |
First in is eight-year-old Grace, who's had an eyeful of her ailment. | 0:08:49 | 0:08:54 | |
So, Grace, what's brought you to the Ouchmobile today? | 0:08:54 | 0:08:57 | |
When I fall asleep and wake up, my eyes get all crusty and red. | 0:08:57 | 0:09:02 | |
Diagnosis, please, Doc. | 0:09:02 | 0:09:03 | |
Sounds like a case of... | 0:09:03 | 0:09:05 | |
"When I fall asleep | 0:09:05 | 0:09:06 | |
"and wake up my eyes get | 0:09:06 | 0:09:07 | |
"really crusty and red-itis." | 0:09:07 | 0:09:09 | |
'That's exactly what I'd say.' | 0:09:09 | 0:09:12 | |
What we can see is your eyelids are quite red and inflamed, | 0:09:13 | 0:09:15 | |
and you've got those little | 0:09:15 | 0:09:17 | |
crusty bits in your eyelashes. | 0:09:17 | 0:09:19 | |
So you've actually got a problem called blepharitis. | 0:09:19 | 0:09:22 | |
So it is a real "itis" in this case. | 0:09:22 | 0:09:24 | |
What can I do about it? | 0:09:24 | 0:09:26 | |
The first thing is getting a towel and just soaking your eyelids, | 0:09:26 | 0:09:29 | |
and that makes the crusts a bit easier to remove. | 0:09:29 | 0:09:31 | |
And then sometimes you do get these big flare-ups. | 0:09:31 | 0:09:33 | |
In that case, you need to go to the doctor, and they can either give you | 0:09:33 | 0:09:37 | |
some drops or they can give you some antibiotic pills as well. | 0:09:37 | 0:09:39 | |
The good news, though, is that it's not really serious. | 0:09:39 | 0:09:42 | |
Thank you, Dr Xand. | 0:09:42 | 0:09:44 | |
Away from the clinic, Chris is ouch and about in the park, solving | 0:09:46 | 0:09:50 | |
your medical mysteries. | 0:09:50 | 0:09:52 | |
Why doesn't hair grow back on scars? | 0:09:52 | 0:09:55 | |
That's because when you're born you've got a certain number | 0:09:55 | 0:09:58 | |
of hair follicles, and you can never grow any more hair follicles. | 0:09:58 | 0:10:01 | |
So if we cut your skin, when that bit of skin heals, you get | 0:10:01 | 0:10:05 | |
the scar, but there are no cells that produce hair there. | 0:10:05 | 0:10:08 | |
So you will always have a small bald bit. | 0:10:08 | 0:10:11 | |
Why is your funny bone | 0:10:11 | 0:10:12 | |
called your funny bone? | 0:10:12 | 0:10:13 | |
And why is it when you bang it, | 0:10:13 | 0:10:15 | |
does it tingle? | 0:10:15 | 0:10:16 | |
So, in fact, you're both asking the same question. | 0:10:16 | 0:10:19 | |
And the funny thing about your funny bone is it's not a bone, | 0:10:19 | 0:10:22 | |
it's a nerve. | 0:10:22 | 0:10:23 | |
And it's your ulna nerve, and it runs through a little groove | 0:10:23 | 0:10:25 | |
there, which you can feel, and when you bang the nerve, | 0:10:25 | 0:10:28 | |
you get that tingling going all the way down your arm. | 0:10:28 | 0:10:30 | |
That's what feels funny. | 0:10:30 | 0:10:32 | |
'Back at the Ouchmobile, there's a new case in the waiting room.' | 0:10:32 | 0:10:35 | |
Next patient, please. | 0:10:35 | 0:10:37 | |
'And it's seven-year-old Bobby, with a story about his skin.' | 0:10:37 | 0:10:41 | |
So, Bobby, why have you come to the Ouchmobile today? | 0:10:41 | 0:10:43 | |
I wanted to show you my leopard spot. | 0:10:43 | 0:10:45 | |
You've got a leopard spot? | 0:10:45 | 0:10:47 | |
Look at that. Diagnosis, please, Doc. | 0:10:47 | 0:10:50 | |
Sounds to me like a case of, | 0:10:50 | 0:10:51 | |
"I've got a leopard spot-itis." | 0:10:51 | 0:10:53 | |
Spot on. | 0:10:53 | 0:10:54 | |
Now, that is a real leopard spot, | 0:10:56 | 0:10:57 | |
and it's very interesting. | 0:10:57 | 0:10:59 | |
It's a birth mark, right, you've had it since you were born? | 0:10:59 | 0:11:01 | |
Most birth marks are dark in colour, | 0:11:01 | 0:11:04 | |
and this one is mostly light in colour, | 0:11:04 | 0:11:06 | |
so it's what we call hypopigmented. | 0:11:06 | 0:11:09 | |
It means it's got less ink in it, effectively. | 0:11:09 | 0:11:11 | |
So, what causes it? | 0:11:11 | 0:11:13 | |
In your skin, you've got cells | 0:11:13 | 0:11:15 | |
called melanocytes, | 0:11:15 | 0:11:16 | |
and they make your skin brown. | 0:11:16 | 0:11:18 | |
So when you've got a patch of very | 0:11:18 | 0:11:19 | |
pale skin, like you've got there, | 0:11:19 | 0:11:21 | |
it means it's got very few | 0:11:21 | 0:11:22 | |
melanocytes in it at all. | 0:11:22 | 0:11:24 | |
And that started when you were | 0:11:24 | 0:11:25 | |
just a tiny ball of cells, | 0:11:25 | 0:11:27 | |
inside your mum, | 0:11:27 | 0:11:29 | |
and since then, you've had that birth mark. | 0:11:29 | 0:11:31 | |
I don't think there's anything you need to worry about at all, | 0:11:31 | 0:11:33 | |
it's just a really cool-looking birthmark. | 0:11:33 | 0:11:35 | |
Job done for today. Clinic closed. | 0:11:35 | 0:11:38 | |
'Still to come... | 0:11:39 | 0:11:40 | |
'Chris goes on call with the UK'S emergency services.' | 0:11:40 | 0:11:44 | |
So, a call's just come in about an 83-year-old woman... | 0:11:44 | 0:11:48 | |
'We've got more first aid tips.' | 0:11:48 | 0:11:50 | |
Uh-oh, Xand's gone pale and unresponsive. | 0:11:50 | 0:11:53 | |
'And Chris has a rather unusual hospital appointment.' | 0:11:53 | 0:11:56 | |
It's like being inspected by a really nosy robot. | 0:11:56 | 0:12:00 | |
Time to head back to Accident and Emergency | 0:12:01 | 0:12:04 | |
to catch up with Jack and his sausage finger. | 0:12:04 | 0:12:07 | |
Ooh, I love sausages. Do you think he's got any ketchup? | 0:12:07 | 0:12:10 | |
Let's see him get fixed. | 0:12:10 | 0:12:12 | |
In Manchester, nine-year-old Jack is back in hospital, waiting for | 0:12:12 | 0:12:16 | |
an operation. | 0:12:16 | 0:12:17 | |
And he's brought along a new friend. | 0:12:17 | 0:12:19 | |
Now I don't have a sausage finger, I have Cyril. | 0:12:19 | 0:12:22 | |
Hello, Cyril. | 0:12:22 | 0:12:23 | |
Cyril is protecting Jack's cut finger, | 0:12:23 | 0:12:26 | |
and this is how it was damaged. | 0:12:26 | 0:12:28 | |
It was Jack's birthday, and he'd been given some money to buy | 0:12:28 | 0:12:32 | |
a gift at the toy shop. | 0:12:32 | 0:12:33 | |
When they arrived, Jack got out of the car, and in the excitement, | 0:12:33 | 0:12:37 | |
he closed the car door on his finger! | 0:12:37 | 0:12:39 | |
Ouch! | 0:12:39 | 0:12:40 | |
Jack's operation is just moments away, so Cyril's days are numbered. | 0:12:41 | 0:12:45 | |
Tell him, Dad. | 0:12:45 | 0:12:47 | |
You're going to lose Cyril, aren't you? | 0:12:47 | 0:12:49 | |
Never mind, Jack. | 0:12:49 | 0:12:50 | |
Jack's on his way to have his operation. | 0:12:50 | 0:12:52 | |
And there's no sign of nerves from our patient. In fact, | 0:12:52 | 0:12:56 | |
he's cracking jokes. | 0:12:56 | 0:12:57 | |
Knock, knock. | 0:12:57 | 0:12:58 | |
Who's there? | 0:12:58 | 0:12:59 | |
-Done up. -Done up who? | 0:12:59 | 0:13:00 | |
Done a poo! Get it? | 0:13:00 | 0:13:02 | |
I think Cyril enjoyed that one too. | 0:13:02 | 0:13:05 | |
Time to prepare Jack for theatre. | 0:13:05 | 0:13:07 | |
To make sure he doesn't feel any of the procedure, the doctor | 0:13:07 | 0:13:10 | |
gives him some anaesthetic. | 0:13:10 | 0:13:12 | |
Dr Anne Markey | 0:13:12 | 0:13:14 | |
and Dr Adeyinka Molajo | 0:13:14 | 0:13:16 | |
are performing Jack's surgery. | 0:13:16 | 0:13:18 | |
First, they thoroughly clean Jack's hand. | 0:13:20 | 0:13:22 | |
The next step is to remove the nail, so they can stitch up the finger. | 0:13:22 | 0:13:26 | |
And remember, Jack can't feel a thing. | 0:13:26 | 0:13:29 | |
Forceps, please. | 0:13:29 | 0:13:30 | |
Before he can start to stitch, | 0:13:30 | 0:13:32 | |
Dr Adeyinka takes out any little bits of dirt and broken nail stuck | 0:13:32 | 0:13:36 | |
in the wound. | 0:13:36 | 0:13:38 | |
Next, he stitches the cut... | 0:13:38 | 0:13:42 | |
before gluing back on the nail. | 0:13:42 | 0:13:44 | |
And there's just enough time for a quick trim. | 0:13:44 | 0:13:46 | |
With the nail in place, a protective gauze is put around the tip | 0:13:46 | 0:13:50 | |
of Jack's finger to stop the bandage sticking to the wound. | 0:13:50 | 0:13:53 | |
Time to wrap that sausage finger back up. | 0:13:55 | 0:13:57 | |
Good. Thank you very much, ladies and gentlemen. | 0:13:57 | 0:14:00 | |
How was the op, Doc? | 0:14:00 | 0:14:01 | |
That went really well. | 0:14:01 | 0:14:03 | |
He's got another sausage finger for a couple of weeks till that | 0:14:03 | 0:14:05 | |
gets better. | 0:14:05 | 0:14:07 | |
On the recovery ward, Jack's wide awake. | 0:14:08 | 0:14:10 | |
So, how was your snooze? | 0:14:10 | 0:14:12 | |
I had, like, this dream when I was in an action figure movie. | 0:14:12 | 0:14:16 | |
An action figure movie? Cool. | 0:14:16 | 0:14:18 | |
But are you missing Cyril? | 0:14:18 | 0:14:19 | |
Since Cyril's gone, I have a new sausage finger. | 0:14:19 | 0:14:22 | |
He's forgotten Cyril already. | 0:14:22 | 0:14:24 | |
I know, and it looks like he's about to take that sausage finger home. | 0:14:24 | 0:14:29 | |
Bye, Jack! | 0:14:29 | 0:14:30 | |
Bye! | 0:14:30 | 0:14:31 | |
It's not only teams in hospitals that deal with medical emergencies. | 0:14:35 | 0:14:38 | |
All over the UK, there are teams of paramedics on stand by, | 0:14:38 | 0:14:42 | |
ready to help. | 0:14:42 | 0:14:43 | |
We're on call with the UK emergency services, showing you what | 0:14:44 | 0:14:48 | |
it's really like on the front line saving lives. | 0:14:48 | 0:14:51 | |
Paramedics use state-of-the-art vehicles, like this, | 0:14:56 | 0:14:59 | |
to respond to medical emergencies within minutes. | 0:14:59 | 0:15:01 | |
And today, I'm going with them to see | 0:15:01 | 0:15:03 | |
what it's like to be first on the scene. | 0:15:03 | 0:15:05 | |
On call with me is paramedic Jan Vann. | 0:15:07 | 0:15:10 | |
She can do 20 emergency call-outs in a day. | 0:15:11 | 0:15:15 | |
And a new case has come through. | 0:15:15 | 0:15:17 | |
So, a call's just come in about an 83-year-old woman | 0:15:19 | 0:15:23 | |
with one of her legs swollen. | 0:15:23 | 0:15:25 | |
So we need to get there as quick as possible. | 0:15:25 | 0:15:27 | |
Following a fall three days ago, | 0:15:31 | 0:15:32 | |
Doreen's leg has swollen up | 0:15:32 | 0:15:34 | |
and she's not been able to leave the house. | 0:15:34 | 0:15:36 | |
Her daughter is concerned something serious could be wrong. | 0:15:36 | 0:15:39 | |
Oh! | 0:15:39 | 0:15:40 | |
We need to see if this, that knee needs draining. | 0:15:40 | 0:15:42 | |
It's quite swollen, isn't it, in comparison to the other one? | 0:15:42 | 0:15:45 | |
'To have her leg properly looked at, she'll need to go to the hospital.' | 0:15:45 | 0:15:48 | |
5157, can I have amber back up, please, here? | 0:15:48 | 0:15:50 | |
I'll arrange for an ambulance to pick you up. | 0:15:50 | 0:15:52 | |
-I'll do your blood pressure... -I have to do my hair | 0:15:52 | 0:15:54 | |
-and everything... -You look gorgeous, Doreen. | 0:15:54 | 0:15:56 | |
-Oh, God. -You look gorgeous. | 0:15:56 | 0:15:59 | |
Have you had any clots before? | 0:15:59 | 0:16:00 | |
No. | 0:16:00 | 0:16:01 | |
-No. -Not as I know of. | 0:16:01 | 0:16:03 | |
One of the main things I think might be going on is | 0:16:03 | 0:16:05 | |
she might have a clot, which can happen in older people. | 0:16:05 | 0:16:08 | |
And in her legs, that doesn't cause her too much problem, | 0:16:08 | 0:16:10 | |
but it can be dangerous if it moves from the legs and goes to the lungs. | 0:16:10 | 0:16:14 | |
'With the ambulance on its way, we have time to do some important | 0:16:14 | 0:16:18 | |
'tests that will help the hospital when Doreen gets there.' | 0:16:18 | 0:16:21 | |
Doreen, this is a tracing of your heart. | 0:16:21 | 0:16:23 | |
You can see, it's nice and regular. | 0:16:23 | 0:16:25 | |
I'm glad something's right. | 0:16:25 | 0:16:26 | |
All the lines are the right way up, and the right height, | 0:16:26 | 0:16:29 | |
and they look fine. | 0:16:29 | 0:16:30 | |
This is Doreen. | 0:16:30 | 0:16:32 | |
Had a fall on Saturday, pain in her left knee with swelling, | 0:16:32 | 0:16:36 | |
left lower leg. | 0:16:36 | 0:16:37 | |
The ambulance crew have arrived, and Doreen's in great shape. | 0:16:37 | 0:16:40 | |
She's really cheery, but she has got this knee pain, so we need to | 0:16:40 | 0:16:43 | |
get her to hospital, fix the pain, and then she can come home again. | 0:16:43 | 0:16:47 | |
We've got what's called a Stryker chair to get Doreen | 0:16:47 | 0:16:50 | |
downstairs on, and it's a special designed chair that has | 0:16:50 | 0:16:54 | |
runners rather than wheels, so it can slide down the stairs. | 0:16:54 | 0:16:57 | |
What do you think of this, Doreen? | 0:16:57 | 0:16:59 | |
I've never seen one of these before. I might get one myself. | 0:16:59 | 0:17:03 | |
THEY LAUGH | 0:17:03 | 0:17:06 | |
Doreen's an amazing woman, but today her leg's a bit swollen, she can't | 0:17:06 | 0:17:09 | |
walk around as easily as normal, so she's going to get to hospital. | 0:17:09 | 0:17:12 | |
And luckily, when she needed help, | 0:17:12 | 0:17:14 | |
Jan and the amazing chair were here to give it. | 0:17:14 | 0:17:17 | |
With hundreds of rapid response crews in the UK, if you have | 0:17:18 | 0:17:22 | |
an accident, an emergency service like this won't be far away. | 0:17:22 | 0:17:26 | |
It's one of the things that helps keep your organs warm. | 0:17:36 | 0:17:39 | |
Wow! And talking of keeping warm... | 0:17:39 | 0:17:42 | |
The British weather, it's so hard to predict. | 0:17:45 | 0:17:47 | |
At the moment, the sun is shining and it's hot, hot, hot. | 0:17:47 | 0:17:50 | |
And I always like to be the first to break out the shorts and sun cream. | 0:17:50 | 0:17:53 | |
You've missed a bit. | 0:17:53 | 0:17:54 | |
But you never know how long the sunshine is going to last. | 0:17:56 | 0:17:59 | |
At any moment, the sun could go in. | 0:17:59 | 0:18:01 | |
Don't think so, Chris, it's actually quite a nice day. | 0:18:01 | 0:18:04 | |
And once the sun's gone in, it could start getting chilly | 0:18:04 | 0:18:07 | |
and that could be dangerous. | 0:18:07 | 0:18:09 | |
At any moment, it could bucket down with rain. | 0:18:11 | 0:18:14 | |
Well, actually, Chris, I did bring an umbrella for that very eventuality. | 0:18:14 | 0:18:19 | |
Arghh! Arghh. Brr... | 0:18:19 | 0:18:21 | |
And in this country, even on a day like today, it could hail. | 0:18:21 | 0:18:25 | |
Hail? | 0:18:25 | 0:18:27 | |
Arghh! | 0:18:27 | 0:18:29 | |
Which is why you should always pack an extra layer of dry clothes, | 0:18:29 | 0:18:32 | |
isn't it, Xand? | 0:18:32 | 0:18:33 | |
Xand? | 0:18:33 | 0:18:35 | |
Uh-oh, Xand's gone pale and unresponsive. | 0:18:35 | 0:18:37 | |
This looks like hypothermia. | 0:18:37 | 0:18:39 | |
What do this lot think? | 0:19:04 | 0:19:06 | |
B - wrap them in a blanket and call 999. | 0:19:06 | 0:19:09 | |
Emily's absolutely right. | 0:19:09 | 0:19:12 | |
Have a look at this. | 0:19:12 | 0:19:13 | |
Let's sit you down. | 0:19:14 | 0:19:16 | |
-Now how cold are you? -I'm freezing. -Are your lips blue? | 0:19:17 | 0:19:20 | |
-Yeah, blue lips. -Are his lips blue? -KIDS: -Yes! | 0:19:20 | 0:19:23 | |
Yes, his lips are blue. Let's get you a blanket. | 0:19:23 | 0:19:26 | |
-Also... -We can give him a hot drink. | 0:19:26 | 0:19:28 | |
And chocolate bar. | 0:19:28 | 0:19:30 | |
'Sometimes the person may even be confused.' | 0:19:30 | 0:19:33 | |
So, do you know who you are? | 0:19:33 | 0:19:34 | |
I'm Dr Chris. | 0:19:34 | 0:19:35 | |
Oh, dear, he's a bit confused, and he's not been able to warm himself | 0:19:35 | 0:19:38 | |
up, even with the blanket or with the tea. | 0:19:38 | 0:19:40 | |
I think we need more help. | 0:19:40 | 0:19:41 | |
Ring-ring, ring-ring. | 0:19:43 | 0:19:44 | |
Emergency services, what's the problem? | 0:19:44 | 0:19:46 | |
I thought you were hypothermic? | 0:19:46 | 0:19:48 | |
-I'm just doing the emergency services bit. -Oh, I see, OK, OK. | 0:19:48 | 0:19:51 | |
It's Dr Chris here, I've got an emergency. | 0:19:51 | 0:19:54 | |
I want the ambulance, please. | 0:19:54 | 0:19:55 | |
-Oh, right, whereabouts are you? -I'm at the 'Operation Ouch!' school. | 0:19:55 | 0:19:59 | |
-We'll get an ambulance to you straightaway. -Thank you. | 0:19:59 | 0:20:01 | |
So, now we'll just look after you, | 0:20:01 | 0:20:03 | |
and if we can, take off his wet clothes and move him indoors. | 0:20:03 | 0:20:05 | |
'Who's up for treating someone with hypothermia?' | 0:20:05 | 0:20:08 | |
-KIDS: -Me, me! -'They're keen.' | 0:20:08 | 0:20:10 | |
'Now remember, we're showing you what to do in an emergency, but | 0:20:11 | 0:20:15 | |
'it's always best to find an adult.' | 0:20:15 | 0:20:17 | |
OK, so, what else do you need to do now? | 0:20:17 | 0:20:19 | |
-Get her some...some hot cocoa. -Hot cocoa. | 0:20:19 | 0:20:22 | |
-And some chocolate. -And chocolate bar, lovely. | 0:20:22 | 0:20:25 | |
Do you know where you are? | 0:20:25 | 0:20:27 | |
Library. | 0:20:27 | 0:20:28 | |
-In the library. We're not in the library, are we? -No. | 0:20:28 | 0:20:31 | |
-What do we want to do? -Call 999. | 0:20:31 | 0:20:33 | |
Yeah, I think we better do that. | 0:20:33 | 0:20:35 | |
So, if you think someone has hypothermia, you should warm | 0:20:36 | 0:20:39 | |
the person by wrapping a blanket or towel around them, and give | 0:20:39 | 0:20:42 | |
them warm drinks and high-energy food such as chocolate. | 0:20:42 | 0:20:45 | |
Xand, what are you doing? We've finished, | 0:20:47 | 0:20:49 | |
you don't have to stuff your face with chocolate, | 0:20:49 | 0:20:51 | |
you haven't got hypothermia anymore. | 0:20:51 | 0:20:53 | |
Oh, right, OK. Ooh, look at that dog over there. | 0:20:53 | 0:20:56 | |
A dog? I want to see this. | 0:20:56 | 0:20:57 | |
Now, just take the bandage, just take it. | 0:21:04 | 0:21:07 | |
Oh, this is ridiculous. | 0:21:07 | 0:21:09 | |
I thought medical robotics was the future, | 0:21:09 | 0:21:11 | |
but I can't even teach this one the basics. | 0:21:11 | 0:21:13 | |
Xand, this isn't a medical robot, it's a toy. | 0:21:13 | 0:21:16 | |
But would you like to see a real medical robot? | 0:21:16 | 0:21:18 | |
Would I? | 0:21:18 | 0:21:20 | |
Time for Investigation Ouch! | 0:21:20 | 0:21:22 | |
Hey, I told you not to sneak up on me like that. | 0:21:25 | 0:21:27 | |
Now, this is Gary. | 0:21:27 | 0:21:29 | |
Now, he may look big and tough but, in fact, he's a big softie. | 0:21:30 | 0:21:34 | |
Aren't you, Gary? | 0:21:34 | 0:21:35 | |
Here at the Royal Marsden Hospital in London, Gary treats people | 0:21:40 | 0:21:43 | |
by zapping tumour cells. | 0:21:43 | 0:21:45 | |
Bodies are made up of billions of cells, | 0:21:45 | 0:21:48 | |
but sometimes they can go wrong and forget to stop growing. | 0:21:48 | 0:21:51 | |
And that's what a tumour is, | 0:21:51 | 0:21:52 | |
a bunch of cells that have forgotten to stop growing. | 0:21:52 | 0:21:55 | |
And Gary has special powers that can help get rid of tumours. | 0:21:55 | 0:21:59 | |
Doctors use beams of energy called radiation to destroy bad | 0:22:01 | 0:22:05 | |
tumour cells. | 0:22:05 | 0:22:06 | |
Unfortunately, sometimes nice normal cells living close by can get | 0:22:06 | 0:22:11 | |
destroyed too. | 0:22:11 | 0:22:12 | |
And that's where Gary comes in. | 0:22:12 | 0:22:14 | |
He delivers a beam of radiation as thin as a pin that's so | 0:22:14 | 0:22:18 | |
precise it avoids the good cells and kills only the bad ones. | 0:22:18 | 0:22:21 | |
And here to explain more about | 0:22:23 | 0:22:24 | |
Gary's powers is Dr Nicholas Van As. | 0:22:24 | 0:22:27 | |
Nick, I recognise some of this. | 0:22:27 | 0:22:29 | |
We've got a spinal column and...and the hips. | 0:22:29 | 0:22:32 | |
But what is the pink lump with the blue lines? | 0:22:32 | 0:22:35 | |
So we call this picture a hedgehog, which is just a map, essentially, | 0:22:35 | 0:22:38 | |
showing us where each beam of radiation's going to come in. | 0:22:38 | 0:22:42 | |
So the blue lines represent one dose of radiation from the machine. | 0:22:42 | 0:22:46 | |
And the pink in the middle is the tumour that we're trying to | 0:22:46 | 0:22:49 | |
get rid of. | 0:22:49 | 0:22:50 | |
Instead of using maybe one or two beams of radiation, | 0:22:50 | 0:22:53 | |
we're using many hundreds of beams. | 0:22:53 | 0:22:55 | |
The whole aim is to try and do as much damage to the...the bad bit | 0:22:55 | 0:23:00 | |
and do as little damage as we can to the good bits. | 0:23:00 | 0:23:02 | |
Time to see Gary in action with me in the hot seat. | 0:23:04 | 0:23:07 | |
Here to assist is... | 0:23:07 | 0:23:08 | |
How long does a typical treatment take? | 0:23:11 | 0:23:14 | |
Most treatments take about 45 minutes to an hour. | 0:23:14 | 0:23:16 | |
Do people get bored or anxious? What's it like? Should I worry? | 0:23:16 | 0:23:20 | |
No, there's nothing to worry about, and you don't feel anything. | 0:23:20 | 0:23:24 | |
Gary won't be beaming any radiation at me, but you will get to | 0:23:24 | 0:23:28 | |
see some of his cool moves. | 0:23:28 | 0:23:30 | |
It's like being inspected by a really nosy robot. | 0:23:30 | 0:23:34 | |
'Using his laser eye to guide him, | 0:23:34 | 0:23:36 | |
'Gary's able to attack the tumour cells from many different angles.' | 0:23:36 | 0:23:40 | |
And every time he stops, that's when he'd deliver | 0:23:40 | 0:23:43 | |
a dose of radiation to a tumour right in the middle of my head. | 0:23:43 | 0:23:48 | |
'By zapping the tumour in this way, Gary gets the job done super fast.' | 0:23:48 | 0:23:52 | |
Historically, if we wanted to give enough dose to try and get rid of | 0:23:52 | 0:23:55 | |
this, we might have had to give it treatment every day for six weeks. | 0:23:55 | 0:23:58 | |
With this, because we can give these high doses very accurately, | 0:23:58 | 0:24:01 | |
we can do this treatment over three days. | 0:24:01 | 0:24:03 | |
And that makes Gary robo-tastic. | 0:24:03 | 0:24:07 | |
Patients can spend much less time in hospital | 0:24:07 | 0:24:09 | |
and more time doing the things they love. | 0:24:09 | 0:24:12 | |
This is one smart robot. | 0:24:12 | 0:24:14 | |
In Accident and Emergency, doctors and nurses need to act fact. | 0:24:19 | 0:24:23 | |
Especially when things like this happen. | 0:24:23 | 0:24:25 | |
In the waiting room is seven-year-old Sally, | 0:24:28 | 0:24:31 | |
who seems to have misplaced her pocket money. | 0:24:31 | 0:24:34 | |
I have swallowed a coin. | 0:24:34 | 0:24:37 | |
Go on. | 0:24:37 | 0:24:38 | |
And I don't know how to get it out. | 0:24:38 | 0:24:41 | |
Well, how did you get it in? | 0:24:41 | 0:24:42 | |
Well, Xand, what happened was Sally's mum gave Sally a £1 coin | 0:24:44 | 0:24:48 | |
for her pocket money. | 0:24:48 | 0:24:49 | |
-Ah, nice. Did she put it in her piggy bank? -No. | 0:24:49 | 0:24:53 | |
-Did she buy 100 penny sweets with it? -Nope. | 0:24:53 | 0:24:56 | |
Did she use it to hire a supermarket trolley? | 0:24:56 | 0:24:59 | |
No, Xand. | 0:24:59 | 0:25:00 | |
Sally decided to use the coin to play catch with. | 0:25:00 | 0:25:03 | |
She threw the coin higher and higher... | 0:25:03 | 0:25:05 | |
Wow, that is very high. | 0:25:05 | 0:25:08 | |
-I know, Xand. -I'm not sure the Queen's enjoying the ride. | 0:25:08 | 0:25:11 | |
And when the coin finally came back down, Sally ran forward to | 0:25:11 | 0:25:14 | |
catch it... | 0:25:14 | 0:25:15 | |
but it missed her hands and went straight in her mouth. | 0:25:15 | 0:25:18 | |
-BOTH: -Ouch! | 0:25:18 | 0:25:19 | |
Don't worry Sally, here's Dr Alan Greyson. | 0:25:21 | 0:25:24 | |
Let's see if he can help you | 0:25:24 | 0:25:25 | |
get a refund. | 0:25:25 | 0:25:26 | |
Since you swallowed the pound coin, how has your breathing been? | 0:25:26 | 0:25:30 | |
It's been OK. | 0:25:30 | 0:25:31 | |
Can I have a little listen to your chest? Is that all right? | 0:25:31 | 0:25:34 | |
You take some big breaths like you've been running. | 0:25:34 | 0:25:37 | |
Dr Alan needs to check that the coin isn't affecting Sally's | 0:25:37 | 0:25:40 | |
breathing because that could be dangerous. | 0:25:40 | 0:25:43 | |
When you swallow something like a nut, it goes down your throat, | 0:25:45 | 0:25:48 | |
into your oesophagus, or food pipe, and then into your stomach. | 0:25:48 | 0:25:52 | |
And Sally's coin may have done the same journey, but it could go | 0:25:52 | 0:25:56 | |
down her trachea, or wind pipe, and end up in her lungs, which | 0:25:56 | 0:25:59 | |
would cause her to choke. | 0:25:59 | 0:26:01 | |
That all sounds normal. | 0:26:01 | 0:26:04 | |
Good news, but Dr Alan needs to find out exactly where | 0:26:04 | 0:26:07 | |
in her body that coin is, so it's off to X-ray. | 0:26:07 | 0:26:10 | |
So, this is my camera. | 0:26:10 | 0:26:11 | |
I'm just going to see if we can see your coin. | 0:26:11 | 0:26:14 | |
Show me the money! | 0:26:14 | 0:26:16 | |
There it is. What do you think, Nurse Fay? | 0:26:17 | 0:26:20 | |
You definitely swallowed a coin. | 0:26:20 | 0:26:22 | |
The coin was in my belly. | 0:26:22 | 0:26:24 | |
And that means it's passed her wind pipe and there's no risk of | 0:26:24 | 0:26:28 | |
it ending up in her lungs. | 0:26:28 | 0:26:29 | |
So, it's back to Dr Alan to find out how to remove the coin. | 0:26:29 | 0:26:33 | |
It's going to come all the way through your tummy | 0:26:33 | 0:26:36 | |
and out into the toilet, probably in about two to three days' time. | 0:26:36 | 0:26:40 | |
Is something on your mind, Sally? | 0:26:40 | 0:26:41 | |
What if it fell in the toilet and it was very dirty? | 0:26:41 | 0:26:46 | |
What we usually say to people is | 0:26:46 | 0:26:48 | |
don't try and get it back out of the toilet. | 0:26:48 | 0:26:50 | |
Well, I've heard of spending a penny, but never a pound. | 0:26:50 | 0:26:53 | |
If I go to the toilet, the money will, like, appear in the toilet. | 0:26:54 | 0:27:01 | |
That's money down the drain. | 0:27:01 | 0:27:03 | |
Try keeping your pounds in your purse next time, Sally. | 0:27:03 | 0:27:06 | |
-BOTH: -Bye! | 0:27:06 | 0:27:07 | |
Next time on Operation Ouch! | 0:27:08 | 0:27:11 | |
'We take a dip, all in the name of science.' | 0:27:11 | 0:27:14 | |
This is hot. | 0:27:14 | 0:27:16 | |
'We're ouch and about solving your medical mysteries.' | 0:27:16 | 0:27:19 | |
Can I see the next patient? | 0:27:19 | 0:27:20 | |
'And Xand faces a lie detector test. | 0:27:20 | 0:27:23 | |
'Is he telling the truth?' | 0:27:23 | 0:27:24 | |
I like to do ballet dancing. | 0:27:24 | 0:27:26 | |
OK. | 0:27:26 | 0:27:27 | |
We'll see you next time for more... | 0:27:28 | 0:27:30 | |
-BOTH: -Operation Ouch! | 0:27:30 | 0:27:32 | |
In the emergency department, the team are ready for their... | 0:27:34 | 0:27:38 | |
-LAUGHING: -first patient. | 0:27:38 | 0:27:39 | |
Have you been giving me all this tea for an experiment? | 0:27:39 | 0:27:42 | |
How can I put this? | 0:27:42 | 0:27:44 | |
Yes. | 0:27:44 | 0:27:45 | |
Arghh, arghh... | 0:27:47 | 0:27:49 | |
Brr... | 0:27:49 | 0:27:50 |