Browse content similar to Da Mousa Lisa. Check below for episodes and series from the same categories and more!
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# Zooba dooba dooba dang | 0:00:03 | 0:00:06 | |
# Zooba dooba dooba day | 0:00:06 | 0:00:08 | |
# Rastamouse and Scratchy and Zoomer | 0:00:08 | 0:00:10 | |
# Also known as the Easy Crew | 0:00:10 | 0:00:13 | |
# Crime fighters They're very special agents | 0:00:13 | 0:00:16 | |
# Playing reggae when the work is through | 0:00:16 | 0:00:18 | |
# Give it up, give it up | 0:00:18 | 0:00:21 | |
# Give it up for the Easy Crew | 0:00:21 | 0:00:24 | |
# Solvin' mysteries in the neighbourhood | 0:00:24 | 0:00:26 | |
# Always there to make a bad thing good. # | 0:00:26 | 0:00:29 | |
-Yo, Red, man. You cool? -Uh-huh. | 0:00:40 | 0:00:43 | |
I am cool, thank you, Scratchy, but this is not. | 0:00:43 | 0:00:46 | |
Someone has left their wet mark on this book, you see, | 0:00:46 | 0:00:49 | |
right here on my favourite page. The one with the da Mousa Lisa. Oh. | 0:00:49 | 0:00:53 | |
Me can't believe it! | 0:00:53 | 0:00:55 | |
Dat's the book me come to borrow. | 0:00:55 | 0:00:57 | |
It's for the little orphans. | 0:00:57 | 0:00:58 | |
You are lucky to get this book, Scratchy. | 0:00:58 | 0:01:01 | |
It's been out on loan a long time and it has only just been returned today. | 0:01:01 | 0:01:05 | |
That is one bangin' painting for true. | 0:01:05 | 0:01:08 | |
That Mousa Lisa sister looks so happy and content. | 0:01:08 | 0:01:11 | |
Look! Whoever borrowed it must have left their paintbrush by mistake. | 0:01:13 | 0:01:17 | |
Oh, I thank you, Scratchy. | 0:01:17 | 0:01:19 | |
I will keep it here in case they decide to come back for it. | 0:01:19 | 0:01:22 | |
Me better get this to the orphanage quick, | 0:01:22 | 0:01:25 | |
otherwise me going to be late for band practice. | 0:01:25 | 0:01:28 | |
-Thanks, Red, man. Catch you later. -You're welcome, Scratchy. | 0:01:28 | 0:01:32 | |
Oh. Excuse me, brother! | 0:01:37 | 0:01:40 | |
-Oh. -Me think you might've dropped this. -Oh. Oh, yes. | 0:01:40 | 0:01:44 | |
-Thank you very much. -You're welcome, brother. | 0:01:44 | 0:01:47 | |
That's not good. | 0:01:50 | 0:01:53 | |
That's not good either. | 0:01:53 | 0:01:55 | |
Yo, Bandulu, you cool? | 0:01:55 | 0:01:57 | |
Oh, Scratchy, | 0:01:57 | 0:01:59 | |
me not very cool at all. | 0:01:59 | 0:02:00 | |
Me trying to show the little ones how to draw, | 0:02:00 | 0:02:03 | |
but me not very good at it. | 0:02:03 | 0:02:05 | |
You no worry about that, Bandulu. | 0:02:05 | 0:02:07 | |
cos me went and get that book you been waiting for from the library. | 0:02:07 | 0:02:11 | |
Me sure them little ones are going to get inspired by looking at it. | 0:02:11 | 0:02:15 | |
Ha-ha! Now that's what me call perfect timing! | 0:02:15 | 0:02:20 | |
Thank you so-o-o-o much! | 0:02:20 | 0:02:22 | |
You're welcome, Bandulu. | 0:02:22 | 0:02:24 | |
Now me better split, otherwise me going to be late for band practice. | 0:02:24 | 0:02:28 | |
-Laters. -Later, Scratchy. | 0:02:28 | 0:02:31 | |
Ha-ha. | 0:02:31 | 0:02:32 | |
Me sorry me late, guys. | 0:02:35 | 0:02:37 | |
Me went to pick up a book for Bandulu from the library. | 0:02:37 | 0:02:40 | |
You should've seen it. | 0:02:40 | 0:02:41 | |
So many paintings in it, them proper amazing! | 0:02:41 | 0:02:45 | |
Me would love to see one of them things in real life. | 0:02:45 | 0:02:49 | |
Well, you're in for a treat then, Scratchy, | 0:02:49 | 0:02:52 | |
cos later the Pres is planning on unveiling a new painting. | 0:02:52 | 0:02:55 | |
Yah, man. Him say it proper valuable and ting. | 0:02:55 | 0:02:58 | |
Them little orphans, them going to be invited too. | 0:02:58 | 0:03:01 | |
For real? Wow, me can't wait for that. | 0:03:01 | 0:03:04 | |
Mm-hm. Anyways, guys, | 0:03:04 | 0:03:07 | |
time to jam. | 0:03:07 | 0:03:08 | |
REGGAE MUSIC | 0:03:09 | 0:03:11 | |
RADIO CRACKLES | 0:03:13 | 0:03:15 | |
PRES: 'Easy Crew, come in, come in. Are you reading me? | 0:03:15 | 0:03:19 | |
'Message from President Wensley Dale. Come immediately.' | 0:03:19 | 0:03:23 | |
Come on, crew. Looks like we're needed by the Pres. | 0:03:23 | 0:03:27 | |
Ha-ha! Let's go! | 0:03:27 | 0:03:29 | |
I wonder what kind of painting the Pres has bought. | 0:03:30 | 0:03:34 | |
Me not know, Scratchy, | 0:03:34 | 0:03:36 | |
but him say it proper feels and proper old, | 0:03:36 | 0:03:39 | |
like 500 years old. | 0:03:39 | 0:03:42 | |
Whoa. Me sure me never seen | 0:03:42 | 0:03:45 | |
anything that old before. | 0:03:45 | 0:03:47 | |
Oh, Easy Crew, thank goodness you're here, | 0:03:51 | 0:03:54 | |
cos me not know what to do. | 0:03:54 | 0:03:57 | |
Me got a problem with this painting here. | 0:03:57 | 0:03:59 | |
That's why me call on you. | 0:03:59 | 0:04:01 | |
-SCRATCHY GASPS -Me can't believe it. | 0:04:01 | 0:04:04 | |
It's da Mousa Lisa. | 0:04:04 | 0:04:06 | |
So what the problem then, Wensley? | 0:04:06 | 0:04:09 | |
When me went to hang the painting up - | 0:04:09 | 0:04:11 | |
now this one make me upset - | 0:04:11 | 0:04:13 | |
me accidentally touch me paw upon it | 0:04:13 | 0:04:15 | |
and found out the paint, | 0:04:15 | 0:04:17 | |
it's still wet. | 0:04:17 | 0:04:19 | |
That painting is taking bare time to dry. | 0:04:19 | 0:04:21 | |
Hold on a minute, why that sister looking so vexed? | 0:04:21 | 0:04:25 | |
Me sure she supposed to be proper content and ting. | 0:04:25 | 0:04:28 | |
Hmm. Where you get this painting from, Wensley? | 0:04:28 | 0:04:32 | |
Me not feeling great about that, Rastamouse, | 0:04:32 | 0:04:34 | |
cos me bought the ting online. | 0:04:34 | 0:04:36 | |
Me not bother to check if it was real and ting, | 0:04:36 | 0:04:39 | |
me just thought it was going to be fine. | 0:04:39 | 0:04:42 | |
You not worry yourself, Mr President. | 0:04:42 | 0:04:45 | |
The Easy Crew will investigate. | 0:04:45 | 0:04:47 | |
-Did you see who delivered it to the mansion? -Me not see him, | 0:04:47 | 0:04:51 | |
-but Malky said Fats delivered it this morning in his truck. -Cool. | 0:04:51 | 0:04:55 | |
Come on, crew. First stop, Fats' garage. | 0:04:55 | 0:04:58 | |
-Laters, -Pres. Laters, Easy Crew.. | 0:04:58 | 0:05:00 | |
Yo, Fats, you cool? | 0:05:04 | 0:05:06 | |
Yo, crew, me cool, thanks. | 0:05:06 | 0:05:09 | |
-You know that delivery you make to the Pres earlier. -Yah, man. | 0:05:09 | 0:05:12 | |
-Why? -We were just wondering who asked you to do that? | 0:05:12 | 0:05:16 | |
Oh. That was Dwayne. | 0:05:16 | 0:05:18 | |
Why him not deliver it himself? | 0:05:18 | 0:05:20 | |
Cos the package was way too big to fit in his postbag. | 0:05:20 | 0:05:24 | |
so me do him that little favour. | 0:05:24 | 0:05:26 | |
Why? Is there a problem? | 0:05:26 | 0:05:28 | |
We not sure yet, but thanks for your help anyways. | 0:05:28 | 0:05:31 | |
Any time, guys. | 0:05:31 | 0:05:33 | |
-Yo, guys. -Yo, Dwayne, wa'gwan? | 0:05:36 | 0:05:39 | |
Me cool. What's new? | 0:05:39 | 0:05:41 | |
You know the package you asked Fats to deliver earlier? | 0:05:41 | 0:05:44 | |
Oh, yes, that was one big package. | 0:05:44 | 0:05:47 | |
Me could never have delivered it without Fats' help. | 0:05:47 | 0:05:50 | |
Do you by any chance remember who mailed it in the first place? | 0:05:50 | 0:05:54 | |
Now let me see. | 0:05:54 | 0:05:56 | |
Me remember that me never seen him before. | 0:05:56 | 0:05:58 | |
Wait a minute, there was one other ting. | 0:05:58 | 0:06:01 | |
Me notice that he was carrying a big book of paintings. | 0:06:01 | 0:06:05 | |
That could've been the same book me borrow for Bandulu from the library. | 0:06:05 | 0:06:09 | |
Red, man, said it only just got returned today. | 0:06:09 | 0:06:12 | |
Cool tinking, Scratchy. Let's get over to the library. | 0:06:12 | 0:06:15 | |
-Laters, Dwayne. -Laters, Easy Crew. | 0:06:15 | 0:06:18 | |
And thanks for your help! | 0:06:18 | 0:06:20 | |
Word up, Red, man. You good? | 0:06:23 | 0:06:25 | |
I am good, thank you. Have you come to borrow some more books? | 0:06:25 | 0:06:29 | |
We actually conducting an important investigation for the President. | 0:06:29 | 0:06:33 | |
We come to ask if you remember anything about the mouse | 0:06:33 | 0:06:36 | |
who returned that big book of paintings earlier. | 0:06:36 | 0:06:39 | |
I remember he left a wet mark on the book, which I was not happy about. | 0:06:39 | 0:06:44 | |
And, yes, now I think about it, there was something else. | 0:06:44 | 0:06:47 | |
He had a funny-looking handkerchief sticking out of his back pocket. | 0:06:47 | 0:06:51 | |
That's it! Me saw him earlier! | 0:06:51 | 0:06:54 | |
Him dropped that hanky 'pon the street outside the yard | 0:06:54 | 0:06:57 | |
and me pick it up for him. Me know exactly where him live. | 0:06:57 | 0:07:01 | |
Nice work, Scratchy. | 0:07:01 | 0:07:03 | |
-Come on, crew, follow me. -Wait, scratchy! | 0:07:03 | 0:07:06 | |
-Perhaps you guys could return this for me then too. -Of course. | 0:07:06 | 0:07:10 | |
Laters, Red, man. | 0:07:10 | 0:07:12 | |
This is the place. | 0:07:14 | 0:07:16 | |
Knock, knock. | 0:07:16 | 0:07:18 | |
Oh. Can I help you? | 0:07:18 | 0:07:21 | |
-You might've dropped this in the library. -Thank you very much. | 0:07:21 | 0:07:24 | |
We were hoping you might be able to help us with our investigation | 0:07:24 | 0:07:29 | |
Do you know anything about da Mousa Lisa painting | 0:07:29 | 0:07:33 | |
that was delivered to the President? | 0:07:33 | 0:07:36 | |
The Mousa Lisa, it's very valuable | 0:07:36 | 0:07:39 | |
and around 500 years old. | 0:07:39 | 0:07:42 | |
Mm. That's what me thought. | 0:07:42 | 0:07:44 | |
Can you tell us why the painting might still be wet? | 0:07:44 | 0:07:47 | |
Well... Oh, I'm sorry. | 0:07:47 | 0:07:49 | |
My name is Da Tinci and I'm going to have to fess up here, | 0:07:49 | 0:07:53 | |
cos I realise I made a big mistake. | 0:07:53 | 0:07:55 | |
You see, I needed to find a way to keep on painting. | 0:07:55 | 0:07:59 | |
That's why I ended up making that fake. | 0:07:59 | 0:08:02 | |
You see, I borrowed a book from the library | 0:08:02 | 0:08:04 | |
with these fa-MOUSE paintings in, | 0:08:04 | 0:08:06 | |
and then I decided to copy one and try to sell it, | 0:08:06 | 0:08:09 | |
passing it off as the real thing. | 0:08:09 | 0:08:11 | |
Why you need to do that? | 0:08:11 | 0:08:14 | |
I needed the money, dear boy, | 0:08:14 | 0:08:16 | |
so I could keep buying paints, brushes and canvas. | 0:08:16 | 0:08:19 | |
Besides, I think my copy of that Mousa Lisa | 0:08:19 | 0:08:23 | |
must've been pretty cool, cos, well, no-one realised it was a fake. | 0:08:23 | 0:08:28 | |
That copy was amazing, for real, | 0:08:28 | 0:08:30 | |
apart from one ting. | 0:08:30 | 0:08:33 | |
How come you paint the sister frowning instead of looking happy? | 0:08:33 | 0:08:37 | |
Oh, I knew from the start what I was doing was wrong, | 0:08:37 | 0:08:40 | |
so it made me feel nervous and down. | 0:08:40 | 0:08:43 | |
That's why my brush slipped when I painted her mouth. | 0:08:43 | 0:08:46 | |
Then I had to turn her smile into a frown | 0:08:46 | 0:08:50 | |
Oh, dear, what have I done? | 0:08:50 | 0:08:52 | |
Da Tinci, me can see that you're sorry | 0:08:52 | 0:08:55 | |
and that you'd like to find a way | 0:08:55 | 0:08:58 | |
to make up for the mistake you made, | 0:08:58 | 0:09:00 | |
and start to make a bad ting good. | 0:09:00 | 0:09:03 | |
Me got an idea how you can do that, | 0:09:03 | 0:09:05 | |
but me going have to put in a call to the Pres first. | 0:09:05 | 0:09:08 | |
PHONE RINGS | 0:09:09 | 0:09:11 | |
Greetings. Oh, thank goodness. | 0:09:11 | 0:09:14 | |
Hm. | 0:09:14 | 0:09:16 | |
Go on. | 0:09:16 | 0:09:17 | |
What? It not real? | 0:09:17 | 0:09:20 | |
Oh. OK. | 0:09:20 | 0:09:22 | |
That plan sound proper, Rastamouse. | 0:09:22 | 0:09:25 | |
Da Tinci, from now on, | 0:09:27 | 0:09:30 | |
if you do tings right and this is how you're going to start, | 0:09:30 | 0:09:33 | |
the Pres has agreed to you becoming the curator | 0:09:33 | 0:09:36 | |
of Mouseland's first-ever museum of art. | 0:09:36 | 0:09:40 | |
Oh, dear mouse, thank you so-o-o much! | 0:09:40 | 0:09:43 | |
I would LOVE to do that job! | 0:09:43 | 0:09:46 | |
Ha-ha! And you can help out Bandulu by giving them little orphans | 0:09:46 | 0:09:50 | |
painting lessons too. | 0:09:50 | 0:09:51 | |
Yes, yes! And I promise that I won't sell fakes any more. | 0:09:51 | 0:09:55 | |
He would like to welcome you all | 0:09:59 | 0:10:01 | |
to Mouseland's very first art exhibition | 0:10:01 | 0:10:04 | |
organised by Da Tinci. | 0:10:04 | 0:10:07 | |
And it gives me great pleasure | 0:10:07 | 0:10:09 | |
to declare this museum of art open. | 0:10:09 | 0:10:13 | |
-CHEERING -Come on, little ones. Follow me. | 0:10:13 | 0:10:16 | |
Now, here we have Marilyn Mouse-roe | 0:10:17 | 0:10:20 | |
by Handy Warhol, | 0:10:20 | 0:10:21 | |
The Squeak by Munch, | 0:10:21 | 0:10:23 | |
Rodent's The Tinker, | 0:10:23 | 0:10:26 | |
and my very own painting of | 0:10:26 | 0:10:28 | |
the Easy Crew. | 0:10:28 | 0:10:31 | |
-That Da Tinci sure is wicked at painting. -True dat. | 0:10:31 | 0:10:35 | |
RADIO CRACKLES | 0:10:35 | 0:10:38 | |
PRES: 'Easy Crew, come in, come in. Are you reading me? | 0:10:38 | 0:10:42 | |
'Message from President Wensley Dale. | 0:10:42 | 0:10:44 | |
'Listen up, you three. Rastamouse, come in, come in. | 0:10:44 | 0:10:48 | |
'Me love your artistic plan. | 0:10:48 | 0:10:51 | |
'Da Tinci's exhibition was REAL good.' | 0:10:51 | 0:10:54 | |
Thanks. Me love dat. | 0:10:54 | 0:10:56 | |
Irie, man. | 0:10:56 | 0:10:58 | |
# Give it up, give it up | 0:10:58 | 0:11:01 | |
# Give it up for the Easy Crew | 0:11:01 | 0:11:04 | |
# Solvin' mysteries in the neighbourhood | 0:11:04 | 0:11:07 | |
# Always there to make a bad thing good. # | 0:11:07 | 0:11:09 |