Browse content similar to Craig Revel Horwood. Check below for episodes and series from the same categories and more!
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Have you ever wanted to control a celebrity? | 0:00:02 | 0:00:04 | |
-Make your wish their command? -This is the show where three mates | 0:00:04 | 0:00:07 | |
take charge of a star for the day, controlling them | 0:00:07 | 0:00:10 | |
-through funny situations. -Like these. | 0:00:10 | 0:00:12 | |
Kick the bench down by accident. | 0:00:14 | 0:00:16 | |
You've got to accidentally spill cereal all over the place. | 0:00:20 | 0:00:23 | |
Oh, dear. | 0:00:23 | 0:00:25 | |
Shout, "Show me the money", as loud as you can. | 0:00:27 | 0:00:30 | |
-Show me the money! -Now be a duck. | 0:00:30 | 0:00:33 | |
HE QUACKS | 0:00:33 | 0:00:35 | |
All the action takes place in our celebrity house. | 0:00:39 | 0:00:42 | |
It's rigged from top to bottom with hidden cameras and microphones | 0:00:42 | 0:00:46 | |
and our remote controllers will be based here... | 0:00:46 | 0:00:49 | |
..in this hi-tech control room, giving their star instructions | 0:00:51 | 0:00:55 | |
via a secret earpiece. | 0:00:55 | 0:00:57 | |
It's time to remote control another star. | 0:00:57 | 0:01:00 | |
Let's meet today's remote controllers. | 0:01:09 | 0:01:11 | |
I'm Kieran, I'm 12 years old and I'd be a good remote controller | 0:01:11 | 0:01:14 | |
because I'm funny and intelligent. | 0:01:14 | 0:01:15 | |
Hi, I'm Jess and the best prank I've ever played was on Kieran, putting | 0:01:15 | 0:01:20 | |
a full face of make-up on him, and today we'll do a lot better. | 0:01:20 | 0:01:24 | |
Hi, I'm Abbie. I can't wait to see who the celebrity is | 0:01:24 | 0:01:28 | |
so we can make them look silly. | 0:01:28 | 0:01:30 | |
I think Abbie's going to bring some good pranks to the team | 0:01:30 | 0:01:35 | |
because she's really good at thinking of amazing pranks. | 0:01:35 | 0:01:38 | |
Strengths that Kieran will bring to the team | 0:01:38 | 0:01:40 | |
is his sense of humour, because he'll just do jokes every day. It makes us all laugh. | 0:01:40 | 0:01:44 | |
Jess will be a great remote controller because she works well in a team. | 0:01:44 | 0:01:48 | |
We're going to make the pranks the best that they can be. | 0:01:48 | 0:01:51 | |
So we've met our remote controllers. | 0:01:54 | 0:01:56 | |
Now it's time to meet the star. | 0:01:56 | 0:01:58 | |
I knew there was something I was meant to do! | 0:01:58 | 0:02:00 | |
Please say you've lined up a star. | 0:02:00 | 0:02:02 | |
No, no, that's sorted - I meant to clean my room. | 0:02:02 | 0:02:04 | |
Anyway, I've got an ace star lined up for you. | 0:02:04 | 0:02:07 | |
Today's star, he's the super-scary, super-strict judge on Strictly Come Dancing... | 0:02:07 | 0:02:13 | |
Your remote control star today is... | 0:02:13 | 0:02:17 | |
Craig Revel Horwood! | 0:02:17 | 0:02:19 | |
CHEERING | 0:02:19 | 0:02:20 | |
-Hello. What's your name? -Jess. | 0:02:20 | 0:02:22 | |
Nice to meet you. What's your name? | 0:02:22 | 0:02:25 | |
-Abbie. -Nice to meet you. -Kieran. -Nice to meet you. | 0:02:25 | 0:02:28 | |
I'm concerned what will be going through their minds. | 0:02:28 | 0:02:32 | |
I think Kieran's really excited. Why? | 0:02:32 | 0:02:34 | |
Because my grandma really likes you. | 0:02:34 | 0:02:36 | |
-Grandma's favourite! -Yeah(!) | 0:02:36 | 0:02:39 | |
-Up for the challenge, remote controllers? -Yeah. | 0:02:39 | 0:02:41 | |
It starts right now, Craig. There is your remote control star earpiece. | 0:02:41 | 0:02:45 | |
-Wear that. Are you ready to play? -I'm ready. -Get off for challenge one. | 0:02:45 | 0:02:48 | |
Remote controllers, are you ready? | 0:02:48 | 0:02:50 | |
-Yeah. -Let's do it! | 0:02:50 | 0:02:52 | |
Craig's in position in the bedroom. Four cameras are covering | 0:02:54 | 0:02:57 | |
his every move. | 0:02:57 | 0:02:59 | |
It's time for the first challenge. | 0:02:59 | 0:03:03 | |
OK, it's time to put you out of your misery. | 0:03:03 | 0:03:05 | |
We've arranged a photo shoot here in the house. | 0:03:05 | 0:03:11 | |
However, you're not going to be 100% cooperative. | 0:03:11 | 0:03:14 | |
-How does that make you feel? -Terrified, darling. | 0:03:14 | 0:03:17 | |
While our photographer's trying to take decent photos of you, | 0:03:17 | 0:03:20 | |
you're going to get a powerful case of dance fever, which means | 0:03:20 | 0:03:24 | |
you've got to keep dancing throughout the photo session. | 0:03:24 | 0:03:27 | |
Your challenge is to get the photographer not to take any decent photos of you within ten minutes. | 0:03:27 | 0:03:31 | |
-Are you up for it? -Absolutely. | 0:03:31 | 0:03:34 | |
That's the main challenge and during it, tasks will pop up on this screen. | 0:03:34 | 0:03:39 | |
Will the remote controllers be able to get Craig to do them? | 0:03:39 | 0:03:42 | |
Right, remote controllers, are you ready? | 0:03:42 | 0:03:45 | |
-Yes. -This is it. | 0:03:45 | 0:03:47 | |
And remember, the photographer knows nothing about the hidden cameras. | 0:03:47 | 0:03:50 | |
Hello! | 0:04:01 | 0:04:02 | |
-Hi! Nice to meet you. -You too. | 0:04:02 | 0:04:05 | |
-I've got good ideas, my darling. I'd like to do it against this wall, if that's all right. -Yeah. | 0:04:05 | 0:04:10 | |
'It's game on. Over to the remote controllers. | 0:04:10 | 0:04:14 | |
'What tactics will they use to stop the photographer getting any decent snaps?' | 0:04:14 | 0:04:19 | |
-It's a nice, light room. -I know, it's great. | 0:04:22 | 0:04:25 | |
Tell her you painted it yourself. | 0:04:25 | 0:04:26 | |
I painted these myself, took forever. | 0:04:26 | 0:04:29 | |
-Oh, the...? -The shutters. They were a nightmare. | 0:04:29 | 0:04:32 | |
Aha! What do I see | 0:04:32 | 0:04:33 | |
on the trusty task screen? | 0:04:33 | 0:04:36 | |
Start shaking your hand uncontrollably. | 0:04:36 | 0:04:38 | |
I get very sweaty palms. | 0:04:42 | 0:04:45 | |
Bit of a jazz hand. | 0:04:45 | 0:04:47 | |
Tell her you can't stop it. Keep shaking. | 0:04:47 | 0:04:49 | |
Sorry... | 0:04:49 | 0:04:52 | |
Now the other one's going. | 0:04:52 | 0:04:54 | |
Start dancing. | 0:04:54 | 0:04:56 | |
Is this working for you? | 0:05:00 | 0:05:02 | |
This might be quite a good photo. | 0:05:02 | 0:05:05 | |
Is that working for you? Slightly? | 0:05:05 | 0:05:07 | |
Maybe we could do some blurry ones. | 0:05:07 | 0:05:12 | |
Maybe I should get my face going as well. | 0:05:12 | 0:05:14 | |
Start doing the boogie. Face the wall. | 0:05:14 | 0:05:16 | |
I might get these back shots, too. | 0:05:16 | 0:05:20 | |
Great remote-controlling, Kieran. | 0:05:20 | 0:05:22 | |
There's six minutes of the ten left now, | 0:05:22 | 0:05:24 | |
and Craig's not stopped moving one bit. | 0:05:24 | 0:05:26 | |
Pick up a book and start reading it but keep dancing. | 0:05:26 | 0:05:29 | |
What I might do is I might just incorporate a magazine into it. | 0:05:29 | 0:05:35 | |
That might be good. | 0:05:35 | 0:05:38 | |
Just going to keep boogie-ing if that's all right. | 0:05:38 | 0:05:41 | |
'Craig, if you danced like this on Strictly, you'd have given yourself two out of ten!' | 0:05:41 | 0:05:46 | |
Let me try this... With the gold cushions. | 0:05:46 | 0:05:48 | |
'What's he doing on the bed?' | 0:05:48 | 0:05:52 | |
Maybe a natural one. | 0:05:52 | 0:05:53 | |
-Is that all right? -That's nice, yeah. | 0:05:53 | 0:05:57 | |
Maybe I'll just do... | 0:05:57 | 0:05:59 | |
I might do some of these ones. | 0:05:59 | 0:06:01 | |
Have you got any good ones yet? | 0:06:03 | 0:06:05 | |
Have you got any good ones yet, do you think? | 0:06:05 | 0:06:07 | |
-Yes. -It's absolutely exhausting. | 0:06:07 | 0:06:12 | |
'There's no time for a lie down, Craig. | 0:06:12 | 0:06:14 | |
'There's an important challenge at stake.' | 0:06:14 | 0:06:18 | |
The remote controllers are relying on you. Only three minutes left. | 0:06:18 | 0:06:21 | |
Get off the bed. | 0:06:21 | 0:06:23 | |
Sorry. | 0:06:25 | 0:06:26 | |
Here's another task to stop her getting a snap of his face. | 0:06:26 | 0:06:31 | |
Use the whole body, keep dancing. | 0:06:31 | 0:06:33 | |
I'll get some dancing ones. | 0:06:33 | 0:06:35 | |
'Don't look at the camera at all.' | 0:06:35 | 0:06:38 | |
Really crazy moves. | 0:06:38 | 0:06:40 | |
Around the bath maybe. | 0:06:40 | 0:06:42 | |
Like that. | 0:06:42 | 0:06:44 | |
Hold that. | 0:06:44 | 0:06:46 | |
Start dancing with the light. | 0:06:46 | 0:06:48 | |
'The poor photographer's got her work cut out.' | 0:06:48 | 0:06:51 | |
Maybe with the light. Is that any good? | 0:06:51 | 0:06:55 | |
Could you do that again but a little bit slower? | 0:06:55 | 0:06:59 | |
'No, I didn't like that.' | 0:06:59 | 0:07:01 | |
This is the silliest photo shoot ever! | 0:07:01 | 0:07:03 | |
Drop it. | 0:07:03 | 0:07:05 | |
Keep running. Run about the room. | 0:07:07 | 0:07:09 | |
'She can't possibly be getting any decent snaps!' | 0:07:09 | 0:07:13 | |
Lots of blurry stuff. | 0:07:13 | 0:07:14 | |
Now what?! | 0:07:14 | 0:07:16 | |
Turn the photographer into your dancing partner. | 0:07:16 | 0:07:19 | |
You've got two minutes now. | 0:07:19 | 0:07:21 | |
I might need you to move your feet actually. | 0:07:21 | 0:07:23 | |
Are you going to teach me the waltz? | 0:07:23 | 0:07:25 | |
Go on. Do a bit of the Charleston, like this. | 0:07:25 | 0:07:28 | |
-'Will she dance with him?' -Put the camera down. | 0:07:28 | 0:07:32 | |
Put the camera down for a minute and I'll just teach you the step. | 0:07:32 | 0:07:35 | |
Here we go. | 0:07:35 | 0:07:38 | |
Back and... | 0:07:38 | 0:07:40 | |
-OK. -A bit more hip action. | 0:07:40 | 0:07:42 | |
There you go. | 0:07:42 | 0:07:44 | |
OK, pick your camera up. | 0:07:44 | 0:07:45 | |
And back... | 0:07:49 | 0:07:51 | |
into more of a split. | 0:07:51 | 0:07:52 | |
Tell her to put the camera down. | 0:07:52 | 0:07:54 | |
Put the camera down again. Sorry. | 0:07:54 | 0:07:56 | |
Can you do the splits? Sort of? | 0:07:56 | 0:07:59 | |
-Oh, my... You can! -'They've done it! | 0:08:00 | 0:08:02 | |
'With 20 seconds to spare! | 0:08:02 | 0:08:05 | |
'Time to reveal the prank.' | 0:08:05 | 0:08:07 | |
You can reveal you've been remote-controlled. | 0:08:08 | 0:08:11 | |
Right. | 0:08:12 | 0:08:14 | |
I'm exhausted, darling. I can reveal that I'm being remote-controlled. | 0:08:14 | 0:08:18 | |
That was absolutely brilliant. | 0:08:20 | 0:08:23 | |
-I'm so sorry. -Why? | 0:08:23 | 0:08:25 | |
You are such a great dancer! | 0:08:25 | 0:08:27 | |
-Isn't she amazing?! -Do you not think it's a bit weird | 0:08:27 | 0:08:30 | |
to come round a celebrity's house and they get you to do weird things like this? | 0:08:30 | 0:08:34 | |
-Not really, no. -Is that the norm? | 0:08:34 | 0:08:35 | |
-She was really up for it! -I just thought that you were just | 0:08:35 | 0:08:38 | |
wanting to take some photos and get me to do the splits! | 0:08:38 | 0:08:42 | |
The challenge was to stop the photographer getting any good pictures for ten minutes. | 0:08:42 | 0:08:46 | |
She did her best with a very tricky celebrity customer. | 0:08:46 | 0:08:50 | |
Challenge over. | 0:08:50 | 0:08:51 | |
My favourite part has to be when he danced backwards. | 0:08:56 | 0:08:59 | |
Facing the wall. | 0:08:59 | 0:09:02 | |
My favourite part was when he told the photographer to drop the camera and start dancing with him. | 0:09:02 | 0:09:07 | |
Oh my... You can! | 0:09:07 | 0:09:08 | |
So then, remote controllers, are you ready to control your Strictly star, | 0:09:12 | 0:09:15 | |
Craig Revel Horwood into some more hot water? | 0:09:15 | 0:09:18 | |
-Yes! -Yes. | 0:09:18 | 0:09:20 | |
Craig, this next challenge means going out onto the streets. How do you feel about that? | 0:09:20 | 0:09:25 | |
Uncomfortable. | 0:09:25 | 0:09:26 | |
Have you got your posh dancing shoes with you? | 0:09:26 | 0:09:28 | |
-Yes, I have. -You will need them, go get them. Go on. Kids, | 0:09:28 | 0:09:31 | |
-are you ready for this next challenge? -Yes. -Come on, let's do it. | 0:09:31 | 0:09:35 | |
As Craig hits the streets, it's time for the remote controllers | 0:09:40 | 0:09:43 | |
to board the sneaky surveillance van, | 0:09:43 | 0:09:46 | |
where they can see Craig and boss him through his secret earpiece. | 0:09:46 | 0:09:50 | |
Right, Craig, its Joel. Can you hear me? | 0:09:52 | 0:09:55 | |
-I can, indeed. -Now, you know all about dancing. | 0:09:55 | 0:09:58 | |
-Yes. -What is the hardest dance there is to do? -Probably the rumba. | 0:09:58 | 0:10:01 | |
The dance of love, very, very difficult. | 0:10:01 | 0:10:05 | |
OK, it's not the hardest dance. The hardest dance is a conga with strangers. Are you ready? | 0:10:05 | 0:10:09 | |
-Yeah, I'm ready. -OK, let's do it. | 0:10:09 | 0:10:11 | |
Let's do the conga. Go for it. | 0:10:11 | 0:10:14 | |
Craig's task is simple: | 0:10:14 | 0:10:15 | |
Make as big a conga line as he can in ten minutes. | 0:10:15 | 0:10:19 | |
He's got a couple of props to help him and the remote controllers to guide him. | 0:10:19 | 0:10:25 | |
Do you know me? | 0:10:25 | 0:10:26 | |
I'm from Strictly Come Dancing. | 0:10:26 | 0:10:28 | |
I just want to dance, come on. | 0:10:28 | 0:10:31 | |
Don't wait in that line. You just want to dance. | 0:10:31 | 0:10:34 | |
What about you, lady on the cycle? Please, little conga with me? | 0:10:34 | 0:10:38 | |
That megaphone's either going to work brilliantly | 0:10:38 | 0:10:40 | |
or it's going to put everybody off joining Craig's conga. | 0:10:40 | 0:10:43 | |
Do a little dance. | 0:10:43 | 0:10:45 | |
OK, I'm going to teach you how to do the conga, darling. | 0:10:45 | 0:10:48 | |
Dum, dum, dum... Want to join me for a conga? | 0:10:48 | 0:10:52 | |
Come on. Just a quick one? Just a quick one. | 0:10:52 | 0:10:57 | |
That's a nice pink bag. | 0:10:57 | 0:11:00 | |
I'm loving your pink bag, my love. | 0:11:00 | 0:11:02 | |
Shame you don't want to dance. | 0:11:02 | 0:11:04 | |
Join me for the conga. Oh, here we go. | 0:11:04 | 0:11:06 | |
Here's some takers. | 0:11:06 | 0:11:09 | |
Come on. Do you want to join me for a conga? | 0:11:09 | 0:11:12 | |
-I only need five people. Come on. -Are you going to give us £50? | 0:11:12 | 0:11:15 | |
£50? I don't think so! | 0:11:15 | 0:11:17 | |
This challenge is harder than it looks. | 0:11:19 | 0:11:21 | |
No-one wants to do Craig's conga. | 0:11:21 | 0:11:24 | |
No, just going to do a conga line, around that tree. | 0:11:24 | 0:11:26 | |
It's a magical tree. | 0:11:26 | 0:11:28 | |
It's a magic tree. | 0:11:28 | 0:11:30 | |
Sir, would you join me? | 0:11:31 | 0:11:33 | |
Come back here, lovely lady with the orange bag and the blue gorgeous trousers. | 0:11:33 | 0:11:38 | |
Come on, join me for the conga. | 0:11:38 | 0:11:40 | |
-Play your music. -Yes, come on. | 0:11:40 | 0:11:42 | |
I'm going to put some music on and we're going to do the conga. | 0:11:42 | 0:11:46 | |
Come on. | 0:11:46 | 0:11:49 | |
'Craig's gone to get his mighty music machine. | 0:11:49 | 0:11:52 | |
'Oh look, he's finally found someone!' | 0:11:54 | 0:11:57 | |
Hold that for me. | 0:11:57 | 0:11:58 | |
Try and round up a few people, see if they'll join in. | 0:11:58 | 0:12:00 | |
'No-one wants to dance with Craig, | 0:12:00 | 0:12:02 | |
'and there's only 4.5 minutes left. | 0:12:02 | 0:12:04 | |
'He's still only got one person to join him. What a disaster, darling.' | 0:12:04 | 0:12:08 | |
See if you can get some more people. | 0:12:08 | 0:12:11 | |
Just push that button and we're going to do the conga. | 0:12:11 | 0:12:13 | |
Time for desperate measures. | 0:12:13 | 0:12:16 | |
Get her to sing, "Craig is a superstar". | 0:12:16 | 0:12:19 | |
Say, "Craig is a superstar and you need to join him for the conga". | 0:12:19 | 0:12:23 | |
Go on, quickly. | 0:12:23 | 0:12:25 | |
Come on, guys. Craig is a superstar, so you need to join him. | 0:12:25 | 0:12:29 | |
For the conga! Yes, good. Brilliant. | 0:12:29 | 0:12:33 | |
-Come on, round them up. -Come on. | 0:12:33 | 0:12:35 | |
Look. | 0:12:35 | 0:12:37 | |
There's only 3.5 minutes left | 0:12:37 | 0:12:39 | |
and it's still only a conga of two, including Craig. | 0:12:39 | 0:12:43 | |
They've really got to do better. | 0:12:43 | 0:12:45 | |
The remote controllers need to think of something to help Craig - | 0:12:45 | 0:12:48 | |
-and quick. -Try and get the man behind you. | 0:12:48 | 0:12:51 | |
Would you join us in the conga? | 0:12:51 | 0:12:53 | |
Oh, come on! | 0:12:53 | 0:12:55 | |
What about you, sir? | 0:12:55 | 0:12:57 | |
Come on. Join us with the conga. | 0:12:57 | 0:12:59 | |
'Come on, guys. Time to raise the stakes.' | 0:12:59 | 0:13:02 | |
Ask her if she'd like to be a judge on Strictly Come Dancing. | 0:13:02 | 0:13:05 | |
Would you like to be a judge on Strictly Come Dancing? | 0:13:05 | 0:13:08 | |
You'd be fabulous, darling. | 0:13:08 | 0:13:10 | |
You're doing very well. | 0:13:10 | 0:13:12 | |
Do the conga. | 0:13:14 | 0:13:15 | |
Yes. Good, yes! OK, | 0:13:15 | 0:13:19 | |
the three of us are going to go round and do it. Ready? | 0:13:19 | 0:13:21 | |
You're doing really, really well. | 0:13:21 | 0:13:23 | |
You're going to lead it, darling. | 0:13:23 | 0:13:25 | |
Then I'm going to get... | 0:13:26 | 0:13:28 | |
'Awesome. At last, he's got a conga of four people. | 0:13:28 | 0:13:32 | |
'Can they get any more before time runs out?' | 0:13:32 | 0:13:36 | |
Oh, lovely. Come on, join in. Come on! | 0:13:38 | 0:13:43 | |
Tell them you've been remote-controlled. | 0:13:43 | 0:13:47 | |
No, time's up. | 0:13:47 | 0:13:48 | |
What will his assistant think when we reveal it's a gag? | 0:13:48 | 0:13:51 | |
-Look, there's a camera up there. Can you see it? -Oh, yes. | 0:13:53 | 0:13:57 | |
You were being remote controlled. | 0:13:57 | 0:14:00 | |
-He tried really hard. -He did very well. | 0:14:00 | 0:14:03 | |
My favourite bit was when he got the girl to shout in the megaphone. | 0:14:03 | 0:14:06 | |
Come on, guys. Craig is a superstar, so you need to join him. | 0:14:06 | 0:14:10 | |
My favourite bit is probably when he | 0:14:10 | 0:14:13 | |
got four people to do the conga but it was so close. | 0:14:13 | 0:14:16 | |
Lovely. Come on, sir, join in. | 0:14:16 | 0:14:20 | |
If I was out there, I would've got more people to do the conga | 0:14:20 | 0:14:23 | |
and I would like, just grab them and say, "Come on, do it! | 0:14:23 | 0:14:27 | |
"It's only for fun"! | 0:14:27 | 0:14:28 | |
I'm enjoying most controlling the superstar, | 0:14:28 | 0:14:31 | |
making them just do really silly things in front of the public. | 0:14:31 | 0:14:36 | |
Five, six, seven, and... | 0:14:36 | 0:14:38 | |
# Do-do-do, come on and do the conga! | 0:14:38 | 0:14:41 | |
# Do-do-do...# | 0:14:41 | 0:14:43 | |
-Rock, paper, scissors. -I'm a cowboy! | 0:14:49 | 0:14:52 | |
It's great that all these stars agree to be remote-controlled | 0:14:52 | 0:14:57 | |
through tricky situations on our show. | 0:14:57 | 0:14:59 | |
But to make it fair, JK and I have agreed to take | 0:14:59 | 0:15:02 | |
a taste of our own medicine on JK & Joel, Remote Controlled. | 0:15:02 | 0:15:05 | |
This is the part of the show where we | 0:15:07 | 0:15:09 | |
have to do exactly what we're told by a remote controlled text message. | 0:15:09 | 0:15:13 | |
We don't know what's coming our way, | 0:15:13 | 0:15:15 | |
but we have promised to obey orders, no matter how awful they are. | 0:15:15 | 0:15:19 | |
-TEXT ALERT -And yes, here comes a text message. | 0:15:19 | 0:15:21 | |
-And it reads, "Put these on". -What? | 0:15:21 | 0:15:24 | |
Oh, these. | 0:15:24 | 0:15:26 | |
I'm going to be honest with you, not really my colour. | 0:15:27 | 0:15:30 | |
-Don't think they're in my size. -Got an idea. -What? Put 'em on? | 0:15:30 | 0:15:34 | |
-How do I look? -Great. | 0:15:35 | 0:15:37 | |
-Waiting for a text message now. -Brrr... | 0:15:45 | 0:15:48 | |
-TEXT ALERT -There it is, here it is. Read it. | 0:15:48 | 0:15:50 | |
-I'm too cold. -Just read it. -"You must buy three presents | 0:15:50 | 0:15:54 | |
"for your friend at three different stalls | 0:15:54 | 0:15:56 | |
"then shove them down his tights"! | 0:15:56 | 0:15:58 | |
How much of a friend are you today?! | 0:15:59 | 0:16:01 | |
-Just too cold. -Want something to warm you up? | 0:16:01 | 0:16:04 | |
Come on, off you go. Go on. Go on. | 0:16:04 | 0:16:06 | |
Hi, mate. You all right? Can I have... Can I have... | 0:16:07 | 0:16:11 | |
can I have some raspberries, please? | 0:16:11 | 0:16:13 | |
-Yes, sure. -Two quid. Right, get it, get it. | 0:16:13 | 0:16:16 | |
-There you go, sir. -It's prickly. | 0:16:25 | 0:16:30 | |
Oh, no, not down my tights! | 0:16:35 | 0:16:38 | |
There you go. | 0:16:38 | 0:16:40 | |
Smashed up raspberries in the tights - | 0:16:42 | 0:16:44 | |
it couldn't get much worse, could it? | 0:16:44 | 0:16:47 | |
We would like to buy this chicken. | 0:16:47 | 0:16:49 | |
-Yes. -I've never had a chicken in my pants. | 0:16:49 | 0:16:51 | |
-You can't put chicken down your pants. -One chicken, in his tights. | 0:16:51 | 0:16:55 | |
-Get it down there, come on. -No! | 0:16:57 | 0:16:59 | |
-There it is. -No! | 0:16:59 | 0:17:00 | |
There you go, look at that. | 0:17:04 | 0:17:06 | |
-Put it down. -Lovely bit of chicken for you. | 0:17:06 | 0:17:09 | |
-Can I have the olive oil, please? I'll pay you in a second. -Whoa! | 0:17:09 | 0:17:12 | |
Get some of that, come on. | 0:17:12 | 0:17:15 | |
Come on, come on, come on! | 0:17:15 | 0:17:17 | |
Get it down. Get it down! | 0:17:20 | 0:17:22 | |
That trick has made it tricky to walk, | 0:17:26 | 0:17:28 | |
and there's one more stall to go, | 0:17:28 | 0:17:31 | |
and if there's one thing JK hates the most, it's fish. | 0:17:31 | 0:17:34 | |
-Is that really good? -Really good. | 0:17:34 | 0:17:36 | |
Oh, right. Here, I've got this for you. | 0:17:36 | 0:17:38 | |
Have a smell. I know you like fish. Come on, last one. | 0:17:38 | 0:17:41 | |
-I can't do this any more! -Open, open. | 0:17:41 | 0:17:43 | |
Come on. Come on. Come on. | 0:17:43 | 0:17:45 | |
It's alive! It's alive! | 0:17:48 | 0:17:51 | |
-Thanks. -No! What's that? | 0:17:51 | 0:17:53 | |
-What is that? -This is a squid. Especially for you, that one. | 0:17:53 | 0:17:56 | |
-It won't hurt you. -I don't like fish. | 0:17:56 | 0:17:58 | |
Yes you do, look. It's lovely. | 0:17:58 | 0:18:01 | |
-There you are. -Is it going to bite me? -No. | 0:18:01 | 0:18:03 | |
Be brave, be brave. Come on then.... | 0:18:03 | 0:18:07 | |
It's absolutely freezing. Come on. | 0:18:07 | 0:18:09 | |
It's been on ice! | 0:18:09 | 0:18:11 | |
Argh! Argh! | 0:18:14 | 0:18:16 | |
It won't go down any more! | 0:18:16 | 0:18:18 | |
What the...?! | 0:18:20 | 0:18:22 | |
Not that bit as well. That's two! | 0:18:22 | 0:18:24 | |
It's got eight legs and stuff. | 0:18:24 | 0:18:26 | |
No, not that one. | 0:18:26 | 0:18:28 | |
There we go, champ. | 0:18:28 | 0:18:31 | |
We never break our promises. | 0:18:33 | 0:18:36 | |
What a harsh task. | 0:18:36 | 0:18:38 | |
Those tights were shameful enough without having to stuff "stuff" down. | 0:18:38 | 0:18:42 | |
It couldn't possibly get tougher next time. | 0:18:42 | 0:18:44 | |
Right then, Craig is ready for his last challenge. | 0:18:44 | 0:18:47 | |
He's in the next room, the sitting room, | 0:18:47 | 0:18:49 | |
which we've disguised as a dance room, just for today. | 0:18:49 | 0:18:52 | |
Craig's in position and he's about to be joined by | 0:18:56 | 0:18:59 | |
a very special dance partner. | 0:18:59 | 0:19:01 | |
Craig, are you ready for your dancing partner to enter the room? | 0:19:01 | 0:19:05 | |
-I am indeed. -Prepare yourself. Good luck, everyone. | 0:19:05 | 0:19:08 | |
Here's your sidekick, Joel. | 0:19:08 | 0:19:10 | |
Oh! | 0:19:12 | 0:19:13 | |
Hi, Craig. | 0:19:13 | 0:19:15 | |
-How do I look? -Um... Professional. | 0:19:15 | 0:19:19 | |
-'Right Craig, are you ready?' -Yes. | 0:19:21 | 0:19:25 | |
You and your side kick, Joel, | 0:19:25 | 0:19:27 | |
are meeting three excellent dancers who have come to impress you. | 0:19:27 | 0:19:30 | |
Every time Joel dances, | 0:19:30 | 0:19:32 | |
you've got to pretend that he's the best thing you've ever seen on TV. | 0:19:32 | 0:19:36 | |
Then when the dancers try to do their moves, | 0:19:36 | 0:19:38 | |
-you have to prefer Joel's dancing, no matter how stupid. -Uh... | 0:19:38 | 0:19:41 | |
Now the remote controllers here will it'll be guiding you through | 0:19:41 | 0:19:45 | |
what to say and do | 0:19:45 | 0:19:46 | |
and you've got ten minutes to keep this going, no matter what happens. | 0:19:46 | 0:19:51 | |
I am so looking forward to this. | 0:19:51 | 0:19:53 | |
-Are you ready? -I'm ready. -OK. | 0:19:53 | 0:19:55 | |
'This is going to be ridiculous. As always, tricky tasks will be | 0:19:55 | 0:19:59 | |
'popping up on the screen to make our remote controllers' job even harder. | 0:19:59 | 0:20:04 | |
-Hi. -'Here come the three expert dancers.' | 0:20:07 | 0:20:11 | |
'Joel's role is an assistant choreographer, called Bryn.' | 0:20:11 | 0:20:14 | |
Welcome. | 0:20:17 | 0:20:19 | |
This is Bryn, of course. | 0:20:19 | 0:20:21 | |
My assistant choreographer. | 0:20:21 | 0:20:24 | |
Oh, dear. This is going to be cringey. | 0:20:27 | 0:20:30 | |
Here we go. | 0:20:30 | 0:20:31 | |
So, why don't we start with... | 0:20:34 | 0:20:36 | |
Josh? Let's have you. Double pirouette, please. | 0:20:36 | 0:20:39 | |
OK, try it again. Try it again. Don't worry, calm down. | 0:20:43 | 0:20:46 | |
Yes, you can take them off. | 0:20:46 | 0:20:47 | |
Slow it down. Off you go. | 0:20:50 | 0:20:52 | |
THEY WHISPER | 0:20:53 | 0:20:56 | |
That really stunk. | 0:20:58 | 0:20:59 | |
You're landing sort of... stunk, really. Try it again. | 0:20:59 | 0:21:02 | |
Slow it right down. | 0:21:02 | 0:21:04 | |
'No, his pirouette was great. Craig misheard. They want him to pretend he's got smelly feet.' | 0:21:04 | 0:21:09 | |
Good, much better. Excellent. | 0:21:09 | 0:21:11 | |
Say, "Please put your shoes back on, they're smelling up the room". | 0:21:11 | 0:21:15 | |
Please put your shoes back on, they're smelling up the room. | 0:21:15 | 0:21:17 | |
OK. Can you put your shoes back on because there's a bit of a... | 0:21:17 | 0:21:21 | |
a bit of a whiff. Smelling up the room, sorry, darling! | 0:21:21 | 0:21:24 | |
OK, how are they going to handle this? | 0:21:30 | 0:21:33 | |
Get them to dance, heads, shoulders knees and toes. | 0:21:33 | 0:21:36 | |
'Good choice of nursery rhyme there.' | 0:21:36 | 0:21:38 | |
Let me line you up and Bryn, can you go in this as well please, my love? | 0:21:38 | 0:21:42 | |
So, Nathaniel, Scott, then Josh and then Bryn on that side there. | 0:21:42 | 0:21:48 | |
I'm going to give you, I'm just going to give you a little prop each to see how you cope with that, | 0:21:48 | 0:21:53 | |
see what you can do with that. There you go. So you do, | 0:21:53 | 0:21:56 | |
heads and then shoulders, whatever rhythm you can make, something funky, | 0:21:56 | 0:22:02 | |
knees, toes, knees, toes. Bryn, if you can lead it for them, help them out a bit? | 0:22:02 | 0:22:09 | |
Thanks, mate. | 0:22:09 | 0:22:11 | |
Thank you, darling. And... | 0:22:11 | 0:22:13 | |
And off we go. | 0:22:13 | 0:22:15 | |
Heads. Shoulders. | 0:22:15 | 0:22:17 | |
Knees. Toes, Knees, toes. | 0:22:17 | 0:22:20 | |
'Nice one. Five minutes of this super silly audition | 0:22:20 | 0:22:24 | |
and no-one suspects a thing. But Bryn's had a trouser accident.' | 0:22:24 | 0:22:27 | |
I've just split my pants. | 0:22:27 | 0:22:29 | |
CRAIG LAUGHS Don't worry. | 0:22:31 | 0:22:33 | |
No-one's looking. You'll be all right. We're just going to do a big combination. | 0:22:37 | 0:22:42 | |
Josh, get this together, darling. | 0:22:42 | 0:22:44 | |
Here we go. And... | 0:22:44 | 0:22:46 | |
Learn this. | 0:22:46 | 0:22:48 | |
Exactly... | 0:22:48 | 0:22:50 | |
OK, that's good. | 0:22:53 | 0:22:54 | |
Say, "Bryn, that was excellent". | 0:22:54 | 0:22:57 | |
That was excellent. | 0:22:57 | 0:23:00 | |
OK, brilliant. Thank you, Bryn. That was excellent work. | 0:23:00 | 0:23:03 | |
Just need my note pad. Thank you. | 0:23:05 | 0:23:07 | |
That won't be easy seeing as Joel - sorry, Bryn - has got two left feet. | 0:23:09 | 0:23:12 | |
Bryn, can you come in please, darling? | 0:23:14 | 0:23:17 | |
'There are four minutes left.' | 0:23:18 | 0:23:20 | |
Just the break dancing bit. I know. | 0:23:20 | 0:23:22 | |
Don't worry about that, darling. Don't worry, no-one's looking. | 0:23:22 | 0:23:24 | |
That's rubbish, Joel. | 0:23:28 | 0:23:30 | |
-That was excellent. -OK, good. | 0:23:30 | 0:23:33 | |
That was absolutely fantastic. | 0:23:35 | 0:23:37 | |
Can you try it like that? | 0:23:37 | 0:23:38 | |
'These guys look a bit suspicious now.' | 0:23:38 | 0:23:41 | |
OK. | 0:23:45 | 0:23:47 | |
The remote controllers have to make Craig give these good dancers a hard time. | 0:23:47 | 0:23:52 | |
That's just too good. | 0:23:52 | 0:23:54 | |
That was...too good. | 0:23:54 | 0:23:56 | |
-That was too good. -'They're doing a good job.' | 0:23:56 | 0:24:00 | |
-Say, "Not that bad". -No... | 0:24:03 | 0:24:06 | |
Not that bad, actually. | 0:24:06 | 0:24:09 | |
Get them all on the floor and do break dancing. | 0:24:14 | 0:24:18 | |
You've got one minute left. | 0:24:18 | 0:24:20 | |
We're just going to do a bit of break dancing now. | 0:24:20 | 0:24:23 | |
It's a break dance-off. | 0:24:23 | 0:24:26 | |
It's a break dance-off, think of it like that, | 0:24:26 | 0:24:28 | |
that you're trying out-break dance each other. | 0:24:28 | 0:24:30 | |
Five, six, seven and... | 0:24:30 | 0:24:32 | |
'Surely Joel's rubbish dancing will give the game away now?' | 0:24:32 | 0:24:36 | |
'Ha, ha, ha! Look at Joel! | 0:24:38 | 0:24:40 | |
'They've got to keep this audition going for one more minute. | 0:24:40 | 0:24:42 | |
-'What can they come up with?' -Tell Bryn he's doing great. | 0:24:42 | 0:24:46 | |
You're doing great, Bryn. | 0:24:46 | 0:24:48 | |
They've only got to keep it going a little bit longer. | 0:24:48 | 0:24:51 | |
That's excellent. Bryn... | 0:24:51 | 0:24:53 | |
that was absolutely fantastic. | 0:24:53 | 0:24:56 | |
'Well, Joel, fantastically bad, to be fair.' | 0:24:56 | 0:25:00 | |
-Time to reveal the joke. -Reveal it. | 0:25:00 | 0:25:02 | |
I'm going to have to reveal that of course, we've been filming... | 0:25:02 | 0:25:07 | |
for a lovely television programme! | 0:25:07 | 0:25:09 | |
Guys, come back, | 0:25:13 | 0:25:15 | |
-come back. -I'm sorry. I can only apologise! | 0:25:15 | 0:25:18 | |
Guys, come round. | 0:25:18 | 0:25:21 | |
What did you think of Bryn's dancing? | 0:25:21 | 0:25:23 | |
-Amazing. -Thank you. | 0:25:23 | 0:25:25 | |
I thought it was a very loose style... | 0:25:25 | 0:25:27 | |
I think for old time's sake, can we | 0:25:27 | 0:25:30 | |
see the back spin break dance again? Come on! Bryn! Bryn! Go on. | 0:25:30 | 0:25:36 | |
THEY LAUGH | 0:25:43 | 0:25:45 | |
I had to say, "A bit more like that"! | 0:25:45 | 0:25:47 | |
Boys, you were brilliant. Thank you very much. | 0:25:47 | 0:25:50 | |
Craig did really well carrying out the instructions. | 0:25:50 | 0:25:54 | |
Yes. I think he did really good. | 0:25:54 | 0:25:56 | |
Knees. Toes. Knees, toes. | 0:25:56 | 0:25:59 | |
I would give Craig, probably ten out of ten. | 0:25:59 | 0:26:03 | |
I would probably give Craig ten. | 0:26:03 | 0:26:05 | |
Can you pop your shoes back on, because there's a bit of a... | 0:26:05 | 0:26:08 | |
a bit of a whiff. Smelling out the room. Sorry, darling! | 0:26:08 | 0:26:11 | |
Fabulous dancing from Joel. | 0:26:11 | 0:26:13 | |
Should be on Strictly Come Dancing. Amazing. | 0:26:13 | 0:26:15 | |
OK, good. | 0:26:17 | 0:26:19 | |
I think, can you try it like that? | 0:26:19 | 0:26:21 | |
It's been a tough day for Craig Revel Horwood | 0:26:29 | 0:26:31 | |
being remote-controlled. Are you glad it's over? | 0:26:31 | 0:26:33 | |
Most certainly. They've been really tough on me. | 0:26:33 | 0:26:36 | |
What's your favourite bit of the day? | 0:26:36 | 0:26:38 | |
-Not getting anyone in the conga. -That was good. You nearly got that! | 0:26:38 | 0:26:41 | |
Four out of five ain't bad. | 0:26:41 | 0:26:43 | |
Guys, your favourite bit of the day today? | 0:26:43 | 0:26:45 | |
-The dancing. -The dancing, you enjoyed that, did you? | 0:26:45 | 0:26:47 | |
When we went out into the street. | 0:26:47 | 0:26:49 | |
-I think the dancing as well. -The dancing. Didn't that look great? | 0:26:49 | 0:26:52 | |
Shall we give Joel a big round of applause? | 0:26:52 | 0:26:57 | |
I think we should give the big star of the day a round of applause as well. Craig Revel Horwood! | 0:26:57 | 0:27:02 | |
So you won't forget us in a long while, | 0:27:02 | 0:27:04 | |
here are some prizes for you today, exclusive sweatshirts and caps. | 0:27:04 | 0:27:08 | |
Have a quick look through, go on, hand them out. | 0:27:08 | 0:27:10 | |
Brilliant, we hope you had a fantastic day. | 0:27:10 | 0:27:12 | |
That's it from us, until next time when we put another star together with three remote controllers | 0:27:12 | 0:27:16 | |
-here on... -Remote Control Star! | 0:27:16 | 0:27:20 | |
Subtitles by Red Bee Media Ltd | 0:27:36 | 0:27:40 | |
E-mail [email protected] | 0:27:40 | 0:27:43 |