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My name is Sarah Jane Smith and I defend the world from aliens. | 0:00:02 | 0:00:04 | |
These are my Alien Files. | 0:00:04 | 0:00:05 | |
The collected information gathered by me, | 0:00:05 | 0:00:08 | |
and the Bannerman Road gang, | 0:00:08 | 0:00:10 | |
about extra-terrestrials that have threatened our planet, | 0:00:10 | 0:00:13 | |
and might do so again. | 0:00:13 | 0:00:15 | |
The universe is amazing, | 0:00:18 | 0:00:20 | |
and don't be fooled by what some people might tell you. | 0:00:20 | 0:00:23 | |
It's full of strange and wonderful life. | 0:00:23 | 0:00:25 | |
I've met so much of it out there among the stars, and here on Earth. | 0:00:25 | 0:00:29 | |
But not all of it is friendly. | 0:00:29 | 0:00:32 | |
Pay attention, because one day Earth might be depending on you. | 0:00:32 | 0:00:38 | |
Entering the Alien Files this time are Odd Bob the Clown, | 0:00:41 | 0:00:45 | |
sometimes known as the Pied Piper, | 0:00:45 | 0:00:47 | |
Ship and Eve, the alien teenager she protects. | 0:00:47 | 0:00:52 | |
Mr Smith? I need you! | 0:00:55 | 0:00:59 | |
Rani. In what way can I be of assistance? | 0:01:03 | 0:01:07 | |
I need someone to practice my interview technique on. | 0:01:07 | 0:01:10 | |
To get to the top in journalism, you need to know what you're doing. | 0:01:10 | 0:01:13 | |
Might the other members of the Chandra family | 0:01:13 | 0:01:15 | |
be suitable candidates? | 0:01:15 | 0:01:17 | |
I tried interviewing Mum before and it just turned into | 0:01:17 | 0:01:19 | |
a gossip session about how dirty the windows are getting at number 16. | 0:01:19 | 0:01:23 | |
Those net curtains would benefit from the application | 0:01:23 | 0:01:26 | |
of a bleaching agent. | 0:01:26 | 0:01:27 | |
What I need is an interview subject with heroism, intelligence | 0:01:27 | 0:01:32 | |
and a sense of mystery. | 0:01:32 | 0:01:34 | |
I see, Rani. I would be glad to help. | 0:01:34 | 0:01:36 | |
-Great! -Where to begin? | 0:01:36 | 0:01:39 | |
My purpose is Earth's protection from intergalactic threats | 0:01:39 | 0:01:44 | |
-of any nature - rogue meteor, invasion forces... -Er, Mr Smith... | 0:01:44 | 0:01:49 | |
Keeping a cool head when the world is on the brink of destruction | 0:01:49 | 0:01:53 | |
can be a challenge, but a massive intellect helps enormously. | 0:01:53 | 0:01:57 | |
-Sorry, I meant who can you suggest? -Suggest? | 0:01:57 | 0:02:00 | |
Combining heroism, intelligence and a sense of mystery... | 0:02:00 | 0:02:04 | |
as an interviewee? | 0:02:04 | 0:02:06 | |
Oh, I see. | 0:02:06 | 0:02:08 | |
Sorry. | 0:02:08 | 0:02:10 | |
I shall give it some consideration. | 0:02:10 | 0:02:12 | |
Thanks. Oh! Tell you what, while we're at it, | 0:02:12 | 0:02:16 | |
we can upload some information to the Alien Files, eh? | 0:02:16 | 0:02:19 | |
Yes, that would be just great. | 0:02:19 | 0:02:21 | |
Upload to the Alien Files commencing in three, two, one. | 0:02:21 | 0:02:27 | |
I recommend first for examination should be the energy entity | 0:02:34 | 0:02:38 | |
that manifested around the time you moved into Bannerman Road. | 0:02:38 | 0:02:40 | |
Oh, he still gives me the shivers. | 0:02:40 | 0:02:43 | |
Or rather they do... Odd Bob the Clown/Elijah Spellman/the Pied Piper. | 0:02:43 | 0:02:48 | |
Talk about weird. | 0:02:48 | 0:02:50 | |
The Pied Piper, Odd Bob the Clown | 0:02:50 | 0:02:54 | |
and circus ringmaster Elijah Spellman | 0:02:54 | 0:02:57 | |
are merely the known manifestations of this energy entity. | 0:02:57 | 0:03:01 | |
It is not alone among alien beings in being able to impersonate humans. | 0:03:01 | 0:03:06 | |
The Graske possess this ability. | 0:03:06 | 0:03:08 | |
While Androvax The Veil is able to jump into | 0:03:08 | 0:03:11 | |
and take control of bodies. | 0:03:11 | 0:03:15 | |
But the way the Entity is able to take human form | 0:03:15 | 0:03:18 | |
is through feeding on human fear | 0:03:18 | 0:03:20 | |
and it had been doing so for seven centuries, | 0:03:20 | 0:03:23 | |
ever since it landed on Earth embedded in a meteorite. | 0:03:23 | 0:03:27 | |
It had travelled from the Jeggorabax Cluster, | 0:03:27 | 0:03:30 | |
a region of space known to harbour beings that feed on emotions. | 0:03:30 | 0:03:35 | |
Its other strengths include teleportation, | 0:03:35 | 0:03:39 | |
telekinesis and mind control. | 0:03:39 | 0:03:42 | |
To sum up, the entity is unpredictable and ruthless. | 0:03:42 | 0:03:46 | |
Watch out for its shape-shifting ability to take on many aliases. | 0:03:46 | 0:03:50 | |
And he certainly made use of his full repertoire against us. | 0:03:51 | 0:03:55 | |
'Mum, Dad and I just moved in at number 36.' | 0:03:57 | 0:04:00 | |
DOORBELL RINGS | 0:04:00 | 0:04:02 | |
-Yes? -'I'd met Luke, who was clearly the school genius.' | 0:04:03 | 0:04:08 | |
-ALL: -Lukey, Lukey, Lukey... | 0:04:08 | 0:04:10 | |
-Are you a bit of a brain-box, Luke? -They haven't got a box big enough. | 0:04:10 | 0:04:14 | |
'Then there was Clyde, who was very cute, | 0:04:16 | 0:04:19 | |
'not that you'd ever tell him that.' | 0:04:19 | 0:04:22 | |
And then there was my dad to reckon with. | 0:04:22 | 0:04:26 | |
That's enough! | 0:04:26 | 0:04:27 | |
-Silence, the lot of you! -'Somehow I'd not found | 0:04:27 | 0:04:30 | |
'the moment to break the news that I was the new headmaster's daughter.' | 0:04:30 | 0:04:33 | |
You, boy, sit up straight and pay attention! | 0:04:33 | 0:04:36 | |
Nightmare! | 0:04:36 | 0:04:37 | |
Your father had assumed the already arduous role | 0:04:37 | 0:04:41 | |
of headmaster at a difficult time | 0:04:41 | 0:04:43 | |
when a number of children from the area had recently disappeared. | 0:04:43 | 0:04:46 | |
A third child has gone missing. | 0:04:46 | 0:04:49 | |
If you seeing anything, or anyone suspicious, | 0:04:49 | 0:04:52 | |
tell the police immediately. | 0:04:52 | 0:04:55 | |
Think about it from my point of view. | 0:04:56 | 0:04:58 | |
You start a new school where kids have been disappearing, | 0:04:58 | 0:05:02 | |
your dad's the new headmaster and thinks he's Robocop. | 0:05:02 | 0:05:05 | |
What you don't want on top of all that is to start seeing things. | 0:05:05 | 0:05:10 | |
'Like a clown appearing out of nowhere | 0:05:10 | 0:05:14 | |
'and then vanishing just as quickly. | 0:05:14 | 0:05:17 | |
'Although, it soon turned out I wasn't the only one | 0:05:17 | 0:05:20 | |
'seeing this colourful character.' | 0:05:20 | 0:05:22 | |
-There it is! -Where? | 0:05:22 | 0:05:27 | |
Come on. | 0:05:28 | 0:05:30 | |
'Clyde could. Although super brainbox Luke couldn't.' | 0:05:30 | 0:05:35 | |
-'What was that about?' -Where is he? | 0:05:35 | 0:05:37 | |
Search me. | 0:05:37 | 0:05:40 | |
He was here. | 0:05:40 | 0:05:41 | |
-Don't touch it. -Why? | 0:05:48 | 0:05:50 | |
I don't know why. Just don't. | 0:05:50 | 0:05:52 | |
That was such a relief, | 0:05:54 | 0:05:56 | |
to find out it wasn't just me seeing all this crazy clown stuff. | 0:05:56 | 0:06:00 | |
I thought I was going Lady Gaga. | 0:06:00 | 0:06:02 | |
That's how the entity operates, feeding on the fear that stems | 0:06:02 | 0:06:06 | |
from irrational human interpretation of events. | 0:06:06 | 0:06:09 | |
So it needed a little bit of rational investigation of the facts. | 0:06:09 | 0:06:13 | |
'It was weird that not everyone could see the clown. | 0:06:14 | 0:06:17 | |
'I soon worked out that those that could | 0:06:17 | 0:06:20 | |
'had been given free tickets for a circus museum.' | 0:06:20 | 0:06:24 | |
People were handing these out by the Tube. | 0:06:24 | 0:06:26 | |
I think you should talk to my mum. | 0:06:26 | 0:06:27 | |
I can't talk to anyone. Don't you get it? | 0:06:27 | 0:06:29 | |
You haven't seen the clown. | 0:06:29 | 0:06:31 | |
I think only kids that get one of these can see it. | 0:06:31 | 0:06:34 | |
-Then they disappear! -Clyde saw it. -He must have a ticket. | 0:06:34 | 0:06:36 | |
Mum understands things like this. | 0:06:36 | 0:06:38 | |
'I didn't get why Luke kept going on and on about his mum. | 0:06:38 | 0:06:41 | |
'What I didn't realise, of course, | 0:06:41 | 0:06:43 | |
'was what Sarah Jane did and that she and Clyde | 0:06:43 | 0:06:46 | |
'were one step ahead of me and were at the circus museum already.' | 0:06:46 | 0:06:50 | |
Welcome to Spellman's magical museum of the circus. | 0:06:50 | 0:06:55 | |
From the tumblers and the jugglers of Ancient Rome... | 0:06:55 | 0:07:00 | |
..to the father of the modern circus. | 0:07:01 | 0:07:05 | |
Believe it or not, | 0:07:05 | 0:07:07 | |
a sergeant major in the 15th Light Dragoons. | 0:07:07 | 0:07:13 | |
It's not so much the clowns. | 0:07:13 | 0:07:15 | |
The showbiz history that I'm interested in is there. | 0:07:15 | 0:07:17 | |
A reputation for scaring people. | 0:07:17 | 0:07:20 | |
The fear of the painted smile. | 0:07:20 | 0:07:24 | |
'By the time Luke and I got to the museum, | 0:07:27 | 0:07:29 | |
'things had already started getting pretty weird.' | 0:07:29 | 0:07:32 | |
-Someone's animating the clowns. -Look out! | 0:07:35 | 0:07:38 | |
'One creepy clown in my life was one too many | 0:07:38 | 0:07:42 | |
'and here was a whole troupe of model ones come to life. | 0:07:42 | 0:07:44 | |
'It was just too much for me to take in. | 0:07:48 | 0:07:50 | |
'Oh, and that's a good thing to mention in the Alien Files.' | 0:07:50 | 0:07:53 | |
-What was that? -Sonic lipstick, never leave home without it. | 0:07:57 | 0:08:00 | |
'Be prepared for your first alien encounter | 0:08:00 | 0:08:03 | |
'to freak you out a little bit.' | 0:08:03 | 0:08:05 | |
Who am I? | 0:08:05 | 0:08:07 | |
I am the Pied Piper who conjured away a whole town's infants | 0:08:07 | 0:08:12 | |
and has chilled the hearts of parents | 0:08:12 | 0:08:14 | |
for more than seven centuries. | 0:08:14 | 0:08:17 | |
And now I am Odd Bob the Clown, | 0:08:19 | 0:08:24 | |
who snatches children | 0:08:24 | 0:08:26 | |
in the heartbeat their mother's back is turned. | 0:08:26 | 0:08:30 | |
And you are mine! | 0:08:30 | 0:08:34 | |
A bit more data analysis on this entity, Mr Smith. | 0:08:36 | 0:08:39 | |
After all, accurate data is the secret to good journalism. | 0:08:39 | 0:08:43 | |
The entity came to earth inside the Weserbergland Meteorite | 0:08:43 | 0:08:47 | |
which crashed to Earth in Lower Saxony in 1283. | 0:08:47 | 0:08:51 | |
Local fear of the plague gave the entity enough energy | 0:08:51 | 0:08:54 | |
to break out of the meteor and shape-shift | 0:08:54 | 0:08:57 | |
into a brightly clothed human, the Pied Piper, | 0:08:57 | 0:09:00 | |
who abducted all the city of Hamelin's children, | 0:09:00 | 0:09:03 | |
raising fear levels even more. | 0:09:03 | 0:09:06 | |
I always thought the Pied Piper was just a fairy tale. | 0:09:06 | 0:09:09 | |
Turns out he was a shape-shifting alien entity | 0:09:09 | 0:09:12 | |
who'd come to Earth in a meteorite and was here in Ealing. | 0:09:12 | 0:09:16 | |
That's a lot for a girl to take in. | 0:09:16 | 0:09:18 | |
Oh, sweet girl. | 0:09:18 | 0:09:22 | |
-Luke, give me a hand! -Why are you coming after me? | 0:09:22 | 0:09:25 | |
You have a ticket, you are mine. | 0:09:25 | 0:09:28 | |
Get away from her! I'm not scared of you. | 0:09:28 | 0:09:30 | |
But you are scared of me, | 0:09:30 | 0:09:34 | |
Sarah Jane Smith. | 0:09:34 | 0:09:35 | |
'So there we were, held prisoner by a deranged clown | 0:09:35 | 0:09:40 | |
-'who was actually an alien.' -Mum! | 0:09:40 | 0:09:43 | |
MOBILE PHONE RINGS | 0:09:43 | 0:09:45 | |
Just the sort of moment you want to take a call from your mum. | 0:09:45 | 0:09:48 | |
Although, it turns out, her legendary bad timing was spot-on this time. | 0:09:48 | 0:09:52 | |
-Quick, we're out! Come on! -He's frozen! | 0:09:54 | 0:09:58 | |
'Because my mum called, the phone's electro-magnetic waves | 0:09:58 | 0:10:01 | |
'froze Odd Bob the Clown in his tracks.' | 0:10:01 | 0:10:04 | |
Just get in the car! | 0:10:04 | 0:10:05 | |
'We were able to escape, and my life had changed for ever.' | 0:10:05 | 0:10:11 | |
So that was it, I was part of the gang. | 0:10:11 | 0:10:14 | |
And about to learn the weirdest lesson of all. | 0:10:14 | 0:10:17 | |
That whatever alien invaders or super-powerful entities | 0:10:17 | 0:10:21 | |
might be threatening, there's no escaping school! | 0:10:21 | 0:10:23 | |
Welcome to our world, we're the fearless alien hunters, | 0:10:23 | 0:10:27 | |
defenders of Earth, but everything stops for the school bell. | 0:10:27 | 0:10:31 | |
'But it proves how vital it is to always be on your guard.' | 0:10:31 | 0:10:34 | |
He's here. The balloon, it's Odd Bob. He's here. | 0:10:34 | 0:10:37 | |
'Because school was the entity's next target.' | 0:10:37 | 0:10:40 | |
It's as if the balloons are taking control of them. | 0:10:42 | 0:10:45 | |
'Everyone who grabbed a balloon seemed suddenly zombified | 0:10:46 | 0:10:50 | |
'and for anyone who knew the Pied Piper story, | 0:10:50 | 0:10:52 | |
'what was happening in our school would be horribly familiar.' | 0:10:52 | 0:10:56 | |
It was another mass abduction, like in Hamelin. | 0:10:57 | 0:10:59 | |
'But happening here and now in Ealing. | 0:10:59 | 0:11:03 | |
'It was as if the whole school was being controlled by the entity. | 0:11:03 | 0:11:06 | |
'And we were powerless to stop them heading to the circus museum.' | 0:11:06 | 0:11:10 | |
Roll up, roll up! | 0:11:10 | 0:11:11 | |
Welcome to Spellman's magical museum of the circus! | 0:11:11 | 0:11:16 | |
'This was scary stuff and something really special was called for | 0:11:16 | 0:11:19 | |
'to rescue our schoolmates.' | 0:11:19 | 0:11:21 | |
And what was needed was a supercomputer with heroism, | 0:11:21 | 0:11:25 | |
intelligence, and a sense of mystery. | 0:11:25 | 0:11:28 | |
'Luckily, we knew one of those.' | 0:11:28 | 0:11:30 | |
Perhaps I should phone a friend? | 0:11:30 | 0:11:32 | |
Connecting now. | 0:11:34 | 0:11:35 | |
'We knew that mobile signals affected the entity's power.' | 0:11:35 | 0:11:39 | |
-MOBILE PHONES RING -It looks like his line's busy. | 0:11:39 | 0:11:42 | |
It must be Mr Smith. He scanned the school records and rang every pupil. | 0:11:42 | 0:11:46 | |
'So when you simultaneously phoned the whole school, Mr Smith, | 0:11:46 | 0:11:50 | |
'the spell they had fallen under was broken. | 0:11:50 | 0:11:52 | |
'And that's an important point to record in the Alien Files. | 0:11:52 | 0:11:55 | |
'That with a bit of imagination, the most everyday object, like a phone, | 0:11:55 | 0:11:59 | |
'can help against even the most fearsome alien threat.' | 0:11:59 | 0:12:03 | |
You meddle with me at your cost, Sarah Jane Smith. | 0:12:03 | 0:12:07 | |
'But the golden rule when combating hostile aliens is never relax, | 0:12:07 | 0:12:12 | |
'not even for a second.' | 0:12:12 | 0:12:14 | |
Luke? Luke! | 0:12:16 | 0:12:18 | |
-He was right next to me. -Where's he gone? | 0:12:18 | 0:12:20 | |
'The entity had struck in the way it knew would terrify | 0:12:20 | 0:12:23 | |
'Sarah Jane the most, by targeting her son. | 0:12:23 | 0:12:25 | |
'She was petrified, but the most important thing | 0:12:29 | 0:12:33 | |
'to remember about the entity is not to allow it to feed on your fear. | 0:12:33 | 0:12:37 | |
'And it's vital that fact gets recorded in the Alien Files.' | 0:12:37 | 0:12:41 | |
-Spellman, where are you? -LAUGHTER | 0:12:44 | 0:12:48 | |
'If the entity is to be defeated, | 0:12:48 | 0:12:50 | |
'the fear that feeds its energy somehow has to be overcome.' | 0:12:50 | 0:12:53 | |
Not scared of me, Miss Smith? | 0:12:53 | 0:12:56 | |
-Oh, I think you are. -If you hurt my son, Spellman, | 0:12:56 | 0:12:58 | |
if you've done anything to him, I will destroy you! | 0:12:58 | 0:13:01 | |
No-one can destroy fear. | 0:13:01 | 0:13:03 | |
How do you fight fear? What can we do? | 0:13:03 | 0:13:05 | |
'Improvise. That's what.' | 0:13:05 | 0:13:07 | |
All right, Mr Spellman? Listen to this. | 0:13:07 | 0:13:09 | |
Two aerials got married. You should have seen the reception. | 0:13:09 | 0:13:12 | |
-What is this? -Keep away from him. | 0:13:12 | 0:13:14 | |
What do you call a sheep with no legs? A cloud. | 0:13:14 | 0:13:18 | |
What's invisible and smells like carrots? | 0:13:18 | 0:13:20 | |
Rabbit farts. | 0:13:20 | 0:13:23 | |
'As soon as we were laughing at Clyde's jokes, | 0:13:23 | 0:13:25 | |
'we weren't afraid anymore.' | 0:13:25 | 0:13:26 | |
Stop this. Stop it now. | 0:13:26 | 0:13:28 | |
What's wrong? Does the sound of laughter upset you? | 0:13:28 | 0:13:30 | |
You will fear me! | 0:13:30 | 0:13:32 | |
-He's getting weaker. -It is not a frequent occurrence, | 0:13:34 | 0:13:38 | |
but on this one occasion, | 0:13:38 | 0:13:40 | |
Clyde's unique sense of humour did serve a useful purpose. | 0:13:40 | 0:13:44 | |
Oh, yeah, | 0:13:44 | 0:13:45 | |
we have a whole load of weaponry to go up against aliens like Odd Bob. | 0:13:45 | 0:13:48 | |
Your technology, our bravery. | 0:13:48 | 0:13:50 | |
But deadliest of all, Clyde's dodgy jokes. | 0:13:50 | 0:13:54 | |
What's wrong, Mr Spellman? Not game for a laugh? | 0:13:54 | 0:13:56 | |
'People talk about laughing in the face of fear. | 0:13:56 | 0:13:59 | |
'On this occasion, it worked. | 0:13:59 | 0:14:01 | |
'Without fear to feed on, the entity lost the energy | 0:14:01 | 0:14:05 | |
'to keep itself separate from the meteor it had once come from.' | 0:14:05 | 0:14:08 | |
Your pocket. | 0:14:08 | 0:14:10 | |
Sarah Jane had got hold of a piece of a meteor from one of her contacts. | 0:14:10 | 0:14:15 | |
No! | 0:14:18 | 0:14:20 | |
This is where you belong. The meteor that brought you to Earth. | 0:14:20 | 0:14:23 | |
You've always been attached to it but were strong enough to resist. | 0:14:23 | 0:14:27 | |
Not any more, Mr Spelman. The nightmare is over. | 0:14:27 | 0:14:29 | |
So, back into the meteor went the entity in all its forms. | 0:14:30 | 0:14:33 | |
Goodbye, Odd Bob, Pied Piper, and Elijah Spelman. Hopefully, for good. | 0:14:33 | 0:14:38 | |
Thank you, the joker in the pack. | 0:14:38 | 0:14:42 | |
Every alien-busting team should have one. | 0:14:42 | 0:14:46 | |
Wow! What a way to meet the neighbours | 0:14:46 | 0:14:48 | |
and find out what goes on in their attic. | 0:14:48 | 0:14:51 | |
The most amazing place in the world. | 0:14:51 | 0:14:53 | |
You have proved yourself an asset to Sarah Jane, Rani. | 0:14:53 | 0:14:57 | |
Alien threats as disparate as Erasmus Darkening, the Trickster, | 0:14:57 | 0:15:00 | |
and the vain Mrs Wormwood | 0:15:00 | 0:15:02 | |
would have been harder to repel without your help. | 0:15:02 | 0:15:06 | |
Although there was one time - | 0:15:06 | 0:15:08 | |
or one alternative timeline, should I say - | 0:15:08 | 0:15:10 | |
when it looked like this attic would end up totally different. | 0:15:10 | 0:15:15 | |
That would be when you encountered Eve. | 0:15:15 | 0:15:18 | |
She wasn't the invading kind of alien. But she was still trouble. | 0:15:18 | 0:15:22 | |
Data profile of Eve uploading, Rani. | 0:15:22 | 0:15:26 | |
Eve's appearance is of a humanoid teenager | 0:15:26 | 0:15:29 | |
with red skin, eyes and hair. And extended ears. | 0:15:29 | 0:15:33 | |
She is one of an unknown race of aliens | 0:15:33 | 0:15:35 | |
whose home planet was destroyed | 0:15:35 | 0:15:38 | |
because of their ability to read time lines. | 0:15:38 | 0:15:41 | |
It was in the same time war that saw the destruction | 0:15:41 | 0:15:43 | |
of the Doctor's home planet, Gallifrey. | 0:15:43 | 0:15:46 | |
And the demise of almost all of the Time Lords and Daleks. | 0:15:46 | 0:15:49 | |
Her parents smuggled her on to a ship to escape, | 0:15:49 | 0:15:52 | |
but it crashed on a beach on Earth. | 0:15:52 | 0:15:55 | |
I've had friends before who were a bit controlling, | 0:15:55 | 0:15:58 | |
but they had nothing on Eve. | 0:15:58 | 0:15:59 | |
It is true that Eve has the ability to possess and control humans. | 0:15:59 | 0:16:04 | |
As well as the power to read minds | 0:16:04 | 0:16:06 | |
and manipulate objects from a distance. | 0:16:06 | 0:16:09 | |
However, Eve's youth only allows her | 0:16:09 | 0:16:12 | |
to exercise her telekinetic and telepathic powers | 0:16:12 | 0:16:15 | |
for a short time before energy burn-out occurs. | 0:16:15 | 0:16:17 | |
To sum up, she is not a hostile alien. | 0:16:22 | 0:16:24 | |
However, her manipulative and controlling nature, | 0:16:24 | 0:16:28 | |
and raw telekinetic powers, | 0:16:28 | 0:16:30 | |
can create havoc, endangering herself and others. | 0:16:30 | 0:16:34 | |
The Eve saga all started one perfectly normal day | 0:16:36 | 0:16:39 | |
when I couldn't wait to get to the attic | 0:16:39 | 0:16:41 | |
with what I thought was big news. | 0:16:41 | 0:16:43 | |
-We've just been talking to Maria. -Never mind that, look what I found. | 0:16:43 | 0:16:47 | |
There were lights around the BT Tower. They say it was lightning. | 0:16:47 | 0:16:50 | |
-Rani... -That might be what they want us to think because... | 0:16:50 | 0:16:53 | |
-Rani... -There could have been a spaceship or... | 0:16:53 | 0:16:56 | |
It was lightning, Mr Smith checked it out this morning. | 0:16:56 | 0:17:00 | |
Oh, right. | 0:17:00 | 0:17:01 | |
Maria's been helping the Government hide aliens. | 0:17:01 | 0:17:04 | |
-What? -Haven't you heard? She's the new Sarah Jane. | 0:17:04 | 0:17:07 | |
She met a race that look like the Thimbles. | 0:17:07 | 0:17:10 | |
'They were always talking about Maria. | 0:17:10 | 0:17:13 | |
'I suppose I'd kind of taken her place in the Bannerman Road gang.' | 0:17:13 | 0:17:16 | |
I still felt a bit like a new girl. | 0:17:16 | 0:17:18 | |
I'm not sure that I properly fitted in. | 0:17:18 | 0:17:21 | |
And it's easy to get the wrong end of the stick sometimes. | 0:17:21 | 0:17:24 | |
There I was, feeling left out and angry, when an e-mail arrived. | 0:17:25 | 0:17:29 | |
E-MAIL ALERT | 0:17:29 | 0:17:30 | |
It was from Sam. | 0:17:30 | 0:17:32 | |
He was a friend from Danemouth, where I used to live. | 0:17:32 | 0:17:35 | |
His parents had died when he was young, so he lived in an orphanage | 0:17:35 | 0:17:38 | |
which he didn't like much. | 0:17:38 | 0:17:40 | |
He was e-mailing with a really weird story about a disused funfair | 0:17:40 | 0:17:44 | |
which I just had to check out. | 0:17:44 | 0:17:46 | |
Over the past three months, four people have disappeared. | 0:17:47 | 0:17:51 | |
They were homeless, so no-one cared. | 0:17:51 | 0:17:53 | |
This kid came down one night, broke in. | 0:17:53 | 0:17:55 | |
Said he saw a demon in the haunted mine. | 0:17:55 | 0:17:58 | |
-A what? -A red demon. | 0:17:58 | 0:17:59 | |
He said it was like fire, you know? Living fire. | 0:17:59 | 0:18:02 | |
I wanted to prove something to Sarah Jane and the others. | 0:18:03 | 0:18:06 | |
And I wanted to be a journalist, didn't I? | 0:18:06 | 0:18:09 | |
So here was the chance to prove to them and me what I could do. | 0:18:09 | 0:18:12 | |
Four missing people, Sam had said. | 0:18:14 | 0:18:17 | |
It looked like I'd found them, coming out from the haunted mine. | 0:18:17 | 0:18:20 | |
'Not that they were especially pleased to see me.' | 0:18:26 | 0:18:28 | |
Well, this is weird. | 0:18:28 | 0:18:30 | |
And what's happened to their eyes? | 0:18:30 | 0:18:32 | |
Fairground rides that powered themselves, | 0:18:34 | 0:18:37 | |
and a gang of zombies riding them. This was all pretty freaky stuff. | 0:18:37 | 0:18:41 | |
It's always best not to work by yourself when investigating aliens. | 0:18:43 | 0:18:47 | |
Teamwork is crucial. That's certainly worth mentioning in the Alien Files. | 0:18:47 | 0:18:52 | |
But I wasn't thinking straight that day. | 0:18:52 | 0:18:54 | |
I decided to head into the haunted mine they had all come from. | 0:18:54 | 0:18:57 | |
Alone. | 0:18:57 | 0:18:59 | |
And that was when the trouble really started. | 0:18:59 | 0:19:03 | |
"Are you my new friend?" | 0:19:06 | 0:19:09 | |
'It was Eve.' | 0:19:09 | 0:19:10 | |
It's OK. | 0:19:10 | 0:19:12 | |
I've met aliens before. | 0:19:12 | 0:19:14 | |
-"I know." -Right. | 0:19:14 | 0:19:18 | |
So, you can read my mind? | 0:19:19 | 0:19:21 | |
-"You don't need to keep proving yourself." -What? | 0:19:21 | 0:19:24 | |
"You worry about a girl called Maria." | 0:19:24 | 0:19:26 | |
"That Sarah Jane Smith doesn't think you're as good as her." | 0:19:26 | 0:19:29 | |
OK, can you not read my mind? | 0:19:29 | 0:19:32 | |
We hit it off pretty well, though. | 0:19:32 | 0:19:34 | |
Maybe too well. | 0:19:34 | 0:19:36 | |
As females of a similar age, you had much in common. | 0:19:36 | 0:19:40 | |
-Zac Efron. -OK, stop it now. | 0:19:40 | 0:19:44 | |
-He is fit. -Stop it. | 0:19:44 | 0:19:46 | |
Your mind is so full of such... Oh, there's so much in there. | 0:19:46 | 0:19:51 | |
With this new friend, a teenage girl like me, | 0:19:51 | 0:19:54 | |
but with these amazing powers, who needed the old ones? | 0:19:54 | 0:19:58 | |
Sarah Jane, Luke, and Clyde have been trying to contact you | 0:19:58 | 0:20:01 | |
but you want to punish them. | 0:20:01 | 0:20:03 | |
You need them, Rani, you're lost without them. | 0:20:03 | 0:20:05 | |
I'm not. I don't need them. | 0:20:05 | 0:20:08 | |
MOBILE PHONE RINGS | 0:20:08 | 0:20:11 | |
I wish they'd just leave me alone. | 0:20:13 | 0:20:15 | |
That I would live to regret. | 0:20:17 | 0:20:20 | |
But Sarah Jane was the last person on my mind | 0:20:20 | 0:20:22 | |
when Eve offered me what seemed too good an opportunity to miss. | 0:20:22 | 0:20:26 | |
Do it! | 0:20:26 | 0:20:27 | |
'The chance to see my future.' | 0:20:27 | 0:20:29 | |
My name is Rani. Rani Chandra. | 0:20:30 | 0:20:35 | |
'The vision of the future she was showing was of me in the attic | 0:20:35 | 0:20:38 | |
'as an old lady, friendless and alone. | 0:20:38 | 0:20:41 | |
'And it was an awful sight.' | 0:20:41 | 0:20:43 | |
Oh, God. Make it stop. | 0:20:44 | 0:20:46 | |
Please! No, I can't become that! | 0:20:46 | 0:20:50 | |
I'm so lost. So alone, a mad old woman at Bannerman Road. | 0:20:50 | 0:20:56 | |
If the future's not what you hoped for, seeing it can be a shock. | 0:20:59 | 0:21:03 | |
For that very reason, | 0:21:03 | 0:21:05 | |
such knowledge of future events is usually best withheld from humans. | 0:21:05 | 0:21:09 | |
And the present was about to get really tricky, too. | 0:21:09 | 0:21:12 | |
Oh, yes! | 0:21:12 | 0:21:14 | |
While it seemed I had a lonely future in store, Eve was lonely now. | 0:21:15 | 0:21:21 | |
After her ship had crashed here, she was stranded on Earth | 0:21:21 | 0:21:24 | |
and so had lured these people into the fairground to be her friends. | 0:21:24 | 0:21:28 | |
Kind of. | 0:21:28 | 0:21:30 | |
This was her idea of playing - in a game where she was in total control. | 0:21:33 | 0:21:38 | |
Eve, listen to me. You've got to stop this. | 0:21:40 | 0:21:44 | |
'Time for me to make a move... | 0:21:44 | 0:21:47 | |
-'Or so I thought.' -Don't go. You can't leave me. | 0:21:47 | 0:21:50 | |
-I can. -Oh, no, really, you can't. | 0:21:50 | 0:21:55 | |
Frozen to the spot, red eyes like a zombie | 0:21:58 | 0:22:01 | |
because Eve had me in her power. | 0:22:01 | 0:22:03 | |
Could things get any weirder? | 0:22:03 | 0:22:06 | |
Well, yes, they could because there was another alien | 0:22:06 | 0:22:09 | |
about to come into my life. | 0:22:09 | 0:22:12 | |
That's when I met Ship. I wasn't going to forget her in a hurry. | 0:22:12 | 0:22:15 | |
Data on Ship. Processing. | 0:22:15 | 0:22:17 | |
Ship is an irregular shaped ovoid craft powered by black hole energy. | 0:22:20 | 0:22:25 | |
It can manifest with a red human face, often projected onto mirrors. | 0:22:25 | 0:22:30 | |
Ship's mission was to look after Eve | 0:22:30 | 0:22:32 | |
and help her learn to control her powers. | 0:22:32 | 0:22:34 | |
But after crashing, the damage to Ship was such | 0:22:34 | 0:22:38 | |
that the system reboot time was estimated at 20 years. | 0:22:38 | 0:22:41 | |
During which period, Ship was unable to care for Eve properly | 0:22:41 | 0:22:45 | |
which was why she was being kept in the funfair, | 0:22:45 | 0:22:48 | |
hopefully out of harm's way. | 0:22:48 | 0:22:50 | |
But that wasn't how things had worked out. | 0:22:51 | 0:22:54 | |
She is a child, trying to be an adult, and it will burn her mind. | 0:22:56 | 0:23:01 | |
Eve's powers were out of control | 0:23:01 | 0:23:03 | |
and she was in real danger of destroying herself. | 0:23:03 | 0:23:06 | |
So it was lucky she had some real friends to watch out for her. | 0:23:07 | 0:23:11 | |
It's here... | 0:23:11 | 0:23:13 | |
Sarah Jane and Clyde had followed me down to Danemouth. | 0:23:13 | 0:23:15 | |
Together with Sam, | 0:23:15 | 0:23:17 | |
they took Eve back to the beach where Ship had crashed. | 0:23:17 | 0:23:20 | |
I can feel her. | 0:23:20 | 0:23:22 | |
Whoa! Stand back! | 0:23:28 | 0:23:32 | |
That's a spaceship? | 0:23:33 | 0:23:35 | |
Ship. | 0:23:40 | 0:23:41 | |
Ship saved Eve's life by bringing her energy overload under control. | 0:23:43 | 0:23:47 | |
Eve was rescued from her out-of-control powers. | 0:23:49 | 0:23:52 | |
And I was, too. | 0:23:52 | 0:23:54 | |
We were even able to help with fuel. | 0:23:56 | 0:23:58 | |
-A9, can you hear me? -Affirmative, mistress. | 0:23:58 | 0:24:02 | |
I'm in a spaceship, under a beach, on the south coast. | 0:24:02 | 0:24:05 | |
The space ship needs a black hole, reckon you can help? | 0:24:05 | 0:24:08 | |
Affirmative, mistress. | 0:24:08 | 0:24:11 | |
Black hole energy absorbed. | 0:24:11 | 0:24:14 | |
Ship operating at maximum capacity. | 0:24:14 | 0:24:17 | |
And my old friend Sam got an amazing opportunity. | 0:24:21 | 0:24:25 | |
I'd like you to come with us. | 0:24:25 | 0:24:27 | |
We really could go anywhere, in space? | 0:24:27 | 0:24:29 | |
-Yeah. -I don't know what to say. | 0:24:29 | 0:24:32 | |
-Say yes, you idiot. -Yes. | 0:24:32 | 0:24:35 | |
What an adventure. | 0:24:35 | 0:24:37 | |
A new start out among the stars. | 0:24:37 | 0:24:40 | |
Mission accomplished, as they say. | 0:24:40 | 0:24:42 | |
But there was still a shock in store for me. | 0:24:42 | 0:24:44 | |
It's true what they say, | 0:24:44 | 0:24:47 | |
be careful what you wish for. | 0:24:47 | 0:24:49 | |
As a thank you, Ship wanted to pay me back. | 0:24:50 | 0:24:53 | |
I need to grant you your wish. | 0:24:53 | 0:24:55 | |
Sarah Jane, Luke and Clyde have been trying to contact you | 0:24:55 | 0:24:58 | |
but you want to punish them. | 0:24:58 | 0:25:00 | |
I wish they'd just leave me alone. | 0:25:00 | 0:25:02 | |
I guess some aliens don't understand that just because | 0:25:03 | 0:25:06 | |
we humans say something, it doesn't mean we mean it. | 0:25:06 | 0:25:09 | |
I will grant you your wish. | 0:25:09 | 0:25:11 | |
Ship, no! | 0:25:13 | 0:25:15 | |
Ship! Where are they? | 0:25:20 | 0:25:23 | |
-I have granted your wish. -No, Ship, that's not what she meant. | 0:25:23 | 0:25:26 | |
You must leave now, Rani. | 0:25:26 | 0:25:29 | |
Playtime is over. | 0:25:29 | 0:25:32 | |
And what Ship had done created an alternative time line | 0:25:34 | 0:25:38 | |
in which I was left friendless and alone for the rest of my life | 0:25:38 | 0:25:41 | |
until I became the old woman in the attic, | 0:25:41 | 0:25:44 | |
just like in the vision of the future that Eve had shown me. | 0:25:44 | 0:25:48 | |
My name is Rani. Rani Chandra. | 0:25:49 | 0:25:54 | |
And what an alternative time line that was, turning a wonderful | 0:25:54 | 0:25:58 | |
and happy place like this attic into a miserable kind of prison. | 0:25:58 | 0:26:03 | |
-A most distressing outcome. -But friendship is so important. | 0:26:03 | 0:26:06 | |
I'd been a really good friend to Eve, | 0:26:06 | 0:26:08 | |
even when she overstepped the mark a little. | 0:26:08 | 0:26:11 | |
And so, eventually, she paid me back. | 0:26:11 | 0:26:13 | |
Through her son. | 0:26:13 | 0:26:15 | |
Because, one day, 50 years into the future, | 0:26:19 | 0:26:22 | |
a visitor came to the attic wanting to know | 0:26:22 | 0:26:25 | |
what happened all that time ago. And with a surprise for me. | 0:26:25 | 0:26:29 | |
My mum sent me. | 0:26:29 | 0:26:31 | |
I don't understand. | 0:26:31 | 0:26:33 | |
-Eve! -She's my mum. | 0:26:36 | 0:26:39 | |
You helped my mum all those years ago. | 0:26:39 | 0:26:41 | |
Now we want to help you. | 0:26:41 | 0:26:43 | |
How? What can you do? | 0:26:43 | 0:26:46 | |
I can return things to the way they should be. | 0:26:46 | 0:26:49 | |
It was quite big down there. Shouldn't we move back? | 0:26:50 | 0:26:53 | |
RUMBLING | 0:26:53 | 0:26:55 | |
He changed back the time line | 0:26:57 | 0:26:59 | |
so Sarah Jane and the rest didn't go away. | 0:26:59 | 0:27:01 | |
Putting things back as they should be. | 0:27:01 | 0:27:04 | |
Sometimes, visitors to this world just need a friend. Come on. | 0:27:08 | 0:27:13 | |
Let's go home. | 0:27:13 | 0:27:15 | |
To conclude, Rani, uploading three new entries into the Alien Files. | 0:27:17 | 0:27:21 | |
As a permanent record for all to learn | 0:27:21 | 0:27:24 | |
about these deadly threats to Earth's safety. | 0:27:24 | 0:27:27 | |
The entity. | 0:27:30 | 0:27:32 | |
Unpredictable and ruthless. | 0:27:32 | 0:27:35 | |
Its shape-shifting powers mean it has the ability | 0:27:35 | 0:27:37 | |
to manifest as one of many aliases. | 0:27:37 | 0:27:40 | |
Remember, it will feed on your fears. | 0:27:40 | 0:27:43 | |
Eve, manipulative and capable of controlling humans, | 0:27:43 | 0:27:47 | |
both physically and psychologically. | 0:27:47 | 0:27:50 | |
Her telekinetic and psychic powers can create havoc if unchecked. | 0:27:50 | 0:27:54 | |
Approach her with extreme caution. | 0:27:54 | 0:27:56 | |
However much she might mean well. | 0:27:56 | 0:27:59 | |
Ship. | 0:27:59 | 0:28:00 | |
A spacecraft powered by black hole energy | 0:28:00 | 0:28:03 | |
and Eve's protector. | 0:28:03 | 0:28:05 | |
Possessor of advanced powers to read minds and alter time lines. | 0:28:05 | 0:28:09 | |
Be careful what you say in her earshot. | 0:28:09 | 0:28:12 | |
She may take you at your word. | 0:28:12 | 0:28:14 | |
This is Rani Chandra reporting from Sarah Jane's attic, | 0:28:14 | 0:28:18 | |
where uploading to the Alien Files is taking place as I speak. | 0:28:18 | 0:28:21 | |
I hope that these dispatches will be useful. | 0:28:21 | 0:28:24 | |
Over to you. And good luck. | 0:28:24 | 0:28:25 |