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My name is Sarah Jane Smith and I defend the world from aliens. | 0:00:02 | 0:00:05 | |
These are my Alien Files. The collected information gathered by me | 0:00:05 | 0:00:08 | |
and the rest of the Bannerman Road gang about extra-terrestrials | 0:00:08 | 0:00:12 | |
that have threatened our planet and might do so again. | 0:00:12 | 0:00:15 | |
The universe is amazing. | 0:00:18 | 0:00:20 | |
Don't be fooled by what some people might tell you. | 0:00:20 | 0:00:23 | |
It's full of strange and wonderful life. | 0:00:23 | 0:00:25 | |
I've met so much of it out there among the stars, and here on Earth. | 0:00:25 | 0:00:29 | |
But not all of it is friendly. | 0:00:29 | 0:00:31 | |
Pay attention. Because one day Earth might be depending on you. | 0:00:32 | 0:00:38 | |
Entering the Alien Files this time | 0:00:42 | 0:00:44 | |
are the ultimate space warrior clones, the Sontarans. | 0:00:44 | 0:00:47 | |
Luke's creator Mrs Wormwood and her fearsome Bane Mother. | 0:00:47 | 0:00:51 | |
Mr Smith? I need you. | 0:00:57 | 0:00:59 | |
Luke, welcome back from university. | 0:01:05 | 0:01:08 | |
And without the dog, I see. An added bonus. | 0:01:08 | 0:01:11 | |
K-9 seems to like it in Oxford. | 0:01:11 | 0:01:13 | |
Said something about the stimulating company. | 0:01:13 | 0:01:16 | |
My sensors detect a highly volatile biological culture in that bag, | 0:01:16 | 0:01:20 | |
Luke. Have you encountered an alien threat to poison Earth's atmosphere? | 0:01:20 | 0:01:24 | |
No. That's my washing. | 0:01:24 | 0:01:26 | |
Analysis results would suggest incineration | 0:01:26 | 0:01:29 | |
of bio-infected fabrics. | 0:01:29 | 0:01:31 | |
No way, Mr Smith. | 0:01:31 | 0:01:32 | |
You're not burning my jeans. Mum will wash them and they'll be fine. | 0:01:32 | 0:01:37 | |
If you say so, Luke. But you wouldn't | 0:01:37 | 0:01:39 | |
if you had a spectrographic biogram instead of a nose. | 0:01:39 | 0:01:42 | |
Yes, well I don't. | 0:01:42 | 0:01:44 | |
And they'll be fine. | 0:01:44 | 0:01:45 | |
Mum said I need to talk to you about uploading to the Alien Files, | 0:01:45 | 0:01:49 | |
whatever that is. | 0:01:49 | 0:01:50 | |
Your input to the project would be very welcome. | 0:01:50 | 0:01:53 | |
The washing can wait. This is aliens. | 0:01:53 | 0:01:55 | |
We don't get enough of them in Oxford. | 0:01:55 | 0:01:57 | |
Tell me, what's it all about? | 0:01:57 | 0:01:58 | |
Sarah Jane is concerned that a time might come | 0:01:58 | 0:02:01 | |
when the world is in danger and neither she, | 0:02:01 | 0:02:04 | |
you, Clyde nor Rani are available to come to its aid. | 0:02:04 | 0:02:08 | |
So the Alien Files are like a manual that other people could use? | 0:02:08 | 0:02:11 | |
Precisely, Luke. Alien Files preparing to upload. | 0:02:11 | 0:02:15 | |
Information gathering commences in three, two, one... | 0:02:15 | 0:02:20 | |
Might I suggest that a suitable place to begin an inventory | 0:02:26 | 0:02:29 | |
of alien entities would be with one very closely connected to you. | 0:02:29 | 0:02:33 | |
You mean... | 0:02:33 | 0:02:35 | |
The being, other than Sarah Jane, | 0:02:35 | 0:02:37 | |
who likes to call herself your mother. | 0:02:37 | 0:02:39 | |
Mrs Wormwood. | 0:02:39 | 0:02:41 | |
Mrs Wormwood led the Bane force invading Earth, | 0:02:41 | 0:02:44 | |
taking the form of a red-headed human female, | 0:02:44 | 0:02:47 | |
as she is able to do using an image translator. | 0:02:47 | 0:02:50 | |
Quite a difference when she doesn't, though. | 0:02:50 | 0:02:53 | |
Indeed. | 0:02:53 | 0:02:54 | |
The natural form for the vast majority of the Bane | 0:02:54 | 0:02:58 | |
is a three-metre tall beige, tentacled creature with a shell. | 0:02:58 | 0:03:01 | |
The Bane are intelligent, fast moving and fierce. | 0:03:03 | 0:03:06 | |
Pads on their seven tentacles allow them to cling to walls and ceilings. | 0:03:06 | 0:03:10 | |
If any Bane fails in their mission, the punishment is being eaten alive. | 0:03:10 | 0:03:16 | |
To sum up, Mrs Wormwood is a Bane who took human form | 0:03:16 | 0:03:21 | |
when leading their invasion force by using her image translator. | 0:03:21 | 0:03:24 | |
But she can revert to her natural, tentacled state in seconds. | 0:03:24 | 0:03:29 | |
The Bane planned to invade Earth and acquire power over all humans. | 0:03:29 | 0:03:33 | |
And I was part of the plan. | 0:03:33 | 0:03:35 | |
Not that I knew it at the time. | 0:03:35 | 0:03:37 | |
It's amazing thinking back. | 0:03:37 | 0:03:39 | |
It seems like such a long time ago. | 0:03:39 | 0:03:41 | |
Technically speaking, | 0:03:41 | 0:03:43 | |
the Bane plan was in action before you were created. | 0:03:43 | 0:03:46 | |
That's right. When all this began, | 0:03:46 | 0:03:49 | |
I was still being programmed by Mrs Wormwood. I only found out | 0:03:49 | 0:03:52 | |
what had been happening afterwards when Maria told me. | 0:03:52 | 0:03:55 | |
She had just moved into Bannerman Road, | 0:03:55 | 0:03:57 | |
and everywhere, there were ads for this drink. | 0:03:57 | 0:04:00 | |
Bubbleshock! Contains Bane. | 0:04:00 | 0:04:02 | |
It was called Bubbleshock, and everyone was going mad for it. | 0:04:03 | 0:04:07 | |
There were even free buses laid on to take people | 0:04:07 | 0:04:10 | |
for a tour around the factory where they made it. | 0:04:10 | 0:04:13 | |
Although there were some who were not so keen, like Maria. | 0:04:15 | 0:04:18 | |
I don't get how this Bubbleshock stuff is supposed to work. | 0:04:18 | 0:04:22 | |
I don't care. It makes you feel wide-awake and stuff. | 0:04:22 | 0:04:25 | |
-And it tastes fab. -I think it's disgusting. | 0:04:25 | 0:04:28 | |
You're one of the 2%.It doesn't work on 2% of people. That's a fact. | 0:04:28 | 0:04:31 | |
Sarah Jane had heard about this amazing new drink most kids | 0:04:33 | 0:04:36 | |
found irresistible, and was suspicious about the whole thing. | 0:04:36 | 0:04:39 | |
So she decided to investigate. | 0:04:39 | 0:04:41 | |
Sometimes when dealing with aliens | 0:04:45 | 0:04:47 | |
it's down to going with your instincts. | 0:04:47 | 0:04:49 | |
She knew there was something not quite right about this wonder drink. | 0:04:49 | 0:04:52 | |
A quick check on her scanner confirmed her suspicions. | 0:04:52 | 0:04:55 | |
-I knew it! -Aliens were behind it. | 0:04:58 | 0:05:01 | |
But she didn't find the warmest of welcomes when she encountered | 0:05:01 | 0:05:04 | |
the woman behind Bubbleshock, Mrs Wormwood, | 0:05:04 | 0:05:07 | |
and as she was soon to discover, an alien in human form. | 0:05:07 | 0:05:10 | |
100% organic. | 0:05:10 | 0:05:13 | |
Yes, but organic what? | 0:05:13 | 0:05:15 | |
Don't be silly. I can hardly give away our recipe. | 0:05:15 | 0:05:18 | |
I checked with some scientists I know. | 0:05:18 | 0:05:20 | |
Your social circle sounds fascinating. | 0:05:20 | 0:05:23 | |
They tried to analyse a bottle of Bubbleshock. | 0:05:23 | 0:05:26 | |
What's the point of analysis? | 0:05:26 | 0:05:27 | |
It all chemicals and sweeteners and E-numbers. | 0:05:27 | 0:05:31 | |
The test of a drink, is in the tasting. | 0:05:31 | 0:05:34 | |
Meanwhile, on the tour of the factory, Maria's friend Kelsey | 0:05:34 | 0:05:38 | |
had wandered off to make a phone call. And was she in for a surprise! | 0:05:38 | 0:05:42 | |
Hiya, Sukey... | 0:05:42 | 0:05:44 | |
ALARM BEEPS | 0:05:44 | 0:05:47 | |
SHE SCREAMS | 0:05:58 | 0:06:01 | |
Kelsey had stumbled upon the form of Bane served by Mrs Wormwood | 0:06:03 | 0:06:06 | |
and the others, the Bane Mother. | 0:06:06 | 0:06:10 | |
The Bane Mother's huge tentacles are fearsome weapons. | 0:06:10 | 0:06:13 | |
And when failed Bane find themselves on the menu, | 0:06:13 | 0:06:16 | |
it's the Bane Mother that does the eating. | 0:06:16 | 0:06:18 | |
But the most important attribute of the Bane Mother | 0:06:18 | 0:06:21 | |
is the chemical that she secretes. | 0:06:21 | 0:06:24 | |
That was the secret ingredient of the Bubbleshock drink that was | 0:06:24 | 0:06:27 | |
intended to allow the Bane to take control of the population of Earth. | 0:06:27 | 0:06:32 | |
And to help in that plan, the Bane were making a perfect human | 0:06:32 | 0:06:37 | |
which they called the Archetype, | 0:06:37 | 0:06:39 | |
created from the DNA of tens of thousands of visitors to the factory. | 0:06:39 | 0:06:42 | |
And the Archetype was me. | 0:06:42 | 0:06:44 | |
Sorry, everyone. We seem to have some kind of emergency. | 0:06:46 | 0:06:49 | |
Because the Bane mother was highly sensitive to phone signals, | 0:06:49 | 0:06:53 | |
Kelsey's mobile had set off an alarm signal, and that was when I woke up. | 0:06:53 | 0:06:56 | |
Er...hello. | 0:07:12 | 0:07:14 | |
Um...hello. | 0:07:14 | 0:07:15 | |
-Who are you?. -Who are you? | 0:07:15 | 0:07:17 | |
-I'm lost. -I'm lost. | 0:07:17 | 0:07:19 | |
I didn't know what was happening, or who anyone was, even who I was. | 0:07:19 | 0:07:24 | |
I had the combined intelligence of thousands of humans | 0:07:24 | 0:07:27 | |
but right then I was pretty clueless about everything. | 0:07:27 | 0:07:30 | |
A harsh assessment of your grasp of your immediate surroundings. | 0:07:30 | 0:07:34 | |
But ultimately, an accurate one. | 0:07:34 | 0:07:36 | |
The one thing I did know was that I had to get away from that place. | 0:07:36 | 0:07:40 | |
And then this woman arrived. | 0:07:40 | 0:07:41 | |
Little did I know how important she was going to become in my life. | 0:07:41 | 0:07:45 | |
He helped me and my new friend Maria get away. | 0:07:45 | 0:07:47 | |
-What's that thing? -Sonic lipstick. -Search the perimeter. | 0:07:53 | 0:07:57 | |
She bundled me into this green thing she called a car. | 0:07:58 | 0:08:02 | |
And we had escaped! | 0:08:02 | 0:08:03 | |
I ended up here on Bannerman Road, | 0:08:03 | 0:08:05 | |
and it felt like home. | 0:08:05 | 0:08:08 | |
There was so much to take in. | 0:08:10 | 0:08:11 | |
Good job I'm a quick learner. | 0:08:11 | 0:08:13 | |
There was trying to understand what these two girls were on about, | 0:08:13 | 0:08:17 | |
for one thing. | 0:08:17 | 0:08:18 | |
This place is beautiful. | 0:08:18 | 0:08:19 | |
-Thank you. -You're not so bad yourself. | 0:08:19 | 0:08:22 | |
-What does that mean? -He's mine. -Is that good or bad? | 0:08:22 | 0:08:25 | |
That's bad. That's very bad. | 0:08:25 | 0:08:28 | |
And then there was a bigger problem outside. | 0:08:28 | 0:08:31 | |
A huge thing with tentacles climbing up the house, | 0:08:31 | 0:08:35 | |
which even I could tell was not good. | 0:08:35 | 0:08:37 | |
But being ready to cope with the unknown | 0:08:39 | 0:08:41 | |
is all part of the deal when facing hostile aliens. | 0:08:41 | 0:08:44 | |
And that's definitely worth recording in the Alien Files. | 0:08:44 | 0:08:47 | |
The thing coming up the stairs was one of the Bane, | 0:08:47 | 0:08:50 | |
sent by Mrs Wormwood to get rid of Sarah Jane. | 0:08:50 | 0:08:54 | |
Die, Miss Smith. You and the squealing pigs. | 0:08:54 | 0:08:57 | |
This is not happening. | 0:08:57 | 0:08:58 | |
This is so not happening. | 0:08:58 | 0:09:00 | |
That contradicts the facts. | 0:09:00 | 0:09:02 | |
First the children, and then you, old woman. | 0:09:03 | 0:09:07 | |
Hey, less of the old! | 0:09:07 | 0:09:12 | |
Luckily, though, Sarah Jane had some alien bug repellent spray around, | 0:09:12 | 0:09:16 | |
which can stop any Bane in its tracks. | 0:09:16 | 0:09:19 | |
And that bought her some thinking time. | 0:09:22 | 0:09:24 | |
That's mine! | 0:09:27 | 0:09:28 | |
It's the drink. | 0:09:28 | 0:09:29 | |
It's that ingredient, Bane. | 0:09:29 | 0:09:31 | |
Well, it's organic. | 0:09:31 | 0:09:33 | |
It's more than that. It's alive. | 0:09:33 | 0:09:34 | |
Species identified, Bane. | 0:09:34 | 0:09:36 | |
It isn't just an ingredient. It's an alien. | 0:09:36 | 0:09:39 | |
She worked out that Mrs Wormwood was using the Bane chemical | 0:09:41 | 0:09:44 | |
in Bubbleshock to gain control of Earth's population. | 0:09:44 | 0:09:47 | |
And they had created me | 0:09:47 | 0:09:49 | |
as an experiment to try and find a way to make the Bane chemical | 0:09:49 | 0:09:52 | |
irresistible to the 2% of people who didn't like it. | 0:09:52 | 0:09:55 | |
-Mr Smith? -Yes, Sarah Jane. -I need you. | 0:09:56 | 0:09:59 | |
Time for Sarah Jane to have a quiet word with Mrs Wormwood. | 0:09:59 | 0:10:03 | |
Using you, Mr Smith, to hack into the frequency | 0:10:03 | 0:10:06 | |
of the Bubbleshock communications system. | 0:10:06 | 0:10:09 | |
That's like their phone number. | 0:10:13 | 0:10:15 | |
Connecting. | 0:10:15 | 0:10:18 | |
-Mrs Wormwood. -Oh, very clever. | 0:10:19 | 0:10:22 | |
I know who you are and what you are. | 0:10:22 | 0:10:26 | |
Bane. Now leave this planet. | 0:10:26 | 0:10:29 | |
-And if I don't? -Then... I'll have to do something. | 0:10:29 | 0:10:35 | |
Very well. | 0:10:36 | 0:10:39 | |
In the language of your young ones, | 0:10:39 | 0:10:42 | |
bring it on. | 0:10:42 | 0:10:46 | |
Now that Sarah Jane was on to her, | 0:10:46 | 0:10:47 | |
Mrs Wormwood went for the more direct approach. | 0:10:47 | 0:10:50 | |
Mother, events have escalated. | 0:10:50 | 0:10:53 | |
We must declare war on mankind. | 0:10:53 | 0:10:56 | |
Open your mind, Mother. | 0:10:56 | 0:10:58 | |
You must convert the humans containing Bane. | 0:10:58 | 0:11:01 | |
They will convert the rest. | 0:11:01 | 0:11:04 | |
Let this become Bane World. | 0:11:04 | 0:11:08 | |
The Bane Mother began to exercise mind control | 0:11:16 | 0:11:20 | |
over all Bubbleshock lovers. | 0:11:20 | 0:11:22 | |
And as everyone else seemed to be falling under the Bane spell, | 0:11:24 | 0:11:27 | |
it was down to Sarah Jane, Maria and I to stop Mrs Wormwood. | 0:11:27 | 0:11:31 | |
We've got to get to the factory. | 0:11:31 | 0:11:33 | |
-I'm coming with you! -You are staying here. | 0:11:33 | 0:11:35 | |
Dad! | 0:11:35 | 0:11:37 | |
-Drink it. -Dad, no. Dad! -Drink it. | 0:11:38 | 0:11:42 | |
Keep going. The only thing we can do is get to the factory. | 0:11:42 | 0:11:46 | |
When they got there they discovered the Bubbleshock factory | 0:11:55 | 0:11:58 | |
had been secured with a deadlock seal. | 0:11:58 | 0:12:01 | |
What's that noise? | 0:12:01 | 0:12:02 | |
Not that Sarah Jane let that stop her. | 0:12:02 | 0:12:05 | |
Miss Smith. | 0:12:10 | 0:12:13 | |
I warned you, leave this planet. | 0:12:13 | 0:12:16 | |
-But Mrs Wormwood had a surprise up -her -sleeve, too. | 0:12:16 | 0:12:21 | |
Mother, descend and consume them. | 0:12:21 | 0:12:24 | |
I've got this. | 0:12:30 | 0:12:32 | |
Maria remembered how the Bane Mother reacted to mobile phone signals. | 0:12:34 | 0:12:40 | |
The device is tiny. Now you're angered the Bane Mother. | 0:12:41 | 0:12:44 | |
That didn't work. | 0:12:44 | 0:12:46 | |
But I had picked up something in the attic I thought just might do better. | 0:12:46 | 0:12:50 | |
-You forgot this. -What is that? -A signal device from another world. | 0:12:50 | 0:12:53 | |
-And what of it? -Like a mobile phone. Only, to call across the stars. | 0:12:53 | 0:12:57 | |
It must be a million times more powerful. | 0:12:57 | 0:13:00 | |
-Good thing you don't know our frequency. -Mr Smith said it aloud. | 0:13:00 | 0:13:03 | |
But that's dozens of numbers. | 0:13:03 | 0:13:04 | |
I remember them. | 0:13:04 | 0:13:06 | |
You gave me the memory of 10,000 humans. | 0:13:06 | 0:13:09 | |
Stop him! | 0:13:09 | 0:13:11 | |
Calling the Bane! | 0:13:15 | 0:13:16 | |
ALARM BEEPS | 0:13:16 | 0:13:21 | |
You were less than one day old, Luke, | 0:13:37 | 0:13:39 | |
and you had already saved the world | 0:13:39 | 0:13:41 | |
by destroying the Bubbleshock manufacturing plant. | 0:13:41 | 0:13:44 | |
Like I say, "I'm a quick learner." | 0:13:44 | 0:13:46 | |
I would be dead without you, we all would. | 0:13:49 | 0:13:51 | |
You're amazing. The pair of you, amazing! | 0:13:51 | 0:13:54 | |
This is happiness, yes. | 0:13:54 | 0:13:55 | |
Oh, yes. We did it. | 0:13:55 | 0:13:58 | |
-We did it. -There was a lot to be happy about. | 0:13:58 | 0:14:01 | |
I was free from Mrs Wormwood and the Bane. | 0:14:01 | 0:14:04 | |
Sarah Jane agreed to adopt me as a son and I got a new name. | 0:14:04 | 0:14:08 | |
I like Luke, less of a mouthful than the Archetype, | 0:14:08 | 0:14:12 | |
and I'm not sure how that would have gone down at school. | 0:14:12 | 0:14:15 | |
"The" would certainly have been an unusual first name. | 0:14:15 | 0:14:19 | |
But, more importantly, I got myself a mum. | 0:14:19 | 0:14:22 | |
Although, as we discovered, | 0:14:22 | 0:14:24 | |
Sarah Jane still had competition for that position. | 0:14:24 | 0:14:27 | |
Yeah, that's right. I'd settled in, started at school and made friends, | 0:14:27 | 0:14:31 | |
helped save the world a few times. | 0:14:31 | 0:14:33 | |
Indeed, you had helped Sarah Jane foil the Slitheen's plan | 0:14:33 | 0:14:37 | |
to extinguish the sun and being instrumental | 0:14:37 | 0:14:40 | |
in opposing the evil intentions of Kudlak. | 0:14:40 | 0:14:42 | |
Then I had a nightmare. | 0:14:42 | 0:14:44 | |
This was all really weird. I don't usually have dreams. | 0:14:49 | 0:14:53 | |
Hello, Luke. | 0:14:53 | 0:14:55 | |
Least of all, about her. | 0:14:55 | 0:14:58 | |
Then, next morning Rani was at the door with really bad news. | 0:15:00 | 0:15:06 | |
Rani... | 0:15:06 | 0:15:07 | |
My mum, | 0:15:07 | 0:15:08 | |
she's disappeared. | 0:15:08 | 0:15:10 | |
Gita had last been seen at her florists' shop. | 0:15:10 | 0:15:13 | |
So, we headed straight there where we found a cheque signed by... | 0:15:13 | 0:15:17 | |
Mrs Wormwood. | 0:15:17 | 0:15:20 | |
But this was no ordinary cheque. | 0:15:22 | 0:15:25 | |
You put us right on that, Mr Smith. | 0:15:25 | 0:15:27 | |
The cheque is for the Mercian Bank | 0:15:27 | 0:15:29 | |
but the sort code and account digits are not what they purport to be. | 0:15:29 | 0:15:32 | |
So, what are they? | 0:15:32 | 0:15:34 | |
They form a tectric-biaxial numeric code. | 0:15:34 | 0:15:37 | |
Deciphering now. | 0:15:37 | 0:15:39 | |
It's an address! | 0:15:39 | 0:15:41 | |
And, at that address, Sarah Jane and Rani found Gita. | 0:15:41 | 0:15:44 | |
Mum! | 0:15:44 | 0:15:45 | |
And, you can guess who else. | 0:15:45 | 0:15:48 | |
I thought it would be better this way. | 0:15:48 | 0:15:50 | |
Fewer witnesses. | 0:15:51 | 0:15:53 | |
Mrs Wormwood... | 0:15:53 | 0:15:55 | |
Sarah Jane Smith... | 0:15:55 | 0:15:57 | |
Still involving children in your dangerous games. | 0:15:57 | 0:16:01 | |
What do you want? | 0:16:01 | 0:16:03 | |
I want... | 0:16:05 | 0:16:06 | |
Your help. | 0:16:06 | 0:16:08 | |
I beg your pardon? | 0:16:08 | 0:16:10 | |
Believe me, I take no pleasure in this, Miss Smith. | 0:16:10 | 0:16:12 | |
That was a surprise, and a bigger one was to come. | 0:16:12 | 0:16:15 | |
It's a trap! | 0:16:15 | 0:16:17 | |
Oh no, it's me they're after. | 0:16:17 | 0:16:18 | |
Surrender. | 0:16:20 | 0:16:22 | |
Or be devoured. | 0:16:22 | 0:16:24 | |
I'll never surrender. | 0:16:24 | 0:16:25 | |
They were Bane but it seemed to be Mrs Wormwood | 0:16:29 | 0:16:31 | |
who they were most interested in hunting down. | 0:16:31 | 0:16:35 | |
She fended them off with her phonic disrupter and ran for it. | 0:16:39 | 0:16:42 | |
Mrs Wormwood being chased by her own kind. | 0:16:42 | 0:16:45 | |
No-one had seen that coming. | 0:16:45 | 0:16:47 | |
Sarah Jane! | 0:16:52 | 0:16:53 | |
And here was another unexpected twist. | 0:16:56 | 0:16:58 | |
Mrs Wormwood, my mum's sworn enemy, saving her life. | 0:16:58 | 0:17:03 | |
So, what was this all about? | 0:17:06 | 0:17:08 | |
Why had the rest of the Bane turned on Mrs Wormwood? | 0:17:08 | 0:17:11 | |
I don't understand, why are the Bane after you? | 0:17:11 | 0:17:14 | |
My mission on Earth was a failure | 0:17:14 | 0:17:16 | |
for which I was cast out from the Bane kindred. | 0:17:16 | 0:17:19 | |
That's why they're hunting you? | 0:17:19 | 0:17:20 | |
No. I am hunted because I want to stop them taking over the Galaxy. | 0:17:20 | 0:17:24 | |
Mrs Wormwood trying to saving the Galaxy. | 0:17:24 | 0:17:26 | |
Almost as unbelievable as her visiting this attic. | 0:17:26 | 0:17:29 | |
This is from where you save the world. | 0:17:29 | 0:17:31 | |
How comfortingly unsophisticated. | 0:17:31 | 0:17:35 | |
It was a weird situation. | 0:17:35 | 0:17:37 | |
Sarah Jane is my mum, she brought me up but Mrs Wormwood had made me. | 0:17:37 | 0:17:41 | |
She brought me to life and here she was, right here in this attic. | 0:17:41 | 0:17:45 | |
I made you rather handsome, didn't I? For a human. | 0:17:45 | 0:17:49 | |
And, there can't be anyone at your school to match your intelligence. | 0:17:49 | 0:17:53 | |
Just get to the point. | 0:17:53 | 0:17:56 | |
Have you ever heard the legend of Horath? | 0:17:57 | 0:18:00 | |
Of the Dark Empire? | 0:18:00 | 0:18:01 | |
No... | 0:18:01 | 0:18:04 | |
Mr Smith? | 0:18:04 | 0:18:06 | |
The Dark Empire was a period of tyrannical galactic rule | 0:18:06 | 0:18:09 | |
by a mysterious and reportedly immortal alien entity called Horath, | 0:18:09 | 0:18:13 | |
who crushed the civilisations of all but the most primitive planets. | 0:18:13 | 0:18:17 | |
Horath was defeated, but couldn't be killed. | 0:18:17 | 0:18:20 | |
So his body and his consciousness were divided | 0:18:20 | 0:18:23 | |
and they were hidden at opposite ends of the Galaxy. | 0:18:23 | 0:18:26 | |
Are you saying that the Bane have found Horath? | 0:18:26 | 0:18:28 | |
His consciousness, in the Caldian Cluster. | 0:18:28 | 0:18:31 | |
They have a mercenary agent bringing it to Earth. | 0:18:31 | 0:18:34 | |
And, don't tell me, this is where they hid the other half, right? | 0:18:34 | 0:18:38 | |
3,000 years ago there was nowhere more primitive than Earth. | 0:18:38 | 0:18:44 | |
Little has changed. | 0:18:46 | 0:18:48 | |
Mum agreed to help, after some precautionary measures. | 0:18:48 | 0:18:52 | |
-Mr Smith, contain Mrs Wormwood. -Instantly! | 0:18:52 | 0:18:54 | |
-What treachery is this? -You'll be perfectly safe while I'm gone. | 0:18:54 | 0:18:59 | |
How can you know that? The Bane have agents everywhere. | 0:18:59 | 0:19:02 | |
Mum and Rani headed to the unit's legendary and secret | 0:19:08 | 0:19:11 | |
black archive of alien objects and information. | 0:19:11 | 0:19:15 | |
It's huge. | 0:19:17 | 0:19:18 | |
The most extensive collection of alien artefacts anywhere on Earth. | 0:19:21 | 0:19:25 | |
They were in search of a scroll | 0:19:25 | 0:19:27 | |
which said where the body of the entity, | 0:19:27 | 0:19:29 | |
Horath, was hidden. | 0:19:29 | 0:19:31 | |
Working with Mrs Wormwood like this was hardly an ideal option but | 0:19:33 | 0:19:38 | |
it's worth putting in Alien Files | 0:19:38 | 0:19:39 | |
that sometimes there is no ideal option. | 0:19:39 | 0:19:42 | |
And this plan had to be better than the rest of the Bane | 0:19:43 | 0:19:46 | |
getting their hands on the body of Horath | 0:19:46 | 0:19:48 | |
as well as its consciousness and taking control of the Galaxy. | 0:19:48 | 0:19:52 | |
Sarah Jane had the scroll. | 0:20:00 | 0:20:03 | |
DOORBELL RINGS | 0:20:03 | 0:20:05 | |
While back on Bannerman Road, Clyde and I were not expecting visitors. | 0:20:05 | 0:20:09 | |
Sorry, this isn't a good time. | 0:20:09 | 0:20:11 | |
Especially this kind... | 0:20:11 | 0:20:13 | |
Luke! Luke, it's the one-eyed squidy thing! | 0:20:16 | 0:20:20 | |
Something's happened. | 0:20:20 | 0:20:22 | |
They've found me. They'll eat me alive. | 0:20:22 | 0:20:24 | |
You'll have to help me, Luke. I am your mother! | 0:20:24 | 0:20:28 | |
Sarah Jane had left strict instructions | 0:20:28 | 0:20:31 | |
not to release Mrs Wormwood under any circumstances. | 0:20:31 | 0:20:34 | |
What could I do? Whatever Mrs Wormwood had done in the past, | 0:20:34 | 0:20:37 | |
I couldn't just leave her for the Bane to eat her. | 0:20:37 | 0:20:40 | |
We have to escape the back way. | 0:20:40 | 0:20:41 | |
-What's she doing out? -We couldn't leave her. | 0:20:41 | 0:20:44 | |
-Are you ready? -OK. -On three. | 0:20:44 | 0:20:46 | |
-On three. -One... | 0:20:46 | 0:20:49 | |
Forget it, run! | 0:20:49 | 0:20:51 | |
Mrs Wormwood said the Bane were after her to punish her | 0:20:52 | 0:20:55 | |
for failing in the Bubbleshock plan. | 0:20:55 | 0:20:57 | |
-Go back. -The phonic disrupter isn't working. | 0:20:57 | 0:20:59 | |
Although we started to get an idea all was not what it seemed | 0:20:59 | 0:21:02 | |
when an even more unexpected visitor made an appearance. | 0:21:02 | 0:21:06 | |
And, saved Mrs Wormwood's skin. | 0:21:08 | 0:21:10 | |
Kaagh, such perfect timing. | 0:21:10 | 0:21:13 | |
The last person I was expecting was Sontaran Commander Kaagh. | 0:21:15 | 0:21:18 | |
We'd only recently sent him back to Sontar | 0:21:18 | 0:21:20 | |
after he'd tried to destroy the Earth. | 0:21:20 | 0:21:22 | |
Perhaps outline your previous encounter with Commander Kaagh? | 0:21:22 | 0:21:26 | |
OK, let's start with a data profile. | 0:21:26 | 0:21:28 | |
The Sontarans originate from the planet, Sontar, in Mutter's Spiral. | 0:21:30 | 0:21:35 | |
They are all identical in appearance. | 0:21:35 | 0:21:37 | |
Humanoid with grey/brown skin, stocky bodies and large heads. | 0:21:37 | 0:21:42 | |
Or as Clyde calls them, the baked spuds from outer space. | 0:21:42 | 0:21:46 | |
How very Clyde! | 0:21:46 | 0:21:48 | |
They are a proud and war-loving race obsessed with honour in battle. | 0:21:48 | 0:21:53 | |
While others, such as the Daleks, | 0:21:53 | 0:21:55 | |
might pride themselves on their war-like qualities | 0:21:55 | 0:21:57 | |
the Sontarans have been cloned as the perfect fighting species. | 0:21:57 | 0:22:01 | |
One major Sontaran weakness, however, is that a blow | 0:22:01 | 0:22:06 | |
to the probic vent on the back of their necks, | 0:22:06 | 0:22:08 | |
where they absorb energy, can stun or even kill them. | 0:22:08 | 0:22:11 | |
That's how we stopped Kaagh when he attacked Earth once before. | 0:22:11 | 0:22:15 | |
He planned to crash satellites into power plants across the world | 0:22:15 | 0:22:18 | |
until Maria's mum put the boot in. | 0:22:18 | 0:22:20 | |
Indeed... | 0:22:23 | 0:22:25 | |
The Sontarans are war obsessed and fearless. | 0:22:25 | 0:22:29 | |
This clone race of fighting machines are single-minded opponents. | 0:22:29 | 0:22:32 | |
We packed him back to Sontar and didn't expect | 0:22:32 | 0:22:35 | |
to hear from him again in a hurry. | 0:22:35 | 0:22:37 | |
So seeing him back teamed up with Mrs Wormwood | 0:22:37 | 0:22:39 | |
that's what you'd call double trouble. | 0:22:39 | 0:22:41 | |
And soon Sarah Jane Smith shall lead us to Horath | 0:22:41 | 0:22:46 | |
and make us emperors of the Galaxy. | 0:22:46 | 0:22:50 | |
She will crawl before me as we crush her world. | 0:22:50 | 0:22:54 | |
When Sarah Jane returned with the scroll she found Mrs Wormwood | 0:22:55 | 0:22:59 | |
wasn't being so friendly any more. | 0:22:59 | 0:23:01 | |
Give me the scroll. | 0:23:02 | 0:23:06 | |
-Don't do it, Sarah Jane. -Oh, I suggest you do | 0:23:06 | 0:23:08 | |
or Kaagh will disintegrate your friends, one at a time. | 0:23:08 | 0:23:12 | |
What a surprise! | 0:23:12 | 0:23:14 | |
Mrs Wormwood with Kaagh at her side was hatching an evil plan after all. | 0:23:14 | 0:23:18 | |
You're mad. It will destroy you. | 0:23:18 | 0:23:22 | |
The Bane's plan had been to tap into the awesome power | 0:23:22 | 0:23:26 | |
of the ancient entity, Horath, | 0:23:26 | 0:23:28 | |
by uniting its body with its consciousness | 0:23:28 | 0:23:31 | |
but Kaagh had stolen its consciousness from them. | 0:23:31 | 0:23:34 | |
Now Mum had brought them the scroll which said where Horath's body was, | 0:23:34 | 0:23:38 | |
Mrs Wormwood and Kaagh | 0:23:38 | 0:23:39 | |
were planning to become rulers of the Galaxy together. | 0:23:39 | 0:23:42 | |
The eye of Horath, | 0:23:42 | 0:23:45 | |
begins to open, | 0:23:45 | 0:23:48 | |
and the Galaxy shall tremble. | 0:23:48 | 0:23:52 | |
But the cracks were starting to appear | 0:23:54 | 0:23:56 | |
in the Wormwood and Kaagh alliance. | 0:23:56 | 0:23:58 | |
Kaagh, The Slayer, | 0:23:58 | 0:24:00 | |
Kaagh, The Shambles, more like. | 0:24:00 | 0:24:02 | |
Ouch! That phonic disrupter of Mrs Wormwood's hurts. | 0:24:04 | 0:24:08 | |
Now, do we understand each other? | 0:24:08 | 0:24:10 | |
Yes. | 0:24:10 | 0:24:12 | |
You always knew that partnership would have its problems. | 0:24:12 | 0:24:15 | |
Indeed. The collaboration between two power-hungry aliens | 0:24:15 | 0:24:19 | |
like Wormwood and Kaagh had a fatal flaw. | 0:24:19 | 0:24:22 | |
However much they needed one another neither could trust the other. | 0:24:22 | 0:24:26 | |
Those problems only got worse | 0:24:28 | 0:24:30 | |
when we reached the Stone Circle where Horath's body was located. | 0:24:30 | 0:24:34 | |
This is it. The birthplace of a new galactic eon. | 0:24:34 | 0:24:39 | |
The age of Wormwood. | 0:24:39 | 0:24:40 | |
And Kaagh. | 0:24:40 | 0:24:43 | |
If you really want the Empire to sound like a firm of solicitors. | 0:24:43 | 0:24:47 | |
No female can rule an Empire alone. | 0:24:47 | 0:24:51 | |
You need me, Wormwood. | 0:24:51 | 0:24:52 | |
And Kaagh's suspicions seemed to be confirmed as a portal began to open | 0:24:54 | 0:24:58 | |
and I suddenly seemed to be part of Mrs Wormwood's plans | 0:24:58 | 0:25:01 | |
for galactic domination. | 0:25:01 | 0:25:03 | |
Soon the most almighty power in the universe will be ours. | 0:25:03 | 0:25:08 | |
What treachery is this, Bane? | 0:25:08 | 0:25:11 | |
The half born has no place in our bargain. | 0:25:11 | 0:25:14 | |
Consider our arrangement terminated! | 0:25:14 | 0:25:19 | |
Join me. | 0:25:26 | 0:25:28 | |
It was a no brainer. | 0:25:28 | 0:25:29 | |
What would I want with being the ruler of a galaxy? | 0:25:29 | 0:25:32 | |
It's complicated enough being a teenager! | 0:25:32 | 0:25:35 | |
My son. | 0:25:35 | 0:25:36 | |
Luke! | 0:25:38 | 0:25:40 | |
Mum! | 0:25:40 | 0:25:42 | |
Thank goodness you're all right. | 0:25:44 | 0:25:47 | |
Mrs Wormwood was going it alone | 0:25:47 | 0:25:50 | |
and about to unleash the powers of Horath. | 0:25:50 | 0:25:53 | |
Well, Kaagh had been humiliated. | 0:25:53 | 0:25:55 | |
It's worth putting in the Alien Files when a Sontaran's pride | 0:25:55 | 0:25:58 | |
has been dented that's when they're at their most dangerous. | 0:25:58 | 0:26:02 | |
I've been a disgrace to Sontar. | 0:26:02 | 0:26:05 | |
I've betrayed the brotherhood of warriors. | 0:26:05 | 0:26:08 | |
With your deaths, the age of Wormwood, shall begin! | 0:26:08 | 0:26:14 | |
Get down! | 0:26:19 | 0:26:20 | |
What happened? | 0:26:27 | 0:26:29 | |
Mrs Wormwood was about to discharge and Kaagh pushed her into the portal. | 0:26:29 | 0:26:32 | |
I think it overloaded the system. | 0:26:32 | 0:26:35 | |
I thought I'd seen a lot of crazy stuff, | 0:26:35 | 0:26:38 | |
but the universe saved by a Sontaran. | 0:26:38 | 0:26:40 | |
That's not something you come across every day. | 0:26:40 | 0:26:43 | |
Mrs Wormwood underestimated Sontaran pride. | 0:26:43 | 0:26:46 | |
Her use of Kaagh as a henchman ultimately reminded him | 0:26:46 | 0:26:49 | |
of his lost, if questionable, valour as a Sontaran warrior. | 0:26:49 | 0:26:53 | |
The big question is, what happened to both of them | 0:26:53 | 0:26:56 | |
when Kaagh pushed Mrs Wormwood into the vortex? | 0:26:56 | 0:26:59 | |
I kind of hope we never find out. | 0:26:59 | 0:27:00 | |
To conclude, Luke... | 0:27:00 | 0:27:02 | |
Uploading three new entries into the Alien Files | 0:27:04 | 0:27:08 | |
as a permanent record | 0:27:08 | 0:27:09 | |
for all to learn about these deadly threat's to Earth's safety. | 0:27:09 | 0:27:13 | |
The Sontarans... | 0:27:17 | 0:27:18 | |
War obsessed and totally fearless. | 0:27:18 | 0:27:21 | |
This clone race of fighting machines are single-minded opponents. | 0:27:21 | 0:27:26 | |
They are driven by pride | 0:27:26 | 0:27:28 | |
but that can also be their downfall. | 0:27:28 | 0:27:30 | |
Mrs Wormwood... | 0:27:30 | 0:27:32 | |
The human form taken by this leader of the Bane invasion force. | 0:27:32 | 0:27:36 | |
When not using her image translator, | 0:27:36 | 0:27:39 | |
she reverts to her tentacled Bane form, | 0:27:39 | 0:27:41 | |
allowing her to cling to walls and ceilings. | 0:27:41 | 0:27:44 | |
She seeks power over all humans. | 0:27:44 | 0:27:47 | |
Don't trust her. | 0:27:47 | 0:27:49 | |
The Bane Mother. | 0:27:49 | 0:27:51 | |
Bigger than the rest of the Bane. | 0:27:51 | 0:27:53 | |
Her huge tentacles are fearsome weapons. | 0:27:53 | 0:27:56 | |
The chemical she secretes can allow the Bane | 0:27:56 | 0:27:58 | |
to control those who drink it. | 0:27:58 | 0:28:00 | |
She eats her enemies, | 0:28:00 | 0:28:02 | |
so always keep your distance. | 0:28:02 | 0:28:05 | |
This is Luke Smith logging off after Alien Files update | 0:28:05 | 0:28:08 | |
and, if you encounter either Mrs Wormwood or Kaagh, | 0:28:08 | 0:28:10 | |
then good luck. You'll need it. | 0:28:10 | 0:28:13 |