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Welcome to Glee Club. | 0:00:02 | 0:00:04 | |
Last time, The Gleeks secured | 0:00:04 | 0:00:06 | |
the top spot on the leaderboard. | 0:00:06 | 0:00:08 | |
# We go together like rama-dama-dama du-ding-a-ding-a-dong... # | 0:00:08 | 0:00:12 | |
Which of today's groups can join them in the top five | 0:00:12 | 0:00:15 | |
and be one step closer to the semifinal? | 0:00:15 | 0:00:17 | |
# And you're gonna hear me roar... # | 0:00:17 | 0:00:21 | |
This is Sport Relief Does Glee Club 2014! | 0:00:21 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:40 | 0:00:44 | |
Please welcome your hosts - Sam and Mark! | 0:00:47 | 0:00:50 | |
CHEERING AND APPLAUSE CONTINUES | 0:00:50 | 0:00:54 | |
-BOTH: -Hello! | 0:00:57 | 0:00:58 | |
And welcome to Sport Relief Does Glee Club and the studio heats. | 0:00:58 | 0:01:02 | |
We searched every corner of the country | 0:01:02 | 0:01:04 | |
for Britain's top young performers | 0:01:04 | 0:01:06 | |
and, let me tell you, we haven't been disappointed. | 0:01:06 | 0:01:09 | |
Backstage, three more acts are ready and waiting to impress our judges. | 0:01:09 | 0:01:12 | |
And who better to keep an eye on them | 0:01:12 | 0:01:14 | |
and offer any last-minute advice that a woman, who, | 0:01:14 | 0:01:17 | |
if she was 30 years younger, would definitely be taking part. | 0:01:17 | 0:01:19 | |
She'll not be happy that you said that! | 0:01:19 | 0:01:21 | |
It's the one and only Naomi Wilkinson. | 0:01:21 | 0:01:23 | |
CHEERING AND APPLAUSE | 0:01:23 | 0:01:26 | |
-Hello, I was joking. You do look lovely. -You do look lovely. | 0:01:32 | 0:01:35 | |
Why are you two looking so smug today? | 0:01:35 | 0:01:38 | |
Funny you should ask, cos Sam and I have only gone | 0:01:38 | 0:01:41 | |
and invented a new sport in honour of Sport Relief. So... | 0:01:41 | 0:01:45 | |
Wow, that's incredible! Tell me about it. | 0:01:45 | 0:01:48 | |
I mean, do you've to be in a team to play it? Is it high impact? | 0:01:48 | 0:01:51 | |
I suppose you've got to be mega-tough to play this one? | 0:01:51 | 0:01:54 | |
I mean, could you break any bones? Grrr! | 0:01:54 | 0:01:56 | |
-Naomi, no, no, no, no, you have to be far more skilful than that. -Yeah. | 0:01:56 | 0:02:00 | |
You have to really be focused on what you're doing | 0:02:00 | 0:02:02 | |
have your wits about you | 0:02:02 | 0:02:03 | |
-and have a very delicate touch. -Oh, skilful. | 0:02:03 | 0:02:06 | |
What? Like in archery or table tennis, something like that? | 0:02:06 | 0:02:10 | |
What have you called it? | 0:02:10 | 0:02:11 | |
-Are you ready for this? -Yeah. | 0:02:11 | 0:02:13 | |
Naomi Wilkinson, I give you... | 0:02:13 | 0:02:15 | |
-toothbrush golf. -Oh, yeah. | 0:02:15 | 0:02:17 | |
Look at that. Look how clean it gets it. | 0:02:17 | 0:02:20 | |
Oh, my goodness. You two have really done it this time. | 0:02:20 | 0:02:24 | |
Of all the crazy ideas you two could have come up with, that... | 0:02:24 | 0:02:30 | |
-is the best! -Yes! -Can I take it next stage to practise, please? | 0:02:30 | 0:02:34 | |
-Yeah, yeah. -Cool. -Naomi Wilkinson everyone. She loves it. She loves it! | 0:02:34 | 0:02:38 | |
Now, it's time to bring back four people who have the power | 0:02:40 | 0:02:44 | |
to make dreams come true and create stars of the future. | 0:02:44 | 0:02:47 | |
Sadly, the X Factor judges were busy so we've got the next best thing. | 0:02:47 | 0:02:50 | |
Go crazy for Carrie, David, Sisco and the other one. | 0:02:50 | 0:02:53 | |
It's the judges! | 0:02:53 | 0:02:55 | |
CHEERING AND APPLAUSE | 0:02:55 | 0:02:57 | |
COMMENTS DROWNED OUT BY CHEERING | 0:03:06 | 0:03:09 | |
-You shouldn't have done that. -I know. I really am sorry. | 0:03:09 | 0:03:12 | |
Nice to see you guys. Now, lovely Sisco... | 0:03:12 | 0:03:14 | |
You know I love you, John, by the way. | 0:03:14 | 0:03:15 | |
Lovely Sisco, please step forward | 0:03:15 | 0:03:17 | |
and show us what you are wearing today. | 0:03:17 | 0:03:21 | |
Wow! | 0:03:21 | 0:03:23 | |
-Explain. What is happening? -I think we should go down. | 0:03:25 | 0:03:28 | |
-OK, I like that. -It's the shoes. -Yeah, nice. -Look at these beauties. | 0:03:28 | 0:03:32 | |
-Beautiful. -Pow. | 0:03:32 | 0:03:34 | |
You're not getting through airport security in them bad boys. | 0:03:34 | 0:03:37 | |
LAUGHTER | 0:03:37 | 0:03:39 | |
Wow! They are fantastic. | 0:03:39 | 0:03:40 | |
-This is quite calm for me, don't you reckon? -Yeah. | 0:03:40 | 0:03:43 | |
-Do you know what? It's all about the confidence. -It really is. Amazing. | 0:03:43 | 0:03:46 | |
Well, judges, while we reassess our wardrobe, after that, you guys, | 0:03:46 | 0:03:50 | |
if you'd like to take your seats. Whilst they doing that, | 0:03:50 | 0:03:53 | |
let's find out a little bit more about our perfect panel. | 0:03:53 | 0:03:55 | |
They are THE top coaches in the industry | 0:03:55 | 0:03:58 | |
and have worked with massive acts, like Madonna and Take That. | 0:03:58 | 0:04:01 | |
It's the judges! | 0:04:01 | 0:04:03 | |
John has worked behind-the-scenes on shows like the X Factor, | 0:04:03 | 0:04:06 | |
and The Voice, and with a variety of celebrities, | 0:04:06 | 0:04:08 | |
including JLS and Leona Lewis. | 0:04:08 | 0:04:12 | |
Choreographer Sisco has worked with Alexandra Burke | 0:04:13 | 0:04:15 | |
and Kylie Minogue, to name but two. | 0:04:15 | 0:04:18 | |
He also puts the contestants | 0:04:18 | 0:04:19 | |
through their paces backstage on the X Factor. | 0:04:19 | 0:04:22 | |
Carrie and David are vocal coaches to the stars. | 0:04:22 | 0:04:25 | |
They've worked with an impressive list of pop artists, | 0:04:25 | 0:04:28 | |
including The Saturdays, Marvin Humes and even Gwyneth Paltrow. | 0:04:28 | 0:04:31 | |
It's the judges. | 0:04:33 | 0:04:35 | |
CHEERING | 0:04:35 | 0:04:36 | |
-You see. They're not just pretty faces. -Now for the important bit. | 0:04:38 | 0:04:42 | |
15 groups have made it through to the heats today. | 0:04:42 | 0:04:44 | |
Three of those acts will battle it out for our experts, | 0:04:44 | 0:04:47 | |
who'll be scoring them on vocal ability, creativity and performance. | 0:04:47 | 0:04:50 | |
All four judges will be giving | 0:04:50 | 0:04:52 | |
marks out of ten for each of the disciplines, | 0:04:52 | 0:04:54 | |
so there are plenty of points to be won. | 0:04:54 | 0:04:55 | |
And in the unlikely event of a tie, | 0:04:55 | 0:04:57 | |
head judge Carrie will decide who gets the medals Hi, Carrie. | 0:04:57 | 0:05:00 | |
-Hello. -Hello, Carrie. | 0:05:00 | 0:05:01 | |
The acts with the top five scores across the heats | 0:05:01 | 0:05:03 | |
will then compete in the live finals, | 0:05:03 | 0:05:05 | |
where it'll be up to you at home to vote for your favourites. | 0:05:05 | 0:05:08 | |
And the winners will take home this fantastic | 0:05:08 | 0:05:10 | |
Sport Relief Does Glee Club 2014 trophy! | 0:05:10 | 0:05:14 | |
CHEERING AND WHOOPING | 0:05:14 | 0:05:17 | |
-Interesting what you can find in skips these days. -It really is. | 0:05:17 | 0:05:20 | |
Let's find out how Naomi is getting on with the groups backstage. | 0:05:20 | 0:05:23 | |
Thank you very much, boys. | 0:05:23 | 0:05:24 | |
Yes, I am backstage with Miss Chief, Inferno and Unity 7. | 0:05:24 | 0:05:27 | |
Miss Chief, let's talk to you first. | 0:05:27 | 0:05:29 | |
Have you been up to a lot of mischief since we last saw you? | 0:05:29 | 0:05:31 | |
-Yeah, Yes. -Always. Look at your cheeky faces. | 0:05:31 | 0:05:34 | |
Now, Ellie... Where's Ellie? There you are. | 0:05:34 | 0:05:36 | |
You broke your foot, didn't you? What happened? | 0:05:36 | 0:05:39 | |
I broke my foot about a month before the performance | 0:05:39 | 0:05:44 | |
and, um, the rehearsals were a bit limited, because I couldn't do much. | 0:05:44 | 0:05:49 | |
I could watch and learn, but I couldn't really do anything. | 0:05:49 | 0:05:53 | |
Are you feeling fit now and ready for today's performance? | 0:05:53 | 0:05:56 | |
-Yeah. -I hope it goes well. | 0:05:56 | 0:05:58 | |
As if it wasn't hot enough in here, with all the pre-singing nerves, | 0:05:58 | 0:06:01 | |
we have Inferno in here. | 0:06:01 | 0:06:03 | |
Now, I understand, Inferno, | 0:06:03 | 0:06:04 | |
you have a secret weapon in amongst you, don't you? | 0:06:04 | 0:06:07 | |
Who is it? | 0:06:07 | 0:06:08 | |
-Saskia. -Saskia, are you a secret weapon? -Because I do a flip. | 0:06:08 | 0:06:12 | |
-Are you including that in the performance today? -Yeah. | 0:06:12 | 0:06:15 | |
Whoo! How does that feel? | 0:06:15 | 0:06:17 | |
It's a bit like nerve-racking, but I'm excited about it. | 0:06:17 | 0:06:20 | |
-Are you sure you're going to pull it off? -Yeah. | 0:06:20 | 0:06:23 | |
You guys haven't been together as long as some of the other glee clubs | 0:06:23 | 0:06:26 | |
so has that put pressure on you to get better quickly? | 0:06:26 | 0:06:28 | |
-Yeah. -Yeah. -How have you managed that? -We've been quite good friends. | 0:06:28 | 0:06:33 | |
We work together, so it's quite good. | 0:06:33 | 0:06:35 | |
-All supporting one another. -Yeah. -That's what we like to hear. | 0:06:35 | 0:06:38 | |
And over to Unity 7, who also, I think, | 0:06:38 | 0:06:39 | |
have a secret weapon in amongst you, don't you? | 0:06:39 | 0:06:42 | |
Who's the main singer? | 0:06:42 | 0:06:43 | |
Me. | 0:06:43 | 0:06:45 | |
And don't you have a little trick you like to do before you sing? | 0:06:45 | 0:06:48 | |
Um, this is so embarrassing. | 0:06:48 | 0:06:50 | |
I always take in a strawberry milkshake. | 0:06:50 | 0:06:52 | |
-Why? -It's, kind of, a psychological thing. | 0:06:52 | 0:06:55 | |
I have to have a strawberry milkshake before a rehearsal. | 0:06:55 | 0:06:58 | |
-It makes you feel better? -It does. It really helps me out. | 0:06:58 | 0:07:00 | |
How are you all feeling about performing | 0:07:00 | 0:07:02 | |
in front of a live studio audience and in a TV studio? | 0:07:02 | 0:07:05 | |
-We're very excited. -Yeah. -You're just looking forward to it? -Yeah. | 0:07:05 | 0:07:08 | |
-The nerves are not getting the better of you? -No. | 0:07:08 | 0:07:10 | |
Let's see how steady your hands are. | 0:07:10 | 0:07:12 | |
-We've all got the same nail polish. -Oh, you have! | 0:07:12 | 0:07:15 | |
-Who does the nail polish? -Me. -It's you, is it? | 0:07:15 | 0:07:17 | |
You're in charge of buying the nail polish. That looks lovely, girls. | 0:07:17 | 0:07:21 | |
Well, I wish you all the best of luck. | 0:07:21 | 0:07:22 | |
-David, you're not wearing nail polish, are you? -No. | 0:07:22 | 0:07:25 | |
We wanted him to. | 0:07:25 | 0:07:27 | |
Our glee clubs all arrived in Glasgow yesterday. | 0:07:27 | 0:07:30 | |
We sent them out for the day, so they could size up the competition. | 0:07:30 | 0:07:33 | |
So let's check out how they got on. | 0:07:33 | 0:07:35 | |
For Miss Chief, Inferno and Unity 7, it was morning at the museum, | 0:07:37 | 0:07:41 | |
as they met for the first time in Glasgow's Kelvingrove. | 0:07:41 | 0:07:44 | |
ALL: We are Miss Chief and we're from London. | 0:07:44 | 0:07:47 | |
-ALL: -We are Unity 7 and we're from Milton Keynes. | 0:07:47 | 0:07:51 | |
ALL: We are Inferno and we're from Grimsby. Whoo! | 0:07:51 | 0:07:56 | |
But before they were let loose on the museum's treasure hunt, | 0:07:56 | 0:07:59 | |
there was time to get to know each other a little bit better. | 0:07:59 | 0:08:02 | |
BOTH: I like your tops. | 0:08:04 | 0:08:06 | |
So, are you scared about tomorrow? How are you feeling? | 0:08:07 | 0:08:10 | |
We're not scared, but slightly nervous. | 0:08:10 | 0:08:12 | |
-I think the adrenaline will be like... -Yeah. | 0:08:12 | 0:08:15 | |
We got told we were going to an art gallery and we were like, "Oh, OK, | 0:08:19 | 0:08:22 | |
"that's brilliant." | 0:08:22 | 0:08:23 | |
We pulled up here and everyone was like, | 0:08:23 | 0:08:25 | |
"It looks like a castle." | 0:08:25 | 0:08:26 | |
THEY SQUEAL | 0:08:26 | 0:08:28 | |
I thought they'd be scary, | 0:08:28 | 0:08:30 | |
cos they are older than me and everything. | 0:08:30 | 0:08:32 | |
But when I got to know them a bit more, | 0:08:32 | 0:08:35 | |
I was like, "They're really nice." | 0:08:35 | 0:08:37 | |
-Miss Chief are just cool. -Cool hairstyles. | 0:08:40 | 0:08:44 | |
Look how big the giraffe's leg is. | 0:08:44 | 0:08:46 | |
-When we saw the giraffe... -Yeah. -..we tried to take a picture. | 0:08:46 | 0:08:50 | |
We thought we were the first team. | 0:08:50 | 0:08:52 | |
-We were at the wrong leg. -We were at the wrong leg! | 0:08:52 | 0:08:54 | |
Hanging out with my mate, Queen Victoria. | 0:08:54 | 0:08:56 | |
-A seven-hour journey. -Tell them his name. | 0:08:57 | 0:09:01 | |
-Our driver is called... -Andrew Botterless. | 0:09:02 | 0:09:04 | |
-Bottomley! -Oh... | 0:09:04 | 0:09:06 | |
In the museum, I saw faces hanging and I really like that. | 0:09:09 | 0:09:14 | |
It's strange, cos we got on really well with them | 0:09:14 | 0:09:16 | |
-and we have to compete against them tomorrow. -Yeah, yeah. | 0:09:16 | 0:09:18 | |
I don't know. But they seem really lovely. | 0:09:18 | 0:09:20 | |
Hashtag queen. | 0:09:20 | 0:09:21 | |
Please welcome our glee clubs. Miss Chief! | 0:09:31 | 0:09:34 | |
CHEERING AND APPLAUSE | 0:09:34 | 0:09:37 | |
Inferno! | 0:09:37 | 0:09:38 | |
CHEERING | 0:09:38 | 0:09:40 | |
And Unity 7! | 0:09:40 | 0:09:41 | |
CHEERING | 0:09:41 | 0:09:43 | |
It's lovely to have you here, guys. | 0:09:43 | 0:09:45 | |
Let's find out a bit more about your first challenge. | 0:09:45 | 0:09:48 | |
All group members must sing at the same time with no featured vocalist. | 0:09:51 | 0:09:56 | |
Today's first challenge song is Roar by Katy Perry. | 0:09:58 | 0:10:00 | |
-Give us your best impression of a tiger. -OK. | 0:10:00 | 0:10:03 | |
REAL TIGER ROAR PLAYS | 0:10:03 | 0:10:06 | |
You have a go. | 0:10:06 | 0:10:07 | |
-Meow. -Oh... | 0:10:07 | 0:10:08 | |
Singing together for Round One performing Roar by Katy Perry, | 0:10:09 | 0:10:12 | |
it's Miss Chief, Inferno and Unity 7. | 0:10:12 | 0:10:15 | |
CHEERING AND APPLAUSE | 0:10:15 | 0:10:18 | |
INTRO TO "ROAR" COMMENCES | 0:10:19 | 0:10:22 | |
# I used to bite my tongue and hold my breath | 0:10:22 | 0:10:25 | |
# Scared to rock the boat and make a mess | 0:10:25 | 0:10:27 | |
# So I sat quietly, agreed politely | 0:10:27 | 0:10:32 | |
# You held me down, but I got up | 0:10:32 | 0:10:35 | |
# Hey! Already brushing off the dust | 0:10:35 | 0:10:38 | |
# You hear my voice You hear that sound | 0:10:38 | 0:10:41 | |
# Like thunder gonna shake the ground | 0:10:41 | 0:10:43 | |
# You held me down but I got up, hey! | 0:10:43 | 0:10:46 | |
# Get ready, cos I've had enough | 0:10:46 | 0:10:49 | |
# I see it all, I see it now | 0:10:49 | 0:10:51 | |
# I got the eye of the tiger | 0:10:51 | 0:10:55 | |
# A fighter | 0:10:55 | 0:10:56 | |
# Dancing through the fire | 0:10:56 | 0:10:59 | |
# Cos I am a champion | 0:10:59 | 0:11:02 | |
# And you're gonna hear me roar | 0:11:02 | 0:11:06 | |
# Louder, louder than a lion | 0:11:06 | 0:11:10 | |
# Cos I am a champion And you're gonna hear me roar | 0:11:10 | 0:11:16 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:11:16 | 0:11:18 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:11:18 | 0:11:21 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:11:21 | 0:11:23 | |
# You're gonna hear me roar... # | 0:11:23 | 0:11:29 | |
CHEERING AND APPLAUSE | 0:11:29 | 0:11:33 | |
# Now I'm floating like a butterfly | 0:11:33 | 0:11:36 | |
# Stinging like a bee I earned my stripes | 0:11:36 | 0:11:39 | |
# I went from zero, to my own hero | 0:11:39 | 0:11:44 | |
# You held me down but I got up, hey! | 0:11:44 | 0:11:47 | |
# Already brushing off the dust | 0:11:47 | 0:11:49 | |
# You hear my voice You hear that sound | 0:11:49 | 0:11:52 | |
# Like thunder gonna shake the ground | 0:11:52 | 0:11:54 | |
# You held me down but I got up, hey! | 0:11:54 | 0:11:57 | |
# Get ready, cos I've had enough | 0:11:57 | 0:12:00 | |
# I see it all, I see it now | 0:12:00 | 0:12:03 | |
# I got the eye of the tiger | 0:12:03 | 0:12:06 | |
# A fighter | 0:12:06 | 0:12:07 | |
# Dancing through the fire | 0:12:07 | 0:12:10 | |
# Cos I am a champion | 0:12:10 | 0:12:13 | |
# And you're gonna hear me roar | 0:12:13 | 0:12:17 | |
# Louder, louder than a lion | 0:12:17 | 0:12:21 | |
# Cos I am a champion | 0:12:21 | 0:12:23 | |
# And you're gonna hear me roar | 0:12:23 | 0:12:28 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:12:28 | 0:12:29 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:12:29 | 0:12:32 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:12:32 | 0:12:35 | |
# You're gonna hear me roar... # | 0:12:35 | 0:12:41 | |
WHOOPING AND APPLAUSE | 0:12:41 | 0:12:43 | |
# I used to bite my tongue And hold my breath | 0:12:46 | 0:12:48 | |
# Scared to rock the boat And make a mess | 0:12:48 | 0:12:50 | |
# So I sat quietly | 0:12:50 | 0:12:52 | |
# Agreed politely | 0:12:52 | 0:12:55 | |
# You held me down but I got up, hey! | 0:12:55 | 0:12:59 | |
# Already brushing off the dust | 0:12:59 | 0:13:01 | |
# You hear my voice You hear that sound | 0:13:01 | 0:13:04 | |
# Like thunder gonna shake the ground | 0:13:04 | 0:13:06 | |
# You held me down but I got up, hey! | 0:13:06 | 0:13:09 | |
# Get ready, cos I've had enough | 0:13:09 | 0:13:11 | |
# I see it all, I see it now | 0:13:11 | 0:13:14 | |
# I got the eye of the tiger | 0:13:14 | 0:13:18 | |
# A fighter | 0:13:18 | 0:13:19 | |
# Dancing through the fire | 0:13:19 | 0:13:21 | |
# Cos I am a champion | 0:13:21 | 0:13:24 | |
# And you're gonna hear me roar | 0:13:24 | 0:13:29 | |
# Louder, louder than a lion | 0:13:29 | 0:13:32 | |
# Cos I am a champion | 0:13:32 | 0:13:35 | |
# And you're gonna hear me roar | 0:13:35 | 0:13:39 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:13:39 | 0:13:41 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:13:41 | 0:13:43 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:13:43 | 0:13:46 | |
# You're gonna hear me roar... # | 0:13:46 | 0:13:52 | |
CHEERING AND APPLAUSE | 0:13:52 | 0:13:56 | |
ALL: # I got the eye of the tiger | 0:13:56 | 0:13:59 | |
# A fighter | 0:13:59 | 0:14:00 | |
# Dancing through the fire | 0:14:00 | 0:14:03 | |
# Cos I am a champion | 0:14:03 | 0:14:06 | |
# And you're gonna hear me roar | 0:14:06 | 0:14:10 | |
# Louder, louder than a lion | 0:14:10 | 0:14:14 | |
# Cos I am a champion | 0:14:14 | 0:14:17 | |
# And you're gonna hear me roar | 0:14:17 | 0:14:20 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:14:20 | 0:14:22 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:14:22 | 0:14:25 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:14:25 | 0:14:28 | |
# You're gonna hear me roar | 0:14:28 | 0:14:30 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:14:30 | 0:14:33 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:14:33 | 0:14:36 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:14:36 | 0:14:38 | |
# You're gonna hear me roar. # | 0:14:38 | 0:14:44 | |
CHEERING AND APPLAUSE | 0:14:44 | 0:14:49 | |
-Well done, guys. -I love that song. | 0:14:49 | 0:14:52 | |
Love, love, love that song. | 0:14:52 | 0:14:54 | |
Fantastic. OK, let's see what the judges thought. | 0:14:54 | 0:14:57 | |
Carrie, today's first challenge. What did you think to the vocals? | 0:14:57 | 0:15:00 | |
For Miss Chief, first of all, | 0:15:00 | 0:15:01 | |
I would like to say it was a game of two halves for you guys. | 0:15:01 | 0:15:04 | |
The first half was amazing. | 0:15:04 | 0:15:05 | |
The second half, when you got to the chorus, | 0:15:05 | 0:15:07 | |
you were in two different keys, which is quite difficult to | 0:15:07 | 0:15:10 | |
listen to when you're not singing in the right key. | 0:15:10 | 0:15:12 | |
But the first half was fantastic | 0:15:12 | 0:15:14 | |
For Inferno, | 0:15:14 | 0:15:15 | |
you had the most fantastic unity about your performance. | 0:15:15 | 0:15:18 | |
Everywhere I looked, | 0:15:18 | 0:15:20 | |
everyone was doing exactly the right thing at the right point. | 0:15:20 | 0:15:23 | |
Your sound is a little squeaky for me. If you get through, | 0:15:23 | 0:15:26 | |
I'd like you to get really think about smoothing it out a little. | 0:15:26 | 0:15:29 | |
The ending, having said that, was beautiful vocally. | 0:15:29 | 0:15:32 | |
And for Unity 7, your sound was so smooth vocally - | 0:15:32 | 0:15:36 | |
beautiful, beautiful sound - | 0:15:36 | 0:15:38 | |
as a result of that, the movement, for me, | 0:15:38 | 0:15:41 | |
needed a little bit more snap. | 0:15:41 | 0:15:42 | |
So even though you've got smooth vocals, | 0:15:42 | 0:15:44 | |
don't let that smoothness go to your choreography | 0:15:44 | 0:15:47 | |
Cheers, Carrie. David, were you entertained? | 0:15:47 | 0:15:49 | |
Yeah, I found them very entertaining. | 0:15:49 | 0:15:51 | |
All of them really gave a lot | 0:15:51 | 0:15:53 | |
and tried their best. I'd like to | 0:15:53 | 0:15:55 | |
first talk about Miss Chief. | 0:15:55 | 0:15:57 | |
I really like your sound, it's a very urban sound. | 0:15:57 | 0:15:59 | |
I think what Carrie was saying about the chorus was right. | 0:15:59 | 0:16:03 | |
The verse though, I'm looking at the verse and thinking that, if you're | 0:16:03 | 0:16:06 | |
getting that as your lowest mark, then you're going to be really good. | 0:16:06 | 0:16:10 | |
The verse was strong. | 0:16:10 | 0:16:11 | |
You got to the chorus and lost a bit of energy, | 0:16:11 | 0:16:13 | |
but work on the good stuff. | 0:16:13 | 0:16:15 | |
Come back more confident for the next round. | 0:16:15 | 0:16:17 | |
You guys, it's not squeaky - it's bright. | 0:16:17 | 0:16:19 | |
I like the brightness of that. It's very poppy, it's very bright. | 0:16:19 | 0:16:22 | |
It's as bright as your smiling faces, which I really liked. | 0:16:22 | 0:16:26 | |
I thought the harmonies on the chorus were inconsistent - | 0:16:26 | 0:16:29 | |
they were in and out a bit. | 0:16:29 | 0:16:30 | |
But you kept the kind of joy of your performance. | 0:16:30 | 0:16:34 | |
Like Carrie, the thing I wrote for you was "very, very smooth". | 0:16:34 | 0:16:38 | |
On the chorus, | 0:16:38 | 0:16:39 | |
I felt like halfway through the chorus, it suddenly took off | 0:16:39 | 0:16:42 | |
and, again, if you keep that, if that becomes your lowest benchmark, | 0:16:42 | 0:16:45 | |
then you'll put in a really strong performance on the second round. | 0:16:45 | 0:16:48 | |
Thanks, David. | 0:16:48 | 0:16:50 | |
CHEERING AND APPLAUSE | 0:16:50 | 0:16:53 | |
John, your thoughts, please. | 0:16:53 | 0:16:55 | |
I think overall there was an energy level with each one of you. | 0:16:55 | 0:16:59 | |
It was very good. What's your name, right there? | 0:16:59 | 0:17:02 | |
-Sade. -Sade. Incredible, incredible performance energy. | 0:17:02 | 0:17:06 | |
You've got some real performance attitude, so I love that. | 0:17:06 | 0:17:10 | |
Yeah, otherwise, very good. | 0:17:10 | 0:17:12 | |
The only thing I would say is for vocals, especially | 0:17:12 | 0:17:14 | |
the chorus, I would love to have heard a little bit more blend. | 0:17:14 | 0:17:18 | |
There was a lot of oversinging, sometimes shouty. | 0:17:18 | 0:17:21 | |
I would love to have heard that wall of sound that Carrie talks about. | 0:17:21 | 0:17:24 | |
So keep that in mind for next time. | 0:17:24 | 0:17:27 | |
Sisco, which act did it for you? | 0:17:27 | 0:17:28 | |
To be honest, | 0:17:28 | 0:17:29 | |
I've got a note for everyone. | 0:17:29 | 0:17:31 | |
I just think that, | 0:17:31 | 0:17:33 | |
getting to this point, you have to sing like you | 0:17:33 | 0:17:35 | |
need this, like you want this. | 0:17:35 | 0:17:37 | |
I need to see that charisma. I need to see that vocal blend | 0:17:37 | 0:17:40 | |
smooth. I need to see that choreography sharp, precise. | 0:17:40 | 0:17:44 | |
We all need to take take a step up. | 0:17:44 | 0:17:46 | |
Thanks, judges. | 0:17:46 | 0:17:47 | |
While we check and verify the scores for Round One, | 0:17:47 | 0:17:50 | |
let's take a look at some messages from friends of the show. | 0:17:50 | 0:17:52 | |
If you want to get involved, grab a grown-up. | 0:17:52 | 0:17:55 | |
Just grab them and visit the CBBC website. | 0:17:55 | 0:17:59 | |
It's where you'll find out | 0:17:59 | 0:18:00 | |
how to get involved with the Sport Relief Games. | 0:18:00 | 0:18:02 | |
It's all happening | 0:18:02 | 0:18:03 | |
between the 21st and 23rd of March. Good luck. | 0:18:03 | 0:18:06 | |
The scores have been checked and verified | 0:18:11 | 0:18:13 | |
and the results for Round One are in. Over to you, Sam. | 0:18:13 | 0:18:15 | |
-Thanks, mate. You really are a good friend. -Thanks. | 0:18:15 | 0:18:18 | |
I can reveal that the judges' combined score for Miss Chief, | 0:18:18 | 0:18:21 | |
out of a possible 120 points is... | 0:18:21 | 0:18:24 | |
CHEERING | 0:18:29 | 0:18:31 | |
The judges' combined score for Inferno is... | 0:18:31 | 0:18:34 | |
CHEERING | 0:18:40 | 0:18:42 | |
And, finally, the judges' combined score for Unity 7 is... | 0:18:42 | 0:18:45 | |
CHEERING | 0:18:49 | 0:18:52 | |
Well done, guys. | 0:18:52 | 0:18:53 | |
There's one more challenge to go, but let's take | 0:18:53 | 0:18:55 | |
a look at the scoreboard after round number one. | 0:18:55 | 0:18:58 | |
So Unity 7 have taken an early lead, with 75 points. | 0:18:58 | 0:19:02 | |
However, with Inferno on 66 and Miss Chief on 64, | 0:19:02 | 0:19:06 | |
it's close after Round One. | 0:19:06 | 0:19:08 | |
With 120 points available | 0:19:08 | 0:19:09 | |
to each group in Round Two, | 0:19:09 | 0:19:11 | |
it could all change with the scores! | 0:19:11 | 0:19:13 | |
Oh, well done, everyone. | 0:19:13 | 0:19:15 | |
You can breathe a sigh of relief for now. | 0:19:15 | 0:19:17 | |
So let's come to Miss Chief. | 0:19:17 | 0:19:19 | |
You lot, you gave it some, didn't you? | 0:19:19 | 0:19:21 | |
Hey, Sade, what did you feel about what John said to you? | 0:19:21 | 0:19:25 | |
I felt like, yeah, | 0:19:25 | 0:19:27 | |
I really liked it because I got picked out from everybody. | 0:19:27 | 0:19:32 | |
-That must feel good. -Yeah. -Let's go and see Inferno. | 0:19:32 | 0:19:35 | |
Now Carrie thought you lot had fantastic unity, | 0:19:35 | 0:19:38 | |
but maybe there was some inconsistency in your harmonies. | 0:19:38 | 0:19:40 | |
What have you got in store for your next song? | 0:19:40 | 0:19:43 | |
Just fun and excitement and we hope we can make them smile | 0:19:43 | 0:19:47 | |
-and bring marks out. -Good to know. | 0:19:47 | 0:19:49 | |
And over to Unity 7, in the lead at this stage in the game. | 0:19:49 | 0:19:53 | |
-That must feel quite good. -ALL: Yes. | 0:19:53 | 0:19:54 | |
David and Carrie said, "Very, very smooth, but you might need | 0:19:54 | 0:19:57 | |
"a bit more snap." How will you do that? | 0:19:57 | 0:19:59 | |
We'll just give 100% in all our moves | 0:19:59 | 0:20:01 | |
and just give it our all and show the judges that we can do it. | 0:20:01 | 0:20:04 | |
-Have you got more movement in your next song? -Yes. -Yes. | 0:20:04 | 0:20:07 | |
There's, like, storytelling, as well, so it goes nicely together. | 0:20:07 | 0:20:11 | |
Do we all have more to give? | 0:20:11 | 0:20:13 | |
ALL: Yes! | 0:20:13 | 0:20:14 | |
One song down, one to go. Back to you, Sam and Mark | 0:20:14 | 0:20:18 | |
Thanks, Naomi. While the groups get ready for Round Two, | 0:20:18 | 0:20:21 | |
let's remind ourselves why we're here and how Sport Relief really | 0:20:21 | 0:20:24 | |
does make a difference to lives in the UK and abroad. | 0:20:24 | 0:20:28 | |
Sport Relief raises money to help change people's lives | 0:20:28 | 0:20:31 | |
in some of the world's poorest communities, | 0:20:31 | 0:20:33 | |
as well as right here in the UK. | 0:20:33 | 0:20:35 | |
In fact there are over 2,000 UK projects benefiting from money | 0:20:37 | 0:20:40 | |
raised by the charity. | 0:20:40 | 0:20:42 | |
So wherever you're watching from, you're not very far away | 0:20:43 | 0:20:45 | |
from a project sponsored by Sport Relief. | 0:20:45 | 0:20:48 | |
Your donations really can make a difference to | 0:20:50 | 0:20:53 | |
the lives of vulnerable people, at home and abroad. | 0:20:53 | 0:20:56 | |
If you'd like to get involved in this year's Sport Relief Games, | 0:20:58 | 0:21:01 | |
from the 21st to the 23rd of March, | 0:21:01 | 0:21:03 | |
grab a grown-up and visit the CBBC website at... | 0:21:03 | 0:21:06 | |
..to find out how. | 0:21:09 | 0:21:11 | |
Thank you. | 0:21:12 | 0:21:14 | |
You really can make a difference, so, go on, get involved | 0:21:22 | 0:21:25 | |
and take part in the Sport Relief mile, swimathon or cycle. | 0:21:25 | 0:21:28 | |
OK, Round Two is the last chance for our groups to wow the judges. | 0:21:28 | 0:21:31 | |
They need to score as many points as they can | 0:21:31 | 0:21:33 | |
to secure a top spot in the Glee Club leaderboards. | 0:21:33 | 0:21:35 | |
Remember, only the top five will go through to the live finals. | 0:21:35 | 0:21:39 | |
Mr D, Can you please tell us about the final round. | 0:21:39 | 0:21:42 | |
The groups will have to give it their all in their final chance | 0:21:45 | 0:21:48 | |
to build those all-important points. | 0:21:48 | 0:21:51 | |
-COCKNEY ACCENT: -They're from London Tahn... | 0:21:51 | 0:21:53 | |
-NORMAL ACCENT: -..or London town, if you prefer, | 0:21:53 | 0:21:55 | |
and are hoping to pull off a performance fit for a queen. | 0:21:55 | 0:21:58 | |
Let's find out a little bit more about Miss Chief | 0:21:58 | 0:22:00 | |
and their journey to the heats. | 0:22:00 | 0:22:02 | |
THEY WHOOP | 0:22:02 | 0:22:05 | |
I won't even ask what the name of your group is, because I can see it. | 0:22:05 | 0:22:09 | |
Miss Chief were dressed to impress | 0:22:09 | 0:22:10 | |
when they first performed in London. | 0:22:10 | 0:22:12 | |
That's super-high energy. | 0:22:12 | 0:22:14 | |
# We are revolting children living in revolting times | 0:22:14 | 0:22:19 | |
# We sing revolting songs using revolting rhymes... # | 0:22:19 | 0:22:23 | |
At the judges' auditions, the panel were dazzled by Miss Chief's energy | 0:22:23 | 0:22:26 | |
and had some good advice for the group to build on. | 0:22:26 | 0:22:29 | |
Watch the ends of your words. | 0:22:29 | 0:22:31 | |
I think that's probably because you've got a lot of things to do | 0:22:31 | 0:22:34 | |
and you've got a lot of movement. But it was great. I loved it. | 0:22:34 | 0:22:36 | |
What's your name, young lady? | 0:22:36 | 0:22:38 | |
-Sade. -Sade, | 0:22:38 | 0:22:39 | |
You were like an explosion on that stage, honestly. | 0:22:39 | 0:22:43 | |
And all of you matched her. Your energy was great. | 0:22:43 | 0:22:46 | |
Overall, I have to say, what a great performance. | 0:22:46 | 0:22:50 | |
WHOOPING | 0:22:50 | 0:22:52 | |
If you come back, what will you do differently? | 0:22:52 | 0:22:54 | |
We'll take on board the judges' comments on everything. | 0:22:54 | 0:22:57 | |
The fourth group going through to the studio heat is... | 0:22:57 | 0:23:01 | |
-Miss Chief. -WHOOPING | 0:23:01 | 0:23:04 | |
But with the studio heats fast approaching, | 0:23:04 | 0:23:06 | |
have Miss Chief been behaving themselves? | 0:23:06 | 0:23:09 | |
How have all your rehearsals been going? | 0:23:11 | 0:23:13 | |
Good. | 0:23:13 | 0:23:14 | |
Every time, like, you get told to do something, | 0:23:14 | 0:23:17 | |
you may feel tired, | 0:23:17 | 0:23:19 | |
but you know what the outcome is going to be if you do well. | 0:23:19 | 0:23:22 | |
-What? -Going through to the next round. | 0:23:22 | 0:23:25 | |
That means a lot to you, does it? | 0:23:25 | 0:23:26 | |
What was it like when you told your family the news that you were | 0:23:26 | 0:23:29 | |
through to this round? | 0:23:29 | 0:23:31 | |
My sister screamed. | 0:23:31 | 0:23:33 | |
My brothers didn't care, but my parents are very happy for me, so... | 0:23:33 | 0:23:36 | |
Hoping to stay out of trouble with a showstopping performance... | 0:23:41 | 0:23:44 | |
..singing Price Tag, it's Miss Chief. | 0:23:44 | 0:23:47 | |
CHEERING AND APPLAUSE | 0:23:47 | 0:23:50 | |
MUSICAL INTRO TO PRICE TAG | 0:23:52 | 0:23:56 | |
# Seems like everybody's got a price | 0:23:56 | 0:23:59 | |
# I wonder how they sleep at night | 0:23:59 | 0:24:01 | |
# When the sale comes first And the truth comes second | 0:24:01 | 0:24:04 | |
# Just stop for a minute and... | 0:24:04 | 0:24:06 | |
# Smile | 0:24:06 | 0:24:07 | |
# Why is everybody so serious? | 0:24:07 | 0:24:09 | |
# Acting so damn mysterious | 0:24:09 | 0:24:12 | |
# Got your shades on your eyes And your heels so high | 0:24:12 | 0:24:15 | |
# That you can't even have a good time | 0:24:15 | 0:24:18 | |
# Everybody look to their left | 0:24:18 | 0:24:21 | |
# Everybody look to their right | 0:24:21 | 0:24:23 | |
# Can you feel that? Yeah! | 0:24:23 | 0:24:25 | |
# We're paying with love tonight | 0:24:25 | 0:24:27 | |
# It's not about the money, money, money | 0:24:27 | 0:24:30 | |
# We don't need your money, money, money | 0:24:30 | 0:24:32 | |
# We just wanna make the world dance | 0:24:32 | 0:24:35 | |
# Forget about the price tag | 0:24:35 | 0:24:38 | |
# Ain't about the uh, cha-ching cha-ching | 0:24:38 | 0:24:41 | |
# Ain't about the yeah, the bling, the bling | 0:24:41 | 0:24:43 | |
# Wanna make the world dance Forget about the price tag | 0:24:43 | 0:24:48 | |
# Yeah, yeah Well, keep the price tag | 0:24:48 | 0:24:51 | |
# And take the cash back | 0:24:51 | 0:24:52 | |
# Just give me six strings and a half stack | 0:24:52 | 0:24:54 | |
# And you can keep the cars Leave me the garage | 0:24:54 | 0:24:58 | |
# And all I need are keys and guitars | 0:24:58 | 0:25:00 | |
# And guess what? In 30 seconds, I'm leaping to Mars | 0:25:00 | 0:25:03 | |
# Yeah, we're leaping across these undefeatable odds | 0:25:03 | 0:25:06 | |
# It's like this, man, you can't put the price from the light | 0:25:06 | 0:25:08 | |
# We do this for the love So we fight a separate fight. | 0:25:08 | 0:25:11 | |
# Every night! So we ain't going to stumble and fall, never | 0:25:11 | 0:25:14 | |
# Waiting to see, or send a sign of defeat, uh-uh | 0:25:14 | 0:25:17 | |
# So we can keep everyone moving their feet | 0:25:17 | 0:25:19 | |
# Tell me about the beat and make everyone sing | 0:25:19 | 0:25:22 | |
# It's not about the money! # | 0:25:22 | 0:25:24 | |
CHEERING AND APPLAUSE | 0:25:26 | 0:25:28 | |
-That rap was great! -Well done, guys. | 0:25:33 | 0:25:35 | |
Let's go over to the judges and see what they thought. | 0:25:35 | 0:25:37 | |
David, what did you think? | 0:25:37 | 0:25:39 | |
That was full of energy, full of life. I really like the singing. | 0:25:39 | 0:25:44 | |
I really liked the energy and the attitude of the rapping. | 0:25:44 | 0:25:49 | |
One of the things that I picked up on on your first round way back | 0:25:49 | 0:25:52 | |
when you came for the auditions was that | 0:25:52 | 0:25:55 | |
I couldn't understand what you sang. Your diction wasn't clear. | 0:25:55 | 0:25:57 | |
Here, there was a real uniformity of diction, | 0:25:57 | 0:26:00 | |
and it meant that you were really tight. | 0:26:00 | 0:26:02 | |
So I'm pleased with that, well done. | 0:26:02 | 0:26:03 | |
You should be pleased with yourself. | 0:26:03 | 0:26:05 | |
APPLAUSE | 0:26:05 | 0:26:07 | |
John, do you like Miss Chief's style of performance? | 0:26:07 | 0:26:09 | |
Yes, this is the Miss Chief I saw in London, the Miss Chief | 0:26:09 | 0:26:13 | |
we saw at the judges' audition and this is you, in a nutshell - | 0:26:13 | 0:26:17 | |
attitude, energy, urban - everything was good. | 0:26:17 | 0:26:21 | |
You'd give Jessie J a run for her money, for sure, after that one. | 0:26:21 | 0:26:24 | |
Well done. | 0:26:24 | 0:26:25 | |
APPLAUSE | 0:26:25 | 0:26:26 | |
Cisco, what did you think of the vocals there? | 0:26:26 | 0:26:29 | |
I think you have to be careful with your breathing techniques. | 0:26:29 | 0:26:32 | |
If you're not singing from your diaphragm, | 0:26:32 | 0:26:33 | |
you won't get a good sound. | 0:26:33 | 0:26:35 | |
And you guys looked and sounded out of breath. | 0:26:35 | 0:26:38 | |
I think that, collectively, I wanted to enjoy it more. | 0:26:38 | 0:26:41 | |
But the two first raps saved your performance. | 0:26:42 | 0:26:45 | |
I thought that's the energy that I want to see. | 0:26:45 | 0:26:48 | |
So I think you guys have to really go back and see, | 0:26:48 | 0:26:50 | |
what are my strengths, what are my weaknesses? And just play on that. | 0:26:50 | 0:26:54 | |
Because it was a bit shaky, if I was completely honest. | 0:26:54 | 0:26:56 | |
Carrie, what did you like about that performance? | 0:26:56 | 0:26:59 | |
I love your energy. I love the urban feel of what you do. | 0:26:59 | 0:27:03 | |
First girl rapper, that's Sade, isn't it? Absolutely amazing. | 0:27:03 | 0:27:06 | |
For me, I would have just let you rap all the way through, | 0:27:06 | 0:27:09 | |
rather than feeling like you've got to hand this much out to this person, | 0:27:09 | 0:27:13 | |
this much out to that person. | 0:27:13 | 0:27:14 | |
Rapping is your thing, so therefore, let you do the rapping. | 0:27:14 | 0:27:17 | |
Everybody else can then really concentrate on their singing. | 0:27:17 | 0:27:20 | |
But for me, I loved the performance. it had loads of energy. Brilliant. | 0:27:20 | 0:27:23 | |
Thank you very much, judges. | 0:27:23 | 0:27:25 | |
-Nice work, gang. -Well done. Give it up for Miss Chief. | 0:27:25 | 0:27:28 | |
APPLAUSE | 0:27:28 | 0:27:30 | |
Aw, look how happy they sound. Miss Chief, come and join me. How was it? | 0:27:34 | 0:27:38 | |
-ALL: Great. -You're feeling great, are you? | 0:27:38 | 0:27:41 | |
Carrie, David, John, all thought you had lovely energy, well done. | 0:27:41 | 0:27:45 | |
You took it to the stage. | 0:27:45 | 0:27:47 | |
But Cisco, he's being a bit harsh today, isn't he? | 0:27:47 | 0:27:49 | |
So, he said you looked and sounded a bit out of breath. | 0:27:49 | 0:27:52 | |
What do you want to say to him? | 0:27:52 | 0:27:54 | |
We understand, because it is a big thing to know | 0:27:54 | 0:27:57 | |
when your breath is meant to come in, | 0:27:57 | 0:28:01 | |
but it is something you have to learn from your mistakes. | 0:28:01 | 0:28:04 | |
Do you think you've done enough to get through to the next round? | 0:28:04 | 0:28:08 | |
-Hopefully. -Everyone's hopeful. Keep your fingers crossed, you lot. | 0:28:08 | 0:28:12 | |
-Have you enjoyed your performances? -ALL: Yes! | 0:28:12 | 0:28:15 | |
Well, that's good to know. So let's rejoin Sam and Mark. | 0:28:15 | 0:28:18 | |
Our next act is from Grimsby in north-east Lincolnshire. | 0:28:18 | 0:28:21 | |
Let's take a look at Inferno | 0:28:21 | 0:28:23 | |
and their amazing journey to the studio heats. | 0:28:23 | 0:28:26 | |
-What's the name of the group? -ALL: Inferno. | 0:28:27 | 0:28:29 | |
Is that cos you're on fire? | 0:28:29 | 0:28:32 | |
Inferno were like a ball of energy | 0:28:32 | 0:28:34 | |
when they performed for the first time in Manchester. | 0:28:34 | 0:28:37 | |
# Nobody else has got to put it right for me | 0:28:37 | 0:28:40 | |
# Nobody but me is gonna change my story... # | 0:28:40 | 0:28:42 | |
And Inferno continued to light up the stage at the judges' auditions | 0:28:42 | 0:28:46 | |
in Glasgow. | 0:28:46 | 0:28:47 | |
What that song required was attack and energy and attitude, | 0:28:47 | 0:28:52 | |
and it had to be tongue-in-cheek, and you hit it perfectly. | 0:28:52 | 0:28:57 | |
I loved it. I thought you had great energy, | 0:28:57 | 0:29:00 | |
and your facial expressions are just wonderful. | 0:29:00 | 0:29:03 | |
-So all those faces that you've been working on paid off then? -ALL: YEAH! | 0:29:04 | 0:29:09 | |
The fourth group going through to the Studio Heats is... | 0:29:09 | 0:29:13 | |
Inferno. | 0:29:13 | 0:29:14 | |
THEY SCREAM | 0:29:14 | 0:29:16 | |
But are Inferno confident they can leave the judges | 0:29:17 | 0:29:19 | |
with a smile on their faces in the Studio Heats? | 0:29:19 | 0:29:23 | |
-Anything you're very nervous about? -No. | 0:29:23 | 0:29:25 | |
No. That was a very confident no. | 0:29:25 | 0:29:28 | |
Do you think you're better than the other groups here today? | 0:29:28 | 0:29:31 | |
-I think we're all on a par, to be honest. -On a par? | 0:29:31 | 0:29:34 | |
So how are the judges going to make the decision between you all? | 0:29:34 | 0:29:37 | |
I think it depends on the amount of effort we all put in, to be honest. | 0:29:37 | 0:29:40 | |
-Got to think positive. -Knock them dead. | 0:29:40 | 0:29:43 | |
-Fingers crossed. -Yeah. | 0:29:44 | 0:29:47 | |
CHEERING AND APPLAUSE | 0:29:47 | 0:29:48 | |
Hoping for a red-hot performance. | 0:29:52 | 0:29:54 | |
Singing and dancing for a place in the Live Finals, | 0:29:54 | 0:29:56 | |
it's Inferno, with Hard Knock Life. | 0:29:56 | 0:29:58 | |
# It's the hard-knock life for us | 0:30:04 | 0:30:06 | |
# It's the hard-knock life for us | 0:30:06 | 0:30:08 | |
# 'Steada treated | 0:30:08 | 0:30:10 | |
# We get tricked | 0:30:10 | 0:30:11 | |
# 'Steada kisses | 0:30:11 | 0:30:12 | |
# We get kicked | 0:30:12 | 0:30:13 | |
# Got no folks to speak of, so, | 0:30:13 | 0:30:15 | |
# It's the hard-knock row we hoe | 0:30:15 | 0:30:17 | |
# Cotton blankets...'steada wool | 0:30:17 | 0:30:19 | |
# Empty bellies...'steada full | 0:30:19 | 0:30:22 | |
# It's the hard-knock life | 0:30:22 | 0:30:24 | |
# Don't if feel like the wind is always howling? | 0:30:24 | 0:30:27 | |
# Don't it seem like there's never any light? | 0:30:27 | 0:30:29 | |
# Once a day, don't you wanna throw the towel in? | 0:30:29 | 0:30:31 | |
# It's easier than puttin' up a fight | 0:30:31 | 0:30:33 | |
# No-one's there when your dreams at night get creepy | 0:30:33 | 0:30:36 | |
# No-one cares if you grow or if you shrink | 0:30:36 | 0:30:38 | |
# No-one cries when your eyes get wet and weepy | 0:30:38 | 0:30:40 | |
# From the cryin' you would think this place would sink | 0:30:40 | 0:30:43 | |
# Oh | 0:30:43 | 0:30:44 | |
# It's the hard-knock life for us | 0:30:44 | 0:30:46 | |
# It's the hard-knock life for us | 0:30:46 | 0:30:48 | |
# No-one cares for you a smidge | 0:30:48 | 0:30:51 | |
# When you're in an orphanage | 0:30:51 | 0:30:53 | |
# Santa Claus we never see | 0:30:53 | 0:30:55 | |
-# Santa Claus what's that? -Who's he? | 0:30:55 | 0:30:57 | |
# No-one cares for you a smidge | 0:30:57 | 0:31:00 | |
# When you're in an orphanage | 0:31:00 | 0:31:02 | |
# Get to work | 0:31:02 | 0:31:04 | |
# Make the bed | 0:31:04 | 0:31:06 | |
# Polish my shoes and I mean start now | 0:31:06 | 0:31:12 | |
# It's the hard-knock life for us | 0:31:12 | 0:31:13 | |
# It's the hard-knock life for us | 0:31:13 | 0:31:15 | |
# No-one cares for you a smidge | 0:31:15 | 0:31:17 | |
# When your in an orphanage | 0:31:17 | 0:31:20 | |
# It's the hard-knock life | 0:31:20 | 0:31:22 | |
# It's the hard-knock life. # | 0:31:23 | 0:31:27 | |
CHEERING AND APPLAUSE | 0:31:28 | 0:31:30 | |
-Well done, guys. -John, what did you think of that performance? | 0:31:35 | 0:31:39 | |
I think this is where Inferno come into their own. | 0:31:39 | 0:31:42 | |
You girls really own musical theatre. | 0:31:42 | 0:31:44 | |
That was focused, that was energised, | 0:31:44 | 0:31:47 | |
that was very professional | 0:31:47 | 0:31:49 | |
and I don't think, at all, it lost any energy from start to finish, | 0:31:49 | 0:31:52 | |
so well done. | 0:31:52 | 0:31:53 | |
APPLAUSE | 0:31:53 | 0:31:55 | |
-Sisco, was that a good song choice? -It was. | 0:31:55 | 0:31:58 | |
You guys are musical theatre-based | 0:31:58 | 0:32:00 | |
and you played to your strengths, which is good to see, | 0:32:00 | 0:32:02 | |
because we are always saying play to your strengths and you guys did. | 0:32:02 | 0:32:05 | |
It sounded great. I loved the arrangement with the choreography. | 0:32:05 | 0:32:09 | |
It looked very polished, which is what I want to see. So, great job. | 0:32:09 | 0:32:12 | |
-Carrie, were you impressed with Inferno? -Really impressed. | 0:32:14 | 0:32:17 | |
I felt you guys were totally in your comfort zone, | 0:32:17 | 0:32:20 | |
everybody on the stage acting. | 0:32:20 | 0:32:22 | |
And actually the squeaky singing I talked about earlier | 0:32:22 | 0:32:25 | |
works for this kind of song. | 0:32:25 | 0:32:27 | |
Your challenge is what to do when it's not this kind of song? | 0:32:27 | 0:32:30 | |
Cos this is totally where you sit. | 0:32:30 | 0:32:32 | |
ALL: Thank you. David, finally your thoughts, please. | 0:32:33 | 0:32:35 | |
It's not squeaky, it's bright. | 0:32:35 | 0:32:37 | |
-We will disagree on that. -Lots of acting through the song. | 0:32:39 | 0:32:43 | |
The dancing was really excellent, | 0:32:43 | 0:32:45 | |
particularly your dancing at the end. I really loved that. | 0:32:45 | 0:32:47 | |
You did a show rather than giving us a song. | 0:32:47 | 0:32:49 | |
And it was very, very, very rehearsed. | 0:32:49 | 0:32:52 | |
Thank you very much, judges. | 0:32:52 | 0:32:53 | |
Well done, guys. Please give it up for Inferno. | 0:32:55 | 0:32:57 | |
CHEERING AND APPLAUSE | 0:32:57 | 0:32:59 | |
-That's a good way to come running in. Are you happy? -ALL: Yes! | 0:33:05 | 0:33:08 | |
-Turning up the heat there, Inferno? -ALL: Yes! | 0:33:08 | 0:33:11 | |
So, you had some really positive comments, | 0:33:11 | 0:33:14 | |
didn't you, from all the judges? | 0:33:14 | 0:33:15 | |
What do you feel about that performance? | 0:33:15 | 0:33:17 | |
I think we're more suited to this song than the last one, | 0:33:17 | 0:33:20 | |
because we're more musical theatre. | 0:33:20 | 0:33:22 | |
And, Saskia, I need to ask you, did all the moves come off | 0:33:22 | 0:33:25 | |
-according to plan? -Yeah, they did. | 0:33:25 | 0:33:27 | |
-Can you teach me how to do that flip later on? -Yeah! | 0:33:27 | 0:33:30 | |
I'd quite like to learn that. | 0:33:30 | 0:33:32 | |
Well done, you lot. It's time to hand back to the boys. | 0:33:32 | 0:33:35 | |
Thanks, Naomi. Our last act is from Milton Keynes. | 0:33:35 | 0:33:38 | |
Did you know that an anagram of Milton Keynes is Listen Monkey? | 0:33:38 | 0:33:43 | |
OK. Let's meet Unity 7. | 0:33:44 | 0:33:46 | |
What you laughing at? | 0:33:50 | 0:33:52 | |
Unity 7 were in fine voice when they first performed in London. | 0:33:53 | 0:33:57 | |
I really, really enjoyed that. I liked it a lot. | 0:33:59 | 0:34:02 | |
And after meeting John, they were full of confidence going into | 0:34:02 | 0:34:05 | |
the Judge's Auditions in Glasgow. | 0:34:05 | 0:34:07 | |
# Shake it out Shake it out | 0:34:07 | 0:34:09 | |
# Shake it out Shake it out | 0:34:09 | 0:34:11 | |
# Whoa | 0:34:11 | 0:34:12 | |
# Shake it out Shake it out | 0:34:12 | 0:34:13 | |
# Shake it out Shake it out | 0:34:13 | 0:34:15 | |
# Whoa. # | 0:34:15 | 0:34:17 | |
The panel felt there was one specific area | 0:34:17 | 0:34:19 | |
where Unity 7 could improve. | 0:34:19 | 0:34:21 | |
You know what I loved about you guys as a group is that the song | 0:34:22 | 0:34:26 | |
you picked and the choreography you did told a story. | 0:34:26 | 0:34:29 | |
And it made me feel what you were doing, which was lovely. | 0:34:30 | 0:34:33 | |
But what I felt also was you lacked a slight bit of confidence. | 0:34:33 | 0:34:38 | |
-Do you think you're good? -ALL: Yes. | 0:34:38 | 0:34:41 | |
I want you to show that more when you perform. | 0:34:41 | 0:34:44 | |
I do think we did it to the best we can do. | 0:34:44 | 0:34:46 | |
If we could get through to the next round | 0:34:46 | 0:34:48 | |
we would definitely take those points on board. | 0:34:48 | 0:34:51 | |
Unity 7, I'm afraid you're not going through, | 0:34:51 | 0:34:54 | |
but well done for getting this far. | 0:34:54 | 0:34:56 | |
But their story didn't end there. | 0:35:00 | 0:35:01 | |
One of the groups was no longer able to continue in the competition | 0:35:01 | 0:35:04 | |
and so the judges decided that Unity 7 | 0:35:04 | 0:35:07 | |
should take their place in the Studio Heats. | 0:35:07 | 0:35:09 | |
-How have the rehearsals been going? -Good. | 0:35:11 | 0:35:14 | |
Do you feel prepared for today? | 0:35:14 | 0:35:16 | |
Yeah. | 0:35:16 | 0:35:17 | |
We've got a studio audience arriving, as we speak. | 0:35:17 | 0:35:20 | |
-Does that add to the pressure? -It makes it more exciting. | 0:35:20 | 0:35:24 | |
After being handed a second chance, can Unity 7 find | 0:35:25 | 0:35:29 | |
the confidence they need to succeed on stage in front of the judges? | 0:35:29 | 0:35:32 | |
They are our last act to perform | 0:35:35 | 0:35:37 | |
and they are hoping to add some valuable points to their score. | 0:35:37 | 0:35:40 | |
Singing and dancing for a place in the live finals, | 0:35:40 | 0:35:42 | |
it's Unity 7 and Love Story. | 0:35:42 | 0:35:44 | |
CHEERING AND APPLAUSE | 0:35:44 | 0:35:47 | |
# We were both young when I first saw you | 0:35:53 | 0:35:56 | |
# I close my eyes and the flashback starts | 0:35:57 | 0:36:00 | |
# I'm standing there | 0:36:00 | 0:36:03 | |
# On a balcony in summer air | 0:36:03 | 0:36:06 | |
# See the lights, see the party, the ball gowns | 0:36:09 | 0:36:12 | |
# See you make your way through the crowd | 0:36:12 | 0:36:16 | |
# And say, Hello | 0:36:16 | 0:36:19 | |
# Little did I know | 0:36:20 | 0:36:24 | |
# That you were Romeo, you were throwing pebbles | 0:36:24 | 0:36:28 | |
# And my daddy said, "Stay away from Juliet" | 0:36:28 | 0:36:32 | |
# But you were everything to me | 0:36:32 | 0:36:34 | |
# I was begging you please don't go | 0:36:34 | 0:36:39 | |
# And I said | 0:36:39 | 0:36:41 | |
# Romeo, take me somewhere we can be alone | 0:36:41 | 0:36:45 | |
# I'll be waiting, all that's left to do is run | 0:36:45 | 0:36:49 | |
# You'll be the prince and I'll be the princess | 0:36:49 | 0:36:53 | |
# It's a love story, baby, just say... | 0:36:53 | 0:36:57 | |
# Marry me, Juliet, you'll never have to be alone | 0:36:57 | 0:37:01 | |
# I love you and that's all I really know | 0:37:01 | 0:37:05 | |
# I talked to your dad, go pick out a white dress | 0:37:05 | 0:37:09 | |
# It's a love story, baby, just say... | 0:37:09 | 0:37:13 | |
# We were both young when I first saw you. # | 0:37:13 | 0:37:18 | |
CHEERING AND APPLAUSE | 0:37:19 | 0:37:21 | |
-Well done, guy. Nice work. -Sisco, did you like that performance? | 0:37:26 | 0:37:29 | |
I thought it was an extremely clever arrangement, | 0:37:29 | 0:37:32 | |
choreographically, what you did. | 0:37:32 | 0:37:33 | |
I think it's very hard to understand choreography in a show like this, | 0:37:33 | 0:37:37 | |
because the vocals are the priority, but you guys had an amazing blend. | 0:37:37 | 0:37:42 | |
It was so clear to see what the story was. The staging was great. | 0:37:42 | 0:37:45 | |
The only critique is I felt, when we started getting to the chorus, | 0:37:45 | 0:37:49 | |
we lost the fullness of the vocals. | 0:37:49 | 0:37:51 | |
-You know, there's nine of you, eight of you up there... -Seven. | 0:37:51 | 0:37:55 | |
-Seven, I can't count. -Unity 7. | 0:37:55 | 0:37:58 | |
Oh, gosh. I fell into that one. | 0:38:01 | 0:38:04 | |
In all seriousness, it's like, when it got to the chorus | 0:38:05 | 0:38:08 | |
there's, like, three of you. Do you know what I mean? | 0:38:08 | 0:38:11 | |
Is it because you were dancing or the nerves? | 0:38:11 | 0:38:13 | |
But you guys have to make sure you | 0:38:13 | 0:38:15 | |
keep the consistency of your vocals, because the dancing was on point. | 0:38:15 | 0:38:19 | |
Thanks, Cisco. | 0:38:19 | 0:38:20 | |
Carrie, your thoughts? | 0:38:22 | 0:38:24 | |
I thought it was a brilliant performance to begin with, | 0:38:24 | 0:38:27 | |
beautifully blended, lovely vocals. | 0:38:27 | 0:38:29 | |
The more ambitious the vocals got, the thinner it sounded. | 0:38:29 | 0:38:32 | |
And that's something you need to look at | 0:38:32 | 0:38:34 | |
when you're walking around the stage. Kind of stomping. | 0:38:34 | 0:38:37 | |
And there's only one person and one harmony, you start losing | 0:38:37 | 0:38:39 | |
some of those harmonies and they sound a bit wobbly. | 0:38:39 | 0:38:42 | |
So, it was a bit wobbly by the end, but the first half was lovely. | 0:38:42 | 0:38:45 | |
David, was that the right song choice for Unity 7? | 0:38:45 | 0:38:47 | |
I think it was a great song choice, because it gave them | 0:38:47 | 0:38:50 | |
the opportunity to show their acting and the whole performance. | 0:38:50 | 0:38:52 | |
One of the things about a glee club performing is it's not | 0:38:52 | 0:38:55 | |
just standing there. You actually made it like a little tableau. | 0:38:55 | 0:38:59 | |
You told a story with the song. | 0:38:59 | 0:39:02 | |
David, isn't it? "David's not going to sing." | 0:39:02 | 0:39:04 | |
Then you started singing and it was well worth the wait. | 0:39:04 | 0:39:07 | |
I think what they're saying is right - | 0:39:07 | 0:39:08 | |
make sure in the story you keep that uniformity of blend and sound | 0:39:08 | 0:39:13 | |
and quality and the fatness of the sound. | 0:39:13 | 0:39:16 | |
Because when you're singing at your best, it's a great sound. | 0:39:16 | 0:39:19 | |
-And finally, John? -You guys have a wonderful, wonderful sound. | 0:39:21 | 0:39:26 | |
It's the blend and you're very anthemic. | 0:39:26 | 0:39:29 | |
I could hear your song on the theme of a movie. It's quite fantastic. | 0:39:29 | 0:39:33 | |
Your opening solo, young lady, fantastic. Very, very good. | 0:39:33 | 0:39:37 | |
And there are seven of you. | 0:39:37 | 0:39:39 | |
Thank you very much, judges. Give it up one more time for Unity 7. | 0:39:41 | 0:39:45 | |
CHEERING AND APPLAUSE | 0:39:45 | 0:39:47 | |
It's all over. It's all over. Phew! Excited. | 0:39:54 | 0:39:59 | |
Gosh, they said some lovely things to you lot, didn't they? | 0:39:59 | 0:40:02 | |
They were saying you chose a good song, lovely arrangement, | 0:40:02 | 0:40:05 | |
dancing was on point, said Sisco. | 0:40:05 | 0:40:08 | |
But they all said the same thing about it - | 0:40:08 | 0:40:10 | |
kind of, thinning out in the middle, maybe having a few wobbly moments. | 0:40:10 | 0:40:13 | |
-Do you think that was right? -Yeah, we've been given that before. | 0:40:13 | 0:40:17 | |
-Have you? -Yeah. I think that's what we need to work on, | 0:40:17 | 0:40:21 | |
trying to blend the choreography with the singing, | 0:40:21 | 0:40:23 | |
but I think, overall, I was really happy with it. | 0:40:23 | 0:40:26 | |
Let's see if you've done enough. Not long until we find out. | 0:40:26 | 0:40:29 | |
Fingers crossed. Back to you boys in the studio. | 0:40:29 | 0:40:32 | |
OK, so there you have it. | 0:40:32 | 0:40:34 | |
All three acts have now performed and can do no more. | 0:40:34 | 0:40:36 | |
While we check and verify the final scores and you wait to find out | 0:40:36 | 0:40:39 | |
if your favourite has won, | 0:40:39 | 0:40:40 | |
here's a quick reminder of those fantastic performances. | 0:40:40 | 0:40:43 | |
# It's not about the money, money, money | 0:40:45 | 0:40:47 | |
# We don't need no money, money, money | 0:40:47 | 0:40:49 | |
# We just wanna make the world dance | 0:40:49 | 0:40:52 | |
# Forget about the price tag | 0:40:52 | 0:40:55 | |
# Ain't about the, uh, cha-ching cha-ching | 0:40:55 | 0:40:58 | |
# Ain't about the, yeah, ba-bling ba-bling. # | 0:40:58 | 0:41:01 | |
# It's a hard knock life for us | 0:41:01 | 0:41:04 | |
# It's a hard knock life for us | 0:41:04 | 0:41:05 | |
# 'Stead of treated | 0:41:05 | 0:41:06 | |
# We get tricked | 0:41:06 | 0:41:08 | |
# 'Stead of kisses | 0:41:08 | 0:41:09 | |
# We get kicked | 0:41:09 | 0:41:10 | |
# Got no folks to speak of, so | 0:41:10 | 0:41:12 | |
# It's the hard knock row we hoe | 0:41:12 | 0:41:15 | |
# Cotton blankets...'steada wool | 0:41:15 | 0:41:17 | |
# Empty bellies...'steada full! | 0:41:17 | 0:41:19 | |
# It's the hard-knock life. # | 0:41:19 | 0:41:21 | |
# Marry me, Juliet, you'll never have to be alone | 0:41:21 | 0:41:25 | |
# I love you and that's all I really know | 0:41:25 | 0:41:29 | |
# I talked to your dad, go pick out a white dress | 0:41:29 | 0:41:32 | |
# It's a love story, baby, just say | 0:41:32 | 0:41:37 | |
# We were both young when I first saw you. # | 0:41:37 | 0:41:41 | |
CHEERING AND APPLAUSE | 0:41:48 | 0:41:49 | |
-Welcome back. Our three acts... -Miss Chief... | 0:41:53 | 0:41:56 | |
..Inferno... | 0:41:57 | 0:41:59 | |
..And Unity 7. | 0:42:00 | 0:42:01 | |
Judges, you've seen them all perform and awarded points for vocal | 0:42:04 | 0:42:07 | |
ability, creativity and performance across two rounds. | 0:42:07 | 0:42:10 | |
Carrie, before we reveal the winner, how would you sort today's | 0:42:10 | 0:42:13 | |
performances? | 0:42:13 | 0:42:14 | |
I think it's been really interesting today, | 0:42:14 | 0:42:16 | |
because I think each of these groups has had moments of brilliance | 0:42:16 | 0:42:19 | |
and moments where they've struggled | 0:42:19 | 0:42:20 | |
so it's been interesting for us to judge. | 0:42:20 | 0:42:23 | |
Thank you very much, Carrie, and the rest of the judges. | 0:42:23 | 0:42:25 | |
The scores have been checked and verified | 0:42:25 | 0:42:27 | |
and we now have the results. | 0:42:27 | 0:42:29 | |
I can reveal that the winners of today's heats with a total | 0:42:34 | 0:42:36 | |
score of 163 is... | 0:42:36 | 0:42:38 | |
..Unity 7. | 0:42:52 | 0:42:53 | |
Round of applause to our runners-up, Miss Chief and Inferno. | 0:42:57 | 0:43:00 | |
Well done, guys. | 0:43:00 | 0:43:01 | |
Another brilliant show. A big thank you once again to our judges. | 0:43:04 | 0:43:07 | |
A big round of applause for Carrie, David, John and Sisco. | 0:43:07 | 0:43:10 | |
Thank you very much. | 0:43:10 | 0:43:11 | |
And the lovely Naomi Wilkinson. | 0:43:12 | 0:43:14 | |
-What a great show today. -She's got the medals. -Medal time. | 0:43:15 | 0:43:19 | |
Off you go. | 0:43:19 | 0:43:21 | |
Join us next time, when more glee clubs will battle it out for | 0:43:21 | 0:43:24 | |
the chance to be crowned the winners of Sport Relief Does Glee Club 2014. | 0:43:24 | 0:43:28 | |
BOTH: Bye! | 0:43:28 | 0:43:29 | |
Today's heat winners, Unity 7, take third place on the leaderboard, | 0:43:35 | 0:43:39 | |
with Inferno right behind them, in fourth place. | 0:43:39 | 0:43:41 | |
If you'd like a reminder of today's performances go to the CBBC website | 0:43:41 | 0:43:45 | |
and click on the link for the current top five. | 0:43:45 | 0:43:48 | |
Join us next time, when three more glee clubs take to the stage, | 0:43:48 | 0:43:51 | |
in the hope of earning a place in the live semifinal! | 0:43:51 | 0:43:54 |