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| Line | From | To | |
|---|---|---|---|
Welcome to Glee Club. | 0:00:02 | 0:00:04 | |
Last time, Unity 7 stormed onto the leaderboard. | 0:00:04 | 0:00:06 | |
# Romeo, take me somewhere we can be alone... # | 0:00:07 | 0:00:11 | |
But will any of today's groups have what it takes to make | 0:00:11 | 0:00:14 | |
it into the top five and the chance to perform in the semifinals? | 0:00:14 | 0:00:18 | |
# Give me that thing that I love I'll turn the lights on. # | 0:00:18 | 0:00:20 | |
This is Sport Relief Does Glee Club 2014. | 0:00:20 | 0:00:24 | |
CHEERING | 0:00:43 | 0:00:46 | |
Please welcome your hosts - Sam and Mark. | 0:00:46 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:53 | |
Come on. Yeah. Love it. | 0:00:56 | 0:00:58 | |
-BOTH: Hello! -And welcome to the studio heats. | 0:00:58 | 0:01:01 | |
Our search for Britain's top young performers continues | 0:01:01 | 0:01:04 | |
and it's all in aid of Sport Relief. | 0:01:04 | 0:01:06 | |
Three acts will battle it out for that all-important | 0:01:06 | 0:01:09 | |
position on the Glee Club leaderboard. | 0:01:09 | 0:01:11 | |
So they'll need to be on the top of their game | 0:01:11 | 0:01:13 | |
if they want a spot in the live finals. | 0:01:13 | 0:01:15 | |
Before all that, let's meet a woman who needs no introduction, | 0:01:15 | 0:01:18 | |
but we are going to give her one anyway. | 0:01:18 | 0:01:19 | |
She dances with wolves, laughs in the face of danger, | 0:01:19 | 0:01:22 | |
even finds time to teach Mary Berry a few things about baking. | 0:01:22 | 0:01:25 | |
It is, of course, Naomi Wilkinson. | 0:01:25 | 0:01:27 | |
CHEERING AND APPLAUSE | 0:01:27 | 0:01:30 | |
-You are sparkly. -You two are sharp. -Oh, thank you very much. | 0:01:36 | 0:01:40 | |
Now, Naomi, I know, you know, we make fun of all the scary, | 0:01:40 | 0:01:43 | |
-dangerous stuff that you do but we don't mean any harm. -Oh, really? | 0:01:43 | 0:01:46 | |
-We don't. -Well, that's kind of you. | 0:01:46 | 0:01:48 | |
Cos it isn't always easy being surrounded by spiders | 0:01:48 | 0:01:51 | |
and crawling through dark caves and stuff. | 0:01:51 | 0:01:53 | |
-Naomi, we know exactly what you're talking about. -Really? | 0:01:53 | 0:01:57 | |
What dangerous stuff do you two do? | 0:01:57 | 0:01:59 | |
Well, I had a particularly hot cup of tea the other day. | 0:01:59 | 0:02:02 | |
-Almost burnt my lip, so... -Are you kidding me? -Yeah. | 0:02:02 | 0:02:06 | |
But we do do really daring stuff and adventurous stuff, you know. | 0:02:06 | 0:02:09 | |
I mean, take a look at this picture of us diving with sharks. | 0:02:09 | 0:02:12 | |
Yeah, and there's this one of us taming a wild lion. | 0:02:15 | 0:02:18 | |
Yeah, and there's also this one of you two | 0:02:21 | 0:02:24 | |
relaxing in your pink, fluffy dressing gowns. | 0:02:24 | 0:02:27 | |
LAUGHTER | 0:02:27 | 0:02:29 | |
No-one's supposed to see that. Ever. That's quite enough of that. Naomi, | 0:02:29 | 0:02:32 | |
would you like to go backstage and look after the groups? | 0:02:32 | 0:02:35 | |
-I will. -Naomi Wilkinson, everyone. | 0:02:35 | 0:02:36 | |
CHEERING AND APPLAUSE | 0:02:36 | 0:02:38 | |
She's a cheeky one. | 0:02:38 | 0:02:39 | |
Now it's time to meet four demigods of the music world. | 0:02:42 | 0:02:45 | |
Please, offer up your pocket money and bow down at their greatness. | 0:02:45 | 0:02:48 | |
It's our judges. | 0:02:48 | 0:02:49 | |
CHEERING | 0:02:49 | 0:02:51 | |
Aren't they a vision? Hello. Hello, judges. | 0:03:02 | 0:03:05 | |
And hello to the lovely, lovely David Grant. Isn't he lovely? | 0:03:05 | 0:03:10 | |
What are you hoping for from today's acts? | 0:03:10 | 0:03:12 | |
Well, I think all of us are looking for three things. | 0:03:12 | 0:03:14 | |
We are looking for inner life, we want to be entertained | 0:03:14 | 0:03:18 | |
-and we want to be impressed. -Excellent. | 0:03:18 | 0:03:20 | |
-Let's get this show on the road. -All right, let's do that indeed! | 0:03:20 | 0:03:23 | |
Let's get this show on the road. | 0:03:23 | 0:03:24 | |
Judges, if you'd like to make your way over to your seats. | 0:03:24 | 0:03:26 | |
Whilst they do that, let's find out a little bit more | 0:03:26 | 0:03:29 | |
about our expert panel. | 0:03:29 | 0:03:30 | |
They are THE top coaches in the industry | 0:03:30 | 0:03:32 | |
and have worked with massive acts like Madonna and Take That. | 0:03:32 | 0:03:36 | |
It's the judges. | 0:03:36 | 0:03:38 | |
Choreographer Sisco has worked with Alexandra Burke | 0:03:38 | 0:03:40 | |
and Kylie Minogue, to name but two. | 0:03:40 | 0:03:42 | |
He also puts the contestants through their paces backstage | 0:03:42 | 0:03:45 | |
on the X Factor. | 0:03:45 | 0:03:47 | |
Carrie and David are vocal coaches to the stars. | 0:03:47 | 0:03:50 | |
They've worked with an impressive list of pop artists including | 0:03:50 | 0:03:53 | |
The Saturdays, Marvin Humes and even Gwyneth Paltrow. | 0:03:53 | 0:03:56 | |
John has worked behind the scenes on top shows like the X Factor | 0:03:57 | 0:04:00 | |
and The Voice and with a variety of celebrities including JLS | 0:04:00 | 0:04:04 | |
and Leona Lewis. | 0:04:04 | 0:04:05 | |
It's the judges. | 0:04:06 | 0:04:08 | |
CHEERING | 0:04:08 | 0:04:10 | |
-Oh, they are good, our judges. -Very good. Very good. | 0:04:10 | 0:04:12 | |
Now, for the important bit. | 0:04:12 | 0:04:14 | |
15 groups have made it through to the heats. | 0:04:14 | 0:04:16 | |
Today, three of those acts will battle it out for our experts, | 0:04:16 | 0:04:19 | |
who will be scoring them on vocal ability, creativity and performance. | 0:04:19 | 0:04:22 | |
All four judges will be giving marks out of ten for each | 0:04:22 | 0:04:25 | |
of the disciplines so there are plenty of points to be won. | 0:04:25 | 0:04:28 | |
And, in the unlikely event of a tie, | 0:04:28 | 0:04:29 | |
head judge Carrie will decide who gets the medals. | 0:04:29 | 0:04:32 | |
The acts with the top five scores across the heats | 0:04:32 | 0:04:34 | |
will then compete in the live finals where it will be | 0:04:34 | 0:04:36 | |
up to you at home to vote for your favourite. | 0:04:36 | 0:04:38 | |
And the winners will take home this fantastic | 0:04:38 | 0:04:41 | |
Sport Life Does Glee Club 2014 trophy. | 0:04:41 | 0:04:44 | |
CHEERING | 0:04:44 | 0:04:45 | |
We give a trophy on this show. | 0:04:45 | 0:04:47 | |
Pity we don't have the budget to get something decent, eh? | 0:04:47 | 0:04:49 | |
Yeah, well, whilst you check down the back of the sofa for any loose | 0:04:49 | 0:04:52 | |
change, let's find out how Naomi's getting on with the groups backstage. | 0:04:52 | 0:04:56 | |
Thank you very much, boys. Yes, here I am backstage. | 0:04:56 | 0:04:58 | |
We've got A-List, The Peppermints and the BuSKerS. | 0:04:58 | 0:05:01 | |
-So, BuSKerS, who is this with you today? -This is Bear-emy, our mascot. | 0:05:01 | 0:05:06 | |
Bear-emy. I like his name. And how does he bring you luck? | 0:05:06 | 0:05:09 | |
I don't know. We always have him in rehearsals so it just brings us joy | 0:05:09 | 0:05:13 | |
and he says BuSKerS when you press the little button. | 0:05:13 | 0:05:15 | |
-Does it still do that? -Yeah. | 0:05:15 | 0:05:17 | |
BEAR: 'BuSKerS!' | 0:05:17 | 0:05:18 | |
Oh! You've got to love that. Fantastic. | 0:05:18 | 0:05:21 | |
Wish you the best of luck. Hope it goes well. Onto The Peppermints. | 0:05:21 | 0:05:24 | |
-Now, The Peppermints... -Hi. | 0:05:24 | 0:05:26 | |
..you are the only returning group to Sport Relief Does Glee Club. | 0:05:26 | 0:05:29 | |
-How does that feel? -Exciting. -Are you really pleased about that? | 0:05:29 | 0:05:32 | |
-Yeah. -Do you think it gives you an advantage being that you've | 0:05:32 | 0:05:34 | |
been together so long and worked together a lot? | 0:05:34 | 0:05:37 | |
Well, I think that because we've been together so long that we all, | 0:05:37 | 0:05:41 | |
like, know each other's strengths and weaknesses and we just work with it. | 0:05:41 | 0:05:45 | |
Feed off each other on the stage. Well, good luck to you guys as well. | 0:05:45 | 0:05:48 | |
And A-List, give us a twirl. Check out the jackets. Look. | 0:05:48 | 0:05:52 | |
How good are they? They're fantastic. | 0:05:52 | 0:05:54 | |
-Now, you lot are, I understand, rehearsing all over the place. -Yes. | 0:05:54 | 0:05:58 | |
-What do we just place you've found yourself rehearsing? -On a train. | 0:05:58 | 0:06:02 | |
We had a five-hour train journey so we thought | 0:06:02 | 0:06:04 | |
we would just take over the whole carriage and practise the whole way. | 0:06:04 | 0:06:08 | |
-A busy commuter train? -Yeah. -That must have been quite funny. -It was. | 0:06:08 | 0:06:11 | |
And haven't you got some other hidden talents amongst you? | 0:06:11 | 0:06:13 | |
Can someday make pterodactyl sounds? | 0:06:13 | 0:06:15 | |
Sean. | 0:06:15 | 0:06:16 | |
Sean, can you make the sound of a pterodactyl? | 0:06:16 | 0:06:19 | |
HE SCREECHES | 0:06:19 | 0:06:20 | |
LAUGHTER | 0:06:20 | 0:06:22 | |
-Are you going to include that in your performance today? -Definitely. | 0:06:22 | 0:06:25 | |
Well, I wish you all the very best of luck with your round one song. | 0:06:25 | 0:06:29 | |
All our acts arrived in Glasgow yesterday so we sent them out for | 0:06:29 | 0:06:32 | |
the day to see if they could get to know each other a little bit better. | 0:06:32 | 0:06:35 | |
Here's how they got on. | 0:06:35 | 0:06:36 | |
The Peppermints, BuSKerS and A-List were treated to a chocolate-making | 0:06:37 | 0:06:44 | |
experience right in the heart of Glasgow. | 0:06:44 | 0:06:47 | |
We are the BuSKerS and we're from Bristol. | 0:06:47 | 0:06:49 | |
THEY CHEER | 0:06:49 | 0:06:51 | |
Hi! We're The Peppermints and we're from Hartlepool! | 0:06:51 | 0:06:55 | |
We're A-List and we are from Glasgow. | 0:06:56 | 0:06:58 | |
THEY CHEER | 0:06:58 | 0:07:00 | |
But before they became trainee chocolatiers, there was | 0:07:00 | 0:07:04 | |
a chance to catch up on some Glee Club gossip. | 0:07:04 | 0:07:06 | |
We, like, prefer costume rehearsals to decide what we are wearing. | 0:07:08 | 0:07:12 | |
-You can never have too many sparkly things. -I know. | 0:07:12 | 0:07:15 | |
Apparently, chocolate is bad for your voice. | 0:07:15 | 0:07:17 | |
I could live on chocolate. | 0:07:17 | 0:07:19 | |
Hi. | 0:07:19 | 0:07:20 | |
So, you can decide which colour chocolate you'd like to | 0:07:20 | 0:07:23 | |
make your lollipop with. | 0:07:23 | 0:07:25 | |
I just want to lick the table. | 0:07:25 | 0:07:27 | |
It was really funny sharing the glee experiences as well. | 0:07:27 | 0:07:29 | |
All the troubles we've went through. That was good. | 0:07:29 | 0:07:31 | |
Yeah, it was nice hearing about, like, | 0:07:31 | 0:07:33 | |
other people's funny stories from along the way. | 0:07:33 | 0:07:36 | |
-That is so good. -I know. | 0:07:36 | 0:07:37 | |
There was an announcement for the train coming and it went... | 0:07:37 | 0:07:41 | |
How did it go again? It was... | 0:07:41 | 0:07:43 | |
BOTH SING: # Hartlepool, Seaton Carew | 0:07:43 | 0:07:44 | |
# Billingham, Stockton Middlesbrough. # | 0:07:44 | 0:07:47 | |
-Lollipop. -It's got a star on it. -Yes, it does. | 0:07:49 | 0:07:52 | |
Because we are all stars in BuSKerS. | 0:07:52 | 0:07:55 | |
It's our vocal coaches. | 0:07:55 | 0:07:57 | |
Because, you know, they need a bit of thanks, too, don't they? | 0:07:57 | 0:08:01 | |
-I love the Scottish accent, me. It's so gorge. -I know. | 0:08:01 | 0:08:05 | |
I wish I had, like, an accent. | 0:08:05 | 0:08:06 | |
-Very handsome. -Where is it? | 0:08:08 | 0:08:11 | |
It's there, there, there. | 0:08:13 | 0:08:14 | |
-What was like to have a chocolate moustache? -It was amazing. | 0:08:14 | 0:08:17 | |
-What happened to the moustache? -I ate it. -Ugh. -I ate my moustache. | 0:08:17 | 0:08:21 | |
It was on her face. | 0:08:21 | 0:08:22 | |
If Peppermints had a chocolate, it would be mint. | 0:08:22 | 0:08:25 | |
Mint. | 0:08:25 | 0:08:27 | |
CHEERING | 0:08:30 | 0:08:31 | |
Please welcome our glee clubs - BuSKerS... | 0:08:34 | 0:08:37 | |
CHEERING | 0:08:37 | 0:08:38 | |
..The Peppermints... | 0:08:40 | 0:08:41 | |
CHEERING | 0:08:41 | 0:08:42 | |
..and A-List. | 0:08:43 | 0:08:45 | |
CHEERING | 0:08:45 | 0:08:47 | |
Lovely to have here, guys. | 0:08:47 | 0:08:48 | |
Let's find out more about your first challenge. | 0:08:48 | 0:08:52 | |
Round one. Singing together. | 0:08:52 | 0:08:54 | |
All group members must sing at the same time with no featured vocals. | 0:08:54 | 0:08:58 | |
CHEERING | 0:08:58 | 0:09:01 | |
It's their first challenge of the show | 0:09:01 | 0:09:03 | |
and they're performing a song by Lady Gaga. | 0:09:03 | 0:09:05 | |
Hey, man, why did Lady Gaga break-up with her boyfriend? | 0:09:05 | 0:09:09 | |
Because she had a Bad Romance. | 0:09:09 | 0:09:11 | |
LAUGHTER | 0:09:11 | 0:09:12 | |
Now she's single, do you think she'll go out on a date with me | 0:09:12 | 0:09:15 | |
-then? -Mate, it was a joke. | 0:09:15 | 0:09:17 | |
There's nothing funny about my love for Gaga. | 0:09:17 | 0:09:20 | |
Or Snookums, as I like to call her. | 0:09:20 | 0:09:22 | |
Singing together for round one and performing Applause by Lady Gaga, | 0:09:22 | 0:09:25 | |
it's BuSKerS, The Peppermints and A-List. | 0:09:25 | 0:09:28 | |
CHEERING | 0:09:28 | 0:09:29 | |
MUSIC: "Applause" by Lady Gaga | 0:09:32 | 0:09:34 | |
# I stand here waiting for you to bang the gong | 0:09:38 | 0:09:44 | |
# To crash the critic saying "Is it right or is it wrong?" | 0:09:45 | 0:09:51 | |
# I live for the applause Applause, applause | 0:09:51 | 0:09:54 | |
# I live for the applause-plause Live for the applause-plause | 0:09:54 | 0:09:58 | |
# Live for the way that you cheer and scream for me | 0:09:58 | 0:10:01 | |
# The applause, applause, applause | 0:10:01 | 0:10:04 | |
# Give me that thing that I love I'll turn the lights on | 0:10:05 | 0:10:09 | |
# Put your hands up, make 'em touch Touch | 0:10:09 | 0:10:12 | |
# Give me that thing that I love I'll turn the lights on | 0:10:12 | 0:10:16 | |
# Put your hands up, make 'em touch Touch | 0:10:16 | 0:10:19 | |
# Give me that thing that I love I'll turn the lights on | 0:10:19 | 0:10:23 | |
# Put your hands up, make 'em touch Touch | 0:10:23 | 0:10:26 | |
# Give me that thing that I love I'll turn the lights on | 0:10:26 | 0:10:29 | |
# Put your hands up, make 'em touch Touch... # | 0:10:29 | 0:10:33 | |
CHEERING | 0:10:34 | 0:10:36 | |
# I've overheard your theory nostalgia's for geeks | 0:10:43 | 0:10:49 | |
# I guess, sir, if you say so some of us just like to read | 0:10:50 | 0:10:56 | |
# I live for the applause Applause, applause | 0:10:56 | 0:10:59 | |
# I live for the applause-plause Live for the applause-plause | 0:10:59 | 0:11:03 | |
# Live for the way that you cheer and scream for me | 0:11:03 | 0:11:07 | |
# The applause, applause, applause | 0:11:07 | 0:11:10 | |
# Give me that thing that I love I'll turn the lights on | 0:11:11 | 0:11:14 | |
# Put your hands up, make 'em touch Touch | 0:11:14 | 0:11:18 | |
# Give me that thing that I love I'll turn the lights on | 0:11:18 | 0:11:21 | |
# Put your hands up, make 'em touch Touch | 0:11:21 | 0:11:24 | |
# Give me that thing that I love I'll turn the lights on | 0:11:24 | 0:11:28 | |
# Put your hands up, make 'em touch Touch | 0:11:28 | 0:11:31 | |
# Give me that thing that I love I'll turn the lights on | 0:11:31 | 0:11:35 | |
# Put your hands up, make 'em touch Touch... # | 0:11:35 | 0:11:38 | |
CHEERING | 0:11:40 | 0:11:42 | |
# I stand here waiting for you to bang the gong | 0:11:48 | 0:11:53 | |
# To crash the critic saying "Is it right or is it wrong?" | 0:11:55 | 0:12:00 | |
# I live for the applause Applause, applause | 0:12:00 | 0:12:04 | |
# I live for the applause-plause Live for the applause-plause | 0:12:04 | 0:12:07 | |
# Live for the way that you cheer and scream for me | 0:12:07 | 0:12:11 | |
# The applause, applause, applause | 0:12:11 | 0:12:15 | |
# Give me that thing that I love I'll turn the lights on | 0:12:15 | 0:12:19 | |
# Put your hands up, make 'em touch Touch | 0:12:19 | 0:12:22 | |
# Give me that thing that I love I'll turn the lights on | 0:12:22 | 0:12:26 | |
# Put your hands up, make 'em touch Touch | 0:12:26 | 0:12:29 | |
# Give me that thing that I love I'll turn the lights on | 0:12:29 | 0:12:32 | |
# Put your hands up, make 'em touch Touch | 0:12:32 | 0:12:36 | |
# Give me that thing that I love I'll turn the lights on | 0:12:36 | 0:12:39 | |
# Put your hands up, make 'em touch Touch... # | 0:12:39 | 0:12:42 | |
CHEERING | 0:12:45 | 0:12:46 | |
# I live for the applause Applause, applause | 0:12:53 | 0:12:56 | |
# I live for the applause-plause Live for the applause-plause | 0:12:56 | 0:12:59 | |
# Live for the way that you cheer and scream for me | 0:12:59 | 0:13:03 | |
# The applause, applause, applause | 0:13:03 | 0:13:06 | |
# Give me that thing that I love I'll turn the lights on | 0:13:07 | 0:13:11 | |
# Put your hands up, make 'em touch Touch | 0:13:11 | 0:13:14 | |
# Give me that thing that I love I'll turn the lights on | 0:13:14 | 0:13:17 | |
# Put your hands up, make 'em touch Touch | 0:13:17 | 0:13:21 | |
# Give me that thing that I love I'll turn the lights on | 0:13:21 | 0:13:24 | |
# Put your hands up, make 'em touch Touch | 0:13:24 | 0:13:28 | |
# Give me that thing that I love I'll turn the lights on | 0:13:28 | 0:13:31 | |
# Put your hands up, make 'em touch Touch. # | 0:13:31 | 0:13:34 | |
CHEERING | 0:13:38 | 0:13:39 | |
Applause, applause indeed. | 0:13:43 | 0:13:44 | |
Let's see what the judges thought of those performances. | 0:13:44 | 0:13:47 | |
Carrie, what did you think? | 0:13:47 | 0:13:48 | |
All three, all really good performances. | 0:13:48 | 0:13:50 | |
BuSKerS, I loved you at the auditions. | 0:13:50 | 0:13:53 | |
I love your uniqueness. | 0:13:53 | 0:13:55 | |
I felt today that there was just a lack of inner life. | 0:13:55 | 0:13:58 | |
The sort of energy just wasn't quite there for me. | 0:13:58 | 0:14:01 | |
I thought The Peppermints, there's only five of you, | 0:14:01 | 0:14:03 | |
yet making the most lovely sound. | 0:14:03 | 0:14:05 | |
Let's remember, you're a lot younger than the other groups around you, | 0:14:05 | 0:14:08 | |
so your sound is younger, but it's still lovely. | 0:14:08 | 0:14:11 | |
And you, lovely lady in the front, you are just brilliant. | 0:14:11 | 0:14:14 | |
Just giving it 100%, anger, attitude, brilliant. | 0:14:14 | 0:14:17 | |
And finally, A-List, I felt like I just watched a stage show. | 0:14:17 | 0:14:21 | |
That was lovely choreography. | 0:14:21 | 0:14:23 | |
Kind of pop, kind of musical theatre, really good. | 0:14:23 | 0:14:26 | |
Lovely performance, some really good vocals. Thank you. | 0:14:26 | 0:14:29 | |
APPLAUSE | 0:14:29 | 0:14:31 | |
David, did you think that was a good version of Applause? | 0:14:31 | 0:14:33 | |
Yeah, it was a very good version. | 0:14:33 | 0:14:35 | |
Three very different versions of Applause. | 0:14:35 | 0:14:37 | |
Firstly BuSKerS, it was really nice unison. It was very tight. | 0:14:37 | 0:14:40 | |
I loved the blend of voices on it. | 0:14:40 | 0:14:42 | |
I think what Carrie was saying was right, if felt a little bit passive. | 0:14:42 | 0:14:46 | |
I want you to jeer it up a bit. Give it more energy. | 0:14:46 | 0:14:48 | |
Give it more self belief. You're good, start singing like you are | 0:14:48 | 0:14:51 | |
and performing like you are. | 0:14:51 | 0:14:53 | |
You guys, Peppermints, well, you're little sweeties, aren't you? | 0:14:53 | 0:14:57 | |
You're just like really lovely harmonies. | 0:14:57 | 0:15:00 | |
Really brilliant, brash, bright energy. | 0:15:00 | 0:15:03 | |
And over to A-List, it felt like watching a well-oiled machine. | 0:15:03 | 0:15:07 | |
You guys are really smooth. You really trust one another. | 0:15:07 | 0:15:10 | |
You know what each other is doing. | 0:15:10 | 0:15:11 | |
And very good use of the male voice in the lower harmony in the chorus. | 0:15:11 | 0:15:16 | |
John, your thoughts, please. | 0:15:18 | 0:15:20 | |
I just have to say I'm very proud of each and everyone up here. | 0:15:20 | 0:15:23 | |
You did very well to get here, to the heats right now. | 0:15:23 | 0:15:26 | |
Those performances, full of energy and I think you gave it 100%. | 0:15:26 | 0:15:30 | |
The points are going to speak for themselves, so fingers crossed. | 0:15:30 | 0:15:34 | |
Finally, Sisco, which act did it for you? | 0:15:35 | 0:15:38 | |
Well, I think my judges are just really happy today | 0:15:38 | 0:15:41 | |
because I feel Scrooge in the corner here. | 0:15:41 | 0:15:44 | |
I feel like if all three of you want to get to the finals, show me that | 0:15:44 | 0:15:48 | |
desperation, excitement, charisma. | 0:15:48 | 0:15:51 | |
Like, guys, we all need to wake up. | 0:15:51 | 0:15:54 | |
This is an opportunity of a lifetime, take it with both hands. | 0:15:54 | 0:15:58 | |
Sing and dance like you've never done it in your lives | 0:15:58 | 0:16:01 | |
because at the moment, yeah, it was OK, but... | 0:16:01 | 0:16:05 | |
nothing final worthy in my opinion. | 0:16:05 | 0:16:07 | |
Well, food for thought for Round 2. | 0:16:07 | 0:16:09 | |
Whilst we check and verify the scores for Round 1, | 0:16:09 | 0:16:12 | |
let's take a look at some messages from celebrity friends of the show. | 0:16:12 | 0:16:16 | |
If you want to get involved, grab a grown-up | 0:16:16 | 0:16:18 | |
and join the Sport Relief Games. | 0:16:18 | 0:16:20 | |
From Friday the 21st to Sunday the 23rd of March. | 0:16:20 | 0:16:24 | |
Go to the CBBC website and click the link to Sport Relief. | 0:16:24 | 0:16:27 | |
Thanks! | 0:16:27 | 0:16:29 | |
The scores have been checked and verified | 0:16:32 | 0:16:34 | |
and the results for Round 1 are in. | 0:16:34 | 0:16:35 | |
-It's over to you, Mark. -Thank you, Sam. | 0:16:35 | 0:16:37 | |
I can reveal that the judges combined scored for BuSKerS | 0:16:37 | 0:16:40 | |
out of a possible 120 is... | 0:16:40 | 0:16:43 | |
The judges combined score for The Peppermints is... | 0:16:53 | 0:16:56 | |
And finally the judges combined for A-List is... | 0:17:05 | 0:17:08 | |
But there is still one more challenge to go, | 0:17:17 | 0:17:20 | |
but before that let's take a look at the scoreboard after Round 1. | 0:17:20 | 0:17:23 | |
A-List take an early lead | 0:17:24 | 0:17:26 | |
with 82 points. | 0:17:26 | 0:17:27 | |
Followed The Peppermints on 70. | 0:17:27 | 0:17:29 | |
And BuSKerS on 49 points. | 0:17:29 | 0:17:31 | |
But with 120 points available | 0:17:31 | 0:17:33 | |
to each group in Round 2, | 0:17:33 | 0:17:35 | |
it could all change. | 0:17:35 | 0:17:37 | |
Are we relived that that bit is over? | 0:17:39 | 0:17:41 | |
All breathing a sigh of relief. | 0:17:43 | 0:17:44 | |
BuSKerS, did you enjoy the applause from our audience? | 0:17:44 | 0:17:48 | |
-It was loud. -It was loud in there, wasn't it? | 0:17:48 | 0:17:50 | |
Carrie said she loved you before, | 0:17:50 | 0:17:52 | |
she's saying you maybe lacking a bit of inner life today. | 0:17:52 | 0:17:55 | |
What would you like to say about that? What's happening? | 0:17:55 | 0:17:57 | |
It's not like what you really want to hear. | 0:17:57 | 0:18:00 | |
If we can just turn that into a positive and then make that into our | 0:18:00 | 0:18:04 | |
motivation to go and do better in Round 2 then... | 0:18:04 | 0:18:07 | |
Go for it! Have you got something to blow them away in the next round? | 0:18:07 | 0:18:10 | |
-Hopefully. -I hope so too. I can't wait to hear it. | 0:18:10 | 0:18:12 | |
-Over to The Peppermints. Hello, you lot. ALL: -Hi. | 0:18:12 | 0:18:14 | |
Carrie said you were making a lovely sound. | 0:18:14 | 0:18:16 | |
She pointed at you especially, Izzy. What would you like to say to Carrie? | 0:18:16 | 0:18:20 | |
-Thank you. -Is that it? Short but sweet. | 0:18:20 | 0:18:23 | |
How about Sisco? He said there was nothing in this room final worthy. | 0:18:23 | 0:18:27 | |
Anything that The Peppermints would like to say to Sisco? | 0:18:27 | 0:18:30 | |
Well, I thought that was a bit harsh | 0:18:30 | 0:18:32 | |
because all the other groups are fabulous as well. | 0:18:32 | 0:18:36 | |
Aw, that's nice. Aw, supporting your fellow glee clubs, I like that. | 0:18:36 | 0:18:40 | |
And over to A-List. David said you were like a well-oiled machine. | 0:18:40 | 0:18:44 | |
Carrie said it was like watching stage show. | 0:18:44 | 0:18:46 | |
But Sisco, he is having a bit of a grumpy day, isn't he? | 0:18:46 | 0:18:49 | |
You've all got this opportunity of a lifetime. | 0:18:49 | 0:18:52 | |
How would you like to respond to that? | 0:18:52 | 0:18:53 | |
Well, I think we agree with the other groups. | 0:18:53 | 0:18:56 | |
I think everyone's been fabulous today, so I think we all just need | 0:18:56 | 0:19:00 | |
to go out and show him that we're all final worthy. | 0:19:00 | 0:19:04 | |
I think we've really got a lot of motivation now to go out | 0:19:04 | 0:19:07 | |
-and just really push. -Show him what you're made of. | 0:19:07 | 0:19:10 | |
Everybody, show Sisco what you can do in Round 2. | 0:19:10 | 0:19:13 | |
We are halfway there. One song still to go, so back to you, Sam and Mark. | 0:19:13 | 0:19:16 | |
Thank you very much. | 0:19:16 | 0:19:17 | |
While the groups get ready for Round 2, | 0:19:17 | 0:19:19 | |
let's remind ourselves why we're here | 0:19:19 | 0:19:21 | |
and how Sport Relief really does make a difference to | 0:19:21 | 0:19:23 | |
lives in the UK and abroad. | 0:19:23 | 0:19:25 | |
Sport Relief raises money to help change people's lives | 0:19:27 | 0:19:29 | |
in some of the world's poorest communities | 0:19:29 | 0:19:32 | |
as well as right here in the UK. | 0:19:32 | 0:19:34 | |
In fact, there are over 2,000 UK projects benefiting | 0:19:35 | 0:19:39 | |
money raised by the charity. | 0:19:39 | 0:19:41 | |
So where you're watching from you're not very far away from | 0:19:41 | 0:19:44 | |
a project sponsored by Sport Relief. | 0:19:44 | 0:19:47 | |
Your donations really can make a difference to | 0:19:49 | 0:19:51 | |
the lives of vulnerable people at home and abroad. | 0:19:51 | 0:19:54 | |
If you'd like to get involved in this year's Sport Relief Games from | 0:19:56 | 0:20:00 | |
the 21st to the 23rd of March, grab a grown-up | 0:20:00 | 0:20:03 | |
and visit the CBBC website at to find out how. | 0:20:03 | 0:20:07 | |
Thank you. | 0:20:10 | 0:20:12 | |
You really can make a difference, so go on, get involved | 0:20:18 | 0:20:21 | |
and take part in the Sport Relief mile, swimathon or cycle. | 0:20:21 | 0:20:24 | |
Round 2 is the last chance for our groups to wow the judges. | 0:20:24 | 0:20:27 | |
They need to score as many points as they can to secure a top spot | 0:20:27 | 0:20:30 | |
on the Glee Club leaderboard. | 0:20:30 | 0:20:31 | |
Remember, only the top five will go through to the live finals. | 0:20:31 | 0:20:35 | |
Mr D, can you please do the honours and introduce the final round. | 0:20:35 | 0:20:38 | |
Round 2 - Survival Song. | 0:20:40 | 0:20:41 | |
The groups will have to give it their all in their final chance | 0:20:41 | 0:20:44 | |
to build those all-important points. | 0:20:44 | 0:20:47 | |
They're the pride of South Gloucestershire. | 0:20:48 | 0:20:50 | |
Let's find out a little bit more about BuSKerS | 0:20:50 | 0:20:52 | |
and their journey to the heats. | 0:20:52 | 0:20:54 | |
Hello. Welcome! | 0:20:55 | 0:20:57 | |
BuSKerS didn't even need a backing track | 0:20:58 | 0:21:00 | |
when they first performed in Bristol. | 0:21:00 | 0:21:02 | |
Good team spirit. You nailed it. | 0:21:04 | 0:21:06 | |
And the judges were in awe of their a cappella sound in Glasgow. | 0:21:08 | 0:21:11 | |
# I know there's no need for me to panic | 0:21:11 | 0:21:15 | |
# You will find him, you'll find him next to me. # | 0:21:15 | 0:21:19 | |
Wow. A cappella, that is so brave. | 0:21:19 | 0:21:24 | |
You, young lady on the end, you have one of the best blend voices | 0:21:24 | 0:21:27 | |
I've heard in a number of years. Fantastic. | 0:21:27 | 0:21:30 | |
My question is - why do you look so terrified? | 0:21:30 | 0:21:35 | |
If I sounded that good, I would be so pleased with myself. | 0:21:35 | 0:21:39 | |
To hear those kind of comments from them, that is just incredible. | 0:21:41 | 0:21:44 | |
I'm still starstruck. | 0:21:44 | 0:21:46 | |
The fifth group going through the studio heats is BuSKerS. | 0:21:48 | 0:21:53 | |
But can BuSKerS build on their vocal blend and deliver a confident | 0:21:57 | 0:22:01 | |
and charismatic performance in the studio heats? | 0:22:01 | 0:22:04 | |
-How have your rehearsals been going? -We've done loads. | 0:22:04 | 0:22:07 | |
Have you? Tell me about them. | 0:22:07 | 0:22:09 | |
-Everyday. -Everyday you've been rehearsing? | 0:22:09 | 0:22:12 | |
Every morning and break time in school. | 0:22:12 | 0:22:14 | |
-And then we did a couple of hours on Saturday as well. -And after school. | 0:22:14 | 0:22:17 | |
We shouldn't get further into the competition being something that we're not. | 0:22:17 | 0:22:21 | |
And we're not all jazz hands, but, yeah, we've got | 0:22:21 | 0:22:23 | |
this far being as we are. | 0:22:23 | 0:22:25 | |
Hopefully our best will be good enough to get us into | 0:22:25 | 0:22:27 | |
the next round. Fingers crossed. | 0:22:27 | 0:22:29 | |
Singing for more than just small change | 0:22:32 | 0:22:34 | |
on a wet high street in January. | 0:22:34 | 0:22:36 | |
Performing Seasons Of Love from the musical Rent, it's BuSKerS! | 0:22:36 | 0:22:40 | |
# Five hundred twenty five thousand six hundred minutes | 0:22:54 | 0:22:59 | |
# Five hundred twenty five thousand journeys to plan | 0:22:59 | 0:23:05 | |
# Five hundred twenty five thousand six hundred minutes | 0:23:05 | 0:23:09 | |
# How do you measure the life of a woman or a man? | 0:23:09 | 0:23:15 | |
# In truths that she learned or in times that he cried | 0:23:15 | 0:23:20 | |
# In bridges he burned or the way that she died | 0:23:20 | 0:23:26 | |
# It's time now, to sing out | 0:23:26 | 0:23:28 | |
# Though the story never ends | 0:23:28 | 0:23:30 | |
# Let's celebrate | 0:23:30 | 0:23:32 | |
# Remember a year in the life of friends | 0:23:32 | 0:23:36 | |
# Love | 0:23:36 | 0:23:38 | |
# Oh, you got to, you got to remember the love | 0:23:38 | 0:23:42 | |
# Love | 0:23:42 | 0:23:44 | |
# You know that love is a gift from above | 0:23:44 | 0:23:47 | |
-# Love -Share love, give love, spread love | 0:23:47 | 0:23:54 | |
-# Love -Measure, measure your life in love | 0:23:54 | 0:23:58 | |
# Seasons of love | 0:23:58 | 0:24:04 | |
-# Seasons of love -Measure your life | 0:24:04 | 0:24:08 | |
# Measure your life in love. # | 0:24:08 | 0:24:12 | |
CHEERING AND APPLAUSE | 0:24:12 | 0:24:15 | |
-One of my favourite songs, that. -Well done, guys. | 0:24:18 | 0:24:21 | |
Shall we go over to the judges, see what they thought? | 0:24:21 | 0:24:23 | |
Yeah! David, do you think BuSKerS should be proud of that performance? | 0:24:23 | 0:24:27 | |
Where did that come from?! | 0:24:27 | 0:24:29 | |
LAUGHTER | 0:24:29 | 0:24:31 | |
I really, really liked the sounds of your voice - is it Rashid? | 0:24:31 | 0:24:34 | |
Your lead voice, you have such an ease and a warmth to your voice. | 0:24:34 | 0:24:40 | |
You know, there are little bits | 0:24:40 | 0:24:41 | |
where it got complex towards the end, | 0:24:41 | 0:24:43 | |
it wasn't perfectly in time, it wasn't perfectly in synergy, | 0:24:43 | 0:24:46 | |
but I would say that overall, | 0:24:46 | 0:24:48 | |
that's the best performance you've given. | 0:24:48 | 0:24:51 | |
You can get better, but take that as a very good performance. | 0:24:51 | 0:24:54 | |
John, did you enjoy it? | 0:24:58 | 0:25:00 | |
Yeah, I actually did enjoy it. | 0:25:00 | 0:25:02 | |
I thought it was very good. | 0:25:02 | 0:25:03 | |
The thing is, with you guys, is that it's so difficult. | 0:25:03 | 0:25:06 | |
The reality is that your vocal ability is so good - | 0:25:06 | 0:25:10 | |
I know that, I can hear those voices. | 0:25:10 | 0:25:12 | |
What lets you down is the performance. | 0:25:12 | 0:25:15 | |
It's almost like you don't believe in yourselves in term of that. | 0:25:15 | 0:25:18 | |
I'd actually strip away all of your choreography, | 0:25:18 | 0:25:20 | |
just get you to stand right there and just sing. | 0:25:20 | 0:25:24 | |
You, young lady, have a fantastic voice. | 0:25:24 | 0:25:26 | |
Where did you get that note? My goodness! | 0:25:26 | 0:25:29 | |
-Excellent. Thank you. -Brilliant. | 0:25:29 | 0:25:31 | |
Sisco, was that the right song choice, do you reckon? | 0:25:31 | 0:25:35 | |
I think it was the right song choice for you guys. | 0:25:35 | 0:25:37 | |
For me, it was my favourite musicals ever. | 0:25:37 | 0:25:40 | |
I love Rent to bits, I love everything about it. | 0:25:40 | 0:25:42 | |
And I was just going "Come on, come on..." | 0:25:42 | 0:25:44 | |
And then you, young lady, with that beautiful note at the end, | 0:25:44 | 0:25:47 | |
I was like, "Why didn't she just take the lead vocals?" | 0:25:47 | 0:25:49 | |
Clearly, you have a range, you're able to sing | 0:25:49 | 0:25:52 | |
and I think this group needs to play with their strengths and just, | 0:25:52 | 0:25:56 | |
you know, perform a bit more. | 0:25:56 | 0:25:58 | |
Perform like you're just living on stage, cos at the moment, | 0:25:58 | 0:26:01 | |
I thought you guys were scared of all the lights. | 0:26:01 | 0:26:03 | |
We're not here to judge you, we're here to support you, you see? | 0:26:03 | 0:26:06 | |
So you need to just...perform with a bit more intensity. | 0:26:06 | 0:26:09 | |
OK - Carrie, your thoughts, please? | 0:26:09 | 0:26:12 | |
I think it feels like we're now up to the next level in the competition | 0:26:12 | 0:26:16 | |
and, you guys, it feels raggedy. | 0:26:16 | 0:26:18 | |
It doesn't feel rehearsed enough to me. | 0:26:18 | 0:26:20 | |
I think you need to start listening to one another, | 0:26:20 | 0:26:23 | |
watching one another. | 0:26:23 | 0:26:24 | |
I agree with what John said - | 0:26:24 | 0:26:25 | |
I'd rather you just stand still, to be honest, | 0:26:25 | 0:26:28 | |
because the dancing was so awkward. | 0:26:28 | 0:26:30 | |
The singing is so good, that's your strength. | 0:26:30 | 0:26:32 | |
If you get through, that's what you've got to concentrate on. | 0:26:32 | 0:26:35 | |
Thank you very much, judges. I loved it, by the way. | 0:26:35 | 0:26:39 | |
Give it up for the BuSKerS, everyone! | 0:26:39 | 0:26:41 | |
Here they come - come and see me. Are you all still smiling? | 0:26:46 | 0:26:51 | |
-Yes, mostly. -Good. Good, I am pleased. | 0:26:51 | 0:26:53 | |
Come on over, everybody. | 0:26:53 | 0:26:55 | |
-How are you feeling? Was that tough? -Very tough. | 0:26:55 | 0:26:58 | |
I thought they were a bit tough on you, to be honest. | 0:26:58 | 0:27:00 | |
I thought you were lovely. I was singing along backstage. | 0:27:00 | 0:27:04 | |
You chose a great song. They all loved your song choice. | 0:27:04 | 0:27:07 | |
-What would you like...? -To beat expectations. | 0:27:07 | 0:27:10 | |
Really? So what are you feeling, after that? | 0:27:10 | 0:27:13 | |
Well, the fact that they said we hadn't rehearsed enough, and... | 0:27:13 | 0:27:16 | |
We did rehearse, so much, | 0:27:16 | 0:27:17 | |
and we tried taking on their comments from last time, | 0:27:17 | 0:27:20 | |
but they didn't really pick up on the fact that's what we improved on. | 0:27:20 | 0:27:23 | |
So it felt particularly harsh, did you think? | 0:27:23 | 0:27:26 | |
Yes, just, cos, like, they hadn't even noticed how we tried | 0:27:26 | 0:27:29 | |
to look more like a group and look more together. | 0:27:29 | 0:27:32 | |
But there were some really lovely comments to you. | 0:27:32 | 0:27:34 | |
-Alice, they mentioned your voice. -Yeah. I just want to say thank you. | 0:27:34 | 0:27:38 | |
I think we all blend really nicely together as a group | 0:27:38 | 0:27:42 | |
-and I think we chose the right song. -Yeah. | 0:27:42 | 0:27:44 | |
So you do think you've made improvements since last time? | 0:27:44 | 0:27:47 | |
Definitely - since a couple of months ago, | 0:27:47 | 0:27:49 | |
when we first started with the original auditions, | 0:27:49 | 0:27:52 | |
we have improved a vast amount | 0:27:52 | 0:27:54 | |
and we've worked really, really hard on it. | 0:27:54 | 0:27:56 | |
Well said, you lot - all right, back to you, Sam and Mark. | 0:27:56 | 0:27:59 | |
Thank you, Naomi. | 0:27:59 | 0:28:01 | |
Our next act is our only complete returning group. | 0:28:01 | 0:28:04 | |
Let's take a look at the Peppermints | 0:28:04 | 0:28:06 | |
and their amazing return to glee club. | 0:28:06 | 0:28:08 | |
Welcome back! It's so nice to see you - hello! | 0:28:10 | 0:28:13 | |
The Peppermints lived up to John's high expectations | 0:28:13 | 0:28:16 | |
when they first performed in Newcastle. | 0:28:16 | 0:28:19 | |
ALL: Hi! We're The Peppermints! | 0:28:19 | 0:28:21 | |
# Yo, I'll tell you what I want, what I really, really want | 0:28:21 | 0:28:24 | |
# So tell me what you want, what you really, really want | 0:28:24 | 0:28:26 | |
# I wanna, I wanna I wanna, I wanna | 0:28:26 | 0:28:28 | |
# I wanna, really, really, really wanna zig-a-zig-ah! # | 0:28:28 | 0:28:31 | |
And the panel were blown away by the group's fresh sound | 0:28:31 | 0:28:33 | |
in the judges' auditions. | 0:28:33 | 0:28:35 | |
What I love about you guys is that there is not one weak link. | 0:28:35 | 0:28:40 | |
Everywhere I look on the stage, | 0:28:40 | 0:28:42 | |
there is a 100% performance going on. Brilliant. | 0:28:42 | 0:28:47 | |
Soon as you guys smiled, it just made me smile | 0:28:47 | 0:28:50 | |
and it made me enjoy the performance, like, ten times as much | 0:28:50 | 0:28:52 | |
-as I originally did. -ALL: Thank you! | 0:28:52 | 0:28:54 | |
Woo! | 0:28:54 | 0:28:57 | |
-Tell me how it went? -Amazing! -Amazing! | 0:28:57 | 0:28:59 | |
The third group going through to the studio heats is...Peppermints. | 0:28:59 | 0:29:04 | |
SCREAMING AND CHEERING | 0:29:04 | 0:29:07 | |
But can the good times continue for the Peppermints as the pressure | 0:29:07 | 0:29:10 | |
begins to build for the studio heats? | 0:29:10 | 0:29:13 | |
-Hello, Peppermints. -ALL: Hi! | 0:29:14 | 0:29:16 | |
You seem a little bit more...dulled down than normal. Are you nervous? | 0:29:16 | 0:29:20 | |
-A little bit. -Are you? -More excited. -Yeah, definitely. | 0:29:20 | 0:29:24 | |
-How is it to be back? -Oh, amazing. | 0:29:24 | 0:29:27 | |
I love being on stage. | 0:29:28 | 0:29:30 | |
It's like...I dunno, it just feels right, doesn't it? | 0:29:30 | 0:29:35 | |
Feels like home. | 0:29:35 | 0:29:36 | |
That was cringy. | 0:29:36 | 0:29:37 | |
THEY LAUGH | 0:29:37 | 0:29:39 | |
Hoping to go one better than last year... | 0:29:41 | 0:29:43 | |
Singing and dancing for a place in the live finals, | 0:29:43 | 0:29:45 | |
it's the Peppermints with Move! | 0:29:45 | 0:29:47 | |
MUSIC: "Move" by Little Mix | 0:29:52 | 0:29:56 | |
# Hey baby. | 0:29:57 | 0:29:59 | |
# Tell me your name. | 0:29:59 | 0:30:01 | |
-# I got a... -..fever for you... | 0:30:01 | 0:30:03 | |
# I just can't explain. | 0:30:03 | 0:30:05 | |
# But there's just one problem | 0:30:05 | 0:30:07 | |
# I'm a bit old school | 0:30:07 | 0:30:09 | |
# When it comes to lovin' | 0:30:09 | 0:30:11 | |
# I ain't chasing you | 0:30:11 | 0:30:13 | |
# Oh | 0:30:13 | 0:30:16 | |
# You know that I've been waiting for you | 0:30:16 | 0:30:19 | |
# Don't leave me standing all by myself | 0:30:19 | 0:30:23 | |
# Cos I ain't lookin' at no-one else | 0:30:23 | 0:30:27 | |
# Hey, get your back off the wall | 0:30:29 | 0:30:32 | |
# Don't you get comfortable | 0:30:32 | 0:30:34 | |
# Looking so hot I think that I might fall | 0:30:34 | 0:30:38 | |
# Feeling like it's my birthday | 0:30:38 | 0:30:40 | |
# Like Christmas Day came early | 0:30:40 | 0:30:42 | |
# Just what I want | 0:30:42 | 0:30:43 | |
# So when we move You move | 0:30:43 | 0:30:45 | |
# I know that you wanna But you can't cause you gotta | 0:30:45 | 0:30:47 | |
# Stay cool in the corner | 0:30:47 | 0:30:48 | |
# When the truth is that you wanna move | 0:30:48 | 0:30:49 | |
# So move | 0:30:51 | 0:30:52 | |
-# Move it, baby -Oh | 0:30:52 | 0:30:55 | |
# You know that I've been waiting for you | 0:30:55 | 0:30:59 | |
# Don't leave me standing all by myself | 0:30:59 | 0:31:03 | |
# Cos I ain't looking at no-one else Looking at no-one else | 0:31:03 | 0:31:07 | |
# Looking at no-one else | 0:31:07 | 0:31:09 | |
# Hey! Hey! I'm ready Hey! Boy come and get me | 0:31:09 | 0:31:13 | |
# Don't be scared Show me what you do | 0:31:13 | 0:31:15 | |
# Don't you know a girl Like a boy who moves | 0:31:15 | 0:31:17 | |
# Hey! Hey! I'm ready Hey! Boy come and get me | 0:31:17 | 0:31:21 | |
# Don't be scared Show me what you do | 0:31:21 | 0:31:23 | |
# Don't you know girl Like a boy who moves.# | 0:31:23 | 0:31:25 | |
APPLAUSE AND CHEERING | 0:31:25 | 0:31:30 | |
OK, well done guys. John, what did you think of that performance? | 0:31:31 | 0:31:35 | |
Yeah, I'm a Peppermints fan now! That was good. | 0:31:35 | 0:31:37 | |
Listen, I think the reality is it started off a bit pitchy, | 0:31:37 | 0:31:40 | |
but I think it's cos it's just that bass note. | 0:31:40 | 0:31:42 | |
It's hard to find it. What I loved about you girls is you recovered so quickly. | 0:31:42 | 0:31:47 | |
You found your groove, you got in there and gave a solid performance. | 0:31:47 | 0:31:50 | |
That was good, very good. | 0:31:50 | 0:31:53 | |
-APPLAUSE AND CHEERING -Cisco, was that a good song choice? | 0:31:53 | 0:31:56 | |
It was a good song choice. I think it suits your look. | 0:31:56 | 0:31:58 | |
You guys are fresh, you're fun, you're funky. | 0:31:58 | 0:32:00 | |
It was a really contemporary song. I really enjoyed it. I love the original song. | 0:32:00 | 0:32:04 | |
I think you did the song justice. What I liked about it | 0:32:04 | 0:32:06 | |
is that your harmonies were very clear from beginning to end, so there's consistency. | 0:32:06 | 0:32:11 | |
One thing I'm going to say to you guys - you will need to let loose a little more. | 0:32:11 | 0:32:14 | |
Cos I think you guys have got the potential to be amazing. | 0:32:14 | 0:32:17 | |
APPLAUSE AND CHEERING | 0:32:17 | 0:32:20 | |
Carrie, were you impressed with The Peppermints? | 0:32:20 | 0:32:22 | |
I was really impressed. I felt that it got better as it went along. | 0:32:22 | 0:32:25 | |
You gained confidence. You were like, "Oh, we're actually good". | 0:32:25 | 0:32:28 | |
So by the end of it I felt like you'd nailed it. | 0:32:28 | 0:32:31 | |
APPLAUSE AND CHEERING | 0:32:31 | 0:32:34 | |
-And finally, David? -You've got it. | 0:32:34 | 0:32:36 | |
I mean, the thing is it's hard to sing in a way that you have not got a lot of backing. | 0:32:36 | 0:32:41 | |
So there are times when you're going to be uncertain about whether you're in or not. | 0:32:41 | 0:32:45 | |
And the odd time I could read you were uncertain - "Am I in key?" | 0:32:45 | 0:32:48 | |
You know, "Are we bang in tune?" But take that away, | 0:32:48 | 0:32:51 | |
rehearse more, practice more. Take the inhibitions off | 0:32:51 | 0:32:55 | |
and follow that little crazy girl at the front and be crazy! | 0:32:55 | 0:32:59 | |
That's her. Just leave everything on the stage. | 0:32:59 | 0:33:02 | |
Throw as much energy as you've got at it. | 0:33:02 | 0:33:05 | |
I think that you'll find you can even go up a gear from that. | 0:33:05 | 0:33:08 | |
Thank you very much, judges. | 0:33:08 | 0:33:10 | |
Keep the round of applause going for The Peppermints. Well done, girls. | 0:33:10 | 0:33:14 | |
APPLAUSE | 0:33:14 | 0:33:16 | |
Ah! We've got a lot of big smiles with The Peppermints. | 0:33:18 | 0:33:23 | |
-Does that feel good? -Yeah. | 0:33:23 | 0:33:25 | |
They said nice comments, didn't they? Fresh, fun and funky. | 0:33:25 | 0:33:28 | |
How will you top that, though? | 0:33:28 | 0:33:30 | |
How are you going to go up another gear, should you get through? | 0:33:30 | 0:33:34 | |
If we follow in the footsteps of Izzy, then I'm sure | 0:33:34 | 0:33:36 | |
-we can do really well. -What are you going to learn from Izzy? | 0:33:36 | 0:33:39 | |
To put more energy in. | 0:33:39 | 0:33:42 | |
Do you think you can teach your craziness to the rest of them? | 0:33:42 | 0:33:45 | |
-How are you going to do that? -Just saying to them, be me, be like me. | 0:33:45 | 0:33:51 | |
What do you think of when you're performing? | 0:33:51 | 0:33:54 | |
-How do you get that crazy energy on the stage? -Don't know. I just do it. | 0:33:54 | 0:33:57 | |
You just do it. She just does it. | 0:33:57 | 0:33:59 | |
-Try living with her. -You're sisters, aren't you? -Yeah. | 0:33:59 | 0:34:02 | |
-So you can pick up on her crazy ways. -Yeah. -Easy. | 0:34:02 | 0:34:06 | |
Well, well done, you lot. Fingers crossed you've done enough. | 0:34:06 | 0:34:08 | |
Over to you boys in the studio. | 0:34:08 | 0:34:11 | |
Cheers, Naomi. Our last act hopes we've saved the best till last. | 0:34:11 | 0:34:15 | |
They're flying the flag for Scotland. Let's meet A-List. | 0:34:15 | 0:34:18 | |
Hello. | 0:34:20 | 0:34:21 | |
A-List brought their A game when they first met John in Glasgow. | 0:34:21 | 0:34:26 | |
Very good. You've definitely given me something to think about. | 0:34:26 | 0:34:29 | |
# It's not about the money money money | 0:34:29 | 0:34:31 | |
# We don't need your money money money... # | 0:34:31 | 0:34:34 | |
The experts were in agreement about where the group could improve. | 0:34:34 | 0:34:39 | |
I love the choreography that you had. | 0:34:39 | 0:34:42 | |
You just needed a bit more punch in your performance. | 0:34:42 | 0:34:46 | |
For me, it just lacks energy, and so somehow, | 0:34:46 | 0:34:49 | |
you've got to get those vocals attached to the visual presentation. | 0:34:49 | 0:34:54 | |
Vocally, really beautiful. | 0:34:54 | 0:34:56 | |
It was good. | 0:34:57 | 0:34:59 | |
All the judges kind of agreed what we need to work on so we've got a focus. | 0:34:59 | 0:35:02 | |
We can try and build up and get better and have more attitude. | 0:35:02 | 0:35:07 | |
The fourth group going through to the studio heat is A-List. | 0:35:07 | 0:35:11 | |
So, can A-List delivered the snappy performance that the judges | 0:35:14 | 0:35:18 | |
are looking for when they take to the stage in the studio heats? | 0:35:18 | 0:35:22 | |
Is it overwhelming when you come in here and suddenly go, this is it? | 0:35:22 | 0:35:26 | |
-A bit. -Yeah, it is. | 0:35:26 | 0:35:27 | |
But I think we are more excited that we actually made it here, | 0:35:27 | 0:35:31 | |
because last year we didn't make it to this stage. | 0:35:31 | 0:35:33 | |
We're just, like, make the most of it. | 0:35:33 | 0:35:36 | |
What are you going to do to make sure you beat the others? | 0:35:36 | 0:35:40 | |
Pull out all the stops, go for it. | 0:35:40 | 0:35:42 | |
We're just going to show them how happy we are to actually be here. | 0:35:42 | 0:35:46 | |
They are the last act to perform for the judges | 0:35:49 | 0:35:52 | |
and hoping to be top of the leaderboard. | 0:35:52 | 0:35:54 | |
Singing and dancing for a place in the live finals, | 0:35:54 | 0:35:57 | |
it's A-List and Reach Out I'll Be There. | 0:35:57 | 0:35:59 | |
APPLAUSE | 0:35:59 | 0:36:01 | |
# Now if you feel that you can't go on | 0:36:04 | 0:36:08 | |
# Because all your hope is gone | 0:36:08 | 0:36:13 | |
# Life is filled with much confusion | 0:36:13 | 0:36:17 | |
# And happiness is just an illusion | 0:36:17 | 0:36:20 | |
# Darling, reach out | 0:36:20 | 0:36:24 | |
# Darling, reach out for me | 0:36:24 | 0:36:29 | |
# I'll be there with the love that will shelter you | 0:36:31 | 0:36:39 | |
# I'll be there with the love that will see you through | 0:36:39 | 0:36:47 | |
# I can tell the way you hang your head | 0:36:49 | 0:36:53 | |
# You're alone and you're afraid | 0:36:53 | 0:36:57 | |
# Through your tears you look around | 0:36:57 | 0:37:01 | |
# There's no peace of mind to be found | 0:37:01 | 0:37:05 | |
# But darling, reach out | 0:37:05 | 0:37:09 | |
# Darling, reach out for me | 0:37:09 | 0:37:14 | |
# I'll be there to give you all the love you need | 0:37:17 | 0:37:25 | |
# I'll be there You can always depend on me | 0:37:25 | 0:37:33 | |
# I'll be there. # | 0:37:33 | 0:37:37 | |
CHEERING AND APPLAUSE | 0:37:37 | 0:37:40 | |
-Well done, guys. Cisco, did you enjoy that performance? -I did. | 0:37:45 | 0:37:48 | |
I finally see a group that uses the strongest strategy. Obviously... | 0:37:48 | 0:37:53 | |
-What's your name, young lady? -Rebecca. -Rebecca. | 0:37:53 | 0:37:56 | |
Obviously, lead vocals for a reason. | 0:37:56 | 0:37:58 | |
Maybe she's the strongest vocalist, and I can see it, it was good, | 0:37:58 | 0:38:02 | |
it was solid. I wish you guys performed a little more. | 0:38:02 | 0:38:05 | |
When it came to the choreography, it was a little safe, | 0:38:05 | 0:38:07 | |
but to be honest, it's the most polished routine we've seen today. | 0:38:07 | 0:38:11 | |
APPLAUSE | 0:38:11 | 0:38:13 | |
Carrie, what are your thoughts? | 0:38:13 | 0:38:15 | |
My thoughts are that I remember you in the first auditions, | 0:38:15 | 0:38:18 | |
and I remember saying you lacked snap and you lacked energy. | 0:38:18 | 0:38:21 | |
I can't believe this is the same group that | 0:38:21 | 0:38:24 | |
I saw back in the auditions, and what I love is when people go away | 0:38:24 | 0:38:27 | |
and they take what has been said on board and they apply it. | 0:38:27 | 0:38:30 | |
You guys are real contenders. | 0:38:30 | 0:38:32 | |
David, are A-List living up to their name? | 0:38:35 | 0:38:38 | |
I think they are, actually. | 0:38:38 | 0:38:39 | |
That's one of my favourite songs, so when you love a song, | 0:38:39 | 0:38:42 | |
you kind of judge it more harshly. I thought it was good, very good. | 0:38:42 | 0:38:46 | |
I thought it was the best performance we've seen in this show. | 0:38:46 | 0:38:49 | |
I liked your voice very much. I liked the harmonies. | 0:38:49 | 0:38:53 | |
I thought there could be a bit more aggression | 0:38:53 | 0:38:55 | |
and attitude in the harmonies on the choruses particularly. | 0:38:55 | 0:38:58 | |
I just think the song has a kind of attack that it requires that | 0:38:58 | 0:39:02 | |
you didn't completely give, but it's a big step up from where you were. | 0:39:02 | 0:39:06 | |
But if you get through, you need to step up again. | 0:39:06 | 0:39:08 | |
-John, finally, what did you think? -Do you know what? I love you guys. | 0:39:10 | 0:39:14 | |
I think you're really, really good. I think you have stepped up. | 0:39:14 | 0:39:16 | |
I think you are definitely for me, at the moment, | 0:39:16 | 0:39:19 | |
-you're the ones to beat. -OK. | 0:39:19 | 0:39:22 | |
Happy with those comments? Not bad. | 0:39:22 | 0:39:25 | |
Thank you very much, judges. Give it up for A-List. | 0:39:25 | 0:39:28 | |
Oh, my goodness, my goodness. You're all happy. Yes? And calm. | 0:39:37 | 0:39:44 | |
-It's over. Rebecca, you must be pleased with that. -Oh, yeah. | 0:39:44 | 0:39:49 | |
Carrie said fantastic performance, David said he loved the song | 0:39:49 | 0:39:53 | |
and everything, | 0:39:53 | 0:39:54 | |
but David did still say you could step up your harmonies a little bit. | 0:39:54 | 0:39:58 | |
-Do you agree? -Yeah. -How are you going to do that? | 0:39:58 | 0:40:02 | |
-Practice more. -Yeah, more practice, work on our blend as well. | 0:40:02 | 0:40:06 | |
I just feel they have to push up a little bit to make that blend. | 0:40:06 | 0:40:10 | |
Nicely said. So from the A-List to the Z list. | 0:40:10 | 0:40:15 | |
Back to you, Sam and Mark. | 0:40:15 | 0:40:16 | |
-Hey. -She has got a point, though. -Yeah, you're right. | 0:40:18 | 0:40:21 | |
So there you have it. All three acts have performed and can do no more. | 0:40:21 | 0:40:24 | |
Whilst we check and verify the final scores and you wait to find out | 0:40:24 | 0:40:28 | |
if your favourite has won, a quick reminder of those performances. | 0:40:28 | 0:40:32 | |
# In truths that she learned or in times that he cried | 0:40:32 | 0:40:37 | |
# In bridges he burned or the way that she died | 0:40:37 | 0:40:43 | |
# It's time now to sing out though the story never ends | 0:40:43 | 0:40:48 | |
# Let's celebrate Remember a year in the life of friends. # | 0:40:48 | 0:40:53 | |
# Don't leave me standing all by myself | 0:40:53 | 0:40:57 | |
Cos I ain't looking at no-one else | 0:40:57 | 0:41:00 | |
# Looking at no-one else | 0:41:00 | 0:41:01 | |
# Looking at no-one else | 0:41:01 | 0:41:03 | |
# Hey! Hey! I'm ready so come and get me | 0:41:03 | 0:41:07 | |
# Don't be scared Show me what you do | 0:41:07 | 0:41:09 | |
# Don't you know a girl like a boy who move. # | 0:41:09 | 0:41:11 | |
# I'll be there to give you all the love you need | 0:41:14 | 0:41:22 | |
# I'll be there You can always depend on me | 0:41:22 | 0:41:29 | |
# I'll be there. # | 0:41:29 | 0:41:33 | |
-Welcome back our three acts. -BuSKerS. | 0:41:42 | 0:41:46 | |
The Peppermints. | 0:41:46 | 0:41:49 | |
And A-List. | 0:41:49 | 0:41:53 | |
Judges, you've seen them all perform and you've awarded points | 0:41:53 | 0:41:56 | |
for vocal ability, creativity and performance across two rounds. | 0:41:56 | 0:42:00 | |
Now, Carrie, before we reveal the winner, | 0:42:00 | 0:42:02 | |
how would you sum up today's performances? | 0:42:02 | 0:42:05 | |
I think they all struggled a bit in the first half, | 0:42:05 | 0:42:08 | |
with the first round, but they all upped their game in the second round, | 0:42:08 | 0:42:11 | |
and that makes our judging much harder. | 0:42:11 | 0:42:13 | |
OK, well, thanks very much, Carrie, and thanks, judges. | 0:42:13 | 0:42:16 | |
The scores have been checked and verified, and we have a result. | 0:42:16 | 0:42:20 | |
I can reveal the winner of today's heat with a score of 176 is... | 0:42:25 | 0:42:32 | |
..A-List. | 0:42:47 | 0:42:48 | |
CHEERING AND APPLAUSE | 0:42:48 | 0:42:49 | |
Give a massive round of applause to our runners-up BuSKerS | 0:42:52 | 0:42:56 | |
-and the Peppermints. -Well done, guys. What a brilliant show! | 0:42:56 | 0:43:00 | |
Thank you once again to our lovely judges. Thanks, guys. | 0:43:00 | 0:43:06 | |
And of course, how could we forget, Naomi? | 0:43:06 | 0:43:10 | |
-Tough competition today! -Really tough. She's got the medals. | 0:43:10 | 0:43:13 | |
-Hand them out. Hand them out. -OK. | 0:43:13 | 0:43:16 | |
Join us next time when more Glee clubs will battle it out | 0:43:16 | 0:43:18 | |
for the chance to be crowned winners of Sport Relief Does Glee Club 2014. | 0:43:18 | 0:43:23 | |
See you then. | 0:43:23 | 0:43:24 | |
With an A Plus from the judges, | 0:43:28 | 0:43:30 | |
A-List shoot straight to the top of the leaderboard. | 0:43:30 | 0:43:33 | |
If you'd like a reminder of today's performances, | 0:43:33 | 0:43:35 | |
go to the CBBC website and click on the link for the current top five. | 0:43:35 | 0:43:39 | |
Can A-List hang on to the lead, | 0:43:41 | 0:43:43 | |
or will another Glee Club knock them off the top spot? | 0:43:43 | 0:43:46 | |
Join us next time when three more groups take to the stage, | 0:43:46 | 0:43:48 | |
all hoping to earn a place on the leaderboard. | 0:43:48 | 0:43:51 |