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Welcome back to Glee Club. | 0:00:02 | 0:00:03 | |
Last time A-List sang their hearts out to impress the judges | 0:00:03 | 0:00:05 | |
and went straight to the top of | 0:00:05 | 0:00:07 | |
the leaderboard. | 0:00:07 | 0:00:08 | |
# I'll be there with the love that will shelter you. # | 0:00:08 | 0:00:15 | |
Today, MT13, Encore and Abstract | 0:00:15 | 0:00:17 | |
will battle it out to try join them in the top five. | 0:00:17 | 0:00:21 | |
# It's like you're my mirror. | 0:00:21 | 0:00:24 | |
# My mirror staring back at me. # | 0:00:24 | 0:00:26 | |
This is Sport Relief does Glee Club 2014. | 0:00:26 | 0:00:30 | |
Please welcome your hosts Sam and Mark. | 0:00:53 | 0:00:56 | |
CHEERING | 0:00:56 | 0:00:58 | |
-BOTH: Hello! -And welcome to Sport Relief does Glee Club | 0:01:03 | 0:01:07 | |
and the very exciting studio heats. | 0:01:07 | 0:01:09 | |
The glee club bandwagon has been up and down the country looking for | 0:01:09 | 0:01:12 | |
undiscovered talent, and let me tell you, we've found some crackers. | 0:01:12 | 0:01:15 | |
Oh, yeah. | 0:01:15 | 0:01:16 | |
Today three acts will battle it out for those all-important positions on | 0:01:16 | 0:01:20 | |
the Glee Club leaderboard, and if they want to walk away with | 0:01:20 | 0:01:23 | |
the title - Sport Relief Does Glee Club Winners 2014 - | 0:01:23 | 0:01:27 | |
they're really going to need to dance and sing their hearts out. | 0:01:27 | 0:01:30 | |
But before all that let's meet a woman who brings a touch of | 0:01:30 | 0:01:33 | |
glamour to the backstage area and who knows a thing or two | 0:01:33 | 0:01:36 | |
about how to impress our judges. It's the gorgeous Naomi Wilkinson. | 0:01:36 | 0:01:40 | |
CHEERING | 0:01:40 | 0:01:42 | |
BOTH: Absolutely beautiful. | 0:01:49 | 0:01:51 | |
Thank you. That was a very nice introduction. | 0:01:51 | 0:01:54 | |
Anything for you, pretty lady. | 0:01:54 | 0:01:56 | |
Yeah. Oh, you look so beautiful today. | 0:01:56 | 0:01:58 | |
Have you done something new with your hair? | 0:01:58 | 0:02:01 | |
All right, weirdoes, what's going on? | 0:02:01 | 0:02:03 | |
Nothing. Nothing. Actually, could we have your autograph? | 0:02:03 | 0:02:07 | |
Could you just sign and print here, please. | 0:02:07 | 0:02:10 | |
Sign and print? What is this? | 0:02:10 | 0:02:12 | |
"Sam and Mark Sport Relief sponsor form. Please give generously." | 0:02:12 | 0:02:16 | |
-Oh, that's why you're being so nice. -BOTH: It's a joke! | 0:02:16 | 0:02:20 | |
But if you could spare a couple of quid | 0:02:20 | 0:02:22 | |
it would be greatly appreciated. | 0:02:22 | 0:02:24 | |
Well, I tell you what. Sam... | 0:02:24 | 0:02:27 | |
you give Mark a peck on the cheek and I'll sponsor you. | 0:02:27 | 0:02:30 | |
On seconds thoughts... Stop looking at me like that. | 0:02:33 | 0:02:35 | |
On seconds thoughts why don't you just go backstage and look after our groups. | 0:02:35 | 0:02:39 | |
All right. It's Naomi Wilkinson, everyone. | 0:02:39 | 0:02:41 | |
CHEERING | 0:02:41 | 0:02:42 | |
Oh, all right. | 0:02:45 | 0:02:46 | |
CHEERING | 0:02:48 | 0:02:50 | |
Now it's time to introduce four people who without their | 0:02:50 | 0:02:52 | |
professional opinion and quirky choice of clothing, | 0:02:52 | 0:02:55 | |
this show simply couldn't be made, it is of course our judges. | 0:02:55 | 0:02:58 | |
CHEERING | 0:02:58 | 0:03:00 | |
Hello, lovely judges. | 0:03:13 | 0:03:16 | |
John Modi, don't think you're going away | 0:03:16 | 0:03:19 | |
without talking about this new look of yours. | 0:03:19 | 0:03:21 | |
Last time we saw you you looked like a geography teacher. | 0:03:21 | 0:03:23 | |
What's happened? | 0:03:23 | 0:03:24 | |
-Explain? -Well, I'm glad you noticed, gentlemen. | 0:03:24 | 0:03:27 | |
It's been a while, hasn't it? It's about time. | 0:03:27 | 0:03:30 | |
I got sick of being in-between these guys and Naomi Wilkinson | 0:03:30 | 0:03:35 | |
and you two looking quite good. I went and got myself a stylist. | 0:03:35 | 0:03:38 | |
He went and got himself a mirror. | 0:03:40 | 0:03:42 | |
I used to dress in the dark, but not any more. This is Mr T. | 0:03:44 | 0:03:47 | |
You are looking great, in fact, | 0:03:47 | 0:03:48 | |
you are giving Sisco a run for his money this series. | 0:03:48 | 0:03:51 | |
-I wouldn't go that far. -That's true. | 0:03:51 | 0:03:53 | |
The only thing he's missing is this year's must-have fashion accessory | 0:03:53 | 0:03:56 | |
which is a Sport Relief 2014 wristband. | 0:03:56 | 0:04:00 | |
It's very good, you've got to get one. | 0:04:00 | 0:04:03 | |
Let's get this show on the road. | 0:04:03 | 0:04:04 | |
Judges, if you'd like to make your way over to your seats. | 0:04:04 | 0:04:07 | |
And whilst they do that, | 0:04:07 | 0:04:08 | |
let's find out a little bit more about our fashion conscious foursome. | 0:04:08 | 0:04:12 | |
They are the top coaches in the industry | 0:04:12 | 0:04:14 | |
and have worked with massive acts like Madonna and Take That. | 0:04:14 | 0:04:18 | |
It's the judges. Carrie and David are vocal coaches to the stars. | 0:04:18 | 0:04:23 | |
They've worked with an impressive list of pop artists included | 0:04:23 | 0:04:26 | |
The Saturdays, Marvin Humes and even Gwyneth Paltrow. | 0:04:26 | 0:04:30 | |
John has worked behind the scenes on top shows like The X Factor | 0:04:33 | 0:04:36 | |
and The Voice | 0:04:36 | 0:04:37 | |
and with a variety of celebrities including JLS and Leona Lewis. | 0:04:37 | 0:04:41 | |
Choreographer Sisco has worked with Alexandra Burke | 0:04:41 | 0:04:44 | |
and Kylie Minogue to name but two. | 0:04:44 | 0:04:46 | |
He also puts the contestants through their paces | 0:04:46 | 0:04:48 | |
backstage on The X Factor. It's the judges. | 0:04:48 | 0:04:51 | |
I love those judges' films, I really do. | 0:04:53 | 0:04:56 | |
Now for the important bit, | 0:04:56 | 0:04:58 | |
15 groups have made it through to the heats today. | 0:04:58 | 0:05:00 | |
Three of those acts will battle it out for our experts who'll be | 0:05:00 | 0:05:03 | |
scoring them on vocal ability, creativity and performance. | 0:05:03 | 0:05:06 | |
All four judges will be giving marks out of ten for each of | 0:05:06 | 0:05:09 | |
the disciplines, so there are plenty of points to be won | 0:05:09 | 0:05:11 | |
and the unlikely event of a tie, | 0:05:11 | 0:05:13 | |
head judge Carrie will decide who gets the medals. | 0:05:13 | 0:05:15 | |
-Won't you, Carrie? -I will. | 0:05:15 | 0:05:17 | |
The acts with the top five scores across the heats will then compete | 0:05:17 | 0:05:20 | |
in the live finals where it will be up to you at home | 0:05:20 | 0:05:23 | |
to vote for your favourites. | 0:05:23 | 0:05:25 | |
And the winners will take home this fantastic | 0:05:25 | 0:05:27 | |
Sport Relief Does Glee Club 2014 trophy! | 0:05:27 | 0:05:30 | |
There it is, shining bright like a diamond, | 0:05:32 | 0:05:34 | |
-but worth a fraction of the cost. -Right. | 0:05:34 | 0:05:37 | |
Whilst Mark gets over his recent encounter with that trophy, | 0:05:37 | 0:05:40 | |
let's find out how Naomi's getting on backstage with the groups. | 0:05:40 | 0:05:43 | |
Thank you very much, boys. Here I am backstage with Abstract. | 0:05:43 | 0:05:47 | |
Encore and MT13. Let's come to you lot first. | 0:05:47 | 0:05:49 | |
You lot nearly didn't enter cos you didn't think you were ready. | 0:05:49 | 0:05:52 | |
Is that right? Why was that? | 0:05:52 | 0:05:55 | |
Well, I don't know, really. We just think we were ready. | 0:05:55 | 0:05:58 | |
That you were good enough. | 0:05:58 | 0:05:59 | |
-I don't know, really. -What changed? | 0:06:01 | 0:06:03 | |
Um, we decided to do it. | 0:06:03 | 0:06:06 | |
It will be fun and good experience. | 0:06:06 | 0:06:09 | |
Well, good luck. And on to Encore, who I understand are very dedicated. | 0:06:09 | 0:06:13 | |
You rehearse a lot, don't you? | 0:06:13 | 0:06:14 | |
-We do. -How many times a day have you been known to rehearse? | 0:06:14 | 0:06:18 | |
At least three. | 0:06:18 | 0:06:20 | |
I understand you've also created tweeking. What is that? | 0:06:20 | 0:06:24 | |
-Can you show me? -You kind of jump... | 0:06:24 | 0:06:27 | |
I'm not going to try that. I think I might snap my ankles. | 0:06:27 | 0:06:30 | |
Very good. Keep that up. And over to Abstract. | 0:06:30 | 0:06:33 | |
Your leader Tara was in a glee club herself only a few years ago. | 0:06:33 | 0:06:38 | |
What advice has she passed onto you lot? | 0:06:38 | 0:06:40 | |
Confidence. | 0:06:40 | 0:06:42 | |
We're also really sassy. | 0:06:42 | 0:06:45 | |
Confidence and sassiness. Are you going to do that today? | 0:06:45 | 0:06:48 | |
Yeah. | 0:06:48 | 0:06:50 | |
I wish you all the best of luck with your Round One song. | 0:06:50 | 0:06:53 | |
Our acts arrived in Glasgow yesterday, | 0:06:53 | 0:06:55 | |
so we sent the glee clubs out for the day | 0:06:55 | 0:06:57 | |
so they could check out their competition. | 0:06:57 | 0:06:59 | |
Let's see how they got on. | 0:06:59 | 0:07:00 | |
Today's three glee clubs came dressed for the weather | 0:07:02 | 0:07:06 | |
as they hopped aboard for an open topped bus tour of Glasgow. | 0:07:06 | 0:07:09 | |
ALL: We're Encore and we're from Harrogate. | 0:07:09 | 0:07:12 | |
ALL: We're MT13 and we're from Port Talbot. | 0:07:12 | 0:07:17 | |
ALL: We're Abstract and we're from Brighton. | 0:07:17 | 0:07:19 | |
Woo-hoo! | 0:07:19 | 0:07:20 | |
I think a lot of people think we're a bit weird. | 0:07:25 | 0:07:28 | |
-Definitely. -We got a few funny looks | 0:07:28 | 0:07:30 | |
cos we were all together and it was really nice. | 0:07:30 | 0:07:33 | |
There was someone on a horse with a cone on his head. | 0:07:34 | 0:07:37 | |
I don't know really what significance that had. But it was cold. | 0:07:37 | 0:07:41 | |
I was trying to fix my hair and put my hood up to cover myself up. | 0:07:41 | 0:07:45 | |
# The wheels on the bus go round and round. # | 0:07:45 | 0:07:48 | |
I wanted to go on that giant wheel. | 0:07:50 | 0:07:52 | |
Yeah, it was good. | 0:07:52 | 0:07:54 | |
After a whistle-stop tour of the city, it was time to warm up | 0:07:56 | 0:07:59 | |
and have a chat before performing on stage at the Clyde Auditorium. | 0:07:59 | 0:08:03 | |
We're wearing these gold, sparkly with black accessories and stuff. | 0:08:03 | 0:08:07 | |
-That's so cool. -Yeah, it really stands out. | 0:08:07 | 0:08:11 | |
I love making new friends. It's a really nice experience. | 0:08:12 | 0:08:15 | |
I was like, "Oh, we're just a big family." | 0:08:15 | 0:08:18 | |
I like it, it's like thousands of seats. | 0:08:18 | 0:08:20 | |
It's not like a normal theatre. | 0:08:20 | 0:08:22 | |
I tried counting and I got lost on ten. | 0:08:22 | 0:08:25 | |
It's cool they're from different parts from the country as well. | 0:08:25 | 0:08:28 | |
Some of their accents are amazing. I'm like, "I love you so much." | 0:08:28 | 0:08:31 | |
Can't believe One Direction performed here. I'm standing like... | 0:08:31 | 0:08:34 | |
It's scary seeing who we're up against | 0:08:37 | 0:08:39 | |
because both the groups are so talented. | 0:08:39 | 0:08:41 | |
It was lovely to get to know them and come up | 0:08:41 | 0:08:44 | |
and share the experience with people that you don't really know so well. | 0:08:44 | 0:08:47 | |
-People that share the same passions as you. -Yeah. | 0:08:47 | 0:08:50 | |
Please welcome our glee clubs MT13. | 0:08:59 | 0:09:03 | |
CHEERING | 0:09:03 | 0:09:05 | |
Encore. | 0:09:05 | 0:09:07 | |
CHEERING | 0:09:07 | 0:09:09 | |
Abstract. | 0:09:09 | 0:09:10 | |
CHEERING | 0:09:10 | 0:09:13 | |
It's lovely to have you here, guys, | 0:09:13 | 0:09:14 | |
let's find out more about your first challenge. | 0:09:14 | 0:09:18 | |
Round One - Singing Together. | 0:09:18 | 0:09:21 | |
All group members must sing at the | 0:09:21 | 0:09:23 | |
same time with no featured vocals. | 0:09:23 | 0:09:25 | |
It's the first challenge of the show | 0:09:27 | 0:09:29 | |
and the groups are singing Mirrors by Justin Timberlake. | 0:09:29 | 0:09:31 | |
Hey, here look. I've got a magic mirror right here. | 0:09:31 | 0:09:34 | |
Why don't you ask it a question, any question you like. | 0:09:34 | 0:09:36 | |
Make it count thought, you've only got one question. | 0:09:36 | 0:09:38 | |
OK, um... | 0:09:38 | 0:09:40 | |
What would I look like if I had a twin? | 0:09:40 | 0:09:42 | |
Amazing. | 0:09:42 | 0:09:44 | |
LAUGHTER | 0:09:44 | 0:09:46 | |
Unbelievable. | 0:09:46 | 0:09:47 | |
Singing together for Round One and performing Mirrors by Justin... | 0:09:47 | 0:09:50 | |
Stop it. | 0:09:50 | 0:09:52 | |
By Justin Timberlake it's MT13, Encore and Abstract. | 0:09:52 | 0:09:55 | |
CHEERING | 0:09:55 | 0:09:58 | |
# Aren't you somethin' to admire? | 0:10:06 | 0:10:09 | |
# Cos your shine is somethin' like a mirror | 0:10:09 | 0:10:12 | |
# And I can't help but notice | 0:10:12 | 0:10:14 | |
# You reflect in this heart of mine | 0:10:14 | 0:10:16 | |
# If you ever feel alone and the glare makes me hard to find | 0:10:19 | 0:10:24 | |
# Just know that I'm always parallel on the other side | 0:10:24 | 0:10:29 | |
# Cos with your hand in my hand and a pocket full of soul | 0:10:30 | 0:10:33 | |
# I can tell you there's no place we couldn't go | 0:10:33 | 0:10:36 | |
# Just put your hand on the glass I'll be tryin' to pull you through | 0:10:36 | 0:10:40 | |
# You just gotta be strong | 0:10:40 | 0:10:42 | |
# I don't wanna lose you now | 0:10:42 | 0:10:45 | |
# I'm lookin' right at the other half of me | 0:10:45 | 0:10:48 | |
# The vacancy that sat in my heart | 0:10:48 | 0:10:51 | |
# Is a space that now you hold | 0:10:51 | 0:10:53 | |
# Show me how to fight for now | 0:10:55 | 0:10:57 | |
# And I'll tell you, baby, it was easy | 0:10:57 | 0:11:00 | |
# Comin' back here to you once I figured it out | 0:11:00 | 0:11:03 | |
# You were right here all along. # | 0:11:03 | 0:11:06 | |
CHEERING | 0:11:09 | 0:11:11 | |
# Aren't you somethin', an original | 0:11:18 | 0:11:21 | |
# Cos it doesn't seem merely a sample | 0:11:21 | 0:11:24 | |
# And I can't help but stare, cos I see truth somewhere in your eyes | 0:11:24 | 0:11:30 | |
# I can't ever change without you | 0:11:31 | 0:11:34 | |
# You reflect me, I love that about you | 0:11:34 | 0:11:37 | |
# And if I could, I would look at us all the time | 0:11:37 | 0:11:42 | |
# Cos with your hand in my hand and a pocket full of soul | 0:11:42 | 0:11:46 | |
# I can tell you there's no place we couldn't go | 0:11:46 | 0:11:49 | |
# Just put your hand on the glass I'll be tryin' to pull you through | 0:11:49 | 0:11:52 | |
# You just gotta be strong | 0:11:52 | 0:11:55 | |
# Cos I don't wanna lose you now | 0:11:55 | 0:11:58 | |
# I'm lookin' right at the other half of me | 0:11:58 | 0:12:00 | |
# The vacancy that sat in my heart | 0:12:00 | 0:12:03 | |
# Is a space that now you hold | 0:12:03 | 0:12:07 | |
# Show me how to fight for now | 0:12:07 | 0:12:10 | |
# And I'll tell you, baby, it was easy | 0:12:10 | 0:12:13 | |
# Comin' back here to you once I figured it out | 0:12:13 | 0:12:16 | |
# You were right here all along. # | 0:12:16 | 0:12:19 | |
CHEERING | 0:12:22 | 0:12:25 | |
# Aren't you somethin' to admire? | 0:12:31 | 0:12:34 | |
# Cos your shine is somethin' like a mirror | 0:12:34 | 0:12:37 | |
# And I can't help but notice | 0:12:37 | 0:12:39 | |
# You reflect in this heart of mine | 0:12:39 | 0:12:43 | |
# If you ever feel alone | 0:12:43 | 0:12:47 | |
# And the glare makes me hard to find | 0:12:47 | 0:12:50 | |
# Just know that I'm always parallel on the other side | 0:12:50 | 0:12:56 | |
# Cos with your hand in my hand and a pocket full of soul | 0:12:56 | 0:12:59 | |
# I can tell you there's no place we couldn't go | 0:12:59 | 0:13:02 | |
# Just put your hand on the glass I'll be tryin' to pull you through | 0:13:02 | 0:13:05 | |
# You just gotta be strong | 0:13:05 | 0:13:07 | |
# Cos I don't wanna lose you now | 0:13:07 | 0:13:10 | |
# I'm lookin' right at the other half of me | 0:13:10 | 0:13:14 | |
# The vacancy that sat in my heart | 0:13:14 | 0:13:17 | |
# Is a space that now you hold | 0:13:17 | 0:13:20 | |
# Show me how to fight for now | 0:13:20 | 0:13:23 | |
# And I'll tell you, baby, it was easy | 0:13:23 | 0:13:26 | |
# Comin' back here to you once I figured it out | 0:13:26 | 0:13:29 | |
# You were right here all along... # | 0:13:29 | 0:13:32 | |
CHEERING | 0:13:38 | 0:13:40 | |
# Cos I don't wanna lose you now | 0:13:43 | 0:13:46 | |
# I'm looking right at the other half of me | 0:13:46 | 0:13:49 | |
# The vacancy that sat in my heart | 0:13:49 | 0:13:52 | |
# Is a space that now you hold | 0:13:52 | 0:13:55 | |
# Show me how to fight for now | 0:13:56 | 0:13:58 | |
# And I'll tell you, baby, it was easy | 0:13:58 | 0:14:01 | |
# Comin' back here to you once I figured it out | 0:14:01 | 0:14:04 | |
# You were right here all along | 0:14:04 | 0:14:07 | |
# It's like you're my mirror | 0:14:08 | 0:14:11 | |
# My mirror staring back at me | 0:14:11 | 0:14:14 | |
# I couldn't get any bigger | 0:14:14 | 0:14:17 | |
# With anyone else beside of me | 0:14:17 | 0:14:20 | |
# And now it's clear as this promise | 0:14:20 | 0:14:24 | |
# That we're making two reflections into one | 0:14:24 | 0:14:27 | |
# Cos it's like you're my mirror | 0:14:27 | 0:14:29 | |
# My mirror staring back at me | 0:14:31 | 0:14:32 | |
# Staring back at me. # | 0:14:32 | 0:14:34 | |
CHEERING | 0:14:37 | 0:14:39 | |
What a start to the show. Well done, guys. | 0:14:42 | 0:14:44 | |
Let's see what the judges thought of those performances. | 0:14:44 | 0:14:47 | |
Carrie, first time hearing all the groups sing together, what did you think? | 0:14:47 | 0:14:50 | |
When they sang together at the end, | 0:14:50 | 0:14:52 | |
you all managed that chorus in tune and brilliantly, | 0:14:52 | 0:14:55 | |
so I don't know what happened when you were singing individually | 0:14:55 | 0:14:58 | |
because there was some very, very out of tune singing going on there. | 0:14:58 | 0:15:02 | |
MT13, I love watching you. I love your attitude. | 0:15:02 | 0:15:06 | |
It's a really hard verse to sing | 0:15:06 | 0:15:08 | |
when you're young like you are, it's very, very low. | 0:15:08 | 0:15:10 | |
But you could have played around with that | 0:15:10 | 0:15:12 | |
and played it to your advantage like Abstract did. | 0:15:12 | 0:15:14 | |
I know you're older, but actually your verse was brilliant. | 0:15:14 | 0:15:17 | |
I loved the way you played with the harmonies, | 0:15:17 | 0:15:20 | |
completely changed the melody. | 0:15:20 | 0:15:21 | |
However, it got so complicated by the time you got to your bridge | 0:15:21 | 0:15:25 | |
and chorus, it was out of tune, | 0:15:25 | 0:15:27 | |
but it was the most interesting to watch and listen to. | 0:15:27 | 0:15:29 | |
You're very interesting. Encore, the most consistent vocals there. | 0:15:29 | 0:15:34 | |
I almost wanted you to be a little bit more adventurous, | 0:15:34 | 0:15:37 | |
but actually probably the most on it in terms of the tuning. | 0:15:37 | 0:15:40 | |
Thank you, Carrie. David, did you like it? | 0:15:40 | 0:15:43 | |
Yeah, I loved the performance, I loved the visuals, | 0:15:43 | 0:15:46 | |
but I have to agree with what Carrie said that I thought the verse was | 0:15:46 | 0:15:49 | |
too low for MT13, so I think it should have been changed. | 0:15:49 | 0:15:54 | |
Encore, you're older | 0:15:54 | 0:15:56 | |
so your voices were able to manage the low parts of the melody better. | 0:15:56 | 0:16:00 | |
I felt you were very together but quite rushed | 0:16:00 | 0:16:04 | |
and I like you to sit back more and groove more on your next song. | 0:16:04 | 0:16:07 | |
Abstract, you've got loads of identity. | 0:16:07 | 0:16:10 | |
I like the fact that you played around with it, | 0:16:10 | 0:16:12 | |
you changed it to suit your style. | 0:16:12 | 0:16:14 | |
I think the syncopation really works for me. | 0:16:14 | 0:16:17 | |
I would say that what you've done is you've taken it | 0:16:17 | 0:16:20 | |
and you've made it something that's yours. | 0:16:20 | 0:16:22 | |
Thank you very much, David. | 0:16:23 | 0:16:25 | |
John, your thoughts. | 0:16:26 | 0:16:27 | |
Obviously without repeating David and Carrie, | 0:16:27 | 0:16:31 | |
what they said I agree with, they are quite spot-on, there was | 0:16:31 | 0:16:34 | |
some tuning issues, but the reality is what I'm looking at. | 0:16:34 | 0:16:37 | |
Visually I would say all three acts on this stage are probably | 0:16:37 | 0:16:41 | |
the best I've seen so far in these rounds. | 0:16:41 | 0:16:43 | |
Just looks really good, like pop stars all of you. | 0:16:43 | 0:16:47 | |
So keep up the good work. | 0:16:47 | 0:16:49 | |
Encore, I did like your performance a little bit more. | 0:16:49 | 0:16:52 | |
Sisco, which act did it for you, mate? | 0:16:55 | 0:16:57 | |
There's a little critique for everyone cos I think | 0:16:57 | 0:16:59 | |
congratulations in getting this far. | 0:16:59 | 0:17:01 | |
This is the first time I see all three of you, | 0:17:01 | 0:17:03 | |
so naturally my impression of you guys is slightly different | 0:17:03 | 0:17:06 | |
because it's the first time I hear it. | 0:17:06 | 0:17:07 | |
MT13, love the look, love the attitude, you've got that spot-on. | 0:17:07 | 0:17:11 | |
Don't let complex choreography compromise the vocals. | 0:17:11 | 0:17:14 | |
Remember, the vocals have to be the priority. | 0:17:14 | 0:17:17 | |
You have to work on projection cos there's eight of you, | 0:17:17 | 0:17:19 | |
I'm hearing four of you. | 0:17:19 | 0:17:20 | |
Like Carrie said, it was too low, so maybe you should have | 0:17:20 | 0:17:24 | |
played around with it, change the song to suit your strengths, | 0:17:24 | 0:17:26 | |
just like Abstract did. | 0:17:26 | 0:17:28 | |
That haunting melody was great, I loved how you changed it. | 0:17:28 | 0:17:31 | |
It was very ambitious and I think taking that risk really worked, | 0:17:31 | 0:17:35 | |
but, yes, it did get a bit pitchy, but I love it. | 0:17:35 | 0:17:38 | |
Encore, sounded pretty, but I need to be wowed. Pretty's not enough. | 0:17:38 | 0:17:42 | |
I need you guys to take a risk and indulge in your performance, | 0:17:42 | 0:17:46 | |
so be a bit more full out. | 0:17:46 | 0:17:47 | |
Thank you. | 0:17:48 | 0:17:50 | |
We learnt a new word as well. S-s... Whatever David said. | 0:17:50 | 0:17:55 | |
Whilst we check and verify the scores for Round One, | 0:17:55 | 0:17:58 | |
let's take a look at some messages from our celebrity chums. | 0:17:58 | 0:18:01 | |
If you want to get involved, grab a grown-up and visit the CBBC website. | 0:18:01 | 0:18:05 | |
On that website you can find out how you can get involved. | 0:18:05 | 0:18:08 | |
From the 21st of March to the 23rd or March, thank you. | 0:18:08 | 0:18:11 | |
-See you there. -Love you. | 0:18:11 | 0:18:13 | |
The scores are being checked and verified | 0:18:15 | 0:18:17 | |
and the results from Round One are in, | 0:18:17 | 0:18:19 | |
so it's over to my suited and booted friend Mr Sam Nixon. | 0:18:19 | 0:18:22 | |
Cheers, mate. | 0:18:22 | 0:18:24 | |
I can reveal that the judges' combined score for MT13 | 0:18:24 | 0:18:27 | |
out a possible 120 points is... | 0:18:27 | 0:18:30 | |
The judges' combined score for Encore is... | 0:18:39 | 0:18:42 | |
The judges' combined score for Abstract is... | 0:18:49 | 0:18:52 | |
Guys, still all to play for, there's still one more challenge to go, but | 0:18:57 | 0:19:01 | |
before that let's take a look at the scoreboard after round number one. | 0:19:01 | 0:19:05 | |
Fantastic Round One for Abstract | 0:19:05 | 0:19:08 | |
who take the lead with 80 points. | 0:19:08 | 0:19:10 | |
Encore with 66. | 0:19:10 | 0:19:11 | |
And MT13 with 61 points have some | 0:19:11 | 0:19:14 | |
catching up to do in Round Two. | 0:19:14 | 0:19:15 | |
But with 120 points available | 0:19:15 | 0:19:17 | |
to each group, | 0:19:17 | 0:19:18 | |
it could go anybody's way. | 0:19:18 | 0:19:20 | |
Well done, glee clubs and relax. | 0:19:20 | 0:19:22 | |
The good news is John thinks you all look like pop stars, | 0:19:22 | 0:19:25 | |
so that's fantastic news. MT13, Sisco loving your attitude, | 0:19:25 | 0:19:29 | |
loving your style, but thought maybe that your dancing | 0:19:29 | 0:19:31 | |
compromised your vocals a little bit. | 0:19:31 | 0:19:33 | |
Anything you'd like to say about that? | 0:19:33 | 0:19:36 | |
We'll just try our best to work on the judges' comments | 0:19:36 | 0:19:38 | |
if we get through. | 0:19:38 | 0:19:40 | |
Do you think he was right about your vocals? Is it a hard song to sing? | 0:19:40 | 0:19:43 | |
Yeah, it's a really hard song to sing cos it's so low. | 0:19:43 | 0:19:46 | |
-You have struggled with it? -Yeah. | 0:19:46 | 0:19:49 | |
You've got another chance to impress them, | 0:19:49 | 0:19:51 | |
so don't worry too much at this stage. | 0:19:51 | 0:19:53 | |
Encore, they thought you were the most consistent of the groups, | 0:19:53 | 0:19:56 | |
so that's good, but David wants you to sit back | 0:19:56 | 0:19:58 | |
and groove more in your next song. How are you going to do that? | 0:19:58 | 0:20:02 | |
It's a great song, the song we're doing next, It's My Party - | 0:20:02 | 0:20:06 | |
Jessie J, and it's really funky and we all get really into it. | 0:20:06 | 0:20:10 | |
-So you're feeling confident for the next one? -Yeah. | 0:20:10 | 0:20:12 | |
Good luck, Encore. | 0:20:12 | 0:20:13 | |
Abstract, they loved your melody, the haunting sounds, but what | 0:20:13 | 0:20:17 | |
do you think about the comments about the bridge and the chorus? | 0:20:17 | 0:20:22 | |
They were really fair. I think we all knew there was slight tuning issues. | 0:20:22 | 0:20:26 | |
But we know we can work on it for the next round. | 0:20:26 | 0:20:29 | |
Take it on and show them what we're made of. | 0:20:29 | 0:20:33 | |
You all have one more song to sing. It's back over to you, boys. | 0:20:33 | 0:20:37 | |
Thanks. | 0:20:37 | 0:20:38 | |
While the groups get ready for Round Two, | 0:20:38 | 0:20:40 | |
let's remind ourselves why we're here and Sport Relief | 0:20:40 | 0:20:42 | |
really does make a difference to lives in the UK and abroad. | 0:20:42 | 0:20:45 | |
Sport Relief raises money to help change people's lives | 0:20:47 | 0:20:50 | |
in some of the world's poorest communities | 0:20:50 | 0:20:52 | |
as well as right here in the UK. | 0:20:52 | 0:20:54 | |
In fact, there are over 2,000 UK projects | 0:20:56 | 0:20:58 | |
benefitting from money raised by the charity. | 0:20:58 | 0:21:01 | |
So wherever you're watching from, | 0:21:02 | 0:21:04 | |
you're not very far away from a project sponsored by Sport Relief. | 0:21:04 | 0:21:08 | |
Your donations can really make a difference | 0:21:09 | 0:21:12 | |
to the lives of vulnerable people at home and abroad. | 0:21:12 | 0:21:15 | |
If you'd like to get involved in this year's Sport Relief Games | 0:21:17 | 0:21:20 | |
from the 21st to the 23rd of March, | 0:21:20 | 0:21:23 | |
grab a grown-up and visit the CBBC website at bbc.co.uk/cbbc | 0:21:23 | 0:21:28 | |
to find out how. | 0:21:28 | 0:21:30 | |
Thank you. | 0:21:31 | 0:21:32 | |
You really can make a difference, so go on, get involved | 0:21:38 | 0:21:41 | |
and take part in the Sport Relief mile, swimathon or cycle. | 0:21:41 | 0:21:44 | |
Round Two is the last chance for our groups to deliver | 0:21:44 | 0:21:47 | |
a show stopping performance. | 0:21:47 | 0:21:49 | |
They need to score as many points as they can to secure a top spot on | 0:21:49 | 0:21:52 | |
the Glee Club leaderboard. | 0:21:52 | 0:21:54 | |
Remember, only the top five will go through to the live finals. | 0:21:54 | 0:21:57 | |
Mr D, can you please do the honours and tell us about the final round. | 0:21:57 | 0:22:01 | |
Round Two - Survival Song. | 0:22:02 | 0:22:04 | |
The groups will have to give it | 0:22:04 | 0:22:05 | |
their all in their final chance | 0:22:05 | 0:22:07 | |
to build those all-important points. | 0:22:07 | 0:22:10 | |
They're from Port Talbot in Wales, let's find out a little bit more | 0:22:10 | 0:22:14 | |
about MT13 and their journey to the heats. | 0:22:14 | 0:22:16 | |
MT13 first burst onto the glee club scene | 0:22:19 | 0:22:21 | |
when they performed in Cardiff. | 0:22:21 | 0:22:24 | |
Good moves. | 0:22:24 | 0:22:26 | |
That's incredible. | 0:22:26 | 0:22:28 | |
# They're just like water off my | 0:22:28 | 0:22:31 | |
# Wings | 0:22:31 | 0:22:34 | |
# Oh... # | 0:22:34 | 0:22:36 | |
And John wasn't the only one who could see some strong potential from | 0:22:36 | 0:22:39 | |
the Welsh girl group. | 0:22:39 | 0:22:41 | |
# Don't let what they say keep you up at night | 0:22:41 | 0:22:43 | |
# And they can't detain you | 0:22:43 | 0:22:46 | |
# Cos wings are made to fly. # | 0:22:46 | 0:22:50 | |
Soloists were fabulous. | 0:22:50 | 0:22:52 | |
I loved that you're all individuals | 0:22:52 | 0:22:54 | |
and you bring your own thing to the piece. | 0:22:54 | 0:22:57 | |
You got swagger. | 0:22:57 | 0:22:59 | |
I love that. | 0:22:59 | 0:23:00 | |
It's good that we heard those comments, | 0:23:00 | 0:23:02 | |
but really we didn't know what to expect. | 0:23:02 | 0:23:05 | |
The second group going through to the studio heats is... | 0:23:05 | 0:23:11 | |
MT13. | 0:23:11 | 0:23:12 | |
But can MT13 stay focused and deliver the same energy in Glasgow | 0:23:15 | 0:23:20 | |
at the studio heats, or will the competition prove too tough? | 0:23:20 | 0:23:24 | |
Have you been rehearsing hard? | 0:23:24 | 0:23:26 | |
We practised last night for four hours straight. | 0:23:26 | 0:23:29 | |
-Four hours last night? -Yeah. | 0:23:29 | 0:23:31 | |
Your hair looks good, who crimped it for you? | 0:23:31 | 0:23:33 | |
-All the girls. -Two hours. -Two hours to crimp that hair? | 0:23:33 | 0:23:37 | |
Four hours rehearsing, two hours doing the hair, | 0:23:37 | 0:23:40 | |
gosh, a lot of prep for this show. | 0:23:40 | 0:23:42 | |
We were watching TV, so we were just like that... | 0:23:42 | 0:23:44 | |
And watching telly? Yeah, you've got to watch CBBC too. | 0:23:44 | 0:23:46 | |
They are hoping that the judges want to see them perform again. | 0:23:51 | 0:23:53 | |
Singing I Want You Back it's MT13. | 0:23:53 | 0:23:56 | |
CHEERING | 0:23:56 | 0:23:58 | |
# Uh-huh, huh, huh, whoa | 0:24:10 | 0:24:13 | |
# Let me tell you now | 0:24:13 | 0:24:15 | |
# Ah | 0:24:15 | 0:24:17 | |
# Whoo | 0:24:17 | 0:24:19 | |
# When I had you to myself | 0:24:19 | 0:24:22 | |
# I didn't want you around | 0:24:22 | 0:24:24 | |
# Those pretty faces always made you stand out in a crowd | 0:24:24 | 0:24:29 | |
# But someone picked you from the bunch, one glance was all it took | 0:24:29 | 0:24:34 | |
# Now it's much too late for me | 0:24:34 | 0:24:36 | |
# To take a second look | 0:24:36 | 0:24:39 | |
# Oh, baby, give me one more chance | 0:24:39 | 0:24:42 | |
# To show you that I love you | 0:24:42 | 0:24:44 | |
-# Won't you please let me -Back in your heart | 0:24:44 | 0:24:49 | |
# Oh, darlin', I was blind to let you go | 0:24:49 | 0:24:52 | |
# Let you go, baby | 0:24:52 | 0:24:54 | |
# Now since I see you in his arms I want you back | 0:24:54 | 0:24:58 | |
-# Yes, I do now -I want you back | 0:24:58 | 0:25:01 | |
-# Ooh, ooh, baby -I want you back | 0:25:01 | 0:25:03 | |
# Yeah, yeah, yeah, yeah, I want you back | 0:25:03 | 0:25:06 | |
# Na, na, na, na | 0:25:06 | 0:25:07 | |
-# A-bu-bu-bu-buh -# Oh, whoa | 0:25:07 | 0:25:10 | |
-# A-bu-bu-bu-buh -I need | 0:25:10 | 0:25:13 | |
-# A-bu-bu-bu-buh -I want | 0:25:13 | 0:25:16 | |
# All I need is one more chance | 0:25:16 | 0:25:20 | |
# To show you that I love you | 0:25:20 | 0:25:22 | |
# Baby, baby, baby, baby, baby, baby | 0:25:22 | 0:25:24 | |
# I want you back. # | 0:25:24 | 0:25:27 | |
CHEERING | 0:25:27 | 0:25:30 | |
-Well done, guys! -Nice work, guys! | 0:25:32 | 0:25:35 | |
-Shall we go over to the judges and see what they thought? -Yeah! | 0:25:35 | 0:25:39 | |
-Why not? -David, did you enjoy that performance? | 0:25:39 | 0:25:42 | |
I really enjoyed that performance. | 0:25:42 | 0:25:43 | |
It was entertaining, there was energy, there was attitude. | 0:25:43 | 0:25:46 | |
There were the odd vocal discrepancies here and there, | 0:25:46 | 0:25:49 | |
but, for me, they were completely overridden | 0:25:49 | 0:25:52 | |
by the energy you put into it, by the fact it was a real performance. | 0:25:52 | 0:25:55 | |
That's more you. That really suited you, | 0:25:55 | 0:25:57 | |
and you really gave it everything you had. Well done. | 0:25:57 | 0:26:00 | |
ALL: Thank you! | 0:26:00 | 0:26:02 | |
APPLAUSE | 0:26:02 | 0:26:04 | |
John, what did you think? | 0:26:04 | 0:26:06 | |
Even just if it was for that performance alone, | 0:26:06 | 0:26:09 | |
you deserve to be here. That was awesome. | 0:26:09 | 0:26:12 | |
APPLAUSE | 0:26:12 | 0:26:14 | |
Sisco, vocally, do you think that was good enough? | 0:26:14 | 0:26:17 | |
Vocally, I never knew you had that in you. | 0:26:17 | 0:26:19 | |
When I just saw your version of Mirrors I thought, | 0:26:19 | 0:26:22 | |
"Oh, they're just a dance group," but you guys can actually sing! | 0:26:22 | 0:26:25 | |
You have an amazing soloist, | 0:26:25 | 0:26:27 | |
David did point out a few problems here and there, | 0:26:27 | 0:26:29 | |
but I didn't care, because I was enjoying it. | 0:26:29 | 0:26:32 | |
You're all adorable, I love your style. | 0:26:32 | 0:26:34 | |
-You guys need to be in those finals. -Nice! | 0:26:34 | 0:26:38 | |
Praise indeed. Carrie, what do you think of the overall performance? | 0:26:38 | 0:26:41 | |
I thought the overall performance was fantastic. | 0:26:41 | 0:26:44 | |
-What is your name, young lady with the hat? -Tegan. | 0:26:44 | 0:26:47 | |
Tegan, I need to remember that name, | 0:26:47 | 0:26:49 | |
because you're going to be in our industry when you're older. | 0:26:49 | 0:26:51 | |
Thank you! | 0:26:51 | 0:26:53 | |
-APPLAUSE -Well done! | 0:26:53 | 0:26:56 | |
Thank you very much, judges, and give it up one more time for MT13! | 0:26:56 | 0:26:59 | |
APPLAUSE | 0:26:59 | 0:27:01 | |
Yay! | 0:27:04 | 0:27:06 | |
MT13! You guys are just too funky, man. | 0:27:06 | 0:27:10 | |
-Did you enjoy that? -Yes! | 0:27:10 | 0:27:12 | |
Look how happy these faces have become between round one and two! | 0:27:12 | 0:27:16 | |
What did you think of the judges' comments? | 0:27:16 | 0:27:18 | |
-Awesome. -Really good. | 0:27:18 | 0:27:20 | |
I mean, Sisco said he didn't think you had it in you | 0:27:20 | 0:27:23 | |
after that first song, and now he thinks you need to be in the finals? | 0:27:23 | 0:27:27 | |
-We pulled it out of the bag. -And what did you say? | 0:27:27 | 0:27:30 | |
-He wants to see us in the finals. -I know. How did that feel? | 0:27:30 | 0:27:33 | |
-Awesome! -Amazing! -I hope we get that far. | 0:27:33 | 0:27:36 | |
Madam, Tegan, Carrie said some lovely things to you. | 0:27:36 | 0:27:40 | |
What are your ambitions for the future? | 0:27:40 | 0:27:42 | |
To perform on the West End or Broadway. | 0:27:42 | 0:27:44 | |
-So you want to be in the industry? -Yeah. -Well, that's a good start! | 0:27:44 | 0:27:47 | |
You've done everything you can, MT13. Let's go back to the studio. | 0:27:47 | 0:27:51 | |
Thanks very much, Naomi. | 0:27:51 | 0:27:53 | |
Now, our next act is from Harrogate in Yorkshire and, | 0:27:53 | 0:27:55 | |
just because I'm from Yorkshire, | 0:27:55 | 0:27:57 | |
doesn't mean that they going to get any more support than the others. | 0:27:57 | 0:28:01 | |
COME ON, ENCORE! Bring that trophy home to Yorkshire, all right?! | 0:28:01 | 0:28:04 | |
That's enough! You're supposed to be impartial. | 0:28:04 | 0:28:06 | |
Let's take a look at Encore and their exciting journey to the heats. | 0:28:06 | 0:28:09 | |
They're from Yorkshire! | 0:28:09 | 0:28:11 | |
Welcome back. Some old, some new, right? | 0:28:11 | 0:28:14 | |
Encore were back again | 0:28:14 | 0:28:16 | |
and on impressive form when they met John in Manchester. | 0:28:16 | 0:28:20 | |
You've definitely given me something to think about, | 0:28:20 | 0:28:22 | |
and I'm glad that you've come back again this year. | 0:28:22 | 0:28:25 | |
# Into the fire Feeling higher than the truth | 0:28:25 | 0:28:28 | |
# I'm falling | 0:28:28 | 0:28:30 | |
# I can feel the heat but I'm not burning... # | 0:28:30 | 0:28:32 | |
But the panel spotted the key area where the group could improve. | 0:28:32 | 0:28:36 | |
# Feeling tired and hungry too I'm falling | 0:28:36 | 0:28:38 | |
# Feels like I'm falling... # | 0:28:38 | 0:28:40 | |
I really, really like the song and I thought you did it really well. | 0:28:40 | 0:28:43 | |
I think, when you were dancing, you forgot about your vocals, | 0:28:43 | 0:28:47 | |
so I think less dancing and remember the vocals are the main thing. | 0:28:47 | 0:28:51 | |
It was constructive, and it's something that we can work on now, | 0:28:53 | 0:28:56 | |
and it's coming from such a strong singer like herself. | 0:28:56 | 0:28:59 | |
The first group going through to the studio heats is... | 0:28:59 | 0:29:04 | |
-Encore. -THEY SCREAM | 0:29:04 | 0:29:07 | |
So, have Encore listened to the advice from the judges, | 0:29:07 | 0:29:11 | |
and can they deliver a beautiful vocal sound in the studio heats? | 0:29:11 | 0:29:14 | |
How have the rehearsals gone? | 0:29:14 | 0:29:17 | |
-Good, we've been working hard. -Have you? | 0:29:17 | 0:29:19 | |
Yeah, been going to each other's houses a lot and practising. | 0:29:19 | 0:29:23 | |
So you just make space in someone's lounge, do you? | 0:29:23 | 0:29:26 | |
Yeah, and eat pizza. | 0:29:26 | 0:29:28 | |
'We got advice to cut a bit of the dancing out,' | 0:29:29 | 0:29:32 | |
so we've really gone hard on the vocals, | 0:29:32 | 0:29:34 | |
-so hopefully it'll show. -Fingers crossed. | 0:29:34 | 0:29:37 | |
Singing and dancing for a place in the live finals... | 0:29:39 | 0:29:44 | |
..it's Encore with It's My Party. | 0:29:44 | 0:29:47 | |
APPLAUSE | 0:29:47 | 0:29:50 | |
Let's go! | 0:29:58 | 0:30:00 | |
# You're stuck in a playground | 0:30:00 | 0:30:03 | |
# And I'm a grown woman now | 0:30:03 | 0:30:07 | |
# Considering you hate me | 0:30:07 | 0:30:10 | |
# You're stalking like you made me | 0:30:10 | 0:30:13 | |
# So why you acting like you're tough? | 0:30:13 | 0:30:17 | |
# But now I thought you'd had enough | 0:30:17 | 0:30:20 | |
# Don't you get tired of being rude? | 0:30:20 | 0:30:24 | |
# Aww, come give me a hug, dude | 0:30:25 | 0:30:28 | |
Let's go! # It's my party | 0:30:28 | 0:30:31 | |
# I do, do what I want | 0:30:31 | 0:30:33 | |
# Do, do what I want | 0:30:33 | 0:30:36 | |
# So while you sit and watch me | 0:30:36 | 0:30:38 | |
# I keep dancing alone | 0:30:38 | 0:30:40 | |
# Da-dancing alone | 0:30:40 | 0:30:43 | |
# So put this record on and keep it going till I say stop | 0:30:43 | 0:30:47 | |
# If you were wondering if I really care, well, I do not | 0:30:47 | 0:30:51 | |
# Cos it's my party | 0:30:51 | 0:30:53 | |
# I do, do what I want | 0:30:53 | 0:30:55 | |
# Do, do what I want | 0:30:55 | 0:30:58 | |
# Who-o-o-oa | 0:30:58 | 0:31:01 | |
# Who-o-oa | 0:31:01 | 0:31:04 | |
# Who-o-o-oa | 0:31:05 | 0:31:08 | |
# Who-o-oa # | 0:31:08 | 0:31:11 | |
APPLAUSE | 0:31:14 | 0:31:17 | |
Stand easy, girls, stand easy! | 0:31:18 | 0:31:21 | |
OK, John, are you going to book Encore for your party? | 0:31:21 | 0:31:24 | |
Well, I was going to book them, | 0:31:24 | 0:31:26 | |
but, after that performance, I think they'll be too expensive. | 0:31:26 | 0:31:29 | |
-Nice! -Sisco, was that a good song choice for you? | 0:31:29 | 0:31:32 | |
It was a good song choice, | 0:31:32 | 0:31:34 | |
but I think it was an inconsistent performance, if I was to be honest. | 0:31:34 | 0:31:38 | |
I love you guys, I think you're so adorable, very likeable, | 0:31:38 | 0:31:41 | |
and I think that's important if you do get to the finals, | 0:31:41 | 0:31:43 | |
people will naturally like you, | 0:31:43 | 0:31:45 | |
but all your soloists, in my opinion, shouldn't be soloists. | 0:31:45 | 0:31:48 | |
Play with your strengths, find one or two girls that will kill it | 0:31:48 | 0:31:52 | |
when it comes to vocals, so then when you come with the harmonies, | 0:31:52 | 0:31:55 | |
which are strong and solid, then you have a more consistent performance. | 0:31:55 | 0:31:58 | |
It was a little too shaky for me. It wasn't strong enough. | 0:31:58 | 0:32:02 | |
-You know why they're likable, don't you, Sisco? -Why? | 0:32:02 | 0:32:04 | |
They're from Yorkshire! | 0:32:04 | 0:32:06 | |
We're likeable people! Carrie, were you impressed? | 0:32:06 | 0:32:10 | |
Whilst it was nice, there wasn't that..."grrr" that it needs. | 0:32:10 | 0:32:14 | |
It needed snap, it needed pace, it needed energy. | 0:32:14 | 0:32:17 | |
It's good... | 0:32:17 | 0:32:18 | |
but it doesn't have that magic that it needs to be a Jessie J song. | 0:32:18 | 0:32:22 | |
-It has to have more punch. -OK. David, your thoughts, please? | 0:32:22 | 0:32:25 | |
I think that there's nothing wrong with it, it was actually very good, | 0:32:25 | 0:32:29 | |
it was really slick, it was really smooth, it was really together. | 0:32:29 | 0:32:32 | |
It was just a bit passive. | 0:32:32 | 0:32:34 | |
It just needs a bit more oomph, a bit more attitude, | 0:32:34 | 0:32:37 | |
a bit more aggression, a bit more Yorkshire! | 0:32:37 | 0:32:41 | |
-OK, thank you, judges. Brilliant. -What we need, we need a "grrr!" | 0:32:41 | 0:32:44 | |
Give us a "grrr!" | 0:32:44 | 0:32:47 | |
-GIRLS: -Grr! | 0:32:47 | 0:32:48 | |
-There we go! -Thank you very much. Give it up for Encore, everyone! | 0:32:48 | 0:32:53 | |
APPLAUSE | 0:32:53 | 0:32:54 | |
Hello! Come back and join me. Hello, ladies. | 0:32:56 | 0:33:00 | |
So, how do you feel your performance went, then? | 0:33:00 | 0:33:03 | |
-It could've gone better. -Do you feel like you could have done it better? | 0:33:03 | 0:33:06 | |
-We've definitely rehearsed it better than that. -Really? What went wrong? | 0:33:06 | 0:33:10 | |
-I just feel like our nerves took over. -You got some good comments. | 0:33:10 | 0:33:14 | |
David did say you were slick, you were together, you were good, | 0:33:14 | 0:33:17 | |
but they generally thought you lacked a bit of oomph. | 0:33:17 | 0:33:20 | |
Do you think that was fair? What would you like to say to that? | 0:33:20 | 0:33:22 | |
It's just a shame, because we've all got it. | 0:33:22 | 0:33:25 | |
In rehearsals, we definitely have the oomph to perform this piece. | 0:33:25 | 0:33:29 | |
It's just a shame that didn't come across. | 0:33:29 | 0:33:32 | |
Do you think it's a nerves thing? | 0:33:32 | 0:33:33 | |
Maybe it's just in the moment, you forget about it and you're focusing | 0:33:33 | 0:33:37 | |
on your singing and dancing, and you just don't want to mess up. | 0:33:37 | 0:33:41 | |
Well, don't be downhearted, girls, because John doesn't even think | 0:33:41 | 0:33:44 | |
he'll be able to afford to book you, so that's good! | 0:33:44 | 0:33:46 | |
So, on that note, let's hand back to Sam and Mark. | 0:33:46 | 0:33:49 | |
Thank you, Naomi. Our last act to perform is from Brighton. | 0:33:49 | 0:33:53 | |
Did you know that Brighton is home to the world's oldest aquarium | 0:33:53 | 0:33:56 | |
as well as the world's largest sea horse, | 0:33:56 | 0:33:58 | |
which you can ride daily between three and four? | 0:33:58 | 0:34:01 | |
Yeah. Let's meet Abstract. | 0:34:01 | 0:34:04 | |
# I will survive... # | 0:34:06 | 0:34:08 | |
Abstract made a great impression on John | 0:34:08 | 0:34:10 | |
when they met for the first time in London. | 0:34:10 | 0:34:13 | |
I'm grateful that you came prepared. It sounds like you've worked hard. | 0:34:13 | 0:34:16 | |
We are Abstract! | 0:34:16 | 0:34:18 | |
# Go on, now, go | 0:34:18 | 0:34:20 | |
# Walk out the door | 0:34:20 | 0:34:22 | |
# Just turn around now | 0:34:22 | 0:34:24 | |
# Cos you're not welcome any more... # | 0:34:24 | 0:34:26 | |
And the panel couldn't help but notice the group's unique style. | 0:34:26 | 0:34:30 | |
# You think I'd crumble? | 0:34:30 | 0:34:31 | |
# You think I'd lay down and die? | 0:34:31 | 0:34:33 | |
# Oh, no, not I... # | 0:34:33 | 0:34:35 | |
If that was your style across every song that you tried to sing, | 0:34:35 | 0:34:38 | |
-I would be... You fascinate me, you interest me. -Thank you. | 0:34:38 | 0:34:42 | |
I think you had a few timing issues with your dancing choreography, | 0:34:42 | 0:34:47 | |
so just be careful of that and be confident about what you're doing. | 0:34:47 | 0:34:51 | |
You survived! | 0:34:52 | 0:34:54 | |
THEY CHEER | 0:34:54 | 0:34:56 | |
The second group going through to the studio heats is... | 0:34:56 | 0:35:01 | |
Abstract. | 0:35:01 | 0:35:03 | |
But after surviving the judges' auditions, | 0:35:05 | 0:35:08 | |
can Abstract sharpen up and continue to stand out from the crowd | 0:35:08 | 0:35:12 | |
-at the studio heats? -Are you prepared? -Yes. | 0:35:12 | 0:35:15 | |
-We're ready. -What's the rehearsal period been like? | 0:35:15 | 0:35:18 | |
-Stressful. -So much fun. | 0:35:18 | 0:35:21 | |
You look lovely. Who chose your dress and your styles? | 0:35:21 | 0:35:23 | |
We all kind of did it and then we had them specially made | 0:35:23 | 0:35:27 | |
-so that was really nice. -Julia, thank you! -Thank you, Julia! | 0:35:27 | 0:35:30 | |
Well done, Julia! | 0:35:30 | 0:35:32 | |
APPLAUSE AND CHEERING | 0:35:34 | 0:35:36 | |
They are our last act to perform for the judges. | 0:35:36 | 0:35:39 | |
Let's hope they can add some precious points to their score. | 0:35:39 | 0:35:41 | |
Singing and dancing for a place in the live finals, | 0:35:41 | 0:35:44 | |
it's Abstract and You Keep Me Hangin' On! | 0:35:44 | 0:35:47 | |
APPLAUSE AND CHEERING | 0:35:47 | 0:35:48 | |
# Set me free, why don't you, babe? | 0:35:56 | 0:35:59 | |
# Get out my life Why don't you, babe? | 0:35:59 | 0:36:03 | |
# Cos you don't really love me | 0:36:03 | 0:36:05 | |
# You just keep me hangin' on | 0:36:05 | 0:36:09 | |
# Oooh, you don't really need me | 0:36:09 | 0:36:13 | |
# But you keep me hangin' on | 0:36:13 | 0:36:17 | |
-# Oooh -Why do you keep coming around? | 0:36:17 | 0:36:20 | |
# Playing with my heart | 0:36:20 | 0:36:24 | |
-# Oooh -Why don't you get out of my life | 0:36:24 | 0:36:27 | |
# And let me make a new start? | 0:36:27 | 0:36:30 | |
# Let me get over you | 0:36:31 | 0:36:34 | |
# The way you've gotten over me | 0:36:34 | 0:36:38 | |
# Set me free, why don't you, babe? | 0:36:38 | 0:36:41 | |
# Let me be, why don't you, babe? | 0:36:41 | 0:36:45 | |
# Cos you don't really love me | 0:36:45 | 0:36:48 | |
# You just keep me hangin' on | 0:36:48 | 0:36:51 | |
# Oooh | 0:36:51 | 0:36:53 | |
# No, you don't really want me | 0:36:53 | 0:36:55 | |
# You just keep me hangin' on | 0:36:55 | 0:36:59 | |
-# Oooh -You say although we broke up | 0:36:59 | 0:37:03 | |
# You still wanna be just friends | 0:37:03 | 0:37:06 | |
-# Oooh -But how can we still be friends | 0:37:06 | 0:37:10 | |
# When seeing you only breaks my heart again? | 0:37:10 | 0:37:13 | |
And there ain't nothin' I can do about it. | 0:37:13 | 0:37:16 | |
# Oooh. # | 0:37:16 | 0:37:18 | |
APPLAUSE AND CHEERING | 0:37:18 | 0:37:21 | |
Sisqo, did you enjoy that performance? | 0:37:25 | 0:37:28 | |
I did. You looked good, you sounded good. | 0:37:28 | 0:37:30 | |
But I think if you get through you have to give a bit more. | 0:37:30 | 0:37:33 | |
Try and do research into what the song came from, where it's about... | 0:37:33 | 0:37:37 | |
What it's about, excuse me, because that's a soulful song. | 0:37:37 | 0:37:41 | |
So it just needed that kind of Sister Sledge...yeah! | 0:37:41 | 0:37:44 | |
Kind of feel to it. And it was just a bit like..."ba-duh". | 0:37:44 | 0:37:47 | |
It needed a bit more, like, fried chicken. | 0:37:47 | 0:37:51 | |
LAUGHTER | 0:37:51 | 0:37:52 | |
Will.I.am! | 0:37:52 | 0:37:54 | |
Carrie, what were your thoughts? | 0:37:54 | 0:37:56 | |
I love your vocal arrangements. | 0:37:56 | 0:37:58 | |
I love the way that you use all the harmonies underneath the melody line. | 0:37:58 | 0:38:03 | |
I love that sound. | 0:38:03 | 0:38:04 | |
It just is pitchy in places, | 0:38:04 | 0:38:07 | |
and you've got to really stick with the tuning. | 0:38:07 | 0:38:09 | |
You've really got to listen to those notes. | 0:38:09 | 0:38:12 | |
I love what you're about. I love that you took it in a different direction. | 0:38:12 | 0:38:16 | |
I think you're really original and different, | 0:38:16 | 0:38:18 | |
you are unique, and I love your performance. | 0:38:18 | 0:38:20 | |
Thank you, Carrie. | 0:38:20 | 0:38:23 | |
Now, David, that's quite an old song. | 0:38:23 | 0:38:25 | |
Was it the right song choice, do you think? | 0:38:25 | 0:38:27 | |
I think for this group it was a great song choice | 0:38:27 | 0:38:29 | |
because they take vintage music and make it contemporary, | 0:38:29 | 0:38:32 | |
and I think they did that. That was a Supremes song from the '60s | 0:38:32 | 0:38:35 | |
but you didn't do it like the Supremes. | 0:38:35 | 0:38:37 | |
You did your own version. I loved the vocal arrangements, | 0:38:37 | 0:38:40 | |
I loved the technicality of them. | 0:38:40 | 0:38:42 | |
There's no other Glee Club like you in this competition. | 0:38:42 | 0:38:45 | |
In every talent competition there are pretenders | 0:38:45 | 0:38:47 | |
and there are contenders, and you are definitely contenders. | 0:38:47 | 0:38:51 | |
APPLAUSE AND CHEERING | 0:38:51 | 0:38:52 | |
And finally, John, what did you think of that? | 0:38:52 | 0:38:55 | |
Sometimes abstract art can only be appreciated by, you know, | 0:38:55 | 0:38:59 | |
niche people, but I think there's nothing abstract about you. | 0:38:59 | 0:39:02 | |
You're so mainstream, you could really do well. | 0:39:02 | 0:39:05 | |
Just present that package, that sound, now. | 0:39:05 | 0:39:09 | |
And I need to tell you, young lady...what's your name? | 0:39:09 | 0:39:11 | |
-Leanne. -Leanne, your solo voice is stunning. | 0:39:11 | 0:39:14 | |
I really want you especially to believe in yourself, | 0:39:14 | 0:39:17 | |
because I don't think you realise how good you actually are. | 0:39:17 | 0:39:19 | |
Thank you. | 0:39:19 | 0:39:21 | |
Good comments there, guys. Thank you very much, judges, | 0:39:21 | 0:39:24 | |
-and give it up for Abstract! -Well done, girls. | 0:39:24 | 0:39:27 | |
APPLAUSE AND CHEERING | 0:39:27 | 0:39:29 | |
Come on over, Abstract. | 0:39:33 | 0:39:34 | |
Hey, good comments! | 0:39:34 | 0:39:36 | |
I know! | 0:39:36 | 0:39:37 | |
They said you're good, they all loved your vocal arrangement, | 0:39:37 | 0:39:41 | |
they all think you're definite contenders - aaah! | 0:39:41 | 0:39:44 | |
But Sisqo did say he wants a bit more fried chicken. | 0:39:44 | 0:39:47 | |
-Yeah! -Fried chicken! | 0:39:47 | 0:39:50 | |
Bring some brattitude next time. | 0:39:50 | 0:39:52 | |
And Carrie was saying it's a bit pitchy. | 0:39:52 | 0:39:54 | |
How would you like to respond to that? | 0:39:54 | 0:39:56 | |
-I couldn't personally hear that it was pitchy. -No. | 0:39:56 | 0:39:58 | |
But obviously she's a judge so she knows what she's talking about. | 0:39:58 | 0:40:01 | |
But it felt good when we were doing it, | 0:40:01 | 0:40:03 | |
-so... -I think we were just so into it, like, "Oh, yeah." | 0:40:03 | 0:40:06 | |
My heart just raced and I was so proud. | 0:40:06 | 0:40:09 | |
-So proud? -Yeah! I just love these girls. | 0:40:09 | 0:40:12 | |
Especially of Leanne. | 0:40:12 | 0:40:14 | |
Leanne, they said some lovely things to you. | 0:40:14 | 0:40:16 | |
John really complimented you. What would you like to say to John? | 0:40:16 | 0:40:19 | |
Thank you! I don't really know what else to say, honestly. | 0:40:19 | 0:40:22 | |
I don't know. It's just such a confidence boost, it really is. | 0:40:22 | 0:40:25 | |
That's lovely to hear. | 0:40:25 | 0:40:27 | |
We're not going to keep you hangin' on any longer... | 0:40:27 | 0:40:30 | |
over to you, Sam and Mark! | 0:40:30 | 0:40:32 | |
Thank you very much, Naomi. OK, so, there you have it. | 0:40:32 | 0:40:35 | |
All three acts have now performed and can do no more. | 0:40:35 | 0:40:37 | |
Whilst we check and verify the final scores | 0:40:37 | 0:40:40 | |
and you wait to find out if your favourite has won, | 0:40:40 | 0:40:42 | |
here's a quick reminder of those fantastic performances. | 0:40:42 | 0:40:45 | |
# Oh, baby, give me one more chance | 0:40:45 | 0:40:49 | |
# Show you that I love you | 0:40:49 | 0:40:51 | |
# Won't you please let me | 0:40:51 | 0:40:54 | |
# Back in your heart | 0:40:54 | 0:40:55 | |
# Oh, darling, I was blind | 0:40:55 | 0:40:58 | |
# To let you go Let you go, baby | 0:40:58 | 0:41:00 | |
-# Now since I see you in his arms -I want you back. # | 0:41:00 | 0:41:05 | |
Let's go! | 0:41:05 | 0:41:06 | |
# It's my party | 0:41:06 | 0:41:08 | |
# I do, do what I want | 0:41:08 | 0:41:10 | |
# Do, do what I want | 0:41:10 | 0:41:12 | |
# So while you sit and watch me | 0:41:12 | 0:41:15 | |
# I keep dancing alone Yeah, dancing alone... # | 0:41:15 | 0:41:20 | |
# You say although we broke up | 0:41:20 | 0:41:22 | |
# You still wanna be just friends | 0:41:22 | 0:41:27 | |
-# Oooh -But how can we still be friends | 0:41:27 | 0:41:30 | |
# When seeing you only breaks my heart again | 0:41:30 | 0:41:33 | |
And there ain't nothing I can do about it! | 0:41:33 | 0:41:36 | |
# Oooh. # | 0:41:36 | 0:41:39 | |
APPLAUSE AND CHEERING | 0:41:43 | 0:41:46 | |
-Welcome back our three acts. -MT13! | 0:41:48 | 0:41:51 | |
APPLAUSE AND CHEERING | 0:41:51 | 0:41:54 | |
Encore! | 0:41:54 | 0:41:55 | |
APPLAUSE AND CHEERING | 0:41:55 | 0:41:57 | |
And Abstract! | 0:41:57 | 0:42:00 | |
APPLAUSE AND CHEERING | 0:42:00 | 0:42:01 | |
Judges, you've seen them all perform and awarded points | 0:42:01 | 0:42:04 | |
for vocal ability, creativity and performance across two rounds. | 0:42:04 | 0:42:08 | |
Carrie, before we reveal the winner, | 0:42:08 | 0:42:09 | |
how would you sum up today's performances? | 0:42:09 | 0:42:11 | |
I think the standard on this show has been much higher | 0:42:11 | 0:42:15 | |
than I would have expected. I'm really surprised. | 0:42:15 | 0:42:18 | |
It's been very good and very entertaining. | 0:42:18 | 0:42:20 | |
Thank you very much, Carrie and the rest of the judges. | 0:42:20 | 0:42:23 | |
The scores have been checked and verified | 0:42:23 | 0:42:25 | |
and we now have the results. | 0:42:25 | 0:42:26 | |
I can reveal that the winner of today's heat | 0:42:32 | 0:42:36 | |
with a total score of 174 is... | 0:42:36 | 0:42:38 | |
MT13! | 0:42:55 | 0:42:57 | |
Well done, guys. Please give a massive round of applause | 0:43:00 | 0:43:03 | |
to our runners-up, Encore and Abstract! | 0:43:03 | 0:43:05 | |
Well done, guys.# | 0:43:05 | 0:43:07 | |
APPLAUSE AND CHEERING | 0:43:07 | 0:43:09 | |
So, there we have it, another show in the bag! | 0:43:09 | 0:43:12 | |
Thank you so much to our judges, | 0:43:12 | 0:43:13 | |
Carrie, David, John and Sisqo. | 0:43:13 | 0:43:15 | |
APPLAUSE AND CHEERING | 0:43:15 | 0:43:17 | |
-And the lovely Naomi Wilkinson! -Here she is with the medals. | 0:43:17 | 0:43:20 | |
What a great show! Well done to all our clubs. | 0:43:20 | 0:43:23 | |
-Do you want to give out the medals? -I will. | 0:43:23 | 0:43:25 | |
Join us next time when more Glee Clubs will battle it out | 0:43:25 | 0:43:27 | |
for the chance to be crowned winners of Sport Relief Does Glee Club 2014. | 0:43:27 | 0:43:32 | |
Bye! | 0:43:32 | 0:43:33 | |
APPLAUSE AND CHEERING | 0:43:33 | 0:43:34 | |
So after a low score in Round 1, | 0:43:39 | 0:43:40 | |
MT13 have turned things around with their energetic second performance | 0:43:40 | 0:43:45 | |
to win the heat and secure themselves second place | 0:43:45 | 0:43:47 | |
on the leaderboard, with Abstract just one place behind in third. | 0:43:47 | 0:43:50 | |
If you'd like a reminder of today's performances, | 0:43:50 | 0:43:53 | |
go to the CBBC website | 0:43:53 | 0:43:55 | |
and click on the link for the top five. | 0:43:55 | 0:43:57 | |
Join us next time when the pressure is on | 0:43:57 | 0:43:59 | |
for the last three groups in our final studio heat, | 0:43:59 | 0:44:02 | |
when we find out which five Glee Clubs have topped the leaderboard | 0:44:02 | 0:44:05 | |
and will go through to the live semifinal. | 0:44:05 | 0:44:07 |