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-# Stand up! # -Welcome to Canada, | 0:00:02 | 0:00:03 | |
where the battle to win a guest role on hit TV dance drama The Next Step | 0:00:03 | 0:00:07 | |
nears its conclusion. | 0:00:07 | 0:00:09 | |
# Rewind! # | 0:00:10 | 0:00:12 | |
1,300 dancers applied... | 0:00:13 | 0:00:15 | |
I'm going to do my audition for Taking The Next Step. | 0:00:15 | 0:00:17 | |
..over 200 came to regional auditions... | 0:00:20 | 0:00:23 | |
-Show us what you've got. -# Do it! Do it! # | 0:00:23 | 0:00:25 | |
..but only the best won a place at nationals. | 0:00:27 | 0:00:30 | |
We're making dreams come true in here. | 0:00:30 | 0:00:32 | |
Now only four dancers remain in the contest. | 0:00:36 | 0:00:39 | |
The stakes are really high today. | 0:00:39 | 0:00:41 | |
They must act... | 0:00:43 | 0:00:44 | |
You're not listening to me so I'm not going to listen to you. | 0:00:44 | 0:00:47 | |
-No, I'm not doing this any more. I'm done. -Hey, yes, you are. | 0:00:47 | 0:00:49 | |
-Get back here. -..and dance... | 0:00:49 | 0:00:51 | |
-There it is. Wow! -Careful! Careful! -Are you good? | 0:00:52 | 0:00:55 | |
..for the chance to reach the final. | 0:00:55 | 0:00:57 | |
I feel like that's the right decision. | 0:00:57 | 0:00:59 | |
Oh, wow! | 0:00:59 | 0:01:01 | |
But who will take the next step? | 0:01:01 | 0:01:04 | |
I'm scared. | 0:01:05 | 0:01:06 | |
Welcome to Taking The Next Step. | 0:01:18 | 0:01:20 | |
THEY CHEER | 0:01:20 | 0:01:22 | |
Today, these four finalists are one step closer | 0:01:22 | 0:01:26 | |
to fulfilling their dream and landing a guest role | 0:01:26 | 0:01:28 | |
on The Next Step. | 0:01:28 | 0:01:29 | |
-So, how are you feeling, finalists? -Pumped. -Ready to go. -Excited. | 0:01:29 | 0:01:32 | |
-Good. -But a little bit nervous. | 0:01:32 | 0:01:34 | |
Well, the people you have to thank for how far you've come | 0:01:34 | 0:01:36 | |
in this contest are these guys. | 0:01:36 | 0:01:38 | |
It's our judges - Simeon, Kimberly and John. | 0:01:38 | 0:01:40 | |
Hello, judges. | 0:01:42 | 0:01:43 | |
Well, I'm going to hand over to Kimberly | 0:01:43 | 0:01:45 | |
to tell you what your challenge is today. | 0:01:45 | 0:01:47 | |
So today has a theme, and that theme is going to be duos | 0:01:47 | 0:01:50 | |
and working together as partners. | 0:01:50 | 0:01:53 | |
Today is a dual challenge - a two-part challenge. | 0:01:53 | 0:01:57 | |
The first part of your challenge will be to learn choreography. | 0:01:57 | 0:02:01 | |
The second part of your challenge to incorporate that choreography | 0:02:01 | 0:02:05 | |
into an improvised scene, just like they do here at The Next Step. | 0:02:05 | 0:02:10 | |
The stakes are really high today | 0:02:10 | 0:02:12 | |
because sadly one of you will be going home. | 0:02:12 | 0:02:15 | |
Today, you guys really need to bring it, step it up. | 0:02:17 | 0:02:20 | |
I have some very special people coming to help me | 0:02:20 | 0:02:23 | |
with this challenge, | 0:02:23 | 0:02:25 | |
by the name of Isaac and Victoria. | 0:02:25 | 0:02:28 | |
Tell the guys some of the challenges you face when dancing in a duo. | 0:02:32 | 0:02:35 | |
When you're doing a duet, it's all about the connection, | 0:02:35 | 0:02:38 | |
and I think that's the biggest struggle in a duet | 0:02:38 | 0:02:40 | |
-is to keep that connection all throughout the routine. -Hm-hm. | 0:02:40 | 0:02:42 | |
Dueting in Studio A means our four dancers | 0:02:43 | 0:02:46 | |
will be following in the footsteps of some of The Next Step's | 0:02:46 | 0:02:49 | |
biggest stars. | 0:02:49 | 0:02:51 | |
James and Riley... | 0:02:52 | 0:02:53 | |
..Giselle and Amanda... | 0:02:55 | 0:02:57 | |
..Thalia and West... | 0:02:59 | 0:03:01 | |
..and in a Taking The Next Step exclusive, Eldon and Michelle, | 0:03:04 | 0:03:08 | |
who will be performing to this classic track | 0:03:08 | 0:03:10 | |
for the very first time today. | 0:03:10 | 0:03:12 | |
MUSIC: Hurricane by The Next Step | 0:03:12 | 0:03:15 | |
Get over here. | 0:04:07 | 0:04:09 | |
So how do you feel, Erin, about learning this piece? | 0:04:10 | 0:04:13 | |
It's going to be amazing. I can't believe we're actually | 0:04:13 | 0:04:15 | |
following in the footsteps of them! | 0:04:15 | 0:04:17 | |
This performance, we're going to break you into duets. | 0:04:17 | 0:04:20 | |
I would like Harriet and Joe, | 0:04:20 | 0:04:22 | |
Erin and Kyrese, you'll be the next duet. | 0:04:22 | 0:04:25 | |
The music is, and the piece, is about a break up. | 0:04:26 | 0:04:29 | |
Now, I want you to figure out what the storyline is | 0:04:29 | 0:04:32 | |
that each of you are going to be telling. | 0:04:32 | 0:04:34 | |
It has to be genuine. | 0:04:34 | 0:04:36 | |
You can't create something that's not you. | 0:04:36 | 0:04:38 | |
You have to find it within yourself. | 0:04:38 | 0:04:40 | |
-OK. -All right, let's do it. | 0:04:41 | 0:04:43 | |
So, the way we start off, the girl's going to start behind the guy, yeah? | 0:04:43 | 0:04:48 | |
Isaac and Victoria are walking our dancers through the routine... | 0:04:48 | 0:04:51 | |
..seven, eight. One, two, three, four, | 0:04:51 | 0:04:54 | |
five, six, seven, eight. One... | 0:04:54 | 0:04:56 | |
..and helping them to memorise the steps. | 0:04:56 | 0:04:59 | |
So, boys, you're opening up... Voom! | 0:04:59 | 0:05:01 | |
Girls, you're taking a split leap onto your left leg... | 0:05:02 | 0:05:05 | |
One, two. ..to come into cou-de-pied. | 0:05:05 | 0:05:07 | |
Some parts of the routine | 0:05:07 | 0:05:09 | |
are proving easier to pick up than others. | 0:05:09 | 0:05:11 | |
Just watch us for now. | 0:05:11 | 0:05:13 | |
Yeah, yeah. | 0:05:17 | 0:05:19 | |
-JOHN: -Just relax, yeah. | 0:05:19 | 0:05:20 | |
Get that clear at the beginning. | 0:05:22 | 0:05:24 | |
That's what's going to give you stability. | 0:05:24 | 0:05:25 | |
And then that will give you a nice platform to... | 0:05:25 | 0:05:28 | |
-Yeah, there you go. That's really good. -Nice, guys. Perfect, yeah. | 0:05:28 | 0:05:31 | |
-There it is. Wow! -Careful! Careful! | 0:05:33 | 0:05:35 | |
-You good? -Are you OK? -Yeah, I'm good. | 0:05:35 | 0:05:37 | |
Despite the odd stumble, things seem to be moving in the right direction. | 0:05:40 | 0:05:44 | |
Even though you've got the choreography, | 0:05:45 | 0:05:47 | |
it's the bits in between that you get to take as yours | 0:05:47 | 0:05:50 | |
and your personality and what you're trying to portray. | 0:05:50 | 0:05:53 | |
Don't forget those. Those might even be the most important bits. | 0:05:53 | 0:05:56 | |
But finding the emotional connection | 0:05:57 | 0:05:59 | |
that will really bring the performance to life | 0:05:59 | 0:06:02 | |
is down to our duos themselves. | 0:06:02 | 0:06:04 | |
Three, four, five, six, seven, eight... | 0:06:04 | 0:06:08 | |
-Nice. -Fabulous. | 0:06:08 | 0:06:09 | |
Well done, you guys. | 0:06:09 | 0:06:11 | |
Come close. You guys can come join us. | 0:06:12 | 0:06:15 | |
The amount of focus and attention and hard work | 0:06:15 | 0:06:19 | |
you have been putting into learning this has been fantastic. | 0:06:19 | 0:06:23 | |
This is the hard work it's going to take from now on. | 0:06:23 | 0:06:25 | |
This is a contest, and although you're performing together, | 0:06:26 | 0:06:29 | |
we are looking at you as an individual. | 0:06:29 | 0:06:32 | |
There is only one slot on this show. | 0:06:32 | 0:06:35 | |
Only one of you can win. | 0:06:37 | 0:06:39 | |
We're going to give you some time to head to rehearsal room, | 0:06:41 | 0:06:43 | |
just sprinkle a little magic over it. Make us proud. | 0:06:43 | 0:06:46 | |
-OK. -Let's go. -Thank you. -Thank you, guys. | 0:06:46 | 0:06:49 | |
There's plenty of hard work ahead for all four of our dancers. | 0:06:49 | 0:06:52 | |
Come on, guys! Bus tour, let's go. | 0:06:56 | 0:06:59 | |
But yesterday they had a rare day off - | 0:06:59 | 0:07:01 | |
a chance to recharge their batteries... | 0:07:01 | 0:07:03 | |
..and see the sights of Toronto. | 0:07:05 | 0:07:07 | |
CN Tower. | 0:07:08 | 0:07:09 | |
-SHE GASPS -Look at that wall. That is so cool. | 0:07:11 | 0:07:14 | |
Joe, turn around. | 0:07:14 | 0:07:16 | |
# Let me take a selfie | 0:07:16 | 0:07:17 | |
# Selfie, selfie Let me take a selfie. # | 0:07:17 | 0:07:19 | |
I got it. | 0:07:19 | 0:07:21 | |
Spending time with our final four away from the dance studio, | 0:07:21 | 0:07:24 | |
it's clear just how tight-knit the group has become. | 0:07:24 | 0:07:27 | |
One, two, three, four! | 0:07:30 | 0:07:33 | |
You guys have become really close. | 0:07:33 | 0:07:35 | |
Even when you talk, you all finish each other's sentences! | 0:07:35 | 0:07:37 | |
We're like a big family. | 0:07:38 | 0:07:40 | |
Doing the things you love with the people... | 0:07:40 | 0:07:42 | |
The people that you love too. | 0:07:42 | 0:07:44 | |
Do you think the pressure is going to really pick up tomorrow, though? | 0:07:46 | 0:07:49 | |
-Yeah, I think it is. -Yeah. | 0:07:49 | 0:07:51 | |
I don't think we'll be sort of against each other | 0:07:51 | 0:07:53 | |
cos I think we're all rooting for each other, | 0:07:53 | 0:07:55 | |
but inside, I think we'll all be hoping that we do the best. | 0:07:55 | 0:07:58 | |
THEY SHOUT | 0:07:58 | 0:08:00 | |
From our regional auditions to Canada, | 0:08:01 | 0:08:04 | |
these four have already been on an incredible journey together. | 0:08:04 | 0:08:07 | |
The friendship between them is real, | 0:08:09 | 0:08:11 | |
but which duo will be able to channel that emotional connection | 0:08:11 | 0:08:15 | |
into their performance? | 0:08:15 | 0:08:17 | |
Back at the studios, both Erin and Kyrese, and Joe and Harriet | 0:08:18 | 0:08:22 | |
are going all out to perfect their routines. | 0:08:22 | 0:08:24 | |
Joe and Harriet seem to be taking the dance element | 0:08:29 | 0:08:32 | |
of today's challenge in their stride. | 0:08:32 | 0:08:34 | |
At the beginning of the challenge, | 0:08:35 | 0:08:37 | |
I was worrying about how we're going to connect | 0:08:37 | 0:08:39 | |
cos of the different styles and everything, | 0:08:39 | 0:08:40 | |
but I think it's going to work well. | 0:08:40 | 0:08:42 | |
For ballerina Harriet, performing as one half of a duet is nothing new. | 0:08:42 | 0:08:46 | |
I've done a lot of partner work in the past, | 0:08:46 | 0:08:49 | |
so it's kind of natural to me. | 0:08:49 | 0:08:51 | |
Joe's a really good partner to dance with | 0:08:51 | 0:08:53 | |
because he takes into consideration where you are. | 0:08:53 | 0:08:56 | |
It makes you trust your partner a lot more. | 0:08:56 | 0:08:58 | |
Oh, my hat! | 0:09:00 | 0:09:01 | |
But street dancer Kyrese was finding dancing with a partner | 0:09:06 | 0:09:09 | |
more of a challenge. | 0:09:09 | 0:09:11 | |
I have danced in a duo before, but it wasn't like this | 0:09:11 | 0:09:15 | |
with lifts and telling a story, in a way. | 0:09:15 | 0:09:18 | |
It's definitely a new lesson to be learnt and I'm having fun with it. | 0:09:18 | 0:09:21 | |
I had a little fall with Kyrese when we tried to do the lift, | 0:09:24 | 0:09:26 | |
but I think we've got it now. | 0:09:26 | 0:09:28 | |
Hopefully, we can support each other and not fall. | 0:09:28 | 0:09:31 | |
So, with the choreography under control, | 0:09:35 | 0:09:37 | |
Kyrese and Erin could turn to the storytelling side | 0:09:37 | 0:09:39 | |
of their performance. | 0:09:39 | 0:09:41 | |
Portraying the emotions is in my comfort zone | 0:09:44 | 0:09:46 | |
because it's something that I always like to do | 0:09:46 | 0:09:48 | |
whether it's even part of the dance, but I always like to make it my own | 0:09:48 | 0:09:51 | |
and tell the story through my face, not only my dancing. | 0:09:51 | 0:09:54 | |
Yeah, that's good. I like that. Just don't slap me in the face! | 0:09:54 | 0:09:56 | |
Both of our duos have their strengths and weaknesses, | 0:09:58 | 0:10:01 | |
and the contest between them is simply too close to call. | 0:10:01 | 0:10:05 | |
-It's tough to call. -I can't really say at the moment, | 0:10:06 | 0:10:08 | |
but it just depends on the overall outcome. | 0:10:08 | 0:10:10 | |
It's just doing a good performance and trying to get through yourself. | 0:10:10 | 0:10:14 | |
But also supporting... | 0:10:14 | 0:10:16 | |
The dance rehearsals are at an end. | 0:10:18 | 0:10:20 | |
We'll see the results of all that hard work later | 0:10:20 | 0:10:22 | |
when our duos perform their routines in front of the judges. | 0:10:22 | 0:10:26 | |
Now it's time for our final four to find out about the second part | 0:10:29 | 0:10:32 | |
of today's challenge. | 0:10:32 | 0:10:34 | |
Welcome to part two - improvisation. | 0:10:34 | 0:10:38 | |
The focus is shifting from dancing to acting. | 0:10:40 | 0:10:44 | |
We would like you to improvise a scene | 0:10:44 | 0:10:47 | |
which leads directly to the choreographed piece | 0:10:47 | 0:10:50 | |
you learnt earlier. | 0:10:50 | 0:10:52 | |
Victoria and Isaac are here with us, | 0:10:52 | 0:10:54 | |
and that's because they will be acting alongside you | 0:10:54 | 0:10:57 | |
in this improvised scene. | 0:10:57 | 0:10:59 | |
The Next Step is based off of improv. | 0:10:59 | 0:11:01 | |
So basically, we get an outline | 0:11:01 | 0:11:03 | |
of our scripts, but it's not like a regular script | 0:11:03 | 0:11:05 | |
where we have lines to memorise. | 0:11:05 | 0:11:06 | |
So, that's something that is really awesome about The Next Step | 0:11:06 | 0:11:09 | |
is that we get to use a lot of our input in our acting skills. | 0:11:09 | 0:11:12 | |
Be yourselves. | 0:11:12 | 0:11:13 | |
Say the things you would normally say, talk how you would talk. | 0:11:13 | 0:11:17 | |
Yeah, just let it be natural. | 0:11:17 | 0:11:18 | |
OK, guys. Michelle and Eldon, they are now studio owners themselves. | 0:11:18 | 0:11:24 | |
And they're teaching you one of their iconic dance routines. | 0:11:24 | 0:11:28 | |
It is the night before Nationals | 0:11:28 | 0:11:31 | |
and you are returning as defending champions, | 0:11:31 | 0:11:35 | |
but this rehearsal is not going well. | 0:11:35 | 0:11:37 | |
Both duos have the opportunity to quickly block through | 0:11:38 | 0:11:41 | |
their improvised scenes, under the watchful eye of the judges. | 0:11:41 | 0:11:45 | |
Now, our first couple will be Joe and Harriet, | 0:11:45 | 0:11:48 | |
so could I ask Kyrese and Erin to step outside, please? | 0:11:48 | 0:11:51 | |
Remember, the dance routine this scene will be building up to | 0:11:52 | 0:11:55 | |
is about a break up. | 0:11:55 | 0:11:57 | |
Hey, guys, how's it going? | 0:11:58 | 0:12:00 | |
-It's all right. -I don't think it is at all. | 0:12:00 | 0:12:03 | |
-I don't think it is. -It's not what? It's not working? | 0:12:04 | 0:12:07 | |
It's getting there. It's just... | 0:12:07 | 0:12:09 | |
No, it's definitely not. | 0:12:09 | 0:12:11 | |
I really think this is the toughest challenge because it's, like, | 0:12:11 | 0:12:14 | |
straight on the spot improvisation and it's like... | 0:12:14 | 0:12:17 | |
'Yeah, also, where you're trying to join' | 0:12:17 | 0:12:19 | |
the acting into the dancing, | 0:12:19 | 0:12:21 | |
it's harder to make it blend and make it smooth. | 0:12:21 | 0:12:24 | |
Well, he's not really listening, to be fair. | 0:12:24 | 0:12:26 | |
-I'M not listening? -You're blaming it on me, but it's not only me. | 0:12:26 | 0:12:29 | |
You're the one not listening. | 0:12:29 | 0:12:30 | |
I've been doing it so full out and then you're the one just doing this. | 0:12:30 | 0:12:34 | |
What is this? I'm not ready. | 0:12:34 | 0:12:35 | |
Hey, you stay here. | 0:12:35 | 0:12:37 | |
'I am feeling pretty confident about it.' | 0:12:37 | 0:12:39 | |
It's just with the improvisation, | 0:12:39 | 0:12:41 | |
you just need to be yourself and bounce off each other | 0:12:41 | 0:12:45 | |
and that's what the judges will like. | 0:12:45 | 0:12:47 | |
Nationals is tomorrow and we're coming home with that title. | 0:12:47 | 0:12:49 | |
-Good luck. -We'll try. | 0:12:50 | 0:12:52 | |
Relax, cool? You don't have to just be static in that corner. | 0:12:55 | 0:12:58 | |
It can go much, much further. OK? | 0:12:58 | 0:13:02 | |
Much further. | 0:13:02 | 0:13:03 | |
'It's one of those things that once I get in there,' | 0:13:03 | 0:13:06 | |
it'll be fine and I'll just do it and I'll just go for it. | 0:13:06 | 0:13:08 | |
And with the dancing, again, we've practised it a lot, | 0:13:08 | 0:13:11 | |
so we know the dance and we know we know the dance, | 0:13:11 | 0:13:13 | |
so, yeah, I'm confident with that as well. | 0:13:13 | 0:13:15 | |
OK, guys, thanks very much. | 0:13:15 | 0:13:17 | |
Keep working, yeah? | 0:13:22 | 0:13:23 | |
Yeah. | 0:13:23 | 0:13:24 | |
Mastering a new piece of choreography is one thing, | 0:13:27 | 0:13:30 | |
but acting is new to all four of our finalists. | 0:13:30 | 0:13:34 | |
And learning how to improvise convincingly | 0:13:35 | 0:13:37 | |
in such a short space of time will clearly be a massive challenge. | 0:13:37 | 0:13:42 | |
-Hey, guys. -Hi. -You all right? | 0:13:45 | 0:13:47 | |
Good. How's rehearsal going? | 0:13:47 | 0:13:49 | |
-Erm...It's going all right. -It's just frustrating. | 0:13:49 | 0:13:52 | |
-MICHELLE: -Why is it frustrating? | 0:13:54 | 0:13:55 | |
You get distracted all the time and... | 0:13:56 | 0:13:59 | |
'It's the final four now, so everyone's really fighting for it,' | 0:13:59 | 0:14:02 | |
and although we're still supporting each other, | 0:14:02 | 0:14:05 | |
I think we are really fighting for it now. | 0:14:05 | 0:14:06 | |
You didn't tell me that you were leaving the day after Nationals. | 0:14:06 | 0:14:10 | |
Well, I can't help it, you know. I've got other things to do and... | 0:14:10 | 0:14:13 | |
'The stakes are high' | 0:14:14 | 0:14:16 | |
for myself, so I definitely know | 0:14:16 | 0:14:18 | |
'I'll try my best to make both of us look great.' | 0:14:18 | 0:14:22 | |
-You guys do realise that Nationals is tomorrow? -Yeah. | 0:14:22 | 0:14:25 | |
I know. Come on, we need to get on with this. | 0:14:25 | 0:14:27 | |
I think I am quite nervous cos I don't want to let you down. | 0:14:27 | 0:14:30 | |
I'm going to do my best and obviously, hopefully, | 0:14:30 | 0:14:32 | |
we will both get through, but I don't kn... | 0:14:32 | 0:14:35 | |
OK, OK, hold on. | 0:14:35 | 0:14:37 | |
You guys have got to figure this out. | 0:14:37 | 0:14:39 | |
-JOHN: -Remember, when you're doing the scene, | 0:14:39 | 0:14:41 | |
really make it believable. | 0:14:41 | 0:14:42 | |
Erin, you have a tendency to be a little bit caricature. | 0:14:42 | 0:14:45 | |
A little bit... Yesterday, in the piece you were doing yesterday, | 0:14:45 | 0:14:48 | |
-it was kind of over the top, a little over the top. -Yeah. | 0:14:48 | 0:14:51 | |
Whilst that is good for some things, | 0:14:51 | 0:14:53 | |
try to make this really naturalistic. Make it really real. | 0:14:53 | 0:14:57 | |
With so much to take onboard, it's time for a much-needed break. | 0:14:58 | 0:15:02 | |
And that means a trip to A-Troupe's latest hang-out, | 0:15:04 | 0:15:07 | |
where I have a special treat in store. | 0:15:07 | 0:15:10 | |
It's Britain versus Canada. | 0:15:13 | 0:15:16 | |
Finalists versus cast, in our... | 0:15:17 | 0:15:20 | |
-Who's nervous? -Me. -You should be. | 0:15:25 | 0:15:28 | |
This is very serious. | 0:15:29 | 0:15:31 | |
Question one. What is the nickname for James and Riley? | 0:15:33 | 0:15:37 | |
-This was first. -Jiley. | 0:15:37 | 0:15:39 | |
Boom! One point. | 0:15:39 | 0:15:41 | |
-OK, question two. -Come on, Michelle! | 0:15:41 | 0:15:43 | |
What's the name of Miss Kate's sister, the A-Troupe choreographer? | 0:15:43 | 0:15:46 | |
-Wow! -Phoebe. | 0:15:46 | 0:15:47 | |
Phoebe? Boom! | 0:15:47 | 0:15:49 | |
-It's 1-1. All to play for. -OK. | 0:15:49 | 0:15:51 | |
Who was voted | 0:15:51 | 0:15:52 | |
to be the new dance captain in series three. | 0:15:52 | 0:15:54 | |
-Kyrese again. -Giselle. | 0:15:54 | 0:15:57 | |
Yes. Correct. | 0:15:57 | 0:15:59 | |
What was the name of the juice bar | 0:15:59 | 0:16:01 | |
in series two? | 0:16:01 | 0:16:02 | |
-Oh, Hidalgo's. -Yes! | 0:16:02 | 0:16:04 | |
No! It was Culture Shock! | 0:16:04 | 0:16:07 | |
OK, there's been so many. There's been Juice Bar, there's been... | 0:16:08 | 0:16:12 | |
Excuses, excuses. It was wrong. | 0:16:12 | 0:16:14 | |
I can't give you not even half a point for that. I'm sorry. | 0:16:14 | 0:16:17 | |
It's OK, we got it. | 0:16:17 | 0:16:18 | |
Who is the head coach of Elite? | 0:16:18 | 0:16:20 | |
-I think that was you. -Lucien. | 0:16:20 | 0:16:22 | |
Well done! | 0:16:22 | 0:16:25 | |
Last question, all to play for. | 0:16:25 | 0:16:27 | |
You guys need this. No pressure. | 0:16:28 | 0:16:31 | |
What prank did Riley and Ella play on James? | 0:16:31 | 0:16:34 | |
-That was Kyrese. -I don't know who that was. | 0:16:34 | 0:16:36 | |
-It was, it was! -Go on, Kyrese. | 0:16:36 | 0:16:38 | |
They put... | 0:16:38 | 0:16:40 | |
They wrapped James's drum kit with bubble wrap. | 0:16:40 | 0:16:44 | |
Yes! You guys win! | 0:16:44 | 0:16:46 | |
-Wow. -Well done. | 0:16:46 | 0:16:48 | |
-I'm not going to lie, that was all me. -Well done. Good job. Guys. | 0:16:49 | 0:16:52 | |
-Guys! -And I got one wrong! | 0:16:52 | 0:16:54 | |
-Yeah! What! -I couldn't believe that. -At least I got mine right. | 0:16:54 | 0:16:57 | |
You guys need to go back to season one and start again. | 0:16:57 | 0:17:00 | |
-Re-watch everything, yeah. -OK, it's been a while. | 0:17:00 | 0:17:02 | |
-You killed it. -Well done, Kyrese. | 0:17:02 | 0:17:06 | |
Victory for our final four, courtesy of their secret weapon, | 0:17:07 | 0:17:11 | |
Next Step superfan Kyrese. | 0:17:11 | 0:17:13 | |
Listen, guys, well done. I know you need to get focused | 0:17:14 | 0:17:17 | |
and keep on working for this afternoon, OK? | 0:17:17 | 0:17:19 | |
-Good luck. ALL: -Thank you. | 0:17:19 | 0:17:21 | |
Back to business and our final four are in the rehearsal room | 0:17:22 | 0:17:25 | |
getting a few last-minute pointers from Victoria, who plays Michelle, | 0:17:25 | 0:17:29 | |
and Isaac, otherwise known as Eldon. | 0:17:29 | 0:17:31 | |
As dancers, you're taught where to place everything, right? | 0:17:31 | 0:17:36 | |
But as an actor, | 0:17:36 | 0:17:37 | |
naturally you have to make those decisions for yourself. | 0:17:37 | 0:17:40 | |
Don't just repeat the "I can't, I can't, I can't." | 0:17:42 | 0:17:45 | |
Have some meat behind that thing in your head that's going on. | 0:17:45 | 0:17:49 | |
The time for rehearsals is over. | 0:17:53 | 0:17:55 | |
This performance decides which of you is going home, so good luck. | 0:17:57 | 0:18:01 | |
-Thank you. -Go and give it everything, OK? | 0:18:01 | 0:18:03 | |
-We will. -Thank you. -Good luck. -Thanks. | 0:18:03 | 0:18:05 | |
Hi, there. Ready for Joe and Harriet. | 0:18:06 | 0:18:08 | |
-Good luck, Joe. -Thank you. | 0:18:10 | 0:18:12 | |
One of these four will be leaving after today's challenge. | 0:18:12 | 0:18:16 | |
-I hope they do well, but then I want to do well too. -Yeah. | 0:18:16 | 0:18:19 | |
Joe and Harriet are the first duo to face our three judges. | 0:18:20 | 0:18:24 | |
-Hey, guys. -BOTH: -Hello. -Take your places and I'll cue you. | 0:18:24 | 0:18:27 | |
Thank you. | 0:18:27 | 0:18:30 | |
-Action! -Come on, do this move. | 0:18:30 | 0:18:32 | |
-It's not working. -But we need to do the move now. | 0:18:32 | 0:18:35 | |
-MICHELLE: -Hey, guys. | 0:18:35 | 0:18:36 | |
-Hello. -How's it going? -It's going great. | 0:18:38 | 0:18:40 | |
It's not going good at all. Why are you saying that? It's terrible. | 0:18:40 | 0:18:43 | |
It's all right. I mean, I think it's fine. | 0:18:43 | 0:18:45 | |
When we're dancing, it's just not... | 0:18:45 | 0:18:47 | |
We're not interacting with each other. | 0:18:47 | 0:18:49 | |
He's not really listening, to be fair. | 0:18:49 | 0:18:51 | |
He just kind of does his own thing | 0:18:51 | 0:18:53 | |
and then expects me to get on with it. | 0:18:53 | 0:18:56 | |
'Today's been very interesting, very...challenging | 0:18:56 | 0:18:58 | |
'because we've all done' | 0:18:58 | 0:18:59 | |
separate dance challenges | 0:18:59 | 0:19:01 | |
and separate acting challenges, but we've never actually | 0:19:01 | 0:19:03 | |
blended the two together. It has definitely pushed me further | 0:19:03 | 0:19:06 | |
than the rest of the challenges we've done so far. | 0:19:06 | 0:19:08 | |
No, cos you're not listening to me, so I'm not going to listen to you. | 0:19:08 | 0:19:11 | |
-I'm not doing this any more, I'm done. -Hey, yes, you are. | 0:19:11 | 0:19:13 | |
Get back here. Nationals is tomorrow. You guys know that, right? | 0:19:13 | 0:19:17 | |
Do you guys realise that? | 0:19:17 | 0:19:18 | |
-There's stuff going on outside. -And that's rubbing off on me | 0:19:18 | 0:19:22 | |
and then he thinks I'm a moron. | 0:19:22 | 0:19:24 | |
OK. Well, one of the things about being a professional | 0:19:24 | 0:19:27 | |
is coming in and not letting that stuff distract you. | 0:19:27 | 0:19:30 | |
I love dancing with her, I'll take on your advice and we'll just do it. | 0:19:30 | 0:19:34 | |
Doing the improv and then doing the dance with Harriet, | 0:19:34 | 0:19:38 | |
cos we're different styles, it's hard to merge it together, | 0:19:38 | 0:19:41 | |
but I did my best. Hopefully, my best is enough. | 0:19:41 | 0:19:43 | |
MUSIC: Hurricane by The Next Step | 0:19:43 | 0:19:45 | |
Guys, when you walk out of here, hold your heads up high, be proud. | 0:20:38 | 0:20:42 | |
You did a great job, OK? Well done. | 0:20:42 | 0:20:43 | |
-BOTH: -Thank you. -Thank you, guys. Well done. | 0:20:43 | 0:20:46 | |
-That was really good, well done. -Good job. -Good job, guys. | 0:20:46 | 0:20:49 | |
-BOTH: -Thank you. | 0:20:49 | 0:20:50 | |
Now, it's over to Erin and Kyrese to show what they can do. | 0:20:50 | 0:20:54 | |
Action! | 0:20:54 | 0:20:55 | |
How's it going? | 0:20:55 | 0:20:57 | |
Yeah, good. I think everything's fine, yeah. | 0:20:57 | 0:20:59 | |
No, it isn't fine. | 0:20:59 | 0:21:02 | |
-Yeah... Wait, what? -Look, you can't even trust me. | 0:21:02 | 0:21:05 | |
-You can't even do the lift. -I could, it's just... | 0:21:05 | 0:21:07 | |
'It was really hard,' | 0:21:07 | 0:21:08 | |
like, portraying that emotion, | 0:21:08 | 0:21:11 | |
but I was just trying to think of how I would react | 0:21:11 | 0:21:14 | |
if I was actually in that situation. | 0:21:14 | 0:21:17 | |
I think me and Erin did really well and I think we told a strong story. | 0:21:17 | 0:21:21 | |
-She told me something yesterday... -No, it doesn't matter. | 0:21:21 | 0:21:24 | |
..and you broke my heart. | 0:21:24 | 0:21:25 | |
You said you didn't even love me anyway. | 0:21:26 | 0:21:28 | |
I do, you know that. Why would you do that to me? | 0:21:28 | 0:21:31 | |
-Do what? -I thought we had a special connection. | 0:21:31 | 0:21:34 | |
OK, what is happening? | 0:21:34 | 0:21:35 | |
I had to fly back to England | 0:21:35 | 0:21:37 | |
and I'm not sure how long I'm going to stay out there | 0:21:37 | 0:21:39 | |
and this might be the last time I get to dance for The Next Step. | 0:21:39 | 0:21:42 | |
I don't actually act, but I actually really love it | 0:21:43 | 0:21:46 | |
and it's something I really want to do. | 0:21:46 | 0:21:47 | |
I really try to be myself and just act natural, | 0:21:47 | 0:21:50 | |
instead of as a character. | 0:21:50 | 0:21:52 | |
This is a last time I'm going to dance, let's make it good. | 0:21:52 | 0:21:54 | |
I know. | 0:21:54 | 0:21:56 | |
MUSIC: Hurricane by The Next Step | 0:21:56 | 0:21:58 | |
Very well done. Make your way outside, guys. | 0:22:51 | 0:22:54 | |
-Good job. -Good job. | 0:22:54 | 0:22:55 | |
Joe, Harriet, Erin and Kyrese have danced and acted their hearts out. | 0:22:55 | 0:23:01 | |
Now there is nothing more they can do | 0:23:03 | 0:23:06 | |
but wait anxiously for the judges to decide their fates. | 0:23:06 | 0:23:10 | |
-This is one heavy decision to make today. -I know. | 0:23:10 | 0:23:13 | |
I don't actually know how they're going to decide because honestly... | 0:23:13 | 0:23:17 | |
-It's being done right now. -They're deciding right now. | 0:23:17 | 0:23:20 | |
Today wasn't just about the dancing, it wasn't just about the improv, | 0:23:22 | 0:23:25 | |
it was taking those two challenges and putting it together. | 0:23:25 | 0:23:28 | |
There's been one person that really delivered today. | 0:23:28 | 0:23:31 | |
-So is it fair to say that this is 100%? -Yes. | 0:23:31 | 0:23:35 | |
100%. | 0:23:35 | 0:23:36 | |
Probably a front runner from these three would be this one for me. | 0:23:38 | 0:23:42 | |
I was really surprised cos the thing that was not their strongest suite, | 0:23:42 | 0:23:45 | |
not their strongest point actually became a lot stronger. | 0:23:45 | 0:23:48 | |
So that leaves us... | 0:23:51 | 0:23:53 | |
I just think in my mind and in my heart, | 0:23:53 | 0:23:55 | |
I have a clear bottom. | 0:23:55 | 0:23:58 | |
One person that just didn't deliver today. | 0:23:58 | 0:24:01 | |
Heartbreaking for me to say, it's the truth. | 0:24:01 | 0:24:04 | |
So I just don't feel ready to give up on that person just yet. | 0:24:04 | 0:24:08 | |
-I'm nervous but excited. -I know, right? Yeah. | 0:24:08 | 0:24:11 | |
-We've actually all grown so much in this competition. -Yeah, definitely. | 0:24:12 | 0:24:16 | |
Are we unanimous, guys? | 0:24:18 | 0:24:21 | |
Yeah. I feel like that's the right decision. | 0:24:21 | 0:24:23 | |
Oh, wow...never saw that coming. | 0:24:23 | 0:24:27 | |
I didn't see that coming, no way. | 0:24:27 | 0:24:29 | |
-It's time to... -Break the news. | 0:24:29 | 0:24:31 | |
Call them back. | 0:24:31 | 0:24:33 | |
Deliberations over, it's time for our four remaining dancers | 0:24:34 | 0:24:37 | |
to face the judges one by one | 0:24:37 | 0:24:40 | |
and find out which of them will be packing their bags. | 0:24:40 | 0:24:43 | |
I'm scared. | 0:24:44 | 0:24:46 | |
-Hi, Kyrese. -Hi. | 0:24:52 | 0:24:54 | |
It's been so tough. | 0:24:54 | 0:24:56 | |
We're now down to the final four and somebody does have to go home. | 0:24:56 | 0:25:00 | |
Now, I'm not going to lie, | 0:25:02 | 0:25:04 | |
I've been an absolute massive fan of yours from day one. | 0:25:04 | 0:25:07 | |
Thank you. | 0:25:07 | 0:25:08 | |
But to be honest, I'm kind of surprised you are still here. | 0:25:08 | 0:25:13 | |
You have style, grace, poise... | 0:25:15 | 0:25:19 | |
..and you are without doubt the best dancer in this contest. | 0:25:20 | 0:25:26 | |
Now, over your journey, you've had lots of highs. | 0:25:28 | 0:25:31 | |
You've had a really good run, | 0:25:31 | 0:25:33 | |
but there's been times every now and then you've had some lows, | 0:25:33 | 0:25:36 | |
and the lows are really concerning. | 0:25:36 | 0:25:38 | |
We had to ask ourselves, "Do you have potential to be number one?" | 0:25:38 | 0:25:43 | |
We have to make a choice today... | 0:25:44 | 0:25:46 | |
-You're going through to the next round. -Wow! | 0:25:52 | 0:25:54 | |
Well done! Graduations! | 0:25:56 | 0:25:58 | |
You'll be going forward to the next round. | 0:25:58 | 0:26:00 | |
-THEY LAUGH -Oh, my days! No way! | 0:26:01 | 0:26:03 | |
Was it a yes? Hurray! | 0:26:06 | 0:26:08 | |
Oh, my goodness. | 0:26:08 | 0:26:10 | |
-How do you feel? -I can't believe it. | 0:26:10 | 0:26:12 | |
Can I see some little tears there? Happy tears? | 0:26:12 | 0:26:14 | |
-Yeah, a bit. -Yeah, maybe. | 0:26:14 | 0:26:16 | |
-Hurray! Well done. -For Erin and Kyrese, it's time to celebrate. | 0:26:16 | 0:26:20 | |
Their improv and choreography both made a winning impression | 0:26:20 | 0:26:24 | |
on the judges. | 0:26:24 | 0:26:26 | |
So, who will join them in the final, | 0:26:28 | 0:26:31 | |
Joe or Harriet? | 0:26:31 | 0:26:33 | |
So, we've made a decision... | 0:26:35 | 0:26:36 | |
You're not going any further in the competition. | 0:26:41 | 0:26:43 | |
-And you're through to the next round. -Yes! | 0:26:47 | 0:26:49 | |
-Well done. -Thank you. | 0:26:51 | 0:26:52 | |
Yay! | 0:26:52 | 0:26:54 | |
-This is for you. -Thank you. | 0:26:55 | 0:26:58 | |
Do you want to put it on? | 0:26:58 | 0:26:59 | |
For prima ballerina Harriet, the journey is at an end. | 0:26:59 | 0:27:03 | |
-A-Troupe! -A-Troupe! | 0:27:03 | 0:27:05 | |
-You were so amazing. -Yes! | 0:27:05 | 0:27:07 | |
But despite the tears, it's been a sensational ride. | 0:27:10 | 0:27:14 | |
-Hello. -Hello. -Harriet? -Yes. | 0:27:16 | 0:27:18 | |
I didn't ever imagine for a second that I'd get to this point | 0:27:22 | 0:27:24 | |
because, you know, I went to the Regionals thinking, | 0:27:24 | 0:27:27 | |
-"Oh, I'll give it a go. It'll be fun." -Pack your bags... | 0:27:27 | 0:27:30 | |
you're coming to Canada. | 0:27:30 | 0:27:31 | |
For me, getting to Canada was my main goal, | 0:27:32 | 0:27:34 | |
so getting to this point, the final four, is absolutely amazing. | 0:27:34 | 0:27:37 | |
I feel very honoured. | 0:27:39 | 0:27:40 | |
And you had a good height, so use your height. | 0:27:43 | 0:27:47 | |
The whole experience has just been amazing. I'll remember it forever. | 0:27:47 | 0:27:50 | |
Three become one. | 0:27:57 | 0:27:58 | |
The pressure is definitely on. | 0:27:58 | 0:28:00 | |
For Kyrese, Erin and Joe, the dream of landing a guest role... | 0:28:00 | 0:28:05 | |
Action! | 0:28:05 | 0:28:07 | |
..is now one step away from becoming a reality. | 0:28:07 | 0:28:10 | |
So, who will claim the ultimate prize? | 0:28:12 | 0:28:16 | |
The winner is... | 0:28:16 | 0:28:17 | |
# Stand-up! # | 0:28:22 | 0:28:23 |