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# Stand up! # | 0:00:02 | 0:00:03 | |
We're in Canada, where the battle to win a guest role | 0:00:03 | 0:00:05 | |
on the hit TV dance drama The Next Step continues. | 0:00:05 | 0:00:08 | |
1,300 dancers applied... | 0:00:12 | 0:00:15 | |
I'm going to do my audition for Taking The Next Step. | 0:00:15 | 0:00:18 | |
..over 200 came to regional auditions... | 0:00:20 | 0:00:23 | |
-Show us what you've got. -# Do it! Do it! # | 0:00:23 | 0:00:26 | |
..but only the best won a place at nationals. | 0:00:26 | 0:00:30 | |
We're making dreams come true in here. | 0:00:30 | 0:00:32 | |
THEY SCREAM | 0:00:32 | 0:00:34 | |
-One, two, three... -Now six dancers must become four... | 0:00:36 | 0:00:39 | |
This is your time to really shine. | 0:00:39 | 0:00:41 | |
I'm nervous. | 0:00:41 | 0:00:42 | |
I feel sick. | 0:00:42 | 0:00:44 | |
..to win that coveted guest role. | 0:00:44 | 0:00:47 | |
THEY SHOUT ENERGETICALLY | 0:00:47 | 0:00:48 | |
Make sure you wait for those exact counts. | 0:00:48 | 0:00:51 | |
They must battle it out on the dance floor... | 0:00:51 | 0:00:54 | |
That's how we roll around here! | 0:00:54 | 0:00:56 | |
-One and two, three... -..and prove they can perform under pressure. | 0:00:56 | 0:00:59 | |
You'll go in and shake it all up. | 0:00:59 | 0:01:01 | |
But who will be taking the next step? | 0:01:02 | 0:01:05 | |
Oh, it's scary. | 0:01:06 | 0:01:08 | |
Welcome to Taking The Next Step. | 0:01:18 | 0:01:20 | |
THEY CHEER | 0:01:20 | 0:01:22 | |
Finalists, how are you feeling today? | 0:01:22 | 0:01:24 | |
-Overwhelmed. -Amazing. -So excited. | 0:01:24 | 0:01:26 | |
Excited? I bet you are. | 0:01:26 | 0:01:28 | |
And three people who are very excited as well | 0:01:28 | 0:01:30 | |
are our three judges. | 0:01:30 | 0:01:31 | |
Please welcome Simeon, Kimberly and John. | 0:01:31 | 0:01:34 | |
THEY CHEER | 0:01:34 | 0:01:37 | |
Remember, our finalists haven't seen the judges since nationals | 0:01:37 | 0:01:40 | |
and with just four places up for grabs in the next round, | 0:01:40 | 0:01:44 | |
they're feeling the pressure to impress. | 0:01:44 | 0:01:47 | |
They are quite scary when they're serious. | 0:01:47 | 0:01:49 | |
When they've got their head in the game. | 0:01:49 | 0:01:51 | |
I'm just ready to see what they think of me now, four weeks later. | 0:01:51 | 0:01:56 | |
It's going to make me more nervous | 0:01:57 | 0:01:58 | |
cos I reckon they're going to be looking for mistakes now. | 0:01:58 | 0:02:01 | |
Well, welcome to Studio A. | 0:02:02 | 0:02:04 | |
Johnny, I know you are a massive fan of The Next Step, | 0:02:04 | 0:02:08 | |
-so how does it feel to actually be here? -Come on, feel that. | 0:02:08 | 0:02:11 | |
Wow! His heart's like...bub, bub, bub-bub-bub. | 0:02:11 | 0:02:13 | |
Now, Simeon, we're obviously in Studio A. | 0:02:14 | 0:02:16 | |
Do you think that's going to affect our finalists today | 0:02:16 | 0:02:19 | |
-and how they perform? -It's going to affect me. | 0:02:19 | 0:02:21 | |
LAUGHTER | 0:02:21 | 0:02:23 | |
Now, Kimberly, it is kind of getting tougher, isn't it, for these guys? | 0:02:23 | 0:02:26 | |
So, what are you looking for today? | 0:02:26 | 0:02:28 | |
Are they going to have to step it up a little bit? | 0:02:28 | 0:02:30 | |
They're going to have to step it up. This is The Next Step! | 0:02:30 | 0:02:33 | |
But each and every one of you have truly proved yourselves, | 0:02:33 | 0:02:36 | |
-so congratulations and good luck! -DANCERS: -Thank you. | 0:02:36 | 0:02:40 | |
So, our first challenge is a choreographed one...Next Step-style. | 0:02:40 | 0:02:43 | |
So, I've got a special friend who does all the amazing moves | 0:02:43 | 0:02:46 | |
for the A-Troupe. | 0:02:46 | 0:02:48 | |
-Please welcome Amy Wright. -CHEERING AND APPLAUSE | 0:02:48 | 0:02:52 | |
Amy is a riot. | 0:02:52 | 0:02:54 | |
You know when Amy walks in the room. | 0:02:55 | 0:02:57 | |
-Hi. -DANCERS: -Hi. | 0:02:57 | 0:02:58 | |
As a choreographer, she's amazing. | 0:02:58 | 0:03:01 | |
So today, I'm going to be putting you guys through | 0:03:01 | 0:03:03 | |
a typical A-Troupe dance. | 0:03:03 | 0:03:05 | |
Turn, control... Cool. | 0:03:06 | 0:03:08 | |
Move and like...Hey! | 0:03:08 | 0:03:10 | |
Not only do our final six have to memorise the moves... | 0:03:10 | 0:03:13 | |
they must come up with a classic Next Step line pose | 0:03:13 | 0:03:17 | |
to end the routine... | 0:03:17 | 0:03:19 | |
..just like their A-Troupe heroes. | 0:03:20 | 0:03:22 | |
Look at that! That's nice, you guys. | 0:03:22 | 0:03:25 | |
When I had to do my signature pose, I felt really cool | 0:03:27 | 0:03:30 | |
because I felt like an actual member of A-Troupe. | 0:03:30 | 0:03:33 | |
Yeah, it felt really special. | 0:03:34 | 0:03:35 | |
I really wish that I had somebody from the A-Troupe | 0:03:35 | 0:03:39 | |
to come and help me with this. | 0:03:39 | 0:03:41 | |
-SHOUTS: -I'm here! | 0:03:41 | 0:03:42 | |
Who's here? | 0:03:42 | 0:03:44 | |
-Hey! -Jordgie! -How's it going? | 0:03:44 | 0:03:49 | |
Nice to meet you guys! | 0:03:50 | 0:03:51 | |
-So, you guys, this is Jordan Clark. -Hello. | 0:03:51 | 0:03:54 | |
Super flexible, double-jointed Jordan Clark | 0:03:56 | 0:03:59 | |
plays former A-Troupe dance captain Giselle... | 0:03:59 | 0:04:02 | |
So we're going to roll up... | 0:04:02 | 0:04:04 | |
..and today she's helping them master their moves. | 0:04:04 | 0:04:07 | |
One and two... | 0:04:07 | 0:04:09 | |
We are going to do things like a real rehearsal. | 0:04:09 | 0:04:11 | |
We have no time to dilly-dally. | 0:04:11 | 0:04:14 | |
If we were actually rehearsing the show, | 0:04:14 | 0:04:16 | |
we would be teaching this fast and furious. | 0:04:16 | 0:04:18 | |
So, you're going to go do that right now in a rehearsal studio. | 0:04:18 | 0:04:21 | |
-We'll see you soon. -You'd better be good when I see you again. | 0:04:22 | 0:04:26 | |
Oh, they will be, they will be. | 0:04:26 | 0:04:27 | |
-They'll be, dance captain. -I got you. | 0:04:27 | 0:04:29 | |
Shooting on The Next Step is fast-paced... | 0:04:29 | 0:04:32 | |
-Let's do this. -..so the judges have given the finalists just 15 minutes | 0:04:32 | 0:04:37 | |
to rehearse their routine. | 0:04:37 | 0:04:38 | |
Let's start going over it. | 0:04:38 | 0:04:40 | |
One and two, three and four. | 0:04:40 | 0:04:42 | |
Five and six, seven and eight... | 0:04:42 | 0:04:44 | |
Picking up a new routine under pressure | 0:04:44 | 0:04:46 | |
is nothing new for street dancer Joe. | 0:04:46 | 0:04:49 | |
I normally do this at home, so I get them quite fast. | 0:04:50 | 0:04:53 | |
I like doing it fast as well. I don't like going through it slow. | 0:04:53 | 0:04:56 | |
I need to get it down in my head straightaway. | 0:04:56 | 0:04:57 | |
Joe wasn't the only finalist to feel upbeat about this challenge. | 0:04:59 | 0:05:03 | |
I feel like I struggled a little bit at the beginning | 0:05:03 | 0:05:06 | |
and then I found my groove and I was like, | 0:05:06 | 0:05:07 | |
"Hey, Khalid, you got this, man, just relax." | 0:05:07 | 0:05:10 | |
When they were teaching us the dance, we did it quite fast, | 0:05:10 | 0:05:13 | |
but I like that cos it's like some pressure on you. | 0:05:13 | 0:05:15 | |
It's not good if it's just all easy, is it? | 0:05:15 | 0:05:17 | |
We've got time to go over it, so it's actually all right. | 0:05:17 | 0:05:20 | |
But for ballerina Harriet, | 0:05:20 | 0:05:22 | |
adapting her dance style to Amy's routine is proving to be tricky. | 0:05:22 | 0:05:26 | |
I was a bit panicked when they said that I was going to improvise ballet | 0:05:26 | 0:05:30 | |
purely because I've only ever really done pointe solos | 0:05:30 | 0:05:33 | |
and I'm not used to doing ballet off pointe. | 0:05:33 | 0:05:35 | |
Stop. Let's try that again. | 0:05:35 | 0:05:37 | |
Wait. Make sure you wait for those exact counts. | 0:05:37 | 0:05:40 | |
It took me a while to get into it. | 0:05:40 | 0:05:41 | |
I think I started off really tense and took me a while to pick it up, | 0:05:41 | 0:05:44 | |
but near the end, I sort of got into it. | 0:05:44 | 0:05:47 | |
One, two, three, four, | 0:05:47 | 0:05:48 | |
five, six, seven, eight. | 0:05:48 | 0:05:50 | |
Do you think they picked it up quickly enough? Were you impressed? | 0:05:52 | 0:05:55 | |
I was quite impressed, to be honest. I was quite impressed. | 0:05:55 | 0:05:57 | |
There's a little bit of coordination things | 0:05:57 | 0:06:00 | |
-that we need to work on, though. -OK. | 0:06:00 | 0:06:02 | |
So, we've got to be careful of that. | 0:06:02 | 0:06:03 | |
That last half is a lot of energy, a lot of bouncing, | 0:06:03 | 0:06:06 | |
so they've really got to make sure to pick up that. | 0:06:06 | 0:06:08 | |
-Good luck. See you later. -Thank you so much. | 0:06:08 | 0:06:10 | |
-They're doing so well. -How are we doing? | 0:06:11 | 0:06:14 | |
-One, two, three, four... -But before they know it, | 0:06:14 | 0:06:16 | |
rehearsal time is over. | 0:06:16 | 0:06:18 | |
They now have to perform for the judges | 0:06:18 | 0:06:20 | |
and Next Step choreographer Amy. | 0:06:20 | 0:06:22 | |
Sorry to interrupt, guys. | 0:06:22 | 0:06:23 | |
We're ready for you, if you want to come with me. | 0:06:23 | 0:06:26 | |
Are you ready? I think we're ready. | 0:06:26 | 0:06:27 | |
All six have set their sights on that Next Step guest role. | 0:06:29 | 0:06:32 | |
No-one will be eliminated until the end of the day, | 0:06:33 | 0:06:36 | |
so who will steal the limelight in this first challenge? | 0:06:36 | 0:06:40 | |
This is your moment. This is your time to really shine. | 0:06:40 | 0:06:43 | |
This is about choreography, but also we want to see you. | 0:06:43 | 0:06:46 | |
We want to see your potential, your personality in your dance. | 0:06:46 | 0:06:49 | |
Take your positions. | 0:06:49 | 0:06:51 | |
MUSIC: Control By Next Step | 0:06:51 | 0:06:53 | |
Come on! Six, seven, eight... | 0:07:05 | 0:07:07 | |
CHEERS AND SHOUTS OF ENCOURAGEMENT | 0:07:15 | 0:07:17 | |
The main prize feels even closer. | 0:07:39 | 0:07:41 | |
We're doing it with the Next Step choreographer. | 0:07:42 | 0:07:45 | |
It's really exciting. | 0:07:45 | 0:07:47 | |
MUSIC CONTINUES | 0:07:48 | 0:07:50 | |
Today's challenge made me feel like a part of A-Troupe. | 0:08:03 | 0:08:06 | |
We're all together. I think all the dancers are unique. | 0:08:06 | 0:08:09 | |
I'm super proud of them. | 0:08:26 | 0:08:27 | |
It actually felt like an A-Troupe. | 0:08:27 | 0:08:30 | |
MUSIC STOPS | 0:08:38 | 0:08:41 | |
And relax. | 0:08:41 | 0:08:42 | |
-Well done, you guys. -Good job! You killed it! | 0:08:42 | 0:08:45 | |
So good, guys. So good! | 0:08:46 | 0:08:49 | |
We've got some notes for you guys, some things that we've seen. | 0:08:51 | 0:08:54 | |
Some good, some bad. I'm going to start with you, Kyrese. | 0:08:54 | 0:08:57 | |
-That was a really good job. -Thank you. | 0:08:57 | 0:08:59 | |
I saw it more in your solo. | 0:08:59 | 0:09:01 | |
I really wanted to get more of it when you was doing the choreography. | 0:09:01 | 0:09:04 | |
Cool? | 0:09:04 | 0:09:06 | |
Harriet, you bring such great professionalism | 0:09:06 | 0:09:08 | |
and you were taking everything on board and picking up quite quickly. | 0:09:08 | 0:09:11 | |
I loved that. | 0:09:11 | 0:09:12 | |
When it comes to your performance, | 0:09:12 | 0:09:14 | |
stylistically, I think you really need to find yourself | 0:09:14 | 0:09:17 | |
and nail it every time. | 0:09:17 | 0:09:18 | |
Bring some of that ballet into all the choreography. | 0:09:18 | 0:09:20 | |
It sets you apart, don't be afraid of that. | 0:09:20 | 0:09:22 | |
Khalid, your tricks are impressive | 0:09:24 | 0:09:25 | |
and I get so excited when you come forward like that and round off. | 0:09:25 | 0:09:29 | |
It is so impressive. | 0:09:29 | 0:09:31 | |
If I had a negative for you, you were copying Jordan. | 0:09:31 | 0:09:35 | |
You know the choreography. | 0:09:36 | 0:09:38 | |
I know you know it, | 0:09:38 | 0:09:39 | |
so just be confident that you know it, OK? | 0:09:39 | 0:09:42 | |
Erin, a bit of the same. | 0:09:42 | 0:09:44 | |
It was only at your solos when I really got to see you. | 0:09:44 | 0:09:47 | |
-Now, I know there were some mistakes... -Yeah. | 0:09:47 | 0:09:48 | |
..and that really kind of threw you. | 0:09:48 | 0:09:50 | |
But when those mistakes happen, embrace them. | 0:09:50 | 0:09:52 | |
Keep on performing, keep on moving. Cool? | 0:09:52 | 0:09:54 | |
Cos your solo was really, really great. | 0:09:54 | 0:09:56 | |
Julia, you've got such a light, fresh energy that's so fun to watch. | 0:09:56 | 0:10:01 | |
When it comes to picking up choreography, | 0:10:01 | 0:10:03 | |
you do it quite slowly. | 0:10:03 | 0:10:05 | |
Trust that it's in there and just perform it | 0:10:05 | 0:10:07 | |
cos you've got it and you had it and you did it. | 0:10:07 | 0:10:10 | |
Joe, I think you've got bags of charisma. | 0:10:10 | 0:10:13 | |
Could you be a bit cleaner? Yes, you could. | 0:10:13 | 0:10:16 | |
-Guys, great job. -Yeah, really good. | 0:10:16 | 0:10:18 | |
You all did an amazing job. We are so proud of you. | 0:10:18 | 0:10:23 | |
Really just take a deep breath and try and relax into this | 0:10:23 | 0:10:26 | |
cos that's going to give you the best chance of getting this part. | 0:10:26 | 0:10:28 | |
We'll see you guys soon. | 0:10:28 | 0:10:30 | |
-Thank you. -Well done. | 0:10:31 | 0:10:33 | |
-Hey, team. -They did so good. | 0:10:35 | 0:10:36 | |
-Did they do well? -They did so well. How did that go? | 0:10:36 | 0:10:39 | |
-Really good. -Really good? You're all smiling. | 0:10:39 | 0:10:42 | |
You all look sweaty as well. | 0:10:42 | 0:10:44 | |
Well, you look exhausted and you must be after all that dancing. | 0:10:44 | 0:10:47 | |
-Do you want to go chill in the lounge? ALL: -Yeah. | 0:10:47 | 0:10:49 | |
Come on, then. Let's take a break. | 0:10:49 | 0:10:51 | |
With just four places to fight for, the stakes couldn't be higher | 0:10:53 | 0:10:56 | |
and Next Step cast member Jordan has stuck around | 0:10:56 | 0:10:59 | |
to offer the finalists some moral support. | 0:10:59 | 0:11:02 | |
I think you guys did really well. | 0:11:03 | 0:11:04 | |
That's the thing, right, you want to impress them, | 0:11:04 | 0:11:07 | |
but you also want to show your personality | 0:11:07 | 0:11:09 | |
and that's such a huge factor in our show. | 0:11:09 | 0:11:11 | |
It's why there is a show. | 0:11:11 | 0:11:14 | |
Hey! | 0:11:15 | 0:11:17 | |
-What's up? -Lamar! -How's it going? | 0:11:17 | 0:11:20 | |
-Good. How are you? -Let me find a seat here. | 0:11:20 | 0:11:22 | |
-Oh, there you go. -Yeah, so how's this morning going? | 0:11:22 | 0:11:24 | |
-ALL: -Good. -It's good? | 0:11:24 | 0:11:26 | |
Yeah. They felt like a real A-Troupe. | 0:11:26 | 0:11:28 | |
Yeah. Oh, yeah, for sure. | 0:11:28 | 0:11:30 | |
What's it like on set with all the cast? | 0:11:30 | 0:11:32 | |
Like, do you have banter, do you have joking? | 0:11:32 | 0:11:35 | |
I remember one time Chloe, James and I we got sent to different corners | 0:11:35 | 0:11:39 | |
because we were laughing so hard, so we had to separate ourselves. | 0:11:39 | 0:11:43 | |
It actually reminds me of us sometimes when we're eating | 0:11:43 | 0:11:46 | |
-we just can't stop laughing. -I was crying with laughter. | 0:11:46 | 0:11:49 | |
He has the funniest laugh. He goes like...ha-ha-ha-ha. | 0:11:49 | 0:11:51 | |
-HE LAUGHS -There it is! | 0:11:51 | 0:11:52 | |
You should hear her laugh. Oh, my goodness. | 0:11:52 | 0:11:55 | |
It sounds a little bit like a seal. | 0:11:55 | 0:11:57 | |
-Or like a donkey, seal kind of mixture of... -Like a donkey... | 0:11:57 | 0:12:00 | |
Like a...like a... Huh, huh-huh... | 0:12:00 | 0:12:03 | |
Do you know what? Our dancers are having the time of their lives | 0:12:06 | 0:12:09 | |
here on set, but at the end of today, two are going home | 0:12:09 | 0:12:13 | |
and with the first challenge out of the way, | 0:12:13 | 0:12:15 | |
that means there's just one more chance to impress those judges. | 0:12:15 | 0:12:19 | |
So, welcome. | 0:12:25 | 0:12:27 | |
-How are you feeling? -DANCERS: -Good. | 0:12:28 | 0:12:30 | |
OK, for this next challenge, we're going to split you into trios. | 0:12:30 | 0:12:34 | |
So, first trio... | 0:12:36 | 0:12:38 | |
Joe... | 0:12:38 | 0:12:40 | |
Julia... | 0:12:40 | 0:12:42 | |
Kyrese. | 0:12:42 | 0:12:43 | |
Move to your group. | 0:12:44 | 0:12:46 | |
Shuffle on over. | 0:12:47 | 0:12:49 | |
So, challenge number two...improv. | 0:12:49 | 0:12:53 | |
Now, we've got somebody very special to help with this today. | 0:12:54 | 0:12:57 | |
Lamar. | 0:12:57 | 0:12:59 | |
So, we're here to talk about improvisation. | 0:13:03 | 0:13:05 | |
And how we improvise on the show is we kind of have a vague outline | 0:13:05 | 0:13:09 | |
of the scene. | 0:13:09 | 0:13:11 | |
OK, the scenario for your scene today | 0:13:11 | 0:13:14 | |
is three dancers rehearsing a combination for internationals. | 0:13:14 | 0:13:18 | |
Yes, so you will need a beginning, middle and end. | 0:13:18 | 0:13:22 | |
-Work with each other, be positive. -And I will be observing. | 0:13:22 | 0:13:25 | |
And we will be observing too, | 0:13:25 | 0:13:27 | |
so you'll be being watched on all sides. OK? | 0:13:27 | 0:13:31 | |
-Good luck. -DANCERS: -Thank you. -Let's do it. | 0:13:32 | 0:13:35 | |
Our six finalists will perform in groups of three. | 0:13:36 | 0:13:39 | |
But they'll be judged as individuals... | 0:13:41 | 0:13:43 | |
..which starts from the moment they begin to work through their ideas | 0:13:45 | 0:13:49 | |
for the scene. | 0:13:49 | 0:13:50 | |
-What's your idea? -I'm going to do a routine...ta-ta-ta-ta-ta. | 0:13:51 | 0:13:55 | |
Then you're like, "No, no, no..." | 0:13:55 | 0:13:57 | |
Both groups are working out their improvised scenes | 0:13:57 | 0:13:59 | |
as the judges look on. | 0:13:59 | 0:14:01 | |
Shall I walk in and be like, "Sorry I'm late. I'm really sorry..." | 0:14:01 | 0:14:03 | |
Remember, acting is new to all our dancers | 0:14:05 | 0:14:07 | |
and with only four places to fight for, the stakes are high. | 0:14:07 | 0:14:12 | |
Cos it's the end of the road for two people today, | 0:14:12 | 0:14:14 | |
I think I need to push myself, I need to big everything up. | 0:14:14 | 0:14:17 | |
While some are brimming with confidence, | 0:14:19 | 0:14:21 | |
others seem to be struggling. | 0:14:21 | 0:14:23 | |
I feel so... | 0:14:23 | 0:14:25 | |
I don't know a thing about it. | 0:14:25 | 0:14:27 | |
This challenge is quite hard because it's pushing me | 0:14:27 | 0:14:29 | |
and it's kind of being out of my comfort zone. | 0:14:29 | 0:14:32 | |
And Harriet isn't the only one in her group | 0:14:34 | 0:14:36 | |
finding this challenge difficult. | 0:14:36 | 0:14:38 | |
To begin with I was like, "Oh, OK, this is not going too well," | 0:14:39 | 0:14:42 | |
but now I'm just going to give it my all. | 0:14:42 | 0:14:44 | |
You're going to do it. Just really exaggerate and just go for it. | 0:14:44 | 0:14:47 | |
Guys, guys, you need to teach me. This is meant to be a trio. | 0:14:47 | 0:14:51 | |
Yeah, OK. | 0:14:51 | 0:14:52 | |
OK, guys. We're going to ask you to leave and finesse out there, OK? | 0:14:53 | 0:14:59 | |
Finesse it, practice it, perfect it. | 0:14:59 | 0:15:01 | |
Remember, listen to each other, OK? React with each other. | 0:15:01 | 0:15:05 | |
And remember, in improv, anything can happen, OK? | 0:15:06 | 0:15:10 | |
-On you go. -DANCERS: -Thank you. | 0:15:11 | 0:15:12 | |
Five, six, seven, eight... | 0:15:14 | 0:15:16 | |
Today's final challenge will decide who will be staying | 0:15:16 | 0:15:19 | |
and which two finalists will be leaving | 0:15:19 | 0:15:21 | |
and all our dancers are feeling the pressure. | 0:15:21 | 0:15:24 | |
This is the last chance and I'm going to go out fighting. | 0:15:24 | 0:15:27 | |
From the top. | 0:15:27 | 0:15:29 | |
I felt I slightly messed up this morning's challenge, | 0:15:29 | 0:15:31 | |
so I'm really trying to work myself up with this challenge. | 0:15:31 | 0:15:34 | |
-All right, let's go. -I'm nervous. | 0:15:34 | 0:15:37 | |
You know, you've just got to do your best and fingers crossed. | 0:15:37 | 0:15:41 | |
JUDGES CHAT Back in the studio, | 0:15:41 | 0:15:44 | |
the judges have a surprise for our finalists | 0:15:44 | 0:15:46 | |
that will really test their improvisation skills. | 0:15:46 | 0:15:50 | |
OK, so, what will happen, you'll go in and shake it all up. | 0:15:50 | 0:15:55 | |
I think the key is to challenge them | 0:15:55 | 0:15:57 | |
-and to really make them think on their feet. -Bring it on. | 0:15:57 | 0:16:00 | |
It's time for Joe, Julia and Kyrese to take to the floor. | 0:16:02 | 0:16:07 | |
It's their last chance to impress the judges and Lamar | 0:16:07 | 0:16:10 | |
in this improv challenge. | 0:16:10 | 0:16:11 | |
-Hello. -DANCERS: -Hi. | 0:16:12 | 0:16:14 | |
So, remember, we want well-defined characters, yeah? | 0:16:15 | 0:16:19 | |
Show us all that personality that's brought you here today. | 0:16:19 | 0:16:23 | |
We want to see all of that, OK? | 0:16:23 | 0:16:25 | |
We're looking forward to it. Get yourselves ready. | 0:16:26 | 0:16:28 | |
Action! | 0:16:32 | 0:16:34 | |
Five, six, seven, eight... | 0:16:34 | 0:16:35 | |
Guys, guys, sorry I'm late. | 0:16:38 | 0:16:39 | |
I was just running really late, sorry. | 0:16:39 | 0:16:41 | |
-Why are you late? -I was getting my nails done, do you like them? | 0:16:41 | 0:16:44 | |
-Oh, those are nice, you know? -They're nice, aren't they? | 0:16:44 | 0:16:46 | |
What? You've got to admit they're nice. | 0:16:46 | 0:16:48 | |
Just do the routine, yeah? So, it goes like this. | 0:16:48 | 0:16:50 | |
One... | 0:16:50 | 0:16:51 | |
two... | 0:16:51 | 0:16:53 | |
-three... -OK, I don't really like that move. It's like... | 0:16:53 | 0:16:55 | |
-I just find it awkward. -So, what do you want to do? | 0:16:55 | 0:16:58 | |
Like a kick. | 0:16:58 | 0:16:59 | |
Hey, guys. | 0:17:02 | 0:17:03 | |
I'm so sorry, I came as quick as I possibly could. | 0:17:03 | 0:17:06 | |
My name's West. I'm a representative from internationals. Hi. | 0:17:06 | 0:17:09 | |
-Hi. -I just want to let you know that the rules have changed... | 0:17:09 | 0:17:12 | |
They had worked out some improv scenes | 0:17:12 | 0:17:15 | |
that they were going to present for the judges, | 0:17:15 | 0:17:17 | |
but my job was to then throw them a curveball | 0:17:17 | 0:17:20 | |
with what they had planned to do and see how they can take it. | 0:17:20 | 0:17:23 | |
So no legs, kicks, jumps, splits, none of that, OK? | 0:17:23 | 0:17:26 | |
-OK. -Have a great rehearsal. | 0:17:26 | 0:17:29 | |
I didn't expect West to come and mess it all up, | 0:17:31 | 0:17:34 | |
but I think our team worked well together. | 0:17:34 | 0:17:36 | |
No, this is what we're going to do. We need to be gassed! | 0:17:36 | 0:17:39 | |
Gassed! | 0:17:39 | 0:17:40 | |
-Energy! -Energy! | 0:17:40 | 0:17:42 | |
Yeah, gassed. Come on, let's do this! | 0:17:45 | 0:17:47 | |
Let's do it like, you know... | 0:17:47 | 0:17:50 | |
Do ballet! | 0:17:50 | 0:17:52 | |
-Teach us some, then. -Five, six, seven, eight... | 0:17:52 | 0:17:55 | |
Double pirouette. | 0:17:58 | 0:18:00 | |
-We've got this. -Yeah, we've got this. Let's go. | 0:18:01 | 0:18:05 | |
-ALL: -Internationals! Internationals! Internationals! | 0:18:05 | 0:18:09 | |
The pressure is off the first group. | 0:18:11 | 0:18:13 | |
Now it's up to Harriet, Erin and Khalid to fight for their place | 0:18:13 | 0:18:17 | |
in the final four. | 0:18:17 | 0:18:18 | |
Hello. | 0:18:18 | 0:18:20 | |
Like before, Lamar will be making a surprise appearance | 0:18:20 | 0:18:22 | |
to test their improv skills. | 0:18:22 | 0:18:25 | |
Action! | 0:18:25 | 0:18:26 | |
I really want you to work it cos you know this is internationals, | 0:18:26 | 0:18:29 | |
so we have to be on our A-game. | 0:18:29 | 0:18:31 | |
Yeah, well, I promise. | 0:18:31 | 0:18:33 | |
OK. Five, six, seven... | 0:18:33 | 0:18:36 | |
-BREATHLESSLY: -Sorry I'm late. I had to run. | 0:18:43 | 0:18:45 | |
OK, just go to the back and learn the choreo. Thank you. | 0:18:45 | 0:18:48 | |
Oh, my goodness. | 0:18:48 | 0:18:50 | |
Khalid, is that you? | 0:18:50 | 0:18:51 | |
-Oh, my goodness. I'm such a big fan. -Excuse... -Your tricks are amazing. | 0:18:52 | 0:18:56 | |
-Thank you! -Oh, my goodness. -Excuse me, we're trying to have... | 0:18:56 | 0:18:59 | |
Why do you like HIM dancing? | 0:18:59 | 0:19:00 | |
Well, he's amazing? He's awesome. He jumps so high. | 0:19:00 | 0:19:04 | |
But he can't pick up our choreography. | 0:19:04 | 0:19:05 | |
-He has springs in his feet. -Anyway, from the top. -Thank you, man. | 0:19:05 | 0:19:08 | |
Of course, no problem. | 0:19:08 | 0:19:10 | |
I gave all the attention to Khalid | 0:19:10 | 0:19:12 | |
as opposed to give the attention to the two girls | 0:19:12 | 0:19:15 | |
and I wanted to see how they would react to it | 0:19:15 | 0:19:18 | |
and see how they would adapt to it. | 0:19:18 | 0:19:20 | |
-Five, six, seven, eight... -Well, you know what, | 0:19:20 | 0:19:22 | |
-I'm having a party tomorrow. -OK. | 0:19:22 | 0:19:24 | |
-I want you to be there, OK? -Thank you. I will contact you. -OK. | 0:19:24 | 0:19:28 | |
-I'm doing it. -Sorry. Sorry about that. | 0:19:28 | 0:19:30 | |
But I am a good dancer, though. | 0:19:31 | 0:19:34 | |
Maybe you can just come on at the end... | 0:19:34 | 0:19:36 | |
..whilst you're having your little dinner date with your friend. | 0:19:37 | 0:19:41 | |
-I quit! -HE GROANS ANGRILY | 0:19:41 | 0:19:43 | |
Well done, guys. | 0:19:45 | 0:19:47 | |
Make your way outside and we'll speak to you shortly. | 0:19:50 | 0:19:53 | |
OK, thanks a lot. Bye-bye. | 0:19:53 | 0:19:55 | |
-How was it? -It was good. -How did it go? | 0:20:01 | 0:20:04 | |
-It was so good. -Well done, guys. | 0:20:04 | 0:20:06 | |
What did he say to you? Did he mess up yours? | 0:20:06 | 0:20:09 | |
-Yeah, he was like... -He came in saying he was his biggest fan. | 0:20:09 | 0:20:12 | |
-He came in saying, "You're my biggest fan..." -What did you have | 0:20:12 | 0:20:14 | |
-to do? -..and we were like, "Excuse me, we're in a rehearsal." | 0:20:14 | 0:20:17 | |
-He, like, messed ours up. -And then we was like... -Ballet! | 0:20:17 | 0:20:19 | |
Did the judges say anything? | 0:20:19 | 0:20:21 | |
-They didn't say anything. -Were they smiling? -They were like, | 0:20:21 | 0:20:23 | |
"Well, we think you've done a great job. You may now leave." | 0:20:23 | 0:20:26 | |
They said how we handled it really well... | 0:20:26 | 0:20:29 | |
The acting challenge is over and all the finalists can do now is wait | 0:20:29 | 0:20:33 | |
as the judges face their most difficult task so far. | 0:20:33 | 0:20:37 | |
From six, they must choose four. | 0:20:38 | 0:20:40 | |
Helping them to make up their mind is Lamar and choreographer Amy, | 0:20:41 | 0:20:45 | |
but ultimately, it's down to our judges to make the final decision. | 0:20:45 | 0:20:49 | |
-So, crunch time. -Yeah. | 0:20:50 | 0:20:52 | |
-How are you feeling? -It's tough because in the first session | 0:20:53 | 0:20:56 | |
I had real front runners, but as we've gone into the next challenge, | 0:20:56 | 0:21:00 | |
it's really flipped itself on its head, | 0:21:00 | 0:21:02 | |
so my mind is a little bit in no-man's land at the moment. | 0:21:02 | 0:21:05 | |
Who out of that line-up is worthy of a place? | 0:21:05 | 0:21:09 | |
It's really hard because I don't think anyone did a bad job. | 0:21:09 | 0:21:12 | |
The boys were excellent at the hip-hop style. | 0:21:12 | 0:21:14 | |
The girls were really shining in the freestyle. | 0:21:14 | 0:21:17 | |
For me personally, if I was going to choose, | 0:21:17 | 0:21:20 | |
it would probably be him. | 0:21:20 | 0:21:22 | |
I would do this, I think. | 0:21:22 | 0:21:26 | |
Guys, thank you so much for all your input. | 0:21:26 | 0:21:30 | |
I don't know whether you've made it easier for us or harder for us. | 0:21:30 | 0:21:33 | |
Yes! Thanks for all your help, it's been amazing. | 0:21:33 | 0:21:35 | |
-Thanks so much. -You're welcome. | 0:21:35 | 0:21:37 | |
OK. | 0:21:38 | 0:21:39 | |
They've got to say goodbye to two people right now. | 0:21:40 | 0:21:43 | |
I don't know how they're going to do this. | 0:21:43 | 0:21:45 | |
I would not want to be in their shoes. | 0:21:45 | 0:21:47 | |
I just keep thinking this person keeps growing | 0:21:48 | 0:21:51 | |
and every time they come on to the dance floor | 0:21:51 | 0:21:54 | |
or take up another challenge I go, | 0:21:54 | 0:21:55 | |
"Wow! I didn't know you could do that." | 0:21:55 | 0:21:57 | |
Seeing how these two bounced off and how she related so much, | 0:21:57 | 0:22:01 | |
that really made me think, "Oh, OK." | 0:22:01 | 0:22:03 | |
-I'm terrified. -No, no, you were so good. | 0:22:03 | 0:22:05 | |
I'm just really nervous cos I don't know if my dance went too well | 0:22:07 | 0:22:10 | |
or my acting, but I did try and give all that I possibly could. | 0:22:10 | 0:22:15 | |
If I'm honest with myself, those top three I'm happy with. | 0:22:15 | 0:22:19 | |
I think I'll be really upset if I have to leave | 0:22:19 | 0:22:21 | |
because I've come so far and it would be such a shame. | 0:22:21 | 0:22:25 | |
Would this person be able to cope with that workload and that...? | 0:22:25 | 0:22:29 | |
And if we're totally honest, it would be a no. | 0:22:29 | 0:22:31 | |
-So, is it between these two, then? -I believe so. | 0:22:31 | 0:22:34 | |
If I stay I'll be ecstatic because, you know, everyone's so amazing | 0:22:34 | 0:22:37 | |
and if I was able to be one of the people | 0:22:37 | 0:22:40 | |
that goes through to the next round, it would be so amazing. | 0:22:40 | 0:22:43 | |
I can't judge this person and this person together. | 0:22:43 | 0:22:46 | |
Based on the acting? | 0:22:46 | 0:22:47 | |
I can't judge them because it's completely different. | 0:22:47 | 0:22:49 | |
Do I think that this person should move forward? Yes, I do. | 0:22:49 | 0:22:53 | |
Kim, how do you feel about this? | 0:22:53 | 0:22:54 | |
-At least we all had fun. -It could be anyone. | 0:22:55 | 0:22:58 | |
It does feel right. | 0:22:58 | 0:23:00 | |
It breaks my heart into pieces, | 0:23:00 | 0:23:03 | |
but this line-up does say The Next Step to me. | 0:23:03 | 0:23:07 | |
-Me too. -OK. | 0:23:07 | 0:23:09 | |
Let's break the news. | 0:23:09 | 0:23:11 | |
I'm nervous. | 0:23:13 | 0:23:15 | |
Our dancers will be called to face the judges in pairs. | 0:23:15 | 0:23:18 | |
Oh, it's scary, man. | 0:23:18 | 0:23:20 | |
Who will secure a place in the next round? | 0:23:20 | 0:23:22 | |
I feel sick. | 0:23:22 | 0:23:25 | |
First to find out their fate, it's Kyrese and Harriet. | 0:23:25 | 0:23:29 | |
So, it's been an incredible day for you guys. | 0:23:31 | 0:23:34 | |
It's been an incredible day for us | 0:23:34 | 0:23:35 | |
to really see what you guys can give us. | 0:23:35 | 0:23:38 | |
The first task, I expected more from you, Kyrese. | 0:23:38 | 0:23:41 | |
Choreography-wise, you held it together, | 0:23:41 | 0:23:43 | |
but being a strong dancer, which I know you are | 0:23:43 | 0:23:46 | |
from what you've shown us, you should have had it a bit more down. | 0:23:46 | 0:23:49 | |
-But you did really bring it back during your freestyle. -Thank you. | 0:23:49 | 0:23:53 | |
I was really surprised from you cos actually drawing your freestyle, | 0:23:53 | 0:23:58 | |
I didn't get that good sense, | 0:23:58 | 0:23:59 | |
that good ownership of quality of movement that you normally had. | 0:23:59 | 0:24:03 | |
But the choreography, you actually held quite together | 0:24:03 | 0:24:05 | |
-and I was impressed, really, really impressed. -Thank you. | 0:24:05 | 0:24:09 | |
Now, for the second challenge, it was a bit muddled. | 0:24:09 | 0:24:12 | |
I could see the character you was going for | 0:24:12 | 0:24:14 | |
and I wasn't quite convinced. | 0:24:14 | 0:24:17 | |
And where I really believe you shone. | 0:24:17 | 0:24:20 | |
We've decided... | 0:24:22 | 0:24:23 | |
..that you're both through to the next round. Well done. | 0:24:24 | 0:24:27 | |
Congratulations, guys! | 0:24:28 | 0:24:29 | |
Go celebrate! | 0:24:30 | 0:24:32 | |
Yes? Yey! Well done! | 0:24:34 | 0:24:38 | |
-Come on over. How are you feeling, guys? -So good. -Good. | 0:24:38 | 0:24:40 | |
Yeah? | 0:24:40 | 0:24:42 | |
A delighted Kyrese and Harriet are one step closer | 0:24:42 | 0:24:45 | |
to that Next Step guest role prize. | 0:24:45 | 0:24:48 | |
But who will join them in the next round? | 0:24:49 | 0:24:51 | |
Erin and Joe or Julia and Khalid? | 0:24:51 | 0:24:54 | |
Hey, guys. | 0:24:54 | 0:24:55 | |
It's been quite a day, hasn't it? | 0:24:55 | 0:24:57 | |
It's been tough for us too. | 0:24:59 | 0:25:00 | |
Both of you really took on the challenges, | 0:25:02 | 0:25:05 | |
both of you have such a story that you bring to your dance. | 0:25:05 | 0:25:09 | |
Joe, top of the day, you absolutely smashed it. | 0:25:10 | 0:25:14 | |
You had all that personality, all that swag, loads of charisma... | 0:25:14 | 0:25:19 | |
..and then it came to the improv challenge... | 0:25:20 | 0:25:22 | |
..and it all went away. | 0:25:24 | 0:25:25 | |
Both of you in the improv was unbelievable | 0:25:25 | 0:25:29 | |
and the authenticity was very real. | 0:25:29 | 0:25:32 | |
Erin, choreographically, we had high hopes for you today | 0:25:32 | 0:25:36 | |
and in that first challenge, | 0:25:36 | 0:25:37 | |
I think you'll be the first to admit it didn't go your way. | 0:25:37 | 0:25:40 | |
You made mistakes, but then on the improv challenge, you really shone | 0:25:41 | 0:25:46 | |
and you really surprised us. | 0:25:46 | 0:25:48 | |
When it came to the choreography challenge, | 0:25:48 | 0:25:51 | |
it was a bit hit-and-miss. | 0:25:51 | 0:25:52 | |
I think both of you had a bit of difficulty picking up the routine | 0:25:52 | 0:25:56 | |
and performing it. | 0:25:56 | 0:25:58 | |
It was honestly the toughest deliberation we have had to make | 0:25:58 | 0:26:02 | |
and I have EVER had to make. | 0:26:02 | 0:26:04 | |
Now, we've made a decision... | 0:26:04 | 0:26:05 | |
..and that decision is... | 0:26:07 | 0:26:08 | |
..that you will not...be going home | 0:26:12 | 0:26:14 | |
and you are going through to the next round! | 0:26:14 | 0:26:16 | |
SCREAMS AND LAUGHTER | 0:26:16 | 0:26:19 | |
Unfortunately, you won't be going through to the next round, | 0:26:20 | 0:26:23 | |
but we thank you so much for all of your hard work | 0:26:23 | 0:26:26 | |
and all of the amazing passion that you bring to dance | 0:26:26 | 0:26:30 | |
and this won't be your last day of dance, this is just the beginning. | 0:26:30 | 0:26:33 | |
-You're both stars in our eyes... -Really well done, guys. | 0:26:34 | 0:26:37 | |
-..you really are. -You should be very proud of yourselves. | 0:26:37 | 0:26:40 | |
It's time for Julia and Khalid to bow out of the contest. | 0:26:40 | 0:26:43 | |
You are definitely part of the Next Step family. | 0:26:43 | 0:26:46 | |
But for both of them, it's been a life-changing experience. | 0:26:48 | 0:26:52 | |
-Hi! -JUDGES: -Hi! -How are you? | 0:26:56 | 0:26:58 | |
I'm great, thank you. | 0:26:58 | 0:27:00 | |
When I sent my video in, | 0:27:02 | 0:27:03 | |
I just never expected anything would come of it. | 0:27:03 | 0:27:06 | |
I didn't even think I'd make it to nationals, let alone Canada, | 0:27:07 | 0:27:11 | |
so I wouldn't change anything. This is perfect. | 0:27:11 | 0:27:13 | |
Girl, you brought me to tears! | 0:27:16 | 0:27:18 | |
What you have is something special. | 0:27:19 | 0:27:21 | |
It means everything that I came on this. | 0:27:22 | 0:27:23 | |
I've taken everything in my own stride | 0:27:25 | 0:27:27 | |
and I've grown as a person so much and this is not a knock. | 0:27:27 | 0:27:30 | |
This no is a yes in my head. | 0:27:30 | 0:27:33 | |
I think that I've learnt to be stronger | 0:27:33 | 0:27:36 | |
and I've pushed myself to my limits, so I'm a better dancer as well. | 0:27:36 | 0:27:40 | |
The other finalists are all amazing dancers | 0:27:41 | 0:27:44 | |
and I just wish them all the best of luck. | 0:27:44 | 0:27:46 | |
Big hug, come on, well done. | 0:27:46 | 0:27:48 | |
# Let's do it, do it | 0:27:51 | 0:27:52 | |
# Do it, do it. # | 0:27:52 | 0:27:54 | |
..four must become three. | 0:27:54 | 0:27:56 | |
The stakes are really high today. | 0:27:56 | 0:27:58 | |
They must act... | 0:27:59 | 0:28:00 | |
You're not listening to me, | 0:28:00 | 0:28:02 | |
so I'm not going to listen to you. | 0:28:02 | 0:28:03 | |
I'm not doing this any more, | 0:28:03 | 0:28:04 | |
-I'm done. -Yes, you are. | 0:28:04 | 0:28:05 | |
Get back here. | 0:28:05 | 0:28:06 | |
-..and dance. -There it is. | 0:28:06 | 0:28:08 | |
-Wow! -Careful! Careful! | 0:28:08 | 0:28:10 | |
So, who will be taking | 0:28:11 | 0:28:13 | |
the next step? | 0:28:13 | 0:28:14 | |
It's OK. | 0:28:14 | 0:28:15 | |
# Stand up! # | 0:28:17 | 0:28:18 |