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Welcome to Canada, where the battle to win a guest role | 0:00:02 | 0:00:05 | |
on the hit TV dance drama The Next Step continues. | 0:00:05 | 0:00:08 | |
1,300 dancers applied... | 0:00:11 | 0:00:14 | |
I'm going to do my audition for Taking The Next Step. | 0:00:14 | 0:00:16 | |
..over 200 came to regional auditions... | 0:00:19 | 0:00:22 | |
Show us what you've got. | 0:00:22 | 0:00:23 | |
..but only the best won a place at Nationals. | 0:00:26 | 0:00:28 | |
We're making dreams come true in here! | 0:00:28 | 0:00:31 | |
THEY SCREAM | 0:00:31 | 0:00:33 | |
Now the judges have chosen their finalists. | 0:00:36 | 0:00:40 | |
You're coming to Canada! | 0:00:40 | 0:00:42 | |
LAUGHTER AND APPLAUSE | 0:00:42 | 0:00:44 | |
Today, these six dancers will meet | 0:00:46 | 0:00:48 | |
their Next Step heroes on set... | 0:00:48 | 0:00:50 | |
CHEERING AND LAUGHTER | 0:00:51 | 0:00:54 | |
-Are you crying?! -Marker. | 0:00:55 | 0:00:57 | |
..and come face-to-face with the show's creator. | 0:00:57 | 0:01:01 | |
-Action! -But who will make a great first impression? | 0:01:01 | 0:01:05 | |
-You think you're 100?! -No, I don't. There's always room for improvement, | 0:01:05 | 0:01:08 | |
-but... -Yes, so where are you? | 0:01:08 | 0:01:09 | |
Six incredible dancers impressed our judges at Regionals | 0:01:22 | 0:01:26 | |
and wowed them at Nationals. | 0:01:26 | 0:01:27 | |
Now they have to prove they've got what it takes to join this lot. | 0:01:27 | 0:01:31 | |
Here in Canada, the Next Step set is ready for our finalists. | 0:01:34 | 0:01:37 | |
Studio A, the iconic dance space where battles to join A-Troupe | 0:01:39 | 0:01:43 | |
have been lost and won, awaits. | 0:01:43 | 0:01:45 | |
And 6,000km away, our six dancers prepare | 0:01:48 | 0:01:51 | |
for the most exciting journey of their lives. | 0:01:51 | 0:01:54 | |
Modern dancer Erin... | 0:01:57 | 0:01:58 | |
..contemporary dancers Julia and Khalid... | 0:01:59 | 0:02:02 | |
..ballerina Harriet | 0:02:04 | 0:02:06 | |
and street dancers Khyrese... | 0:02:06 | 0:02:08 | |
..and Joe. | 0:02:10 | 0:02:12 | |
14-year-old Joe's ticket to Canada is the peak of weeks of auditions, | 0:02:15 | 0:02:19 | |
that all started with a single video, filmed in his back garden. | 0:02:19 | 0:02:23 | |
I just was freestyling and then sent it in. | 0:02:24 | 0:02:26 | |
Yes! | 0:02:27 | 0:02:29 | |
In the audition, John didn't like my stank face, so he made me do... | 0:02:30 | 0:02:34 | |
Happy face. | 0:02:34 | 0:02:36 | |
Angry face. | 0:02:36 | 0:02:37 | |
Moody face. | 0:02:38 | 0:02:39 | |
Yeah! | 0:02:41 | 0:02:42 | |
My friends see me as quite funny. | 0:02:42 | 0:02:45 | |
Very irritating most of the time. | 0:02:45 | 0:02:47 | |
I make them laugh. | 0:02:47 | 0:02:48 | |
When I got to Nationals, the acting challenge wasn't my strong point. | 0:02:50 | 0:02:54 | |
-What's up? -Hey, man! | 0:02:54 | 0:02:57 | |
It put me out of my comfort zone, which I like. | 0:02:57 | 0:02:59 | |
-You know we're going to kill it. -You know it! | 0:02:59 | 0:03:02 | |
It made me think that I can do it on the TV show if I got through. | 0:03:02 | 0:03:05 | |
You're going to Canada, mate! | 0:03:07 | 0:03:09 | |
We're final six, we're so close to getting to The Next Step. | 0:03:12 | 0:03:15 | |
-Hats. -I just think the challenges will be much harder than before. | 0:03:15 | 0:03:19 | |
All our dancers have been on an incredible journey | 0:03:23 | 0:03:26 | |
and it definitely isn't over yet. | 0:03:26 | 0:03:28 | |
-ALL: -We're going to Canada! | 0:03:28 | 0:03:31 | |
With an eight-hour flight ahead of them, | 0:03:31 | 0:03:34 | |
let's hope our six finalists | 0:03:34 | 0:03:35 | |
save some of that energy for Canada. | 0:03:35 | 0:03:38 | |
I've been counting down for this day for ages and it's finally here. | 0:03:40 | 0:03:44 | |
For our talented dancers, the waiting is finally over. | 0:03:47 | 0:03:51 | |
Two days ago, they were in school. | 0:03:51 | 0:03:53 | |
Now they are only hours away | 0:03:53 | 0:03:55 | |
from competing for a part on The Next Step. | 0:03:55 | 0:03:58 | |
It's a role acrobatic dancer Khalid believes he was born to play. | 0:04:00 | 0:04:06 | |
My parents and family say that I have always danced, | 0:04:06 | 0:04:08 | |
even from when I was able to walk. | 0:04:08 | 0:04:11 | |
Dancing and gymnastics, I could just never pick one. | 0:04:13 | 0:04:16 | |
I just think the two together just work so well. | 0:04:16 | 0:04:20 | |
At the regional auditions, I was so nervous. | 0:04:23 | 0:04:27 | |
When I walked in and I saw Kimberly Wyatt first, I was like, | 0:04:27 | 0:04:30 | |
"Oh, no, I am doing contemporary and this is her field. | 0:04:30 | 0:04:34 | |
"This is going to flop completely." | 0:04:34 | 0:04:37 | |
What we could maybe bring out in you is really special. | 0:04:37 | 0:04:40 | |
Are you ready, are you hungry to learn and improve yourself? | 0:04:41 | 0:04:45 | |
Definitely. | 0:04:45 | 0:04:46 | |
You are going to Nationals. | 0:04:46 | 0:04:48 | |
My mind was all over the place, I was mixed with emotions, | 0:04:48 | 0:04:51 | |
I couldn't even control how I was feeling, | 0:04:51 | 0:04:53 | |
and going from Regionals to Nationals, | 0:04:53 | 0:04:57 | |
I felt like I needed to try harder this time. | 0:04:57 | 0:04:59 | |
There is a lot of work that you still need to do. | 0:05:01 | 0:05:05 | |
You're going to have to pull more of that performance out | 0:05:05 | 0:05:07 | |
because you are going to Canada! | 0:05:07 | 0:05:09 | |
APPLAUSE | 0:05:09 | 0:05:11 | |
I've never been taught professionally before | 0:05:12 | 0:05:15 | |
so I want to show them I am here and I am going to really try my best. | 0:05:15 | 0:05:20 | |
This could change my life for the better. | 0:05:21 | 0:05:24 | |
It's amazing. | 0:05:24 | 0:05:26 | |
CHEERING | 0:05:29 | 0:05:30 | |
We're landing, guys. | 0:05:32 | 0:05:33 | |
And it looks so cold. | 0:05:34 | 0:05:38 | |
It's touchdown in Canada. | 0:05:40 | 0:05:42 | |
-ALL CHANT: -Canada, Canada, Canada... | 0:05:42 | 0:05:44 | |
But the excitement of dancing on the other side of the world | 0:05:44 | 0:05:47 | |
is about to take off. | 0:05:47 | 0:05:49 | |
Right, the first to see the CN Tower. | 0:05:49 | 0:05:51 | |
-What is that? -It's like a building with a round thing on the top. | 0:05:51 | 0:05:54 | |
And ready to prove she's got what it takes | 0:05:58 | 0:06:00 | |
to make it in a global hit TV show, | 0:06:00 | 0:06:02 | |
it's our hard-working ballerina, Harriet. | 0:06:02 | 0:06:05 | |
Ballet is so physically demanding. | 0:06:05 | 0:06:08 | |
You're distorting your body into weird positions | 0:06:08 | 0:06:11 | |
that you are not meant to do. | 0:06:11 | 0:06:13 | |
I really like teaching younger students from my dance school | 0:06:16 | 0:06:20 | |
because it's really nice to see them develop. | 0:06:20 | 0:06:22 | |
And, I mean, they are really cute, so that's fun! | 0:06:22 | 0:06:26 | |
At the regional auditions, | 0:06:29 | 0:06:30 | |
the judges gave me some really good comments in constructive ways. | 0:06:30 | 0:06:35 | |
Harriet, I don't want to see this shy ballet girl. | 0:06:35 | 0:06:37 | |
I need something else other than that. | 0:06:39 | 0:06:41 | |
I made sure I went back to Nationals and showed them my true personality. | 0:06:41 | 0:06:46 | |
The challenges we had to do were hard | 0:06:48 | 0:06:51 | |
but I really got to show that I wasn't just a ballet dancer. | 0:06:51 | 0:06:55 | |
Pack your bags, you're coming to Canada. | 0:06:58 | 0:07:01 | |
Getting to Canada... | 0:07:01 | 0:07:02 | |
..even on the day, I didn't know how to react, so...let alone now. | 0:07:04 | 0:07:08 | |
-JUDGES CHEER -Thank you so much! Thank you! | 0:07:08 | 0:07:11 | |
-Yes, there! -There it is! | 0:07:11 | 0:07:13 | |
I saw it first. | 0:07:13 | 0:07:16 | |
-I saw it! -No, it was me, guys. | 0:07:16 | 0:07:18 | |
The judges have given our finalists two days | 0:07:18 | 0:07:20 | |
to acclimatise and get ready for the challenges ahead. | 0:07:20 | 0:07:23 | |
Once Kimberly, John and Simeon arrive from the UK, | 0:07:25 | 0:07:28 | |
the pressure will be on. | 0:07:28 | 0:07:30 | |
Let's hope they get a good night's sleep - | 0:07:32 | 0:07:34 | |
they're going to need it, because tomorrow I'm taking them | 0:07:34 | 0:07:37 | |
for an exclusive behind-the-scenes tour of The Next Step studios | 0:07:37 | 0:07:41 | |
and a taste of what it's like to be part of a global hit TV dance show. | 0:07:41 | 0:07:46 | |
I can't believe I'm actually saying this | 0:07:54 | 0:07:56 | |
but we are officially behind the scenes, in Canada, | 0:07:56 | 0:07:59 | |
of The Next Step. Can you believe it?! | 0:07:59 | 0:08:01 | |
-ALL: -No! | 0:08:01 | 0:08:03 | |
For one day only, | 0:08:03 | 0:08:05 | |
our six dancers are on a fact-finding mission like no other. | 0:08:05 | 0:08:09 | |
So excited! | 0:08:09 | 0:08:11 | |
They'll be access-all-areas... | 0:08:11 | 0:08:13 | |
..coming face-to-face with the stars | 0:08:14 | 0:08:16 | |
and discovering exactly what it takes to be in A-Troupe. | 0:08:16 | 0:08:21 | |
Just through this door is A-Troupe's brand-new hang-out. | 0:08:21 | 0:08:24 | |
-Do you want to see it? ALL: -Yes! -It's called Java Junction. | 0:08:24 | 0:08:27 | |
Are they real? | 0:08:37 | 0:08:38 | |
-No, it's real! -It's real! | 0:08:38 | 0:08:40 | |
-The cake is real. -This stuff is real! | 0:08:40 | 0:08:42 | |
-Guys, what do you think this is? ALL: -A script! | 0:08:42 | 0:08:45 | |
"James brings Riley a drink and asks her what's going on..." | 0:08:45 | 0:08:50 | |
These top six finalists from Taking The Next Step are on set right now, | 0:08:50 | 0:08:54 | |
so I thought I was going to maybe surprise them. | 0:08:54 | 0:08:56 | |
"Riley says she just finds it funny | 0:08:56 | 0:08:58 | |
"that their hang-out place changes every year. | 0:08:58 | 0:09:00 | |
"James says it's not what she's thinking about." | 0:09:01 | 0:09:05 | |
I know Riley is... | 0:09:05 | 0:09:07 | |
-Oh! -Oh! | 0:09:07 | 0:09:09 | |
Guys, look who it is! | 0:09:11 | 0:09:12 | |
Everyone started going... And I was like, "What, what?" | 0:09:12 | 0:09:15 | |
You guys are reading scripts without me?! | 0:09:15 | 0:09:17 | |
I am the only person who can play Riley. | 0:09:17 | 0:09:18 | |
Riley is my favourite. | 0:09:18 | 0:09:20 | |
I started crying. I couldn't believe it. | 0:09:20 | 0:09:23 | |
-I was just reading your part and then I turned round and... -Are you crying?! | 0:09:23 | 0:09:26 | |
Julia was so sweet. When they saw me, they were so shocked | 0:09:26 | 0:09:29 | |
and super excited as well, which was really amazing. | 0:09:29 | 0:09:31 | |
And no-one is more keen to impress Brittany, also known as Riley, | 0:09:31 | 0:09:36 | |
than huge Next Step fan Julia. | 0:09:36 | 0:09:39 | |
Riley inspires me because she is amazing at dancing. | 0:09:39 | 0:09:43 | |
I can't believe you'll be on that set! | 0:09:43 | 0:09:44 | |
'She does all the styles, like me, as well, so I can connect to her.' | 0:09:44 | 0:09:47 | |
-That's amazing! -So cool! | 0:09:47 | 0:09:50 | |
It's going to be weird without you at dance, because you're so loud. | 0:09:55 | 0:09:59 | |
-Are you going to miss me? -I'm going to miss you, obviously. -Good. | 0:09:59 | 0:10:03 | |
I'm going to miss everyone so much. | 0:10:03 | 0:10:05 | |
Just imagine I'm there and what I'd be saying to you. | 0:10:05 | 0:10:09 | |
My sister does give me good advice | 0:10:09 | 0:10:10 | |
cos she's really good at performing. | 0:10:10 | 0:10:12 | |
She tells me how to use my face more and if I need to point my toe, | 0:10:12 | 0:10:15 | |
she'll tell me to point my toe. She's only trying to help me. | 0:10:15 | 0:10:18 | |
When I turned up at Regionals, I was really nervous. | 0:10:21 | 0:10:25 | |
Me and my sister were sitting there and we were both terrified. | 0:10:25 | 0:10:28 | |
In the waiting room, it was really tense. | 0:10:28 | 0:10:31 | |
How much would it really mean to you to get through to the Nationals? | 0:10:31 | 0:10:35 | |
It would mean everything to me because I want to | 0:10:35 | 0:10:38 | |
get every opportunity I can before I have an operation, so... | 0:10:38 | 0:10:42 | |
'I've got scoliosis.' | 0:10:42 | 0:10:44 | |
It's a curvature of the spine. | 0:10:44 | 0:10:46 | |
Mine's quite bad, but I think it makes me want to dance even more. | 0:10:46 | 0:10:50 | |
When I dance, I just forget about everything. | 0:10:53 | 0:10:55 | |
It's the best thing in the world. | 0:10:55 | 0:10:57 | |
-Thank you. -There you go. | 0:11:00 | 0:11:01 | |
And Julia's determined to make the most of her chance | 0:11:01 | 0:11:05 | |
to glean Next Step insider info from Riley. | 0:11:05 | 0:11:08 | |
When you and James were going out together, did you actually like him? | 0:11:09 | 0:11:13 | |
Do I actually like James? | 0:11:13 | 0:11:15 | |
No, no... No, I'm kidding! | 0:11:15 | 0:11:17 | |
He's a really cool guy. We're just friends in real life, but I love... | 0:11:23 | 0:11:27 | |
We have such good chemistry and we work really well together. | 0:11:27 | 0:11:30 | |
I've always loved working with him. | 0:11:30 | 0:11:31 | |
-So are you all classically trained in dance? -ALL: -Yeah. | 0:11:32 | 0:11:36 | |
From dance studios? | 0:11:36 | 0:11:37 | |
-Yes. -Sort of? | 0:11:37 | 0:11:39 | |
-Did you guys teach yourselves a little bit? -Yeah. | 0:11:39 | 0:11:41 | |
Hanging out with Brittany has been a real thrill for the finalists. | 0:11:43 | 0:11:46 | |
But today isn't just about having fun backstage. | 0:11:48 | 0:11:52 | |
Later on, they'll face an audition with the show's creator, | 0:11:52 | 0:11:55 | |
Frank Van Keeken. | 0:11:55 | 0:11:56 | |
And with the huge on-screen dance role up for grabs, | 0:11:56 | 0:11:59 | |
learning what happens behind the scenes | 0:11:59 | 0:12:02 | |
could really make a difference. | 0:12:02 | 0:12:04 | |
So when our finalists come across the diary chair, | 0:12:05 | 0:12:07 | |
an iconic piece of Next Step set, | 0:12:07 | 0:12:10 | |
they can't resist the chance to take the place of their Next Step heroes. | 0:12:10 | 0:12:14 | |
Everyone, get in the picture. | 0:12:14 | 0:12:16 | |
I've just been so busy with my stuff | 0:12:16 | 0:12:18 | |
and Riley has been so busy with her stuff. | 0:12:18 | 0:12:20 | |
Maybe we should walk a mile in each other's shoes. | 0:12:20 | 0:12:23 | |
It might be nice to see the other person's perspective. | 0:12:23 | 0:12:26 | |
I feel, like, honoured! | 0:12:26 | 0:12:28 | |
-Think who has sat in there. -Everyone! | 0:12:29 | 0:12:32 | |
It will be me that breaks it. | 0:12:32 | 0:12:34 | |
-Who shall I be? -Riley. | 0:12:34 | 0:12:35 | |
CANADIAN ACCENT: I'm just so stressed about James right now. | 0:12:35 | 0:12:38 | |
-Is that quite good? -What?! | 0:12:38 | 0:12:41 | |
There is only one Riley! I am the only one that can be Riley. | 0:12:41 | 0:12:44 | |
That is true. I'm sorry. | 0:12:44 | 0:12:45 | |
-Was it a good impression, though? -It was...OK. | 0:12:45 | 0:12:48 | |
Today's tour is a dream come true for our finalists | 0:12:53 | 0:12:56 | |
but each of our six talented dancers is here with just one goal - | 0:12:56 | 0:13:00 | |
to win that sought-after Next Step guest role. | 0:13:00 | 0:13:03 | |
Delivering on the dance floor will be key, | 0:13:05 | 0:13:07 | |
so next stop is a sneak peek at the show's brand-new rehearsal room. | 0:13:07 | 0:13:11 | |
OK, it is just through these doors. | 0:13:11 | 0:13:13 | |
But they are probably going to be more impressed | 0:13:13 | 0:13:16 | |
with who is behind the door... | 0:13:16 | 0:13:18 | |
..and nobody more so than Khyrese. | 0:13:20 | 0:13:22 | |
How's it going? I'm good. How's it going, man? | 0:13:30 | 0:13:33 | |
Just seeing him there, I literally fell to the floor. | 0:13:33 | 0:13:38 | |
I actually couldn't believe it. | 0:13:38 | 0:13:40 | |
He's the real guy. | 0:13:48 | 0:13:50 | |
He's not a stunt double. | 0:13:50 | 0:13:52 | |
It was just...brilliant. | 0:13:52 | 0:13:55 | |
Dance-obsessed Khyrese has his sights set | 0:13:58 | 0:14:01 | |
on that Next Step guest role, | 0:14:01 | 0:14:03 | |
but can he prove his performance is the complete package? | 0:14:03 | 0:14:07 | |
As a dancer, I'm kind of a mix of all. | 0:14:07 | 0:14:10 | |
I don't even know what I'm going to do. | 0:14:11 | 0:14:14 | |
But when it all comes together, it's just amazing. | 0:14:14 | 0:14:17 | |
Basketball is kind of like a break from dance | 0:14:22 | 0:14:26 | |
but I'd never be afraid to bust out into some dance moves | 0:14:26 | 0:14:30 | |
if I score a cool three-pointer. | 0:14:30 | 0:14:31 | |
The judges' feedback, | 0:14:33 | 0:14:35 | |
it wasn't a straightaway three yeses, as I hoped. | 0:14:35 | 0:14:38 | |
I also need it to be real right here. | 0:14:38 | 0:14:40 | |
This is a TV show as well. | 0:14:40 | 0:14:42 | |
I just had to persuade them. | 0:14:42 | 0:14:44 | |
I'll show you in here and I'll show you that I want it. | 0:14:46 | 0:14:50 | |
To go from all the hard work to Johnny saying... | 0:14:50 | 0:14:53 | |
-It's a yes from me. -..it was like a scene from The Next Step. | 0:14:53 | 0:14:57 | |
Knowing that there are six people going through, | 0:15:00 | 0:15:03 | |
I knew this was one of the most important 45 seconds of my life | 0:15:03 | 0:15:07 | |
that I'm ever going to dance. | 0:15:07 | 0:15:08 | |
I want you to smile right now because you are going to Canada. | 0:15:13 | 0:15:16 | |
You are in our final six! | 0:15:16 | 0:15:17 | |
All right, so you guys have just seen my moves | 0:15:20 | 0:15:22 | |
and now it's time to see your moves. | 0:15:22 | 0:15:25 | |
This is the first time our finalists | 0:15:25 | 0:15:27 | |
have ever danced for Brittany and Lamar, also known as West. | 0:15:27 | 0:15:31 | |
LAMAR BEATBOXES | 0:15:31 | 0:15:34 | |
They are now 6 out of the 1,400 people that auditioned for this, | 0:15:40 | 0:15:43 | |
so that alone is an accolade in itself. | 0:15:43 | 0:15:45 | |
I think they should definitely be very happy with how far they came. | 0:15:45 | 0:15:49 | |
Whoa! Hey! | 0:15:51 | 0:15:53 | |
CHEERING | 0:15:53 | 0:15:56 | |
I just tried to whip out all my best moves to impress him. | 0:15:56 | 0:16:01 | |
Whoo! | 0:16:04 | 0:16:06 | |
'When I saw them freestyling...' | 0:16:14 | 0:16:16 | |
Yeah! | 0:16:16 | 0:16:17 | |
..the technique and even just the flair and the style... | 0:16:17 | 0:16:20 | |
..I was very impressed. | 0:16:22 | 0:16:23 | |
You could create a cast with just these six people. | 0:16:28 | 0:16:31 | |
They are all so different and you could work with any one of them. | 0:16:31 | 0:16:34 | |
It's going to be a tough call, I think. | 0:16:34 | 0:16:36 | |
Nice! Sweet. | 0:16:36 | 0:16:39 | |
You guys are amazing. | 0:16:39 | 0:16:41 | |
-So good! -Are you impressed? -They are incredible. | 0:16:41 | 0:16:44 | |
For our final six, | 0:16:47 | 0:16:48 | |
today's set visit is a brilliant opportunity | 0:16:48 | 0:16:51 | |
to learn everything they can about The Next Step. | 0:16:51 | 0:16:54 | |
It's a heavy door. | 0:16:54 | 0:16:56 | |
-Hey! -Come on in. Grab a seat. | 0:16:56 | 0:16:59 | |
But being behind the scenes is reminding the dancers | 0:16:59 | 0:17:03 | |
of the big prize at stake and the nerves are kicking in. | 0:17:03 | 0:17:06 | |
How I look at nervousness is... | 0:17:07 | 0:17:09 | |
You getting nervous about something means you care. | 0:17:11 | 0:17:14 | |
If you are not nervous about it, | 0:17:14 | 0:17:16 | |
then you don't really care because I want to do the best I can, right? | 0:17:16 | 0:17:20 | |
And no-one is feeling more nervous than Erin, | 0:17:24 | 0:17:27 | |
who nearly didn't make it past her regional audition. | 0:17:27 | 0:17:31 | |
I'm not sure I'm seeing your personality. | 0:17:31 | 0:17:34 | |
I didn't feel like you have that edge. | 0:17:34 | 0:17:37 | |
My gut feeling was, "This is it. This is over." | 0:17:37 | 0:17:39 | |
I think Kimberly and I both see something in you. | 0:17:40 | 0:17:43 | |
Would this not be a question for a call-back? | 0:17:43 | 0:17:45 | |
The call-back which was the best thing that has happened to me. | 0:17:45 | 0:17:47 | |
-Bring some fire when you come back, OK? -I will. Thank you. | 0:17:47 | 0:17:51 | |
It gave me so much more of a push and made me fight more for it. | 0:17:53 | 0:17:56 | |
We've decided... | 0:17:56 | 0:17:57 | |
..to take both of you through to Nationals. | 0:17:59 | 0:18:01 | |
-BOTH: -Thank you! | 0:18:01 | 0:18:03 | |
CHEERING | 0:18:03 | 0:18:05 | |
My parents normally get annoyed at me dancing around the house. | 0:18:09 | 0:18:12 | |
When they are trying to watch TV, I am just flinging my arms around. | 0:18:12 | 0:18:15 | |
They're like, "Erin, get out!" I'm just like... | 0:18:15 | 0:18:20 | |
To prepare for Nationals, I chose a very jazzy song... | 0:18:21 | 0:18:25 | |
..because I got told in my comments | 0:18:27 | 0:18:29 | |
that I needed to show more personality. | 0:18:29 | 0:18:31 | |
In the solo challenge I wanted to show off my sassiness | 0:18:31 | 0:18:35 | |
and really go for it. | 0:18:35 | 0:18:36 | |
You're coming to Canada! | 0:18:40 | 0:18:42 | |
It was amazing! I couldn't believe it! | 0:18:43 | 0:18:46 | |
Now she's made it on to the set, | 0:18:49 | 0:18:51 | |
she is determined to find out everything she can. | 0:18:51 | 0:18:54 | |
Has there ever been a disaster or a funny thing | 0:18:54 | 0:18:56 | |
that's happened when you're trying to film? | 0:18:56 | 0:18:58 | |
The chandelier in Studio A. | 0:18:58 | 0:19:01 | |
Oh, my gosh, I remember this. | 0:19:01 | 0:19:03 | |
There was one time James - Trevor - was doing this flip | 0:19:03 | 0:19:07 | |
so he kicked his foot and knocked the chandelier. | 0:19:07 | 0:19:10 | |
Glass fell all over. | 0:19:15 | 0:19:16 | |
Yeah, it shattered the chandelier. | 0:19:16 | 0:19:19 | |
Next on our whistle-stop fact-finding mission | 0:19:21 | 0:19:24 | |
is the legendary Studio A. | 0:19:24 | 0:19:26 | |
The stage is set to meet the one man | 0:19:36 | 0:19:38 | |
who can make or break their Next Step dreams... | 0:19:38 | 0:19:41 | |
I would flip V2. | 0:19:41 | 0:19:44 | |
..the creator of the show, Frank Van Keeken. | 0:19:44 | 0:19:46 | |
Here we go, here we go, here we go. | 0:19:46 | 0:19:50 | |
It's time to shine the spotlight on each finalist. | 0:19:50 | 0:19:54 | |
They will compete to impress Frank | 0:19:56 | 0:19:58 | |
during a genuine audition... | 0:19:58 | 0:20:01 | |
..just like every other Next Step cast member once had to. | 0:20:02 | 0:20:06 | |
My name is Lamar Johnson and I am 17 years old. | 0:20:06 | 0:20:10 | |
At my audition, Frank asked me questions | 0:20:10 | 0:20:12 | |
that really put me on the spot. | 0:20:12 | 0:20:14 | |
What would you say is outside of your comfort zone? | 0:20:14 | 0:20:16 | |
Em... Well, I mean, things I'm not comfortable... | 0:20:16 | 0:20:20 | |
As I said, I'm a hip-hop dancer, | 0:20:20 | 0:20:22 | |
so really just doing jazz ballet. | 0:20:22 | 0:20:25 | |
He's very creative and he thinks in very abstract ways | 0:20:25 | 0:20:29 | |
but it just always works. | 0:20:29 | 0:20:31 | |
-What's your name? -Joe. -Joe? -Yeah. | 0:20:38 | 0:20:40 | |
What part of England are you from? | 0:20:40 | 0:20:42 | |
With just minutes for our dancers to prove they've got what it takes, | 0:20:42 | 0:20:45 | |
the pressure is on. | 0:20:45 | 0:20:47 | |
Why did you decide to dance? | 0:20:47 | 0:20:49 | |
My mum said to me that when Madonna came on, | 0:20:49 | 0:20:51 | |
I started doing hand movements like this, | 0:20:51 | 0:20:53 | |
and I was dancing since I was little. | 0:20:53 | 0:20:55 | |
Actually meeting the creator, I was a bit scared. | 0:20:55 | 0:20:58 | |
How often are you dancing now? | 0:20:58 | 0:20:59 | |
Three hours nearly every day. | 0:20:59 | 0:21:01 | |
How do you juggle that with all your schoolwork? | 0:21:01 | 0:21:03 | |
I don't watch TV, don't go on the iPad, don't go on my phone. | 0:21:03 | 0:21:05 | |
Go, do my homework straightaway and just get it done. | 0:21:05 | 0:21:08 | |
That's good, yeah. | 0:21:08 | 0:21:10 | |
What is your best dance move? | 0:21:10 | 0:21:13 | |
Probably the back tuck, or... | 0:21:13 | 0:21:15 | |
this little move that I like to do. | 0:21:15 | 0:21:17 | |
-Oh, yeah, are you going to do it? -I like doing a little foot thing | 0:21:17 | 0:21:21 | |
and then...backflips on my elbows. | 0:21:21 | 0:21:24 | |
-Unbelievable! -All sorts of stuff. | 0:21:24 | 0:21:26 | |
Yeah. That's amazing! | 0:21:26 | 0:21:28 | |
-Thank you! -How old were you when you first did that move, | 0:21:28 | 0:21:31 | |
the flippy thing? | 0:21:31 | 0:21:33 | |
-About when I was 11. -How did you feel when you first did it? | 0:21:33 | 0:21:36 | |
Over the moon, definitely. I just never knew I could do that. | 0:21:36 | 0:21:41 | |
Yeah, well, you can and it's unbelievable. | 0:21:41 | 0:21:43 | |
-Great meeting you. -Thank you. -Thank you so much. | 0:21:43 | 0:21:46 | |
-Who's next? -Erin. -All right, come on up. | 0:21:47 | 0:21:49 | |
When we first heard we were meeting Frank, | 0:21:49 | 0:21:52 | |
who is the creator of the show, | 0:21:52 | 0:21:53 | |
I was so scared because obviously he is the one who made it up. | 0:21:53 | 0:21:57 | |
What, for you, is the worst part of dancing? | 0:21:57 | 0:22:00 | |
Em... | 0:22:00 | 0:22:01 | |
Probably getting tired because I get tired quite easily. | 0:22:01 | 0:22:04 | |
Why do you get tired easily? | 0:22:04 | 0:22:06 | |
Because I try really hard, I think. | 0:22:08 | 0:22:09 | |
-You just go full out? -Full out. -Right. | 0:22:09 | 0:22:12 | |
-Hi. -Nice to meet you. -Nice to meet you. | 0:22:12 | 0:22:14 | |
-What is your name? -I'm Julia. | 0:22:14 | 0:22:16 | |
How are you on square roots? | 0:22:16 | 0:22:18 | |
Erm... | 0:22:18 | 0:22:19 | |
When everyone talked to him, he just said | 0:22:19 | 0:22:21 | |
random questions like, "Do you like maths?" I was like, "Yeah." | 0:22:21 | 0:22:24 | |
64. The square root of 64. | 0:22:24 | 0:22:26 | |
-Eight. -Eight? -No... | 0:22:26 | 0:22:28 | |
-Yeah. -Yeah? Yes or no? | 0:22:28 | 0:22:31 | |
Final answer. Do you need to call a friend? | 0:22:31 | 0:22:33 | |
-Yeah, you made me second-guess myself! -I know! | 0:22:33 | 0:22:35 | |
You didn't think this was going to be a maths class, did you? | 0:22:35 | 0:22:38 | |
-I didn't! -No. | 0:22:38 | 0:22:39 | |
I really hope I impressed Frank | 0:22:39 | 0:22:41 | |
because he's probably got a really big say in it. | 0:22:41 | 0:22:44 | |
What has been the most glorious moment | 0:22:44 | 0:22:46 | |
that you have had as a dancer? | 0:22:46 | 0:22:48 | |
Dancing with the Royal Ballet Company. | 0:22:48 | 0:22:50 | |
-You did that?! -Yes, when I was ten. | 0:22:50 | 0:22:52 | |
Really? What was that like? | 0:22:52 | 0:22:54 | |
It was so cool because the Royal Opera House | 0:22:54 | 0:22:56 | |
is somewhere I've always wanted to dance in. | 0:22:56 | 0:22:58 | |
What advice would you give someone | 0:22:58 | 0:23:00 | |
wanting to audition or be in show business, | 0:23:00 | 0:23:02 | |
because you seem so self-possessed and natural? | 0:23:02 | 0:23:05 | |
Just...do it. | 0:23:05 | 0:23:07 | |
You'll regret it otherwise and... | 0:23:07 | 0:23:09 | |
There you go. You might regret it. That's good advice. | 0:23:09 | 0:23:12 | |
On a scale of 1 to 100, | 0:23:12 | 0:23:14 | |
100 being the best dancer in the world and 0 being...me, | 0:23:14 | 0:23:19 | |
where are you on the continuum of how good you are? | 0:23:19 | 0:23:22 | |
Em... | 0:23:22 | 0:23:25 | |
I don't know. | 0:23:25 | 0:23:26 | |
You must know, you must have some notion! | 0:23:26 | 0:23:28 | |
I was so nervous. | 0:23:28 | 0:23:29 | |
-I don't know. -Yeah, say something. | 0:23:29 | 0:23:33 | |
'Every dancer is unique. You can't just put somebody' | 0:23:33 | 0:23:35 | |
on a scale of 1 to 100. | 0:23:35 | 0:23:37 | |
It's like, what do you say? What do you do? | 0:23:37 | 0:23:40 | |
-Hopefully 100. -You think you're 100?! -No, I don't think I'm 100. | 0:23:40 | 0:23:42 | |
-I think there is always room for improvement. -Yes, so where are you? | 0:23:42 | 0:23:45 | |
I would hopefully say, like...90. | 0:23:45 | 0:23:49 | |
What do you need to do to get that 10%? | 0:23:49 | 0:23:51 | |
-What are you not good at? -Em... | 0:23:51 | 0:23:53 | |
I think my confidence is not the best | 0:23:53 | 0:23:57 | |
but once I'm in something and I'm engrossed with it, I just go for it. | 0:23:57 | 0:24:01 | |
-It was nice meeting you. -Nice to meet you, too. | 0:24:01 | 0:24:04 | |
Thank you so much. You were the final victim. | 0:24:04 | 0:24:07 | |
First impressions count. | 0:24:07 | 0:24:08 | |
So did any of our six finalists convince Frank | 0:24:08 | 0:24:11 | |
they are ready to take The Next Step? | 0:24:11 | 0:24:14 | |
So, how was that preliminary audition? How did you feel in it? | 0:24:14 | 0:24:19 | |
-It was quite scary, but... -Really?! | 0:24:19 | 0:24:21 | |
-Well, I liked it. -Yeah, it was fun. | 0:24:21 | 0:24:23 | |
Questions done but we're not finished yet. | 0:24:23 | 0:24:26 | |
Brittany and Lamar have teamed up | 0:24:26 | 0:24:28 | |
with fellow Next Step cast member Trevor, also known as James, | 0:24:28 | 0:24:32 | |
for one final surprise. | 0:24:32 | 0:24:34 | |
Hey! What's up, guys? | 0:24:37 | 0:24:40 | |
Can you believe it?! Our finalists have had | 0:24:40 | 0:24:43 | |
an access-all-areas tour of The Next Step studios. | 0:24:43 | 0:24:46 | |
They've come face-to-face with the creator | 0:24:46 | 0:24:48 | |
and now they're actually about to dance with The Next Step cast. | 0:24:48 | 0:24:51 | |
It does not get better than this. | 0:24:51 | 0:24:54 | |
Someone smash it right here. | 0:24:54 | 0:24:56 | |
There it is. | 0:25:00 | 0:25:01 | |
They just hopped in and like, "Who wants to go first?" | 0:25:04 | 0:25:07 | |
I think that alone takes a lot out of someone | 0:25:07 | 0:25:09 | |
and the fact they did that is incredible. It was amazing. | 0:25:09 | 0:25:12 | |
I didn't quite know what to expect, but, man, those kids can dance! | 0:25:33 | 0:25:38 | |
The judges definitely have a hard job. | 0:25:39 | 0:25:41 | |
They're all so incredible and they all bring | 0:26:36 | 0:26:38 | |
something different and new, which is like The Next Step cast. | 0:26:38 | 0:26:41 | |
What an amazing day for our finalists! | 0:26:45 | 0:26:47 | |
They've had the most incredible experience here on set | 0:26:47 | 0:26:50 | |
that they can take through to the next stage of the contest. | 0:26:50 | 0:26:54 | |
Today has been fun, but next time they're in the studio, | 0:26:54 | 0:26:56 | |
the pressure is on because they're going to face the judges | 0:26:56 | 0:26:59 | |
and take on some pretty tough challenges | 0:26:59 | 0:27:02 | |
and two of them will be going home. | 0:27:02 | 0:27:04 | |
Next time... | 0:27:04 | 0:27:05 | |
Six must become four. Our finalists fight to stay in the running | 0:27:07 | 0:27:11 | |
for a prized guest role on The Next Step. | 0:27:11 | 0:27:14 | |
That's how we roll around here. | 0:27:14 | 0:27:16 | |
They all want it... | 0:27:16 | 0:27:17 | |
If I go through to the final four... | 0:27:17 | 0:27:19 | |
..I'll be speechless. | 0:27:20 | 0:27:21 | |
But only the judges can decide who stays and who goes. | 0:27:23 | 0:27:26 | |
They're really even to me. | 0:27:26 | 0:27:28 | |
It's two against one on this. | 0:27:28 | 0:27:30 | |
I can't judge this person and this person together. | 0:27:30 | 0:27:32 | |
It breaks my heart into pieces. | 0:27:32 | 0:27:34 | |
Stand up! | 0:27:36 | 0:27:38 |